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August 22, 2025 • 28 mins
A collection of gripping detective stories featuring sharp-witted investigators, puzzling crimes, and clever resolutions. Each episode showcases the art of deduction and the thrill of the chase.
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Speaker 1 (00:00):
Petree Wine brings you.

Speaker 2 (00:03):
Basil rock Phone and Nigel Bruce and the new adventures
of Sherlock Holmes. The Petrie family, the family that took
time to bring you good wine.

Speaker 1 (00:18):
Invite you to listen to doctor Wahston tell us another.

Speaker 2 (00:21):
Exciting adventure he shared with his old friend, that brilliant
detective Sherlock Holmes, and say, why do you lend an
ear to the good doctor? Use a lot of pleasure
out the glass of rich ruby red Petrie California Port.

Speaker 1 (00:34):
Just sit back and sip that petre Port leisurely. There's
the wine.

Speaker 2 (00:39):
It's just perfect after dinner, a wine that really goes
with storytelling and conversation. Petre Port is as rich in
flavor as it is in.

Speaker 1 (00:47):
Color and water.

Speaker 2 (00:48):
Flavor, full, hearty, and delicious. I can't think of a
better way to express your hospitality than to offer your
friends a glass of good petre Port. Serve that petri
Port alone, or serve it with fruit or nuts, or
with cake or sandwiches. No matter how you serve it,
you can serve that pet tree Port proudly. Because the
name Petrie is the proudest name in the history of

(01:10):
American wine. Well, we are once again keeping our weekly
date with doctor Watson.

Speaker 1 (01:26):
Good evening, doctor, what the evening?

Speaker 3 (01:28):
Come in and join me. You see the peppers have
been keeping your chair warm for you.

Speaker 2 (01:33):
Shove them off, No, doctor, I don't want to disturb them.
They look much too comfortable. I'll sit up here.

Speaker 4 (01:37):
Thanks mis to Becco and the job. Beside your cigarettes
in the box. It's some excellent port on the sideboard.

Speaker 3 (01:42):
So make yourself for tone.

Speaker 1 (01:43):
Thanks doctor.

Speaker 2 (01:44):
Are you already with the nice news Sherlin's Adventure?

Speaker 3 (01:47):
Yes, it's about tell.

Speaker 4 (01:48):
I'm afraid after all these years it's good. Been a
little hard for me to recapture for you the spit.

Speaker 3 (01:54):
It of the story.

Speaker 2 (01:55):
Last week you told us that a band of gypsy's
played a prominent part in the adventure.

Speaker 4 (01:59):
Yes, I did, indeed, And it was amid that colorful
atmosphere that my story begins. As in the autumn of
eighteen hundred and ninety, my old friend Showock Holmes had
persuaded me to leave the comforts of my domestic fireside
for a few days and to accompany him to the
tiny village of Bragston on the Marsh, in the heart
of the Norfolk Fen district.

Speaker 1 (02:18):
What took shell I corns up there, doctor, I'm afraid that.

Speaker 4 (02:20):
At the time we left London, mister Barchell he concealed
his two purpose from me, saying only that he wanted
friendly companionship and a strong right arm. Not until later
did I learn that he was then on the track
of one of the last clues that led to the
confining of Maria a gang.

Speaker 3 (02:35):
But to get on with my story. He arrived at Bragston.

Speaker 4 (02:38):
On the Marsh and settled out those in the village inn,
and after an early dinner, we strolled across the fields to.

Speaker 3 (02:44):
The gypsy fair that was in camped nearby. It was
a colorful sight.

Speaker 4 (02:48):
Mister Bartell napped for flares, lighted a group of tents
and caravans dotted round the edge of the marsh, and
as gold earing gypsy girls told fortunes and danced spot
their gypsy men. They on their violins the haunting melodiers
of their ancestors. We watched the side shows for a
few moments, and then stole towards the center of the
gypsy encampment. It seems only like yesterday, mister Bartel, As.

