July 31, 2025 • 23 mins
A compilation of humorous shows ranging from slapstick sketches to witty banter and family sitcoms. This series highlights the timeless appeal of laughter and character-driven comedy.
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Speaker 1 (00:00):
's famous quick relief for ascid indigestion resides the date
of Judy and the first of Judy's prominent guest stars,
the distinguished motion picked director mister Joseph Cotton.
Speaker 2 (00:14):
And now to keep our date of Judy, that lovable
teenage girl who is close to all our hearts.
Speaker 1 (00:19):
As we look in at the Foster house. Now Judy,
her kid brother Randolph, and her parents are in the
living room.
Speaker 3 (00:25):
What are you doing, Judy writing a very important letter?
Speaker 4 (00:27):
Mother?
Speaker 3 (00:28):
Judy? Are you writing fan letters again?
Speaker 5 (00:30):
Really?
Speaker 3 (00:31):
Mother? When a man is not only.
Speaker 6 (00:32):
The greatest dramatic movie actor in the whole world practically,
and also the handsomest, most dramatic thing there is, so
at least the girl can do is give them a
little encouragement.
Speaker 7 (00:42):
Well, do you have to take on his entire encouragement
single handed?
Speaker 4 (00:46):
Yeah?
Speaker 8 (00:46):
Can't you let some other girl encourage him once in
a while.
Speaker 6 (00:49):
I don't think you people understand this at all and
split them down in a category with girls who write
near mushy fan letters.
Speaker 4 (00:55):
Oh no, of course not.
Speaker 2 (00:59):
This is clearly on a basis of a discussion of
mutual careers. Have mutual career or does he like you?
Speaker 3 (01:04):
In your last picture.
Speaker 6 (01:08):
Really, I see this matter can't be discussed with one's family.
One has the fair John alone, fighting for one's ambition
in spite of the scoffing of one's family.
Speaker 1 (01:17):
Yeah, I suppose that's what one has to do. I mean,
one would that.
Speaker 3 (01:22):
Well I finished.
Speaker 8 (01:23):
I'm in it for you, Judy, thank you.
Speaker 6 (01:25):
Andals. All I got to say is someday, when I'm
a star in Hollywood to two, Whiteman is going to
be very.
Speaker 2 (01:30):
Very sorry she used dirty politics to.
Speaker 6 (01:32):
Keep me from being vice president of my class.
Speaker 3 (01:35):
So you excuse me, I actually got Is that suit
between Judy and Cooking White and still going on?
Speaker 8 (01:45):
Is it still going on? It's reached a new high? Well,
everybody excuse me while I make a phone call.
Speaker 3 (01:51):
Of course.
Speaker 9 (01:51):
Well, there much more soothing around here when Judy leaves
Hollywood behind and goes on to greater.
Speaker 1 (01:56):
Ambitions like well, like being a school teacher.
Speaker 8 (02:00):
Hello, Curley, this is Randolph Randall. I've got another one. Ha, Yeah,
take care of the Formulia Randa along conversation about Oh,
it's a very clever and sinister plot.
Speaker 1 (02:13):
Huh.
Speaker 8 (02:14):
It's like this every time Judy writes a fan letter
that Joseph Cotton.
Speaker 3 (02:17):
Oh, so that's what Judy writes fan letters.
Speaker 8 (02:19):
True, yeah, well it seems to Curly has a cousin
who lives in Hollywood. And every time Judy writes a
fan letter that Joseph Cotton, you know, Cooley's cousin who
lives in Hollywood, answers it.
Speaker 1 (02:33):
That's so.
Speaker 8 (02:34):
Yeah, he makes up like he's Joseph Cotton. And Judy's
falling for the gag hook line. And Sinker doesn't ahole
like my father. One other brother would give his sister
a thrill like that, and all for free.
Speaker 3 (02:52):
His ladder. I don't wait to read everything.
Speaker 10 (02:56):
Oh, first phone, she just la'll tifty like them hears,
and she'll die, That's what she'll do.
Speaker 3 (03:09):
She'll just die.
Speaker 8 (03:11):
I'll don't let me go over and pick up her body.
Speaker 4 (03:16):
Hello, Hello to a Juty.
Speaker 2 (03:18):
Yes, Judy, well, Tisy, I thought you'd be interested in
the lady. Oh, if you get another letter, I just
listen to this.
Speaker 3 (03:24):
My dearest miss Foster. Dearest, it says, do you hear that?
Speaker 2 (03:29):
Yes, my dearest miss Foster.
Speaker 6 (03:32):
I think I should really be calling you Judy by now,
because I feel that I know you so well.
Speaker 3 (03:37):
I have studied your.
Speaker 6 (03:37):
Lovely faith again and again, and I thank you so
much for sending me your photograph as I asked you to.
Speaker 3 (03:43):
It's had a lovely face.
Speaker 6 (03:47):
This presently wonderful. I have decided that you are amazingly photogemic,
and if you should ever come to Hollywood, please let
me know so I can arrange a screen test for you,
a screen test to hear epathy.
Speaker 11 (04:00):
I really wouldn't go to Hollywood if I would you? I, hey,
you get terribly tired of the kind of fit just
sunshine all the time.
Speaker 3 (04:10):
Oh, I wouldn't mind. Man, that's what about all these Kringles.
No one over here're such close friends.
Speaker 6 (04:16):
Ull Be's just an immature boy.
Speaker 3 (04:20):
Yes, he's so adolescent.
Speaker 11 (04:22):
He if you don't mind, I really have to hang up.
My mother's waiting for me to go to town.
Speaker 3 (04:27):
So you don't want to hear the rest of the lettering, Oh,
that's probably.
Speaker 11 (04:31):
Just this form letter he sends out Tall and Stan,
I say, that's what they do, fam letters song song.
Speaker 8 (04:37):
Well did you learn?
Speaker 2 (04:39):
She's green with jealousy, saying it was just a form letters.
Speaker 6 (04:42):
Oh, I could feel whole waves of intense envy radiating
over the telephone wires.
Speaker 8 (04:46):
That's nice.
Speaker 6 (04:50):
Look at me, Randallph, do you really think I'm pot
of GENI who never mind?
Speaker 1 (04:55):
Answer?
Speaker 6 (04:59):
The main thing is like gorgeous, dramatic, handsome, superb actor
like Joseph Cotton thinks I'm good enough to be in piction.
Speaker 1 (05:15):
You think it's going all right?
Speaker 8 (05:16):
John?
Speaker 1 (05:16):
All right? Find that as a matter of fact, the
townlet says is gone good.
Speaker 3 (05:19):
Yeah.
Speaker 9 (05:19):
I for personal parents turn times like kase I must
say we've had mighty little trouble.
Speaker 1 (05:23):
Well, I'm going on fine, Okay, I'm gonna get as
if I'm kind a director. I need a tooth price
for you later. Let's pause for a moment. Louise Erickson
and Joseph Cotton will return in a date with Judy
(05:43):
right after these messages.
Speaker 3 (05:53):
I want to box the.
Speaker 6 (05:54):
Mass har some pancake, makeus and an eyelash, curla clee,
and you don't mind. I like to look at gee,
excuse me a minute, pace.
