August 17, 2025 • 26 mins
Chronicles the exploits of a reformed thief turned detective, solving crimes with wit and charm.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:38):
I mean, well, what a beautiful surprise?
Speaker 2 (00:44):
Are you bought the blackness?
Speaker 1 (00:46):
Oh? We have something in common at times, but you
don't know me. I have been not to If you don't,
I'm coming out. O. Thank you A Midland Jones mid jone?
Speaker 2 (00:58):
Is that important? It is lucky?
Speaker 1 (01:00):
I need help or give me a clue? Uh? What
do you want to safe? Open the bank, rob the
fire started, or just playing somebody murdered?
Speaker 3 (01:08):
I'd like you to keep somebody from being the murder.
Speaker 1 (01:11):
Well, that's a little lot of my line and inspect
the fire day keeps telling me? Uh, who do I
keep from being knocked off?
Speaker 2 (01:17):
Me?
Speaker 1 (01:18):
Say, there are too many ugly people in the world
right now for us to lose a beautiful one. What's
the story?
Speaker 3 (01:26):
I have to deliver a package at two o'cross tomorrow morning.
Speaker 4 (01:28):
It's for eighty four Willow's treat.
Speaker 1 (01:30):
Now.
Speaker 2 (01:30):
All I want you to do is to go there
with me.
Speaker 1 (01:32):
It is you'll take a few many Sorry I can't
do it.
Speaker 4 (01:36):
Why not?
Speaker 2 (01:38):
But the merry whist take.
Speaker 1 (01:39):
More or less? More because Mary has a way of
finding out about things, and less because she happens to
be on a train going to Wisconsin right Now.
Speaker 5 (01:48):
Mary Westley isn't gone a train going anywhere.
Speaker 1 (01:51):
I happen to know she is.
Speaker 3 (01:52):
I happen to know she it eats.
Speaker 1 (01:55):
Really, then where do you happen to know?
Speaker 2 (01:58):
She is?
Speaker 1 (01:59):
The mind?
Speaker 5 (02:01):
But if you don't do what I ask you, next
time you see Mary Wesley, it'll be just to identify
the body.
Speaker 1 (02:18):
And now the wretched commers bought and blackies anime to
those who make 'em an enemy. Friends are those who
have no friends? Are you sure this is the right.
Speaker 4 (02:31):
House of one foy its four willis takes Blackie.
Speaker 2 (02:34):
There's no mistake about that.
Speaker 1 (02:35):
Let's just self. This whole thing is a mistake. I
know what I'm doing well, I know why I'm doing this.
I'm marry not for you? Then why am I any
stay boys? Well, shorty, I'm here to protect Evelyn and
you are here to protect me.
Speaker 6 (02:48):
Who is gonna protect me?
Speaker 1 (02:50):
Everyone? Everybody happy? Now? So what do we do?
Speaker 5 (02:54):
I don't want both of you to come inside with 'em,
Just do blackly the short guys stays out here.
Speaker 1 (02:58):
Maybe we should both wait out here.
Speaker 2 (03:00):
A lot of good that'll do me.
Speaker 4 (03:01):
The mon in blessed.
Speaker 1 (03:03):
Keep your eyes and ears open, Shorty, and your mouth closed.
Speaker 2 (03:06):
Oh sure, boys you.
Speaker 3 (03:09):
For a little early, properly not here yet?
Speaker 1 (03:12):
Mm nice place.
Speaker 3 (03:13):
M guy owns it.
Speaker 1 (03:15):
There's money, good money, good taste too. Wanna look around
or we're waiting?
Speaker 2 (03:20):
No, I'm not tight thing.
Speaker 1 (03:21):
Who are you meeting here? You neglected to tell me that.
Speaker 2 (03:24):
You'll be unhappy not knowing.
Speaker 1 (03:26):
Close to tears. But I get it, am Uh good
views from the window here I can see Shorty in
the shadows across the streets.
Speaker 4 (03:35):
No blackly ye's it's just two o'clock.
Speaker 3 (03:38):
And it doesn't like this guy to be late. I
can keep somewhere in the house.
Speaker 1 (03:41):
Now, well, let's go find him.
Speaker 5 (03:43):
No, the obvious.
Speaker 2 (03:44):
They won't meet me unless I'm alone.
Speaker 3 (03:47):
Now, why don't you go outside?
Speaker 1 (03:49):
Have you meet this guy? Then skip out on me
without telling me where Mary is? Or no?
Speaker 4 (03:53):
Do as I say?
Speaker 5 (03:53):
Blast year you'll never see Mary.
Speaker 1 (03:55):
Again except in the morgue.
Speaker 5 (03:57):
That's about it.
Speaker 1 (03:58):
Argument over what do I do?
Speaker 2 (04:01):
Uh?
Speaker 1 (04:01):
Huh?
Speaker 2 (04:01):
Exactly two o'clock?
Speaker 5 (04:02):
Now go across the street. If your pala, Shorty, if
you hear me yell, or if I'm not out, if
exactly five after.
Speaker 3 (04:08):
Two, come in for me.
Speaker 1 (04:10):
You get it? Sure? I get it, but let's not
uh out. Let's just hope that before the five minutes
are up. You don't it's blacky you it's been almost
five minutes now, and I say, nobody going to forty
(04:30):
four across the street. Everyone was probably right shorty. Remember
she was meeting, was already in the house, just waiting
for me to leave. M uh uh times up? Well,
no what everyone didn't yell for us, So we're going
into uh call for her?
Speaker 2 (04:45):
Hm, see boss, you think maybe if she could yell
and and uh, we didn't hear.
Speaker 1 (04:50):
Her say it quite enough out here to hear a
chin drop. Come on, we'll both go in. See gus
got huh that one called us up so long? Look
I I'll go look in a win and see what
goes on. No, surelie, there's a gasoline station two blocks
down the streets. Beat it down there and call Paraday.
And I don't like the looks at it. Don't what like?
(05:11):
Tell him? Tell him the sun. Some men up here
right of way to forty four Willer Street. It's trouble.
Oh darn man, what's the boy? I'm a little nervous.
I guess I locked Jimmy slipped and scratch the door. Gosh,
boys can't get the lock open. Yeah, yeah it's open now.
Uh beat it to that phone. Call pir day quick. Yes,
your boys you way. Oh, I'll run all the way.
(05:32):
Then get back here as fast as you can. Oh, okay, boy,
I'll be right back. Ellen. Hey, every one, every one,
every one where?
