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August 3, 2025 • 26 mins
A collection of gripping detective stories featuring sharp-witted investigators, puzzling crimes, and clever resolutions. Each episode showcases the art of deduction and the thrill of the chase.
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Episode Transcript

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Speaker 1 (00:09):
I can't say detective agency.

Speaker 2 (00:11):
Sweetheart, damn tune.

Speaker 1 (00:14):
I was just thinking of you and who else?

Speaker 2 (00:16):
Both my ears were Bernie, no sense no.

Speaker 1 (00:19):
With regards to our study of all the supplies, I'll
give it another thought.

Speaker 2 (00:22):
App this was going to be a short report. Short
and sweet, sir, hardly angel, in fact, fairly well ken.

Speaker 1 (00:27):
If you had asked me, I could have told you
that girl was merely trying to set up a tempest
in her boyfriend's teapot. Again, it was perfectly observant to me,
Sam that she had fire grape written all over her
Smar apples.

Speaker 2 (00:37):
Ay, but you're warm, and that's why I'm so fond
of you.

Speaker 3 (00:40):
Oh take you, sir.

Speaker 1 (00:41):
I'm glad I could be of hell. So I must
confess the apples are over my hoo.

Speaker 2 (00:45):
Well, don't feel bad about it. That's how Newton discovered
a lot of gravity. Stay where I'll be right down
to dictate my report on the Apple of East Tapers Nisulhemets,
America's leading detective fiction writer and creator of Sam Spade,
The heart Boiled Private Eye, and William Spear, Radio's outstanding producer,

(01:05):
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(01:49):
Wild Root brings to the air the greatest private detective
of them all. In The Adventures Up Sam Spade.

Speaker 4 (02:07):
Oh the same, Come in.

Speaker 2 (02:10):
Sure, Why are you're so nervous?

Speaker 1 (02:12):
Nothing? Nothing, really, I'm just glad to see you, dear.

Speaker 2 (02:16):
Come on, what are you hiding behind your back?

Speaker 1 (02:18):
Well it's a surprise, Sam, So he does belong into
your office and I'll be right with you.

Speaker 2 (02:23):
Surprise man. Let me think Father's Day surely.

Speaker 1 (02:27):
Oh no, it's just as the guys are shortage of
office supplies. I do hope you'll be able to venture woods.

Speaker 2 (02:33):
That's all that junkie got stopped them doing the pages
of your note book.

Speaker 1 (02:36):
Oh well, family, see improvisation as a child of necessity.
So the stretch I supplies. I just cut up some
more trips of waste paper in case we run out
of the.

Speaker 2 (02:44):
Genuine Well wow, very ingenious, shall we commands?

Speaker 5 (02:47):
Yes?

Speaker 1 (02:48):
Not too many corrections? Sammon afraid this eyebrow pencil might
not last well doing.

Speaker 2 (02:52):
Bad down on it? Where was I no play?

Speaker 6 (02:55):
Sam?

Speaker 2 (02:56):
Uh? Date?

Speaker 1 (02:58):
I already had that, Sam?

Speaker 2 (02:59):
Oh that's what goes to. Hey, the calendar? Where is it? Calendar?

Speaker 1 (03:05):
Which calendar? Sad?

Speaker 2 (03:06):
You know perfectly well, witch calendar. It has been hanging
there on the wall for three years, the one from
Harold's Club and Reno.

Speaker 1 (03:11):
Oh Gattle calendar. It was out of date anyway, sad
that calendar was timeless. It was not, Sam, it was bolder.

Speaker 2 (03:18):
That's a lie. I met a girl who posed for it.

Speaker 1 (03:20):
More modest circumstances, I hope, But it back not.

Speaker 2 (03:23):
Damn dolls. If what did you do with that calendar.
Your tell sam, let me see that notebook. Uh huh,
old waste paper indeed an hot pressure mutilated and for
what to serve your own face purposes? Just because you
were too absent minded order if you office applies, But I.

Speaker 1 (03:41):
Frequently alluded to our dwindling resources stamps.