Speaker 5 (06:03):
I beg your pardon.
Speaker 3 (06:04):
I beg you excuse me for coming up and talking
to you like this.
Speaker 1 (06:08):
But I just who I just had to try the
people ever stopped talking to me.
Speaker 6 (06:12):
I would like it a bet, Oh did anybody ever
tell you you look like Joseph Cotton?
Speaker 1 (06:17):
Why, yeah, yeah, people coming out all the time.
Speaker 3 (06:19):
We're just.
Speaker 1 (06:22):
Is that good?
Speaker 2 (06:24):
It's wonderful. I think he's marvelous, don't you.
Speaker 1 (06:27):
Well, he has his fault, and that last picture is
I didn't like it the way looking at.
Speaker 4 (06:35):
Him nar that was marvelous.
Speaker 2 (06:36):
I thought he was terrific when he did that.
Speaker 3 (06:39):
I don't think you ought to run him down like that.
Speaker 2 (06:41):
He's really a marvelous after in spite of what you think.
Speaker 1 (06:44):
With a minute, I don't get angry.
Speaker 2 (06:45):
So it really hurts me to.
Speaker 6 (06:46):
Hear people going around knocking it simply marvelous star like
mister Cotton. For me to knock it, you're probably just
a little jealous actually, because he happens to be a
famous movie star and you just, well, you just look
like him. He's really a wonderful person when they get
to know him, you know, of course I do. Oh,
(07:07):
not personally, of course, but he's been.
Speaker 2 (07:09):
Writing to me and well, the depth and character.
Speaker 6 (07:13):
Of a man who's so famous and everything is simply Oh,
I think it's wonderful.
Speaker 4 (07:18):
Oh.
Speaker 6 (07:18):
Yes, he asked me to come to Hollywood and take
a screencap.
Speaker 4 (07:21):
Yes, of course.
Speaker 6 (07:23):
Well, I guess he realizes from our letters that we
could work together in cooperation and everything.
Speaker 2 (07:31):
On a kind of a sort of mutual kinship of
understanding we had.
Speaker 1 (07:35):
I wouldn't be too sure of that.
Speaker 3 (07:36):
Well, good bye, it was off the nice talk.
Speaker 2 (07:38):
Wait a minute, I have to go, hey, curly, yeah,
around all.
Speaker 8 (07:48):
Could you see this in today's papers? No, look at
his picture and everything? Joseph Cotton, who can script blood donors?
Joseph Cotton won't in Hollywood? Leading man came to town
today under the officers of their blood donor service. Really
double Yelli?
Speaker 2 (08:01):
Has Judy seen that yet?
Speaker 8 (08:02):
Not that I know of.
Speaker 2 (08:05):
Well, shouldn't we let her down easy? Or let nature
take it?
Speaker 3 (08:08):
Sub gee?
Speaker 8 (08:10):
I don't know.
Speaker 2 (08:11):
Well, it would be very interesting, is see what happens?
Uh huh yeah, Having said, sort of a perpetual motion
machine in action, it might be kind of been treating
to see where perpetual emotion stots and the explosion of
the atom begins.
Speaker 8 (08:25):
Randall, here comes the atom now, Randolph, Judy, would you
kind of like to look over the headlines in the
morning paper or anything?
Speaker 2 (08:33):
No, I think I did a very interesting picture on
the front page.
Speaker 4 (08:35):
There is book.
Speaker 2 (08:37):
Jesus, is there anything wrong, Judy?
Speaker 3 (08:40):
He said, Oh.
Speaker 4 (08:43):
Why didn't the.
Speaker 3 (08:43):
ACL didn't you recognize that? All you have my pictures,
you could conte me. You could leaving me wont and
let me call up later. Oh god, it's amazing I
talked to this.
Speaker 2 (08:53):
You don't make anything your first statements, Randolph, no answer
that that is very puzzling. Then, yes, very it's a reaction.
Speaker 3 (09:03):
In some sort, there, wouldn't you chay? Yes?
Speaker 8 (09:05):
Quite yeah, j oget hello, Ogi, Hello, I want to
say duty.
Speaker 4 (09:12):
No.
Speaker 7 (09:14):
Well, as a matter of fact, I'd like to see
your parents.
Speaker 2 (09:22):
That's nice for a change.
Speaker 4 (09:23):
Yeah.
Speaker 8 (09:24):
Usually you spend evening after evening trying not to see.
Speaker 7 (09:27):
A parent, So this time I want to see him.
All right, all right, I think that.
Speaker 8 (09:31):
Could be arranged. Father's hope for lunch, and you can
find them both in the breakfast room.
Speaker 1 (09:35):
Good.
Speaker 8 (09:35):
I sell a company to you.
Speaker 3 (09:37):
Excuse me, Keilly?
Speaker 7 (09:38):
Okay, yes, sir. When a man faces a crisis, I
think the most definite thing he can do is to
face it. Oh, there's been something I've been wanting to
say to you.
Speaker 4 (09:50):
For a long time.
Speaker 1 (09:53):
Well, I told it.
Speaker 7 (09:54):
My duty.
Speaker 1 (09:56):
Duty is entirely too young to be.
Speaker 7 (09:58):
Just, she said, mister Foster, he's so young. Well, that's
the reason I thought it was death.
Speaker 9 (10:05):
I came to you, don right, it's best you came
to me just because you're going into the army in
another six months.
Speaker 1 (10:10):
You don't need to think that you can talk my
daughter into getting married right now.
Speaker 7 (10:13):
Oh, I don't want to marry Judy.
Speaker 1 (10:14):
Misters been a couple of dudes.
Speaker 7 (10:18):
I said, I don't want to marry Judy.
Speaker 4 (10:20):
What are you getting us all excited?
Speaker 3 (10:21):
Paul?
Speaker 7 (10:22):
Well, I want to keep her from well, maybe marrying
some other man, mister Foster. I'm not here to tell
her and Judy or anything, but well, when a man
reaches a crisis.
Speaker 3 (10:30):
A man has got a face it.
Speaker 7 (10:33):
Mister Foster, what would you say if I told you
a famous picture stars? Then will would Judy to the mail?
Speaker 1 (10:38):
Huh?
Speaker 8 (10:39):
Oh?
Speaker 7 (10:42):
Is that all?
Speaker 3 (10:42):
Oh?
Speaker 7 (10:43):
You should see what he says to her, Mister Foster,
I have here a pack of letters tied in blue riven,
all of which this this fiend wrote to Judy.
Speaker 3 (10:51):
Where did you get those?
Speaker 7 (10:53):
Well, Judy owned him Tootsy white one to read, and
Tootsy showed him to me. Not that I want to
go around reading other people's mail or anything. But when
something like this happens, a man's got to face it.
Speaker 1 (11:05):
Oh come, now, you think you're not nearly as bad
as you?
Speaker 7 (11:08):
Oh they aren't.
Speaker 4 (11:10):
Well, mister Foster, this who this man is in town?
Speaker 7 (11:12):
And well it's pretty terrible, that's.
