May 24, 2025 • 21 mins
Step into the world of a private investigator who solves complex cases with keen observation and intellect. His adventures are filled with suspense and unexpected twists.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Enough left to pay the toweling then and service. So
where do you go from here? I don't know you
loved Harry. We knew up and down times were tough,
with care to crust, the bread guns were goodly buddy
to the diamonds kicking.
Speaker 2 (00:14):
Then what really got you worried about Harry? Last spring?
Speaker 1 (00:19):
Harry married a cabaret girl like Peaky Adams, a singer
in a roadhouse. And I didn't know that a only
shrimp like Harry's forty four years old, not a hair
and his bald head taken a young cabaret kicking for
a wife. Forty four of these dangerous aid for Menny,
say a crack opens in your head? Yeah, and other things, Craig,
the people Harry began to go around with a bomp musician,
(00:41):
a hornball with a crazy made big Old Bernie, and
the gangster and the silk suit gangster in the silk suit,
Tony Saxon. They ran him out of New York, They
ran him out of Miami, They ran Tory Saxon out
of h Sciananscisco, Seattle, Nevada.
Speaker 2 (00:57):
And the Duke.
Speaker 1 (00:59):
Yeah, it could only be my imagination sent him out
of my nervousness for Harry. But the last days before
we resolved partnership. To me, Harry had a fighting look,
like like he was sad less. Yeah, and another strange
thinks though he took his money in the land, he
had a bus ticket for Key West.
Speaker 2 (01:20):
He said.
Speaker 1 (01:20):
The bus was six o'clock that night. But I asked
the driver the next day, Krogan the driver he stopped
over here to grab a bit more. Except how did
Harry look to him on the bus? I asked, But no, Harry,
Krogan said, Harry never got on it.
Speaker 2 (01:32):
But you find it mysterious.
Speaker 1 (01:35):
What I find more mysterious is that Harry's wife, Kitty Adam,
is still.
Speaker 2 (01:39):
Right here in town, in the same Printish department.
Speaker 1 (01:42):
That rendered last spring. Lady Harry's ched her crazy the
way he was over her, That's impossible. Also, thinking from
the angle of the life, the cash opportunity to grabbed
when he married the fourth Fish, Harry Harry's thirty thousand
parish exactly, I asked, you would take to let a
gold mine slip away on a bus, Craig, I need
(02:05):
some help. Well, I think you'd only to stay over
and now I stick around Craig.
Speaker 2 (02:10):
Find Harry's pone.
Speaker 1 (02:12):
Al right, I'll stay a few days, try to find
out what did happen to him? Now what cabin have
I got cab him for the best.
Speaker 2 (02:20):
You could watch up Craig.
Speaker 1 (02:21):
But then our boy ye steak free.
Speaker 2 (02:23):
On the house and two and a half found.
Speaker 1 (02:30):
A quarterhouse street later, with my stomach to fust in
front of me, I went calling, I'm speaking at him
to twelve Elm Street. Uh, I have directions only written
out by mobirt. You drive east across the railroad tracks
the northwot quarter of my Auster County jail, one quarter
of my up Aast County jail.
Speaker 2 (02:49):
I had stopped.
Speaker 1 (02:53):
Two twelve Elm Street with a two story frame building
sand which between an abandoned schoolhouse and a plumbing supplier
old sailah a big front door with eysing glass spreads
on it than a brass knocker. I banged the knocker
a little while, and then I tried the doorknob. I
made less progress there. The donot came off of my hands.
(03:17):
A situation I got you becoming barrason. This was di alright,
drop it Sam f the doorknock.
Speaker 2 (03:23):
Damn I saw your coping, you will misjudge me.
Speaker 1 (03:25):
Friends, I'm on the steps there, beating my feet.
Speaker 2 (03:27):
I got a cold iron.
Speaker 1 (03:28):
You, Sam, your low down jelly belly to.
Speaker 2 (03:30):
The grass, jelly belly? Y? What kind of giant big
a little Bernie? Sam?
Speaker 1 (03:34):
And don't scratch your violin at me, big a little Bernie.
Speaker 2 (03:37):
I've heard about you. You're the buck musician.
Speaker 1 (03:40):
Hey man, who's been scatchy? Scandal about big old Bernie?
Speaker 2 (03:43):
Never mind, always been scattering. Look, I'm a detective, Harry Craig.
I'm here to visit a lady. Missus Harry Jarvis. Oh
ky yuh my eyes getting colder?
Speaker 1 (03:53):
Sam?
Speaker 2 (03:54):
Where can I fine?
Speaker 1 (03:55):
Keeking at him? Missus Harry Jarvis. That's the downby the
down beat, that's the.
Speaker 2 (04:00):
If you work than that is thanks.
Speaker 1 (04:02):
You go back to beat your feet and while you're
moving albout blue Mia, cheeky, keep one fat your mind.
Speaker 2 (04:07):
I don't shoot me, say Teaky is supposed to be
another man's wife. Put out your horn and blow it music. Man.
I got to drive teek me home after her twelve
midnight turn. It was extended to uh up there, make
yourself comfortable.
Speaker 1 (04:24):
Do that I'd have to take off my shoes, be
my gask well I didn't like my home, sweet home,
shommy yu the crummy jump.
Speaker 2 (04:33):
It could use a coat of paste, it could use
a match. I know the answers.
Speaker 1 (04:39):
Why do so lad to my husband?
Speaker 2 (04:43):
Oh? Well, where is it? Harry?
Speaker 1 (04:45):
You away on a tribb Oh love?
Speaker 3 (04:49):
I wanna set you stay?
Speaker 1 (04:51):
Huh how you got you?
Speaker 2 (04:53):
Well? You am budi me DePass the time, so joey
on the night.