Speaker 6 (05:46):
I as ever, Oh, I tell you in speck of
fighting and be honest, Drew Blackie, he's been missing for
eight hours.
Speaker 1 (06:01):
No, look, shorty, this is police head calls, not a
problem clinic. If Blankie gave you the slip this morning,
go somewhere else and try about it.
Speaker 6 (06:08):
But the inspect the Blankie just just fit to peer
after they called you are run right back to forty
four Willer Street and black He ain't there.
Speaker 1 (06:14):
And the guard ain't there. Maybe they went to a
movie two o'clock in the morning, don't they like late movies?
Who chairs ipeck your police don't hit about this. Miss
Wesley's missing them. Blackie had a hunch there was trouble
in that house, and I figure he Friday twenty want
Runan's officer Thompson on the branch Foo beat because he
found a pump sleep in an alley this morning. What's
(06:34):
he want? Applause? Maybe he won for reward? Friday Blakey,
Oh curse boys, what happened to you? I don't know, Shorty.
Somebody did a job on me and I went to
sleep on it. Oa, okay, lay take your pals, Shorty
and Peter God get out of here. I'm not leaving Friturday. Well,
Rollins you get out of here, yes, sir, inspect them
right away. Hey, I gotta get somebody to listen to
me now. I aren't supposed to feel better. Look, I'm
(06:56):
a busy man. You have something to say, say it
fast and get out of here. Mary. What he's missing? Mary?
Wes he's missing? What very funny? Paraday? Only this is
no time for jokes. A girl named Evelyn Jones is
holding Mary somewhere. Evelyn Jones, Yes, Evelyn Jones Chorley and
I took her to her house and tore her before
Willis Street two o'clock this morning. We went along to
see if nothing happened to her. They expect me to
(07:18):
believe this, Sorr. They don't you understand. The Jones girl
knows where Mary is. There's one or chaster Jones girl
to find it because I can't find the Jones girl.
While she was in the house, Shirley and I waited outside.
After a little while, I went in to get her.
I was knocked out and didn't wake up until a
little while ago, way out in Branchville. I don't care
about the Jones girl or me. Would you please get
(07:38):
it into that thick head of yours that Mary's missing
all its ranky? Yeah? All, okay, Well, let's put the
truth and send out every available man to find Mary Wesley. Okay,
after all this, Mary better be missing. Hey, blanky's to
cost for you. Thanks and inspector, thanks for giving that
(07:58):
orders wrong. I won't forget it. Hello, Hello, Blackae, this
is Mary. But or Joe Joe Hall are old boy?
What do you mean?
Speaker 5 (08:10):
Old boy?
Speaker 1 (08:10):
This is Mary Well. I thought you were out of
town Joe and not Joe.
Speaker 4 (08:15):
I'm Mary and I'm not out of town because I
miss my friends and out of friends talking.
Speaker 1 (08:19):
I'm home as well, Joe, stay where you are. That's
not any Joe, give me. That's fault saying hello, Hello?
Who is this Hell?
Speaker 4 (08:29):
This is Mary Wes.
Speaker 1 (08:30):
Mary, where are you in my apartment?
Speaker 2 (08:34):
Inspected?
Speaker 4 (08:34):
Black?
Speaker 1 (08:34):
He is in your office? Because he's in trouble is
I'll say he's in trouble here, let me speak to her,
will get married? Keep talking to anybody inspect read about it,
my papae, Miss Wesley, I'm gonna put your boyfriend in jail. Now. Listen, Saturday,
I am as surprised as you are about this thing.
I'm not a bit surprised. This is just what I expected,
a gag. Mary Wesley was in trouble. You took a
(08:56):
girl to her house, she disappeared. You got hit on
the head dad, that same old phony story. Okay, Saturday,
I'm sorry. Mary's not in trouble and that's all I
care about. So you ran the same way. I am blacking.
What was all this talk about, Evelyn Jones? Skip it, Saturday.
It isn't important anymore about a house at forty four
Willow Street. I tell you now that Mary's all right,
(09:17):
Evelyn Jones and forty four Willow Street are not important. Well,
we going down. I have a look in this house
at for eighty four. You know, Saturday, I'm not interested.
So long, so long, you're wrong with me. To Willow
Street and if there's anything pony up there, you're going
to jail for so long. This is hout Saturday, just
(09:43):
as I described it to you. Yeah, on the outside, blanking, yeah, yeah,
they did. The house we come to with a George
Dame specifiday. Nobody asked you, They didn't. Oh, come on,
let's go in, Hey, Rolin, what's the idea of blacking
that door? I was looking for the great and a
door plea he said he made when he Jimmy done
lock Hey the finest. Hey, yeah, yeah, here it is.
(10:05):
Will that prove I was here this morning? Party? Yeah?
Speaker 2 (10:07):
Yeah, Well will I prove it inspected?
Speaker 1 (10:09):
Nobody's talking to you surely? Yea, oh your exact. Come on,
let's going time now as you go into the house,
the living rooms, to the rights and stuff and to
the left of the boy out of the large sofa.
Now if you now if I left, hey, of course,
(10:29):
but you're exactly Hey, what is this? This is an
empty house? A five year old kid could say that. Well,
let's go get a five year old kid. Hey, expect
the party. Hey, this play thinks they lived there for
a month. The fus is a nigstick. Haye. Okay, Leggy,
explain your way out of this way. I don't understand
it that the house was completely furnished when I was
(10:51):
here two o'clock this morning, not this house, but of
course it was this house. That's clocks on the door
out there proves it was made with unlocked Jimmy, inspector,
hat I could tell that. At two o'clock this morning,
I was standing right here and Evelyn Jones was sitting
on a sofa right over there. That's houses that the
excuse me inspected siety, But it ain't exactly at it? Yes,
(11:11):
why not? Well, it's got a dame in it lying
over there in the corner.
Speaker 4 (11:16):
She's a little bit dead.
Speaker 1 (11:19):
Uh oh, don't move, by the way. That's where you
wouldn't want me to tell you live, would your inspector?
She's Evan Jones, the girl I told you about. So
you eliminate first night, identify them later, don't you like it? Okay,
maybe we'll go easy with you on account of that.
Maybe we'll put a pillow on the back of your
electric hair. Now back to Boston. Blatty Boss Do acts
(11:59):
bodyguard for Evelyn Jones because he believes his brand Mary
Wesley is being house prisoner. Blackie loses track of the
Jones girl and is himselved not unconscious. Hours later, while
he's pleading with Parody to help him find either Evelyn
Jones or Mary Wesley, Mary phones that she's all right.