Speaker 1 (03:12):
Holmes turned to me and said, far quiet on Baker Street,
isn't it what?

Speaker 4 (03:19):
Yes, indeed, just the same homes. I'm convinced that you're
not here purely at holiday. You're on the trail of.

Speaker 1 (03:24):
Some criminal no chab, I'm on the trail of clu
the clo I find it may lead to the concounding
of the Mariati gang.

Speaker 4 (03:32):
Holmes, can't you be a little more explicit? After all,
I left my wife and I practice. I'd ask you
any questions.

Speaker 3 (03:37):
Surely, and I were up here, you can let me
know what's the food all blood.

Speaker 2 (03:40):
I'm searching for a young gypsy by the name of
Primus Urn. He disappeared recently from London, and it's vital
that I find him. I know that he can give
me some essential information on our old enemy, Professor Mariati.

Speaker 3 (03:51):
And you're expecting to find the gypsy here.

Speaker 1 (03:53):
I hope to get news of him.

Speaker 2 (03:54):
At least his father, Jasper Herne, is head of this
particular encampment.

Speaker 3 (03:58):
Why don't you ask if you will see here?

Speaker 1 (03:59):
That's what I'm about to do. My diploge here comes
to justin ask him, all right, oh excuse me, you
speak to me? Can you tell me where I might
signed that mister Jasper hern what you want with chessper her?
I have a message for his son Pyramus that is
different just for her and stands in the boot yonder.
He is the timber Lankro.

Speaker 2 (04:18):
He's a gentleman engaged in an interesting exhibition of skill
involving three thimbles and a p.

Speaker 1 (04:23):
What our American cousins referred to I understand as the
old show game. Let's still over the show.

Speaker 2 (04:27):
We also would wish to talk to Jasper, would be
better to wait until he is finished.

Speaker 1 (04:31):
The timber Angro needs all his wits.

Speaker 3 (04:33):
Abat do y'ell? Look at that stunning girl and the
tent over there? Who who she heard?

Speaker 1 (04:37):
That is penning their eyes stuckering? That is legy Lydia
pentele Angro.

Speaker 2 (04:42):
Excuse me, I shall tell Jasper to expect you late.

Speaker 3 (04:45):
I can't understand the word they say. I'm telling you what.

Speaker 2 (04:49):
At last, my dear fellow, you can appreciate how I
have felt at times, but at least their words are clear,
even if even if the sense is not to someone
who is unfamiliar with the Romany language.

Speaker 4 (05:00):
I don't know why you keep thinking that I am
hard to understand no one else ever complains of it.

Speaker 3 (05:05):
In any case, what does Penning will feel about me?

Speaker 1 (05:07):
The whole hell?

Speaker 2 (05:08):
If I remember rightly Penning ducker In is telling fortunes,
and from the sound of things, Lydia Pentelanngro is not great.

Speaker 1 (05:15):
It pleased with the duck, and.

Speaker 3 (05:16):
She pens no more. Lydia can tell no more fortune.

Speaker 1 (05:19):
Come on, Watson, let's see what the trouble is. What
do you mean you.

Speaker 5 (05:22):
Must finish it all of my beard.

Speaker 1 (05:24):
If the young lady doesn't want to tell my fault.

Speaker 3 (05:26):
You rubbish.

Speaker 1 (05:27):
You cross her power with though.

Speaker 6 (05:28):
But she's taking money on the false.

Speaker 7 (05:29):
Pretensive, kid, I'd give you your silver back.

Speaker 6 (05:32):
Lydia has never taken money under false pretenses, nor has
she told the future when she don't wish to goodbye
to you.

Speaker 5 (05:37):
The insolence of these gypsus is intolerable.

Speaker 1 (05:40):
If I had my way, they'd be run.

Speaker 3 (05:41):
Out of the county.

Speaker 5 (05:42):
Now, my dear, don't get so excited. The poor goes
probably ring nature's tread goat.

Speaker 3 (05:46):
Isn't it hurt? I don't think I have the pleasure
of your oh, dear me, it's mister Sherlock Holmes. Yes, sir, well,
bless my soul.