Speaker 1 (04:57):
I will not a butter fell.
Speaker 2 (04:59):
Have I made a p my job? No? Not shared?
So why the sermon? I got a canned speech? I
using guys I prick up with alright, finish it.
Speaker 1 (05:10):
I don't like talking to myself when I get home.
Speaker 2 (05:13):
I have to be showed.
Speaker 1 (05:14):
I tried bringing intogract. Why don't I who like you?
Speaker 3 (05:17):
You're up here only for conversation, lover in this can speech?
Speaker 2 (05:23):
Alright? If I'm at a speech? Now?
Speaker 1 (05:25):
Speech exactly?
Speaker 2 (05:27):
Where is Harry Johns? I right?
Speaker 3 (05:29):
Did you care?
Speaker 2 (05:30):
I'm worried about him? Worry? You know my I I
do don't even like it.
Speaker 1 (05:38):
Oh this is news.
Speaker 2 (05:40):
You never asked me why I popped into your life?
Speaker 3 (05:44):
No, I as soon as it was just another job,
looking to get acquaintance.
Speaker 1 (05:48):
I looked you up on Harry's account. To put it simply,
I'm a detective. A detective. It was Harry on your mind? Yeah, Oh,
what's it? Harry?
Speaker 2 (05:58):
He isn't around.
Speaker 1 (05:59):
I showed you to wear on trip.
Speaker 2 (06:01):
You failed to stay where where?
Speaker 3 (06:04):
Well, I don't know.
Speaker 2 (06:06):
Well your his wife, Well you're but.
Speaker 1 (06:08):
He didn't say where he was off to. I didn't
even see him when he left. I was at the club.
There was a note waiting for him. One got home
at night.
Speaker 2 (06:15):
Well, what did the nose say?
Speaker 1 (06:16):
Stay call away for a few days something like that?
Speaker 2 (06:21):
Oh when was there? No way?
Speaker 1 (06:24):
Days ago?
Speaker 2 (06:25):
Where's the nose?
Speaker 3 (06:27):
I gover heard?
Speaker 1 (06:28):
I say, well, don't reason gonna have to save him?
Speaker 2 (06:31):
Well the means they days. That's high a contract to do.
Speaker 1 (06:34):
No, and you didn't find that strange? Oh, I guess
I did a little. But h this made shuck.
Speaker 2 (06:45):
You know, I'm a shock.
Speaker 3 (06:47):
Put it was the leaf was Harry away, so I
didn't worried too much about his silence. You see, Harry's
in his middle age.
Speaker 2 (06:56):
But you married him, you got did Why why just
take me?
Speaker 1 (07:02):
I asked my jail I'm.
Speaker 2 (07:04):
Gonna ask you a big question.
Speaker 1 (07:05):
Now get on record with an understancer and you'll thank
yourself sometimes. What's the big Christ? Did you know Howry
had liquidated a half interest in the Happy Saddle of Motels?
Did I under about eight days ago? Harry had thirty
thousand dollars in care on him?
Speaker 3 (07:22):
Well you he was selling out in the motel. I
know he'd already done it is what about the kids?
Speaker 1 (07:32):
Something happened to Harry? Until I know better, I'm proceeding
on that premise, Missus Jarvis. I left teach to waste
a fragrance on the four walls downstairs.
Speaker 2 (07:50):
I ran into a familion six back, sitting on the
next door schoolhouse.
Speaker 1 (07:55):
That's busy, quote, speeding his time, the bumping music, big,
a little break, a real low down jelly.
Speaker 2 (08:01):
Belly to the grass. Then I got to write The
Cold Eye. Bernie.
Speaker 1 (08:06):
I did not eve much converse with Kekey upstairs. It's
still you and her husband in the fields.
Speaker 2 (08:12):
I mean, if passion flowered upstairs still has a husband.
Oh what's your thought about that? Bernie?
Speaker 1 (08:19):
Harry will be home then, Uh, why do you sit
outside here beating your time and moaning over Kekey's another
man's wife and no chance for yourself. You can see
I got an answer for you, Sam, I'm dying to
hear it.
Speaker 2 (08:32):
You see, if there were.
Speaker 1 (08:33):
Important, that's flat under Kekey's Yes, I live there, Dam,
I'm beating my time down here because.
Speaker 2 (08:39):
I live up there. Bernie got that. What if it
turns out Harry Jarvis is never coming home to Keki
he left, it could be you know? Uh? Now?
Speaker 1 (08:50):
Okay, So Kekey's one base. A man doesn't walk out
on us. But suppose Harry doesn't ever come home for
a wholly different reasons. Man, Only one reason would keep
Harry from coming home.
Speaker 2 (09:00):
Okay, participate me go ahead.
Speaker 1 (09:02):
It has to be dead, Sam, real going, Sam? Is
that what you mean by Harry not coming home? That's
exactly what I mean. And Harry's dead, dead with you
out in front now in the grab for blue Mama,
you hitting around? Maybe I killed Harry.
Speaker 2 (09:18):
I'm asking you, would you kill Harry Jarvis? No?
Speaker 1 (09:22):
Man and singer somebody for me, somebody who would kill Harry. Hey,
you were supposing before, Now you're not.
Speaker 2 (09:29):
I give it up.
Speaker 1 (09:30):
Supposing Tom Brani helped the law and you helped yourself. Well, man,
if Harry is dead, there's only one man I know.
Speaker 2 (09:39):
Who is this man?
Speaker 1 (09:42):
The supporting myself suit Tony Saxon's man, Tony Saxon.
Speaker 2 (09:46):
Why would Saxon want to kill Harry Jarvis?
Speaker 1 (09:48):
Money is Sam?