Then Blackie and Priardy go to the house where Blackie
says he was knocked out, and though Blackie claims it
(12:21):
was completely funnished, the house is now empty and dust bills.
Then they find Evelyn Jones death. As we return to
our story, Pardy is getting ready to take Blackie to
headphone hers, don't just see what happened here, Parody, The
house next door to this is identical. That's the house
I was in. But she said, four eighty four is
(12:43):
the number unless it's four eighty four and the scratches
on this door, How do you explain that? I don't
know the house I went into was furnished. I know
that it wasn't empty, The floors were clean. I covered
with Dutch. Then why did we find that John's girl
in head Because whoever she was meeting killed her in
the house next door and brought her body over here
(13:06):
to Rellance. Yeah, let's you find out next door old
couple is over there, well last night too, And no, no,
what about the door over there. Not it's right on it?
Uh blackie? Who you're trying?
Speaker 4 (13:18):
A kid?
Speaker 1 (13:19):
I don't know, unless maybe it's myself. I don't know.
I just don't get well, you're gonna get it and
tis balance. Yeah, expect the heye my next door and
telephone headquarters. Yuh tell him to send out the corner
photographers and fingerprints man right away, right away? Hate, not
a double hate. Don't you want me to go with him?
It's like you stay right where you are, blacking. Don't forget.
I still have a gun on you, don't you wal we?
I said, stay where you are? Can't I walk around
(13:41):
the room a little? Okay? But that's all Saturday. You're
such a kind old master, is me surety? Oh yeah?
What are you doing over there? Still seeing where the
door leaves looks like a closet door. Let's see how
the family Scaloupon is doing that knows the we was
gonna get through a tuble some day. Yes, it's me.
(14:04):
They want a tenant a close faraday. You thought there
was only one body in this house, You're only half flight.
Here's another another buddy glint in the closet. Here quite here,
Look there's no body in there? You mean there wasn't Sataday,
But there is no act. They're yours? What good? Flaky?
Speaker 4 (14:25):
Friday gonna like it?
Speaker 1 (14:26):
Well? I love it? Story not the inspector out just
before a while and kicks back. Oh anyway though, I
don't know, Yeah, except I'm sure it's out of here.
See for when I let him hurry the clock. Why
we're gonna tell us Saturday is always telling everybody to
be quiet. Ask him how it feels for him to
be shut up? Hello? Married? That's flaky?
Speaker 4 (14:50):
Oh Blackie, what's the matter?
Speaker 1 (14:54):
Paraday wants me for Riday?
Speaker 2 (14:55):
Oh blass?
Speaker 1 (14:57):
Not again? Oh? Mary?
Speaker 4 (14:59):
Yeah, what are you gonna do?
Speaker 1 (15:03):
Meet you in the lobby at twenty one West eight Street.
What's for? I wanna see an apartment about a clue?
Well married? Every one? Jones apartment looks as nice as she.
Speaker 4 (15:17):
Did, Yes it does, but uh likely? What are we
looking for?
Speaker 1 (15:22):
The name of the man Evelyn Jones was meeting in
that house and what she was delivering to?
Speaker 4 (15:27):
Well, I guess this is the right place to look in,
isn't this?
Speaker 1 (15:30):
Uh Mary? Look around? Kathley? What is can help me?
Speaker 4 (15:33):
Yes?
Speaker 1 (15:34):
Sure? For a book, a a letter or a newspaper,
even a cigarette butt maybe all we're needed.
Speaker 4 (15:39):
Okay, ah, here's a letter on her desk.
Speaker 2 (15:44):
It's it's johny party written.
Speaker 1 (15:46):
Must have a look at it. Or it's just about
the weather.
Speaker 2 (15:48):
Oh, oh, it isn't. It's the dear Bob.
Speaker 1 (15:51):
Uh huh.
Speaker 4 (15:51):
You remember those letters I wrote you about last month. Well,
it looks as your Bobby out there with you in
a week or two, a very wealthy little girl. That's
enough that So it is that it sounds to me
is that she was black manning somebody.
Speaker 1 (16:03):
Definitely. Well let's explain to I'm meeting somebody in that
house two in the morning, and why she was afraid
something would happened to her.
Speaker 4 (16:10):
Of course she went to that house for the payoff.
Speaker 1 (16:12):
Only the payoff she got was not negotiable.
Speaker 6 (16:14):
But whom?
Speaker 3 (16:15):
What's the black man?
Speaker 1 (16:16):
What? Why? Sweet? Is a question without an answer.
Speaker 4 (16:18):
I ask good one.
Speaker 5 (16:19):
Huh be proud of me?
Speaker 1 (16:20):
That's the second question without an answering.
Speaker 5 (16:23):
Oh, hey, what's there?
Speaker 1 (16:26):
Y's Oh I couldn't know that. Sometimes I could look
what it says. Yeah, everyone meet me at forty four
Willow's Street at two a m next Monday morning, Signed J. Couragan.
That's it.
Speaker 4 (16:43):
That's the man who met and that's the man who
killed us.
Speaker 1 (16:45):
Maybe that's the Carragan is quite a character in the
black male business. I think I'll see him and see
about this. All right, I's have the whole story and straight.
I've got nothing to hide from Neil Blackie. I was
doing visits. What Evelyn goes? Were you blackmailing her? Or
(17:07):
was she blackmailing you? We were doing business together, Evelyn,
all right, Evelyn had the letters. I had to know
how we were going to share a take of one
hundred thousand and fifty fifty Who wrote those letters? Seller
by the name of Jerald Laws, who has enough gough
to buy Fort Knox flock stock and bullions? Oh? I
get it. Evelyn didn't want a blackmail lows In directly,
(17:27):
so she hired you to do the job for half
the stake. He couldn't have hired a better man. Then
you met her at forty four Willow Street at two
o'clock this morning where she was to give you the letters.
It was three o'clock, but she never showed up. Two o'clock,
three o'clock. It's unimportance. But what is important? Carrigan is
that you're lying. You not only Sawa, You took the
letters from her then killed her so you wouldn't have
(17:50):
to divide your hundred thousand. So I have proof you
planned to meet Evelyn in that house on Willis Street
a note you wrote to her. I found it in
her apartment. I admit I wrote that letter. So what
So that means she was going there to meet your
So she was going there to deletely I had left,
that's true. Who can't prove the three against leave Blackee?
Don't you think you or to admit.
Speaker 4 (18:11):
That Blackie hit carg Until Edlin Jones.