Speaker 5 (05:53):
I haven't seen you since that last meeting is the
Geographical Society.

Speaker 3 (05:57):
I'd like you to meet my wife.

Speaker 1 (05:58):
How do you do, missus? Fredgold?

Speaker 3 (05:59):
How?

Speaker 1 (06:00):
And this is my friend, doctor Buttson?

Speaker 3 (06:02):
And what brings you up to this part of England homes?
Are you hot on the trail of some despot criminal? Yeah?

Speaker 2 (06:08):
Me no, Doc Watson and I are taking a little
holiday and you and your wife we.

Speaker 3 (06:12):
Lived here in the manor house. You're very lucky. It's
a beautiful part of the countim.

Speaker 1 (06:16):
I hate it.

Speaker 3 (06:17):
I was both brought up in London. I'm never really
happy outside the city.

Speaker 1 (06:20):
Yes, Ala does not run for the peace of the countryside.

Speaker 3 (06:22):
I'm afraid. Well, well, perhaps we'll get back there.

Speaker 1 (06:25):
It's a little difficult these days, you know.

Speaker 3 (06:27):
We've got the boy to consider. Boy, you're your son,
my dead brother's son. Doctor.

Speaker 1 (06:32):
We have no children.

Speaker 5 (06:33):
My little nephew's only four years old, you see, and
i'm his guardian as well as being executive. His estates
are so you can understand it would be difficult for
us to get back to London.

Speaker 6 (06:41):
It's only difficult because you the child's happiness before mine.

Speaker 5 (06:44):
I thought, Oh no, Noll, if you know I have
to watch it interest up here. After all, when he
comes of age, he'll be one of the richest.

Speaker 6 (06:50):
Chomen in North Yes, and with money that should have
come to us. In any case, Arthur, if we do
have to live up here, I'd find it more tolerable
if you'd keep this gypsy's come up the estate.

Speaker 1 (07:00):
To take them. The balance is like to the gypsies,
missus Frett Goldman, I ask why.

Speaker 3 (07:04):
They persecute us.

Speaker 5 (07:05):
They steal our sheep, they break our windows, and just
the other day they want me let our price pick.

Speaker 1 (07:10):
Into the breadstone quagmar and let the beast pits.

Speaker 4 (07:12):
Why should they single you out for persecution like this
few spurs, I can't imagine.

Speaker 3 (07:16):
I've always tried to be.

Speaker 1 (07:18):
Nice to them, too nice, Outter, that's your trouble.

Speaker 3 (07:20):
I have a very good reason for humoring them, my dear.
You see, Holmes, I've.

Speaker 5 (07:23):
Always been afraid they may carry this feud so far
that they'll even hurt the baby olive. My dear, I
wonder if you go ahead and wait for me, and
the carriage is getting rather chilly, I'll join you in
a moment, very well.

Speaker 3 (07:34):
After but don't keep me waiting long.

Speaker 1 (07:36):
Good evening, grieving, good night.

Speaker 5 (07:40):
Let's stroll away from the camp shellby. I've got something
very important to tell you, something I didn't like to
say in front of Olive.

Speaker 1 (07:47):
The Gypsies have threatened to kidnap our boys.

Speaker 3 (07:51):
Shocking.

Speaker 1 (07:52):
What form did their thread take? Sir? This letter?

Speaker 5 (07:55):
I found it pinned on the frame of my dressing
room mirror when I went up after dinner time.

Speaker 2 (07:59):
Let me see, well you want the terms a romedy rye.
A romedy rye won't take your insults forever. Major and
missus high and mighty, watch out for the tread gold
air the bragstone quagmire would make a nice finishing the
school for him.

Speaker 3 (08:19):
Romney rye means well, it's their own term, meaning gypsy.
Mister Holmes, what shall I do?

Speaker 1 (08:25):
I make the tread gold?

Speaker 3 (08:25):
I just wait, that's not just missing where the place
has come from.

