May 23, 2025 • 30 mins
Follows a savvy female private investigator as she tackles cases with intelligence and style in a male-dominated field.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:09):
Hello, you can't to eight two nine. Yes, this is
candy medicon. Come on, Mellard, stop pouting. Enjoy yourself. It's
(00:40):
earlier than you think.
Speaker 2 (00:41):
Moderay at Christmas time is delightful. Carmel is most entrating
selenas I enjoyed. But the whole is way over to
some unexplored Cannibal country is too much.
Speaker 1 (00:52):
Did you hear that rembrand? Cannibal country? He calls this
mad at me.
Speaker 2 (00:56):
Boy.
Speaker 1 (00:56):
This may come as a shock, but San Juan Batista
was founded by the train Siscan fathers in seventeen ninety seven.
Speaker 2 (01:02):
I remember it is all were yesterday.
Speaker 1 (01:04):
Don't let him bother you. Ducky Millard can't stand this
wonderful air. He misses the gascumes of the big city.
That's not that candy.
Speaker 3 (01:13):
But I do want to get brunt.
Speaker 1 (01:14):
Relax, Max. She had a chance to take two days,
also make the most of them.
Speaker 2 (01:19):
What's the name of this town again?
Speaker 1 (01:20):
Stand one Batista? You'll love it, Mellard, Dear, Really the
mission and all the old building's still standing. Oh you'll
adore it. Honestly, you will look.
Speaker 2 (01:29):
Roun brad, old friend. I may like a thing, but
I'll be hanged. I follow door it as you will, Minion,
how much, father can it?
Speaker 1 (01:37):
We're just entering the town now. I thought we'd take
a look at the mission first.
Speaker 2 (01:41):
Okay, Hey, this is a cute little town at that hat.
Speaker 1 (01:46):
My boy, I knew you'd warm up once they got
you over here. You know, strictly from a police angle.
You might be interested in knowing that Joaquin Murietta visited
here more than once. So did three Finger Jack. Where's
my shooting arm? I'll get the farm and stake it easy,
hop alog for approaching the mission.
Speaker 4 (02:04):
For Colley's sakes, it's a good one.
Speaker 1 (02:07):
Isn't a beautiful malade? And don't you get a whole
flood of thoughts going through your head when you look
at it? Ah, With a little imagination, one could almost
see the Native Indians walking back and forth coming into
town for the evening vespers. I only hope the mission's open.
Speaker 4 (02:27):
Let's find out.
Speaker 1 (02:28):
I think I see one of those fathers around the
funny you can ask him, Thank you, lucky. Yes, let's go.
Good afternoon, father, m oh, oh, good afternoon, young lady.
Can you tell me if the mission is open this afternoon? Oh?
Speaker 5 (02:51):
Yes, most certainly. Do forgive me if I appear somewhat startled.
I was picking these red berries and I failed to
hear you drive. I'm sorry. That's quite all right. I
fear my thoughts were wondering a party. May I introduce
mister Watson. You do, father, and this gentleman is Lieutenant Mellie.
Oh you said lieutenant.
Speaker 2 (03:11):
No, not military, father, I'm with the San Francisco Police.
Speaker 1 (03:15):
The police. No, father, we're not here on business. I
was wondering. I thought for a moment that Father Philip
might have reported me, reported you for what? Father?
Speaker 5 (03:28):
At lunchtime, I made a frightful mistake by error, I ate.
Speaker 1 (03:35):
His apple right under his very nose too. O, pardon me.
I am father Paulina. I'm very happy to know your father.
My name is Candy Madson. I have some free time.
I would be pleased to show you about may I.
We'd be delighted, Father Baulina, I think we can start
(03:56):
with the yard. It gets dark so early this time
of year.
Speaker 2 (04:00):
Quala Paulino, Fia Paulino.
Speaker 6 (04:03):
Hi, it's Miguel Torres. What could be wrong? Oh, Father Pauline,
will need to stare Miguel, my son.
Speaker 1 (04:10):
What is it? What has happened?
Speaker 6 (04:12):
For the most awful thing you ever hear of? VICENTI
he just shoot himself, Percival heaven? Is he badly hurt?
Speaker 7 (04:20):
Me? Him?
Speaker 1 (04:21):
Oh?
Speaker 3 (04:21):
I think I think he is dying? Father?
Speaker 1 (04:24):
No, no, no, no, the poor boy?
Speaker 5 (04:28):
Where is he at his house? Can excuse me? Miss Madison?
I must leave immediately?
Speaker 1 (04:33):
Would my car? Do you have any help but the car?
Speaker 3 (04:36):
Yes?
Speaker 1 (04:36):
Thank you.
Speaker 8 (04:51):
From the studio away in San Francisco's Radio City, the
National Broadcasting Company presents Candy Madison.
Speaker 4 (04:59):
You can't two eight two oh.
Speaker 1 (05:01):
Nine tragedy in the sleepy little California mission town of
San Juan Bautista. But it wasn't the first time. If
you look around the side of the mission, you'll see
that the place marks the mass grave of twelve thousand
Indians who died in a smallpox epidemic years ago. San
(05:22):
Juan has seen n things too, and other shootings. It
had lived a rowdy life and the dim years gone by,
and obviously the rowdiness was still alive. In a minor
sort of fashion. We got in the car and with
Miguel directing us in broken English and Latin gestures, we
made our way out on a dirt road about three
miles outside of town, near the Granite Quarry. We finally
(05:43):
pulled up in front of a one story wooden house
that must have been built before the turn of the century.
We went inside and there was the prone form of
a Mexican boy of about twenty one or two.
Speaker 5 (06:00):
His father is if you're right, I don't poll Miguel.
I'll have to see he's gone, isn't he, father, Yes?
May his soul dwelt eternally in peace?
Speaker 3 (06:15):
He he is dead, Midel listened to me.
Speaker 5 (06:21):
His flesh is cold, yes, but his soul still lives.
Do you understand what I'm saying?
Speaker 1 (06:30):
My son? Yes?
Speaker 3 (06:33):
Or the Pauline.
Speaker 1 (06:36):
Wait a moment.
Speaker 5 (06:42):
Here where he reported, well, well, he said he knocked
himself off. He certainly did it the hard way. We're
not kidding missus Madison. Would you mind very much if
we brought the body back in with us to the mission.
I'm afraid we can't.
Speaker 1 (07:00):
Father. Would you step over here. I have something to
tell you. Certainly, Miss Matson, you will wear a look
of concern. Is there something wrong? I'm afraid there is. Father,
What do you mean? It looks very much as though
this wasn't self inflicted. What you don't mean that, Chriss Matson?