Speaker 1 (18:20):
Of course he did. Marry.
Speaker 4 (18:21):
Well, then let's go to the police.
Speaker 1 (18:23):
We can't marry. I can't poove anything yet, but I'm
gonna let Cargan convict himself. Will he he has Evelyn letters?
He knows jeral Lawson will pay him a hundred thousand
dollars for him.
Speaker 4 (18:35):
Oh, I see when he goes to mister Lawson with
the letters, he approved that he met Evelyn Jones, and
that will prove to.
Speaker 1 (18:41):
Be Killedren marry You're brilliant.
Speaker 4 (18:43):
Oh I'm going places at the detective.
Speaker 1 (18:45):
Well, I am going places as a detective tool to
Gerald Lawson's office.
Speaker 3 (18:56):
The door, dre mis BLESTI it's lost more to you
and I'm.
Speaker 1 (19:00):
Way out there. I'll see you. Thank you there are
Oh yeah, thanks, I will.
Speaker 2 (19:10):
I understand you want to see me about to letting.
Speaker 1 (19:14):
Oh I don't have them, Mislawtner. But I know who
does h A man by the name of Kuragan. Oh h.
Could I make a suggestion go to the police, tell
them that Kuragan is trying to blackmail you. When they
find those letters on him, he'll go to jail for
the murderers of them. John.
Speaker 2 (19:31):
Oh no, I I I can't go to the police.
Speaker 1 (19:35):
Why not do those letters?
Speaker 2 (19:36):
I I'd have to tell the police about them. Then
they'd probably be read, and well, I I'd be ruined.
I'd much rather pay any amount of Kuragan to get
those letters privately.
Speaker 1 (19:46):
Well, then maybe we'll have to do this the hard word.
I don't care.
Speaker 2 (19:49):
But what do we do?
Speaker 1 (19:51):
We have to make Cauragan show up with those letters
that will prove he saw el and killed her and
took them from us.
Speaker 2 (19:57):
But I have already made it clear to him to.
Speaker 1 (20:00):
Alright, let's write him a letter, have it delivered by
a messon general arrange a meeting for this afternoon. I'll
hide me aby, and when he hands you the letters,
we'll destroy them and hand Carrigan over to the police
as Evelyn Jones murderer.
Speaker 2 (20:17):
Would you let it?
Speaker 3 (20:18):
Mislawton?
Speaker 2 (20:18):
Oh thanks, you just leaving on my best shiit Uh uh,
Pat jud bitter look at it, Blackie.
Speaker 1 (20:23):
Al right here you are anything out there that'll be.
Speaker 4 (20:27):
All Miss Waters.
Speaker 2 (20:28):
Still that note? Do?
Speaker 1 (20:32):
Will it?
Speaker 6 (20:32):
Do it?
Speaker 1 (20:33):
Does? Wonder? See the smaller piece of paper in my hands. Yeah,
it's the note which made the appointment for Evelyn Jones
to come to forty four will escape?
Speaker 2 (20:42):
Oh well, which Corrigan wrote.
Speaker 1 (20:44):
Of course, which you wrote Lawson on the same type
out of your girl you to type out the letter
you just dictated you you can't tell that I can
because the defective letter L and the numeral two are
identical in each note. That would stand up in the
court of law.
Speaker 2 (20:58):
Oh right, So what if they were written on the
same typewrit It doesn't mean anything.
Speaker 1 (21:04):
You went to Evelyn's apartment looking for your letters, you
couldn't find them. But in her mailbox you didn't find
a note from Carrigan. Eveyln haven't seen it yet. It
is nothing but theory. Very can turn out to be
the truth. You know, you brought Karagan's note here to
your office, destroyed it, then wrote one of your own
to her, changing the time of the meeting from three
o'clock when Carrigan wanted to see it the two o'clock.
Speaker 2 (21:24):
The Evelyn which found in Kurrogan's house. You you can
never prove that I was in.
Speaker 1 (21:28):
It's glad you mentioned that house, Lass, And that's the
one thing I still don't understand. But I'll go to
work on that as soon as Faraday goes to work
on you. Alright, alright, class, everybody in the lineup, Roland's
all right, people standing up there on those rights now
(21:49):
as the old man who lives at four eighty six
Willow Streets right here, Qrid writing yes, mister Faraday, all right,
you'll which one of those guys in the lineup is Lawson?
M now that one day on the end, so I
never thought, I don't think before it's quiet Paraday. Yes
(22:11):
I'll be quiet too, all right, Joe. I didn't know
mister Lesson. He came to my house three days ago
and offered my wife and me a thousand dollars to
get out of our house for two days and not
to say a word about him.
Speaker 4 (22:23):
Even to the police.
Speaker 1 (22:25):
He said it was a joke, all right, lost Ones?
What he said of that?
Speaker 4 (22:29):
Nothing?
Speaker 1 (22:30):
Look, we know you're out letters to the Jones girl.
We know she was on a black MANU. We know
that message you think was written on your typewriter. No lot,
Joss and Grandpire here has identified you. Do talk? What
was all this business of switching houses? Wasn't ignore that question?
Loves glad me by the answer this one? What was
all this business of switching houses? Wasn't wonderful question? Inspect whietanking?
Speaker 2 (22:53):
Don Watson talks right, I have nothing to say.
Speaker 1 (22:56):
He doesn't have to say anything now he went out
before he Paul Willows straight after he opened Evylyn's letter.
Then he saw the house next authority before was I that?
I so him got an idea? So that gave you
an idea? A lot? Who didn't I even have given
you one Saturday?
Speaker 2 (23:11):
Yes, you know that given me an idea? H I
was disputed. I I had borrowed the house in the
old couple and send everylin the note to meet me
at two o'clock, you know, earlier than she was to
meet Corgan. And then I I switched the house numbers
cause it Wheneverlyn arrived at four eighty four.
Speaker 1 (23:25):
He came into my house and Cordon, well, you'll kill him.
I'll put the letters.
Speaker 2 (23:30):
Yeah, actually I knocked out like people. I switched the
house numbers back to their original positioners put everyone's body
in Corgan's house.
Speaker 1 (23:39):
Well, lot explains everything with the of the door Saturday,
Why did you switch the doors? And the two houses
walking right?
Speaker 2 (23:47):
And I had two made a scratch on the door
when you broke the locks, right, I had to switch 'em.
When I had to switch the house numbers back with it.
Speaker 1 (23:54):
Belonged Finefton twelve Friday, i've heard of one on the house.