Speaker 7 (03:44):
No, you were too proud.

Speaker 2 (03:46):
Take these and put them in a safe place. You
can put it back together with scotch tape on your
own time.

Speaker 1 (03:51):
We're not a scotch tape.

Speaker 2 (03:52):
Good. We've got a first aid kid, haven't we. We
used to use the adhesive date June nineteen, nineteen forty nine.
I won't soon forget that. Two Detective Lieutenant Dundee homicide
detailed San Francisco Police from Samuel Spade Lice was number
one three seven five ninety six, subject the apple of
Eve Caper. Did Dundee? The start of it was yesterday

(04:14):
when Eve Adams first walked into my office. She was angry,
and she was terribly, terribly hurt. In fact, she had
a shiner or swollen jaw on somebody had bitten her
on the arm.

Speaker 1 (04:24):
And furthermore, she had the audacity suggest that there was
something shady between I and mister Hagens, when it is
an item of public information that her and Gord Hagen
was washed up practically before they started. And I might just.

Speaker 2 (04:36):
Add in passions adjustment of Miss Adams, you say this
girl came to her apartment on the jealous raids and
attacked you without provocation.

Speaker 1 (04:42):
None whatsoever. I never opened my trap to her, except
reminder that it would have been a blessing to human
race if her old man had never met her old lady.
And if she thought those three layers of pancake on
her puts could fool a blind man as to her
true age. And seeing as what her mouth was, she
should never open it. So through what might come out
nice in a girl's name down at that flea bag

(05:02):
where she works, she's built this dream of love, and
is she ever.

Speaker 2 (05:04):
A nightmare dream of love? That's d r E A m.

Speaker 6 (05:08):
A, it says there.

Speaker 1 (05:09):
But I do not intend to take this episode. Lying
down on my chin at the stay. Why if it
had not been for the timely arrival of my consergy,
that Chief Mail would bring me with my own gin bottle.

Speaker 2 (05:19):
I see, Landlady broke it up. And you say she
threatened a return of the gun and blast you. If
you'll continue to say, mister Hagen, that is the fact.

Speaker 1 (05:27):
And she is just cheap enough to try some low
trick like that.

Speaker 2 (05:30):
And what do you want me to do, Miss Adams?

Speaker 1 (05:32):
I want you should pay a formal call on that
game and tell her that upon the very next occasion
of any violence or threats thereof out of her, I'm
gonna yell cop. In fact, missus state, I am placing
my life on your hands, and if you are anything
of what you're cracked up to be, you will have
no difficulty in giving that creepy crow the bums rush straight.

Speaker 5 (05:50):
Out of my life.

Speaker 2 (05:52):
Uh, pardon me, miss Adams. My secretary seems to he
calling you.

Speaker 1 (05:56):
I know who's in there, and I'm pulling in Hodda
my way?

Speaker 5 (05:58):
Did you say turkey brawl?

Speaker 1 (06:00):
You should have hired the four Marines, dearie.

Speaker 2 (06:02):
No, no, ladies, ladies, please break it up.

Speaker 1 (06:05):
You won't show you to get up with it. I'll
let you have it.

Speaker 2 (06:09):
No, no ladies plays. Now, let's talk this over calmly
and sensibly.

Speaker 1 (06:12):
Hey you up foot?

Speaker 2 (06:13):
No ladies please?

Speaker 4 (06:26):
Sam?

Speaker 1 (06:26):
Who can say to me?

Speaker 5 (06:29):
Sam?

Speaker 2 (06:33):
Oh no, no, no, no, no, don't have me again. No,
you're gonna have the jewels?

Speaker 1 (06:38):
Oh senor.

Speaker 2 (06:44):
What does it taste?

Speaker 6 (06:44):
Soft?

Speaker 5 (06:45):
Waters?

Speaker 1 (06:45):
Damp?

Speaker 2 (06:47):
Where'd they go?

Speaker 1 (06:48):
They taste each other down the hall? That' thought you're
going out?

Speaker 2 (06:51):
I did? What does she hit me with?