(07:25):
Are you sure of what you're saying?
Speaker 9 (07:27):
Reasonably so?
Speaker 1 (07:28):
Father? You see a gun held at close range leaves
powder marks. Vicenti's wound is as clean as a whistle. Oh,
I don't want to say. I'm sorry, father, but that's
why we can't remove the body. We'll have to call
the Sheriff's office in Hollister. Can you tell me where
I can find the phone? Yes, there's one at the mission.
(07:48):
If you don't mind, I'll stay here. I have work
to do. Father Paulino was right. He had work to
do the ecclesiastical kind, and he did it in a
(08:11):
simple and impressive way. San Juan Bautista with a population
of a little over six hundred and we run PLoP
into a murder. Mallard said he'd go back to the
mission and make the call and left. Forty five minutes later,
the under Sheriff of San Benito Cotti drove up with Mallard.
He asked the standard questions but learned nothing. We went
(08:31):
over the house with a fine toothed comb that we
came up with a blank. There being nothing else to
do at the moment. The men put the body in
the sheriff's car and he drove back to Hollister and
we returned to the mission. Would you care to take
a stroll about the garden? Who's miss Matson?
Speaker 5 (08:50):
It's most peaceful, makes a wonderful place for clear thinking.
Speaker 1 (08:55):
Well, yes, father, I'd love to mallard.
Speaker 2 (08:58):
Oh you go ahead, Candy, promise the sheriff I take
a look around town for I want to come along
with me, Remembra.
Speaker 5 (09:04):
Yes, that believer will if you don't mind, Candy, No,
not at all. One thing before you go, you will
be my guests for dinner, won't you.
Speaker 2 (09:13):
That's most precious of your father.
Speaker 1 (09:16):
What do you think, Kenny, I think it would be charming.
Speaker 2 (09:19):
Okay, we'll see you back in a little while.
Speaker 1 (09:21):
Laugh.
Speaker 5 (09:24):
This is a tragic thing. Miss Madison Vicente was a
splendid lad and a good question. I know how you
miss your father. I never could understand why there must
be things of this sort in the world, not only
between individuals, but countries and nations as well.
Speaker 1 (09:43):
It is hard to comprehend. The more I try to reason,
the more confused have become about descent. You, father, who
do you suppose could have done it. I don't know.
I really don't. How about Miguel what? Oh, no, Miss Madison,
Why he and Vicenti were like brothers. Brothers sometimes quarrel,
(10:05):
you know.
Speaker 5 (10:06):
Not in this case. The gale is a good boy.
Why he works. You're at the mission.
Speaker 1 (10:12):
You'll pardon me, father, But in my business I find
I have to be doubtful at times. What is your business,
Miss Matson. I'm a private investigative, father, A very curious Yes,
I suppose it is. But in a sense, you're a
policeman too, Father, I is you police the soul? Don't
(10:34):
you r I'd heard on the thoughts and actions of men?
Speaker 3 (10:38):
Why?
Speaker 5 (10:40):
Yes, I never thought of it that way before. Yes,
in a sense, I suppose I do wear a badge.
I wear the badge of righteousness, the.
Speaker 1 (10:52):
Star of God. Father Paulino was a wonderful man. As
we walked about the mission gardens, he spoke of many things,
but in parallels, all connected in some way with the
(11:14):
killing of poor Vicenti. The time passed swiftly. I was
so engrossed and listening to the kindly voice of the man,
And before I knew it, Mallard and Rembrand had returned
and it was time for dinner. Miguel did the cooking
and waited on the table. The dinner was a masterpiece
of simplicity. And it hadn't been for the tragedy of
the afternoon, I would have been enjoying a serenity I'd
(11:35):
never known before. Did Vicenti live out there all by himself? Father?
Speaker 5 (11:43):
Yes, the house belonged to him. He's a descendant of
one of the original families of San Juan. His great
great great grandfather owned one of the largest branchos in California,
paid stretch from here to the Pacific Ocean, and that
property indeed, but you see, it was given to him
(12:04):
by the King of Spain under one of the original
Spanish land grants. I understand there still are some in existence.
Speaker 2 (12:11):
Yes, I believe there are, but they've all been chopped
up and sold in much smaller parcels.
Speaker 1 (12:17):
Did does any work, father, Oh?
Speaker 5 (12:19):
Yes, he was a good worker, seasonally in the arctic
choke fields and the lettuce fields. In the off seasons
he did odd jobs about the town.
Speaker 2 (12:29):
Speaking of town, father, do you know a woman named
Rose Taylor?
Speaker 1 (12:35):
Why do you ask that?
Speaker 3 (12:37):
Do you? Yes?
Speaker 5 (12:40):
Why do you mention the name. There's a little bar
down street. Yes, I know the frailties of mankind.
Speaker 2 (12:50):
The fellow who runs the place says there's been talk
about the center being kind of local over the tailor girl.
Speaker 5 (12:56):
I'd heard something of the sort too. I was going
to speak to him about it on Sunday. How long
has she been here?
Speaker 1 (13:03):
Father?
Speaker 5 (13:03):
She arrived about two months ago, and I am afraid
she's been a disturbing influence on our little village ever since.
Speaker 1 (13:10):
Did you talk to her, Melie?
Speaker 3 (13:12):
Oh?
Speaker 1 (13:13):
Where does she live? Father? In a small cottage? Joe
bart second to Polk Street. I think we got to
take a little walk over there, don't you.
Speaker 9 (13:21):
Milly?
Speaker 2 (13:21):
Right is Ryan Cupcake? I dropped by her place before dinner,
but she wasn't in.
Speaker 1 (13:26):
Oh you know where it is? Then? Good? Please don't
think it's rude, father, but it's something we have to
follow through, and I understand, Miss Maxon. We got up
on the table and went outside the mission. We pulled
(13:46):
our coats closely about us, and little jets of steam
came from our mouths as we breathed the chrisp evening air.
We'd only got about a dozen steps or so when
we were stopped by a voice from behind.
Speaker 4 (13:58):
Please, huh what.
Speaker 1 (14:01):
It's Miguel, What is it? Miguel, is something wrong?
Speaker 6 (14:05):
I hear you talking in his side. You are going
over to Siasney Rita Taylor. That's right, Oh she is
no he Singorreta Taylor. She is a good girl. She
will not do porte him.
Speaker 1 (14:16):
That's not what Father Paulino seems to think.
Speaker 6 (14:19):
Oh, the good Father, he does not know what your
body outside. All his life, he's living the mission he is.
How would you say he's secluded.
