August 25, 2025 • 23 mins
A collection of gripping detective stories featuring sharp-witted investigators, puzzling crimes, and clever resolutions. Each episode showcases the art of deduction and the thrill of the chase.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:35):
Hey, lad, he's a gentleman, for he's wonder in the world.
Just move the next boat and the curtain will raise.
A fusco that the two men. Bascolway is magnificent as
a mural, a man of mosi, And when he moves
his muscles, every picture is a movie.
Speaker 2 (00:50):
Pictures the man.
Speaker 1 (00:54):
Greatest gifted, two man's game. Lady's a gentleman. The curtain
raises our buscu the dead tube man.
Speaker 3 (01:01):
Watch that.
Speaker 1 (01:05):
Girl, Jesus, every victory is a movie. Picture her closely
in the magnificion madscape, and his chest with mestiful control.
He moves his purstless and soon the curtain falls and
bust go the genttute man. A maid of a tellsand
pictures in the micked colors, And.
Speaker 4 (01:24):
If you move to the next.
Speaker 1 (01:25):
Curt it's just a moment you will see the beautypule Lilian, the.
Speaker 3 (01:28):
Moon's gorgeous short swell of Mary. The world when she is.
Speaker 1 (01:34):
A curtain raises in producing Lilian in the Death to Fame,
manet excited.
Speaker 5 (01:42):
Everything's all right, Say everything is all right?
Speaker 3 (01:46):
Maybe all right with him Mary, but not with me
or that girl. She has a sword right through.
Speaker 1 (01:49):
A heart.
Speaker 6 (01:56):
And now back to Dick Calmer as Boston Blackie. Enemy
to those who make him an enemy, friend for those
who have no friends.
Speaker 5 (02:10):
Well, Black here, I'm certainly glad we got out of
a side him, Inspector Faraday. We'll be here in any minute.
Speaker 3 (02:16):
Getting out won't help much, Mary. If Inspector Faraday finds
out that we were in there.
Speaker 5 (02:20):
Well suppose we find out who killed the sword swallower
before the inspector gets here.
Speaker 3 (02:24):
When not going to try to solve this case?
Speaker 5 (02:26):
But I am oh, oh, here's where I get left.
Speaker 3 (02:29):
Well right, you stay here, Mary, I'll be back in
a few minutes. Where you going I don't know exactly.
I think I'll start with the owner of the carnival.
He can probably tell me everything I want to know
and what do where I can find him.
Speaker 5 (02:40):
A sign on that wagon over there, says office say.
Speaker 3 (02:44):
That is a clue with this. I don't know how
I get along without you.
Speaker 5 (02:48):
It's you're try awful hard.
Speaker 3 (02:50):
I just have a hunch I have better talk to
the owner alone.
Speaker 5 (02:53):
See you in just a minute, all right, I'll be
over by the Tunnel of Love when you get through.
Speaker 3 (02:56):
Is that a hint? I'm subtled don't you think then
you buy? Let's take it subtle. I look here, you
don't stand there staring at me?
Speaker 4 (03:03):
Are you listening to me?
Speaker 1 (03:04):
One more?
Speaker 4 (03:06):
I will talk about it later. Come in.
Speaker 5 (03:09):
What do you want?
Speaker 3 (03:10):
I'm Boston, Blackie. I'd like to see the owner of
this convoy.
Speaker 4 (03:13):
I'm not hiring anybody today.
Speaker 3 (03:15):
Oh you are the boss then? Yeah?
Speaker 4 (03:17):
Named Jackson. I said I wasn't hiring anybody today.
Speaker 3 (03:20):
From what I heard while I was outside the door,
I'd say you were firing somebody today. What do you mean?
I was a lovely bet argument going on in here.
Speaker 4 (03:27):
Argument.
Speaker 3 (03:28):
Oh you must heard wrong.
Speaker 4 (03:30):
I was just talking to Mabel here.
Speaker 3 (03:33):
You call this Mabel, you're.
Speaker 4 (03:37):
The carnival mister, don't be surprised at anything. Mabel's are
a bearded lady.
Speaker 3 (03:42):
Well, I never expected to meet one whisker to whisky.
Glad to know you, maybel Mabel can't answer you. She's
a mute, a bearded lady and a mute him. Well
that's something. You say.
Speaker 4 (03:54):
Your name's Blackie.
Speaker 3 (03:55):
What do you want to talk to you about the
murder of your assault swallow one?
Speaker 4 (03:59):
Hey, you don't know a thing about that murder. Blackie
I'm waiting for the police.
Speaker 3 (04:03):
Now, maybe I can help you before they get him. Oh,
I think i'd better talk to you alone.
Speaker 4 (04:08):
Oh oh okay.
Speaker 3 (04:11):
Mabell, you better get back beside you.
Speaker 4 (04:13):
I'll talk to you later. Now, look, Blackie, all I
know about that.
Speaker 3 (04:17):
Murder is what I heard.
Speaker 4 (04:19):
Hey, watch way a card with your pat Oh excuse me, lady.
Speaker 3 (04:24):
Well, Inspector Faraday, at last, you've found your element of carnival.
Be careful or they'll never let you out.
Speaker 4 (04:30):
So I have me Blacky letter one.
Speaker 3 (04:31):
You'd be here, then, why don't you bother to come down?
You know I'll solve this murder for you?
Speaker 4 (04:35):
Why a plackey? I want to know the owner of
this carnival? Where do I find him?
Speaker 3 (04:39):
You're looking at him? Paraday. Allow me to introduce mister Jackson.
Inspector Paraday.
Speaker 4 (04:43):
How do you do you only show Jackson?
Speaker 3 (04:45):
Yes I do, Paraday. Is that what you call routine?
Question number one?
Speaker 4 (04:49):
Why at blackey Jackson? What do you know about Lily
and the sorts funneler?
Speaker 3 (04:53):
Who killer? What a question? Faraday? If murders could be
solved as easily as all that, you wouldn't have a job,
which wouldn't be bad for the community.
Speaker 4 (05:00):
It's enough lanky. Look Jackson, what do you know about
your sorts one of willian. Yeah, well, she's been with
my carnival for about three years.
Speaker 3 (05:07):
Good performer, well liked, no enemies at all.
Speaker 4 (05:10):
And he love interests or anything? Well, yes, and way.
Bob Hendrix, my chief electrician, was in love with.
Speaker 3 (05:16):
Her, but she didn't love back. Is that it?
Speaker 4 (05:19):
Yes, it's just buddy Well. I think I ought to
talk to him. What's his name again, Bob Hendrix? I
don't know my business. If lecky, I'll bet you anything
when I get this guy Hendrix, I get my killer.
Speaker 3 (05:29):
Yeah, that sure?
Speaker 4 (05:30):
Why this thing? Figure is easy? I can't has no enemies,
but she doesn't love a guy who loves her. He
pleads with her to marry him. She says no. He
keeps on begging. She keeps on saying no. He won't
leave her alone. She wants to get rid of him,
so she starts going out with another.
Speaker 3 (05:44):
Guy, Paraday or one that's simple.
Speaker 4 (05:47):
He gets jealous, thinks he's gonna lose it to the
other guy and so that nobody can have her. If
he can't, the stope kills her.
Speaker 3 (05:54):
Applause, applause.
Speaker 4 (05:55):
So I'm grabbing Bob Hendrix for the murder of that girl, Mary,
is what you call eating by the tunnel of love?
