June 12, 2025 • 28 mins
Step into the world of a private investigator who solves complex cases with keen observation and intellect. His adventures are filled with suspense and unexpected twists.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
William Gargans stars as Barry Craig, confidential Investigator. There's a
big house up the river that always has the welcome
mad outposts.
Speaker 2 (00:17):
Just drop in in the Old.
Speaker 1 (00:20):
Crime National Broadcasting Topoy present William Gargans in another transcribed
drama of mystery and adventure with America's number one detective,
Barry Craig, Confidential Investigator. Barry Craig, speaking the streamlined confidential
(00:57):
operator keeps the case file to not do police regulations
than with an eye to posterity a book of memoirs.
Some day you figure show your grandchildren you were full
of hush for yourself once upon a time. You keep
a well detailed file case number so and so, the
nature of the crimes, the principal actors, the outcomes, and
(01:20):
page one stating by who and just how when you
pulled into the felony in the first place. Take the
file in my hand right now, numbers.
Speaker 2 (01:29):
One one free.
Speaker 1 (01:31):
Who asked me into the case, reads Father Neptune, While
the Neptune old man see case.
Speaker 2 (01:39):
I worked without it.
Speaker 1 (01:40):
The old man didn't even throw me a fish. I'd
been at a sailing over the west Side pier, seeing
a friend off I hung around the dock for a while,
walking off the champagne and panopee and wondering what there
is about a lonesome river at nights that makes the
little man inside you cry Hello about that time father
(02:01):
next him decided to take my thoughts off me and
transfer them to a mermaid and the drink a drowning mermaid.
The way it sounded, oil, Oh, December is a great
month for a dippers of the river if you're a
polo bam. But in I went, hey, I tangle hold
(02:30):
at your rescue, lady, I'll have to okay, much as
I hate you on the pier and it's time to
bring a chose. I worked for arms pump handle style,
and water sprayed from it like a futon. He finally
came around to join the Battle of the sexes. You
(02:53):
you hit me to break your stanglehold. It's in the
book what Book How to Say Hysterics from ounding themselves
and the rescuer, Oh, wouldn't have hit me to car
my jaw? You the world? O got my brand on
it now, DCC Salley Craig the initial man's ring, I'm
(03:15):
wearing left initials on your jaw. Get crazy and cold,
pray a pneumonia? Why there there's no cure for cold.
There's a cure for pneumonia?
Speaker 2 (03:26):
Kind of filling?
Speaker 1 (03:27):
You are crazy?
Speaker 2 (03:29):
You want of that?
Speaker 1 (03:30):
Definitely not police done? What h your prince?
Speaker 2 (03:37):
Is that proper?
Speaker 1 (03:38):
How can I know? We're only just there? We got
into dry things and properly enough to raid a good
conduct metal from the man. I got a hard square
look at my mermaids okay, a face and a figure
(03:59):
that makes truck drivers water their whistles. Any of the
thoughts I'm wondering about how many lies you're going to
tell before you tell the truth. It's no more than
I can help.
Speaker 3 (04:10):
I promise your name Susan Lane?
Speaker 2 (04:13):
What made you go for a swim?
Speaker 1 (04:15):
But I can't swim, That's what I mean.
Speaker 3 (04:17):
I fell into the liver by accident. I was walking
in my foot cut and a loose board on a tier.
Speaker 2 (04:24):
And start all over again.
Speaker 3 (04:28):
I wasn't pushing, no, no fetch as I jumped in.
Speaker 2 (04:33):
What un like that?
Speaker 3 (04:35):
The juliers I get set up with him, things like, oh, nothing.
Speaker 1 (04:39):
Special, just life.
Speaker 3 (04:41):
Then the way the world is, I just get an
uncontrollably morbid impulsure.
Speaker 1 (04:46):
Then I'm sorry, what if nobody happens along to.
Speaker 2 (04:49):
Save you for the next impo?
Speaker 1 (04:51):
Goodbye, Susan Lane. She wasn't enough.
Speaker 2 (04:54):
Oh excuse me?
Speaker 1 (04:58):
Hello?
Speaker 4 (05:00):
Have I got the right party?
Speaker 2 (05:01):
I really well?
Speaker 4 (05:02):
I mean I you the Joe who pulled the blonde
out of the drink.
Speaker 1 (05:05):
The name isn't Joe.
Speaker 4 (05:07):
I followed you to your joint, white guy.
Speaker 2 (05:10):
And my phone numbers.
Speaker 4 (05:11):
Your name's in the bell fry, Craig, and your numbers
in the book?
Speaker 2 (05:14):
I see?
Speaker 1 (05:15):
Are you interested in here? What I got to tell you?
Speaker 2 (05:17):
I've heard nothing so far?
Speaker 1 (05:19):
Open your ears, stupid, Hey, don't believe anything the dame
tell you.
Speaker 2 (05:24):
I don't what'd you tell you?
Speaker 1 (05:26):
So?
Speaker 2 (05:26):
Fine? But Joe Pickles make her hiccup? Okay? Be it Joe?
All right? She said she'd attempted suicide.
Speaker 1 (05:35):
Well lovely, she was charged.
Speaker 4 (05:37):
Into the drink, picked up off the ground front of
the fish.
Speaker 2 (05:39):
You know that nice shop? Where do you put into this?
Speaker 4 (05:43):
We won't go into that another thing. Face this song,
tyling your hat, sugar loaf, mama.
Speaker 2 (05:51):
It's a loaf, mama.
Speaker 4 (05:53):
It's number one in the Jukebox's stupid.
Speaker 1 (05:55):
Where do you spend your nights standing up in a
closet to improve my posture.
Speaker 4 (05:59):
And a song's the key to the whole deal with
a girl, don't.
Speaker 1 (06:03):
Make like an attack you you bite?
Speaker 2 (06:13):
I made like a detective with student.
Speaker 3 (06:15):
All right, I did lie. Somebody attempted my life out
he wore a mask, and why I don't know.
Speaker 2 (06:23):
Who were sure make any progress?
Speaker 1 (06:26):
I can't tell you what I don't know. I suppose
I might as well skip asking who was with me
on the telephone? Skip asking the song sugar oat mama?
What about it?
Speaker 3 (06:37):
It's a huge popular success. I heard I worked for
the music publisher who owned Did I miss.
Speaker 1 (06:43):
The publisher owns what you're saying? Did the publisher also
write the song? Yes?
Speaker 3 (06:47):
But that's something now and in dispute betray whome mister Sampson,
the publisher, my boss, and a songwriter, Merviyn Marlowe. They're
fighting a lawsuit over the song right over.