Speaker 1 (14:29):
The good Father may be secluded, Miguel, but I have
a strong hunt. She knows more about what's going on
around here than anyone in town.
Speaker 3 (14:36):
Oh but please you believe me, Senor Vita Taylor. She
is a good person.
Speaker 2 (14:41):
Look, Miguel, you want to find out who kills Versanta,
don't you?
Speaker 3 (14:45):
Oh she she.
Speaker 1 (14:47):
Well that's what we're trying to do. Now, you be
a good boy at Miguel, and don't get yourself all
in this stew. We left Miguel and walked over a
couple of blocks to second in the Pope Street. We
found the cottage and saw a light in the front window.
(15:07):
Millard knocked and what opened the door would have been
a delight on any movie screen. If you like your
beauty the hard way, Rose Taylor was obvious, could raise
an awful lot of havoc with the local swings. Something
you wanted, Yes, we'd like to talk to you for
a moment, if you don't mind, Yes, I do mind.
(15:29):
I'm kind of busy.
Speaker 2 (15:30):
I'm sorry, miss Tyler, but you'll have to unbusy yourself.
Speaker 3 (15:33):
This is the police.
Speaker 10 (15:35):
Police, Oh is the police. Why can't you let me alone?
You've been in trouble before, h nothing serious might be
this time.
Speaker 2 (15:44):
You know a kid named Vacenti.
Speaker 9 (15:46):
Yeah, I heard what happened. These crazy kids. They have
a yen for knifings and shootings, don't they us.
Speaker 1 (15:54):
This is Lieutenant Mellard. He tells me he was by
here this afternoon.
Speaker 9 (15:57):
You weren't in. That's right. I went into Swenas to
do some shopping.
Speaker 2 (16:02):
We can prove that, can we?
Speaker 9 (16:04):
Absolutely?
Speaker 1 (16:06):
Well? Well, what have we here? A very cozy little
thirty two revolver. It also nicely cleaned and oiled. You
always keep it, this immaculate, miss Healer.
Speaker 9 (16:20):
Certainly, when some character gets too much Tequia under the belt,
you don't know what's going to happen.
Speaker 2 (16:25):
And a suitcase on the bed. Are you getting ready
to go somewhere?
Speaker 10 (16:31):
Wait, if you're trying to make out that I knocked
off a sandy, you're just whistling Dixie in four flats.
Speaker 9 (16:38):
Look a telegram.
Speaker 10 (16:40):
If you'll take a time and the courtesy to read it,
you'll find that my sister in Los Angeles is a
very sick girl. I was going down to spend a
week or so with her.
Speaker 9 (16:50):
What is this a convention hall?
Speaker 3 (16:53):
Come in, don't you?
Speaker 9 (16:57):
Miguel?
Speaker 1 (16:59):
Beat it.
Speaker 9 (16:59):
I'm busy.
Speaker 6 (17:00):
I am sorry, I am sorry. I have a message
for Senor Orta Matson and for you, Senor. Father Paulino
sent a message. What is it, Miguel the sheriff in Hollister,
just call on the telephone. He said, to tell Senor
Mallard that the bullet that he'll be sent you was
from the thirty two caliber gun.
Speaker 4 (17:35):
From San Francisco.
Speaker 8 (17:36):
The National Broadcasting Company is presenting Candy Madison. You can
too eight two oh nine.
Speaker 1 (17:52):
Well, now, a thirty two slug had killed Vicente and
missus Taylor owned a thirty two gun. It looked practically
Taylor made, However, I've seen coincidences like this before that
have gone up in thin smoke. Mallard plucked the rose
and asked her to return to the mission. And right
there I got me a king sized idea. I excused myself,
(18:13):
went to the little bar, and from the owner, I
found out where the local banker lived. Five minutes later
I was in his living room talking to him, a
gentleman named Banta.
Speaker 3 (18:24):
Yes, it's terrible.
Speaker 11 (18:26):
I only heard about it a half hour ago.
Speaker 3 (18:28):
This sentday was a.
Speaker 1 (18:28):
Splendid lads, That's what I've heard. Only reason I'm here
mister Banton is to enquire about his financial status. Did
he do any banking at all? Oh?
Speaker 11 (18:36):
Yes, up to about five or six weeks ago. Oh
can you tell me more? Well, he had a savings
account of approximately twenty eight hundred dollars. Suddenly he began
making withdraws two hundred three hundred a time. Yesterday he
made another withdrawal. He left a total of four hundred
dollars in his account.
Speaker 1 (18:54):
Well, what do you know about that?
Speaker 11 (18:56):
Ali Shady was having trouble with his props this year,
the rain.
Speaker 3 (18:59):
And all that.
Speaker 1 (19:00):
What about Miguel Torres, Well that's a very strange thing.
Speaker 11 (19:04):
He had an account of nine hundred dollars that's practically
gone too. I assumed he was helping his friend, dissmpted.
Speaker 1 (19:10):
I smell a very wells shaped rodent name of Taylor. Thanks,
mister Banta, you've been a great help. Things seemed to
be taking shape. It looked like the old story of
a no good playing both ends against the middle, both
(19:31):
ends being Vicenti and Miguel the no good Rose Taylor.
Scattered pieces of the puzzle were beginning to fall in place.
Father Paulino. At first I couldn't believe it, and I
wondered what his reaction would be. Next step the bartender
at the village pub. I walked in and caught him
(19:51):
at a good time. The place was empty.
Speaker 3 (19:56):
Serving What can I do for you?
Speaker 1 (19:58):
A page of cigarettes? Please? Su no the others if
you will?
Speaker 3 (20:03):
All right?
Speaker 6 (20:05):
There you are?
Speaker 3 (20:07):
Anything else?
Speaker 1 (20:08):
Mm hmm information?
Speaker 6 (20:10):
What do you want to know?
Speaker 1 (20:11):
Miguel torre Is and a kid named the Cinty Did
they come in here often? Who are you prevent investigator? Here?
My merit bed. That's a new one. The lady Trump
The world is ever changing? Buster now the answer?
Speaker 12 (20:26):
Yeah?
Speaker 6 (20:26):
They used to come in but once a week, usually
on Saturday nights. Drink much No good kids, both of you.
When were they in here last?
Speaker 3 (20:35):
Well, let's see, yeah, night before last.
Speaker 1 (20:38):
Any arguments.
Speaker 6 (20:40):
They're so soft spoken, those kind of guys.
Speaker 3 (20:42):
It's hard to tell.
Speaker 6 (20:43):
But now that you'll mention it, I think there was
a bit of a rule bob going on.
Speaker 1 (20:47):
Who is taking the leader toy?