And what's the matter with you, miss Wisley. You look
as if you'd seen a ghost.
Speaker 5 (06:03):
I've just seen good ghost material, Inspector Faraday, a dead body.
Speaker 4 (06:07):
Yeah, that's all stuff, miss Wisley. That's why I'm here.
That saves the murder of Lily and the sword swallower.
And I have a killer Bob Hendricks.
Speaker 5 (06:14):
Oh no, you have an inspector because the body I
just saw, everybody says belonged to Bob Hendrix. Oh maybe
I should have bought tickets for the roller coaster. You
are certainly not treating this like a tunnel of love.
Speaker 3 (06:35):
We're not here for romance, Mary, We're here to do
some quiet thinking about murder.
Speaker 5 (06:40):
I see, and I guess there isn't anything romantic about murderers.
Speaker 3 (06:44):
Romantic say, you may have something there.
Speaker 5 (06:48):
I have something here too, you in the tunnel.
Speaker 3 (06:50):
Of love, and so what so there may be a
romantic angle to the deaths of Lilian and Bob Hendricks.
Speaker 5 (06:56):
Of course, Hendrix was in love with Lilian. The swords Borrower.
That's simple. She didn't love him, so he killed her,
and that's that.
Speaker 3 (07:03):
That's that, sure, But we have to name a killer
for Bob Hendrix. What's that a problem?
Speaker 5 (07:08):
Got any suggested solution Lyne round.
Speaker 3 (07:10):
Both, I'm not even close to one. I wonder couldn't
Mabel fit into this?
Speaker 5 (07:15):
Mabel the bearded lady?
Speaker 3 (07:18):
Zacky?
Speaker 5 (07:19):
You think she killed Hendricks?
Speaker 3 (07:20):
Maybe suppose the bearded lady loved Hendrix and he loved Lilian.
Speaker 5 (07:23):
But then why would Hendrix kill Lily?
Speaker 3 (07:24):
I didn't say, did you said that?
Speaker 5 (07:26):
I say amazing things every now and then, don't I?
Speaker 3 (07:29):
Well, at least amusing Nelison. Suppose Mabel kill Lillian to
get her out of the way.
Speaker 5 (07:34):
Of course, then she killed Hendrix because even with Brillian dead,
he would have nothing to do with her.
Speaker 3 (07:39):
You follow me like a little puppy, don't you?
Speaker 5 (07:41):
Whoop?
Speaker 3 (07:42):
Nice puppy, Sit up and listen to this. I think
we're getting somewhere. Hendrix probably had a pretty good idea.
Mabel killed Lillian that marked him as corpse number two
with two.
Speaker 5 (07:52):
Counts, sure, one because he didn't love Mabel, and two
because he suspected her of murder.
Speaker 3 (07:57):
Those motives for murdering were so old they have and
come to think of it, so does the bearded lady.
Speaker 4 (08:11):
Come in? Come in, Becca Farady.
Speaker 3 (08:13):
Here's the coroner's report on Hendricks and the sword swallow. Thanks,
what are you grinning at?
Speaker 2 (08:18):
Inspector?
Speaker 4 (08:20):
I trust Blackie and Miss Wesley off the carnival grounds.
I give him orders to stay off and for good.
Is this one case I'm going to solve with uninterference
from those two?
Speaker 3 (08:29):
Yeah?
Speaker 4 (08:30):
I don't like the way you said that. I just said, yeah, Inspector, Yeah,
why Yeah, that's the way you better say it from
now on. What's the coroner's report have to say?
Speaker 3 (08:42):
Both Hendricks and the sword swallower died the same way?
Speaker 4 (08:44):
M So I see from single sword wounds. Eh h.
Speaker 3 (08:49):
That sort of proved something, then it it proves plenty.
Speaker 4 (08:51):
It proves the same person killed them and for the
same reason. Now we're getting somewhere.
Speaker 3 (08:55):
Got your hat and coda. You're getting somewhere.
Speaker 4 (08:56):
Too, Yeah, and you're getting with me out to the
carnival again. Well, you are are gonna put all a
little circus of our own.
Speaker 5 (09:09):
Your move Blackie or his checkers boring you?
Speaker 3 (09:14):
Oh oh oh, excuse me, Mary I I think I'll
try this. Let's see, I'll put my king right here.
Speaker 5 (09:20):
Darling, don't be upset because Inspector Faraday made us think
the carnival. It's a comfy here in your apartment.
Speaker 3 (09:26):
I'm not upset about him. As soon as I get
an idea gonna sneak back in, you'll move.
Speaker 5 (09:30):
You mean we're going to sneak back in.
Speaker 3 (09:31):
Since you have such a singular interest in this case,
I'll make the pronoun plural wheel sneak in. Go ahead.
Speaker 4 (09:38):
Move.
Speaker 5 (09:39):
When Saturday called to say he was coming up here,
did he say what he wanted?
Speaker 4 (09:42):
Uh?
Speaker 3 (09:44):
Oh, that's a good move. But it's your last one.
Speaker 5 (09:46):
Watch Sometimes I hate you.
Speaker 3 (09:53):
We athletes always do better on the home grounds. I
wanna play another game. Well, I've murdered you a checkers.
Suppose we get back to the problem of who's been
murdering people at the carnival.
Speaker 5 (10:03):
Who Your theory is, right, Darling, it's the bearded lady.
Speaker 3 (10:06):
I can only get Faraday. The Chris disagree with it.
I know it was right. That's probably my perennial suspect
of the inspector. Come in, hello, lady, well Faraday, I
was just about to phone the police to have them
look for you.
Speaker 4 (10:19):
I was worried, Yeah, I bet What were you worried about?
Speaker 2 (10:22):
Oh?
Speaker 5 (10:23):
If you didn't show up and he couldn't tell you.
How we've worked out the solution of the carnival killing.
Speaker 4 (10:27):
I helped you health her, miss Wesley. This should be great.
Speaker 3 (10:30):
It's very simple, Faraday, this is what happened. Yeah, the
bearded lady was in love with Bob Hendricks. Hendrix love
the Swordswallower. So the bearded lady got rid of the
sword Swallower.
Speaker 5 (10:39):
But Bob Hendrick still didn't fall four, So the bearded
lady killed him.
Speaker 3 (10:42):
Too simple, far Nay, you certainly are.
Speaker 4 (10:45):
It just so happens that I came to tell you
that the bearded lady isn't a lady but a maner man, that's.
Speaker 5 (10:54):
The phone, I'll get it.
Speaker 4 (10:55):
So what do you think of your theory?
Speaker 2 (10:56):
Now?
Speaker 3 (10:57):
How do you know the bearded lady is a man?
Speaker 4 (10:58):
Jackson? The guy who wants to the carnival told me so.
Speaker 3 (11:01):
Well, I suppose he's right then, but why didn't you
tell me? Well?
Speaker 5 (11:06):
Thanks?
Speaker 4 (11:07):
Look, look from now on, don't you too give me
any more pony theory?
Speaker 5 (11:10):
Plucky is the bitter lady William Man.
Speaker 3 (11:13):
I guess, so that's what Jackson told Faraday.
Speaker 5 (11:15):
Well, then I guess that's the end of our theory.
Good guess, but nothing says we can't guess again?
Speaker 3 (11:20):
Cool, we guess this time, m.
Speaker 5 (11:23):
Mister Jackson. Maybe why I don't know, let's guess reasons.