What is the person's house I've ever heard of? It
was one on us
I mean, well, what a beautiful surprise?
Speaker 2 (00:44):
Are you bought the blackness?
Speaker 1 (00:46):
Oh? We have something in common at times, but you
don't know me. I have been not to If you don't,
I'm coming out. O. Thank you A Midland Jones mid jone?
Speaker 2 (00:58):
Is that important? It is lucky?
Speaker 1 (01:00):
I need help or give me a clue? Uh? What
do you want to safe? Open the bank, rob the
fire started, or just playing somebody murdered?
Speaker 3 (01:08):
I'd like you to keep somebody from being the murder.
Speaker 1 (01:11):
Well, that's a little lot of my line and inspect
the fire day keeps telling me? Uh, who do I
keep from being knocked off?
Speaker 2 (01:17):
Me?
Speaker 1 (01:18):
Say, there are too many ugly people in the world
right now for us to lose a beautiful one. What's
the story?
Speaker 3 (01:26):
I have to deliver a package at two o'cross tomorrow morning.
Speaker 4 (01:28):
It's for eighty four Willow's treat.
Speaker 1 (01:30):
Now.
Speaker 2 (01:30):
All I want you to do is to go there
with me.
Speaker 1 (01:32):
It is you'll take a few many Sorry I can't
do it.
Speaker 4 (01:36):
Why not?
Speaker 2 (01:38):
But the merry whist take.
Speaker 1 (01:39):
More or less? More because Mary has a way of
finding out about things, and less because she happens to
be on a train going to Wisconsin right Now.
Speaker 5 (01:48):
Mary Westley isn't gone a train going anywhere.
Speaker 1 (01:51):
I happen to know she is.
Speaker 3 (01:52):
I happen to know she it eats.
Speaker 1 (01:55):
Really, then where do you happen to know?
Speaker 2 (01:58):
She is?
Speaker 1 (01:59):
The mind?
Speaker 5 (02:01):
But if you don't do what I ask you, next
time you see Mary Wesley, it'll be just to identify
the body.
Speaker 1 (02:18):
And now the wretched commers bought and blackies anime to
those who make 'em an enemy. Friends are those who
have no friends? Are you sure this is the right.
Speaker 4 (02:31):
House of one foy its four willis takes Blackie.
Speaker 2 (02:34):
There's no mistake about that.
Speaker 1 (02:35):
Let's just self. This whole thing is a mistake. I
know what I'm doing well, I know why I'm doing this.
I'm marry not for you? Then why am I any
stay boys? Well, shorty, I'm here to protect Evelyn and
you are here to protect me.
Speaker 6 (02:48):
Who is gonna protect me?
Speaker 1 (02:50):
Everyone? Everybody happy? Now? So what do we do?
Speaker 5 (02:54):
I don't want both of you to come inside with 'em,
Just do blackly the short guys stays out here.
Speaker 1 (02:58):
Maybe we should both wait out here.
Speaker 2 (03:00):
A lot of good that'll do me.
Speaker 4 (03:01):
The mon in blessed.
Speaker 1 (03:03):
Keep your eyes and ears open, Shorty, and your mouth closed.
Speaker 2 (03:06):
Oh sure, boys you.
Speaker 3 (03:09):
For a little early, properly not here yet?
Speaker 1 (03:12):
Mm nice place.
Speaker 3 (03:13):
M guy owns it.
Speaker 1 (03:15):
There's money, good money, good taste too. Wanna look around
or we're waiting?
Speaker 2 (03:20):
No, I'm not tight thing.
Speaker 1 (03:21):
Who are you meeting here? You neglected to tell me that.
Speaker 2 (03:24):
You'll be unhappy not knowing.
Speaker 1 (03:26):
Close to tears. But I get it, am Uh good
views from the window here I can see Shorty in
the shadows across the streets.
Speaker 4 (03:35):
No blackly ye's it's just two o'clock.
Speaker 3 (03:38):
And it doesn't like this guy to be late. I
can keep somewhere in the house.
Speaker 1 (03:41):
Now, well, let's go find him.
Speaker 5 (03:43):
No, the obvious.
Speaker 2 (03:44):
They won't meet me unless I'm alone.
Speaker 3 (03:47):
Now, why don't you go outside?
Speaker 1 (03:49):
Have you meet this guy? Then skip out on me
without telling me where Mary is? Or no?
Speaker 4 (03:53):
Do as I say?
Speaker 5 (03:53):
Blast year you'll never see Mary.
Speaker 1 (03:55):
Again except in the morgue.
Speaker 5 (03:57):
That's about it.
Speaker 1 (03:58):
Argument over what do I do?
Speaker 2 (04:01):
Uh?
Speaker 1 (04:01):
Huh?
Speaker 2 (04:01):
Exactly two o'clock?
Speaker 5 (04:02):
Now go across the street. If your pala, Shorty, if
you hear me yell, or if I'm not out, if
exactly five after.
Speaker 3 (04:08):
Two, come in for me.
Speaker 1 (04:10):
You get it? Sure? I get it, but let's not
uh out. Let's just hope that before the five minutes
are up. You don't it's blacky you it's been almost
five minutes now, and I say, nobody going to forty
(04:30):
four across the street. Everyone was probably right shorty. Remember
she was meeting, was already in the house, just waiting
for me to leave. M uh uh times up? Well,
no what everyone didn't yell for us, So we're going
into uh call for her?
Speaker 2 (04:45):
Hm, see boss, you think maybe if she could yell
and and uh, we didn't hear.
Speaker 1 (04:50):
Her say it quite enough out here to hear a
chin drop. Come on, we'll both go in. See gus
got huh that one called us up so long? Look
I I'll go look in a win and see what
goes on. No, surelie, there's a gasoline station two blocks
down the streets. Beat it down there and call Paraday.
And I don't like the looks at it. Don't what like?
(05:11):
Tell him? Tell him the sun. Some men up here
right of way to forty four Willer Street. It's trouble.
Oh darn man, what's the boy? I'm a little nervous.
I guess I locked Jimmy slipped and scratch the door. Gosh,
boys can't get the lock open. Yeah, yeah it's open now.
Uh beat it to that phone. Call pir day quick. Yes,
your boys you way. Oh, I'll run all the way.
(05:32):
Then get back here as fast as you can. Oh, okay, boy,
I'll be right back. Ellen. Hey, every one, every one,
every one where?
Speaker 6 (05:46):
I as ever, Oh, I tell you in speck of
fighting and be honest, Drew Blackie, he's been missing for
eight hours.