Speaker 1 (06:56):
The prophet and that you come in where I'm a
missus Sampson, that's the fine to what.
Speaker 3 (07:02):
That my boss never personally received a song submitted by
moving marlow That it's our foreign policy to return I
would solicited manuscripts unopened.
Speaker 2 (07:09):
Who's telling the truth?
Speaker 1 (07:11):
Your boss?
Speaker 2 (07:11):
Sampson or this Marlow.
Speaker 3 (07:13):
You ask a lot of questions.
Speaker 2 (07:15):
One of them may be trying to murder you. Yes,
I know, don't you care?
Speaker 1 (07:20):
You?
Speaker 2 (07:21):
What if I do?
Speaker 1 (07:22):
And you'll protect me? Where are you about me? Now?
Speaker 3 (07:26):
I want to get back into my clothes and go home.
Speaker 2 (07:28):
Oh yeah, you're dot I radiated steam?
Speaker 1 (07:31):
Drive them? Who's the kitchen? Thanks? And don't forget this
this oh my reason?
Speaker 2 (07:38):
They quite a rock.
Speaker 1 (07:40):
Don't be fooled.
Speaker 3 (07:41):
It's only a cheap Mexican diamond.
Speaker 1 (07:43):
I'd never believe it. A lightning change of water. Draw
when we were on the street, arm in arm, like
we've been engaged with the high school farm call a
careberry that sing, Hey, Tucy.
Speaker 2 (08:04):
Wants something going home?
Speaker 3 (08:06):
I was wondering when you'd asked me, don't.
Speaker 1 (08:08):
Try it because huh you just say something. I said
to stay out of my cab. Oh wait, I'm gonna
oh you were going to make a quarrel out of it.
That was before your gun arry the gun pointing at leaves. Yeah, relaxed, lady.
All you stand to lose is his company.
Speaker 2 (08:25):
What's my lord?
Speaker 1 (08:26):
Skin off the top of your head. I want ten
minutes before you form a camp one favor. Please, what
do it to me? Over here? Close to the left there,
what's the gag? They're not the first to take a
liking to my head. Uh, the rest of your head
still sore and un healed. They're going to close to
(08:48):
the left ear.
Speaker 2 (09:02):
You fall down and you get up. You're still the
same guy, except that your legs of age ten years
and your.
Speaker 1 (09:09):
Hat doesn't sick. While looking for a phone booth, I
put one and one together. My anonymous caller and the
kidnapping cab driver add up to one guy, the same guy. Hello,
(09:37):
give me a lieutenant, try rockets please? Oh if your
voice is changing, tien over losing a squeaky spano, just
passing the time. It's official, what mayhem? In December, I
found a girl and lost her.
Speaker 4 (09:54):
I can refer you to a lonely hots club.
Speaker 1 (09:57):
A torpedo masquerading as a HACKETE put the snatch on
a A fat blaze Susan lane five feet two, blonde,
blue eyes, wrinkles dress with me ironing stopped trying into
my inner life. The hockey he's so called, was heavy
set meat faith with jowls like Pluto the dog, brown
(10:18):
and white pestic caab did no, No, I was about
to when I fell down and hurt my head.
Speaker 2 (10:25):
You were if there's a.
Speaker 1 (10:27):
Law against plugging confidential investigators.
Speaker 4 (10:30):
We had a decorations for a headquarters.
Speaker 1 (10:33):
What danews in catching a cold? Catch all a permanent cold.
They're not a general alarm. Tresh, She's too beautiful to die.
Oh no, no personality, goodbye now, Eli Stampson Music Publisher occupy.
(10:58):
The building that looked like an inferior complaint counts, the
mine streets of paint outside windows with the dust of
ages on them, and the broken down staircase that made
it feel like a dinosaur walking on a staircase was
going a lone dig in my future, as I soon
found out. The first morning I had was a shot.
Speaker 2 (11:20):
Collection, two shots, and.
Speaker 1 (11:21):
Then a yellow from Anupper answers, yellow, bloody minor enough
to freeze me in my truck. I stood still automatically
in the middle of the staircase, and that was my undoing.
Like a stampeding herd was coming smack out him with
a wild eyed maniac who looked like he jumped out
of the straight tiy way. I'd love to oblige, but now,
like a staircase is a bottle that I got out
(11:43):
of my how many time to ship the revise? Let
me do it for your foot. I got relocated in
the world, which when there's a railing stuck in me
like tooth picks, and the guy standing solemnly over me
(12:06):
janator holding a mop and a soap bucket, the jannetor
out of a Maxenter comedy, growing mustache and dressed in
the top half of a cutaway with a battered derby
on his head, a brown derby. You seem fully recuperated,
my boy, not recuperated and only recovered. What was that railing?
Tied together with pieces of strings? I am glue by
(12:28):
myself performed the.
Speaker 2 (12:29):
Repairs, and I'll help you up. No, father, what are
you made up for?
Speaker 1 (12:36):
You referred to my elegant to the mop and the
bucket or temporary condition. My boy, the mare is down,
the mare is up up, being ducks and bottom.
Speaker 2 (12:47):
I fluctuate as its fluctuate.
Speaker 1 (12:50):
You're the staring at me.
Speaker 2 (12:52):
Yeah, find a place. I've seen that art kisser.
Speaker 1 (12:55):
Of yours before along the stuff extings foot.
Speaker 2 (12:59):
No, No, who did all that shouting on the upper landing?
It's with me?
Speaker 1 (13:04):
Somebody help? Who got shot? W need I send the
miscreant's fugitive?
Speaker 2 (13:09):
Who bucket you?
Speaker 1 (13:09):
So on ceremoniously you'll get nuts in your tongue. La
man mind if I leave you for Sampson or not
a fall, I'm going I'll move to the interview today.
Their market.
Speaker 2 (13:20):
Is down.
Speaker 1 (13:28):
I found Sampson in his office, fluttering his eyelids. So
how do you fail?
Speaker 2 (13:33):
Dead?
Speaker 1 (13:34):
Dead? That makes you are talking cough? You've got a
career in Vozeland. That maniac Mervin Marlow murdered me. Yeah,
and your left wist a little on your flesh, bold,
not much damage for two points flank crystal shots. Oh,
I'll lose the arm on side to disagree?
Speaker 2 (13:51):
Who then it's a miracle.
Speaker 1 (13:52):
Yeah, Wsy publisher's never died. They just stayed away. Oh
here's a gun us down. He was thrown down.