Speaker 3 (11:14):
What it is.
Speaker 1 (11:15):
Well, if duty has not offered him, Yeah, mister Foster.
Speaker 7 (11:18):
I've got to see action. And if you treat my
remarks with well levity, that's all. Well, I guess the
thing I've got to do is just go to the source.
Speaker 1 (11:40):
It's a boy outside. Want to see a boy I
kid about seventeen. He's been propping something about the letters
you wrote to a girl, some letters you know. Down
the second time they have been accused of writing letters
to a girl, which you knew what this was all about?
One thing?
Speaker 9 (11:51):
Yeah, kid, light in here. Hello, Oh everything I do
for you? Yeah, there certainly is mean. Now you certainly can't.
Speaker 1 (12:02):
Well get it down. Now, let's let's hear all about it.
Speaker 7 (12:06):
Well, it's like this, mister Cotton. I think, well, I
just think it's star unfair to make a guy like
me compete with a guy like you. I mean, what
chance is a guy like me God competing with a
famous screen star like you. I mean it's unfair competition.
Speaker 1 (12:21):
Well, I don't believe in unfair competition. I'm very much
against it. That's take the case.
Speaker 7 (12:25):
All these letters you've been writing, Judy, I don't think
it's very sportsmanlike.
Speaker 1 (12:29):
You haven't heard.
Speaker 7 (12:29):
Yes, it's packet. No, try to get him away from you.
Speaker 3 (12:33):
I don't keep him.
Speaker 7 (12:34):
You don't need to think you're going to snatch the
evidence so that when this thing gets to.
Speaker 1 (12:37):
Court, the evidence. Well, I had no idea that it's
looking packet of letters constituted evidence.
Speaker 7 (12:42):
No, I certainly do, and they remain in my predect.
Speaker 9 (12:45):
I quite understand, mister Pringle, Pringle, I quite understand.
Speaker 1 (12:53):
I'll I'll return them to you as soon as I
look at them a minute. Now, don'll be a witness
here what you do that? I will that, I will. Now,
let's see, yes, Ah, David Hollywood, December twenty seven. The
thought so good, now, my dearest miss Foster.
Speaker 7 (13:08):
He didn't need to have said dearest. She could have said,
just plain, dear madam.
Speaker 1 (13:12):
If I could have we'll mark that down as unfair.
All right, let's patigue. I think I should really be
calling you Judy by now, because I feel I know
you so well? Did I like that? Yes, Sir Corney,
isn't it?
Speaker 7 (13:26):
Oh that's just the beginning. Now it really gets going.
Speaker 1 (13:29):
I have said it your lovely face again and again,
and I thank you so much for sending me your
photograph as I asked you to. Ungrammatical. Isn't it no
excuse for that?
Speaker 7 (13:38):
And there's no excuse for asking her for a photograph either.
Pretty goodness. When you have all those beautiful girls to
ask photographs from, I want to turn her head ela more. No,
I've got his Judy, but.
Speaker 1 (13:49):
I know about her. She sounds like plenty well.
Speaker 7 (13:51):
Looks you boy is? She's Nancy.
Speaker 1 (13:58):
Well, let's proceed amazingly photogenic. And if you should ever
come to Hollywood, please let me know so I can
arrange a screen test for you.
Speaker 7 (14:09):
You see, You see that's what's so unfair. You can
lure with screen tests and everything, and well, all I've
got to offer is just girl vocalist. If we'll be
dringle to high school hot lits, let me go around
dangling screen test satter.
Speaker 1 (14:25):
Well, what would you like me to do about this?
Speaker 7 (14:28):
Well, I'd like you to we'll spend your time going
on a turner or somebody that sounds like an I
know you're not really serious about Judy. You she's just
a toy to be well, toy wood for a moment
and then cast.
Speaker 1 (14:43):
A sign like an old shoe.
Speaker 8 (14:45):
Yes.
Speaker 7 (14:46):
But on the other hand, I am very serious about Judy,
and someday, when I'm through school and I'm earnning my
own living in about ten years, well I'm gonna marry Judy.
Speaker 1 (14:56):
Well in view of what you've got that, I feel
rather ashamed of myself. Ogie you do. Yes, I have
no idea of anything like this, but now I do.
I want to assure you that you can consider my
my courtship of Judy as a man. Really, mister, yes,
I give you my word. I'll never dangle a screen
test in front of as long as I live, Judy
and I are well through as you might say, and
(15:18):
pictures watched up done to me.
Speaker 7 (15:21):
Oh geenie, mister Cotton, that's really really, very nicer.
Speaker 1 (15:24):
Yet I can see you're the better man who'll be
and I wish you luck.
Speaker 4 (15:28):
Oh thanks, mister Cotton.
Speaker 7 (15:30):
You know I'm sort of shamed the way I barged
in here so sore and everything. Didn't know you're going
to turn out to be a gentleman like this.
Speaker 3 (15:36):
Oh.
Speaker 7 (15:37):
I want to tell you something, mister Cotton.
Speaker 3 (15:39):
It's been a.
Speaker 7 (15:39):
Pleasure to have a man like you for a rival.
And I'd rather have you for a rival than anyone
I know, the nicest compliment.
Speaker 1 (15:45):
Not anyone's better paid the fact you will be.
Speaker 7 (15:46):
Thanks you, mister Cotton.
Speaker 1 (15:48):
So long.
Speaker 7 (15:50):
Can I just want you to know I heard you
were here on account of the blood bank. Can I
just want you to know why I'm going right down
there and can give courts.
Speaker 1 (15:59):
That's what I all recorded. Don I don't like that?
What do you mean the letters? I held one out
on New Again. I'm going to track this down and
find out who wrote it. Don I think somebody's conducting
a racket someplace? You do, certainly do somebody someplace is
getting all those plan letters and writing to those girls,
commenting them screen pests. I don't know what, just what
his racket is. The brother I'm going to find out.
Speaker 4 (16:23):
Curly and take.
Speaker 8 (16:25):
Curly flash latest developments on the frames case of Joseph
Cotton over at my house.
Speaker 2 (16:29):
He said, hear what's been going on over at my house.
What well the last time he gave me a report
via the telephone. Now, well, see my sister Turkey was listening.
She was yeah, I didn't know why I was talking with. Well,
she's wise, Randolph.
Speaker 8 (16:43):
I mean she knows Cotton didn't write those letters.
Speaker 2 (16:45):
Yeah, I'm knowing my sister Tuci like I do. I
mean's ought she's gonna be mighty sad for your sister
Judy to see.
Speaker 8 (16:52):
What she's gonna do.
Speaker 2 (16:52):
Curly, she's gonna sacrifice five dollars of her own money
to buy flowers and send him to Judy like they.
Speaker 3 (16:58):
Were from Joseph Cotton.
Speaker 4 (17:00):
Wow, Wow, Judy, Judy from here.
Speaker 3 (17:12):
You did look at these flowers? That just change?
Speaker 2 (17:14):
Oh, I say, girl, aren't you?
Speaker 3 (17:16):
Oh they're the most exquisite things I ever saw?
Speaker 4 (17:18):
What they I bring?