Speaker 1 (06:52):
But she took a step out of her person? That's fine,
before I could prevent it. But you were still on
your feet when you told me to close the door.

Speaker 2 (06:59):
Help me out here, easy? Easy?

Speaker 6 (07:01):
Oh?

Speaker 1 (07:01):
When I think of you're lying and you're unconscious all
that time when I went out to lunch, anything can
happen to you. I'd never forgive myself.

Speaker 2 (07:08):
You call this and nothing?

Speaker 1 (07:09):
Oh poor de Bret boy? Are you just down on renax?

Speaker 6 (07:12):
Now?

Speaker 1 (07:12):
The ambulance to be here.

Speaker 2 (07:13):
Any minute, ambulance? I should all these things cost money?

Speaker 1 (07:16):
I love my head when I saw you're lying, they're
all over here.

Speaker 2 (07:19):
You gotta forget it. What's that gadget? They're on the floor?

Speaker 4 (07:21):
Oh, old midstick puts.

Speaker 1 (07:23):
The drop out of her person when she opened her
for the stap.

Speaker 2 (07:25):
Huh. Apple of Eve, it's a ghost colors hands, apple
of Eve. It ainy garage. Harry speaking sad, This is
dream Alve. Keep your distance look you laugh your lipstick,
but don't bother to come after it. I'll mail it
to you. What kind is it? Apple of Eve? Sorry,
I've never used good then I won't give you another thought.

(07:46):
How but you got to she's dead, Eve Adams.

Speaker 1 (07:50):
Yeah, she jumped into a taxi in front of your
builds and I went straight after, but I got caught
traffic where they're tearing up Market Street.

Speaker 2 (07:56):
That could be anywhere between the Ambiga, Darrow and Twin
takes fine alibi. What comes next?

Speaker 1 (08:01):
Well her apartment now and she's dere.

Speaker 2 (08:04):
Hold on, yaffy, did you am the way with her doing?

Speaker 3 (08:07):
Now?

Speaker 2 (08:07):
That's ten bucks now anyhow, I'll use it for a taxi. Hello,
miss Love. Yeah, stay there and don't touch a thing.
I'll be right over. Dream. I hadn't waited if that
was really where she'd called me from. Eve Adams was
on the bedroom's floor, in front of a dressing table.

(08:28):
There was broken glass.

Speaker 3 (08:29):
All over the floor.

Speaker 2 (08:30):
The place wreaked. The perfume. The front of a negliget
was splashed with red. I looked at the wound, but
I didn't find any. And I looked at her hands.
All the nails on her left hand and two on
the right with the same color as the stain on
her clothing. Evidently, she'd been seated at the dressing table
putting on nail polish when the murderer entered the room.
The back of her head had been increased by the
well known blunt instruments such as a heavy sap. I

(08:51):
felt the bumps on my head and looked at the
overturned nail polished bottle and the dressing table. It was
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(09:24):
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(10:06):
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the Apple of Eave caper Tonight's adventure with Sam's Bay.

(10:36):
Second time around the murder apartment, I noticed something I
hadn't caught the first time. Some smears of Apple of
Eaves nail polies didn't show very distinctly against the rust
colored competing that left the clip trail across the kitchen
and aalion. I opened the back door. I smelled burning cloth.
It was an incinerator just outside, and from it I
fished a man's shirt partially burned. The initials in the
pocket were still intact, so were the red stains under them.

(10:59):
The initials were g The stains were your guessed, the
lieutenant there apple of Eve. Yeah, I'm looking for this
dream of love. She home, No, she hasn't, fink So
I come in and wait.

Speaker 6 (11:17):
Wait a minute, Okay, you're in.

Speaker 3 (11:21):
What do you want with him?

Speaker 2 (11:22):
She's in a little trouble. You a cop, I expected back.

Speaker 3 (11:26):
I don't know what's his trouble.

Speaker 2 (11:28):
She's frightened to kill a woman and now she's dead. Oh,
a girl named Eve Adams.

Speaker 3 (11:32):
Why would she want to kill Evie? Boy?