Speaker 1 (06:01):
No, look, shorty, this is police head calls, not a
problem clinic. If Blankie gave you the slip this morning,
go somewhere else and try about it.
Speaker 6 (06:08):
But the inspect the Blankie just just fit to peer
after they called you are run right back to forty
four Willer Street and black He ain't there.
Speaker 1 (06:14):
And the guard ain't there. Maybe they went to a
movie two o'clock in the morning, don't they like late movies?
Who chairs ipeck your police don't hit about this. Miss
Wesley's missing them. Blackie had a hunch there was trouble
in that house, and I figure he Friday twenty want
Runan's officer Thompson on the branch Foo beat because he
found a pump sleep in an alley this morning. What's
(06:34):
he want? Applause? Maybe he won for reward? Friday Blakey,
Oh curse boys, what happened to you? I don't know, Shorty.
Somebody did a job on me and I went to
sleep on it. Oa, okay, lay take your pals, Shorty
and Peter God get out of here. I'm not leaving Friturday. Well,
Rollins you get out of here, yes, sir, inspect them
right away. Hey, I gotta get somebody to listen to
me now. I aren't supposed to feel better. Look, I'm
(06:56):
a busy man. You have something to say, say it
fast and get out of here. Mary. What he's missing? Mary?
Wes he's missing? What very funny? Paraday? Only this is
no time for jokes. A girl named Evelyn Jones is
holding Mary somewhere. Evelyn Jones, Yes, Evelyn Jones Chorley and
I took her to her house and tore her before
Willis Street two o'clock this morning. We went along to
see if nothing happened to her. They expect me to
(07:18):
believe this, Sorr. They don't you understand. The Jones girl
knows where Mary is. There's one or chaster Jones girl
to find it because I can't find the Jones girl.
While she was in the house, Shirley and I waited outside.
After a little while, I went in to get her.
I was knocked out and didn't wake up until a
little while ago, way out in Branchville. I don't care
about the Jones girl or me. Would you please get
(07:38):
it into that thick head of yours that Mary's missing
all its ranky? Yeah? All, okay, Well, let's put the
truth and send out every available man to find Mary Wesley. Okay,
after all this, Mary better be missing. Hey, blanky's to
cost for you. Thanks and inspector, thanks for giving that
(07:58):
orders wrong. I won't forget it. Hello, Hello, Blackae, this
is Mary. But or Joe Joe Hall are old boy?
What do you mean?
Speaker 5 (08:10):
Old boy?
Speaker 1 (08:10):
This is Mary Well. I thought you were out of
town Joe and not Joe.
Speaker 4 (08:15):
I'm Mary and I'm not out of town because I
miss my friends and out of friends talking.
Speaker 1 (08:19):
I'm home as well, Joe, stay where you are. That's
not any Joe, give me. That's fault saying hello, Hello?
Who is this Hell?
Speaker 4 (08:29):
This is Mary Wes.
Speaker 1 (08:30):
Mary, where are you in my apartment?
Speaker 2 (08:34):
Inspected?
Speaker 4 (08:34):
Black?
Speaker 1 (08:34):
He is in your office? Because he's in trouble is
I'll say he's in trouble here, let me speak to her,
will get married? Keep talking to anybody inspect read about it,
my papae, Miss Wesley, I'm gonna put your boyfriend in jail. Now. Listen, Saturday,
I am as surprised as you are about this thing.
I'm not a bit surprised. This is just what I expected,
a gag. Mary Wesley was in trouble. You took a
(08:56):
girl to her house, she disappeared. You got hit on
the head dad, that same old phony story. Okay, Saturday,
I'm sorry. Mary's not in trouble and that's all I
care about. So you ran the same way. I am blacking.
What was all this talk about, Evelyn Jones? Skip it, Saturday.
It isn't important anymore about a house at forty four
Willow Street. I tell you now that Mary's all right,
(09:17):
Evelyn Jones and forty four Willow Street are not important. Well,
we going down. I have a look in this house
at for eighty four. You know, Saturday, I'm not interested.
So long, so long, you're wrong with me. To Willow
Street and if there's anything pony up there, you're going
to jail for so long. This is hout Saturday, just
(09:43):
as I described it to you. Yeah, on the outside, blanking, yeah, yeah,
they did. The house we come to with a George
Dame specifiday. Nobody asked you, They didn't. Oh, come on,
let's go in, Hey, Rolin, what's the idea of blacking
that door? I was looking for the great and a
door plea he said he made when he Jimmy done
lock Hey the finest. Hey, yeah, yeah, here it is.
(10:05):
Will that prove I was here this morning? Party? Yeah?
Speaker 2 (10:07):
Yeah, Well will I prove it inspected?
Speaker 1 (10:09):
Nobody's talking to you surely? Yea, oh your exact. Come on,
let's going time now as you go into the house,
the living rooms, to the rights and stuff and to
the left of the boy out of the large sofa.
Now if you now if I left, hey, of course,
(10:29):
but you're exactly Hey, what is this? This is an
empty house? A five year old kid could say that. Well,
let's go get a five year old kid. Hey, expect
the party. Hey, this play thinks they lived there for
a month. The fus is a nigstick. Haye. Okay, Leggy,
explain your way out of this way. I don't understand
it that the house was completely furnished when I was
(10:51):
here two o'clock this morning, not this house, but of
course it was this house. That's clocks on the door
out there proves it was made with unlocked Jimmy, inspector,
hat I could tell that. At two o'clock this morning,
I was standing right here and Evelyn Jones was sitting
on a sofa right over there. That's houses that the
excuse me inspected siety, But it ain't exactly at it? Yes,
(11:11):
why not? Well, it's got a dame in it lying
over there in the corner.
Speaker 4 (11:16):
She's a little bit dead.
Speaker 1 (11:19):
Uh oh, don't move, by the way. That's where you
wouldn't want me to tell you live, would your inspector?
She's Evan Jones, the girl I told you about. So
you eliminate first night, identify them later, don't you like it? Okay,
maybe we'll go easy with you on account of that.
Maybe we'll put a pillow on the back of your
electric hair. Now back to Boston. Blatty Boss Do acts
(11:59):
bodyguard for Evelyn Jones because he believes his brand Mary
Wesley is being house prisoner. Blackie loses track of the
Jones girl and is himselved not unconscious. Hours later, while
he's pleading with Parody to help him find either Evelyn
Jones or Mary Wesley, Mary phones that she's all right.
