August 9, 2025 • 24 mins
Chronicles the exploits of a reformed thief turned detective, solving crimes with wit and charm.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Here quiet you guys. You want to send up a
(00:30):
telegram that we're coming out from.
Speaker 2 (00:31):
Yeah, sorry, sorry, Inspector Faraday.
Speaker 1 (00:34):
The stairs creaked. Your brain would be creaking if you
had one of those two mincs where after a kill us.
Speaker 2 (00:39):
Yeah, I know that, Inspector. I don't think they hurt us.
Speaker 1 (00:42):
I don't think so either, so they'd be lead pouring
down on us by Now. Okay, here's the landing. That's
the door. Get to work on it with your pass key,
and don't make any noise.
Speaker 3 (00:54):
Yeah, all right, all right, Inspector.
Speaker 2 (00:56):
They're probably asleep anyhow. Oh it's three am and they
went upstairs about midnight.
Speaker 1 (01:01):
Never mind what they are. Just get the door open.
Speaker 2 (01:05):
I'm sure you've got the right ky, Yes, yes, yes,
it'll work, Inspector Faraday. I tried it this afternoon while
Dawson and Murdoch were out.
Speaker 1 (01:12):
Yeah, this is the one, all right, okay, man, not
a sound now, right, this is it. As soon as
the door is open, make a bee line for that bed. Remember,
the two men in it will shoot if they get
a chance. See that they don't get the chance. Go
to wake Smith.
Speaker 2 (01:30):
Right there, the lock turned, Inspector, I'll open the door.
Speaker 1 (01:43):
And get a look at those two. Yeah, sleeping as
if they didn't have a care in the world. Okay, boys,
go get.
Speaker 4 (01:50):
Them, all right, we got him. Inspect the paradad and
both of them handcuff, drag.
Speaker 1 (01:59):
Him out of hand down to the gym. Well, Dawson
finally got your hands. Ah what this town isn't very
healthy for killers? Because you're gonna find out very soon.
They kin got me dot you, Paraday, disinterested observer might
say that Dawson, you and your pal murdocer as good
as in the chair right now. That's what you think, flatfoot.
Speaker 5 (02:17):
Remember what I'm telling you.
Speaker 6 (02:19):
You haven't got a jail in this town, in this
country strong.
Speaker 1 (02:22):
Enough, the whole Murdoc and me. We'll be out before.
Speaker 7 (02:25):
You know it.
Speaker 1 (02:26):
It says here, Come on, you guys, drag him out
of this room. You boys did a good night's work.
I'm proud of him.
Speaker 5 (02:33):
Yeah, be proud of them, Paraday, But don't be so
proud of yourself. You won't be when you remember what
I'm telling you. There isn't a jail in this town
strong enough the.
Speaker 8 (02:42):
Whole Murdoc and me.
Speaker 4 (02:49):
And now meet Dick Comer as Boston. Blackie. Enemy to
those who make him an enemy, friend to those who
have no friend.
Speaker 9 (03:06):
Listen to this Blackie m You know those two killers,
inspect A Faraday.
Speaker 10 (03:12):
Court Dawson Murdoch. Show what happened to them? And no
matter what it is, it isn't enough.
Speaker 9 (03:16):
You haven't seen the newspaper.
Speaker 10 (03:18):
No I haven't, as a matter of fact, something about
Dawson murder.
Speaker 9 (03:20):
They got away. It says here they were being held
overnight in a detention cell. They had a visitor this morning,
and sometime around noon they saw the bars off their
cell and escape.
Speaker 10 (03:31):
Oh they'll be fit to be tied. Whoever the visitor
was probably smuggled in the hacksaw. Too bad they got away.
They're both pretty dangerous characters.
Speaker 9 (03:41):
Maybe you ought to stay in the season.
Speaker 10 (03:43):
Maybe I ought to go out and see if I
can find some trace of them for the good inspector.
Speaker 11 (03:46):
Oh no you don't.
Speaker 9 (03:48):
Faraday's a good friend of yours. But you're a good
friend of mine, and I'm not letting you go out
after a couple of killers. Now, who can that be?
Speaker 1 (03:57):
Mary?
Speaker 9 (03:58):
I'm sorry? I always say that when the phone.
Speaker 10 (04:01):
Rings, don't I when the phone rings, I always say hello, hello, Blackie.
Speaker 3 (04:07):
Yeah, this is Duke Collins, the radio singer.
Speaker 1 (04:10):
I need your help.
Speaker 10 (04:11):
I've been threatened really by home and with what.
Speaker 3 (04:13):
Well, I don't know.
Speaker 1 (04:14):
The man he called me a little while ago and
said he was going to come up and see me.
If I didn't do what he wanted, he'd see to
it that. I never sang again.
Speaker 10 (04:22):
I called you, Blackie. I was afraid to call the police.
Where are you coins.
Speaker 4 (04:26):
Snyder Apartment, Sweet nine to eight.
Speaker 12 (04:28):
If you're coming up here, Blackie, please hurry on.
Speaker 10 (04:31):
It comes. What's going on there? Hey, Colin?
Speaker 1 (04:37):
Hang it up?
Speaker 12 (04:39):
What is that, Blackie?
Speaker 10 (04:42):
Colin the crooner? Somebody's smacking him all over his apartment.
Speaker 12 (04:44):
My gosh, Blackie.
Speaker 9 (04:46):
Why would anybody want.
Speaker 10 (04:46):
To beat up Colin because he's a crooner. Maybe that's
beside the point, Mary. The point is that he wanted help,
but he asked for it a little too late.
Speaker 13 (05:00):
Okay, okay, Professor, run it over.
Speaker 14 (05:04):
I want to hear it.
Speaker 13 (05:06):
Must I to be vague about the answer. Yes, you
must hurry up, get over that piano.
Speaker 12 (05:12):
But I'm very tired.
Speaker 14 (05:15):
Young man over there.
Speaker 12 (05:18):
Still need to push me. I was going over.
Speaker 1 (05:23):
Yeah.
Speaker 12 (05:25):
Here are the words of the song you wanted worked
out just the way you wanted.
Speaker 6 (05:29):
It.
Speaker 14 (05:29):
Better be right, professor, It's all I get to tell you,
it better be right.
Speaker 12 (05:33):
I followed your instructions.
Speaker 3 (05:35):
I'm sure I followed them.
Speaker 14 (05:36):
Well, let's hear it.
Speaker 13 (05:38):
Go on, play the tone. I'm waiting just a minute,
white a chorus.
Speaker 14 (05:46):
I'll follow these words while you're playing.
Speaker 12 (05:48):
That's what I'm about to do. Starts right here.
Speaker 13 (05:53):
Fate was feeling frisky when she made us to meet.
She knock you off the beam and knocked me right
off my feet. She made a careful creature when she
fashioned you, and I'll hold you in my arms. She
(06:18):
kept a special moon of waiting just for us tonight.
She built some special weather so our romance would be right.
Speaker 12 (06:30):
She had a.
Speaker 13 (06:31):
Special reason, and the reason in the main was to
hold you in my arms.