Oh fine, well, let's take mister Jackson to suspect.
Speaker 3 (11:31):
Now, it's say we can at that if he waited
until now to mention that Mabel was really a man,
maybe it's just to throw suspicion.
Speaker 4 (11:39):
And you know what, I just showed up and dream
up pony theories just for your own amusement. Well, then
I'm gonna get back to the carnival.
Speaker 3 (11:45):
Okay, only we have a suspect for him, Jackson the
carnival on it.
Speaker 4 (11:49):
Oh yeah, well Jackson has just been slugged, and maybe
we're gonna have corpse number three because they say he's
gonna die.
Speaker 6 (12:01):
And now back to Boston, Blackie. Blackie and Mary go
to a carnival for fun and become involved in a
murdered case that so far.
Speaker 4 (12:14):
Has meant the death of two.
Speaker 6 (12:15):
People and assault from the third.
Speaker 3 (12:17):
The dead are Lillian.
Speaker 6 (12:18):
The Sword swallower, Bob Hendrix's her lover, and Jackson, the
carnival owner, is supposedly near death from a blow in
the head.
Speaker 3 (12:27):
As we return to our.
Speaker 6 (12:28):
Story, Paraday is of the carnival talking to Jackson. Where
does regain consciousness?
Speaker 1 (12:34):
Now?
Speaker 4 (12:34):
Look, Jackson, try to tell me who slight you? I know,
insprit heard, But who'd wallace slightly?
Speaker 2 (12:41):
I don't know.
Speaker 5 (12:41):
I have any bed.
Speaker 4 (12:43):
Did you get a glimpse of whoever hit you or
anything we can use for a clue. I didn't see you. Look, Jackson,
when you told me the bearded lady was a man,
do you think he was anywhere around?
Speaker 3 (13:00):
Oh?
Speaker 4 (13:00):
No, well apparently you're coming around all right, that's something.
Speaker 3 (13:05):
Right, inspect And here's someone me back here.
Speaker 4 (13:08):
I told you to stay off the carnival grounds.
Speaker 3 (13:09):
I bought the mississ I could by design and inspector,
and found myself here in my instinct.
Speaker 4 (13:13):
Well go find yourself somewhere else in a hurry.
Speaker 3 (13:15):
Look, Paraday, I've been doing something.
Speaker 4 (13:18):
I stopped right there. You thought Mabel was in love
with Bob Hendricks, and Mabel turns out to be a man.
Speaker 3 (13:23):
Sure, so I just was my theory to fit the
new sent up Hendricks killed lily in the sword Swallower
because Lilyan knew the bearded Lady was a man who
loved him. Yeah, and then and then the bearded Lady
killed Hendrix for killing the swort Swallow?
Speaker 4 (13:33):
Then who slucked Jackson?
Speaker 3 (13:34):
Here the bearded lady for telling you he was a man?
Do I have something?
Speaker 4 (13:38):
You sure do? Blackie orders to get off the carnival
grounds and stay up for the next doorters I give
will be for your arrest. Hey, is this the bearded
Lady's tenth?
Speaker 1 (13:55):
Yeah?
Speaker 4 (13:55):
Who are you?
Speaker 3 (13:56):
I'm it back or in the side chow? Who are you?
Inspect the fire?
Speaker 4 (13:59):
And there's the police. Where's the bearded lady?
Speaker 2 (14:02):
She'll be here in a couple of minutes.
Speaker 4 (14:04):
Hey, here's she comes and speak there? Yeah?
Speaker 3 (14:06):
Good, Hello Mabel Hawaii.
Speaker 4 (14:08):
There's the police officer the season.
Speaker 2 (14:11):
I guess you want to be alone?
Speaker 4 (14:12):
Huh?
Speaker 3 (14:13):
Here around office?
Speaker 4 (14:14):
You may at that. Hey, you bearded lady, come here,
sit down. Oh you can't talk, huh, but you can hear,
can't you? Good? So they call you Mabel? Huh, but
you're a man, aren't you. Oh?
Speaker 3 (14:33):
Just nod your head for.
Speaker 4 (14:35):
Well, I'm glad to see somebody admit something around here? Now,
who killed the sword Swallower? You don't know? Huh? Who
killed Hendricks? You don't know that either. Who sluck Jackson?
Speaker 3 (14:48):
Oh you don't know?
Speaker 4 (14:50):
That's fine, that's great. Doesn't anybody around here know anything?
I guess not, but I can't complain. I don't know
anything around here either, Frank you, What do I have
to do to keep you out of here?
Speaker 3 (15:03):
Arrested man at the case for selling me tickets?
Speaker 4 (15:04):
I said I'd have you arrested.
Speaker 3 (15:07):
You know you wouldn't do that to a pal, would
your pal?
Speaker 4 (15:09):
No, not to a pal.
Speaker 3 (15:11):
As I came in, I heard you say you didn't
know anything, and how right you are for change.
Speaker 4 (15:16):
I'll say, I don't know anything. I don't know who
killed the swords Fundable. I don't know who sluged Bob Hendricks.
I don't know who slug Jackson. I don't know who's
doing what to whom and why? And I don't know
why I bother talking to you. In fact, the only
thing I do know is that that Jackson, the owner
of this carnival, is the owner of this carnival.
Speaker 3 (15:34):
Give yourself a big, fat zero Faraday. I just checked.
Jackson doesn't own this carnival?
Speaker 1 (15:48):
Howe we just churning against that? Here we go to
continue with our exciting, thrilling, great dazy game of bingo,
beat fast and you can make money fast and the
mar is fine?
Speaker 5 (16:03):
Well, Blackie were lost again? Say, if Jackson doesn't own
the carnival, who does? And how many more times should
we try this game before we give up another ten marry?
Speaker 3 (16:13):
And then I guess we'll call it quits. And about
the carnival ownership.
Speaker 5 (16:16):
Well, oh god, please, couldn't we hide from inspected Faraday
somewhere where it doesn't cost us.
Speaker 1 (16:24):
So much money? Eighty two three? Fine? The courney scarring going?
There will the lucky gentleman come up and collect this fortune?
Speaker 4 (16:36):
Becky?
Speaker 5 (16:37):
That's the same man who won a couple of games.
Speaker 3 (16:38):
Though, yes, I know, Mary, you sent in another part
of the room this time too.
Speaker 5 (16:42):
You know I've noticed that only two or three people
have won anything at all.
Speaker 3 (16:45):
This game's crooked, Mary. Every winner in this place is
a stooge.
Speaker 5 (16:48):
Well, in that case, should we keep on playing?
Speaker 3 (16:50):
Quote the Blackie nevermore? You know, all those other wheels
of chance we tried with Gimmick two did you notice
the wheel always stopped on a number and never covered.
Speaker 5 (16:59):
Well, Darling, once in a while somebody want you.
Speaker 3 (17:00):
Want to win on the wheels in this carnivals, you
have to show your card in the Stooges Union. Come on,
let's go out of here.
Speaker 5 (17:07):
But if Inspector Paraday sees you, you know, lad.
Speaker 3 (17:09):
Mary, light's going off. Most of the concessions are closing.
I think Faraday's probably gone.
Speaker 5 (17:13):
Well all right, but let's go this way. It's near
the parking line.
Speaker 3 (17:16):
Okay, was the landscape tonight?
Speaker 1 (17:18):
Boots? Come again when you have more times?
Speaker 5 (17:22):
It's also jack.