Speaker 3 (20:49):
I got it.
Speaker 6 (20:50):
He was sort of griped about something not too loud,
not much fire.
Speaker 1 (20:54):
That's when it gets dangerous. And they weren't drugs, Nope.
Speaker 6 (20:57):
And I can spot elest for forty paces each other
beer and left.
Speaker 1 (21:01):
Thanks mister here by yourself a cup of Christmas chair, Oh,
thank you. Click another piece of the puzzle in place,
and all roads led right back to the mission. With
the exception of the late Vicenti. We had the full
cast of characters front stage center and a neat little
(21:24):
bit of intrigue. It was too As I drew near,
the warm lights of the mission were streaking through the windows,
contrasting greatly to the thoughts that were going around in
my head. I walked in. Father Paulina was sitting over
his desk, his head buried in his arms, Mallard was
leaning back in a chair watching Rose Taylor, who in
turn was smoking a cigarette and pacing the room. Rembrandt
(21:45):
was reading a copy of the National Geographic. All Head
snapped to me as I entered, Hi, a cupcac have
fun of sorts? What's new here?
Speaker 2 (21:56):
Waiting for the sheriff from Hollison. He's going to book
the Taylor lady on special of murder. That way he
can hold her.
Speaker 1 (22:02):
I think I have somebody else for him to hold,
Father Paulina. Yes, miss Maxon, I think you know what
I'm about to say. Yes, yes, I think I do.
Where is he in the next room.
Speaker 5 (22:19):
I'll call him, Miguel, my son, see your father come
in here, please, missus. Matson wants to talk to you.
Speaker 1 (22:37):
You're here in the mission now, Miguel, you're standing right
under the cross. You can't lie. You killed VICENTI didn't you?
Speaker 3 (22:49):
He? Yes?
Speaker 1 (22:50):
Why I love her?
Speaker 6 (22:54):
I gave her everything I have, my love, my heart,
my money everything. She tell me that she is mine,
all mine, that we will be married right here in
the mission by the good Father Paulino. Then last week
I find she is also making the pretend love to
be SENTI I almost.
Speaker 1 (23:12):
Went crazy to stay away.
Speaker 3 (23:14):
See that is right.
Speaker 6 (23:15):
But last night I stand across the street from sant
Arita Rose House. Vicenti was there, and as they say
goodnight on the front post, she kissed him and Patty's cheek,
just as she did to me.
Speaker 1 (23:27):
And so you shot him this afternoon with a thirty eighth.
And when the sheriff called, you told us it was
a thirty two, knowing that Rose also had a thirty two.
Speaker 3 (23:37):
See that is right, But you would never get me
for it.
Speaker 1 (23:41):
Millard. Father, comand don't let him get away.
Speaker 4 (23:46):
There it goes up on that wall.
Speaker 1 (23:48):
Miguel.
Speaker 3 (23:49):
Stop.
Speaker 1 (23:49):
You can't run away for the rest of your life.
I have no life, Father, Miguel, watch out, you're going
to go.
Speaker 5 (24:10):
And he's done for broken back. Yes, it's the pain, bad,
my son, No.
Speaker 6 (24:25):
In my dying Yes, micare did you see I told
you I had no life left?
Speaker 3 (24:34):
Did bath you hear your part?
Speaker 7 (24:37):
Yes?
Speaker 6 (24:39):
They're ringing like a time for the concrete. He would
pray for me, Father Paulino, of.
Speaker 5 (24:47):
Course, Merciple Jesus, all knowing all see looked down upon us,
this knife, so close upon dying own natal day. This
boy I am holding in my arms. Miguel Torres, he
(25:08):
has trespass upon thy commandments, and I am infinite mercy.
Speaker 13 (25:16):
I seek his forgiveness. Thank you, Father, Listen you, He's
gone by the plan of Yes directly es Kanan bunch
may have so agressed in peace?
Speaker 1 (25:40):
Where is she the tailor woman.
Speaker 9 (25:44):
I'm right here, Father, Look.
Speaker 1 (25:46):
Upon this boy.
Speaker 5 (25:47):
I'm holding here the second death and the matter of
ours and all because of you. I know in the
eyes of the law you are doubtless. You pulled no
trigger to call the death of Vicente. Miguel fell off
a wall to his death, But it was because of you.
Speaker 10 (26:08):
I realize that now, do you really yes?
Speaker 1 (26:14):
Father? And perhaps in his power of dark tragedy, something
has been salvaged. After all, this is the Yule time,
the anniversary of the birth of Christ. In his infinite wisdom,
the Almighty is charitable. Rose Taylor seek his forgiveness. He
(26:42):
leave San Juan mortiste. I'm sure Miguel and VICENTI have
wanted that way. Start a you lead a patent life.
It is not too late.
Speaker 5 (26:56):
Tell me, child, do you recall Mary Magdalene?
Speaker 9 (27:02):
A new father?
Speaker 1 (27:04):
Need I say more? No? Someone helped me with my game.
Speaker 5 (27:12):
We will carry him back to the chapel and finish
the confident man.
Speaker 1 (27:18):
I will Father, thank you, yes, as a remarkable.
Speaker 12 (27:33):
Man, Kenneth more than you know, Melodar, Peace on earth,
goodwill toward men and woman.
Speaker 1 (27:45):
In these troublesome times. There is a brilliant, shining example
of what we had to hold on to.
Speaker 3 (27:51):
Oh.
Speaker 2 (27:53):
I wish there was a Father Paulino in every country
of the world. We'd have more more time for raising
kids and for killing them.
Speaker 1 (28:05):
My point exactly. Come on, mother dear, let's get back
to San Francis Scool. I have a special star to
put on my Christmas tree tonight for all the father
paulineows that ever lived. Listen again next week at this
(28:51):
same time, just dial Candy Madden. You can't to wait
till O nine, and a very merry Christmas to you.
Speaker 7 (28:59):
All.
Speaker 8 (29:22):
Featured in the story were Halberdick as Father Paulino, Leutobin
as Miguel Torres, and Jane Bennett Barnell as Rose Taylor.
Henry Leff is Lieutenant Ray Millard, and Jack Thomas plays
Rembrandt Watson. The program stars Natalie Masters as Candy and
is written and directed by Matty Masters. Sound effects are
(29:44):
created by Bill Brownell and Eloise Rowan is heard the Organs.
Speaker 4 (29:49):
Our engineer was Clarence Stevens.
Speaker 8 (29:52):
The characters in the story were entirely fictitious. Any resemblance
to actual people is purely coincidental. The program comes to
you from San Francisco. This is Dudley man Love speaking.