Speaker 2 (08:31):
I can't see a soult They have come from behind
any one of those caravans ahead of us.

Speaker 5 (08:34):
If you wanted direct evidence, gentlemen, this is it. That
is the first open attempt on my life. Holmes, what
extraordinary luck for me that you're in the neighborhood. I'll
pay you any fee you name to handle this.

Speaker 1 (08:45):
It seems to me that this is a job for
the police.

Speaker 3 (08:48):
I don't want to go to them. Oh why not?

Speaker 1 (08:49):
So?

Speaker 5 (08:49):
I'm afraid that these attacks may stem from some injustice
to the Gypsies committed by my late brother.

Speaker 1 (08:54):
If that were so, I wouldn't.

Speaker 3 (08:56):
Wish to expose the fact. I want this kept prict.

Speaker 2 (09:00):
What are you, sister, I'll accept the case. It shall
be kept private, and I promised to do everything in
my part protect the safety of the tread Gold air.
We are staying at the Rose and Crown in the village.
Please get in touch with me if there should be
further developments.

Speaker 4 (09:28):
The affairs seems to be closed down for the night
in our homes. They're turning up and after flare.

Speaker 1 (09:33):
Yes, let's stroll over to Jasper Hern's caravan, shall we.
He should be free now.

Speaker 4 (09:36):
If he's head of this tribe, he ought to be
able to tell you something about this tread Gold business.

Speaker 2 (09:40):
Yes, now, I still first ask him about his son,
Piramus and the man I'm looking for. I think the
fact that I know his son will inspired confidence. Here
we are, says the caravan that girl Ldia petrodangel sitting
outside and one that was turning fortune.

Speaker 1 (09:52):
Yes, good evening cool and what you want? I wish
to speak to Jasper? Hearn here? What's here?

Speaker 7 (09:57):
He's gone to the marsh.

Speaker 1 (09:58):
When will he be back?

Speaker 7 (09:59):
I don't no, you trouble to jes No, my dear,
this is a personal visit.

Speaker 1 (10:05):
We're not after him something as simple a grove or
for petting duckern.

Speaker 7 (10:09):
Who for a gorgeo you speak of romedy? Were brother?
Oh you are a cruel of ingrow master of words?

Speaker 1 (10:15):
Who did you learn from just son? Themis? Oh? You
know if you're honestad a fine boy?

Speaker 7 (10:21):
So sit down on the grass, my friend, you may
wait here for Chester.

Speaker 3 (10:24):
He will be back. Sir? Is that your violin lying
on the steps? Young heady?

Speaker 6 (10:28):
No, that is Jasper's bullshop. That is the Romedic word
for violin. You play, sir, No, no, but my friend
does so for them?

Speaker 7 (10:37):
Take it brother, the stars of right, the light is warm.

Speaker 1 (10:41):
Music would be sweet romedy Chai. I'm afraid that my
violin playing was not rather poor stuff.

Speaker 6 (10:48):
Mm play on, brother, So brother, you play well? But

(11:14):
Sarah that he's the going of vice and it is
not the true gypsy music. Hi, I've heard it in
London and in Budapest.

Speaker 7 (11:20):
They call it gypsy. But what can a gorge shall
know the true heart of Romany? Wait here, I will
get my own violin.

Speaker 3 (11:29):
Tell me why should keep on talking about gor here?
Is that more? I confounded? Gibbs? I got to your chap?

Speaker 1 (11:35):
Is the term they use for anyone who is not
a true gypsy?

Speaker 7 (11:38):
No, I will play for you the real gypsy.

Speaker 1 (11:40):
Thank you, actual appreciate it very much. But before you begin,
I wonder if I might ask you a question.

Speaker 7 (11:45):
A friend of Samas, mask me any questions.

Speaker 2 (11:48):
I observed you telling fortunes earlier on tonight you refuse
to p certain gentleman's hand and gave money back.

Speaker 1 (11:54):
Did you know who the gentleman was?