Speaker 3 (17:25):
M Well before it gets any daka, you go get
in the car and I'll meet you at the gate.
I want to see Jackson a minute.
Speaker 5 (17:32):
Well, don't make it more than a minute, will you,
cause don't worry about it.
Speaker 3 (17:35):
That's the reason to talk to Jackson for an hour.
I was only fooling Merry. See in just a minute. Wow,
it's going on here. Let's see Jackson's Chessmas being this way?
Speaker 2 (17:49):
Hey, what are you say?
Speaker 1 (18:01):
Mary?
Speaker 3 (18:01):
I suppose if I say where am I? You'll hit
me on the head again, won't you?
Speaker 5 (18:09):
You're in your apartment? How did you hit to you?
Speaker 3 (18:13):
O all right now a little dizzy though.
Speaker 5 (18:16):
I give you leeping kill that we got back here.
Who hit you?
Speaker 3 (18:20):
I know something better than that. I know who kill
Lily in the sword Swallower and bother Henry You do
who the same person who slug Jackson?
Speaker 5 (18:29):
Well tell me, oh, of all the times in the
world for the telephone.
Speaker 3 (18:32):
Ring, If that's Rawlins calling for Faraday, I'm Paris.
Speaker 5 (18:35):
Oh Mary, Yes, I put in the call of Rons.
When'd you do that?
Speaker 3 (18:39):
Why do you we're getting the bandage at drugstore?
Speaker 1 (18:41):
All right? Hello?
Speaker 5 (18:45):
Yes, ah, yes, just a minute you black?
Speaker 3 (18:51):
Thanks ah? Rons? Did you get that information for me?
Speaker 1 (18:56):
Yes? Right?
Speaker 3 (18:58):
Skip ten more years to go. Cops have been looking
for him for two years. Is that all you wanted
to know? Thanks? Rollins? That's not only all I want
to know. That's all I need to know.
Speaker 1 (19:16):
Look black?
Speaker 4 (19:16):
He looked black. He put the rifle down with you,
and we played around the shooting gunery long enough without
getting anywhere.
Speaker 3 (19:21):
We certainly have. That's why I asked you to come
down here this afternoon.
Speaker 4 (19:29):
Well, stop firing that gun when you're you haven't hit
anybody yet.
Speaker 3 (19:33):
Well, I'm just about to get something the nail on
the head. Here comes the bearded lady pushing Jackson in
a wheelchair.
Speaker 4 (19:40):
Jackson show recovered ofughly quick from what was supposed to
be a fatal blow.
Speaker 3 (19:43):
Oh here, no, I did Jackson. How are you feeling?
Speaker 4 (19:49):
I am wish you wouldn't fire that gun. Nose jars
my head?
Speaker 3 (19:53):
Okay, hello, Mabel? How are you fine?
Speaker 1 (19:56):
Huh?
Speaker 3 (19:57):
Too bad? You can't talk? Or can you?
Speaker 4 (19:59):
I tell you he was a mute.
Speaker 3 (20:00):
Yes, I know. But if he could talk, what a
lot he could say?
Speaker 4 (20:05):
Hey, what are you trying to do? Break his foot
with that gun?
Speaker 3 (20:07):
All I tried to do was break his silence? Paraday
and I did you talk? Don't you maybel all right?
Speaker 1 (20:11):
All right?
Speaker 4 (20:11):
I talked to Namy Mabel. So what say you?
Speaker 3 (20:13):
Name is Joe Evers and you want it in Kansas
to finish serving a twenty five year sentence. I am am,
I yes you are?
Speaker 4 (20:18):
Are you?
Speaker 3 (20:19):
Last night after you slugged me, I came to went in.
He had sent found a glass with your fingerprints on
it and had Rawlins check them for me. Yeah, Joe Evers?
Speaker 4 (20:25):
All right, Oh then you're the guy I'm looking for him.
Ems you're under arrest for murder. Imon Key's making a reference.
Speaker 3 (20:31):
Oh no, he's not, SI off him a fok in
the face for last night. Hie coming, Leggy, it was
a pleasure. That's Micky ve me last night. It's a fuse.
Speaker 4 (20:40):
Hey, he's really out.
Speaker 3 (20:41):
I don't think he's gonna come to for half an hour, Paraday.
Speaker 4 (20:43):
Oh, gentlemen, I guess this just about some's the mystery
of who killed Lillian and hen Rich and who slugged me?
That certainly does Jackson. And I always get my man.
Speaker 3 (20:53):
And always the wrong one, Faraday, Jackson, here is your
murderer me. Yes, Jackson, you you're hired by a syndicate on
this carnival a chief sauce of revenge rather revenue is
bingo and the crooked gambling wheels and the Midway booze. I
know I tried them all once more. Lily in the
sort Swallow found out the wheels were crooked and threatened
to go to the police.
Speaker 4 (21:12):
Well, if she did, I wouldn't kill her for.
Speaker 3 (21:14):
That, he would if the syndicate ordered you too, and
the syndicate said it was either her life or yours, Well,
then why did he kill Hendrix? Hendrix was in love
with Lilian. She had told him about the crooked games.
When he found Lillian dead, he knew who killed it.
Jackson had to get him out of the way too. Oh,
what's the matter with you, Blackie?
Speaker 4 (21:31):
Jackson? Here was an intended victim himself.
Speaker 3 (21:33):
Intended is right? He intended has to think so far
day by hitting himself on the head. Everything Jackson's done
and said, points to the fact that he was trying
to divert suspicion from himself and place it on Joe
Evis posing as a bearded lady.
Speaker 4 (21:45):
You're right, Blanky Jackson. I'm holding you on suspicion a murder.
Speaker 2 (21:49):
No, you're not blaky.
Speaker 1 (21:50):
I'll think that you.
Speaker 4 (21:53):
Both to be a ten right where you are, Blackie.
Maybe you couldn't hit a target with his gun, but
I can you and the inspect to make excellent I'm
going to if you try to stop me, let them going, Bankey,
we can get him later.
Speaker 3 (22:02):
I can handle them, Paraday.
Speaker 4 (22:04):
Now take one more stepping off shooting.
Speaker 3 (22:05):
Go ahead, shoot Bikey Flankey.
Speaker 1 (22:08):
All right, so far, maybe he needs more than one
bullet this coffin Bikey Bykey.
Speaker 3 (22:14):
I'm all right, Paraday, as soon as I get this guy,
you get it. I've got something to help me this.
Speaker 4 (22:23):
Why do you get to a doctor, Cricket, so help me.
Speaker 3 (22:25):
I honestly think you're worried about me, Paraday.
Speaker 4 (22:27):
But Flankey, you've been shot three times.
Speaker 3 (22:29):
Remember how you kidded me for missing the targets in
the shooting gallery there.
Speaker 4 (22:31):
I never mind about that. Now, come on, let's get
you to a doctor.
Speaker 3 (22:33):
Look, Faraday, I missed those targets because I'd loaded this
rifle with blanks. That's what it was loaded with when
Jackson was firing at me. No, I'd never get him
to confess, but I thought if I'd faced him with
the evidence, he'd make a break for it and grab
a gun to do it.
Speaker 4 (22:48):
So you made sure he'd grab a gunloaded with blanks.
You double cross you. You had me thinking you were
a brave guy. I'd be brave too against a gun
full of blanks.