Speaker 14 (06:41):
Lady, I'm telling you, I know what you're with.
Speaker 13 (06:49):
Paradise is plenty nice now that it's.
Speaker 1 (06:54):
Right here all night.
Speaker 11 (06:58):
So, darling, if you you can't wait, why just count
up to ten and I'll hold you in my arms.
Speaker 15 (07:12):
A young man, you like it, I think it's thanks.
It's rather difficult to compose. You wanted so many different
things in it. You said it had to sound like
a song.
Speaker 13 (07:23):
Sure, I said that it sounds like a song. All right,
That's all I can say for it. Do you know
what this thing that sounds like a song is gonna do?
Speaker 12 (07:32):
Of course not. I just followed your instructions.
Speaker 4 (07:35):
You've been a good boy.
Speaker 13 (07:36):
You followed instructions, so maybe I won't clip you too.
Speaker 14 (07:41):
Had No, please, please don't hit me, talk please.
Speaker 1 (07:44):
I'm an old man.
Speaker 7 (07:45):
Don't worry pop.
Speaker 14 (07:46):
Maybe I aren't gonna be much older.
Speaker 3 (07:48):
I best place has got me down. It's get me
down here.
Speaker 1 (08:01):
Did you like jail better?
Speaker 7 (08:02):
Ape?
Speaker 1 (08:02):
Ah?
Speaker 5 (08:03):
Sorry, I had those sau smuggle in so you and
I get break out.
Speaker 8 (08:07):
They go on play salad there and stop bothering.
Speaker 6 (08:10):
All I'm saying is these four waters drive me a
little out of my mind. There's only some way we
could get out, for every cop in the city is.
Speaker 3 (08:17):
Looking for us.
Speaker 14 (08:19):
They're not on the radio.
Speaker 3 (08:20):
If you want something, I'm sick of the radio.
Speaker 6 (08:22):
I'm sick of everything in this broken down row.
Speaker 8 (08:24):
You ought to be glad we have it.
Speaker 5 (08:25):
There ain't no green door at the end of this hall.
Speaker 1 (08:29):
Remember that, I don't know what's at.
Speaker 3 (08:30):
The end of this Hall.
Speaker 6 (08:32):
All I know is I'm getting jittery. What is the
message going to come through?
Speaker 1 (08:36):
That's what I want to know.
Speaker 14 (08:37):
It don't come through.
Speaker 3 (08:37):
When Sam and the boys are ready to move us.
Speaker 6 (08:40):
I don't even know where we are.
Speaker 3 (08:42):
Let me phone them.
Speaker 14 (08:43):
That's right.
Speaker 4 (08:44):
The cops will be listening to trace the call.
Speaker 3 (08:47):
They know our boys.
Speaker 1 (08:48):
Relax ape.
Speaker 6 (08:50):
Yeah, the kids will get a message to us.
Speaker 8 (08:53):
That radio is going to give it to it.
Speaker 3 (08:54):
Sure, sure, you.
Speaker 6 (08:56):
Say, trans supposed to think it's true.
Speaker 5 (08:57):
It's all arranged. That little radio over there is gonna
tell us when Sam thinks it's okay for us to
blow and where.
Speaker 1 (09:04):
Were to meet him so that we can get away.
Speaker 5 (09:06):
Nice and clean and safe. But nobody knowing anything about
it except us.
Speaker 1 (09:20):
Blake, He do me one favor, just one tell me
what I'm doing here with you?
Speaker 10 (09:24):
All right, Faraday, I'll tell you. You're on your way
to Doke Collins apartment. He's a radio singer and he's
in trouble.
Speaker 1 (09:29):
You don't know what trouble is. I'm really in trouble.
Two killers, Murdoch and Dawson broke jail. Do you know that?
Speaker 7 (09:35):
Yes?
Speaker 1 (09:36):
I do.
Speaker 10 (09:36):
And if you're a good little boy, maybe I'll help
you find them right now. I asked you to meet
me here because of what you told.
Speaker 1 (09:42):
Me, because of what I told you.
Speaker 10 (09:44):
What did I tell you not to take police cases
into my own hands? Douke Collins got smacked around while
he was talking to me on the telephone. I have
to go up to see him, and incidentally, this is
his flaw.
Speaker 1 (09:54):
Go ahead, you have to go up and see him.
Speaker 10 (09:56):
So I asked you to come with me.
Speaker 1 (09:58):
I like a helf, met you someday, Blackie. What's the
use I'll ever do it? This Colin's are present.
Speaker 10 (10:05):
Yeah, you help me clean up this mystery, and then
I'll help you with my doc and Dowson.
Speaker 1 (10:11):
You will help me? When did you ever help me?
Speaker 10 (10:13):
Let's take two or three days off sometime and I'll
list the cases for you.
Speaker 3 (10:17):
Inspector.
Speaker 10 (10:19):
Yes, I'm Boston, Blackie. This is inspected Paraday of the police.
Are you Colins?
Speaker 16 (10:22):
Well?
Speaker 9 (10:24):
Well?
Speaker 1 (10:24):
Yes, where'd you get the shine of Collins? Oh?
Speaker 9 (10:27):
This?
Speaker 12 (10:27):
I I had an accident?
Speaker 10 (10:30):
Sure did the Colins? You called me and said you
needed help. What's going on? Oh?
Speaker 1 (10:34):
Nothing really, Blackie. I I thought I was going to
have trouble, but it's all Okay, now sorry, I put
you Andy bother.
Speaker 9 (10:42):
Goodbye.
Speaker 1 (10:42):
Hey, wait a minute for goodbye, inspector. Nice to have
met you. Now, what was that all about? What don't
we come up here for that?
Speaker 10 (10:50):
Colins seems to be a nice boy, nice and scared.
Maybe I nis stick around.
Speaker 1 (10:55):
Maybe you ought to do anything you want, But without me,
I'm going back to headquarters, Paraday.
Speaker 10 (11:00):
I'd like to help you track down Dawston and murder.
Now that apparently I can't help, mister Collins. If I
only had a place to start.
Speaker 1 (11:07):
I'll tell you where to start in this city, somewhere
the alarm went out for those two five minutes after
they got away. Every road, every railroad, every bus terminal,
every airport has been watched. There They never left this city.
Speaker 10 (11:20):
What if I were you, I'd watched their friends. They're
gonna need something, money, close a car. Maybe their friends
will be in touch with him.
Speaker 1 (11:26):
No, no, no, Dawson. He's the cleverest crook that ever
hit this city. He knows we'll think of that first thing.
And I guarantee none of his friends know where he is,
And even if they did, they'd be under roads to
keep away from wherever he's hiding at.
Speaker 10 (11:39):
In that case, you've got a tough assignment.
Speaker 12 (11:41):
In this case, in that case, in this case, listen,
in case.
Speaker 1 (11:45):
You're interested, you've got friends in the underworld.
Speaker 3 (11:48):
Oh, I wouldn't say.
Speaker 10 (11:48):
That exactly, old pal. I know several characters who talked
to me, even though I happened to associate with the
police inspector once in a while. Is that what you meant?