Speaker 3 (17:20):
Oh, here's the card, miss, He's from Joseph, from Joseph
Cop No.
Speaker 6 (17:29):
What and look what it says here, Judy, except this
little toe in my affection and Thomas, you'll have a
date with me tonight after my lecture at the Auditorium.
Speaker 5 (17:38):
I'll pick you up at your house at nine thirty.
Speaker 3 (17:41):
Sign Joseph, I don't believe it.
Speaker 6 (17:44):
This is absolutely the most sillay thing that ever happened
to me, going out with a movie side with empty fly.
Speaker 4 (17:50):
Now, wait just a minute. You're getting so excited.
Speaker 6 (17:53):
Should I go look at my evening gown and should
I call it to white the first flowers my hair?
Do you think I'll look sophisticated if I.
Speaker 5 (17:58):
Weren't that scared? Now, Judy, oh there's a door, I answered,
I'll be.
Speaker 8 (18:01):
Glad to mother Oho toutsy Hello Judy.
Speaker 2 (18:05):
By a strange coincidence, I was just going to pass
your house and I thought I dropped in for a minute.
So I'm so glad you did.
Speaker 8 (18:11):
Look what I've got.
Speaker 3 (18:14):
And you'll never get through their throne.
Speaker 2 (18:16):
Little I can't imagine what is from Joseph?
Speaker 4 (18:20):
Come, well fancy that?
Speaker 2 (18:30):
Hey Tally, Yeah, Randolph, what's the latest?
Speaker 8 (18:32):
Well, Judy just took him milk back?
Speaker 2 (18:34):
Are you kidding?
Speaker 8 (18:36):
It's the truth, and took you just sitting there building
up the rat trap Randa.
Speaker 2 (18:41):
I shudder for your sister, Judy.
Speaker 3 (18:43):
So do I.
Speaker 8 (18:44):
Well, there's only one thing to do when a man
faces the crisis, he goes right to the source.
Speaker 6 (18:58):
Hey, Joe, there was a bar out here to say
a boy, same one, desinitely a little one this time.
Speaker 1 (19:03):
Well, it's some like if they've got me involved in
at the bottom of the telling him to come in,
mister Cotton. That's fair.
Speaker 8 (19:12):
Excuse me for butting in, but I felt I had
to talk to you. Oh, mister Cotton. I wish to
give you a full confession.
Speaker 1 (19:19):
Wish to what there's something going on. I feel you
whatt to know about our best there is now? All right,
tell me all about it.
Speaker 8 (19:24):
Well, you see it was this way. I have a
friend named that's the whole thing. Mister Cotton.
Speaker 1 (19:30):
Well, what do you know, good lord? I told that
Hollywood detective agent to go to work. We'll call him
up again to minds down the lay off.
Speaker 3 (19:36):
You know.
Speaker 1 (19:38):
I feel sorry for Judy.
Speaker 4 (19:40):
Yeah, me too.
Speaker 8 (19:41):
It's going to be quite a letdown tonight when you
don't show up.
Speaker 1 (19:44):
Look, why don't I show up?
Speaker 8 (19:45):
Gosh, mister Cotton, do you really mean it?
Speaker 1 (19:47):
That's the fuss? The chivalry is not yet dead? Fair?
Speaker 4 (19:53):
Where's my hair white?
Speaker 3 (19:54):
I mean?
Speaker 9 (19:54):
If this is gonna make Googi offering man, Oh, we'll
be able to take care of Boogie.
Speaker 1 (19:57):
Yeah, if he doesn't take care of you first.
Speaker 5 (20:08):
Judy First, nine thirty three and a half.
Speaker 3 (20:11):
Oh, touty. I was never so excited in my life.
Speaker 7 (20:14):
What would you do if he didn't show up?
Speaker 11 (20:15):
Judy?
Speaker 5 (20:16):
So he'll be here, he said he would took it easy.
Speaker 2 (20:19):
Oh I will touty. Do you think one who gets
here I should be kind of.
Speaker 5 (20:23):
Leaning languishly over the piano?
Speaker 2 (20:25):
Or do you think I ought to be great father
languishly over a chair?
Speaker 1 (20:28):
I wish I could drape you languiously over my knee.
Speaker 2 (20:33):
He's nearly four minutes late already, isn't he, Judy, Dear?
Speaker 10 (20:37):
That's him?
Speaker 2 (20:37):
I mean he I look all like everybody.
Speaker 3 (20:39):
You look wonderful, Judy.
Speaker 7 (20:40):
Yes, you look almost too wonderful.
Speaker 2 (20:42):
Can I come with you to the door to greet
mister Cotton?
Speaker 3 (20:45):
All right?
Speaker 2 (20:45):
Toty's a special paper?
Speaker 5 (20:47):
Oh I can hardly wait?
Speaker 8 (20:49):
Oh so brother?
Speaker 5 (21:05):
Oh I just I just never had such a wonderful
eating in.
Speaker 3 (21:09):
My whole life.
Speaker 1 (21:10):
Legend, Judy, Judy's kind of experience for me too?
Speaker 3 (21:15):
Would you like kick me in?
Speaker 1 (21:16):
No, I'll say good night on the porch.
Speaker 3 (21:19):
Yes.
Speaker 2 (21:19):
It's much more romantic out here, is me.
Speaker 1 (21:22):
Yes, And speaking of romance, Judy, there's one more thing.
I wish you'd let me say.
Speaker 6 (21:30):
I'm terribly young, I guess, even though I'm much older
than I look. But if you'd be willing to wait until.
Speaker 1 (21:34):
I finish high school, not, that's not exactly what I mean, Judy.
The the kind of romance I want to talk to
you about is well, the kind of romance that exists
between you and the boy rather a man of your
own age. Yes, Manna that said, that's kind of romance.
There isn't the world take it for me. I know
you don't need Hollywood. You've got anything right here in
(21:56):
this beautiful town. You don't need to make believe either.
You've got the real thing if you only me someone
like what do you mean that boy you were telling
me about? Yeah, yeah, that's.
Speaker 2 (22:07):
You know, Judy.
Speaker 1 (22:09):
He sounds like such a fine boy.
Speaker 3 (22:11):
You think it over William h will mister Cotton, I
think of night.
Speaker 1 (22:14):
So it was a real pleasure knowing me.
Speaker 3 (22:16):
Oh, mister Cotton, it.
Speaker 5 (22:17):
Was beautiful knowing you.
Speaker 3 (22:19):
It's nice. It's he.
Speaker 7 (22:30):
I waited in the bushes like you told me to,
and I heard what you told Judy.
Speaker 1 (22:34):
You did.
Speaker 7 (22:35):
Yeah, well, I want to thank you, mister Cotton.
Speaker 1 (22:37):
Oh, thank you.
Speaker 7 (22:38):
See it is an every guy in the world who
can have a famous movie started who is wooing for him.
Speaker 1 (22:44):
Don't every movie style who can have a man like
you for a rival?
Speaker 3 (22:54):
Randolph?
Speaker 2 (22:55):
Yeah cooly, I just want to pay it for kind
of wish in Hollywood.