Speaker 7 (11:55):
No brother, nor the noisy woman with him.

Speaker 6 (11:58):
I refused to Kenneth Docrin because I saw blood and
violet jest in his hand. Violent testage is soon to come.

Speaker 2 (12:06):
I want you to do me a favor. What is
I must remain here until Jasper Hen comes back. I
should like you to return to the inn. It's more
than possible that we may have news from our client.

Speaker 1 (12:17):
Before the night is out.

Speaker 3 (12:18):
I'll at well ask you to give me the best job.

Speaker 2 (12:21):
A good night, mister, goodnight, and now please stay for
me a true robin air will.

Speaker 7 (12:29):
My friend listen?

Speaker 6 (12:50):
Now you must play brother. I shall make a true
chamnger of you. Come see if you can follow me.

Speaker 2 (13:42):
Litja, you have taught him well. You have made a
true bushman girl on him. He is an at the
actual teacher. It's hard to be otherwise, mister hern That
is if one has a spark at music and one
soul called me jasper.

Speaker 1 (13:54):
Brother. You have spoken well, my son. You have talked
bisely to me of.

Speaker 2 (13:58):
Things that I have not understood to be shothing fine
together underneath the stars, I shall.

Speaker 1 (14:04):
Get bosses and jest, sir.

Speaker 7 (14:06):
I'd taken a great fancy.

Speaker 3 (14:07):
To the brother, and I to him.

Speaker 1 (14:08):
He's a fine man. Shilla.

Speaker 6 (14:10):
Come yes, Vidian near read your hand, Roger, Why yes,
of course, a strange hand and a beautiful one, A
long life, linent. Yet I see sudden death in violence
surrounding you. No at this moment, and in the future,
I see a journey for you across the seas within

(14:31):
a year.

Speaker 7 (14:33):
The pair of water that runs in the mountains near
death will be for you. Death, more travels, more dangers.

Speaker 1 (14:41):
Oh, you must be careful, brother, Oh what is it? Oh?

Speaker 6 (14:45):
Pers are destined to cross, but one we shall not
meet after this night.

Speaker 1 (14:50):
That makes me say, oh, but wish meet again. I
shall be here some days.

Speaker 6 (14:54):
Yet No, it's death in your hand that we shall
not meet again. And a hand cannot lie.

Speaker 5 (15:00):
Who is this that comes toward us to the moonlight,
my friend, doctor Watson, I think, yes, Hella Watson, what's
rock wrong?

Speaker 3 (15:06):
Well, heaven's wrong. Misus tured girl's waiting in the carriage.
She wants you to come at once.

Speaker 1 (15:10):
Indeed, why the child has been kidnapped.

Speaker 3 (15:12):
Major tred Go has.

Speaker 4 (15:12):
Gone for the police, and Missus Tredgull is threatening to
rouse the local inhabitants.

Speaker 1 (15:16):
And come out here and burn this camp to the ground.

Speaker 2 (15:18):
If you don't find the chart, tell Missus tred Goes
to return home. She can do nobody there but Tom
Tello old Chap that I have the case well in hand.

Speaker 1 (15:24):
But how can you have You've been out here all
the time playing your.

Speaker 2 (15:27):
Volet faith and mcleazel fellow William and deliver the message.
Then come back here and join me, and I'll explain.

Speaker 1 (15:32):
Everything to you.

Speaker 3 (15:33):
Well, you know what you're up.

Speaker 7 (15:36):
Violence and trouble brought her. It is all there in
your hands.

Speaker 1 (15:39):
Well, what must be shall be.

Speaker 2 (15:42):
And I wouldn't have it otherwise but for the moment,
the sky is starlet, the air is till, and the
melody you played hantsney.

Speaker 1 (15:50):
Let's play it together again, shall we.

Speaker 7 (15:51):
I should like that. I should like that very much.