Speaker 1 (11:55):
Man? Who knows what I meant? All I know is
that I got to get a lead on those two guys.
If you hear anything, Blackie, let me know your.
Speaker 10 (12:03):
Assur inspector only. I've got an idea. It isn't going
to be as simple as all. That those two mugs
got out of jail pretty easily. Maybe they'll get out
of town just as easily.
Speaker 4 (12:21):
And now back to Boston, Blackie, Dawson and Murdoch, two
criminals have escaped from detention cells and are holding out
in the city. Inspector Faraday is certain that their gang
will try to get in touch with them, but so
far no attempt has been made. However, Duke Collins, a
(12:43):
radio singer, complains that he's been threatened, and while there's
no apparent connection between that and the Escape Killers Boston.
Blackie has an idea that two might be tied up.
He and Mary Wesley are in his apartment listening to
the radio just before it's time for Collins to sing.
Speaker 10 (13:02):
Away minute, Mary, I want to hear the end of
this program.
Speaker 4 (13:05):
Hey, you got me, You got me only I told
you you never take me alive, and you didn't.
Speaker 5 (13:14):
Hey, Mike Loo good fell out of his pocket two pennies.
Speaker 7 (13:19):
What do we ahead?
Speaker 5 (13:19):
I bet well it only goes to prove that what
they say is true crime.
Speaker 10 (13:24):
Really doesn't say, Oh Mary, certainly, which it was as
easy to catch crooks in real life as it is
a mystery story.
Speaker 11 (13:32):
Well, I don't know.
Speaker 9 (13:32):
You don't do so badly?
Speaker 10 (13:34):
Maybe not, but it is easy. Time for that Duke
Collins to sing is.
Speaker 5 (13:39):
Oh yes it is.
Speaker 9 (13:40):
It's wonderful, Blackie. Will you hear him?
Speaker 10 (13:43):
Baby, you're Bobby's socks are showing.
Speaker 9 (13:45):
Oh shun, It's time for Colin.
Speaker 7 (13:48):
Ladies and gentlemen. Duke Colins sings.
Speaker 4 (13:50):
The program originally scheduled for this time will not be heard.
In its place, we present a short interlude of piano music.
Speaker 7 (13:58):
Turn it off?
Speaker 10 (13:58):
Will you marry? Something funny going? On around here, and
I've got an idea that it's all tied up with
those two escape killers, Dawson and Murder.
Speaker 9 (14:04):
What made you say that, Blackly, as if you had
to have any reason?
Speaker 10 (14:07):
Well, Collins called me to say he was threatened. He
didn't know why or who it was that threatened him.
Then when I was talking to him, apparently somebody slugged
our singing friend. Later, when I went up to see him,
he practically told me to mind my own books.
Speaker 6 (14:19):
Now.
Speaker 9 (14:19):
Please pardon me for being logical. But what has that
to do with two escape killers?
Speaker 3 (14:24):
I don't know.
Speaker 10 (14:25):
I think that.
Speaker 9 (14:25):
Oh dear, somebody set the door.
Speaker 11 (14:27):
I'll get it.
Speaker 10 (14:27):
Never mind, I'll go Mary on Maarn Blackie, Holy Mickel,
what fucking.
Speaker 3 (14:32):
Had you let me?
Speaker 10 (14:34):
Mary come up here pretty badly beating up guy.
Speaker 9 (14:39):
Grabbinglashing out.
Speaker 10 (14:42):
I'll carry him over this couch.
Speaker 9 (14:43):
Yeah, but be careful.
Speaker 10 (14:44):
He's hurt pretty bad here. He's beating him pretty badly.
But I don't think it's serious.
Speaker 9 (14:49):
Okay, boy, here we are we is he Blackly? I've
never seen him before.
Speaker 10 (14:53):
Who is he?
Speaker 3 (14:54):
Mary?
Speaker 10 (14:55):
He's the radio singer that didn't go on the air.
He's Duke Collins, I'll take it easy, ye with friends.
Speaker 1 (15:02):
Yeah.
Speaker 10 (15:02):
Do you like telling me what happened to you?
Speaker 1 (15:05):
Yeah? Yeah, sure, Blady, I couldn't talk to you when
you and Faraday came up to my apartment, but I
wish I had.
Speaker 10 (15:14):
I see what you mean, say, Mary, you better get
some stuff.
Speaker 12 (15:18):
From the drug strike.
Speaker 10 (15:20):
Now, let's stop from the beginning.
Speaker 1 (15:22):
Collins, Well, I I got a call threatening me unless
I sang a certain song in the air Blackie. Yeah,
so I called you right away, and then when I
was talking to you, some mug came in and he
planted one on my eye.
Speaker 10 (15:37):
I'll be RIGHTSI okay, Collins, I gathered, uh, what was
happening over the phone and water, I saw your eye?
Then what?
Speaker 1 (15:47):
Then this mug said that what he did to my
eye was just a sample of what would happen if
I told anybody about him, and that's why I didn't
talk to you.
Speaker 10 (15:56):
In Faraday, Well, how come you really got beaten up?
Then you didn't talk?
Speaker 1 (15:59):
No, But tonight this fellow got me just as I
was going into the broadcasting building. He gave me a
song he wanted me to sing. I have it here.
When I refuse to sing it, he let me have it.
Speaker 10 (16:08):
I see, well, my girlfriend Mary Wesley is in this
and she's going down at the drug store to get
some stuff to fix up. He'll be all right as
soon as she gets back. Now, let me take a
look at that song. Maybe I can get something out
of it that will make somebody sing a different tune.
Speaker 6 (16:31):
I gotta get out doors, and I tell you, I
gotta get out.
Speaker 1 (16:32):
Shut that.
Speaker 3 (16:33):
I can't cooped up in here.
Speaker 1 (16:35):
Nothing happens.
Speaker 3 (16:35):
I gotta get out.
Speaker 1 (16:36):
You'll get out, that's what you say.
Speaker 3 (16:38):
How who's gonna get us?
Speaker 1 (16:39):
Sound the boys?
Speaker 3 (16:40):
Boy don't even know where we are.
Speaker 1 (16:41):
They'll contact.
Speaker 3 (16:42):
Oh it's two days. I gotta get out of here.
Speaker 1 (16:44):
Shut up you.
Speaker 5 (16:47):
You're blowing your top eight.
Speaker 1 (16:50):
Now try it out.
Speaker 3 (16:51):
I'll give you who's got.
Speaker 5 (16:55):
That.
Speaker 10 (16:55):
You're done and get behind that door.
Speaker 12 (16:57):
All right, whoever it is is gonna get a risk eception.
Speaker 1 (17:00):
Blame me.
Speaker 14 (17:01):
I tell you behind that door.
Speaker 1 (17:02):
When I open it, everything's cock eye start shooting.
Speaker 3 (17:05):
You, but I will.
Speaker 1 (17:08):
Oh is it?
Speaker 7 (17:10):
Eric?
Speaker 1 (17:11):
That's the guy who want says roomly nice? This could
be a gag.
Speaker 5 (17:13):
Would have told you you alone, Eric, Wait a minute,
Well what is it?