Speaker 3 (22:59):
Oh yeah, ah, this is in jail
Speaker 5 (23:10):
And that
's famous quick relief for ascid indigestion resides the date
of Judy and the first of Judy's prominent guest stars,
the distinguished motion picked director mister Joseph Cotton.
Speaker 2 (00:14):
And now to keep our date of Judy, that lovable
teenage girl who is close to all our hearts.
Speaker 1 (00:19):
As we look in at the Foster house. Now Judy,
her kid brother Randolph, and her parents are in the
living room.
Speaker 3 (00:25):
What are you doing, Judy writing a very important letter?
Speaker 4 (00:27):
Mother?
Speaker 3 (00:28):
Judy? Are you writing fan letters again?
Speaker 5 (00:30):
Really?
Speaker 3 (00:31):
Mother? When a man is not only.
Speaker 6 (00:32):
The greatest dramatic movie actor in the whole world practically,
and also the handsomest, most dramatic thing there is, so
at least the girl can do is give them a
little encouragement.
Speaker 7 (00:42):
Well, do you have to take on his entire encouragement
single handed?
Speaker 4 (00:46):
Yeah?
Speaker 8 (00:46):
Can't you let some other girl encourage him once in
a while.
Speaker 6 (00:49):
I don't think you people understand this at all and
split them down in a category with girls who write
near mushy fan letters.
Speaker 4 (00:55):
Oh no, of course not.
Speaker 2 (00:59):
This is clearly on a basis of a discussion of
mutual careers. Have mutual career or does he like you?
Speaker 3 (01:04):
In your last picture.
Speaker 6 (01:08):
Really, I see this matter can't be discussed with one's family.
One has the fair John alone, fighting for one's ambition
in spite of the scoffing of one's family.
Speaker 1 (01:17):
Yeah, I suppose that's what one has to do. I mean,
one would that.
Speaker 3 (01:22):
Well I finished.
Speaker 8 (01:23):
I'm in it for you, Judy, thank you.
Speaker 6 (01:25):
Andals. All I got to say is someday, when I'm
a star in Hollywood to two, Whiteman is going to
be very.
Speaker 2 (01:30):
Very sorry she used dirty politics to.
Speaker 6 (01:32):
Keep me from being vice president of my class.
Speaker 3 (01:35):
So you excuse me, I actually got Is that suit
between Judy and Cooking White and still going on?
Speaker 8 (01:45):
Is it still going on? It's reached a new high? Well,
everybody excuse me while I make a phone call.
Speaker 3 (01:51):
Of course.
Speaker 9 (01:51):
Well, there much more soothing around here when Judy leaves
Hollywood behind and goes on to greater.
Speaker 1 (01:56):
Ambitions like well, like being a school teacher.
Speaker 8 (02:00):
Hello, Curley, this is Randolph Randall. I've got another one. Ha, Yeah,
take care of the Formulia Randa along conversation about Oh,
it's a very clever and sinister plot.
Speaker 1 (02:13):
Huh.
Speaker 8 (02:14):
It's like this every time Judy writes a fan letter
that Joseph Cotton.
Speaker 3 (02:17):
Oh, so that's what Judy writes fan letters.
Speaker 8 (02:19):
True, yeah, well it seems to Curly has a cousin
who lives in Hollywood. And every time Judy writes a
fan letter that Joseph Cotton, you know, Cooley's cousin who
lives in Hollywood, answers it.
Speaker 1 (02:33):
That's so.
Speaker 8 (02:34):
Yeah, he makes up like he's Joseph Cotton. And Judy's
falling for the gag hook line. And Sinker doesn't ahole
like my father. One other brother would give his sister
a thrill like that, and all for free.
Speaker 3 (02:52):
His ladder. I don't wait to read everything.
Speaker 10 (02:56):
Oh, first phone, she just la'll tifty like them hears,
and she'll die, That's what she'll do.
Speaker 3 (03:09):
She'll just die.
Speaker 8 (03:11):
I'll don't let me go over and pick up her body.
Speaker 4 (03:16):
Hello, Hello to a Juty.
Speaker 2 (03:18):
Yes, Judy, well, Tisy, I thought you'd be interested in
the lady. Oh, if you get another letter, I just
listen to this.
Speaker 3 (03:24):
My dearest miss Foster. Dearest, it says, do you hear that?
Speaker 2 (03:29):
Yes, my dearest miss Foster.
Speaker 6 (03:32):
I think I should really be calling you Judy by now,
because I feel that I know you so well.
Speaker 3 (03:37):
I have studied your.
Speaker 6 (03:37):
Lovely faith again and again, and I thank you so
much for sending me your photograph as I asked you to.
Speaker 3 (03:43):
It's had a lovely face.
Speaker 6 (03:47):
This presently wonderful. I have decided that you are amazingly photogemic,
and if you should ever come to Hollywood, please let
me know so I can arrange a screen test for you,
a screen test to hear epathy.
Speaker 11 (04:00):
I really wouldn't go to Hollywood if I would you? I, hey,
you get terribly tired of the kind of fit just
sunshine all the time.
Speaker 3 (04:10):
Oh, I wouldn't mind. Man, that's what about all these Kringles.
No one over here're such close friends.
Speaker 6 (04:16):
Ull Be's just an immature boy.
Speaker 3 (04:20):
Yes, he's so adolescent.
Speaker 11 (04:22):
He if you don't mind, I really have to hang up.
My mother's waiting for me to go to town.
Speaker 3 (04:27):
So you don't want to hear the rest of the lettering, Oh,
that's probably.
Speaker 11 (04:31):
Just this form letter he sends out Tall and Stan,
I say, that's what they do, fam letters song song.
Speaker 8 (04:37):
Well did you learn?
Speaker 2 (04:39):
She's green with jealousy, saying it was just a form letters.
Speaker 6 (04:42):
Oh, I could feel whole waves of intense envy radiating
over the telephone wires.
Speaker 8 (04:46):
That's nice.
Speaker 6 (04:50):
Look at me, Randallph, do you really think I'm pot
of GENI who never mind?
Speaker 1 (04:55):
Answer?
Speaker 6 (04:59):
The main thing is like gorgeous, dramatic, handsome, superb actor
like Joseph Cotton thinks I'm good enough to be in piction.
Speaker 1 (05:15):
You think it's going all right?
Speaker 8 (05:16):
John?
Speaker 1 (05:16):
All right? Find that as a matter of fact, the
townlet says is gone good.
Speaker 3 (05:19):
Yeah.
Speaker 9 (05:19):
I for personal parents turn times like kase I must
say we've had mighty little trouble.
Speaker 1 (05:23):
Well, I'm going on fine, Okay, I'm gonna get as
if I'm kind a director. I need a tooth price
for you later. Let's pause for a moment. Louise Erickson
and Joseph Cotton will return in a date with Judy
(05:43):
right after these messages.
Speaker 3 (05:53):
I want to box the.
Speaker 6 (05:54):
Mass har some pancake, makeus and an eyelash, curla clee,
and you don't mind. I like to look at gee,
excuse me a minute, pace.
Speaker 5 (06:03):
I beg your pardon.