Speaker 3 (22:56):
Quit complaining, Faraday, You've solved another murder when I forced
Jackson to make a break. Believe me, he gave you one.
At the same time,
Hey, lad, he's a gentleman, for he's wonder in the world.
Just move the next boat and the curtain will raise.
A fusco that the two men. Bascolway is magnificent as
a mural, a man of mosi, And when he moves
his muscles, every picture is a movie.
Speaker 2 (00:50):
Pictures the man.
Speaker 1 (00:54):
Greatest gifted, two man's game. Lady's a gentleman. The curtain
raises our buscu the dead tube man.
Speaker 3 (01:01):
Watch that.
Speaker 1 (01:05):
Girl, Jesus, every victory is a movie. Picture her closely
in the magnificion madscape, and his chest with mestiful control.
He moves his purstless and soon the curtain falls and
bust go the genttute man. A maid of a tellsand
pictures in the micked colors, And.
Speaker 4 (01:24):
If you move to the next.
Speaker 1 (01:25):
Curt it's just a moment you will see the beautypule Lilian, the.
Speaker 3 (01:28):
Moon's gorgeous short swell of Mary. The world when she is.
Speaker 1 (01:34):
A curtain raises in producing Lilian in the Death to Fame,
manet excited.
Speaker 5 (01:42):
Everything's all right, Say everything is all right?
Speaker 3 (01:46):
Maybe all right with him Mary, but not with me
or that girl. She has a sword right through.
Speaker 1 (01:49):
A heart.
Speaker 6 (01:56):
And now back to Dick Calmer as Boston Blackie. Enemy
to those who make him an enemy, friend for those
who have no friends.
Speaker 5 (02:10):
Well, Black here, I'm certainly glad we got out of
a side him, Inspector Faraday. We'll be here in any minute.
Speaker 3 (02:16):
Getting out won't help much, Mary. If Inspector Faraday finds
out that we were in there.
Speaker 5 (02:20):
Well suppose we find out who killed the sword swallower
before the inspector gets here.
Speaker 3 (02:24):
When not going to try to solve this case?
Speaker 5 (02:26):
But I am oh, oh, here's where I get left.
Speaker 3 (02:29):
Well right, you stay here, Mary, I'll be back in
a few minutes. Where you going I don't know exactly.
I think I'll start with the owner of the carnival.
He can probably tell me everything I want to know
and what do where I can find him.
Speaker 5 (02:40):
A sign on that wagon over there, says office say.
Speaker 3 (02:44):
That is a clue with this. I don't know how
I get along without you.
Speaker 5 (02:48):
It's you're try awful hard.
Speaker 3 (02:50):
I just have a hunch I have better talk to
the owner alone.
Speaker 5 (02:53):
See you in just a minute, all right, I'll be
over by the Tunnel of Love when you get through.
Speaker 3 (02:56):
Is that a hint? I'm subtled don't you think then
you buy? Let's take it subtle. I look here, you
don't stand there staring at me?
Speaker 4 (03:03):
Are you listening to me?
Speaker 1 (03:04):
One more?
Speaker 4 (03:06):
I will talk about it later. Come in.
Speaker 5 (03:09):
What do you want?
Speaker 3 (03:10):
I'm Boston, Blackie. I'd like to see the owner of
this convoy.
Speaker 4 (03:13):
I'm not hiring anybody today.
Speaker 3 (03:15):
Oh you are the boss then? Yeah?
Speaker 4 (03:17):
Named Jackson. I said I wasn't hiring anybody today.
Speaker 3 (03:20):
From what I heard while I was outside the door,
I'd say you were firing somebody today. What do you mean?
I was a lovely bet argument going on in here.
Speaker 4 (03:27):
Argument.
Speaker 3 (03:28):
Oh you must heard wrong.
Speaker 4 (03:30):
I was just talking to Mabel here.
Speaker 3 (03:33):
You call this Mabel, you're.
Speaker 4 (03:37):
The carnival mister, don't be surprised at anything. Mabel's are
a bearded lady.
Speaker 3 (03:42):
Well, I never expected to meet one whisker to whisky.
Glad to know you, maybel Mabel can't answer you. She's
a mute, a bearded lady and a mute him. Well
that's something. You say.
Speaker 4 (03:54):
Your name's Blackie.
Speaker 3 (03:55):
What do you want to talk to you about the
murder of your assault swallow one?
Speaker 4 (03:59):
Hey, you don't know a thing about that murder. Blackie
I'm waiting for the police.
Speaker 3 (04:03):
Now, maybe I can help you before they get him. Oh,
I think i'd better talk to you alone.
Speaker 4 (04:08):
Oh oh okay.
Speaker 3 (04:11):
Mabell, you better get back beside you.
Speaker 4 (04:13):
I'll talk to you later. Now, look, Blackie, all I
know about that.
Speaker 3 (04:17):
Murder is what I heard.
Speaker 4 (04:19):
Hey, watch way a card with your pat Oh excuse me, lady.
Speaker 3 (04:24):
Well, Inspector Faraday, at last, you've found your element of carnival.
Be careful or they'll never let you out.
Speaker 4 (04:30):
So I have me Blacky letter one.
Speaker 3 (04:31):
You'd be here, then, why don't you bother to come down?
You know I'll solve this murder for you?
Speaker 4 (04:35):
Why a plackey? I want to know the owner of
this carnival? Where do I find him?
Speaker 3 (04:39):
You're looking at him? Paraday. Allow me to introduce mister Jackson.
Inspector Paraday.
Speaker 4 (04:43):
How do you do you only show Jackson?
Speaker 3 (04:45):
Yes I do, Paraday. Is that what you call routine?
Question number one?
Speaker 4 (04:49):
Why at blackey Jackson? What do you know about Lily
and the sorts funneler?
Speaker 3 (04:53):
Who killer? What a question? Faraday? If murders could be
solved as easily as all that, you wouldn't have a job,
which wouldn't be bad for the community.
Speaker 4 (05:00):
It's enough lanky. Look Jackson, what do you know about
your sorts one of willian. Yeah, well, she's been with
my carnival for about three years.
Speaker 3 (05:07):
Good performer, well liked, no enemies at all.
Speaker 4 (05:10):
And he love interests or anything? Well, yes, and way.
Bob Hendrix, my chief electrician, was in love with.
Speaker 3 (05:16):
Her, but she didn't love back. Is that it?
Speaker 4 (05:19):
Yes, it's just buddy Well. I think I ought to
talk to him. What's his name again, Bob Hendrix? I
don't know my business. If lecky, I'll bet you anything
when I get this guy Hendrix, I get my killer.
Speaker 3 (05:29):
Yeah, that sure?
Speaker 4 (05:30):
Why this thing? Figure is easy? I can't has no enemies,
but she doesn't love a guy who loves her. He
pleads with her to marry him. She says no. He
keeps on begging. She keeps on saying no. He won't
leave her alone. She wants to get rid of him,
so she starts going out with another.
Speaker 3 (05:44):
Guy, Paraday or one that's simple.
Speaker 4 (05:47):
He gets jealous, thinks he's gonna lose it to the
other guy and so that nobody can have her. If
he can't, the stope kills her.
Speaker 3 (05:54):
Applause, applause.
Speaker 4 (05:55):
So I'm grabbing Bob Hendrix for the murder of that girl, Mary,
is what you call eating by the tunnel of love?
And what's the matter with you, miss Wisley. You look
as if you'd seen a ghost.