Speaker 3 (17:20):
I mean start with that?
Speaker 10 (17:22):
What is it you.
Speaker 1 (17:24):
And your friend.
Speaker 3 (17:24):
You must get out of here.
Speaker 13 (17:25):
You said you would stay only one day and one night.
Speaker 6 (17:27):
Already in the two days I get is that U scrammy,
You're get in the real trouble the police.
Speaker 14 (17:34):
Well that's that ape.
Speaker 3 (17:37):
We used to do with some excitement. I almost kill it.
Speaker 2 (17:41):
Guy.
Speaker 3 (17:41):
Just now, what for?
Speaker 6 (17:43):
I don't know, Maybe just for something to do, maybe
just to keep in practice.
Speaker 9 (17:59):
No Mary argue, all right, Blackie, only it might be
nice if you told me what it is you're giving her.
Speaker 10 (18:03):
Trying to find something in this song that Mug wanted
to do Collins to sing. I thought it might have
a code of something in it, But if it has
I can't find.
Speaker 9 (18:11):
All I know is just an awful song.
Speaker 10 (18:14):
That much I know. I thought it was a message
of some kind, maybe a message to Murdoc and Dawson.
For all we know, it's be a clever way of
getting in touch with him and telling them get away plans,
if that's what it is.
Speaker 9 (18:25):
I mean. Murdoc and Dawson arranged with their gang to
tune in on Duke Colin's program every night, and then
when a certain song was sung, they'd have a way
of finding out what message was in it.
Speaker 17 (18:33):
That's right.
Speaker 10 (18:34):
Uh say the words over it again while I play this.
What are you murdy?
Speaker 9 (18:37):
Oh? Sure, go ahead. They was feeling frisky when she
made us too meek. She knocked you off the beams
and knocked me right off my feet. She made a
careful creature when she fashioned you. And I'll hold you.
Speaker 10 (18:56):
In my arms, hold of the second.
Speaker 3 (19:00):
Oh, what's the matter, Mary, I've got it.
Speaker 10 (19:02):
That song does have a message, and I know what
it is now. That song is going on the air tonight.
Speaker 9 (19:07):
But Duke Colins is in no shape to sing it.
Speaker 7 (19:09):
I know.
Speaker 12 (19:10):
But I can sing it and make it sound like Collins.
Speaker 10 (19:12):
I guarantee that tonight a song and dance night Mary.
I'll do the song, and it's going to make a
couple of killers dance right into faradays.
Speaker 16 (19:20):
On coming up, Blackie. Five seconds. You're nervous, anxious, anxious?
Speaker 10 (19:31):
Do you announce me?
Speaker 9 (19:32):
Yeah?
Speaker 1 (19:32):
That's right.
Speaker 16 (19:33):
You start to sing on a cue from the control room,
all said, now take it away, I'm ready. Okay, we're
on the air.
Speaker 4 (19:44):
Your favorite station now brings you your favorite singer, Duke
Collins in a program of your favorite songs. For his
first selection, Duke sings a brand new song never heard
on the air before. Duke Colin sings and I'll hold
you in my arms.
Speaker 17 (20:01):
It was feeling frisky when she made us to me.
She knocked you off. The men knocks me right off,
my bee. You've made a caple creach when she flashed and.
Speaker 10 (20:19):
Nice voice.
Speaker 16 (20:20):
That guy's got man inspected, Paraday.
Speaker 1 (20:22):
That's Blackie. You don't he's singing in Duke Colin's place.
You call that good? But yeah, it's sure as good
as any of them guys. I'd rather listen to the
motor in this police card.
Speaker 4 (20:31):
Yeah, say when do we get started after Murdoch and
Dawson inspector?
Speaker 1 (20:36):
We get started when Blackie gets finished?
Speaker 10 (20:47):
Get the door?
Speaker 7 (20:52):
I know. Want your words, Paradie is plenty nice all
that it's right, darling. If you can't wait, why just
count talk to time.
Speaker 8 (21:15):
And okay, shut it off.
Speaker 12 (21:28):
What about the message, Dawson, what.
Speaker 1 (21:30):
Does it say?
Speaker 5 (21:31):
It makes us an appointment to meet the boys tonight
at tennape, and believe me, we'll be there.
Speaker 1 (21:46):
Keep in the shadows. You don't want to get picked
up any cop. Now we're too close to payoff.
Speaker 3 (21:50):
I'll be careful every idea.
Speaker 12 (21:53):
That song doesn't he's smart, guy Collins.
Speaker 1 (21:57):
Guy didn't show in the air last time I got
panicking night of the next. What's the difference.
Speaker 4 (22:01):
All we got to do now is make.
Speaker 14 (22:03):
The corner and there'll be a car park there.
Speaker 1 (22:05):
Hey, there is a car.
Speaker 2 (22:06):
Yeah, I can see it from here.
Speaker 6 (22:09):
Yeah, that's our boys, Ape.
Speaker 1 (22:11):
They did a good job. Another minute our way.
Speaker 12 (22:14):
West can hardly wait to us.
Speaker 1 (22:15):
And I can hardly wait. You ain't got much patience, Ape,
you really anybody inside wait a minute?
Speaker 12 (22:23):
No, nobody, boys, pick the right spot. All right, main
in White Street, ten o'clock and nobody around.
Speaker 1 (22:32):
Let's go, okay, but.
Speaker 12 (22:34):
Don't hurry, just walk over to the car easy like me.
Speaker 1 (22:38):
Really right?
Speaker 8 (22:43):
Nice work, Hey, hey, having It's what I've been waiting for.
Speaker 1 (22:49):
All right, boys, I want to shoot it up. Time
you got mic.
Speaker 7 (22:56):
I got part and I'm proud of you. Boy.
Speaker 1 (22:58):
You didn't do bad. Luky, thanks your help.
Speaker 17 (23:01):
No trouble.
Speaker 10 (23:02):
Come on, let's go and see if my knocking Dawson
and knocked off the keeps. I'll get out of the
cofface and go ahead, right by God with you fellas.
I want to take a look Dawson's done for. But
this other guy you may, you.
Speaker 6 (23:18):
Know, Bluckie Dawson Nor We said I was too impatient, Ollie.
Speaker 8 (23:26):
I ain't no hurry to die.
Speaker 1 (23:38):
Okay, Blackie, you did it. I know you did it.
Now tell me how.
Speaker 6 (23:41):
What was the code in that song you sang over
the radio?
Speaker 9 (23:43):
Wake it easy, inspector, you know, I want to know
the answer to both.
Speaker 10 (23:48):
Of you will find out the same time, and that
same time happens to be right now. The code in
that song was the last word in every other line
of it. The complete message was meet you tonight, Maine
and Worth ten.
Speaker 9 (24:02):
And you knew that that was a message to Dawson
and Murdoch and their boys and that they would keep
to date.
Speaker 1 (24:07):
Huh, that's right. My boys took care of Dawson Murdoch's
guys before they showed up. When the two killers got there,
we took care of them too.
Speaker 10 (24:15):
You certainly did fire they congratulations. Now that's a funny thing.