Speaker 2 (16:21):
Doctor Watson will continue his story in just a few seconds,
during which time I'd like to talk specifically to the ladies,
if I may, and tell you about Petrie California muscatel.
Just as Petrie California port has long been known as
the wine of gentlemen, Petrie muscatel has known as the
favorite of the ladies. That's because Petrie muscatel is a

(16:42):
golden colored wine that looks like captured sunshine and tastes well,
did you ever take big, plump muscat grapes picked when
they're still misty and dew covered. If you have, you
know what to expect when you taste Petrie muscatell. The
flavor of Petrie muscatel come right from the very heart
of luscious hand.

Speaker 1 (17:02):
Picked muscat grapes.

Speaker 2 (17:04):
You couldn't ask for a more delicious wine than Muscatel
pet tree.

Speaker 1 (17:08):
Muscatel Well, doctor Watson and I, I must.

Speaker 2 (17:12):
Say, this is a strange story you're telling us. You
need to say that the airs of the tread gold
Estates had been kidnapped, and yet sure my coms paid
no attention.

Speaker 4 (17:20):
It seemed like it was about Oh. I couldn't understand him.
I've never known him to be so indifferent to a case.
There he sat until the early hours of the morning.
Has he and that girl scraped awa the violins and
never said a word about the kidnapped baby. Finally, as
we walked home across the fields a few hours before dawn,
his mind seemed to return to the matter at hand.

Speaker 3 (17:41):
He spoke quietly, and yet there was a note of
suppressed excitement in his voice.

Speaker 1 (17:46):
Dear fellow, you are angry with me, aren't you?

Speaker 3 (17:48):
Oh? No, home, I must say, but I'm confused.

Speaker 4 (17:51):
That girl seems to bewitchful. Have you forgotten that you
accepted the job of guarding the tread gold.

Speaker 3 (17:56):
Air and that the child was kidnapped tonight?

Speaker 1 (17:59):
O im for your effect?

Speaker 3 (18:00):
Heaven say stopped needs to infernel? Matter of fact, what's.

Speaker 1 (18:03):
Coming from Possibly it's the mood of this mild autumn night.
It is.

Speaker 2 (18:07):
Indeed, are St Martins summer so much so? Either I've
let my coat and dear start a cat behind me
at the encampment. Let's go back show in And incidentally,
when we get there, I can set your mind at
rest by showing you the kidnapped child.

Speaker 3 (18:20):
I mean you know where it is.

Speaker 1 (18:22):
Certainly it's in the camp.

Speaker 3 (18:25):
Then the gypsies did steal it.

Speaker 1 (18:27):
No, my dear fellow, I did what This is one of.

Speaker 4 (18:30):
Those occasions when you absolutely furiate me, Holmes, if you
must keep me up half the night while you have
a fitting cot with a gypsy girl, at.

Speaker 3 (18:36):
Least for all you can do is tell me what's
going on. You seem ston't tell yourself in Heaven's name.

Speaker 1 (18:41):
Why because the threatening note to media tread Gold.

Speaker 2 (18:44):
Obviously, Ah, you will remember that the letter began A
romany rye will not take your insults forever.

Speaker 1 (18:50):
Now.

Speaker 2 (18:50):
A romany rye, despite what media tred Gold said, does
not mean a gypsy. That a man who knows about
gypsy law. It is a term no true gypsy would
reply to himself. He would use the expression horominate child.
It was obvious from the beginning that no gypsy has
threatened the child.

Speaker 1 (19:07):
Now who else had a motive for harming it? Well
made the tread go because he stood to inherit the
estate or his wife.

Speaker 2 (19:15):
It's quite obvious she has no liking for our present life,
and the child is an obstacle to a new one.
But the child captain later made away with. Obviously they
both stood again many of the things they wanted.

Speaker 4 (19:28):
You're you're right, and whoever the carpet is took the
precaution of pinning the blame in advance on the unfortunate
gypsies by writing the fourth kidnapping note. Wait a minute,
but how about the shot that was fired at us
tonight as.

Speaker 1 (19:40):
We walked with made the tread go, probably fired by
and a.

