Episode Transcript
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Speaker 1 (00:00):
Hello listeners, stime once again for another episode of the
Shartoppers podcast. We're going through a list of spring time
and summer hits guaranteed to enhance your season. Starting off
in no particular order with Don't You Want Me? By
(00:23):
The Human League at Least in nineteen eighty one. This
song is one of the defining hits of British synthpop
band The Human League. It was released as a single
from their album Dare and became their biggest hit, propelling
them into global stardom. The song is about the breakdown
(00:46):
of a relationship, with the protagonist confronting their ex lover
wondering if they still want them despite their personal differences.
It's a battle of pride and emotion. Don't You Want
Me hit number one on the Billboard Hot one hundred
in the United States, became a top ten hit in
multiple countries around the world. It was the band's most
(01:10):
commercially successful song. The song's catchy synth rip an dual
vocal arrangement, became iconic in the early eighties synth pop scene.
It has been widely used in eighties retrospectives and remains
a favorite in both pop and electronic music. Circles. The
(01:30):
Safety Dance released in nineteen eighty two from Men Without Hats.
The Safety Dance is a song by Canadian new wave
band Men Without Hats. It was released as the lead
single from their album Rhythm of Youth became their biggest
international hit. The song promotes freedom and individuality with lyrics
(01:55):
that encourage people to dance if they want to and
to not gom to societal expectations. It's a celebration of
personal expression. The song reached number three on the Billboard
Hot one hundred in the United States and charted in
multiple countries worldwide. Became a dividing song the nineteen eighties.
(02:18):
The music video, with its medieval costumes and quirky style,
added to the song's unique charm and solidified its place
in eighties pomp culture. He remains a go to track
for eighties parties in retro events. Next up, I Ran
(02:39):
So Far Away by A Flock of Seagulls, released in
nineteen eighty two. I Ran So Far Away, the most
popular song by the British new wave band A Flock
of Seagulls, released as a single from their debut self
titled album, became an international hit in his synonymous with
(03:00):
the eighties. The song is about a feeling of alienation
and escape, with the narrator running away from a situation
that feels overwhelming were suffocating. It touches on themes of
emotional turmoil and self discovery. The song reached number one
on the Billboard Dance Club Songs Chart and number nine
(03:23):
on the Billboard Hot one hundred in the US. It
also gained popularity in the UK and internationally. The band's
iconic hair styles, particularly lead singer Mike Score's famous spiked hair,
became part of the eighties culture lexicon. The song remains
a nostalgic favorite, often used in TV shows and films
(03:48):
to evoke the eighties era. Next on the list Relax
by Frankie Costa Hollywood, released in nineteen eighty three. Relax
was the debut dingle by British synth pop band Frankie
Goes to Hollywood. Released in nineteen eighty three, the song
became infamous for its controversial lyrics and was banned by
(04:11):
the BBC, which only fueled its popularity. The song, in
a tongue in cheek manner, encourages listeners to relax and
enjoy themselves with sexual innu window and provocative themes Throughout
it explored the idea of letting go of stress and
embracing pleasure. Relax became a global smash, reaching number one
(04:35):
on the UK Singles Charts and charting in multiple countries worldwide,
including the US, where it peaked at number ten on
the Billboard Hot one hundred. The song was an anthem
of the eighties, often associated with the clubbing scene. Its
bold lyrics and danceable beat made it a party staple,
and its music video, filled with erotic imagery, further cemented
(05:00):
its provocative legacy. Next Up Mickey by Tony Basil, released
in nineteen eighty two. Mickey is a song by American
singer and choreographer Tony Basil, best known for her cheerleader
inspired performances in the music video. Released in nineteen eighty two,
(05:20):
it became her biggest hit signature song of the eighties.
The song is about infatuation and teenage love, with the
narrator expressing her intense feelings for someone named a Mickey.
The catchy chorus, fun upbeat vibe make it a quintessential
eighties anthem. Mickey reached number one on the Billboard Hot
(05:43):
one hundred in the United States in nineteen eighty two,
making it one of the most successful one hit wonders
of the eighties. Mickey became an iconic song for eighties
pop culture, especially due to its association with cheerleading and
school spirit. It's still widely used in commercials, movies, and
(06:03):
TV shows when invoking the fun, youthful spirit of the eighties.
Next up, Let's Dance from David Bowie, was released in
nineteen eighty three. Let's Dance was a major hit from
David Bowie's nineteen eighty three album of the same name.
The song mar day departure from his earlier, more experimental
(06:25):
works and embraced a more mainstream, danceable style. The song
invites listeners to dance and let loose with a care
free attitude towards life and love. It combines elements of dance, funk,
and rock to create an irresistibly groovy track. Let's Dance
(06:45):
reached number one on the Billboard Hot one hundred and
became Bowie's biggest hit in the United States. It also
charted highly across the world, solidifying his global popularity. The
song's music video, directed by David features vibrant, African inspired
imagery and dance, adding to its cultural significance. Let's Dance
(07:08):
was instrumental in expanding Bowie's popularity among mainstream audiences. Next Up,
Electric Avenue Brought to You by Eddie Grant. In nineteen
eighty two. Electric Avenue was a hit single by British
artist Eddie Grant from his album Killer on the Rampage.