Then Blackie and Priardy go to the house where Blackie
says he was knocked out, and though Blackie claims it
(12:21):
was completely funnished, the house is now empty and dust bills.
Then they find Evelyn Jones death. As we return to
our story, Pardy is getting ready to take Blackie to
headphone hers, don't just see what happened here, Parody, The
house next door to this is identical. That's the house
I was in. But she said, four eighty four is
(12:43):
the number unless it's four eighty four and the scratches
on this door, How do you explain that? I don't
know the house I went into was furnished. I know
that it wasn't empty, The floors were clean. I covered
with Dutch. Then why did we find that John's girl
in head Because whoever she was meeting killed her in
the house next door and brought her body over here
(13:06):
to Rellance. Yeah, let's you find out next door old
couple is over there, well last night too, And no, no,
what about the door over there. Not it's right on it?
Uh blackie? Who you're trying?
Speaker 4 (13:18):
A kid?
Speaker 1 (13:19):
I don't know, unless maybe it's myself. I don't know.
I just don't get well, you're gonna get it and
tis balance. Yeah, expect the heye my next door and
telephone headquarters. Yuh tell him to send out the corner
photographers and fingerprints man right away, right away? Hate, not
a double hate. Don't you want me to go with him?
It's like you stay right where you are, blacking. Don't forget.
I still have a gun on you, don't you wal we?
I said, stay where you are? Can't I walk around
(13:41):
the room a little? Okay? But that's all Saturday. You're
such a kind old master, is me surety? Oh yeah?
What are you doing over there? Still seeing where the
door leaves looks like a closet door. Let's see how
the family Scaloupon is doing that knows the we was
gonna get through a tuble some day. Yes, it's me.
(14:04):
They want a tenant a close faraday. You thought there
was only one body in this house, You're only half flight.
Here's another another buddy glint in the closet. Here quite here,
Look there's no body in there? You mean there wasn't Sataday,
But there is no act. They're yours? What good? Flaky?
Speaker 4 (14:25):
Friday gonna like it?
Speaker 1 (14:26):
Well? I love it? Story not the inspector out just
before a while and kicks back. Oh anyway though, I
don't know, Yeah, except I'm sure it's out of here.
See for when I let him hurry the clock. Why
we're gonna tell us Saturday is always telling everybody to
be quiet. Ask him how it feels for him to
be shut up? Hello? Married? That's flaky?
Speaker 4 (14:50):
Oh Blackie, what's the matter?
Speaker 1 (14:54):
Paraday wants me for Riday?
Speaker 2 (14:55):
Oh blass?
Speaker 1 (14:57):
Not again? Oh? Mary?
Speaker 4 (14:59):
Yeah, what are you gonna do?
Speaker 1 (15:03):
Meet you in the lobby at twenty one West eight Street.
What's for? I wanna see an apartment about a clue?
Well married? Every one? Jones apartment looks as nice as she.
Speaker 4 (15:17):
Did, Yes it does, but uh likely? What are we
looking for?
Speaker 1 (15:22):
The name of the man Evelyn Jones was meeting in
that house and what she was delivering to?
Speaker 4 (15:27):
Well, I guess this is the right place to look in,
isn't this?
Speaker 1 (15:30):
Uh Mary? Look around? Kathley? What is can help me?
Speaker 4 (15:33):
Yes?
Speaker 1 (15:34):
Sure? For a book, a a letter or a newspaper,
even a cigarette butt maybe all we're needed.
Speaker 4 (15:39):
Okay, ah, here's a letter on her desk.
Speaker 2 (15:44):
It's it's johny party written.
Speaker 1 (15:46):
Must have a look at it. Or it's just about
the weather.
Speaker 2 (15:48):
Oh, oh, it isn't. It's the dear Bob.
Speaker 1 (15:51):
Uh huh.
Speaker 4 (15:51):
You remember those letters I wrote you about last month. Well,
it looks as your Bobby out there with you in
a week or two, a very wealthy little girl. That's
enough that So it is that it sounds to me
is that she was black manning somebody.
Speaker 1 (16:03):
Definitely. Well let's explain to I'm meeting somebody in that
house two in the morning, and why she was afraid
something would happened to her.
Speaker 4 (16:10):
Of course she went to that house for the payoff.
Speaker 1 (16:12):
Only the payoff she got was not negotiable.
Speaker 6 (16:14):
But whom?
Speaker 3 (16:15):
What's the black man?
Speaker 1 (16:16):
What? Why? Sweet? Is a question without an answer.
Speaker 4 (16:18):
I ask good one.
Speaker 5 (16:19):
Huh be proud of me?
Speaker 1 (16:20):
That's the second question without an answering.
Speaker 5 (16:23):
Oh, hey, what's there?
Speaker 1 (16:26):
Y's Oh I couldn't know that. Sometimes I could look
what it says. Yeah, everyone meet me at forty four
Willow's Street at two a m next Monday morning, Signed J. Couragan.
That's it.
Speaker 4 (16:43):
That's the man who met and that's the man who
killed us.
Speaker 1 (16:45):
Maybe that's the Carragan is quite a character in the
black male business. I think I'll see him and see
about this. All right, I's have the whole story and straight.
I've got nothing to hide from Neil Blackie. I was
doing visits. What Evelyn goes? Were you blackmailing her? Or
(17:07):
was she blackmailing you? We were doing business together, Evelyn,
all right, Evelyn had the letters. I had to know
how we were going to share a take of one
hundred thousand and fifty fifty Who wrote those letters? Seller
by the name of Jerald Laws, who has enough gough
to buy Fort Knox flock stock and bullions? Oh? I
get it. Evelyn didn't want a blackmail lows In directly,
(17:27):
so she hired you to do the job for half
the stake. He couldn't have hired a better man. Then
you met her at forty four Willow Street at two
o'clock this morning where she was to give you the letters.
It was three o'clock, but she never showed up. Two o'clock,
three o'clock. It's unimportance. But what is important? Carrigan is
that you're lying. You not only Sawa, You took the
letters from her then killed her so you wouldn't have
(17:50):
to divide your hundred thousand. So I have proof you
planned to meet Evelyn in that house on Willis Street
a note you wrote to her. I found it in
her apartment. I admit I wrote that letter. So what
So that means she was going there to meet your
So she was going there to deletely I had left,
that's true. Who can't prove the three against leave Blackee?
Don't you think you or to admit.
Speaker 4 (18:11):
That Blackie hit carg Until Edlin Jones.
Speaker 1 (18:20):
Of course he did. Marry.