Dawson Murdoch ordered the love song and it turned out
to be a funeral. March
Here quiet you guys. You want to send up a
(00:30):
telegram that we're coming out from.
Speaker 2 (00:31):
Yeah, sorry, sorry, Inspector Faraday.
Speaker 1 (00:34):
The stairs creaked. Your brain would be creaking if you
had one of those two mincs where after a kill us.
Speaker 2 (00:39):
Yeah, I know that, Inspector. I don't think they hurt us.
Speaker 1 (00:42):
I don't think so either, so they'd be lead pouring
down on us by Now. Okay, here's the landing. That's
the door. Get to work on it with your pass key,
and don't make any noise.
Speaker 3 (00:54):
Yeah, all right, all right, Inspector.
Speaker 2 (00:56):
They're probably asleep anyhow. Oh it's three am and they
went upstairs about midnight.
Speaker 1 (01:01):
Never mind what they are. Just get the door open.
Speaker 2 (01:05):
I'm sure you've got the right ky, Yes, yes, yes,
it'll work, Inspector Faraday. I tried it this afternoon while
Dawson and Murdoch were out.
Speaker 1 (01:12):
Yeah, this is the one, all right, okay, man, not
a sound now, right, this is it. As soon as
the door is open, make a bee line for that bed. Remember,
the two men in it will shoot if they get
a chance. See that they don't get the chance. Go
to wake Smith.
Speaker 2 (01:30):
Right there, the lock turned, Inspector, I'll open the door.
Speaker 1 (01:43):
And get a look at those two. Yeah, sleeping as
if they didn't have a care in the world. Okay, boys,
go get.
Speaker 4 (01:50):
Them, all right, we got him. Inspect the paradad and
both of them handcuff, drag.
Speaker 1 (01:59):
Him out of hand down to the gym. Well, Dawson
finally got your hands. Ah what this town isn't very
healthy for killers? Because you're gonna find out very soon.
They kin got me dot you, Paraday, disinterested observer might
say that Dawson, you and your pal murdocer as good
as in the chair right now. That's what you think, flatfoot.
Speaker 5 (02:17):
Remember what I'm telling you.
Speaker 6 (02:19):
You haven't got a jail in this town, in this
country strong.
Speaker 1 (02:22):
Enough, the whole Murdoc and me. We'll be out before.
Speaker 7 (02:25):
You know it.
Speaker 1 (02:26):
It says here, Come on, you guys, drag him out
of this room. You boys did a good night's work.
I'm proud of him.
Speaker 5 (02:33):
Yeah, be proud of them, Paraday, But don't be so
proud of yourself. You won't be when you remember what
I'm telling you. There isn't a jail in this town
strong enough the.
Speaker 8 (02:42):
Whole Murdoc and me.
Speaker 4 (02:49):
And now meet Dick Comer as Boston. Blackie. Enemy to
those who make him an enemy, friend to those who
have no friend.
Speaker 9 (03:06):
Listen to this Blackie m You know those two killers,
inspect A Faraday.
Speaker 10 (03:12):
Court Dawson Murdoch. Show what happened to them? And no
matter what it is, it isn't enough.
Speaker 9 (03:16):
You haven't seen the newspaper.
Speaker 10 (03:18):
No I haven't, as a matter of fact, something about
Dawson murder.
Speaker 9 (03:20):
They got away. It says here they were being held
overnight in a detention cell. They had a visitor this morning,
and sometime around noon they saw the bars off their
cell and escape.
Speaker 10 (03:31):
Oh they'll be fit to be tied. Whoever the visitor
was probably smuggled in the hacksaw. Too bad they got away.
They're both pretty dangerous characters.
Speaker 9 (03:41):
Maybe you ought to stay in the season.
Speaker 10 (03:43):
Maybe I ought to go out and see if I
can find some trace of them for the good inspector.
Speaker 11 (03:46):
Oh no you don't.
Speaker 9 (03:48):
Faraday's a good friend of yours. But you're a good
friend of mine, and I'm not letting you go out
after a couple of killers. Now, who can that be?
Speaker 1 (03:57):
Mary?
Speaker 9 (03:58):
I'm sorry? I always say that when the phone.
Speaker 10 (04:01):
Rings, don't I when the phone rings, I always say hello, hello, Blackie.
Speaker 3 (04:07):
Yeah, this is Duke Collins, the radio singer.
Speaker 1 (04:10):
I need your help.
Speaker 10 (04:11):
I've been threatened really by home and with what.
Speaker 3 (04:13):
Well, I don't know.
Speaker 1 (04:14):
The man he called me a little while ago and
said he was going to come up and see me.
If I didn't do what he wanted, he'd see to
it that. I never sang again.
Speaker 10 (04:22):
I called you, Blackie. I was afraid to call the police.
Where are you coins.
Speaker 4 (04:26):
Snyder Apartment, Sweet nine to eight.
Speaker 12 (04:28):
If you're coming up here, Blackie, please hurry on.
Speaker 10 (04:31):
It comes. What's going on there? Hey, Colin?
Speaker 1 (04:37):
Hang it up?
Speaker 12 (04:39):
What is that, Blackie?
Speaker 10 (04:42):
Colin the crooner? Somebody's smacking him all over his apartment.
Speaker 12 (04:44):
My gosh, Blackie.
Speaker 9 (04:46):
Why would anybody want.
Speaker 10 (04:46):
To beat up Colin because he's a crooner. Maybe that's
beside the point, Mary. The point is that he wanted help,
but he asked for it a little too late.
Speaker 13 (05:00):
Okay, okay, Professor, run it over.
Speaker 14 (05:04):
I want to hear it.
Speaker 13 (05:06):
Must I to be vague about the answer. Yes, you
must hurry up, get over that piano.
Speaker 12 (05:12):
But I'm very tired.
Speaker 14 (05:15):
Young man over there.
Speaker 12 (05:18):
Still need to push me. I was going over.
Speaker 1 (05:23):
Yeah.
Speaker 12 (05:25):
Here are the words of the song you wanted worked
out just the way you wanted.
Speaker 6 (05:29):
It.
Speaker 14 (05:29):
Better be right, professor, It's all I get to tell you,
it better be right.
Speaker 12 (05:33):
I followed your instructions.
Speaker 3 (05:35):
I'm sure I followed them.
Speaker 14 (05:36):
Well, let's hear it.
Speaker 13 (05:38):
Go on, play the tone. I'm waiting just a minute,
white a chorus.
Speaker 14 (05:46):
I'll follow these words while you're playing.
Speaker 12 (05:48):
That's what I'm about to do. Starts right here.
Speaker 13 (05:53):
Fate was feeling frisky when she made us to meet.
She knock you off the beam and knocked me right
off my feet. She made a careful creature when she
fashioned you, and I'll hold you in my arms. She
(06:18):
kept a special moon of waiting just for us tonight.
She built some special weather so our romance would be right.
Speaker 12 (06:30):
She had a.
Speaker 13 (06:31):
Special reason, and the reason in the main was to
hold you in my arms.
Speaker 14 (06:41):
Lady, I'm telling you, I know what you're with.