Speaker 2 (09:49):
Harry was into Tony Saxon for money.
Speaker 1 (09:51):
Gambling wet Tony Saxon is a gambler.
Speaker 2 (09:54):
Why do I firet saction in this town? Three acres?
Speaker 1 (09:57):
That's a few stone hearts on test nothing rowing? Man here,
he is dead.
Speaker 2 (10:03):
That's my morbid to mind.
Speaker 1 (10:05):
Say all right for me to go comfort the widow.
Speaker 2 (10:07):
I'd say it's more decent to wait until the cork
confirms that fact.
Speaker 1 (10:11):
Do you know I'm glad I had to start with you. Sam,
No more feeling low down, jelly body of the glass.
Oh no, I'm hiring a star, Sam On a happiness gay.
Speaker 2 (10:20):
You sure go for Kiki. Oh he's under my.
Speaker 1 (10:22):
Skin, Sam, under my quiver and skins, Blue Mama Bagel,
Old Bernie's rowing a high note tonight.
Speaker 2 (10:36):
I love to say, Man, he's swinging in the trees.
I went to look out for the sex. The house
is bread up like these people inside. They were afraid
of the gods.
Speaker 1 (10:47):
Every room inside and bloodlights outside on the big lawing
to get in, and you had to pass to a
fresh looks like an electric fres huge collars and police
to day.
Speaker 2 (10:58):
I looked for a poser, but couldn't find one. Plastable.
While wondering how to get in, somebody saw the riddle
for me, how do you do? From behind? That closed
my eyes? It came two.
Speaker 1 (11:15):
Was something rattling in my ears, rattling a bone like Keith.
Speaker 2 (11:22):
When I got my eyes open enough, I saw.
Speaker 1 (11:24):
What it was, chips Ivy gambling chips on a green
dice table. I would stretched down on the dice table.
He's up six and thirty two. You win, Morty, pack
up your money, a sport and a black silk suit.
Tony saxon, Uh, what's the six and thirty two? Is
(11:45):
the time it took you to come two?
Speaker 2 (11:46):
We made a bet on it here, me and Mordy
and Fatso a bet on how long I'd be out?
Speaker 1 (11:51):
I said ten minutes, fats So there, I said eight
Morty steps was six minutes.
Speaker 2 (11:55):
You were out six minutes and thirty two seconds.
Speaker 1 (11:57):
On my stop watch, Morty pets.
Speaker 2 (12:00):
Morning there owns me have cut for cooperating to see it. Boy.
But not too far, a bill, It's just far enough
to be able to keep me covered. Fellow, we don't
shoot fish and barrels of Craig. Then give me a
running start. If you really want to.
Speaker 1 (12:15):
Be sporting like you get death on the brain. Craig, Craig,
you keep calling me Craig?
Speaker 2 (12:21):
Your name, you know.
Speaker 1 (12:23):
Your word says So there's your police license? Did you
restore everything back to my pockets in good order? Everything
except your gun?
Speaker 2 (12:30):
You'll get that on your way out.
Speaker 1 (12:32):
I ran in the main four you a she has
your hat and your gun.
Speaker 2 (12:36):
So tell me.
Speaker 1 (12:38):
One of the boys fats out there.
Speaker 2 (12:39):
I saw your prowling outside. He figured you were alone
from stick up case.
Speaker 1 (12:42):
In three ages, he tapped you. My head doesn't just
feel tapped. What happened all the life right the place
was all lit.
Speaker 2 (12:52):
Up six and thirty two ago? Wait turned them off?
What happened to all the players? You're pretty smile, smart
enough to know you had a few games going here.
Speaker 1 (13:02):
Patow didn't figure me a stick up. He figured me
a cop felling away. He tapped me out until you
shoe your guest home.
Speaker 2 (13:09):
I won't admit it or deny it. What can I do?
For you hand over the course of Harry Jarvis.
Speaker 1 (13:15):
Harry Jarvis is dead. I'll make books dead, but no cork,
not yet. That's bad news. It's true you've lost a friend,
a debtor. Harry owes me twenty thousand.
Speaker 2 (13:28):
Good paper. Maybe you oweys to stay ten thousand. IS's that? Well?
Last on Harry was seen he had thirty thousand dollars
on him. Good night, Craig Mardy show Craig out hold
up here behind.
Speaker 1 (13:43):
An electric spense after being thrown out of as many
spaces as I can name, Who do you pay protection to?
Such from Grandma John, Grandma June, my landlady, I rent
three agents from a good night Chris.
Speaker 2 (13:59):
Find Harry let me know crying on my outside.
Speaker 1 (14:01):
Saxon while I have found question something. See we looked
at him because sake you be along with friends, you
better be Alarm'm still probably I'm the law here in
law skag that.
Speaker 2 (14:14):
Did all the law they got this side to con
and here it is so.
Speaker 1 (14:19):
I was by a spruce across the street well before
when that sax thing Croupier.
Speaker 2 (14:24):
Came down on your heads. You just watched the show.
Speaker 1 (14:27):
For now I'm the law, but I'm peacefully and plying.
When it comes to Saxton again, he's a count of
Commissioner's problem. And I got my complaint about sacking up
with the Commissioner Hawkins right now because I was standing
under that spruce with other things, claiming my box. What
other things, Harry Jarvis is it's did same conclusion you
came to friends, How do you know?
Speaker 2 (14:49):
Well?
Speaker 1 (14:49):
You see I'm taking the big little burning, asked you
a doctor. Oh, I see I got something down at
the deal house. Now, it's kind of proves Harry Darvis.
Speaker 2 (14:58):
Then co I do it? Does? Huh?