Speaker 2 (13:58):
Yes, that's the.
Speaker 1 (13:59):
Gun, and he had terrorized me with Give it to me.
It's evidence for the district attorney. I'll keep the gun
a while, but I'm a lifeless detective. This Mervin Marlow
is a songwriter battling you in the courts. A songwriter,
a song beef. He didn't write Sugarloaf Mama lies, His
claims are lies. Vervon Marlow can't even write his own name,
he can't shoot straight and makes some kind of usefus
(14:21):
all around. Uh, Sampson, Yeah, a girl, Susan Lanes. Susan Lane,
my stenographer.
Speaker 2 (14:27):
You're a late stenographer.
Speaker 4 (14:29):
Man.
Speaker 1 (14:29):
She's been kidnapped, kidnapped by who? What tough hired by
Mervin Marlow? What motive would Marlow have to shut her
up to stop her from testifying to the truth when
we go to court, the true thing that nobody here
read his song manuscript? Don't even open the envelope? How
big is Marlowe's temptation to murder? Come on, Samson, don't
(14:51):
shy at posting. Sugar Loaf Mama is a gold mine.
Sales and sheet music alone run over one hundred thousand dollars,
a load of a plenty to keep Blondie from twistifying
in all of course, who kills Susan? You'll find her dead?
Speaker 2 (15:03):
Why do I find my ammo in a garret?
Speaker 1 (15:05):
And he's hollow thirty six one First Avenue and a
crazy bohemian and the cold water garret with the piano
thirty six? Oh on first, Ameno, call yourselven animals. Let
that wound infect, and you will be the one armed,
one d of the music publishing business. Before quitting the building,
(15:27):
I looked up La mare As Jonathan. I found him
in the basement washing up. Welcome to my humbred quarters
of all. Try your face. I've got something to discuss.
Protet you clean the offices as well as the halls.
Speaker 4 (15:42):
Yes, the mockery of it.
Speaker 1 (15:45):
Being able to use your mask the key as you are,
and you're no doubt well familiar with the contents of
the officers at profession, that is, and after profession also
familiar with the contents of the death. I detect an
innuendo the time you detect based and reprehensible slender. My
(16:06):
boy as at this moment, consider our discussion terminator. It's gone.
You've ever seen it before, You've seen it in Sampson's office. Lady, Okay,
so I'm gonna play clothes Mark, I asked, is this
your locker? It is? Opt why I want to total
(16:28):
up the stamps, the scotch clips, the rubber bands, your
day's haul the man you.
Speaker 2 (16:34):
Care accuse me of the pettiest of.
Speaker 1 (16:36):
Feb Yeah, there you see I placed your odd sister
where I've seen it before. It is the selto from
wasn't the Rose Gallery, as was welding the mayor and
with the band and what snatching ladies handbags? If not
the petty thievers loud, I lose face with the building management.
Speaker 2 (16:56):
Tell me what I want to know.
Speaker 1 (16:58):
This, I have seen this precise pistol of the poor
where mister Sampson's test draw you oft some Let draw
my memory. Sub You've cost me a pretty piece of change.
Speaker 2 (17:12):
Drew a black man you could have rung out of Sampson.
So it's Sampson's old gun.
Speaker 1 (17:19):
You will reprobate, Shoppington, You'll reprobate.
Speaker 2 (17:21):
Sure did.
Speaker 1 (17:31):
Visiting the rundown Garrett the songwriter Murtherer and Marlow lived,
and I got a smell of trouble even before I
had in. Oh there, I didn't need X ray vision
to know a crackpot songwriter on the other side of the.
Speaker 2 (17:44):
Door was healed with a gun.
Speaker 1 (17:45):
Oh there, I want to talk to you Mallow.
Speaker 2 (17:50):
The doors died a lot.
Speaker 1 (17:51):
Come in, come in, and not a load of a gun,
an all familiar situation.
Speaker 2 (17:57):
I came in, but with a bang.
Speaker 1 (18:01):
Mama was out cold, his fingers coiled around a gun,
a gun. I relieved him out. He came through cursing himself.
You none, my daughter. Next time you invite a fly
out of the way blood you dirty. You won't make
out when you find it. Monotonus, tell me Sampson used
(18:25):
his own gun on himself. You'll know that I don't
go for a gagause obvious as Sampson's frame. I'll get
up to have and fill in the pipe. Danson hasked
me to call on him for a talk. We had
an argument. Danson said if I didn't drop my lawsuit,
he ded scandalized me as a mad dog murderer. I
focked him on the jaw and Sampson grabbed a gun
(18:47):
out of a death draw, and he said he'd framed
me if I didn't sign paper swearing my claims to
Sugar Oak Mama were off trod. He said he'd swear
the gun was mine and that I'd come in to
kill him, that he'd overpowered me and seized the gun
after RIDE fired on him. When I ran out, Sampson
fired two shots, not at me, had himself. He gave
himself a playwom Yeah, that's Sampson all over anything for
(19:08):
a buck one hundred thousand bucks. Money belongs to me.
He stole my thong. Bill, don't have your day in court? Yeah,
with Sampson's Lyne tonight of a pressuring at top of
the boy.
Speaker 2 (19:19):
Now that we're down to her, where is she? Where
is she?
Speaker 1 (19:22):
What are you? Thought? It was in the lane? Was kidnapped?
Speaker 2 (19:25):
Now?
Speaker 1 (19:25):
What frame Jill and Sampson or the interested party? If
she was for Sampson, she was against Youles, So the
only you would have a motive and shutting off her tutimony,
it would have been if you were ringing for snatch
Marlow you're a sucker. Get out from undo while you
can't ring, or if I had nothing to do with it,
I'm on an attempt on a life on the dot. Nope,
(19:46):
you're incapable of it. I'm capable of it. But I
didn't do it. You only have sure Why get it?
I'm taking to the headquarters.
Speaker 2 (19:55):
What four?
Speaker 1 (19:56):
We only land on the plug again? Protect you against yourself,
this wild gleaming. You arrive along under temporary lock and key.
I spend years writing a song picking my brain says,
nights starving and it's stithy insects at all. So that's
twin let. That's what I mean. The fine nights you're
cooking as you've got to explode. If you're really innocent
of anything so far, I want to keep you that way.
(20:17):
Walk in front of me. At police headquarters, Lieutenant Trev
Rodgers had sensational news. Susan Lane. We think we fought
up where a shack up near Gunhill Road, overlooking the
railroad yard. But how let's get a shall we. I'll
(20:39):
tell you how. At other time it was Susan Lane
on the attic floor of a seedy looking flame dwelling,
tucked hand and foot and said to the world he's
a sleep. It is how we were so aware about.