Speaker 13 (06:49):
Paradise is plenty nice now that it's.
Speaker 1 (06:54):
Right here all night.
Speaker 11 (06:58):
So, darling, if you you can't wait, why just count
up to ten and I'll hold you in my arms.
Speaker 15 (07:12):
A young man, you like it, I think it's thanks.
It's rather difficult to compose. You wanted so many different
things in it. You said it had to sound like
a song.
Speaker 13 (07:23):
Sure, I said that it sounds like a song. All right,
That's all I can say for it. Do you know
what this thing that sounds like a song is gonna do?
Speaker 12 (07:32):
Of course not. I just followed your instructions.
Speaker 4 (07:35):
You've been a good boy.
Speaker 13 (07:36):
You followed instructions, so maybe I won't clip you too.
Speaker 14 (07:41):
Had No, please, please don't hit me, talk please.
Speaker 1 (07:44):
I'm an old man.
Speaker 7 (07:45):
Don't worry pop.
Speaker 14 (07:46):
Maybe I aren't gonna be much older.
Speaker 3 (07:48):
I best place has got me down. It's get me
down here.
Speaker 1 (08:01):
Did you like jail better?
Speaker 7 (08:02):
Ape?
Speaker 1 (08:02):
Ah?
Speaker 5 (08:03):
Sorry, I had those sau smuggle in so you and
I get break out.
Speaker 8 (08:07):
They go on play salad there and stop bothering.
Speaker 6 (08:10):
All I'm saying is these four waters drive me a
little out of my mind. There's only some way we
could get out, for every cop in the city is.
Speaker 3 (08:17):
Looking for us.
Speaker 14 (08:19):
They're not on the radio.
Speaker 3 (08:20):
If you want something, I'm sick of the radio.
Speaker 6 (08:22):
I'm sick of everything in this broken down row.
Speaker 8 (08:24):
You ought to be glad we have it.
Speaker 5 (08:25):
There ain't no green door at the end of this hall.
Speaker 1 (08:29):
Remember that, I don't know what's at.
Speaker 3 (08:30):
The end of this Hall.
Speaker 6 (08:32):
All I know is I'm getting jittery. What is the
message going to come through?
Speaker 1 (08:36):
That's what I want to know.
Speaker 14 (08:37):
It don't come through.
Speaker 3 (08:37):
When Sam and the boys are ready to move us.
Speaker 6 (08:40):
I don't even know where we are.
Speaker 3 (08:42):
Let me phone them.
Speaker 14 (08:43):
That's right.
Speaker 4 (08:44):
The cops will be listening to trace the call.
Speaker 3 (08:47):
They know our boys.
Speaker 1 (08:48):
Relax ape.
Speaker 6 (08:50):
Yeah, the kids will get a message to us.
Speaker 8 (08:53):
That radio is going to give it to it.
Speaker 3 (08:54):
Sure, sure, you.
Speaker 6 (08:56):
Say, trans supposed to think it's true.
Speaker 5 (08:57):
It's all arranged. That little radio over there is gonna
tell us when Sam thinks it's okay for us to
blow and where.
Speaker 1 (09:04):
Were to meet him so that we can get away.
Speaker 5 (09:06):
Nice and clean and safe. But nobody knowing anything about
it except us.
Speaker 1 (09:20):
Blake, He do me one favor, just one tell me
what I'm doing here with you?
Speaker 10 (09:24):
All right, Faraday, I'll tell you. You're on your way
to Doke Collins apartment. He's a radio singer and he's
in trouble.
Speaker 1 (09:29):
You don't know what trouble is. I'm really in trouble.
Two killers, Murdoch and Dawson broke jail. Do you know that?
Speaker 7 (09:35):
Yes?
Speaker 1 (09:36):
I do.
Speaker 10 (09:36):
And if you're a good little boy, maybe I'll help
you find them right now. I asked you to meet
me here because of what you told.
Speaker 1 (09:42):
Me, because of what I told you.
Speaker 10 (09:44):
What did I tell you not to take police cases
into my own hands? Douke Collins got smacked around while
he was talking to me on the telephone. I have
to go up to see him, and incidentally, this is
his flaw.
Speaker 1 (09:54):
Go ahead, you have to go up and see him.
Speaker 10 (09:56):
So I asked you to come with me.
Speaker 1 (09:58):
I like a helf, met you someday, Blackie. What's the
use I'll ever do it? This Colin's are present.
Speaker 10 (10:05):
Yeah, you help me clean up this mystery, and then
I'll help you with my doc and Dowson.
Speaker 1 (10:11):
You will help me? When did you ever help me?
Speaker 10 (10:13):
Let's take two or three days off sometime and I'll
list the cases for you.
Speaker 3 (10:17):
Inspector.
Speaker 10 (10:19):
Yes, I'm Boston, Blackie. This is inspected Paraday of the police.
Are you Colins?
Speaker 16 (10:22):
Well?
Speaker 9 (10:24):
Well?
Speaker 1 (10:24):
Yes, where'd you get the shine of Collins? Oh?
Speaker 9 (10:27):
This?
Speaker 12 (10:27):
I I had an accident?
Speaker 10 (10:30):
Sure did the Colins? You called me and said you
needed help. What's going on? Oh?
Speaker 1 (10:34):
Nothing really, Blackie. I I thought I was going to
have trouble, but it's all Okay, now sorry, I put
you Andy bother.
Speaker 9 (10:42):
Goodbye.
Speaker 1 (10:42):
Hey, wait a minute for goodbye, inspector. Nice to have
met you. Now, what was that all about? What don't
we come up here for that?
Speaker 10 (10:50):
Colins seems to be a nice boy, nice and scared.
Maybe I nis stick around.
Speaker 1 (10:55):
Maybe you ought to do anything you want, But without me,
I'm going back to headquarters, Paraday.
Speaker 10 (11:00):
I'd like to help you track down Dawston and murder.
Now that apparently I can't help, mister Collins. If I
only had a place to start.
Speaker 1 (11:07):
I'll tell you where to start in this city, somewhere
the alarm went out for those two five minutes after
they got away. Every road, every railroad, every bus terminal,
every airport has been watched. There They never left this city.
Speaker 10 (11:20):
What if I were you, I'd watched their friends. They're
gonna need something, money, close a car. Maybe their friends
will be in touch with him.
Speaker 1 (11:26):
No, no, no, Dawson. He's the cleverest crook that ever
hit this city. He knows we'll think of that first thing.
And I guarantee none of his friends know where he is,
And even if they did, they'd be under roads to
keep away from wherever he's hiding at.
Speaker 10 (11:39):
In that case, you've got a tough assignment.
Speaker 12 (11:41):
In this case, in that case, in this case, listen,
in case.
Speaker 1 (11:45):
You're interested, you've got friends in the underworld.
Speaker 3 (11:48):
Oh, I wouldn't say.
Speaker 10 (11:48):
That exactly, old pal. I know several characters who talked
to me, even though I happened to associate with the
police inspector once in a while. Is that what you meant?
Speaker 1 (11:55):
Man? Who knows what I meant? All I know is
that I got to get a lead on those two guys.