Speaker 1 (15:12):
And the north Gate jail house was a clapboard frame
shack a march wing could blow off his foundation. He
had an office and the cell that could accommodate two
overnight guests. At the moment the roll as a single
one prison fast asleep on a cott.
Speaker 2 (15:27):
He's would have brought you to seek for the prison.
You know, looks like a who's the trade? He claim?
Say his name? What does he do besides sleep?
Speaker 1 (15:37):
He lets shut you out him down, taking us today
to day fer strike.
Speaker 2 (15:41):
He wants his constitutional rust. Those days from the road,
he says, three days he said, uh, what do you
do here in north Gate? Throw away the keys when
I'm waiting for the wagons to come. Take him to
the camp stick now he'll get his hearing there. How
does he connect with Harry?
Speaker 1 (16:00):
See the clothing, yes, draped and bluetid, those.
Speaker 2 (16:04):
Yellow shoes, who can miss um? I know the super
yellow shoes.
Speaker 1 (16:08):
Like they're my own Harry's clothes. This Dusty Ames was
wearing Harry Jarvison's clothes when I picked him up.
Speaker 2 (16:14):
Who were en rapped? Nine?
Speaker 1 (16:21):
When Dusty aims I'm a Federalist Resident McKinley of here
about there does a miracle on your hands? That's my
logical direct and David College.
Speaker 2 (16:31):
But the road so you turned her in your cabinet.
They don't opened an highway. And tell the man here
in north Kate that's a lie. You're in his clothes.
I've found those put up. We've been asking you to where.
Speaker 1 (16:44):
I wouldn't tell a herb. Why don't I tell you?
Speaker 2 (16:48):
Because I was.
Speaker 1 (16:49):
When it come comes down to it, I'm going to
see it out of you. They're liesest man always reverted
to the beach. Your predecessor and those clothes was a
dear friend of mine dusty, dear friend oh Man greater
for the whole materialistic world. So I have a poem
right here in the pocket, after the fashion of Edgar Gets.
Speaker 2 (17:12):
I'll read it.
Speaker 1 (17:14):
No matter where the road may go, I'll always think,
because dear friend Joel, a tree hollow in the piny
wood toes were right in there, wrapped in tar paper
set the barn enders. I've seen them when you change
into the new close what did you do with your
(17:35):
own right hallo them to a tree? What for there's
a sign that does seem to come to a sign
that there was pray chickens and knees parts a sign
for other hobbos live right suh pared Jarvis is buried
here in China forest.
Speaker 2 (17:50):
Yeah, it's like how big is Piney Parks? Bigger than
lost their champs to close to four hundred acres.
Speaker 1 (17:57):
Meaning we've been a regiment to un nurse the body
and these more manpower and norse greets got. We could
appeeled the distinct governor National Guards. You know, we may
not need to not need to turn up the body
hair Johnny a time and labor and agony.
Speaker 2 (18:15):
We might be able to avoid all that because I
see if we can get the murder to find a
body forest. Now I have it to be a trick.
Trick is exactly what I have in mind.
Speaker 1 (18:25):
Yeah, we'll try to make a trick. Go for manpower, Jerff.
I reached cheryswy On what I wanted him to do,
and to let the word get out that we got
sales now with at your hobo prisoner. Let On needs
seeing the actual murder and burial in Piney Forest.
Speaker 2 (18:46):
Get on it, Sheriff.
Speaker 1 (18:51):
Sometimes it's played exactly according to script.
Speaker 2 (18:53):
Sometimes it does. This time it did. I could hear
it on a chime.
Speaker 1 (19:00):
Pilhouette appeared a share windows had him shoulders the space.
Speaker 2 (19:04):
With no identity to it. We could stock. I was
in the office under the desk, I mean hunts of gymnastics,
considering my side good.
Speaker 1 (19:13):
More than two minutes before the killer bed beside the
door the seat for six inches from my nose. When
he stopped dead center in the office, I had to
imagine the rest.
Speaker 2 (19:29):
My line of vision was too low. Now I imagined
him estimating the sleeping figure of shot the game, estimating
how to make a shot the pecture. I didn't wait
for the murder of the hobo. I just took a
him at a forty five degree ankle from.
Speaker 1 (19:44):
The floor and shot my pigeon on the legs had
the killer. It's time for rejoicing, but I didn't feel
that way this time. I only felt like getting drunk.
Speaker 2 (19:58):
Hit kept me like a stark, explained James. With the
rabbit hard your leg bowl on fire. But I didn't
game high. Oh why did you ask me to find Harry?
I asked you to find Harry.
Speaker 1 (20:15):
To demonstrate to me how safe I was. I decided
to make a test with you, a smart.
Speaker 2 (20:21):
New York detecting me. If you couldn't get me, nobody could.
I could stop worrying.
Speaker 1 (20:28):
I you gave me a demonstration. You killed Harry for
thirty thousand dollars.
Speaker 2 (20:34):
You gotta statch away.
Speaker 1 (20:35):
I killed Harry because I was too old to start
over again. We made our life together, and Harry was
condemning me to death. I corrupty isn't death mold, but
my age it is, and my condition that positively is
your condition. R little kidney is inside him like a
(20:56):
bomb up the in and no time for me to
start all over the I'm young, and I'm it's just small.
Speaker 2 (21:02):
I thought it is you're a little off.
Speaker 1 (21:04):
No, I stand say I'm worn out in the world.
Speaker 2 (21:08):
That's I just say that.
Speaker 1 (21:09):
It's fifty three. I moved bird, got so confused, I
started a gun and had.
Speaker 2 (21:14):
A job it. I wanna know where you burying molsture.
Speaker 1 (21:20):
You wanna know one, I'll tell you anything.