Speaker 5 (06:03):
I've just seen good ghost material, Inspector Faraday, a dead body.
Speaker 4 (06:07):
Yeah, that's all stuff, miss Wisley. That's why I'm here.
That saves the murder of Lily and the sword swallower.
And I have a killer Bob Hendricks.
Speaker 5 (06:14):
Oh no, you have an inspector because the body I
just saw, everybody says belonged to Bob Hendrix. Oh maybe
I should have bought tickets for the roller coaster. You
are certainly not treating this like a tunnel of love.
Speaker 3 (06:35):
We're not here for romance, Mary, We're here to do
some quiet thinking about murder.
Speaker 5 (06:40):
I see, and I guess there isn't anything romantic about murderers.
Speaker 3 (06:44):
Romantic say, you may have something there.
Speaker 5 (06:48):
I have something here too, you in the tunnel.
Speaker 3 (06:50):
Of love, and so what so there may be a
romantic angle to the deaths of Lilian and Bob Hendricks.
Speaker 5 (06:56):
Of course, Hendrix was in love with Lilian. The swords Borrower.
That's simple. She didn't love him, so he killed her,
and that's that.
Speaker 3 (07:03):
That's that, sure, But we have to name a killer
for Bob Hendrix. What's that a problem?
Speaker 5 (07:08):
Got any suggested solution Lyne round.
Speaker 3 (07:10):
Both, I'm not even close to one. I wonder couldn't
Mabel fit into this?
Speaker 5 (07:15):
Mabel the bearded lady?
Speaker 3 (07:18):
Zacky?
Speaker 5 (07:19):
You think she killed Hendricks?
Speaker 3 (07:20):
Maybe suppose the bearded lady loved Hendrix and he loved Lilian.
Speaker 5 (07:23):
But then why would Hendrix kill Lily?
Speaker 3 (07:24):
I didn't say, did you said that?
Speaker 5 (07:26):
I say amazing things every now and then, don't I?
Speaker 3 (07:29):
Well, at least amusing Nelison. Suppose Mabel kill Lillian to
get her out of the way.
Speaker 5 (07:34):
Of course, then she killed Hendrix because even with Brillian dead,
he would have nothing to do with her.
Speaker 3 (07:39):
You follow me like a little puppy, don't you?
Speaker 5 (07:41):
Whoop?
Speaker 3 (07:42):
Nice puppy, Sit up and listen to this. I think
we're getting somewhere. Hendrix probably had a pretty good idea.
Mabel killed Lillian that marked him as corpse number two
with two.
Speaker 5 (07:52):
Counts, sure, one because he didn't love Mabel, and two
because he suspected her of murder.
Speaker 3 (07:57):
Those motives for murdering were so old they have and
come to think of it, so does the bearded lady.
Speaker 4 (08:11):
Come in? Come in, Becca Farady.
Speaker 3 (08:13):
Here's the coroner's report on Hendricks and the sword swallow. Thanks,
what are you grinning at?
Speaker 2 (08:18):
Inspector?
Speaker 4 (08:20):
I trust Blackie and Miss Wesley off the carnival grounds.
I give him orders to stay off and for good.
Is this one case I'm going to solve with uninterference
from those two?
Speaker 3 (08:29):
Yeah?
Speaker 4 (08:30):
I don't like the way you said that. I just said, yeah, Inspector, Yeah,
why Yeah, that's the way you better say it from
now on. What's the coroner's report have to say?
Speaker 3 (08:42):
Both Hendricks and the sword swallower died the same way?
Speaker 4 (08:44):
M So I see from single sword wounds. Eh h.
Speaker 3 (08:49):
That sort of proved something, then it it proves plenty.
Speaker 4 (08:51):
It proves the same person killed them and for the
same reason. Now we're getting somewhere.
Speaker 3 (08:55):
Got your hat and coda. You're getting somewhere.
Speaker 4 (08:56):
Too, Yeah, and you're getting with me out to the
carnival again. Well, you are are gonna put all a
little circus of our own.
Speaker 5 (09:09):
Your move Blackie or his checkers boring you?
Speaker 3 (09:14):
Oh oh oh, excuse me, Mary I I think I'll
try this. Let's see, I'll put my king right here.
Speaker 5 (09:20):
Darling, don't be upset because Inspector Faraday made us think
the carnival. It's a comfy here in your apartment.
Speaker 3 (09:26):
I'm not upset about him. As soon as I get
an idea gonna sneak back in, you'll move.
Speaker 5 (09:30):
You mean we're going to sneak back in.
Speaker 3 (09:31):
Since you have such a singular interest in this case,
I'll make the pronoun plural wheel sneak in. Go ahead.
Speaker 4 (09:38):
Move.
Speaker 5 (09:39):
When Saturday called to say he was coming up here,
did he say what he wanted?
Speaker 4 (09:42):
Uh?
Speaker 3 (09:44):
Oh, that's a good move. But it's your last one.
Speaker 5 (09:46):
Watch Sometimes I hate you.
Speaker 3 (09:53):
We athletes always do better on the home grounds. I
wanna play another game. Well, I've murdered you a checkers.
Suppose we get back to the problem of who's been
murdering people at the carnival.
Speaker 5 (10:03):
Who Your theory is, right, Darling, it's the bearded lady.
Speaker 3 (10:06):
I can only get Faraday. The Chris disagree with it.
I know it was right. That's probably my perennial suspect
of the inspector. Come in, hello, lady, well Faraday, I
was just about to phone the police to have them
look for you.
Speaker 4 (10:19):
I was worried, Yeah, I bet What were you worried about?
Speaker 2 (10:22):
Oh?
Speaker 5 (10:23):
If you didn't show up and he couldn't tell you.
How we've worked out the solution of the carnival killing.
Speaker 4 (10:27):
I helped you health her, miss Wesley. This should be great.
Speaker 3 (10:30):
It's very simple, Faraday, this is what happened. Yeah, the
bearded lady was in love with Bob Hendricks. Hendrix love
the Swordswallower. So the bearded lady got rid of the
sword Swallower.
Speaker 5 (10:39):
But Bob Hendrick still didn't fall four, So the bearded
lady killed him.
Speaker 3 (10:42):
Too simple, far Nay, you certainly are.
Speaker 4 (10:45):
It just so happens that I came to tell you
that the bearded lady isn't a lady but a maner man, that's.
Speaker 5 (10:54):
The phone, I'll get it.
Speaker 4 (10:55):
So what do you think of your theory?
Speaker 2 (10:56):
Now?
Speaker 3 (10:57):
How do you know the bearded lady is a man?
Speaker 4 (10:58):
Jackson? The guy who wants to the carnival told me so.
Speaker 3 (11:01):
Well, I suppose he's right then, but why didn't you
tell me? Well?
Speaker 5 (11:06):
Thanks?
Speaker 4 (11:07):
Look, look from now on, don't you too give me
any more pony theory?
Speaker 5 (11:10):
Plucky is the bitter lady William Man.
Speaker 3 (11:13):
I guess, so that's what Jackson told Faraday.
Speaker 5 (11:15):
Well, then I guess that's the end of our theory.
Good guess, but nothing says we can't guess again?
Speaker 3 (11:20):
Cool, we guess this time, m.
Speaker 5 (11:23):
Mister Jackson. Maybe why I don't know, let's guess reasons.
Oh fine, well, let's take mister Jackson to suspect.