If you hear anything, Blackie, let me know your.
Speaker 10 (12:03):
Assur inspector only. I've got an idea. It isn't going
to be as simple as all. That those two mugs
got out of jail pretty easily. Maybe they'll get out
of town just as easily.
Speaker 4 (12:21):
And now back to Boston, Blackie, Dawson and Murdoch, two
criminals have escaped from detention cells and are holding out
in the city. Inspector Faraday is certain that their gang
will try to get in touch with them, but so
far no attempt has been made. However, Duke Collins, a
(12:43):
radio singer, complains that he's been threatened, and while there's
no apparent connection between that and the Escape Killers Boston.
Blackie has an idea that two might be tied up.
He and Mary Wesley are in his apartment listening to
the radio just before it's time for Collins to sing.
Speaker 10 (13:02):
Away minute, Mary, I want to hear the end of
this program.
Speaker 4 (13:05):
Hey, you got me, You got me only I told
you you never take me alive, and you didn't.
Speaker 5 (13:14):
Hey, Mike Loo good fell out of his pocket two pennies.
Speaker 7 (13:19):
What do we ahead?
Speaker 5 (13:19):
I bet well it only goes to prove that what
they say is true crime.
Speaker 10 (13:24):
Really doesn't say, Oh Mary, certainly, which it was as
easy to catch crooks in real life as it is
a mystery story.
Speaker 11 (13:32):
Well, I don't know.
Speaker 9 (13:32):
You don't do so badly?
Speaker 10 (13:34):
Maybe not, but it is easy. Time for that Duke
Collins to sing is.
Speaker 5 (13:39):
Oh yes it is.
Speaker 9 (13:40):
It's wonderful, Blackie. Will you hear him?
Speaker 10 (13:43):
Baby, you're Bobby's socks are showing.
Speaker 9 (13:45):
Oh shun, It's time for Colin.
Speaker 7 (13:48):
Ladies and gentlemen. Duke Colins sings.
Speaker 4 (13:50):
The program originally scheduled for this time will not be heard.
In its place, we present a short interlude of piano music.
Speaker 7 (13:58):
Turn it off?
Speaker 10 (13:58):
Will you marry? Something funny going? On around here, and
I've got an idea that it's all tied up with
those two escape killers, Dawson and Murder.
Speaker 9 (14:04):
What made you say that, Blackly, as if you had
to have any reason?
Speaker 10 (14:07):
Well, Collins called me to say he was threatened. He
didn't know why or who it was that threatened him.
Then when I was talking to him, apparently somebody slugged
our singing friend. Later, when I went up to see him,
he practically told me to mind my own books.
Speaker 6 (14:19):
Now.
Speaker 9 (14:19):
Please pardon me for being logical. But what has that
to do with two escape killers?
Speaker 3 (14:24):
I don't know.
Speaker 10 (14:25):
I think that.
Speaker 9 (14:25):
Oh dear, somebody set the door.
Speaker 11 (14:27):
I'll get it.
Speaker 10 (14:27):
Never mind, I'll go Mary on Maarn Blackie, Holy Mickel,
what fucking.
Speaker 3 (14:32):
Had you let me?
Speaker 10 (14:34):
Mary come up here pretty badly beating up guy.
Speaker 9 (14:39):
Grabbinglashing out.
Speaker 10 (14:42):
I'll carry him over this couch.
Speaker 9 (14:43):
Yeah, but be careful.
Speaker 10 (14:44):
He's hurt pretty bad here. He's beating him pretty badly.
But I don't think it's serious.
Speaker 9 (14:49):
Okay, boy, here we are we is he Blackly? I've
never seen him before.
Speaker 10 (14:53):
Who is he?
Speaker 3 (14:54):
Mary?
Speaker 10 (14:55):
He's the radio singer that didn't go on the air.
He's Duke Collins, I'll take it easy, ye with friends.
Speaker 1 (15:02):
Yeah.
Speaker 10 (15:02):
Do you like telling me what happened to you?
Speaker 1 (15:05):
Yeah? Yeah, sure, Blady, I couldn't talk to you when
you and Faraday came up to my apartment, but I
wish I had.
Speaker 10 (15:14):
I see what you mean, say, Mary, you better get
some stuff.
Speaker 12 (15:18):
From the drug strike.
Speaker 10 (15:20):
Now, let's stop from the beginning.
Speaker 1 (15:22):
Collins, Well, I I got a call threatening me unless
I sang a certain song in the air Blackie. Yeah,
so I called you right away, and then when I
was talking to you, some mug came in and he
planted one on my eye.
Speaker 10 (15:37):
I'll be RIGHTSI okay, Collins, I gathered, uh, what was
happening over the phone and water, I saw your eye?
Then what?
Speaker 1 (15:47):
Then this mug said that what he did to my
eye was just a sample of what would happen if
I told anybody about him, and that's why I didn't
talk to you.
Speaker 10 (15:56):
In Faraday, Well, how come you really got beaten up?
Then you didn't talk?
Speaker 1 (15:59):
No, But tonight this fellow got me just as I
was going into the broadcasting building. He gave me a
song he wanted me to sing. I have it here.
When I refuse to sing it, he let me have it.
Speaker 10 (16:08):
I see, well, my girlfriend Mary Wesley is in this
and she's going down at the drug store to get
some stuff to fix up. He'll be all right as
soon as she gets back. Now, let me take a
look at that song. Maybe I can get something out
of it that will make somebody sing a different tune.
Speaker 6 (16:31):
I gotta get out doors, and I tell you, I
gotta get out.
Speaker 1 (16:32):
Shut that.
Speaker 3 (16:33):
I can't cooped up in here.
Speaker 1 (16:35):
Nothing happens.
Speaker 3 (16:35):
I gotta get out.
Speaker 1 (16:36):
You'll get out, that's what you say.
Speaker 3 (16:38):
How who's gonna get us?
Speaker 1 (16:39):
Sound the boys?
Speaker 3 (16:40):
Boy don't even know where we are.
Speaker 1 (16:41):
They'll contact.
Speaker 3 (16:42):
Oh it's two days. I gotta get out of here.
Speaker 1 (16:44):
Shut up you.
Speaker 5 (16:47):
You're blowing your top eight.
Speaker 1 (16:50):
Now try it out.
Speaker 3 (16:51):
I'll give you who's got.
Speaker 5 (16:55):
That.
Speaker 10 (16:55):
You're done and get behind that door.
Speaker 12 (16:57):
All right, whoever it is is gonna get a risk eception.
Speaker 1 (17:00):
Blame me.
Speaker 14 (17:01):
I tell you behind that door.
Speaker 1 (17:02):
When I open it, everything's cock eye start shooting.
Speaker 3 (17:05):
You, but I will.
Speaker 1 (17:08):
Oh is it?
Speaker 7 (17:10):
Eric?
Speaker 1 (17:11):
That's the guy who want says roomly nice? This could
be a gag.
Speaker 5 (17:13):
Would have told you you alone, Eric, Wait a minute,
Well what is it?
Speaker 3 (17:20):
I mean start with that?