Speaker 2 (21:24):
But a right now, I'm I think sometimes you take
no pleasure in the catch. Sometimes all you wanna do
is get drunk.
Enough left to pay the toweling then and service. So
where do you go from here? I don't know you
loved Harry. We knew up and down times were tough,
with care to crust, the bread guns were goodly buddy
to the diamonds kicking.
Speaker 2 (00:14):
Then what really got you worried about Harry? Last spring?
Speaker 1 (00:19):
Harry married a cabaret girl like Peaky Adams, a singer
in a roadhouse. And I didn't know that a only
shrimp like Harry's forty four years old, not a hair
and his bald head taken a young cabaret kicking for
a wife. Forty four of these dangerous aid for Menny,
say a crack opens in your head? Yeah, and other things, Craig,
the people Harry began to go around with a bomp musician,
(00:41):
a hornball with a crazy made big Old Bernie, and
the gangster and the silk suit gangster in the silk suit,
Tony Saxon. They ran him out of New York, They
ran him out of Miami, They ran Tory Saxon out
of h Sciananscisco, Seattle, Nevada.
Speaker 2 (00:57):
And the Duke.
Speaker 1 (00:59):
Yeah, it could only be my imagination sent him out
of my nervousness for Harry. But the last days before
we resolved partnership. To me, Harry had a fighting look,
like like he was sad less. Yeah, and another strange
thinks though he took his money in the land, he
had a bus ticket for Key West.
Speaker 2 (01:20):
He said.
Speaker 1 (01:20):
The bus was six o'clock that night. But I asked
the driver the next day, Krogan the driver he stopped
over here to grab a bit more. Except how did
Harry look to him on the bus? I asked, But no, Harry,
Krogan said, Harry never got on it.
Speaker 2 (01:32):
But you find it mysterious.
Speaker 1 (01:35):
What I find more mysterious is that Harry's wife, Kitty Adam,
is still.
Speaker 2 (01:39):
Right here in town, in the same Printish department.
Speaker 1 (01:42):
That rendered last spring. Lady Harry's ched her crazy the
way he was over her, That's impossible. Also, thinking from
the angle of the life, the cash opportunity to grabbed
when he married the fourth Fish, Harry Harry's thirty thousand
parish exactly, I asked, you would take to let a
gold mine slip away on a bus, Craig, I need
(02:05):
some help. Well, I think you'd only to stay over
and now I stick around Craig.
Speaker 2 (02:10):
Find Harry's pone.
Speaker 1 (02:12):
Al right, I'll stay a few days, try to find
out what did happen to him? Now what cabin have
I got cab him for the best.
Speaker 2 (02:20):
You could watch up Craig.
Speaker 1 (02:21):
But then our boy ye steak free.
Speaker 2 (02:23):
On the house and two and a half found.
Speaker 1 (02:30):
A quarterhouse street later, with my stomach to fust in
front of me, I went calling, I'm speaking at him
to twelve Elm Street. Uh, I have directions only written
out by mobirt. You drive east across the railroad tracks
the northwot quarter of my Auster County jail, one quarter
of my up Aast County jail.
Speaker 2 (02:49):
I had stopped.
Speaker 1 (02:53):
Two twelve Elm Street with a two story frame building
sand which between an abandoned schoolhouse and a plumbing supplier
old sailah a big front door with eysing glass spreads
on it than a brass knocker. I banged the knocker
a little while, and then I tried the doorknob. I
made less progress there. The donot came off of my hands.
(03:17):
A situation I got you becoming barrason. This was di alright,
drop it Sam f the doorknock.
Speaker 2 (03:23):
Damn I saw your coping, you will misjudge me.
Speaker 1 (03:25):
Friends, I'm on the steps there, beating my feet.
Speaker 2 (03:27):
I got a cold iron.
Speaker 1 (03:28):
You, Sam, your low down jelly belly to.
Speaker 2 (03:30):
The grass, jelly belly? Y? What kind of giant big
a little Bernie? Sam?
Speaker 1 (03:34):
And don't scratch your violin at me, big a little Bernie.
Speaker 2 (03:37):
I've heard about you. You're the buck musician.
Speaker 1 (03:40):
Hey man, who's been scatchy? Scandal about big old Bernie?
Speaker 2 (03:43):
Never mind, always been scattering. Look, I'm a detective, Harry Craig.
I'm here to visit a lady. Missus Harry Jarvis. Oh
ky yuh my eyes getting colder?
Speaker 1 (03:53):
Sam?
Speaker 2 (03:54):
Where can I fine?
Speaker 1 (03:55):
Keeking at him? Missus Harry Jarvis. That's the downby the
down beat, that's the.
Speaker 2 (04:00):
If you work than that is thanks.
Speaker 1 (04:02):
You go back to beat your feet and while you're
moving albout blue Mia, cheeky, keep one fat your mind.
Speaker 2 (04:07):
I don't shoot me, say Teaky is supposed to be
another man's wife. Put out your horn and blow it music. Man.
I got to drive teek me home after her twelve
midnight turn. It was extended to uh up there, make
yourself comfortable.
Speaker 1 (04:24):
Do that I'd have to take off my shoes, be
my gask well I didn't like my home, sweet home,
shommy yu the crummy jump.
Speaker 2 (04:33):
It could use a coat of paste, it could use
a match. I know the answers.
Speaker 1 (04:39):
Why do so lad to my husband?
Speaker 2 (04:43):
Oh? Well, where is it? Harry?
Speaker 1 (04:45):
You away on a tribb Oh love?
Speaker 3 (04:49):
I wanna set you stay?
Speaker 1 (04:51):
Huh how you got you?
Speaker 2 (04:53):
Well? You am budi me DePass the time, so joey
on the night.
Speaker 1 (04:57):
I will not a butter fell.