Speaker 3 (06:04):
I beg you excuse me for coming up and talking
to you like this.
Speaker 1 (06:08):
But I just who I just had to try the
people ever stopped talking to me.
Speaker 6 (06:12):
I would like it a bet, Oh did anybody ever
tell you you look like Joseph Cotton?
Speaker 1 (06:17):
Why, yeah, yeah, people coming out all the time.
Speaker 3 (06:19):
We're just.
Speaker 1 (06:22):
Is that good?
Speaker 2 (06:24):
It's wonderful. I think he's marvelous, don't you.
Speaker 1 (06:27):
Well, he has his fault, and that last picture is
I didn't like it the way looking at.
Speaker 4 (06:35):
Him nar that was marvelous.
Speaker 2 (06:36):
I thought he was terrific when he did that.
Speaker 3 (06:39):
I don't think you ought to run him down like that.
Speaker 2 (06:41):
He's really a marvelous after in spite of what you think.
Speaker 1 (06:44):
With a minute, I don't get angry.
Speaker 2 (06:45):
So it really hurts me to.
Speaker 6 (06:46):
Hear people going around knocking it simply marvelous star like
mister Cotton. For me to knock it, you're probably just
a little jealous actually, because he happens to be a
famous movie star and you just, well, you just look
like him. He's really a wonderful person when they get
to know him, you know, of course I do. Oh,
(07:07):
not personally, of course, but he's been.
Speaker 2 (07:09):
Writing to me and well, the depth and character.
Speaker 6 (07:13):
Of a man who's so famous and everything is simply Oh,
I think it's wonderful.
Speaker 4 (07:18):
Oh.
Speaker 6 (07:18):
Yes, he asked me to come to Hollywood and take
a screencap.
Speaker 4 (07:21):
Yes, of course.
Speaker 6 (07:23):
Well, I guess he realizes from our letters that we
could work together in cooperation and everything.
Speaker 2 (07:31):
On a kind of a sort of mutual kinship of
understanding we had.
Speaker 1 (07:35):
I wouldn't be too sure of that.
Speaker 3 (07:36):
Well, good bye, it was off the nice talk.
Speaker 2 (07:38):
Wait a minute, I have to go, hey, curly, yeah,
around all.
Speaker 8 (07:48):
Could you see this in today's papers? No, look at
his picture and everything? Joseph Cotton, who can script blood donors?
Joseph Cotton won't in Hollywood? Leading man came to town
today under the officers of their blood donor service. Really
double Yelli?
Speaker 2 (08:01):
Has Judy seen that yet?
Speaker 8 (08:02):
Not that I know of.
Speaker 2 (08:05):
Well, shouldn't we let her down easy? Or let nature
take it?
Speaker 3 (08:08):
Sub gee?
Speaker 8 (08:10):
I don't know.
Speaker 2 (08:11):
Well, it would be very interesting, is see what happens?
Uh huh yeah, Having said, sort of a perpetual motion
machine in action, it might be kind of been treating
to see where perpetual emotion stots and the explosion of
the atom begins.
Speaker 8 (08:25):
Randall, here comes the atom now, Randolph, Judy, would you
kind of like to look over the headlines in the
morning paper or anything?
Speaker 2 (08:33):
No, I think I did a very interesting picture on
the front page.
Speaker 4 (08:35):
There is book.
Speaker 2 (08:37):
Jesus, is there anything wrong, Judy?
Speaker 3 (08:40):
He said, Oh.
Speaker 4 (08:43):
Why didn't the.
Speaker 3 (08:43):
ACL didn't you recognize that? All you have my pictures,
you could conte me. You could leaving me wont and
let me call up later. Oh god, it's amazing I
talked to this.
Speaker 2 (08:53):
You don't make anything your first statements, Randolph, no answer
that that is very puzzling. Then, yes, very it's a reaction.
Speaker 3 (09:03):
In some sort, there, wouldn't you chay? Yes?
Speaker 8 (09:05):
Quite yeah, j oget hello, Ogi, Hello, I want to
say duty.
Speaker 4 (09:12):
No.
Speaker 7 (09:14):
Well, as a matter of fact, I'd like to see
your parents.
Speaker 2 (09:22):
That's nice for a change.
Speaker 4 (09:23):
Yeah.
Speaker 8 (09:24):
Usually you spend evening after evening trying not to see.
Speaker 7 (09:27):
A parent, So this time I want to see him.
All right, all right, I think that.
Speaker 8 (09:31):
Could be arranged. Father's hope for lunch, and you can
find them both in the breakfast room.
Speaker 1 (09:35):
Good.
Speaker 8 (09:35):
I sell a company to you.
Speaker 3 (09:37):
Excuse me, Keilly?
Speaker 7 (09:38):
Okay, yes, sir. When a man faces a crisis, I
think the most definite thing he can do is to
face it. Oh, there's been something I've been wanting to
say to you.
Speaker 4 (09:50):
For a long time.
Speaker 1 (09:53):
Well, I told it.
Speaker 7 (09:54):
My duty.
Speaker 1 (09:56):
Duty is entirely too young to be.
Speaker 7 (09:58):
Just, she said, mister Foster, he's so young. Well, that's
the reason I thought it was death.
Speaker 9 (10:05):
I came to you, don right, it's best you came
to me just because you're going into the army in
another six months.
Speaker 1 (10:10):
You don't need to think that you can talk my
daughter into getting married right now.
Speaker 7 (10:13):
Oh, I don't want to marry Judy.
Speaker 1 (10:14):
Misters been a couple of dudes.
Speaker 7 (10:18):
I said, I don't want to marry Judy.
Speaker 4 (10:20):
What are you getting us all excited?
Speaker 3 (10:21):
Paul?
Speaker 7 (10:22):
Well, I want to keep her from well, maybe marrying
some other man, mister Foster. I'm not here to tell
her and Judy or anything, but well, when a man
reaches a crisis.
Speaker 3 (10:30):
A man has got a face it.
Speaker 7 (10:33):
Mister Foster, what would you say if I told you
a famous picture stars? Then will would Judy to the mail?
Speaker 1 (10:38):
Huh?
Speaker 8 (10:39):
Oh?
Speaker 7 (10:42):
Is that all?
Speaker 3 (10:42):
Oh?
Speaker 7 (10:43):
You should see what he says to her, Mister Foster,
I have here a pack of letters tied in blue riven,
all of which this this fiend wrote to Judy.
Speaker 3 (10:51):
Where did you get those?
Speaker 7 (10:53):
Well, Judy owned him Tootsy white one to read, and
Tootsy showed him to me. Not that I want to
go around reading other people's mail or anything. But when
something like this happens, a man's got to face it.
Speaker 1 (11:05):
Oh come, now, you think you're not nearly as bad
as you?
Speaker 7 (11:08):
Oh they aren't.
Speaker 4 (11:10):
Well, mister Foster, this who this man is in town?
Speaker 7 (11:12):
And well it's pretty terrible, that's.
Speaker 3 (11:14):
What it is.
Speaker 1 (11:15):
Well, if duty has not offered him, Yeah, mister Foster.