Speaker 10 (17:22):
What is it you.
Speaker 1 (17:24):
And your friend.
Speaker 3 (17:24):
You must get out of here.
Speaker 13 (17:25):
You said you would stay only one day and one night.
Speaker 6 (17:27):
Already in the two days I get is that U scrammy,
You're get in the real trouble the police.
Speaker 14 (17:34):
Well that's that ape.
Speaker 3 (17:37):
We used to do with some excitement. I almost kill it.
Speaker 2 (17:41):
Guy.
Speaker 3 (17:41):
Just now, what for?
Speaker 6 (17:43):
I don't know, Maybe just for something to do, maybe
just to keep in practice.
Speaker 9 (17:59):
No Mary argue, all right, Blackie, only it might be
nice if you told me what it is you're giving her.
Speaker 10 (18:03):
Trying to find something in this song that Mug wanted
to do Collins to sing. I thought it might have
a code of something in it, But if it has
I can't find.
Speaker 9 (18:11):
All I know is just an awful song.
Speaker 10 (18:14):
That much I know. I thought it was a message
of some kind, maybe a message to Murdoc and Dawson.
For all we know, it's be a clever way of
getting in touch with him and telling them get away plans,
if that's what it is.
Speaker 9 (18:25):
I mean. Murdoc and Dawson arranged with their gang to
tune in on Duke Colin's program every night, and then
when a certain song was sung, they'd have a way
of finding out what message was in it.
Speaker 17 (18:33):
That's right.
Speaker 10 (18:34):
Uh say the words over it again while I play this.
What are you murdy?
Speaker 9 (18:37):
Oh? Sure, go ahead. They was feeling frisky when she
made us too meek. She knocked you off the beams
and knocked me right off my feet. She made a
careful creature when she fashioned you. And I'll hold you.
Speaker 10 (18:56):
In my arms, hold of the second.
Speaker 3 (19:00):
Oh, what's the matter, Mary, I've got it.
Speaker 10 (19:02):
That song does have a message, and I know what
it is now. That song is going on the air tonight.
Speaker 9 (19:07):
But Duke Colins is in no shape to sing it.
Speaker 7 (19:09):
I know.
Speaker 12 (19:10):
But I can sing it and make it sound like Collins.
Speaker 10 (19:12):
I guarantee that tonight a song and dance night Mary.
I'll do the song, and it's going to make a
couple of killers dance right into faradays.
Speaker 16 (19:20):
On coming up, Blackie. Five seconds. You're nervous, anxious, anxious?
Speaker 10 (19:31):
Do you announce me?
Speaker 9 (19:32):
Yeah?
Speaker 1 (19:32):
That's right.
Speaker 16 (19:33):
You start to sing on a cue from the control room,
all said, now take it away, I'm ready. Okay, we're
on the air.
Speaker 4 (19:44):
Your favorite station now brings you your favorite singer, Duke
Collins in a program of your favorite songs. For his
first selection, Duke sings a brand new song never heard
on the air before. Duke Colin sings and I'll hold
you in my arms.
Speaker 17 (20:01):
It was feeling frisky when she made us to me.
She knocked you off. The men knocks me right off,
my bee. You've made a caple creach when she flashed and.
Speaker 10 (20:19):
Nice voice.
Speaker 16 (20:20):
That guy's got man inspected, Paraday.
Speaker 1 (20:22):
That's Blackie. You don't he's singing in Duke Colin's place.
You call that good? But yeah, it's sure as good
as any of them guys. I'd rather listen to the
motor in this police card.
Speaker 4 (20:31):
Yeah, say when do we get started after Murdoch and
Dawson inspector?
Speaker 1 (20:36):
We get started when Blackie gets finished?
Speaker 10 (20:47):
Get the door?
Speaker 7 (20:52):
I know. Want your words, Paradie is plenty nice all
that it's right, darling. If you can't wait, why just
count talk to time.
Speaker 8 (21:15):
And okay, shut it off.
Speaker 12 (21:28):
What about the message, Dawson, what.
Speaker 1 (21:30):
Does it say?
Speaker 5 (21:31):
It makes us an appointment to meet the boys tonight
at tennape, and believe me, we'll be there.
Speaker 1 (21:46):
Keep in the shadows. You don't want to get picked
up any cop. Now we're too close to payoff.
Speaker 3 (21:50):
I'll be careful every idea.
Speaker 12 (21:53):
That song doesn't he's smart, guy Collins.
Speaker 1 (21:57):
Guy didn't show in the air last time I got
panicking night of the next. What's the difference.
Speaker 4 (22:01):
All we got to do now is make.
Speaker 14 (22:03):
The corner and there'll be a car park there.
Speaker 1 (22:05):
Hey, there is a car.
Speaker 2 (22:06):
Yeah, I can see it from here.
Speaker 6 (22:09):
Yeah, that's our boys, Ape.
Speaker 1 (22:11):
They did a good job. Another minute our way.
Speaker 12 (22:14):
West can hardly wait to us.
Speaker 1 (22:15):
And I can hardly wait. You ain't got much patience, Ape,
you really anybody inside wait a minute?
Speaker 12 (22:23):
No, nobody, boys, pick the right spot. All right, main
in White Street, ten o'clock and nobody around.
Speaker 1 (22:32):
Let's go, okay, but.
Speaker 12 (22:34):
Don't hurry, just walk over to the car easy like me.
Speaker 1 (22:38):
Really right?
Speaker 8 (22:43):
Nice work, Hey, hey, having It's what I've been waiting for.
Speaker 1 (22:49):
All right, boys, I want to shoot it up. Time
you got mic.
Speaker 7 (22:56):
I got part and I'm proud of you. Boy.
Speaker 1 (22:58):
You didn't do bad. Luky, thanks your help.
Speaker 17 (23:01):
No trouble.
Speaker 10 (23:02):
Come on, let's go and see if my knocking Dawson
and knocked off the keeps. I'll get out of the
cofface and go ahead, right by God with you fellas.
I want to take a look Dawson's done for. But
this other guy you may, you.
Speaker 6 (23:18):
Know, Bluckie Dawson Nor We said I was too impatient, Ollie.
Speaker 8 (23:26):
I ain't no hurry to die.
Speaker 1 (23:38):
Okay, Blackie, you did it. I know you did it.
Now tell me how.
Speaker 6 (23:41):
What was the code in that song you sang over
the radio?
Speaker 9 (23:43):
Wake it easy, inspector, you know, I want to know
the answer to both.
Speaker 10 (23:48):
Of you will find out the same time, and that
same time happens to be right now. The code in
that song was the last word in every other line
of it. The complete message was meet you tonight, Maine
and Worth ten.
Speaker 9 (24:02):
And you knew that that was a message to Dawson
and Murdoch and their boys and that they would keep
to date.
Speaker 1 (24:07):
Huh, that's right. My boys took care of Dawson Murdoch's
guys before they showed up. When the two killers got there,
we took care of them too.
Speaker 10 (24:15):
You certainly did fire they congratulations. Now that's a funny thing.
Dawson Murdoch ordered the love song and it turned out
to be a funeral. March
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