Speaker 2 (04:59):
Have I made a p my job? No? Not shared?
So why the sermon? I got a canned speech? I
using guys I prick up with alright, finish it.
Speaker 1 (05:10):
I don't like talking to myself when I get home.
Speaker 2 (05:13):
I have to be showed.
Speaker 1 (05:14):
I tried bringing intogract. Why don't I who like you?
Speaker 3 (05:17):
You're up here only for conversation, lover in this can speech?
Speaker 2 (05:23):
Alright? If I'm at a speech? Now?
Speaker 1 (05:25):
Speech exactly?
Speaker 2 (05:27):
Where is Harry Johns? I right?
Speaker 3 (05:29):
Did you care?
Speaker 2 (05:30):
I'm worried about him? Worry? You know my I I
do don't even like it.
Speaker 1 (05:38):
Oh this is news.
Speaker 2 (05:40):
You never asked me why I popped into your life?
Speaker 3 (05:44):
No, I as soon as it was just another job,
looking to get acquaintance.
Speaker 1 (05:48):
I looked you up on Harry's account. To put it simply,
I'm a detective. A detective. It was Harry on your mind? Yeah, Oh,
what's it? Harry?
Speaker 2 (05:58):
He isn't around.
Speaker 1 (05:59):
I showed you to wear on trip.
Speaker 2 (06:01):
You failed to stay where where?
Speaker 3 (06:04):
Well, I don't know.
Speaker 2 (06:06):
Well your his wife, Well you're but.
Speaker 1 (06:08):
He didn't say where he was off to. I didn't
even see him when he left. I was at the club.
There was a note waiting for him. One got home
at night.
Speaker 2 (06:15):
Well, what did the nose say?
Speaker 1 (06:16):
Stay call away for a few days something like that?
Speaker 2 (06:21):
Oh when was there? No way?
Speaker 1 (06:24):
Days ago?
Speaker 2 (06:25):
Where's the nose?
Speaker 3 (06:27):
I gover heard?
Speaker 1 (06:28):
I say, well, don't reason gonna have to save him?
Speaker 2 (06:31):
Well the means they days. That's high a contract to do.
Speaker 1 (06:34):
No, and you didn't find that strange? Oh, I guess
I did a little. But h this made shuck.
Speaker 2 (06:45):
You know, I'm a shock.
Speaker 3 (06:47):
Put it was the leaf was Harry away, so I
didn't worried too much about his silence. You see, Harry's
in his middle age.
Speaker 2 (06:56):
But you married him, you got did Why why just
take me?
Speaker 1 (07:02):
I asked my jail I'm.
Speaker 2 (07:04):
Gonna ask you a big question.
Speaker 1 (07:05):
Now get on record with an understancer and you'll thank
yourself sometimes. What's the big Christ? Did you know Howry
had liquidated a half interest in the Happy Saddle of Motels?
Did I under about eight days ago? Harry had thirty
thousand dollars in care on him?
Speaker 3 (07:22):
Well you he was selling out in the motel. I
know he'd already done it is what about the kids?
Speaker 1 (07:32):
Something happened to Harry? Until I know better, I'm proceeding
on that premise, Missus Jarvis. I left teach to waste
a fragrance on the four walls downstairs.
Speaker 2 (07:50):
I ran into a familion six back, sitting on the
next door schoolhouse.
Speaker 1 (07:55):
That's busy, quote, speeding his time, the bumping music, big,
a little break, a real low down jelly.
Speaker 2 (08:01):
Belly to the grass. Then I got to write The
Cold Eye. Bernie.
Speaker 1 (08:06):
I did not eve much converse with Kekey upstairs. It's
still you and her husband in the fields.
Speaker 2 (08:12):
I mean, if passion flowered upstairs still has a husband.
Oh what's your thought about that? Bernie?
Speaker 1 (08:19):
Harry will be home then, Uh, why do you sit
outside here beating your time and moaning over Kekey's another
man's wife and no chance for yourself. You can see
I got an answer for you, Sam, I'm dying to
hear it.
Speaker 2 (08:32):
You see, if there were.
Speaker 1 (08:33):
Important, that's flat under Kekey's Yes, I live there, Dam,
I'm beating my time down here because.
Speaker 2 (08:39):
I live up there. Bernie got that. What if it
turns out Harry Jarvis is never coming home to Keki
he left, it could be you know? Uh? Now?
Speaker 1 (08:50):
Okay, So Kekey's one base. A man doesn't walk out
on us. But suppose Harry doesn't ever come home for
a wholly different reasons. Man, Only one reason would keep
Harry from coming home.
Speaker 2 (09:00):
Okay, participate me go ahead.
Speaker 1 (09:02):
It has to be dead, Sam, real going, Sam? Is
that what you mean by Harry not coming home? That's
exactly what I mean. And Harry's dead, dead with you
out in front now in the grab for blue Mama,
you hitting around? Maybe I killed Harry.
Speaker 2 (09:18):
I'm asking you, would you kill Harry Jarvis? No?
Speaker 1 (09:22):
Man and singer somebody for me, somebody who would kill Harry. Hey,
you were supposing before, Now you're not.
Speaker 2 (09:29):
I give it up.
Speaker 1 (09:30):
Supposing Tom Brani helped the law and you helped yourself. Well, man,
if Harry is dead, there's only one man I know.
Speaker 2 (09:39):
Who is this man?
Speaker 1 (09:42):
The supporting myself suit Tony Saxon's man, Tony Saxon.
Speaker 2 (09:46):
Why would Saxon want to kill Harry Jarvis?
Speaker 1 (09:48):
Money is Sam?
Speaker 2 (09:49):
Harry was into Tony Saxon for money.