Speaker 2 (11:34):
I got it. There were locking horns over a guy
named gors Hagen? You know, yeah, and I wish I didn't.
Who is He?

Speaker 3 (11:40):
Used to run a gambling ship down at Malibu to
the law, turned into a baked barge. Now he calls
himself a yachtsman. But if you're trying to connect him
up with my sister, it's a bad connection. She hasn't
seen him in years.

Speaker 2 (11:50):
His idea hers hers and mine? And it was the
beef And who are you?

Speaker 3 (11:55):
I'm a brother. Eddie's my name, and why would there
be any beef between those two? Evie was my sister's
best friend.

Speaker 2 (12:01):
She was engaged to me, and this news must be
quite a shock to you. You're taking it like a
little soldier.

Speaker 3 (12:06):
She was asking for it, I warned her. I beg
her to leave town with me, but no, she couldn't
sneak off like that without letting gor snow the score.

Speaker 2 (12:14):
I told her.

Speaker 5 (12:14):
He kill her before he'd let her go.

Speaker 2 (12:16):
M you live here, Eddie?

Speaker 4 (12:18):
Yeah? Whatever it?

Speaker 2 (12:19):
Where do you keep his shoes.

Speaker 7 (12:20):
In a closet?

Speaker 3 (12:21):
Kidd?

Speaker 5 (12:21):
Where do you keep yours?

Speaker 3 (12:22):
Under the bed?

Speaker 2 (12:23):
Watch your closet in here?

Speaker 3 (12:25):
Wait a minute, your hands off me, Let me see
your warmed The better be good. You're going out of
hill on your head.

Speaker 2 (12:29):
Take your hands off me, Eddie.

Speaker 3 (12:30):
Let's see that want.

Speaker 2 (12:31):
All right? I got a wart, Eddie. I didn't find
what I was looking for, a pair of crape soled
shoes with places of apple of Eve nail polish on them.
But in one of his coat pockets I found a
sales slip from an apartment store cosmetics condor. There were
several items, but the one that enters in me, he said,
one lipstick, nail poly set, apple of eve. About then

(12:54):
I smelled Brandy in a voice behind.

Speaker 6 (12:56):
Me, said what happened to the kid?

Speaker 2 (12:59):
Oh? He asked for my want?

Speaker 6 (13:02):
Well, when you come to see me, i'll know better.

Speaker 2 (13:05):
Your name is Goss Hagen. I'm headed for your place
right now. What are you looking for a pair of
shoes with craped soles?

Speaker 6 (13:11):
What do you want with my deck shoes?

Speaker 2 (13:13):
I thought maybe they'd match up with this piece of
the shirt. But your initial, Senate, give me that? That's
What'd you get that in the incinerator at Eve Adams
Place by That.

Speaker 6 (13:21):
Don't prove anything. Lots of people got the same initials.
Have you talked to uh oh, George Howard, he's alibi,
he's out of time. That proves us a frame. I
don't know any George Howard. I thought, so, okay, let's
cut out the monkey bit. Let's give it to me.

Speaker 2 (13:34):
That's evidence. Give a treat, all right, I'll give it
together I did. He gave it right back to me.
I was only losing on points until I flipped over
the pearl letty and lost my balance. That's when he
gave me the crew to graun. I wasn't quite unconscious,

(13:55):
but somehow I just didn't feel like getting up. When
the apartment door open and I opened, my good eyes
just widen up to see dream of love walk.

Speaker 7 (14:03):
In, of course, what are you doing here?

Speaker 2 (14:06):
I come to the healthier dream.

Speaker 1 (14:07):
I don't need any help from you, Grss.

Speaker 7 (14:08):
I told you that three years ago. I don't know
what you're talking about.

Speaker 6 (14:12):
You kill leave Adams.

Speaker 5 (14:13):
Why you're wrong, GRS.

Speaker 1 (14:14):
I haven't seen Eve in agis.

Speaker 2 (14:15):
Why did you kill her?

Speaker 5 (14:18):
All right? I did it?

Speaker 2 (14:19):
Yeah?