(30:19):
This is NBC, the National Broadcasting Company.
Hello, you can't to eight two nine. Yes, this is
candy medicon. Come on, Mellard, stop pouting. Enjoy yourself. It's
(00:40):
earlier than you think.
Speaker 2 (00:41):
Moderay at Christmas time is delightful. Carmel is most entrating
selenas I enjoyed. But the whole is way over to
some unexplored Cannibal country is too much.
Speaker 1 (00:52):
Did you hear that rembrand? Cannibal country? He calls this
mad at me.
Speaker 2 (00:56):
Boy.
Speaker 1 (00:56):
This may come as a shock, but San Juan Batista
was founded by the train Siscan fathers in seventeen ninety seven.
Speaker 2 (01:02):
I remember it is all were yesterday.
Speaker 1 (01:04):
Don't let him bother you. Ducky Millard can't stand this
wonderful air. He misses the gascumes of the big city.
That's not that candy.
Speaker 3 (01:13):
But I do want to get brunt.
Speaker 1 (01:14):
Relax, Max. She had a chance to take two days,
also make the most of them.
Speaker 2 (01:19):
What's the name of this town again?
Speaker 1 (01:20):
Stand one Batista? You'll love it, Mellard, Dear, Really the
mission and all the old building's still standing. Oh you'll
adore it. Honestly, you will look.
Speaker 2 (01:29):
Roun brad, old friend. I may like a thing, but
I'll be hanged. I follow door it as you will, Minion,
how much, father can it?
Speaker 1 (01:37):
We're just entering the town now. I thought we'd take
a look at the mission first.
Speaker 2 (01:41):
Okay, Hey, this is a cute little town at that hat.
Speaker 1 (01:46):
My boy, I knew you'd warm up once they got
you over here. You know, strictly from a police angle.
You might be interested in knowing that Joaquin Murietta visited
here more than once. So did three Finger Jack. Where's
my shooting arm? I'll get the farm and stake it easy,
hop alog for approaching the mission.
Speaker 4 (02:04):
For Colley's sakes, it's a good one.
Speaker 1 (02:07):
Isn't a beautiful malade? And don't you get a whole
flood of thoughts going through your head when you look
at it? Ah, With a little imagination, one could almost
see the Native Indians walking back and forth coming into
town for the evening vespers. I only hope the mission's open.
Speaker 4 (02:27):
Let's find out.
Speaker 1 (02:28):
I think I see one of those fathers around the
funny you can ask him, Thank you, lucky. Yes, let's go.
Good afternoon, father, m oh, oh, good afternoon, young lady.
Can you tell me if the mission is open this afternoon? Oh?
Speaker 5 (02:51):
Yes, most certainly. Do forgive me if I appear somewhat startled.
I was picking these red berries and I failed to
hear you drive. I'm sorry. That's quite all right. I
fear my thoughts were wondering a party. May I introduce
mister Watson. You do, father, and this gentleman is Lieutenant Mellie.
Oh you said lieutenant.
Speaker 2 (03:11):
No, not military, father, I'm with the San Francisco Police.
Speaker 1 (03:15):
The police. No, father, we're not here on business. I
was wondering. I thought for a moment that Father Philip
might have reported me, reported you for what? Father?
Speaker 5 (03:28):
At lunchtime, I made a frightful mistake by error, I ate.
Speaker 1 (03:35):
His apple right under his very nose too. O, pardon me.
I am father Paulina. I'm very happy to know your father.
My name is Candy Madson. I have some free time.
I would be pleased to show you about may I.
We'd be delighted, Father Baulina, I think we can start
(03:56):
with the yard. It gets dark so early this time
of year.
Speaker 2 (04:00):
Quala Paulino, Fia Paulino.
Speaker 6 (04:03):
Hi, it's Miguel Torres. What could be wrong? Oh, Father Pauline,
will need to stare Miguel, my son.
Speaker 1 (04:10):
What is it? What has happened?
Speaker 6 (04:12):
For the most awful thing you ever hear of? VICENTI
he just shoot himself, Percival heaven? Is he badly hurt?
Speaker 7 (04:20):
Me? Him?
Speaker 1 (04:21):
Oh?
Speaker 3 (04:21):
I think I think he is dying? Father?
Speaker 1 (04:24):
No, no, no, no, the poor boy?
Speaker 5 (04:28):
Where is he at his house? Can excuse me? Miss Madison?
I must leave immediately?
Speaker 1 (04:33):
Would my car? Do you have any help but the car?
Speaker 3 (04:36):
Yes?
Speaker 1 (04:36):
Thank you.
Speaker 8 (04:51):
From the studio away in San Francisco's Radio City, the
National Broadcasting Company presents Candy Madison.
Speaker 4 (04:59):
You can't two eight two oh.
Speaker 1 (05:01):
Nine tragedy in the sleepy little California mission town of
San Juan Bautista. But it wasn't the first time. If
you look around the side of the mission, you'll see
that the place marks the mass grave of twelve thousand
Indians who died in a smallpox epidemic years ago. San
(05:22):
Juan has seen n things too, and other shootings. It
had lived a rowdy life and the dim years gone by,
and obviously the rowdiness was still alive. In a minor
sort of fashion. We got in the car and with
Miguel directing us in broken English and Latin gestures, we
made our way out on a dirt road about three
miles outside of town, near the Granite Quarry. We finally
(05:43):
pulled up in front of a one story wooden house
that must have been built before the turn of the century.
We went inside and there was the prone form of
a Mexican boy of about twenty one or two.
Speaker 5 (06:00):
His father is if you're right, I don't poll Miguel.
I'll have to see he's gone, isn't he, father, Yes?
May his soul dwelt eternally in peace?
Speaker 3 (06:15):
He he is dead, Midel listened to me.
Speaker 5 (06:21):
His flesh is cold, yes, but his soul still lives.
Do you understand what I'm saying?
Speaker 1 (06:30):
My son? Yes?
Speaker 3 (06:33):
Or the Pauline.
Speaker 1 (06:36):
Wait a moment.
Speaker 5 (06:42):
Here where he reported, well, well, he said he knocked
himself off. He certainly did it the hard way. We're
not kidding missus Madison. Would you mind very much if
we brought the body back in with us to the mission.
I'm afraid we can't.
Speaker 1 (07:00):
Father. Would you step over here. I have something to
tell you. Certainly, Miss Matson, you will wear a look
of concern. Is there something wrong? I'm afraid there is. Father,
What do you mean? It looks very much as though
this wasn't self inflicted. What you don't mean that, Chriss Matson?
(07:25):
Are you sure of what you're saying?