(07:31):
The song blends reggae, rock, and pop influences, making it
one of the standout tracks of the nineteen eighties. The
song entresses social and political issues, particularly the struggles of
pace by working class communities in urban environments. Electric Avenue
refers to a street in London, symbolizing the hardships and
(07:54):
challenges of inner city life. Electric Avenue became a massive hit,
reaching number two on the Billboard Hot one hundred in
the United States and charting in various countries around the world.
The song remains one of the most recognizable hits of
the early eighties, particularly for its combination of reggae rhythms
(08:14):
and social commentary. It's often used in TV shows and
movies to evoke the eighties era. Next Up, I Want
Candy by bow Wow Wow. I Want Candy is a
cover of the nineteen sixty five song by The Strangeloves,
reimagined by a British new wave band, Bow Wow Wow.
(08:38):
The band, fronted by Annabella Lwyn, gained attention for their
distinctive sound and Lewin's youthful, energetic vocals. The song is
about a youthful desire, with the protagonist yearning for candy,
which could be interpreted as a metaphor for love or
physical affection. It exudes an innocent but playful sense of longing.
(09:03):
I Want Candy was a significant hit in the United States,
reaching number nine on the Billboard Hot one hundred and
charting in the UK as well. The song became a
synonymous with eighties pop culture, often used in films and
commercials to evoke the playful, rebellious spirit of the era.
(09:23):
The catchy chorus an upbeat tempo made it a favorite
on eighties themed playlists. Next up, all Out of Love
by air Supply. All Out of Love is one of
the biggest hits by Australian soft rock duo Air Supply.
Released as part of their Lost and Love album, It
(09:46):
became one of the group's signature songs. The song is
a heartfelt ballad about love and heartbreak, with the singer
expressing the pain of realizing that they are all out
of love unable to g continue in a relationship. All
out of Love reached number two on the Billboard Hot
one hundred, was a major hit internationally became one of
(10:09):
air Supply's most enduring songs. The song has become a
classic love ballad of the eighties and is still a
favorite at weddings and romantic occasions. Air supplies soft rock
sound and the song's emotional lyrics have made it a
timeless piece. Unfortunately, that's all the time that we've got
for today's episode of the Chart Toppers podcast, a show
(10:31):
dedicated tall the greatest hits out there. More importantly, you
are listeners, and I can't thank you enough for stopping
by for another episode. Until next time,
Hello listeners, stime once again for another episode of the
Shartoppers podcast. We're going through a list of spring time
and summer hits guaranteed to enhance your season. Starting off
in no particular order with Don't You Want Me? By
(00:23):
The Human League at Least in nineteen eighty one. This
song is one of the defining hits of British synthpop
band The Human League. It was released as a single
from their album Dare and became their biggest hit, propelling
them into global stardom. The song is about the breakdown
(00:46):
of a relationship, with the protagonist confronting their ex lover
wondering if they still want them despite their personal differences.
It's a battle of pride and emotion. Don't You Want
Me hit number one on the Billboard Hot one hundred
in the United States, became a top ten hit in
multiple countries around the world. It was the band's most
(01:10):
commercially successful song. The song's catchy synth rip an dual
vocal arrangement, became iconic in the early eighties synth pop scene.
It has been widely used in eighties retrospectives and remains
a favorite in both pop and electronic music. Circles. The
(01:30):
Safety Dance released in nineteen eighty two from Men Without Hats.
The Safety Dance is a song by Canadian new wave
band Men Without Hats. It was released as the lead
single from their album Rhythm of Youth became their biggest
international hit. The song promotes freedom and individuality with lyrics
(01:55):
that encourage people to dance if they want to and
to not gom to societal expectations. It's a celebration of
personal expression. The song reached number three on the Billboard
Hot one hundred in the United States and charted in
multiple countries worldwide. Became a dividing song the nineteen eighties.