Speaker 1 (14:20):
Why How is jealous seeing the two of you together?

Speaker 7 (14:24):
After all we've been to each other?

Speaker 5 (14:26):
And laugh at me? I'm a murder out of love
for you.

Speaker 1 (14:28):
It's very pleay, isn't it.

Speaker 6 (14:32):
I'm very fond of you, dreamer, my poor little dream
of love.

Speaker 2 (14:35):
I'd give you anything.

Speaker 6 (14:36):
I need a shirt from my back. Here, here's a
piece of it on account. I see you're impressed me too.
Come on, we'll go someplace where we can be alone
and talk things over.

Speaker 1 (14:47):
No ghost, please, I can explain everything went in the
car and the way.

Speaker 6 (14:49):
Down to the boat.

Speaker 2 (14:50):
Come on, you're hurting me, stupid. I stagger on my
feet and stumble over to the door. I reached it.
Justice Hagen's car pull away from the curb. By the
time I found a taxi, or at least halfway to
wherever they were going. I didn't know whether the boat

(15:11):
he had mansoned was tied up at the Embarca darrow
anchored in the marina more than Sarclato or the comed
and opened. But there was a seafaring man in our
town who knew about such things. My port of call
was the Seahorse Bar and grilled just after had a
fair sixteen or is it the foot captain Passali?

Speaker 7 (15:32):
He is silent son as in prasad my mistake. Salgie
berne salgi bernaca. On the one side of the thing,
I found to bibe sargwater safe and the teeth you
skiff have a lifeshaver.

Speaker 2 (15:44):
Well, thank you, Sam, You're very generous.

Speaker 5 (15:46):
You know we didn't money mad jigs, but it's straight
from the mint. Haha joke. What's up, Tonny? You in
the hole again?

Speaker 6 (15:54):
Ha ha?

Speaker 5 (15:55):
Catch me drifts?

Speaker 2 (15:56):
Yeah? What do you know about a yachtman named bross Hagen?

Speaker 4 (15:59):
Oh?

Speaker 5 (15:59):
Nice you put meeting?

Speaker 7 (16:01):
Is there anything lower than the yachtsman he's it where
his boat? When now she's still afloat, she'd be dragging
her hook summers off Sausalygo. Now she's a converted pet,
you know, because of the sea queen had her bottom
planks ripped out in the Battle of the Coral Sea,
and the patched her up with plywood.

Speaker 5 (16:18):
She's got two diesels. She has tomb screws to the
one reduction view.

Speaker 2 (16:23):
Yeah, yeah, I watched the quickest way of getting out
to her.

Speaker 5 (16:26):
Well, no, there's not much craft for chart to hear
about this time of night.

Speaker 7 (16:29):
You know.

Speaker 5 (16:30):
There's that Novak feller, but that's the present. He's sleep
in one arm. Might not be worth your while anyways,
why not?

Speaker 7 (16:36):
Well, hi can stopp by here twenty minutes ago looking
for his engineer said he was casting off on tide.

Speaker 5 (16:42):
Engineer or no engineer?

Speaker 2 (16:44):
What about your boat?

Speaker 1 (16:45):
My boat?

Speaker 7 (16:46):
When I maybe on the project course, she'll stand up
to any double end of Monterey dorry in the class
without a head sea.

Speaker 6 (16:52):
That is.

Speaker 5 (16:52):
Then on to other hand, you'll put her in the
bottom race. He's bucking a crater.

Speaker 2 (16:55):
Swell, yeah, how much?

Speaker 6 (16:57):
How much?

Speaker 5 (16:58):
Five dollars an hour?

Speaker 7 (17:00):
And that's with you men in the bodge promp Okay,
let's go this tim yea hagen fellow.

Speaker 5 (17:05):
Now you onto the trim of his.

Speaker 2 (17:06):
Seals, sails and a PiZZ boat, and let the boat
send me the man cut of his jib. I didn't
know as that that he was wearing Crape sold shoes.

Speaker 7 (17:14):
I'll tell you about this Hagan meeting fellow once tried
to board him.

