Episode Transcript
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Welcome to Bite SizedFolklore, your pocket guide to the
strange, the spectral and thestoried. Today we travel to the mist
covered hills and moonlitglens of Ireland, where a piercing
wail might signal more thanjust the wind. This is the tale of
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the Banshee. The Banshee, orbean si in Irish, meaning fairy woman,
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is one of Ireland's mostfamous supernatural figures. She's
said to be a spirit, oftenfemale, who keens, that is, wails
or cries to foretell the deathof a member of an old Irish family.
But make no mistake, theBanshee doesn't cause death. She
mourns it before it evenhappens. Descriptions of her appearance
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vary widely. Some people sayshe's a terrifying old hag with long
tangled hair, red eyes fromendless weeping and a cloak the colour
of death itself. Others tellof a young, beautiful woman, pale,
pale as the moonlight, drapedin a white dress, silently combing
her hair by the river. Andsometimes she isn't seen at all,
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only heard a bone chilling crysomewhere between a scream and a
lament floating through thenight. This wail is more than just
eerie folklore. In Irishtradition, keening women once mourned
the dead at funerals,sometimes hired to do so. The banshee
might be a supernatural echoof that ancient practice, a fairy
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spirit performing the finallament. But who does she cry for?
Traditionally, the Banshee issaid to follow ancient Irish families,
especially those with surnamesbeginning with O or Mac, like O'Connor,
O'Brien or McCarthy. Legendsclaim that each of these noble families
had their own banshee, a kindof spectral guardian who grieved
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for them alone. She goes bymany names, depending on where her
cry is heard. In Ireland, theycall her the Keening Woman. Her mournful
song is said to be so piercingit could shatter glass. A voice soaked
in sorrow, echoing through thehills before death knocks at the
door. In Scotland, she's thelittle washerwoman seen by the riverbank,
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scrubbing blood from clothesthat belong to those not yet dead.
A quiet, eerie figure lost inher grim task. And in Wales, she's
known as the Hag of the Mist,a shrouded presence in fog and shadow,
her moaning carried by thewind as a warning of what's to come.
She's not seen, but she isfelt. Though her names shift with
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the land, her role remains thesame. A spectral mourner veiled in
mystery, forever tied to theturning of life into death. The earliest
written mentions of theBanshee date back to the 14th century,
but the Belief may go backeven further. Rooted in older Celtic
mythology, some scholars linkthe Banshee to the Tuatha de Danann,
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the ancient fairy folk ofIreland. Others say she might be
a remnant of the Morrigan, theCeltic goddess of war and fate, who
could appear as a crow orforetell doom on the battlefield.
In some stories, the Bansheeis just one spirit. In others, there
are many. And if severalbanshees are heard keening at once,
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it's said a truly great orholy person is about to die. Either
way, her cry is never a goodomen. Even in the modern age, stories
of the Banshee persist. Ruralfamilies tell of hearing her before
the death of a loved one. Ascream in the wind, a knock on the
window, a woman just out ofsight, weeping beneath the trees.
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Real or not, the Bansheeremains one of the most powerful
symbols of Irish folklore. Nota monster, not a killer, but a sorrowful
messenger, reminding us thatdeath is never far away. One of the
more popular storiessurrounding the Banshee involves
the o' Brian family. In themist shrouded hills of County Clare,
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where the River Shannon cutsthrough stone and memory, there stood
the ancient stronghold of theo' Brian clan. Proud descendants
of High King Brian Boruhimself, they were warriors, chieftains,
ruler of land and legend. Buteven the proudest bloodlines cannot
outrun death, especially whendeath comes singing. It was on a
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cold autumn evening long agowhere chieftain Hugh o' Brien fell
ill. The strongest man in theregion, brought low by a fever no
healer could cure, he lay paleand sweating in his stone chamber
while his family sentdesperate riders out in the dark,
searching for help. Thatnight, a servant returning from the
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village claimed he heard a cryin the woods. Not a wolf, not an
owl, but a woman weeping. Thesound was like a blade drawn across
the soul. At first, theydismissed it a trick of the wind.
But the next night, Lady o'Brian herself saw something no one
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could ignore. As she passedthe old well near the edge of the
castle grounds, she saw awoman cloaked in grey, her hair long
and silver, glinting in themoonlight. She sat by the well, combing
her hair with a bone whitecomb, weeping. The air was still.
Two still. And when Lady o'Brian tried to speak, the woman vanished.
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And that same night, Hugh o'Brian died. Since then, it's said
that before any o' Brianbreathes their last, the banshee
returns. Seen walking near thewell or heard crying through the
night. Not a curse, but awarning. Not an enemy, but perhaps
an ancient soul who stillmourns the blood she once loved.
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Some say she was a servant.Others say she was a woman who died
in childbirth in the castle'scold halls. Whoever she was, her
grief echoes throughgenerations. And so, when the wind
howls across the Shannon andthe night falls silent, the o' Brians
listen. Because when thebanshee keens, someone will not live
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to see the morning. If youenjoyed this episode, leave. Leave
a review, Share with a friendand keep an ear out. You never know
who or what might be wailingin the night. Until next time, stay
curious and maybe keep thelights on.