Speaker 7 (11:18):
I've got to see action. And if you treat my
remarks with well levity, that's all. Well, I guess the
thing I've got to do is just go to the source.
Speaker 1 (11:40):
It's a boy outside. Want to see a boy I
kid about seventeen. He's been propping something about the letters
you wrote to a girl, some letters you know. Down
the second time they have been accused of writing letters
to a girl, which you knew what this was all about?
One thing?
Speaker 9 (11:51):
Yeah, kid, light in here. Hello, Oh everything I do
for you? Yeah, there certainly is mean. Now you certainly can't.
Speaker 1 (12:02):
Well get it down. Now, let's let's hear all about it.
Speaker 7 (12:06):
Well, it's like this, mister Cotton. I think, well, I
just think it's star unfair to make a guy like
me compete with a guy like you. I mean, what
chance is a guy like me God competing with a
famous screen star like you. I mean it's unfair competition.
Speaker 1 (12:21):
Well, I don't believe in unfair competition. I'm very much
against it. That's take the case.
Speaker 7 (12:25):
All these letters you've been writing, Judy, I don't think
it's very sportsmanlike.
Speaker 1 (12:29):
You haven't heard.
Speaker 7 (12:29):
Yes, it's packet. No, try to get him away from you.
Speaker 3 (12:33):
I don't keep him.
Speaker 7 (12:34):
You don't need to think you're going to snatch the
evidence so that when this thing gets to.
Speaker 1 (12:37):
Court, the evidence. Well, I had no idea that it's
looking packet of letters constituted evidence.
Speaker 7 (12:42):
No, I certainly do, and they remain in my predect.
Speaker 9 (12:45):
I quite understand, mister Pringle, Pringle, I quite understand.
Speaker 1 (12:53):
I'll I'll return them to you as soon as I
look at them a minute. Now, don'll be a witness
here what you do that? I will that, I will. Now,
let's see, yes, Ah, David Hollywood, December twenty seven. The
thought so good, now, my dearest miss Foster.
Speaker 7 (13:08):
He didn't need to have said dearest. She could have said,
just plain, dear madam.
Speaker 1 (13:12):
If I could have we'll mark that down as unfair.
All right, let's patigue. I think I should really be
calling you Judy by now, because I feel I know
you so well? Did I like that? Yes, Sir Corney,
isn't it?
Speaker 7 (13:26):
Oh that's just the beginning. Now it really gets going.
Speaker 1 (13:29):
I have said it your lovely face again and again,
and I thank you so much for sending me your
photograph as I asked you to. Ungrammatical. Isn't it no
excuse for that?
Speaker 7 (13:38):
And there's no excuse for asking her for a photograph either.
Pretty goodness. When you have all those beautiful girls to
ask photographs from, I want to turn her head ela more. No,
I've got his Judy, but.
Speaker 1 (13:49):
I know about her. She sounds like plenty well.
Speaker 7 (13:51):
Looks you boy is? She's Nancy.
Speaker 1 (13:58):
Well, let's proceed amazingly photogenic. And if you should ever
come to Hollywood, please let me know so I can
arrange a screen test for you.
Speaker 7 (14:09):
You see, You see that's what's so unfair. You can
lure with screen tests and everything, and well, all I've
got to offer is just girl vocalist. If we'll be
dringle to high school hot lits, let me go around
dangling screen test satter.
Speaker 1 (14:25):
Well, what would you like me to do about this?
Speaker 7 (14:28):
Well, I'd like you to we'll spend your time going
on a turner or somebody that sounds like an I
know you're not really serious about Judy. You she's just
a toy to be well, toy wood for a moment
and then cast.
Speaker 1 (14:43):
A sign like an old shoe.
Speaker 8 (14:45):
Yes.
Speaker 7 (14:46):
But on the other hand, I am very serious about Judy,
and someday, when I'm through school and I'm earnning my
own living in about ten years, well I'm gonna marry Judy.
Speaker 1 (14:56):
Well in view of what you've got that, I feel
rather ashamed of myself. Ogie you do. Yes, I have
no idea of anything like this, but now I do.
I want to assure you that you can consider my
my courtship of Judy as a man. Really, mister, yes,
I give you my word. I'll never dangle a screen
test in front of as long as I live, Judy
and I are well through as you might say, and
(15:18):
pictures watched up done to me.
Speaker 7 (15:21):
Oh geenie, mister Cotton, that's really really, very nicer.
Speaker 1 (15:24):
Yet I can see you're the better man who'll be
and I wish you luck.
Speaker 4 (15:28):
Oh thanks, mister Cotton.
Speaker 7 (15:30):
You know I'm sort of shamed the way I barged
in here so sore and everything. Didn't know you're going
to turn out to be a gentleman like this.
Speaker 3 (15:36):
Oh.
Speaker 7 (15:37):
I want to tell you something, mister Cotton.
Speaker 3 (15:39):
It's been a.
Speaker 7 (15:39):
Pleasure to have a man like you for a rival.
And I'd rather have you for a rival than anyone
I know, the nicest compliment.
Speaker 1 (15:45):
Not anyone's better paid the fact you will be.
Speaker 7 (15:46):
Thanks you, mister Cotton.
Speaker 1 (15:48):
So long.
Speaker 7 (15:50):
Can I just want you to know I heard you
were here on account of the blood bank. Can I
just want you to know why I'm going right down
there and can give courts.
Speaker 1 (15:59):
That's what I all recorded. Don I don't like that?
What do you mean the letters? I held one out
on New Again. I'm going to track this down and
find out who wrote it. Don I think somebody's conducting
a racket someplace? You do, certainly do somebody someplace is
getting all those plan letters and writing to those girls,
commenting them screen pests. I don't know what, just what
his racket is. The brother I'm going to find out.
Speaker 4 (16:23):
Curly and take.
Speaker 8 (16:25):
Curly flash latest developments on the frames case of Joseph
Cotton over at my house.
Speaker 2 (16:29):
He said, hear what's been going on over at my house.
What well the last time he gave me a report
via the telephone. Now, well, see my sister Turkey was listening.
She was yeah, I didn't know why I was talking with. Well,
she's wise, Randolph.
Speaker 8 (16:43):
I mean she knows Cotton didn't write those letters.
Speaker 2 (16:45):
Yeah, I'm knowing my sister Tuci like I do. I
mean's ought she's gonna be mighty sad for your sister
Judy to see.
Speaker 8 (16:52):
What she's gonna do.
Speaker 2 (16:52):
Curly, she's gonna sacrifice five dollars of her own money
to buy flowers and send him to Judy like they.
Speaker 3 (16:58):
Were from Joseph Cotton.
Speaker 4 (17:00):
Wow, Wow, Judy, Judy from here.
Speaker 3 (17:12):
You did look at these flowers? That just change?
Speaker 2 (17:14):
Oh, I say, girl, aren't you?
Speaker 3 (17:16):
Oh they're the most exquisite things I ever saw?
Speaker 4 (17:18):
What they I bring?
Speaker 3 (17:20):
Oh, here's the card, miss, He's from Joseph, from Joseph
Cop No.