Speaker 9 (07:27):
Reasonably so?
Speaker 1 (07:28):
Father? You see a gun held at close range leaves
powder marks. Vicenti's wound is as clean as a whistle. Oh,
I don't want to say. I'm sorry, father, but that's
why we can't remove the body. We'll have to call
the Sheriff's office in Hollister. Can you tell me where
I can find the phone? Yes, there's one at the mission.
(07:48):
If you don't mind, I'll stay here. I have work
to do. Father Paulino was right. He had work to
do the ecclesiastical kind, and he did it in a
(08:11):
simple and impressive way. San Juan Bautista with a population
of a little over six hundred and we run PLoP
into a murder. Mallard said he'd go back to the
mission and make the call and left. Forty five minutes later,
the under Sheriff of San Benito Cotti drove up with Mallard.
He asked the standard questions but learned nothing. We went
(08:31):
over the house with a fine toothed comb that we
came up with a blank. There being nothing else to
do at the moment. The men put the body in
the sheriff's car and he drove back to Hollister and
we returned to the mission. Would you care to take
a stroll about the garden? Who's miss Matson?
Speaker 5 (08:50):
It's most peaceful, makes a wonderful place for clear thinking.
Speaker 1 (08:55):
Well, yes, father, I'd love to mallard.
Speaker 2 (08:58):
Oh you go ahead, Candy, promise the sheriff I take
a look around town for I want to come along
with me, Remembra.
Speaker 5 (09:04):
Yes, that believer will if you don't mind, Candy, No,
not at all. One thing before you go, you will
be my guests for dinner, won't you.
Speaker 2 (09:13):
That's most precious of your father.
Speaker 1 (09:16):
What do you think, Kenny, I think it would be charming.
Speaker 2 (09:19):
Okay, we'll see you back in a little while.
Speaker 1 (09:21):
Laugh.
Speaker 5 (09:24):
This is a tragic thing. Miss Madison Vicente was a
splendid lad and a good question. I know how you
miss your father. I never could understand why there must
be things of this sort in the world, not only
between individuals, but countries and nations as well.
Speaker 1 (09:43):
It is hard to comprehend. The more I try to reason,
the more confused have become about descent. You, father, who
do you suppose could have done it. I don't know.
I really don't. How about Miguel what? Oh, no, Miss Madison,
Why he and Vicenti were like brothers. Brothers sometimes quarrel,
(10:05):
you know.
Speaker 5 (10:06):
Not in this case. The gale is a good boy.
Why he works. You're at the mission.
Speaker 1 (10:12):
You'll pardon me, father, But in my business I find
I have to be doubtful at times. What is your business,
Miss Matson. I'm a private investigative, father, A very curious Yes,
I suppose it is. But in a sense, you're a
policeman too, Father, I is you police the soul? Don't
(10:34):
you r I'd heard on the thoughts and actions of men?
Speaker 3 (10:38):
Why?
Speaker 5 (10:40):
Yes, I never thought of it that way before. Yes,
in a sense, I suppose I do wear a badge.
I wear the badge of righteousness, the.
Speaker 1 (10:52):
Star of God. Father Paulino was a wonderful man. As
we walked about the mission gardens, he spoke of many things,
but in parallels, all connected in some way with the
(11:14):
killing of poor Vicenti. The time passed swiftly. I was
so engrossed and listening to the kindly voice of the man,
And before I knew it, Mallard and Rembrand had returned
and it was time for dinner. Miguel did the cooking
and waited on the table. The dinner was a masterpiece
of simplicity. And it hadn't been for the tragedy of
the afternoon, I would have been enjoying a serenity I'd
(11:35):
never known before. Did Vicenti live out there all by himself? Father?
Speaker 5 (11:43):
Yes, the house belonged to him. He's a descendant of
one of the original families of San Juan. His great
great great grandfather owned one of the largest branchos in California,
paid stretch from here to the Pacific Ocean, and that
property indeed, but you see, it was given to him
(12:04):
by the King of Spain under one of the original
Spanish land grants. I understand there still are some in existence.
Speaker 2 (12:11):
Yes, I believe there are, but they've all been chopped
up and sold in much smaller parcels.
Speaker 1 (12:17):
Did does any work, father, Oh?
Speaker 5 (12:19):
Yes, he was a good worker, seasonally in the arctic
choke fields and the lettuce fields. In the off seasons
he did odd jobs about the town.
Speaker 2 (12:29):
Speaking of town, father, do you know a woman named
Rose Taylor?
Speaker 1 (12:35):
Why do you ask that?
Speaker 3 (12:37):
Do you? Yes?
Speaker 5 (12:40):
Why do you mention the name. There's a little bar
down street. Yes, I know the frailties of mankind.
Speaker 2 (12:50):
The fellow who runs the place says there's been talk
about the center being kind of local over the tailor girl.
Speaker 5 (12:56):
I'd heard something of the sort too. I was going
to speak to him about it on Sunday. How long
has she been here?
Speaker 1 (13:03):
Father?
Speaker 5 (13:03):
She arrived about two months ago, and I am afraid
she's been a disturbing influence on our little village ever since.
Speaker 1 (13:10):
Did you talk to her, Melie?
Speaker 3 (13:12):
Oh?
Speaker 1 (13:13):
Where does she live? Father? In a small cottage? Joe
bart second to Polk Street. I think we got to
take a little walk over there, don't you.
Speaker 9 (13:21):
Milly?
Speaker 2 (13:21):
Right is Ryan Cupcake? I dropped by her place before dinner,
but she wasn't in.
Speaker 1 (13:26):
Oh you know where it is? Then? Good? Please don't
think it's rude, father, but it's something we have to
follow through, and I understand, Miss Maxon. We got up
on the table and went outside the mission. We pulled
(13:46):
our coats closely about us, and little jets of steam
came from our mouths as we breathed the chrisp evening air.
We'd only got about a dozen steps or so when
we were stopped by a voice from behind.
Speaker 4 (13:58):
Please, huh what.
Speaker 1 (14:01):
It's Miguel, What is it? Miguel, is something wrong?
Speaker 6 (14:05):
I hear you talking in his side. You are going
over to Siasney Rita Taylor. That's right, Oh she is
no he Singorreta Taylor. She is a good girl. She
will not do porte him.
Speaker 1 (14:16):
That's not what Father Paulino seems to think.
Speaker 6 (14:19):
Oh, the good Father, he does not know what your
body outside. All his life, he's living the mission he is.
How would you say he's secluded.
Speaker 1 (14:29):
The good Father may be secluded, Miguel, but I have
a strong hunt. She knows more about what's going on
around here than anyone in town.