(21:01):
See telephone the savers off, My girl scramding up to
roll against knock the receiver off. The operator became suspacution
coll police ride. Tell me on tire tress he's got
a pocket knight. Hey, Susan, wake up, Susan mean bout
she sees Dophie an overdose of senators. I say they
(21:23):
have the pupils of her eyes highlight. Somebody figured that
the sleep she open make it a seven.
Speaker 2 (21:31):
In the arms of the law they do.
Speaker 1 (21:34):
I've never seen you this romantic, Craig. I've always had
a soft spot for struggling flography football.
Speaker 2 (21:41):
Lie downtown now, huh.
Speaker 1 (21:52):
Riding downtown on the West Side Highway with seven Rogers
something as those as steet laws. Susan came around one
hundred percent of herself to lean against me contendency and hurry,
what's kiss you? I he so good?
Speaker 2 (22:06):
Ye're making trans benchelorhood and awful.
Speaker 1 (22:09):
Low s there and holding will only get your pomp sweating.
Don juan woo. Suppose we talked about the case, Craig,
you talk fans the motto one of them hired the kidnapper.
Speaker 2 (22:20):
What could stance?
Speaker 1 (22:21):
His motives be the same motive he hadn't shooting himself.
Ram in the spreadit model in advance with that child
over that song possibility, But you don't buy it right away?
Oh take that exit and pull up the pier forty one?
What far? It's the pill where the case began began
for me? Some kloe you missed there? Reconstruct the climb?
(22:43):
Is he that the standard of pool utu?
Speaker 4 (22:46):
All right?
Speaker 1 (22:47):
Brands here forty one, Susan follow me.
Speaker 2 (22:54):
I'll read yourself right.
Speaker 1 (23:00):
Began above here I heard a cry for help. Is
this about where you were when to mask? Somebody threw
you into the river. I think so good.
Speaker 2 (23:11):
Now let's re enact it. Stand facing the river.
Speaker 1 (23:15):
Yes, I'm the masked mistress. I see you up behind
you grab a hole. Don't be tickling.
Speaker 2 (23:22):
I hoist you into the air.
Speaker 1 (23:24):
So that real? Oh I have to be How else
can I have a cute little bundle like Susan into
the drink? You can't swim? Oh, canteen you pay the
life of the whoseplace?
Speaker 2 (23:38):
Yeah, that's what she wanted me to say.
Speaker 1 (23:40):
That was the hook, and I followed her. You can't swim? Eh?
Whether that I was staying crawl See one's like a fish. Yeah,
good old will to self preservation. I was counting on
at the convictor.
Speaker 4 (24:02):
What was her game?
Speaker 2 (24:03):
Dramatize herself?
Speaker 1 (24:04):
Say, make out her life with being attentive to bleed
Sampson for a big slice of those song problems more
than she's already got, already got when she climbs back
on the pear gander to hunk of so called Mexican
jewelry she's wearing to play the ring at Tiffany and
find out what a Bonanza sonography can be. Poor or smart?
Speaker 2 (24:22):
Girl?
Speaker 1 (24:23):
Samson gave her the ring a down payment for her perjury.
But if the black mail were set up so good,
why embellish it with pony a tenth on a life
and the kidnapping kids? Here Marlow could gun for her
for lying for franksin Dido Sampson to.
Speaker 2 (24:38):
Keep her from telling the truth.
Speaker 1 (24:39):
Two thing that Marlow wrote sugar Loaf Mama so So
by making herself a police problem or my problem, that is,
she scared Samsoo Marlow from.
Speaker 2 (24:47):
Darren came, however you come?
Speaker 1 (24:50):
Oh hello, baboo? Who it was contemportable?
Speaker 2 (24:54):
You being a flaw in my cap?
Speaker 1 (24:56):
I'm so shy. And just by the way, who was
the approach kidnap my daughter? Why? I'm cold? Where do
you suggest we go? Do you please? No? It really
wouldn't be copper this time. I'd be placed for sequestering
police copert.
Speaker 2 (25:24):
Only Fred Rogers didn't let me just walk away from it.
Speaker 1 (25:28):
At his insistence, I had to drag down to headquarters
to hunt and text away in a typewriter. How's your
detailed police report coming along, Barry? I'll be a month
out of the way.
Speaker 2 (25:39):
I type M sad.
Speaker 1 (25:41):
Why are we so suddenly so so? Clerical Regulations, Section sixth,
paragraph four, governing confidence operatives, stay spare me, But why
are such a confounded hurry? Why right away to night?
Speaker 2 (25:53):
I've got pipe pictures to say, next.
Speaker 1 (25:55):
Susan lanes under a wrest Thanks to you, I can't
just booker not without a precise stipulation of challenges. Don't
get me a competent type of Susan sari. They've all
gone home.
Speaker 2 (26:06):
Statis farriage?
Speaker 1 (26:07):
Just put one word after another.
Speaker 2 (26:09):
Hmm. Or let's for a case, I.
Speaker 1 (26:11):
Worked without a fee. Oh, by the way, well, seeing
your fees. The fact is miss Lane was supporting enough
to worry about that.
Speaker 2 (26:20):
Were you killing?
Speaker 1 (26:21):
No nor not? She said you were working for her,
even though it did boobang for her. She hates to
see you go empty handed, she says, he other, isn't
it lacking fun? She gave you her dearest possessions, a finest.
Speaker 2 (26:36):
Jewel, this this ring?
Speaker 1 (26:39):
Hey, why tramp roxborth five Jesus a pathetic I'm sure,
And now if you'll hand it back handed back? What
for Regulations governing sorted property the girl unfortunately came by
the ring dishonorably. I'll kill yourself. Good night, folks, Sing
(27:03):
your next week. You've been listening to William Gargan in
another exciting transcribe mystery drama from the adventures of Barry
(27:24):
Craig's Confidential Investigator. The night story Song of Death was
written by John Roberts. Next week, it's the strange story
titled Death of a Private Eye, about which Barry Clay
has this to say. Next week, I'm hired to help
a man pay a visit. The discoverers said that my
(27:45):
clan has a visitor, third that visitor being dead. See
your next week, folks. Speatured in the role of Susan
was AMC.
Speaker 2 (28:02):
Strickland.
Speaker 1 (28:03):
Barry Craig, starring William Gargan was under the direction of
Diamond Brown.