Speaker 3 (11:31):
Now, it's say we can at that if he waited
until now to mention that Mabel was really a man,
maybe it's just to throw suspicion.
Speaker 4 (11:39):
And you know what, I just showed up and dream
up pony theories just for your own amusement. Well, then
I'm gonna get back to the carnival.
Speaker 3 (11:45):
Okay, only we have a suspect for him, Jackson the
carnival on it.
Speaker 4 (11:49):
Oh yeah, well Jackson has just been slugged, and maybe
we're gonna have corpse number three because they say he's
gonna die.
Speaker 6 (12:01):
And now back to Boston, Blackie. Blackie and Mary go
to a carnival for fun and become involved in a
murdered case that so far.
Speaker 4 (12:14):
Has meant the death of two.
Speaker 6 (12:15):
People and assault from the third.
Speaker 3 (12:17):
The dead are Lillian.
Speaker 6 (12:18):
The Sword swallower, Bob Hendrix's her lover, and Jackson, the
carnival owner, is supposedly near death from a blow in
the head.
Speaker 3 (12:27):
As we return to our.
Speaker 6 (12:28):
Story, Paraday is of the carnival talking to Jackson. Where
does regain consciousness?
Speaker 1 (12:34):
Now?
Speaker 4 (12:34):
Look, Jackson, try to tell me who slight you? I know,
insprit heard, But who'd wallace slightly?
Speaker 2 (12:41):
I don't know.
Speaker 5 (12:41):
I have any bed.
Speaker 4 (12:43):
Did you get a glimpse of whoever hit you or
anything we can use for a clue. I didn't see you. Look, Jackson,
when you told me the bearded lady was a man,
do you think he was anywhere around?
Speaker 3 (13:00):
Oh?
Speaker 4 (13:00):
No, well apparently you're coming around all right, that's something.
Speaker 3 (13:05):
Right, inspect And here's someone me back here.
Speaker 4 (13:08):
I told you to stay off the carnival grounds.
Speaker 3 (13:09):
I bought the mississ I could by design and inspector,
and found myself here in my instinct.
Speaker 4 (13:13):
Well go find yourself somewhere else in a hurry.
Speaker 3 (13:15):
Look, Paraday, I've been doing something.
Speaker 4 (13:18):
I stopped right there. You thought Mabel was in love
with Bob Hendricks, and Mabel turns out to be a man.
Speaker 3 (13:23):
Sure, so I just was my theory to fit the
new sent up Hendricks killed lily in the sword Swallower
because Lilyan knew the bearded Lady was a man who
loved him. Yeah, and then and then the bearded Lady
killed Hendrix for killing the swort Swallow?
Speaker 4 (13:33):
Then who slucked Jackson?
Speaker 3 (13:34):
Here the bearded lady for telling you he was a man?
Do I have something?
Speaker 4 (13:38):
You sure do? Blackie orders to get off the carnival
grounds and stay up for the next doorters I give
will be for your arrest. Hey, is this the bearded
Lady's tenth?
Speaker 1 (13:55):
Yeah?
Speaker 4 (13:55):
Who are you?
Speaker 3 (13:56):
I'm it back or in the side chow? Who are you?
Inspect the fire?
Speaker 4 (13:59):
And there's the police. Where's the bearded lady?
Speaker 2 (14:02):
She'll be here in a couple of minutes.
Speaker 4 (14:04):
Hey, here's she comes and speak there? Yeah?
Speaker 3 (14:06):
Good, Hello Mabel Hawaii.
Speaker 4 (14:08):
There's the police officer the season.
Speaker 2 (14:11):
I guess you want to be alone?
Speaker 4 (14:12):
Huh?
Speaker 3 (14:13):
Here around office?
Speaker 4 (14:14):
You may at that. Hey, you bearded lady, come here,
sit down. Oh you can't talk, huh, but you can hear,
can't you? Good? So they call you Mabel? Huh, but
you're a man, aren't you. Oh?
Speaker 3 (14:33):
Just nod your head for.
Speaker 4 (14:35):
Well, I'm glad to see somebody admit something around here? Now,
who killed the sword Swallower? You don't know? Huh? Who
killed Hendricks? You don't know that either. Who sluck Jackson?
Speaker 3 (14:48):
Oh you don't know?
Speaker 4 (14:50):
That's fine, that's great. Doesn't anybody around here know anything?
I guess not, but I can't complain. I don't know
anything around here either, Frank you, What do I have
to do to keep you out of here?
Speaker 3 (15:03):
Arrested man at the case for selling me tickets?
Speaker 4 (15:04):
I said I'd have you arrested.
Speaker 3 (15:07):
You know you wouldn't do that to a pal, would
your pal?
Speaker 4 (15:09):
No, not to a pal.
Speaker 3 (15:11):
As I came in, I heard you say you didn't
know anything, and how right you are for change.
Speaker 4 (15:16):
I'll say, I don't know anything. I don't know who
killed the swords Fundable. I don't know who sluged Bob Hendricks.
I don't know who slug Jackson. I don't know who's
doing what to whom and why? And I don't know
why I bother talking to you. In fact, the only
thing I do know is that that Jackson, the owner
of this carnival, is the owner of this carnival.
Speaker 3 (15:34):
Give yourself a big, fat zero Faraday. I just checked.
Jackson doesn't own this carnival?
Speaker 1 (15:48):
Howe we just churning against that? Here we go to
continue with our exciting, thrilling, great dazy game of bingo,
beat fast and you can make money fast and the
mar is fine?
Speaker 5 (16:03):
Well, Blackie were lost again? Say, if Jackson doesn't own
the carnival, who does? And how many more times should
we try this game before we give up another ten marry?
Speaker 3 (16:13):
And then I guess we'll call it quits. And about
the carnival ownership.
Speaker 5 (16:16):
Well, oh god, please, couldn't we hide from inspected Faraday
somewhere where it doesn't cost us.
Speaker 1 (16:24):
So much money? Eighty two three? Fine? The courney scarring going?
There will the lucky gentleman come up and collect this fortune?
Speaker 4 (16:36):
Becky?
Speaker 5 (16:37):
That's the same man who won a couple of games.
Speaker 3 (16:38):
Though, yes, I know, Mary, you sent in another part
of the room this time too.
Speaker 5 (16:42):
You know I've noticed that only two or three people
have won anything at all.
Speaker 3 (16:45):
This game's crooked, Mary. Every winner in this place is
a stooge.
Speaker 5 (16:48):
Well, in that case, should we keep on playing?
Speaker 3 (16:50):
Quote the Blackie nevermore? You know, all those other wheels
of chance we tried with Gimmick two did you notice
the wheel always stopped on a number and never covered.
Speaker 5 (16:59):
Well, Darling, once in a while somebody want you.
Speaker 3 (17:00):
Want to win on the wheels in this carnivals, you
have to show your card in the Stooges Union. Come on,
let's go out of here.
Speaker 5 (17:07):
But if Inspector Paraday sees you, you know, lad.
Speaker 3 (17:09):
Mary, light's going off. Most of the concessions are closing.
I think Faraday's probably gone.
Speaker 5 (17:13):
Well all right, but let's go this way. It's near
the parking line.
Speaker 3 (17:16):
Okay, was the landscape tonight?
Speaker 1 (17:18):
Boots? Come again when you have more times?
Speaker 5 (17:22):
It's also jack.
Speaker 3 (17:25):
M Well before it gets any daka, you go get
in the car and I'll meet you at the gate.