Speaker 6 (17:29):
What and look what it says here, Judy, except this
little toe in my affection and Thomas, you'll have a
date with me tonight after my lecture at the Auditorium.
Speaker 5 (17:38):
I'll pick you up at your house at nine thirty.
Speaker 3 (17:41):
Sign Joseph, I don't believe it.
Speaker 6 (17:44):
This is absolutely the most sillay thing that ever happened
to me, going out with a movie side with empty fly.
Speaker 4 (17:50):
Now, wait just a minute. You're getting so excited.
Speaker 6 (17:53):
Should I go look at my evening gown and should
I call it to white the first flowers my hair?
Do you think I'll look sophisticated if I.
Speaker 5 (17:58):
Weren't that scared? Now, Judy, oh there's a door, I answered,
I'll be.
Speaker 8 (18:01):
Glad to mother Oho toutsy Hello Judy.
Speaker 2 (18:05):
By a strange coincidence, I was just going to pass
your house and I thought I dropped in for a minute.
So I'm so glad you did.
Speaker 8 (18:11):
Look what I've got.
Speaker 3 (18:14):
And you'll never get through their throne.
Speaker 2 (18:16):
Little I can't imagine what is from Joseph?
Speaker 4 (18:20):
Come, well fancy that?
Speaker 2 (18:30):
Hey Tally, Yeah, Randolph, what's the latest?
Speaker 8 (18:32):
Well, Judy just took him milk back?
Speaker 2 (18:34):
Are you kidding?
Speaker 8 (18:36):
It's the truth, and took you just sitting there building
up the rat trap Randa.
Speaker 2 (18:41):
I shudder for your sister, Judy.
Speaker 3 (18:43):
So do I.
Speaker 8 (18:44):
Well, there's only one thing to do when a man
faces the crisis, he goes right to the source.
Speaker 6 (18:58):
Hey, Joe, there was a bar out here to say
a boy, same one, desinitely a little one this time.
Speaker 1 (19:03):
Well, it's some like if they've got me involved in
at the bottom of the telling him to come in,
mister Cotton. That's fair.
Speaker 8 (19:12):
Excuse me for butting in, but I felt I had
to talk to you. Oh, mister Cotton. I wish to
give you a full confession.
Speaker 1 (19:19):
Wish to what there's something going on. I feel you
whatt to know about our best there is now? All right,
tell me all about it.
Speaker 8 (19:24):
Well, you see it was this way. I have a
friend named that's the whole thing. Mister Cotton.
Speaker 1 (19:30):
Well, what do you know, good lord? I told that
Hollywood detective agent to go to work. We'll call him
up again to minds down the lay off.
Speaker 3 (19:36):
You know.
Speaker 1 (19:38):
I feel sorry for Judy.
Speaker 4 (19:40):
Yeah, me too.
Speaker 8 (19:41):
It's going to be quite a letdown tonight when you
don't show up.
Speaker 1 (19:44):
Look, why don't I show up?
Speaker 8 (19:45):
Gosh, mister Cotton, do you really mean it?
Speaker 1 (19:47):
That's the fuss? The chivalry is not yet dead? Fair?
Speaker 4 (19:53):
Where's my hair white?
Speaker 3 (19:54):
I mean?
Speaker 9 (19:54):
If this is gonna make Googi offering man, Oh, we'll
be able to take care of Boogie.
Speaker 1 (19:57):
Yeah, if he doesn't take care of you first.
Speaker 5 (20:08):
Judy First, nine thirty three and a half.
Speaker 3 (20:11):
Oh, touty. I was never so excited in my life.
Speaker 7 (20:14):
What would you do if he didn't show up?
Speaker 11 (20:15):
Judy?
Speaker 5 (20:16):
So he'll be here, he said he would took it easy.
Speaker 2 (20:19):
Oh I will touty. Do you think one who gets
here I should be kind of.
Speaker 5 (20:23):
Leaning languishly over the piano?
Speaker 2 (20:25):
Or do you think I ought to be great father
languishly over a chair?
Speaker 1 (20:28):
I wish I could drape you languiously over my knee.
Speaker 2 (20:33):
He's nearly four minutes late already, isn't he, Judy, Dear?
Speaker 10 (20:37):
That's him?
Speaker 2 (20:37):
I mean he I look all like everybody.
Speaker 3 (20:39):
You look wonderful, Judy.
Speaker 7 (20:40):
Yes, you look almost too wonderful.
Speaker 2 (20:42):
Can I come with you to the door to greet
mister Cotton?
Speaker 3 (20:45):
All right?
Speaker 2 (20:45):
Toty's a special paper?
Speaker 5 (20:47):
Oh I can hardly wait?
Speaker 8 (20:49):
Oh so brother?
Speaker 5 (21:05):
Oh I just I just never had such a wonderful
eating in.
Speaker 3 (21:09):
My whole life.
Speaker 1 (21:10):
Legend, Judy, Judy's kind of experience for me too?
Speaker 3 (21:15):
Would you like kick me in?
Speaker 1 (21:16):
No, I'll say good night on the porch.
Speaker 3 (21:19):
Yes.
Speaker 2 (21:19):
It's much more romantic out here, is me.
Speaker 1 (21:22):
Yes, And speaking of romance, Judy, there's one more thing.
I wish you'd let me say.
Speaker 6 (21:30):
I'm terribly young, I guess, even though I'm much older
than I look. But if you'd be willing to wait until.
Speaker 1 (21:34):
I finish high school, not, that's not exactly what I mean, Judy.
The the kind of romance I want to talk to
you about is well, the kind of romance that exists
between you and the boy rather a man of your
own age. Yes, Manna that said, that's kind of romance.
There isn't the world take it for me. I know
you don't need Hollywood. You've got anything right here in
(21:56):
this beautiful town. You don't need to make believe either.
You've got the real thing if you only me someone
like what do you mean that boy you were telling
me about? Yeah, yeah, that's.
Speaker 2 (22:07):
You know, Judy.
Speaker 1 (22:09):
He sounds like such a fine boy.
Speaker 3 (22:11):
You think it over William h will mister Cotton, I
think of night.
Speaker 1 (22:14):
So it was a real pleasure knowing me.
Speaker 3 (22:16):
Oh, mister Cotton, it.
Speaker 5 (22:17):
Was beautiful knowing you.
Speaker 3 (22:19):
It's nice. It's he.
Speaker 7 (22:30):
I waited in the bushes like you told me to,
and I heard what you told Judy.
Speaker 1 (22:34):
You did.
Speaker 7 (22:35):
Yeah, well, I want to thank you, mister Cotton.
Speaker 1 (22:37):
Oh, thank you.
Speaker 7 (22:38):
See it is an every guy in the world who
can have a famous movie started who is wooing for him.
Speaker 1 (22:44):
Don't every movie style who can have a man like
you for a rival?
Speaker 3 (22:54):
Randolph?
Speaker 2 (22:55):
Yeah cooly, I just want to pay it for kind
of wish in Hollywood.
Speaker 3 (22:59):
Oh yeah, ah, this is in jail
Speaker 5 (23:10):
And that
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