Speaker 2 (28:08):
This is Don Pardo Seeking
Speaker 1 (28:25):
Now enjoy Meredith Wilson's Music Room on NBC
William Gargans stars as Barry Craig, confidential Investigator. There's a
big house up the river that always has the welcome
mad outposts.
Speaker 2 (00:17):
Just drop in in the Old.
Speaker 1 (00:20):
Crime National Broadcasting Topoy present William Gargans in another transcribed
drama of mystery and adventure with America's number one detective,
Barry Craig, Confidential Investigator. Barry Craig, speaking the streamlined confidential
(00:57):
operator keeps the case file to not do police regulations
than with an eye to posterity a book of memoirs.
Some day you figure show your grandchildren you were full
of hush for yourself once upon a time. You keep
a well detailed file case number so and so, the
nature of the crimes, the principal actors, the outcomes, and
(01:20):
page one stating by who and just how when you
pulled into the felony in the first place. Take the
file in my hand right now, numbers.
Speaker 2 (01:29):
One one free.
Speaker 1 (01:31):
Who asked me into the case, reads Father Neptune, While
the Neptune old man see case.
Speaker 2 (01:39):
I worked without it.
Speaker 1 (01:40):
The old man didn't even throw me a fish. I'd
been at a sailing over the west Side pier, seeing
a friend off I hung around the dock for a while,
walking off the champagne and panopee and wondering what there
is about a lonesome river at nights that makes the
little man inside you cry Hello about that time father
(02:01):
next him decided to take my thoughts off me and
transfer them to a mermaid and the drink a drowning mermaid.
The way it sounded, oil, Oh, December is a great
month for a dippers of the river if you're a
polo bam. But in I went, hey, I tangle hold
(02:30):
at your rescue, lady, I'll have to okay, much as
I hate you on the pier and it's time to
bring a chose. I worked for arms pump handle style,
and water sprayed from it like a futon. He finally
came around to join the Battle of the sexes. You
(02:53):
you hit me to break your stanglehold. It's in the
book what Book How to Say Hysterics from ounding themselves
and the rescuer, Oh, wouldn't have hit me to car
my jaw? You the world? O got my brand on
it now, DCC Salley Craig the initial man's ring, I'm
(03:15):
wearing left initials on your jaw. Get crazy and cold,
pray a pneumonia? Why there there's no cure for cold.
There's a cure for pneumonia?
Speaker 2 (03:26):
Kind of filling?
Speaker 1 (03:27):
You are crazy?
Speaker 2 (03:29):
You want of that?
Speaker 1 (03:30):
Definitely not police done? What h your prince?
Speaker 2 (03:37):
Is that proper?
Speaker 1 (03:38):
How can I know? We're only just there? We got
into dry things and properly enough to raid a good
conduct metal from the man. I got a hard square
look at my mermaids okay, a face and a figure
(03:59):
that makes truck drivers water their whistles. Any of the
thoughts I'm wondering about how many lies you're going to
tell before you tell the truth. It's no more than
I can help.
Speaker 3 (04:10):
I promise your name Susan Lane?
Speaker 2 (04:13):
What made you go for a swim?
Speaker 1 (04:15):
But I can't swim, That's what I mean.
Speaker 3 (04:17):
I fell into the liver by accident. I was walking
in my foot cut and a loose board on a tier.
Speaker 2 (04:24):
And start all over again.
Speaker 3 (04:28):
I wasn't pushing, no, no fetch as I jumped in.
Speaker 2 (04:33):
What un like that?
Speaker 3 (04:35):
The juliers I get set up with him, things like, oh, nothing.
Speaker 1 (04:39):
Special, just life.
Speaker 3 (04:41):
Then the way the world is, I just get an
uncontrollably morbid impulsure.
Speaker 1 (04:46):
Then I'm sorry, what if nobody happens along to.
Speaker 2 (04:49):
Save you for the next impo?
Speaker 1 (04:51):
Goodbye, Susan Lane. She wasn't enough.
Speaker 2 (04:54):
Oh excuse me?
Speaker 1 (04:58):
Hello?
Speaker 4 (05:00):
Have I got the right party?
Speaker 2 (05:01):
I really well?
Speaker 4 (05:02):
I mean I you the Joe who pulled the blonde
out of the drink.
Speaker 1 (05:05):
The name isn't Joe.
Speaker 4 (05:07):
I followed you to your joint, white guy.
Speaker 2 (05:10):
And my phone numbers.
Speaker 4 (05:11):
Your name's in the bell fry, Craig, and your numbers
in the book?
Speaker 2 (05:14):
I see?
Speaker 1 (05:15):
Are you interested in here? What I got to tell you?
Speaker 2 (05:17):
I've heard nothing so far?
Speaker 1 (05:19):
Open your ears, stupid, Hey, don't believe anything the dame
tell you.
Speaker 2 (05:24):
I don't what'd you tell you?
Speaker 1 (05:26):
So?
Speaker 2 (05:26):
Fine? But Joe Pickles make her hiccup? Okay? Be it Joe?
All right? She said she'd attempted suicide.
Speaker 1 (05:35):
Well lovely, she was charged.
Speaker 4 (05:37):
Into the drink, picked up off the ground front of
the fish.
Speaker 2 (05:39):
You know that nice shop? Where do you put into this?
Speaker 4 (05:43):
We won't go into that another thing. Face this song,
tyling your hat, sugar loaf, mama.
Speaker 2 (05:51):
It's a loaf, mama.
Speaker 4 (05:53):
It's number one in the Jukebox's stupid.
Speaker 1 (05:55):
Where do you spend your nights standing up in a
closet to improve my posture.
Speaker 4 (05:59):
And a song's the key to the whole deal with
a girl, don't.
Speaker 1 (06:03):
Make like an attack you you bite?
Speaker 2 (06:13):
I made like a detective with student.
Speaker 3 (06:15):
All right, I did lie. Somebody attempted my life out
he wore a mask, and why I don't know.
Speaker 2 (06:23):
Who were sure make any progress?
Speaker 1 (06:26):
I can't tell you what I don't know. I suppose
I might as well skip asking who was with me
on the telephone? Skip asking the song sugar oat mama?
What about it?
Speaker 3 (06:37):
It's a huge popular success. I heard I worked for
the music publisher who owned Did I miss.
Speaker 1 (06:43):
The publisher owns what you're saying? Did the publisher also
write the song? Yes?
Speaker 3 (06:47):
But that's something now and in dispute betray whome mister Sampson,
the publisher, my boss, and a songwriter, Merviyn Marlowe. They're
fighting a lawsuit over the song right over.