Speaker 2 (19:42):
Compass to the plot in order to give authenticity to
the supposed danger, and the child is now in them.
I promised that I would protect the tread gold air,
and so I arranged with Jasper hand to have the
boy kidnapped for his own safety.

Speaker 4 (19:56):
But if anyone should find the child, they'll say the
gypsies deliberately stole him.

Speaker 2 (20:00):
I'm quite certain that before that occasion arises, Old Jeff,
the criminal would have shown his or her hands.

Speaker 1 (20:04):
Come on open, but't your best foot forward. It's a
long way back to the camp yet, and it's nearly dawn.
You will have come back. Butter, you wish to spend

(20:25):
the remainder of the night and didn't happen. No, thank you, Jasper.
I just came back my cap and coat. It was
so warm to night, and I forgot about them, and
I started to walk home without them. I will find
them for you. Oh, we found this message for your
Sonata you had left. It was pinned to the door
of the car them. I do not know how it
got there. I was searched for your coat.

Speaker 3 (20:44):
And another message.

Speaker 1 (20:45):
What you say, Holmes, never trust the romany rye uh huh.
The same mistake again, Watson.

Speaker 2 (20:53):
Your plans have been betrayed. For proof, meet me at
the Bragstone Quagmire at dawn. It's a track, obviously we
must spring it to caution. I cannot find your coat
or your cap. Drutter that has Spanish Spanish? May I
speak to Lydia that the strangest thing too. Lydia has
gone also, she's gone. Tell me, Jasper did you read.

Speaker 1 (21:14):
This note, Yes she did. She could not help reading it.

Speaker 2 (21:16):
Then she too realized it was a tramp. She went
out in my coat and dear's talking hat to keep
the appointment for me?

Speaker 3 (21:22):
Who's come off? Jasper?

Speaker 1 (21:24):
Call off the romany childs that that devil waiting to
be caught in the blackstone cragmar Umhammus fun it to
the quagmile, Jasper, two hundred yards no more, del.

Speaker 2 (21:43):
Di dear, Yes she is, and she's dressed in my tears,
talking halfn coat, walking into the track that was said
for me.

Speaker 3 (21:49):
Lydia, Lydia. They got a look. Look, she's stumbled, she's fallen.

Speaker 2 (21:54):
I go to Robotson, Jasper, get that devil who staged
this English plus how a scar.

Speaker 3 (21:58):
To settle with him? Do not play, brother, Let's go.

Speaker 1 (22:00):
It will be second Lydia, Lydia, jeer com I was wrong?

Speaker 7 (22:11):
We do meet again? Your hands lied to me.

Speaker 1 (22:16):
You're wounded? What can I do for you?

Speaker 6 (22:18):
There is nothing you can do, brother, No one can
help me. Now, there is little pain, there is little time.
Please hold my hand.

Speaker 1 (22:28):
Yeh tell me, Lydia, did you see who fired the shot? Yes?

Speaker 7 (22:34):
It was the man whose fortune I told today the
man with the easy way.

Speaker 2 (22:41):
Him.

Speaker 6 (22:43):
There is one thing I wish to tell your brother. Yes,
I wish what was needing has brought me happiness. I
should like to think I can leave you something so
that you will not forgip me.

Speaker 1 (22:55):
Lord, Just remember you Lydia always. You gave your life
for mine.

Speaker 7 (23:01):
There is one thing of mine did I wish you
to have? It will remind you of me?

Speaker 3 (23:07):
What is it?

Speaker 7 (23:08):
My violin? It brought us together. I should let you
to have it brought it.

Speaker 1 (23:15):
Do not be said.

Speaker 7 (23:16):
It is good my life for yours. You will give
help too many people. It is in your hand. Goodbye,
wish him man.

Speaker 3 (23:45):
Homes. It was dreadful, dreadful.

Speaker 4 (23:48):
The gypsy surrounded Major dread goal. They forced him back
into the backs Quagma. I tried to pull him out,
but I could put a single hand.