Speaker 3 (14:36):
Oh but please you believe me, Senor Vita Taylor. She
is a good person.
Speaker 2 (14:41):
Look, Miguel, you want to find out who kills Versanta,
don't you?
Speaker 3 (14:45):
Oh she she.
Speaker 1 (14:47):
Well that's what we're trying to do. Now, you be
a good boy at Miguel, and don't get yourself all
in this stew. We left Miguel and walked over a
couple of blocks to second in the Pope Street. We
found the cottage and saw a light in the front window.
(15:07):
Millard knocked and what opened the door would have been
a delight on any movie screen. If you like your
beauty the hard way, Rose Taylor was obvious, could raise
an awful lot of havoc with the local swings. Something
you wanted, Yes, we'd like to talk to you for
a moment, if you don't mind, Yes, I do mind.
(15:29):
I'm kind of busy.
Speaker 2 (15:30):
I'm sorry, miss Tyler, but you'll have to unbusy yourself.
Speaker 3 (15:33):
This is the police.
Speaker 10 (15:35):
Police, Oh is the police. Why can't you let me alone?
You've been in trouble before, h nothing serious might be
this time.
Speaker 2 (15:44):
You know a kid named Vacenti.
Speaker 9 (15:46):
Yeah, I heard what happened. These crazy kids. They have
a yen for knifings and shootings, don't they us.
Speaker 1 (15:54):
This is Lieutenant Mellard. He tells me he was by
here this afternoon.
Speaker 9 (15:57):
You weren't in. That's right. I went into Swenas to
do some shopping.
Speaker 2 (16:02):
We can prove that, can we?
Speaker 9 (16:04):
Absolutely?
Speaker 1 (16:06):
Well? Well, what have we here? A very cozy little
thirty two revolver. It also nicely cleaned and oiled. You
always keep it, this immaculate, miss Healer.
Speaker 9 (16:20):
Certainly, when some character gets too much Tequia under the belt,
you don't know what's going to happen.
Speaker 2 (16:25):
And a suitcase on the bed. Are you getting ready
to go somewhere?
Speaker 10 (16:31):
Wait, if you're trying to make out that I knocked
off a sandy, you're just whistling Dixie in four flats.
Speaker 9 (16:38):
Look a telegram.
Speaker 10 (16:40):
If you'll take a time and the courtesy to read it,
you'll find that my sister in Los Angeles is a
very sick girl. I was going down to spend a
week or so with her.
Speaker 9 (16:50):
What is this a convention hall?
Speaker 3 (16:53):
Come in, don't you?
Speaker 9 (16:57):
Miguel?
Speaker 1 (16:59):
Beat it.
Speaker 9 (16:59):
I'm busy.
Speaker 6 (17:00):
I am sorry, I am sorry. I have a message
for Senor Orta Matson and for you, Senor. Father Paulino
sent a message. What is it, Miguel the sheriff in Hollister,
just call on the telephone. He said, to tell Senor
Mallard that the bullet that he'll be sent you was
from the thirty two caliber gun.
Speaker 4 (17:35):
From San Francisco.
Speaker 8 (17:36):
The National Broadcasting Company is presenting Candy Madison. You can
too eight two oh nine.
Speaker 1 (17:52):
Well, now, a thirty two slug had killed Vicente and
missus Taylor owned a thirty two gun. It looked practically
Taylor made, However, I've seen coincidences like this before that
have gone up in thin smoke. Mallard plucked the rose
and asked her to return to the mission. And right
there I got me a king sized idea. I excused myself,
(18:13):
went to the little bar, and from the owner, I
found out where the local banker lived. Five minutes later
I was in his living room talking to him, a
gentleman named Banta.
Speaker 3 (18:24):
Yes, it's terrible.
Speaker 11 (18:26):
I only heard about it a half hour ago.
Speaker 3 (18:28):
This sentday was a.
Speaker 1 (18:28):
Splendid lads, That's what I've heard. Only reason I'm here
mister Banton is to enquire about his financial status. Did
he do any banking at all? Oh?
Speaker 11 (18:36):
Yes, up to about five or six weeks ago. Oh
can you tell me more? Well, he had a savings
account of approximately twenty eight hundred dollars. Suddenly he began
making withdraws two hundred three hundred a time. Yesterday he
made another withdrawal. He left a total of four hundred
dollars in his account.
Speaker 1 (18:54):
Well, what do you know about that?
Speaker 11 (18:56):
Ali Shady was having trouble with his props this year,
the rain.
Speaker 3 (18:59):
And all that.
Speaker 1 (19:00):
What about Miguel Torres, Well that's a very strange thing.
Speaker 11 (19:04):
He had an account of nine hundred dollars that's practically
gone too. I assumed he was helping his friend, dissmpted.
Speaker 1 (19:10):
I smell a very wells shaped rodent name of Taylor. Thanks,
mister Banta, you've been a great help. Things seemed to
be taking shape. It looked like the old story of
a no good playing both ends against the middle, both
(19:31):
ends being Vicenti and Miguel the no good Rose Taylor.
Scattered pieces of the puzzle were beginning to fall in place.
Father Paulino. At first I couldn't believe it, and I
wondered what his reaction would be. Next step the bartender
at the village pub. I walked in and caught him
(19:51):
at a good time. The place was empty.
Speaker 3 (19:56):
Serving What can I do for you?
Speaker 1 (19:58):
A page of cigarettes? Please? Su no the others if
you will?
Speaker 3 (20:03):
All right?
Speaker 6 (20:05):
There you are?
Speaker 3 (20:07):
Anything else?
Speaker 1 (20:08):
Mm hmm information?
Speaker 6 (20:10):
What do you want to know?
Speaker 1 (20:11):
Miguel torre Is and a kid named the Cinty Did
they come in here often? Who are you prevent investigator? Here?
My merit bed. That's a new one. The lady Trump
The world is ever changing? Buster now the answer?
Speaker 12 (20:26):
Yeah?
Speaker 6 (20:26):
They used to come in but once a week, usually
on Saturday nights. Drink much No good kids, both of you.
When were they in here last?
Speaker 3 (20:35):
Well, let's see, yeah, night before last.
Speaker 1 (20:38):
Any arguments.
Speaker 6 (20:40):
They're so soft spoken, those kind of guys.
Speaker 3 (20:42):
It's hard to tell.
Speaker 6 (20:43):
But now that you'll mention it, I think there was
a bit of a rule bob going on.
Speaker 1 (20:47):
Who is taking the leader toy?
Speaker 3 (20:49):
I got it.