Speaker 1 (06:56):
The prophet and that you come in where I'm a
missus Sampson, that's the fine to what.
Speaker 3 (07:02):
That my boss never personally received a song submitted by
moving marlow That it's our foreign policy to return I
would solicited manuscripts unopened.
Speaker 2 (07:09):
Who's telling the truth?
Speaker 1 (07:11):
Your boss?
Speaker 2 (07:11):
Sampson or this Marlow.
Speaker 3 (07:13):
You ask a lot of questions.
Speaker 2 (07:15):
One of them may be trying to murder you. Yes,
I know, don't you care?
Speaker 1 (07:20):
You?
Speaker 2 (07:21):
What if I do?
Speaker 1 (07:22):
And you'll protect me? Where are you about me? Now?
Speaker 3 (07:26):
I want to get back into my clothes and go home.
Speaker 2 (07:28):
Oh yeah, you're dot I radiated steam?
Speaker 1 (07:31):
Drive them? Who's the kitchen? Thanks? And don't forget this
this oh my reason?
Speaker 2 (07:38):
They quite a rock.
Speaker 1 (07:40):
Don't be fooled.
Speaker 3 (07:41):
It's only a cheap Mexican diamond.
Speaker 1 (07:43):
I'd never believe it. A lightning change of water. Draw
when we were on the street, arm in arm, like
we've been engaged with the high school farm call a
careberry that sing, Hey, Tucy.
Speaker 2 (08:04):
Wants something going home?
Speaker 3 (08:06):
I was wondering when you'd asked me, don't.
Speaker 1 (08:08):
Try it because huh you just say something. I said
to stay out of my cab. Oh wait, I'm gonna
oh you were going to make a quarrel out of it.
That was before your gun arry the gun pointing at leaves. Yeah, relaxed, lady.
All you stand to lose is his company.
Speaker 2 (08:25):
What's my lord?
Speaker 1 (08:26):
Skin off the top of your head. I want ten
minutes before you form a camp one favor. Please, what
do it to me? Over here? Close to the left there,
what's the gag? They're not the first to take a
liking to my head. Uh, the rest of your head
still sore and un healed. They're going to close to
(08:48):
the left ear.
Speaker 2 (09:02):
You fall down and you get up. You're still the
same guy, except that your legs of age ten years
and your.
Speaker 1 (09:09):
Hat doesn't sick. While looking for a phone booth, I
put one and one together. My anonymous caller and the
kidnapping cab driver add up to one guy, the same guy. Hello,
(09:37):
give me a lieutenant, try rockets please? Oh if your
voice is changing, tien over losing a squeaky spano, just
passing the time. It's official, what mayhem? In December, I
found a girl and lost her.
Speaker 4 (09:54):
I can refer you to a lonely hots club.
Speaker 1 (09:57):
A torpedo masquerading as a HACKETE put the snatch on
a A fat blaze Susan lane five feet two, blonde,
blue eyes, wrinkles dress with me ironing stopped trying into
my inner life. The hockey he's so called, was heavy
set meat faith with jowls like Pluto the dog, brown
(10:18):
and white pestic caab did no, No, I was about
to when I fell down and hurt my head.
Speaker 2 (10:25):
You were if there's a.
Speaker 1 (10:27):
Law against plugging confidential investigators.
Speaker 4 (10:30):
We had a decorations for a headquarters.
Speaker 1 (10:33):
What danews in catching a cold? Catch all a permanent cold.
They're not a general alarm. Tresh, She's too beautiful to die.
Oh no, no personality, goodbye now, Eli Stampson Music Publisher occupy.
(10:58):
The building that looked like an inferior complaint counts, the
mine streets of paint outside windows with the dust of
ages on them, and the broken down staircase that made
it feel like a dinosaur walking on a staircase was
going a lone dig in my future, as I soon
found out. The first morning I had was a shot.
Speaker 2 (11:20):
Collection, two shots, and.
Speaker 1 (11:21):
Then a yellow from Anupper answers, yellow, bloody minor enough
to freeze me in my truck. I stood still automatically
in the middle of the staircase, and that was my undoing.
Like a stampeding herd was coming smack out him with
a wild eyed maniac who looked like he jumped out
of the straight tiy way. I'd love to oblige, but now,
like a staircase is a bottle that I got out
(11:43):
of my how many time to ship the revise? Let
me do it for your foot. I got relocated in
the world, which when there's a railing stuck in me
like tooth picks, and the guy standing solemnly over me
(12:06):
janator holding a mop and a soap bucket, the jannetor
out of a Maxenter comedy, growing mustache and dressed in
the top half of a cutaway with a battered derby
on his head, a brown derby. You seem fully recuperated,
my boy, not recuperated and only recovered. What was that railing?
Tied together with pieces of strings? I am glue by
(12:28):
myself performed the.
Speaker 2 (12:29):
Repairs, and I'll help you up. No, father, what are
you made up for?
Speaker 1 (12:36):
You referred to my elegant to the mop and the
bucket or temporary condition. My boy, the mare is down,
the mare is up up, being ducks and bottom.
Speaker 2 (12:47):
I fluctuate as its fluctuate.
Speaker 1 (12:50):
You're the staring at me.
Speaker 2 (12:52):
Yeah, find a place. I've seen that art kisser.
Speaker 1 (12:55):
Of yours before along the stuff extings foot.
Speaker 2 (12:59):
No, No, who did all that shouting on the upper landing?
It's with me?
Speaker 1 (13:04):
Somebody help? Who got shot? W need I send the
miscreant's fugitive?
Speaker 2 (13:09):
Who bucket you?
Speaker 1 (13:09):
So on ceremoniously you'll get nuts in your tongue. La
man mind if I leave you for Sampson or not
a fall, I'm going I'll move to the interview today.
Their market.
Speaker 2 (13:20):
Is down.
Speaker 1 (13:28):
I found Sampson in his office, fluttering his eyelids. So
how do you fail?
Speaker 2 (13:33):
Dead?
Speaker 1 (13:34):
Dead? That makes you are talking cough? You've got a
career in Vozeland. That maniac Mervin Marlow murdered me. Yeah,
and your left wist a little on your flesh, bold,
not much damage for two points flank crystal shots. Oh,
I'll lose the arm on side to disagree?
Speaker 2 (13:51):
Who then it's a miracle.
Speaker 1 (13:52):
Yeah, Wsy publisher's never died. They just stayed away. Oh
here's a gun us down. He was thrown down.
Speaker 2 (13:58):
Yes, that's the.