Speaker 1 (09:51):
Gambling wet Tony Saxon is a gambler.
Speaker 2 (09:54):
Why do I firet saction in this town? Three acres?
Speaker 1 (09:57):
That's a few stone hearts on test nothing rowing? Man here,
he is dead.
Speaker 2 (10:03):
That's my morbid to mind.
Speaker 1 (10:05):
Say all right for me to go comfort the widow.
Speaker 2 (10:07):
I'd say it's more decent to wait until the cork
confirms that fact.
Speaker 1 (10:11):
Do you know I'm glad I had to start with you. Sam,
No more feeling low down, jelly body of the glass.
Oh no, I'm hiring a star, Sam On a happiness gay.
Speaker 2 (10:20):
You sure go for Kiki. Oh he's under my.
Speaker 1 (10:22):
Skin, Sam, under my quiver and skins, Blue Mama Bagel,
Old Bernie's rowing a high note tonight.
Speaker 2 (10:36):
I love to say, Man, he's swinging in the trees.
I went to look out for the sex. The house
is bread up like these people inside. They were afraid
of the gods.
Speaker 1 (10:47):
Every room inside and bloodlights outside on the big lawing
to get in, and you had to pass to a
fresh looks like an electric fres huge collars and police
to day.
Speaker 2 (10:58):
I looked for a poser, but couldn't find one. Plastable.
While wondering how to get in, somebody saw the riddle
for me, how do you do? From behind? That closed
my eyes? It came two.
Speaker 1 (11:15):
Was something rattling in my ears, rattling a bone like Keith.
Speaker 2 (11:22):
When I got my eyes open enough, I saw.
Speaker 1 (11:24):
What it was, chips Ivy gambling chips on a green
dice table. I would stretched down on the dice table.
He's up six and thirty two. You win, Morty, pack
up your money, a sport and a black silk suit.
Tony saxon, Uh, what's the six and thirty two? Is
(11:45):
the time it took you to come two?
Speaker 2 (11:46):
We made a bet on it here, me and Mordy
and Fatso a bet on how long I'd be out?
Speaker 1 (11:51):
I said ten minutes, fats So there, I said eight
Morty steps was six minutes.
Speaker 2 (11:55):
You were out six minutes and thirty two seconds.
Speaker 1 (11:57):
On my stop watch, Morty pets.
Speaker 2 (12:00):
Morning there owns me have cut for cooperating to see it. Boy.
But not too far, a bill, It's just far enough
to be able to keep me covered. Fellow, we don't
shoot fish and barrels of Craig. Then give me a
running start. If you really want to.
Speaker 1 (12:15):
Be sporting like you get death on the brain. Craig, Craig,
you keep calling me Craig?
Speaker 2 (12:21):
Your name, you know.
Speaker 1 (12:23):
Your word says So there's your police license? Did you
restore everything back to my pockets in good order? Everything
except your gun?
Speaker 2 (12:30):
You'll get that on your way out.
Speaker 1 (12:32):
I ran in the main four you a she has
your hat and your gun.
Speaker 2 (12:36):
So tell me.
Speaker 1 (12:38):
One of the boys fats out there.
Speaker 2 (12:39):
I saw your prowling outside. He figured you were alone
from stick up case.
Speaker 1 (12:42):
In three ages, he tapped you. My head doesn't just
feel tapped. What happened all the life right the place
was all lit.
Speaker 2 (12:52):
Up six and thirty two ago? Wait turned them off?
What happened to all the players? You're pretty smile, smart
enough to know you had a few games going here.
Speaker 1 (13:02):
Patow didn't figure me a stick up. He figured me
a cop felling away. He tapped me out until you
shoe your guest home.
Speaker 2 (13:09):
I won't admit it or deny it. What can I do?
For you hand over the course of Harry Jarvis.
Speaker 1 (13:15):
Harry Jarvis is dead. I'll make books dead, but no cork,
not yet. That's bad news. It's true you've lost a friend,
a debtor. Harry owes me twenty thousand.
Speaker 2 (13:28):
Good paper. Maybe you oweys to stay ten thousand. IS's that? Well?
Last on Harry was seen he had thirty thousand dollars
on him. Good night, Craig Mardy show Craig out hold
up here behind.
Speaker 1 (13:43):
An electric spense after being thrown out of as many
spaces as I can name, Who do you pay protection to?
Such from Grandma John, Grandma June, my landlady, I rent
three agents from a good night Chris.
Speaker 2 (13:59):
Find Harry let me know crying on my outside.
Speaker 1 (14:01):
Saxon while I have found question something. See we looked
at him because sake you be along with friends, you
better be Alarm'm still probably I'm the law here in
law skag that.
Speaker 2 (14:14):
Did all the law they got this side to con
and here it is so.
Speaker 1 (14:19):
I was by a spruce across the street well before
when that sax thing Croupier.
Speaker 2 (14:24):
Came down on your heads. You just watched the show.
Speaker 1 (14:27):
For now I'm the law, but I'm peacefully and plying.
When it comes to Saxton again, he's a count of
Commissioner's problem. And I got my complaint about sacking up
with the Commissioner Hawkins right now because I was standing
under that spruce with other things, claiming my box. What
other things, Harry Jarvis is it's did same conclusion you
came to friends, How do you know?
Speaker 2 (14:49):
Well?
Speaker 1 (14:49):
You see I'm taking the big little burning, asked you
a doctor. Oh, I see I got something down at
the deal house. Now, it's kind of proves Harry Darvis.
Speaker 2 (14:58):
Then co I do it? Does? Huh?
Speaker 1 (15:12):
And the north Gate jail house was a clapboard frame
shack a march wing could blow off his foundation. He
had an office and the cell that could accommodate two
overnight guests. At the moment the roll as a single
one prison fast asleep on a cott.