Speaker 6 (20:50):
He was sort of griped about something not too loud,
not much fire.
Speaker 1 (20:54):
That's when it gets dangerous. And they weren't drugs, Nope.
Speaker 6 (20:57):
And I can spot elest for forty paces each other
beer and left.
Speaker 1 (21:01):
Thanks mister here by yourself a cup of Christmas chair, Oh,
thank you. Click another piece of the puzzle in place,
and all roads led right back to the mission. With
the exception of the late Vicenti. We had the full
cast of characters front stage center and a neat little
(21:24):
bit of intrigue. It was too As I drew near,
the warm lights of the mission were streaking through the windows,
contrasting greatly to the thoughts that were going around in
my head. I walked in. Father Paulina was sitting over
his desk, his head buried in his arms, Mallard was
leaning back in a chair watching Rose Taylor, who in
turn was smoking a cigarette and pacing the room. Rembrandt
(21:45):
was reading a copy of the National Geographic. All Head
snapped to me as I entered, Hi, a cupcac have
fun of sorts? What's new here?
Speaker 2 (21:56):
Waiting for the sheriff from Hollison. He's going to book
the Taylor lady on special of murder. That way he
can hold her.
Speaker 1 (22:02):
I think I have somebody else for him to hold,
Father Paulina. Yes, miss Maxon, I think you know what
I'm about to say. Yes, yes, I think I do.
Where is he in the next room.
Speaker 5 (22:19):
I'll call him, Miguel, my son, see your father come
in here, please, missus. Matson wants to talk to you.
Speaker 1 (22:37):
You're here in the mission now, Miguel, you're standing right
under the cross. You can't lie. You killed VICENTI didn't you?
Speaker 3 (22:49):
He? Yes?
Speaker 1 (22:50):
Why I love her?
Speaker 6 (22:54):
I gave her everything I have, my love, my heart,
my money everything. She tell me that she is mine,
all mine, that we will be married right here in
the mission by the good Father Paulino. Then last week
I find she is also making the pretend love to
be SENTI I almost.
Speaker 1 (23:12):
Went crazy to stay away.
Speaker 3 (23:14):
See that is right.
Speaker 6 (23:15):
But last night I stand across the street from sant
Arita Rose House. Vicenti was there, and as they say
goodnight on the front post, she kissed him and Patty's cheek,
just as she did to me.
Speaker 1 (23:27):
And so you shot him this afternoon with a thirty eighth.
And when the sheriff called, you told us it was
a thirty two, knowing that Rose also had a thirty two.
Speaker 3 (23:37):
See that is right, But you would never get me
for it.
Speaker 1 (23:41):
Millard. Father, comand don't let him get away.
Speaker 4 (23:46):
There it goes up on that wall.
Speaker 1 (23:48):
Miguel.
Speaker 3 (23:49):
Stop.
Speaker 1 (23:49):
You can't run away for the rest of your life.
I have no life, Father, Miguel, watch out, you're going
to go.
Speaker 5 (24:10):
And he's done for broken back. Yes, it's the pain, bad,
my son, No.
Speaker 6 (24:25):
In my dying Yes, micare did you see I told
you I had no life left?
Speaker 3 (24:34):
Did bath you hear your part?
Speaker 7 (24:37):
Yes?
Speaker 6 (24:39):
They're ringing like a time for the concrete. He would
pray for me, Father Paulino, of.
Speaker 5 (24:47):
Course, Merciple Jesus, all knowing all see looked down upon us,
this knife, so close upon dying own natal day. This
boy I am holding in my arms. Miguel Torres, he
(25:08):
has trespass upon thy commandments, and I am infinite mercy.
Speaker 13 (25:16):
I seek his forgiveness. Thank you, Father, Listen you, He's
gone by the plan of Yes directly es Kanan bunch
may have so agressed in peace?
Speaker 1 (25:40):
Where is she the tailor woman.
Speaker 9 (25:44):
I'm right here, Father, Look.
Speaker 1 (25:46):
Upon this boy.
Speaker 5 (25:47):
I'm holding here the second death and the matter of
ours and all because of you. I know in the
eyes of the law you are doubtless. You pulled no
trigger to call the death of Vicente. Miguel fell off
a wall to his death, But it was because of you.
Speaker 10 (26:08):
I realize that now, do you really yes?
Speaker 1 (26:14):
Father? And perhaps in his power of dark tragedy, something
has been salvaged. After all, this is the Yule time,
the anniversary of the birth of Christ. In his infinite wisdom,
the Almighty is charitable. Rose Taylor seek his forgiveness. He
(26:42):
leave San Juan mortiste. I'm sure Miguel and VICENTI have
wanted that way. Start a you lead a patent life.
It is not too late.
Speaker 5 (26:56):
Tell me, child, do you recall Mary Magdalene?
Speaker 9 (27:02):
A new father?
Speaker 1 (27:04):
Need I say more? No? Someone helped me with my game.
Speaker 5 (27:12):
We will carry him back to the chapel and finish
the confident man.
Speaker 1 (27:18):
I will Father, thank you, yes, as a remarkable.
Speaker 12 (27:33):
Man, Kenneth more than you know, Melodar, Peace on earth,
goodwill toward men and woman.
Speaker 1 (27:45):
In these troublesome times. There is a brilliant, shining example
of what we had to hold on to.
Speaker 3 (27:51):
Oh.
Speaker 2 (27:53):
I wish there was a Father Paulino in every country
of the world. We'd have more more time for raising
kids and for killing them.
Speaker 1 (28:05):
My point exactly. Come on, mother dear, let's get back
to San Francis Scool. I have a special star to
put on my Christmas tree tonight for all the father
paulineows that ever lived. Listen again next week at this
(28:51):
same time, just dial Candy Madden. You can't to wait
till O nine, and a very merry Christmas to you.
Speaker 7 (28:59):
All.
Speaker 8 (29:22):
Featured in the story were Halberdick as Father Paulino, Leutobin
as Miguel Torres, and Jane Bennett Barnell as Rose Taylor.
Henry Leff is Lieutenant Ray Millard, and Jack Thomas plays
Rembrandt Watson. The program stars Natalie Masters as Candy and
is written and directed by Matty Masters. Sound effects are
(29:44):
created by Bill Brownell and Eloise Rowan is heard the Organs.
Speaker 4 (29:49):
Our engineer was Clarence Stevens.
Speaker 8 (29:52):
The characters in the story were entirely fictitious. Any resemblance
to actual people is purely coincidental. The program comes to
you from San Francisco. This is Dudley man Love speaking.
(30:19):
This is NBC, the National Broadcasting Company.
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