Speaker 1 (13:59):
Gun, and he had terrorized me with Give it to me.
It's evidence for the district attorney. I'll keep the gun
a while, but I'm a lifeless detective. This Mervin Marlow
is a songwriter battling you in the courts. A songwriter,
a song beef. He didn't write Sugarloaf Mama lies, His
claims are lies. Vervon Marlow can't even write his own name,
he can't shoot straight and makes some kind of usefus
(14:21):
all around. Uh, Sampson, Yeah, a girl, Susan Lanes. Susan Lane,
my stenographer.
Speaker 2 (14:27):
You're a late stenographer.
Speaker 4 (14:29):
Man.
Speaker 1 (14:29):
She's been kidnapped, kidnapped by who? What tough hired by
Mervin Marlow? What motive would Marlow have to shut her
up to stop her from testifying to the truth when
we go to court, the true thing that nobody here
read his song manuscript? Don't even open the envelope? How
big is Marlowe's temptation to murder? Come on, Samson, don't
(14:51):
shy at posting. Sugar Loaf Mama is a gold mine.
Sales and sheet music alone run over one hundred thousand dollars,
a load of a plenty to keep Blondie from twistifying
in all of course, who kills Susan? You'll find her dead?
Speaker 2 (15:03):
Why do I find my ammo in a garret?
Speaker 1 (15:05):
And he's hollow thirty six one First Avenue and a
crazy bohemian and the cold water garret with the piano
thirty six? Oh on first, Ameno, call yourselven animals. Let
that wound infect, and you will be the one armed,
one d of the music publishing business. Before quitting the building,
(15:27):
I looked up La mare As Jonathan. I found him
in the basement washing up. Welcome to my humbred quarters
of all. Try your face. I've got something to discuss.
Protet you clean the offices as well as the halls.
Speaker 4 (15:42):
Yes, the mockery of it.
Speaker 1 (15:45):
Being able to use your mask the key as you are,
and you're no doubt well familiar with the contents of
the officers at profession, that is, and after profession also
familiar with the contents of the death. I detect an
innuendo the time you detect based and reprehensible slender. My
(16:06):
boy as at this moment, consider our discussion terminator. It's gone.
You've ever seen it before, You've seen it in Sampson's office. Lady, Okay,
so I'm gonna play clothes Mark, I asked, is this
your locker? It is? Opt why I want to total
(16:28):
up the stamps, the scotch clips, the rubber bands, your
day's haul the man you.
Speaker 2 (16:34):
Care accuse me of the pettiest of.
Speaker 1 (16:36):
Feb Yeah, there you see I placed your odd sister
where I've seen it before. It is the selto from
wasn't the Rose Gallery, as was welding the mayor and
with the band and what snatching ladies handbags? If not
the petty thievers loud, I lose face with the building management.
Speaker 2 (16:56):
Tell me what I want to know.
Speaker 1 (16:58):
This, I have seen this precise pistol of the poor
where mister Sampson's test draw you oft some Let draw
my memory. Sub You've cost me a pretty piece of change.
Speaker 2 (17:12):
Drew a black man you could have rung out of Sampson.
So it's Sampson's old gun.
Speaker 1 (17:19):
You will reprobate, Shoppington, You'll reprobate.
Speaker 2 (17:21):
Sure did.
Speaker 1 (17:31):
Visiting the rundown Garrett the songwriter Murtherer and Marlow lived,
and I got a smell of trouble even before I
had in. Oh there, I didn't need X ray vision
to know a crackpot songwriter on the other side of the.
Speaker 2 (17:44):
Door was healed with a gun.
Speaker 1 (17:45):
Oh there, I want to talk to you Mallow.
Speaker 2 (17:50):
The doors died a lot.
Speaker 1 (17:51):
Come in, come in, and not a load of a gun,
an all familiar situation.
Speaker 2 (17:57):
I came in, but with a bang.
Speaker 1 (18:01):
Mama was out cold, his fingers coiled around a gun,
a gun. I relieved him out. He came through cursing himself.
You none, my daughter. Next time you invite a fly
out of the way blood you dirty. You won't make
out when you find it. Monotonus, tell me Sampson used
(18:25):
his own gun on himself. You'll know that I don't
go for a gagause obvious as Sampson's frame. I'll get
up to have and fill in the pipe. Danson hasked
me to call on him for a talk. We had
an argument. Danson said if I didn't drop my lawsuit,
he ded scandalized me as a mad dog murderer. I
focked him on the jaw and Sampson grabbed a gun
(18:47):
out of a death draw, and he said he'd framed
me if I didn't sign paper swearing my claims to
Sugar Oak Mama were off trod. He said he'd swear
the gun was mine and that I'd come in to
kill him, that he'd overpowered me and seized the gun
after RIDE fired on him. When I ran out, Sampson
fired two shots, not at me, had himself. He gave
himself a playwom Yeah, that's Sampson all over anything for
(19:08):
a buck one hundred thousand bucks. Money belongs to me.
He stole my thong. Bill, don't have your day in court? Yeah,
with Sampson's Lyne tonight of a pressuring at top of
the boy.
Speaker 2 (19:19):
Now that we're down to her, where is she? Where
is she?
Speaker 1 (19:22):
What are you? Thought? It was in the lane? Was kidnapped?
Speaker 2 (19:25):
Now?
Speaker 1 (19:25):
What frame Jill and Sampson or the interested party? If
she was for Sampson, she was against Youles, So the
only you would have a motive and shutting off her tutimony,
it would have been if you were ringing for snatch
Marlow you're a sucker. Get out from undo while you
can't ring, or if I had nothing to do with it,
I'm on an attempt on a life on the dot. Nope,
(19:46):
you're incapable of it. I'm capable of it. But I
didn't do it. You only have sure Why get it?
I'm taking to the headquarters.
Speaker 2 (19:55):
What four?
Speaker 1 (19:56):
We only land on the plug again? Protect you against yourself,
this wild gleaming. You arrive along under temporary lock and key.
I spend years writing a song picking my brain says,
nights starving and it's stithy insects at all. So that's
twin let. That's what I mean. The fine nights you're
cooking as you've got to explode. If you're really innocent
of anything so far, I want to keep you that way.
(20:17):
Walk in front of me. At police headquarters, Lieutenant Trev
Rodgers had sensational news. Susan Lane. We think we fought
up where a shack up near Gunhill Road, overlooking the
railroad yard. But how let's get a shall we. I'll
(20:39):
tell you how. At other time it was Susan Lane
on the attic floor of a seedy looking flame dwelling,
tucked hand and foot and said to the world he's
a sleep. It is how we were so aware about.