I want to see Jackson a minute.
Speaker 5 (17:32):
Well, don't make it more than a minute, will you,
cause don't worry about it.
Speaker 3 (17:35):
That's the reason to talk to Jackson for an hour.
I was only fooling Merry. See in just a minute. Wow,
it's going on here. Let's see Jackson's Chessmas being this way?
Speaker 2 (17:49):
Hey, what are you say?
Speaker 1 (18:01):
Mary?
Speaker 3 (18:01):
I suppose if I say where am I? You'll hit
me on the head again, won't you?
Speaker 5 (18:09):
You're in your apartment? How did you hit to you?
Speaker 3 (18:13):
O all right now a little dizzy though.
Speaker 5 (18:16):
I give you leeping kill that we got back here.
Who hit you?
Speaker 3 (18:20):
I know something better than that. I know who kill
Lily in the sword Swallower and bother Henry You do
who the same person who slug Jackson?
Speaker 5 (18:29):
Well tell me, oh, of all the times in the
world for the telephone.
Speaker 3 (18:32):
Ring, If that's Rawlins calling for Faraday, I'm Paris.
Speaker 5 (18:35):
Oh Mary, Yes, I put in the call of Rons.
When'd you do that?
Speaker 3 (18:39):
Why do you we're getting the bandage at drugstore?
Speaker 1 (18:41):
All right? Hello?
Speaker 5 (18:45):
Yes, ah, yes, just a minute you black?
Speaker 3 (18:51):
Thanks ah? Rons? Did you get that information for me?
Speaker 1 (18:56):
Yes? Right?
Speaker 3 (18:58):
Skip ten more years to go. Cops have been looking
for him for two years. Is that all you wanted
to know? Thanks? Rollins? That's not only all I want
to know. That's all I need to know.
Speaker 1 (19:16):
Look black?
Speaker 4 (19:16):
He looked black. He put the rifle down with you,
and we played around the shooting gunery long enough without
getting anywhere.
Speaker 3 (19:21):
We certainly have. That's why I asked you to come
down here this afternoon.
Speaker 4 (19:29):
Well, stop firing that gun when you're you haven't hit
anybody yet.
Speaker 3 (19:33):
Well, I'm just about to get something the nail on
the head. Here comes the bearded lady pushing Jackson in
a wheelchair.
Speaker 4 (19:40):
Jackson show recovered ofughly quick from what was supposed to
be a fatal blow.
Speaker 3 (19:43):
Oh here, no, I did Jackson. How are you feeling?
Speaker 4 (19:49):
I am wish you wouldn't fire that gun. Nose jars
my head?
Speaker 3 (19:53):
Okay, hello, Mabel? How are you fine?
Speaker 1 (19:56):
Huh?
Speaker 3 (19:57):
Too bad? You can't talk? Or can you?
Speaker 4 (19:59):
I tell you he was a mute.
Speaker 3 (20:00):
Yes, I know. But if he could talk, what a
lot he could say?
Speaker 4 (20:05):
Hey, what are you trying to do? Break his foot
with that gun?
Speaker 3 (20:07):
All I tried to do was break his silence? Paraday
and I did you talk? Don't you maybel all right?
Speaker 1 (20:11):
All right?
Speaker 4 (20:11):
I talked to Namy Mabel. So what say you?
Speaker 3 (20:13):
Name is Joe Evers and you want it in Kansas
to finish serving a twenty five year sentence. I am am,
I yes you are?
Speaker 4 (20:18):
Are you?
Speaker 3 (20:19):
Last night after you slugged me, I came to went in.
He had sent found a glass with your fingerprints on
it and had Rawlins check them for me. Yeah, Joe Evers?
Speaker 4 (20:25):
All right, Oh then you're the guy I'm looking for him.
Ems you're under arrest for murder. Imon Key's making a reference.
Speaker 3 (20:31):
Oh no, he's not, SI off him a fok in
the face for last night. Hie coming, Leggy, it was
a pleasure. That's Micky ve me last night. It's a fuse.
Speaker 4 (20:40):
Hey, he's really out.
Speaker 3 (20:41):
I don't think he's gonna come to for half an hour, Paraday.
Speaker 4 (20:43):
Oh, gentlemen, I guess this just about some's the mystery
of who killed Lillian and hen Rich and who slugged me?
That certainly does Jackson. And I always get my man.
Speaker 3 (20:53):
And always the wrong one, Faraday, Jackson, here is your
murderer me. Yes, Jackson, you you're hired by a syndicate on
this carnival a chief sauce of revenge rather revenue is
bingo and the crooked gambling wheels and the Midway booze. I
know I tried them all once more. Lily in the
sort Swallow found out the wheels were crooked and threatened
to go to the police.
Speaker 4 (21:12):
Well, if she did, I wouldn't kill her for.
Speaker 3 (21:14):
That, he would if the syndicate ordered you too, and
the syndicate said it was either her life or yours, Well,
then why did he kill Hendrix? Hendrix was in love
with Lilian. She had told him about the crooked games.
When he found Lillian dead, he knew who killed it.
Jackson had to get him out of the way too. Oh,
what's the matter with you, Blackie?
Speaker 4 (21:31):
Jackson? Here was an intended victim himself.
Speaker 3 (21:33):
Intended is right? He intended has to think so far
day by hitting himself on the head. Everything Jackson's done
and said, points to the fact that he was trying
to divert suspicion from himself and place it on Joe
Evis posing as a bearded lady.
Speaker 4 (21:45):
You're right, Blanky Jackson. I'm holding you on suspicion a murder.
Speaker 2 (21:49):
No, you're not blaky.
Speaker 1 (21:50):
I'll think that you.
Speaker 4 (21:53):
Both to be a ten right where you are, Blackie.
Maybe you couldn't hit a target with his gun, but
I can you and the inspect to make excellent I'm
going to if you try to stop me, let them going, Bankey,
we can get him later.
Speaker 3 (22:02):
I can handle them, Paraday.
Speaker 4 (22:04):
Now take one more stepping off shooting.
Speaker 3 (22:05):
Go ahead, shoot Bikey Flankey.
Speaker 1 (22:08):
All right, so far, maybe he needs more than one
bullet this coffin Bikey Bykey.
Speaker 3 (22:14):
I'm all right, Paraday, as soon as I get this guy,
you get it. I've got something to help me this.
Speaker 4 (22:23):
Why do you get to a doctor, Cricket, so help me.
Speaker 3 (22:25):
I honestly think you're worried about me, Paraday.
Speaker 4 (22:27):
But Flankey, you've been shot three times.
Speaker 3 (22:29):
Remember how you kidded me for missing the targets in
the shooting gallery there.
Speaker 4 (22:31):
I never mind about that. Now, come on, let's get
you to a doctor.
Speaker 3 (22:33):
Look, Faraday, I missed those targets because I'd loaded this
rifle with blanks. That's what it was loaded with when
Jackson was firing at me. No, I'd never get him
to confess, but I thought if I'd faced him with
the evidence, he'd make a break for it and grab
a gun to do it.
Speaker 4 (22:48):
So you made sure he'd grab a gunloaded with blanks.
You double cross you. You had me thinking you were
a brave guy. I'd be brave too against a gun
full of blanks.
Speaker 3 (22:56):
Quit complaining, Faraday, You've solved another murder when I forced
Jackson to make a break. Believe me, he gave you one.
At the same time,
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