Speaker 1 (23:54):
I'm not sorry, Watson, he asked, But you know that
video is yes, I know it. The gypsies knew it too.
It's why you were single handed doctor in your attempts
to save the murderer. No romany child would raise a
finger to.

Speaker 3 (24:10):
Help him, as I can understand that.

Speaker 4 (24:12):
But great scott Man, if you'd seen his face as
a quaking mud sucked him under.

Speaker 2 (24:16):
Lydia's death was less dramatic, but equally moving. I assure you, Shela,
cons I met you less than five hours ago. You
have saved my tribe from a devilish plot that would
have blackened their names, a plot that would.

Speaker 1 (24:29):
Have driven them from the countryside. What can I do
in re Two things? First, tell me where I may
reach your son Tomas. His address is in the sealed envelopcratter.
Thank you. What else may I do for you? If
Lydia died, she will be one gift for remembrance.

Speaker 3 (24:45):
And what was that gift? Ba Her?

Speaker 1 (24:47):
A violin? Of course, here.

Speaker 2 (24:53):
Here it is hum He told me I might become
a true butcham Grove. Let's see if I can capture
the melody once more. Doctor, that was a very straightened story,

(25:32):
very fascinating one. But tell me, do you really believe
that gypsies can tell your fortune by reading the pome
of your hands?

Speaker 4 (25:38):
Oh, Frank, I don't know, mister Bacho. Persu they ken
paps this coincidence? And then again, maybe some gypsy women
have a heightened.

Speaker 3 (25:46):
Sense and intuition. You know, a woman's intuition can be
an extraordinary thing.

Speaker 2 (25:51):
So my wife keeps telling me, of course, I have
a kind of innovation myself. Every time I see a
bottle of wine with a named Patri on the label,
interition tells me I'm gonna like it, and I always
do too.

Speaker 3 (26:02):
It's about till fish. I saw a man with a
one track man man.

Speaker 1 (26:06):
Thank you doctor.

Speaker 2 (26:07):
As long as my one track Petry, I can't miss,
because nobody can miss with Petree wine. What other wine
has such tradition such as story behind it. Petree wine
is made by a family, the Petrie family. They've owned
and operated their own business ever since its inception back
in the eighteen hundred. The Petrie family has been making
good wine for generations, and they've been hanging on down

(26:29):
in the family, from father to son, from father to son.
The fine art of turning luscious sun ripened grapes into fragrant,
delicious wine.

Speaker 1 (26:39):
That sure adds up to a lot of experience. You
can just bet your last.

Speaker 2 (26:42):
Dollar that no matter what kind of wine you want,
when you look for a Petrie wine, you're asking for
good wine because Petrie took time to bring you good wine. Well,
doctor Watson, what story are you planning to tell us
next week.

Speaker 4 (26:56):
Next week, mister Boutella, I'm going to tell you a
strange adventure that show lck Holmes and I head in
the East End of London. Concerns five neviews, an eccentric will,
and the dead Man's watch that gave us the clue Tomta.

Speaker 1 (27:20):
Tonight.

Speaker 2 (27:20):
Sherlock Holmes Adventure was written by Dennis Green and Anthony Boucher,
and was suggested by an incident in the Arthur Conan
Doyle story.

Speaker 1 (27:28):
The Adventure of the Red Circle. Music is by John Fossler.

Speaker 2 (27:32):
Mister Rathborne appears through the courtesy of Metro Boldwood Mayor
and mister Bruce through the courtesy of Universal Pictures. They
and our starring in the Sherlock Holmes series. The Pets
Flying Company of San Francisco, California invites you to tune

(27:53):
in again next week, same time, same station. Sherlock Holmes
comes to you from our Holaywood Studio. This is Harry
Bartel say good night for the Patrie family. A solid
hour of exciting mystery dramas. Listen every Monday on most
of these same stations at eight o'clock to Michael Shane,

(28:14):
followed immediately by sherlock Hold.

Speaker 1 (28:17):
This is the mutual broadcasting, so
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