(21:01):
See telephone the savers off, My girl scramding up to
roll against knock the receiver off. The operator became suspacution
coll police ride. Tell me on tire tress he's got
a pocket knight. Hey, Susan, wake up, Susan mean bout
she sees Dophie an overdose of senators. I say they
(21:23):
have the pupils of her eyes highlight. Somebody figured that
the sleep she open make it a seven.
Speaker 2 (21:31):
In the arms of the law they do.
Speaker 1 (21:34):
I've never seen you this romantic, Craig. I've always had
a soft spot for struggling flography football.
Speaker 2 (21:41):
Lie downtown now, huh.
Speaker 1 (21:52):
Riding downtown on the West Side Highway with seven Rogers
something as those as steet laws. Susan came around one
hundred percent of herself to lean against me contendency and hurry,
what's kiss you? I he so good?
Speaker 2 (22:06):
Ye're making trans benchelorhood and awful.
Speaker 1 (22:09):
Low s there and holding will only get your pomp sweating.
Don juan woo. Suppose we talked about the case, Craig,
you talk fans the motto one of them hired the kidnapper.
Speaker 2 (22:20):
What could stance?
Speaker 1 (22:21):
His motives be the same motive he hadn't shooting himself.
Ram in the spreadit model in advance with that child
over that song possibility, But you don't buy it right away?
Oh take that exit and pull up the pier forty one?
What far? It's the pill where the case began began
for me? Some kloe you missed there? Reconstruct the climb?
(22:43):
Is he that the standard of pool utu?
Speaker 4 (22:46):
All right?
Speaker 1 (22:47):
Brands here forty one, Susan follow me.
Speaker 2 (22:54):
I'll read yourself right.
Speaker 1 (23:00):
Began above here I heard a cry for help. Is
this about where you were when to mask? Somebody threw
you into the river. I think so good.
Speaker 2 (23:11):
Now let's re enact it. Stand facing the river.
Speaker 1 (23:15):
Yes, I'm the masked mistress. I see you up behind
you grab a hole. Don't be tickling.
Speaker 2 (23:22):
I hoist you into the air.
Speaker 1 (23:24):
So that real? Oh I have to be How else
can I have a cute little bundle like Susan into
the drink? You can't swim? Oh, canteen you pay the
life of the whoseplace?
Speaker 2 (23:38):
Yeah, that's what she wanted me to say.
Speaker 1 (23:40):
That was the hook, and I followed her. You can't swim? Eh?
Whether that I was staying crawl See one's like a fish. Yeah,
good old will to self preservation. I was counting on
at the convictor.
Speaker 4 (24:02):
What was her game?
Speaker 2 (24:03):
Dramatize herself?
Speaker 1 (24:04):
Say, make out her life with being attentive to bleed
Sampson for a big slice of those song problems more
than she's already got, already got when she climbs back
on the pear gander to hunk of so called Mexican
jewelry she's wearing to play the ring at Tiffany and
find out what a Bonanza sonography can be. Poor or smart?
Speaker 2 (24:22):
Girl?
Speaker 1 (24:23):
Samson gave her the ring a down payment for her perjury.
But if the black mail were set up so good,
why embellish it with pony a tenth on a life
and the kidnapping kids? Here Marlow could gun for her
for lying for franksin Dido Sampson to.
Speaker 2 (24:38):
Keep her from telling the truth.
Speaker 1 (24:39):
Two thing that Marlow wrote sugar Loaf Mama so So
by making herself a police problem or my problem, that is,
she scared Samsoo Marlow from.
Speaker 2 (24:47):
Darren came, however you come?
Speaker 1 (24:50):
Oh hello, baboo? Who it was contemportable?
Speaker 2 (24:54):
You being a flaw in my cap?
Speaker 1 (24:56):
I'm so shy. And just by the way, who was
the approach kidnap my daughter? Why? I'm cold? Where do
you suggest we go? Do you please? No? It really
wouldn't be copper this time. I'd be placed for sequestering
police copert.
Speaker 2 (25:24):
Only Fred Rogers didn't let me just walk away from it.
Speaker 1 (25:28):
At his insistence, I had to drag down to headquarters
to hunt and text away in a typewriter. How's your
detailed police report coming along, Barry? I'll be a month
out of the way.
Speaker 2 (25:39):
I type M sad.
Speaker 1 (25:41):
Why are we so suddenly so so? Clerical Regulations, Section sixth,
paragraph four, governing confidence operatives, stay spare me, But why
are such a confounded hurry? Why right away to night?
Speaker 2 (25:53):
I've got pipe pictures to say, next.
Speaker 1 (25:55):
Susan lanes under a wrest Thanks to you, I can't
just booker not without a precise stipulation of challenges. Don't
get me a competent type of Susan sari. They've all
gone home.
Speaker 2 (26:06):
Statis farriage?
Speaker 1 (26:07):
Just put one word after another.
Speaker 2 (26:09):
Hmm. Or let's for a case, I.
Speaker 1 (26:11):
Worked without a fee. Oh, by the way, well, seeing
your fees. The fact is miss Lane was supporting enough
to worry about that.
Speaker 2 (26:20):
Were you killing?
Speaker 1 (26:21):
No nor not? She said you were working for her,
even though it did boobang for her. She hates to
see you go empty handed, she says, he other, isn't
it lacking fun? She gave you her dearest possessions, a finest.
Speaker 2 (26:36):
Jewel, this this ring?
Speaker 1 (26:39):
Hey, why tramp roxborth five Jesus a pathetic I'm sure,
And now if you'll hand it back handed back? What
for Regulations governing sorted property the girl unfortunately came by
the ring dishonorably. I'll kill yourself. Good night, folks, Sing
(27:03):
your next week. You've been listening to William Gargan in
another exciting transcribe mystery drama from the adventures of Barry
(27:24):
Craig's Confidential Investigator. The night story Song of Death was
written by John Roberts. Next week, it's the strange story
titled Death of a Private Eye, about which Barry Clay
has this to say. Next week, I'm hired to help
a man pay a visit. The discoverers said that my
(27:45):
clan has a visitor, third that visitor being dead. See
your next week, folks. Speatured in the role of Susan
was AMC.
Speaker 2 (28:02):
Strickland.
Speaker 1 (28:03):
Barry Craig, starring William Gargan was under the direction of
Diamond Brown.
Speaker 2 (28:08):
This is Don Pardo Seeking
Speaker 1 (28:25):
Now enjoy Meredith Wilson's Music Room on NBC
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