(02:18):
The music video, with its medieval costumes and quirky style,
added to the song's unique charm and solidified its place
in eighties pomp culture. He remains a go to track
for eighties parties in retro events. Next up, I Ran
(02:39):
So Far Away by A Flock of Seagulls, released in
nineteen eighty two. I Ran So Far Away, the most
popular song by the British new wave band A Flock
of Seagulls, released as a single from their debut self
titled album, became an international hit in his synonymous with
(03:00):
the eighties. The song is about a feeling of alienation
and escape, with the narrator running away from a situation
that feels overwhelming were suffocating. It touches on themes of
emotional turmoil and self discovery. The song reached number one
on the Billboard Dance Club Songs Chart and number nine
(03:23):
on the Billboard Hot one hundred in the US. It
also gained popularity in the UK and internationally. The band's
iconic hair styles, particularly lead singer Mike Score's famous spiked hair,
became part of the eighties culture lexicon. The song remains
a nostalgic favorite, often used in TV shows and films
(03:48):
to evoke the eighties era. Next on the list Relax
by Frankie Costa Hollywood, released in nineteen eighty three. Relax
was the debut dingle by British synth pop band Frankie
Goes to Hollywood. Released in nineteen eighty three, the song
became infamous for its controversial lyrics and was banned by
(04:11):
the BBC, which only fueled its popularity. The song, in
a tongue in cheek manner, encourages listeners to relax and
enjoy themselves with sexual innu window and provocative themes Throughout
it explored the idea of letting go of stress and
embracing pleasure. Relax became a global smash, reaching number one
(04:35):
on the UK Singles Charts and charting in multiple countries worldwide,
including the US, where it peaked at number ten on
the Billboard Hot one hundred. The song was an anthem
of the eighties, often associated with the clubbing scene. Its
bold lyrics and danceable beat made it a party staple,
and its music video, filled with erotic imagery, further cemented
(05:00):
its provocative legacy. Next Up Mickey by Tony Basil, released
in nineteen eighty two. Mickey is a song by American
singer and choreographer Tony Basil, best known for her cheerleader
inspired performances in the music video. Released in nineteen eighty two,
(05:20):
it became her biggest hit signature song of the eighties.
The song is about infatuation and teenage love, with the
narrator expressing her intense feelings for someone named a Mickey.
The catchy chorus, fun upbeat vibe make it a quintessential
eighties anthem. Mickey reached number one on the Billboard Hot
(05:43):
one hundred in the United States in nineteen eighty two,
making it one of the most successful one hit wonders
of the eighties. Mickey became an iconic song for eighties
pop culture, especially due to its association with cheerleading and
school spirit. It's still widely used in commercials, movies, and
(06:03):
TV shows when invoking the fun, youthful spirit of the eighties.
Next up, Let's Dance from David Bowie, was released in
nineteen eighty three. Let's Dance was a major hit from
David Bowie's nineteen eighty three album of the same name.
The song mar day departure from his earlier, more experimental
(06:25):
works and embraced a more mainstream, danceable style. The song
invites listeners to dance and let loose with a care
free attitude towards life and love. It combines elements of dance, funk,
and rock to create an irresistibly groovy track. Let's Dance
(06:45):
reached number one on the Billboard Hot one hundred and
became Bowie's biggest hit in the United States. It also
charted highly across the world, solidifying his global popularity. The
song's music video, directed by David features vibrant, African inspired
imagery and dance, adding to its cultural significance. Let's Dance
(07:08):
was instrumental in expanding Bowie's popularity among mainstream audiences. Next Up,
Electric Avenue Brought to You by Eddie Grant. In nineteen
eighty two. Electric Avenue was a hit single by British
artist Eddie Grant from his album Killer on the Rampage.
(07:31):
The song blends reggae, rock, and pop influences, making it
one of the standout tracks of the nineteen eighties. The
song entresses social and political issues, particularly the struggles of
pace by working class communities in urban environments. Electric Avenue
refers to a street in London, symbolizing the hardships and
(07:54):
challenges of inner city life. Electric Avenue became a massive hit,
reaching number two on the Billboard Hot one hundred in
the United States and charting in various countries around the world.
The song remains one of the most recognizable hits of
the early eighties, particularly for its combination of reggae rhythms
(08:14):
and social commentary. It's often used in TV shows and
movies to evoke the eighties era. Next Up, I Want
Candy by bow Wow Wow. I Want Candy is a
cover of the nineteen sixty five song by The Strangeloves,
reimagined by a British new wave band, Bow Wow Wow.
(08:38):
The band, fronted by Annabella Lwyn, gained attention for their
distinctive sound and Lewin's youthful, energetic vocals. The song is
about a youthful desire, with the protagonist yearning for candy,
which could be interpreted as a metaphor for love or
physical affection. It exudes an innocent but playful sense of longing.
(09:03):
I Want Candy was a significant hit in the United States,
reaching number nine on the Billboard Hot one hundred and
charting in the UK as well. The song became a
synonymous with eighties pop culture, often used in films and
commercials to evoke the playful, rebellious spirit of the era.
(09:23):
The catchy chorus an upbeat tempo made it a favorite
on eighties themed playlists. Next up, all Out of Love
by air Supply. All Out of Love is one of
the biggest hits by Australian soft rock duo Air Supply.
Released as part of their Lost and Love album, It
(09:46):
became one of the group's signature songs. The song is
a heartfelt ballad about love and heartbreak, with the singer
expressing the pain of realizing that they are all out
of love unable to g continue in a relationship. All
out of Love reached number two on the Billboard Hot
one hundred, was a major hit internationally became one of
(10:09):
air Supply's most enduring songs. The song has become a
classic love ballad of the eighties and is still a
favorite at weddings and romantic occasions. Air supplies soft rock
sound and the song's emotional lyrics have made it a
timeless piece. Unfortunately, that's all the time that we've got
for today's episode of the Chart Toppers podcast, a show
(10:31):
dedicated tall the greatest hits out there. More importantly, you
are listeners, and I can't thank you enough for stopping
by for another episode. Until next time,
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