Speaker 5 (17:18):
Custom Thompson, who list was up, picked.

Speaker 7 (17:21):
Him up four days later in a guildnet with a
fish gass.

Speaker 5 (17:24):
Go clean for his neck. Here have another life shaver,
you may need it.

Speaker 2 (17:39):
After he last middimized station at the Belge pump, Captain
Passaudi got his double Undo moderay dorry and a plotted
across the saucelito. He hoped, and we plunged recklessly into
the fog as nearly as I could catch his drift.
There was a fifty fifty chance that pay Hagen had
found his engineer and would be halfway to the parallel
islands before we could make it fast Archetrize. If we
stayed about that long, or b that he hadn't found

(17:59):
his might be having troubles signing up those two diesels
with the twin scrolls and the two one reduction gears
whatever they are flos Meja, which one.

Speaker 5 (18:21):
About five points brought bluing with the high free bot.
You get up on the party Meja. The ladder's ground
on the land of side, swing around and put john.

Speaker 2 (18:30):
It Hey, anybody home.

Speaker 5 (18:42):
He's likely blod nursing them diesels. You've got to rear
back and hollow major like this.

Speaker 1 (18:47):
Oh we.

Speaker 5 (18:53):
I like that godism.

Speaker 7 (19:00):
Fay for the like of Crapp the super request permission.

Speaker 2 (19:06):
To part that spade. I want to talk to you, Hagen.
That's sorry.

Speaker 5 (19:16):
What dog you have?

Speaker 2 (19:17):
Clumby lover? What do you got?

Speaker 6 (19:19):
You write some midship?

Speaker 2 (19:22):
Yeah? How you around this thing? I gotta get you
to shot.

Speaker 1 (19:25):
That's spp of.

Speaker 6 (19:26):
There's your four year Don't pull her back all the way.

Speaker 2 (19:29):
She'll die vacuum thanks your life style. What are you
looking for?

Speaker 7 (19:34):
Jump her pocket lifesaver in case you needed I don't
know more.

Speaker 5 (19:40):
This wins and you're after quarter him.

Speaker 2 (19:42):
If you remember that can keep her balanced.

Speaker 6 (19:45):
Don't let your jib ruffle keep her on course, mate,
he keep.

Speaker 2 (19:50):
They can be sorry, sour racket. I crawled over the
rail and try to make out Hagen's silhouette on the
other boat. I could just barely make out the shape
of a hawl against the faint blow of life and
the sauceledo shore. He'd lifted a few yards of stern

(20:11):
a Hagen's boat, but not out of rifle range. I
wondered why if you could see as well enough to
drop cap and saw he'd let it go at that,
and I got it. He was listening. Somebody was pulling
out from shore in a row boat. I didn't waste
any more time listening. I dug in. The captain saw
these jump a frocket fished out of waterproof pouch. I

(20:31):
took a seaman spapers out of it. He didn't need
them anymore, wrapped it around my gun, and they took
off some clothes and eased myself over the side. I
didn't swim at the speed, but the distance, stopping now
and then to make sure the man in the boat
was still covering for me, felt my way around the
hull that I found the anchor rope. Just as I

(20:52):
grabbed it, I heard him rest his oars hagon.

Speaker 5 (20:55):
What was that that he loves?

Speaker 2 (20:57):
What do you watch?

Speaker 7 (20:58):
I'd come out to my sister, go on, how many
she's sailing with me?

Speaker 6 (21:01):
That's the way she watches. You're lying.

Speaker 2 (21:03):
Wait a second, Come on, the.

Speaker 5 (21:06):
Dreamer, what's happened?

Speaker 2 (21:08):
Your brother's down there in the boat. Talk to him.

Speaker 1 (21:10):
What am I going talk to him, all right, Eddie?

Speaker 5 (21:13):
What he done to your all right? Edi?

Speaker 1 (21:14):
Everything's all right, Gods and I've decided gone home.

Speaker 7 (21:18):
Manning's wine you he knows you bring him if you
fell out with him, you want the bang y, I'm coming.