Speaker 4 (18:21):
Well, then let's go to the police.
Speaker 1 (18:23):
We can't marry. I can't poove anything yet, but I'm
gonna let Cargan convict himself. Will he he has Evelyn letters?
He knows jeral Lawson will pay him a hundred thousand
dollars for him.
Speaker 4 (18:35):
Oh, I see when he goes to mister Lawson with
the letters, he approved that he met Evelyn Jones, and
that will prove to.
Speaker 1 (18:41):
Be Killedren marry You're brilliant.
Speaker 4 (18:43):
Oh I'm going places at the detective.
Speaker 1 (18:45):
Well, I am going places as a detective tool to
Gerald Lawson's office.
Speaker 3 (18:56):
The door, dre mis BLESTI it's lost more to you
and I'm.
Speaker 1 (19:00):
Way out there. I'll see you. Thank you there are
Oh yeah, thanks, I will.
Speaker 2 (19:10):
I understand you want to see me about to letting.
Speaker 1 (19:14):
Oh I don't have them, Mislawtner. But I know who
does h A man by the name of Kuragan. Oh h.
Could I make a suggestion go to the police, tell
them that Kuragan is trying to blackmail you. When they
find those letters on him, he'll go to jail for
the murderers of them. John.
Speaker 2 (19:31):
Oh no, I I I can't go to the police.
Speaker 1 (19:35):
Why not do those letters?
Speaker 2 (19:36):
I I'd have to tell the police about them. Then
they'd probably be read, and well, I I'd be ruined.
I'd much rather pay any amount of Kuragan to get
those letters privately.
Speaker 1 (19:46):
Well, then maybe we'll have to do this the hard word.
I don't care.
Speaker 2 (19:49):
But what do we do?
Speaker 1 (19:51):
We have to make Cauragan show up with those letters
that will prove he saw el and killed her and
took them from us.
Speaker 2 (19:57):
But I have already made it clear to him to.
Speaker 1 (20:00):
Alright, let's write him a letter, have it delivered by
a messon general arrange a meeting for this afternoon. I'll
hide me aby, and when he hands you the letters,
we'll destroy them and hand Carrigan over to the police
as Evelyn Jones murderer.
Speaker 2 (20:17):
Would you let it?
Speaker 3 (20:18):
Mislawton?
Speaker 2 (20:18):
Oh thanks, you just leaving on my best shiit Uh uh,
Pat jud bitter look at it, Blackie.
Speaker 1 (20:23):
Al right here you are anything out there that'll be.
Speaker 4 (20:27):
All Miss Waters.
Speaker 2 (20:28):
Still that note? Do?
Speaker 1 (20:32):
Will it?
Speaker 6 (20:32):
Do it?
Speaker 1 (20:33):
Does? Wonder? See the smaller piece of paper in my hands. Yeah,
it's the note which made the appointment for Evelyn Jones
to come to forty four will escape?
Speaker 2 (20:42):
Oh well, which Corrigan wrote.
Speaker 1 (20:44):
Of course, which you wrote Lawson on the same type
out of your girl you to type out the letter
you just dictated you you can't tell that I can
because the defective letter L and the numeral two are
identical in each note. That would stand up in the
court of law.
Speaker 2 (20:58):
Oh right, So what if they were written on the
same typewrit It doesn't mean anything.
Speaker 1 (21:04):
You went to Evelyn's apartment looking for your letters, you
couldn't find them. But in her mailbox you didn't find
a note from Carrigan. Eveyln haven't seen it yet. It
is nothing but theory. Very can turn out to be
the truth. You know, you brought Karagan's note here to
your office, destroyed it, then wrote one of your own
to her, changing the time of the meeting from three
o'clock when Carrigan wanted to see it the two o'clock.
Speaker 2 (21:24):
The Evelyn which found in Kurrogan's house. You you can
never prove that I was in.
Speaker 1 (21:28):
It's glad you mentioned that house, Lass, And that's the
one thing I still don't understand. But I'll go to
work on that as soon as Faraday goes to work
on you. Alright, alright, class, everybody in the lineup, Roland's
all right, people standing up there on those rights now
(21:49):
as the old man who lives at four eighty six
Willow Streets right here, Qrid writing yes, mister Faraday, all right,
you'll which one of those guys in the lineup is Lawson?
M now that one day on the end, so I
never thought, I don't think before it's quiet Paraday. Yes
(22:11):
I'll be quiet too, all right, Joe. I didn't know
mister Lesson. He came to my house three days ago
and offered my wife and me a thousand dollars to
get out of our house for two days and not
to say a word about him.
Speaker 4 (22:23):
Even to the police.
Speaker 1 (22:25):
He said it was a joke, all right, lost Ones?
What he said of that?
Speaker 4 (22:29):
Nothing?
Speaker 1 (22:30):
Look, we know you're out letters to the Jones girl.
We know she was on a black MANU. We know
that message you think was written on your typewriter. No lot,
Joss and Grandpire here has identified you. Do talk? What
was all this business of switching houses? Wasn't ignore that question?
Loves glad me by the answer this one? What was
all this business of switching houses? Wasn't wonderful question? Inspect whietanking?
Speaker 2 (22:53):
Don Watson talks right, I have nothing to say.
Speaker 1 (22:56):
He doesn't have to say anything now he went out
before he Paul Willows straight after he opened Evylyn's letter.
Then he saw the house next authority before was I that?
I so him got an idea? So that gave you
an idea? A lot? Who didn't I even have given
you one Saturday?
Speaker 2 (23:11):
Yes, you know that given me an idea? H I
was disputed. I I had borrowed the house in the
old couple and send everylin the note to meet me
at two o'clock, you know, earlier than she was to
meet Corgan. And then I I switched the house numbers
cause it Wheneverlyn arrived at four eighty four.
Speaker 1 (23:25):
He came into my house and Cordon, well, you'll kill him.
I'll put the letters.
Speaker 2 (23:30):
Yeah, actually I knocked out like people. I switched the
house numbers back to their original positioners put everyone's body
in Corgan's house.
Speaker 1 (23:39):
Well, lot explains everything with the of the door Saturday,
Why did you switch the doors? And the two houses
walking right?
Speaker 2 (23:47):
And I had two made a scratch on the door
when you broke the locks, right, I had to switch 'em.
When I had to switch the house numbers back with it.
Speaker 1 (23:54):
Belonged Finefton twelve Friday, i've heard of one on the house.
What is the person's house I've ever heard of? It
was one on us
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