Speaker 2 (15:27):
He's would have brought you to seek for the prison.
You know, looks like a who's the trade? He claim?
Say his name? What does he do besides sleep?
Speaker 1 (15:37):
He lets shut you out him down, taking us today
to day fer strike.
Speaker 2 (15:41):
He wants his constitutional rust. Those days from the road,
he says, three days he said, uh, what do you
do here in north Gate? Throw away the keys when
I'm waiting for the wagons to come. Take him to
the camp stick now he'll get his hearing there. How
does he connect with Harry?
Speaker 1 (16:00):
See the clothing, yes, draped and bluetid, those.
Speaker 2 (16:04):
Yellow shoes, who can miss um? I know the super
yellow shoes.
Speaker 1 (16:08):
Like they're my own Harry's clothes. This Dusty Ames was
wearing Harry Jarvison's clothes when I picked him up.
Speaker 2 (16:14):
Who were en rapped? Nine?
Speaker 1 (16:21):
When Dusty aims I'm a Federalist Resident McKinley of here
about there does a miracle on your hands? That's my
logical direct and David College.
Speaker 2 (16:31):
But the road so you turned her in your cabinet.
They don't opened an highway. And tell the man here
in north Kate that's a lie. You're in his clothes.
I've found those put up. We've been asking you to where.
Speaker 1 (16:44):
I wouldn't tell a herb. Why don't I tell you?
Speaker 2 (16:48):
Because I was.
Speaker 1 (16:49):
When it come comes down to it, I'm going to
see it out of you. They're liesest man always reverted
to the beach. Your predecessor and those clothes was a
dear friend of mine dusty, dear friend oh Man greater
for the whole materialistic world. So I have a poem
right here in the pocket, after the fashion of Edgar Gets.
Speaker 2 (17:12):
I'll read it.
Speaker 1 (17:14):
No matter where the road may go, I'll always think,
because dear friend Joel, a tree hollow in the piny
wood toes were right in there, wrapped in tar paper
set the barn enders. I've seen them when you change
into the new close what did you do with your
(17:35):
own right hallo them to a tree? What for there's
a sign that does seem to come to a sign
that there was pray chickens and knees parts a sign
for other hobbos live right suh pared Jarvis is buried
here in China forest.
Speaker 2 (17:50):
Yeah, it's like how big is Piney Parks? Bigger than
lost their champs to close to four hundred acres.
Speaker 1 (17:57):
Meaning we've been a regiment to un nurse the body
and these more manpower and norse greets got. We could
appeeled the distinct governor National Guards. You know, we may
not need to not need to turn up the body
hair Johnny a time and labor and agony.
Speaker 2 (18:15):
We might be able to avoid all that because I
see if we can get the murder to find a
body forest. Now I have it to be a trick.
Trick is exactly what I have in mind.
Speaker 1 (18:25):
Yeah, we'll try to make a trick. Go for manpower, Jerff.
I reached cheryswy On what I wanted him to do,
and to let the word get out that we got
sales now with at your hobo prisoner. Let On needs
seeing the actual murder and burial in Piney Forest.
Speaker 2 (18:46):
Get on it, Sheriff.
Speaker 1 (18:51):
Sometimes it's played exactly according to script.
Speaker 2 (18:53):
Sometimes it does. This time it did. I could hear
it on a chime.
Speaker 1 (19:00):
Pilhouette appeared a share windows had him shoulders the space.
Speaker 2 (19:04):
With no identity to it. We could stock. I was
in the office under the desk, I mean hunts of gymnastics,
considering my side good.
Speaker 1 (19:13):
More than two minutes before the killer bed beside the
door the seat for six inches from my nose. When
he stopped dead center in the office, I had to
imagine the rest.
Speaker 2 (19:29):
My line of vision was too low. Now I imagined
him estimating the sleeping figure of shot the game, estimating
how to make a shot the pecture. I didn't wait
for the murder of the hobo. I just took a
him at a forty five degree ankle from.
Speaker 1 (19:44):
The floor and shot my pigeon on the legs had
the killer. It's time for rejoicing, but I didn't feel
that way this time. I only felt like getting drunk.
Speaker 2 (19:58):
Hit kept me like a stark, explained James. With the
rabbit hard your leg bowl on fire. But I didn't
game high. Oh why did you ask me to find Harry?
I asked you to find Harry.
Speaker 1 (20:15):
To demonstrate to me how safe I was. I decided
to make a test with you, a smart.
Speaker 2 (20:21):
New York detecting me. If you couldn't get me, nobody could.
I could stop worrying.
Speaker 1 (20:28):
I you gave me a demonstration. You killed Harry for
thirty thousand dollars.
Speaker 2 (20:34):
You gotta statch away.
Speaker 1 (20:35):
I killed Harry because I was too old to start
over again. We made our life together, and Harry was
condemning me to death. I corrupty isn't death mold, but
my age it is, and my condition that positively is
your condition. R little kidney is inside him like a
(20:56):
bomb up the in and no time for me to
start all over the I'm young, and I'm it's just small.
Speaker 2 (21:02):
I thought it is you're a little off.
Speaker 1 (21:04):
No, I stand say I'm worn out in the world.
Speaker 2 (21:08):
That's I just say that.
Speaker 1 (21:09):
It's fifty three. I moved bird, got so confused, I
started a gun and had.
Speaker 2 (21:14):
A job it. I wanna know where you burying molsture.
Speaker 1 (21:20):
You wanna know one, I'll tell you anything.
Speaker 2 (21:24):
But a right now, I'm I think sometimes you take
no pleasure in the catch. Sometimes all you wanna do
is get drunk.
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