Speaker 2 (21:24):
A poor god, shine, drop it, Haim, drop the rifle.

Speaker 6 (21:42):
Send him.

Speaker 5 (21:43):
Did he hurt you now?

Speaker 2 (21:44):
I haven't kicked in the stomach before. It takes a
woman to kick you in the teeth. Hunt Sorry, I
don't care what you did. What burns me up? You
didn't do it right. I hate a bungler, especially a
female bungler.

Speaker 5 (21:53):
Him a bunger.

Speaker 2 (21:54):
You're the one, so what to work?

Speaker 1 (21:55):
If you hadn't gone poking in the incinerator, I should
have called a police. Say, don't known what to do with?
Ever s Steven wanting to get something on.

Speaker 2 (22:02):
Gorse of since repeal listen, Angel, Any flatfoot could have
seen through that setup. Eve Adams was sitting in front
of a mirror when she was maced. She saw the
murderer of the room. She got in the back of
her head. That means she trusted whoever walked up behind her.
That also means the evidence of a struggle was.

Speaker 1 (22:15):
Faked put the nail polish on Gorcier's shirt.

Speaker 2 (22:17):
You put that nail polished on her fingers after she
was dead, laid that frail of the encineator with a
pair of Gross's shoes, where any flatfoot was supposed to
think he'd try to destroy the incriminating shirt. But the
dumbest thing you did was lying to me about that
matching lipstick you dropped in my office. That made you
look guiltier than anybody, because anybody got a planted that
fake evidence.

Speaker 5 (22:33):
I didn't tell her I'm not a murderer.

Speaker 2 (22:35):
Yeah, brother might have got off easy crime of passion.
Please please don't.

Speaker 7 (22:38):
Say that I can't bur the thought that after everything
I said, it's.

Speaker 1 (22:42):
All comfortable nothing.

Speaker 2 (22:46):
I have a life, save it. You mayn't need it
and a report.

Speaker 1 (23:03):
Poor Captain Faculty, he.

Speaker 2 (23:05):
Is silent everything for some go type that up as
nice woman the package and now listen to this if

(23:26):
you want the well groomed look that helps out listen. Recently,
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(23:47):
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By the way, smart girls use Wild Root Cream Oil too,

(24:08):
and mothers say it's grand for training children's hair. Yet
Wild Root Cream Oil again and again the choice of
men and women and children too. Besides, I got what stops.

Speaker 1 (24:28):
You the last page of my notebook going to our
shortage of supply, Sam. But in the way I'm glad
because I didn't have to go through it again, I
mean for catching.

Speaker 2 (24:38):
Sh Please please, honest, I'll buy you a new notebook,
a nice faton, would you like that? Oh?

Speaker 1 (24:43):
Yes, there's always something so final about final pages of See.

Speaker 2 (24:50):
When I think of all the rist you taste, say
nothing of my clients think I'll put a new sign
on the door, abandon hope all ye who went a hair?

Speaker 6 (24:58):
Oh?

Speaker 1 (24:59):
But I haven't said where there's a will, there's a whisk, there's.

Speaker 2 (25:03):
A what a whist stand small, which reminds me there's
join me, just a whisp one of us has got Well,
it'll be me, good night, good night, sweetheart. The Adventures

(25:35):
of Sam Spade, Ashall Hammond's famous private detective, are produced
and directed by William Spear. Sam Spade is played by
Howard duff Loreen Tupple is ePIE Howard Dufkin. I'll be
seen starring with the von de Carlo in Universal Internationals
Technicolor production of Calamity Jane and Sam Bass. The Adventures

(26:23):
of Sam Spade are written for radio by Bob Tolman
and Gildale, Musical direction by lud Gluskin. Let's score composed
by Rene and Pierre Garrigan. Join us again next Sunday,
when author Dashil Hammerton producer WILLIAMS. Spear joined forces for
another adventure with Sam Spade, brought to you by Wild
Root freem Oil, Again and again. The choice of men
and women and children too. This is CBS to Columbia

(26:48):
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