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August 4, 2025 • 28 mins
A collection of gripping detective stories featuring sharp-witted investigators, puzzling crimes, and clever resolutions. Each episode showcases the art of deduction and the thrill of the chase. Explore a world of immersive, ad-free audio experiences from nature sounds to timeless stories at https://www.adfreesounds.com
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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:06):
Who knows what evil lurks in the hearts of men.
The Shadow knows.

Speaker 2 (00:52):
Ladies and gentlemen. The Shadow is exciting adventures thoughts in
the moment. But right now, motorists, I have the biggest,
the most exciting years you've heard since the days of
the first two La tire. It's all about the tire
sensation of nineteen thirty eight, the new Gundric facedy Silvertown
with the amazing lightsaber tread. This new kind of tire
is utterly different in appearance, design and action than anything

(01:13):
you've ever seen or felt.

Speaker 3 (01:15):
At the first sign of a skid.

Speaker 2 (01:16):
It turns the wet road under your car into a
dry track and stops you quicker, safer than you've ever
stopped before.

Speaker 3 (01:23):
Hard to believe, just listen to this startling proof. An
exhaustive road test made.

Speaker 2 (01:28):
By the largest independent testing laboratory in the country against
regular and premium price tires of America's sixth largest tire manufacturers.

Speaker 3 (01:36):
No tire tested, regardless of price, came up to this
new tire in non skid action.

Speaker 2 (01:42):
These severe tests, made over a three month period, also
proved that the Silver Town gave more nonskid mileage than
any of the other tires tested in its own price
reign average nineteen point one percent more miles before the
tire's war smooth. You'll never know what the word stop
really means un till you felt the grip of the
new silver Town on a wet, slippery road.

Speaker 1 (02:04):
For Safety's sake, make your next set of tires.

Speaker 3 (02:07):
Gudred Felled g.

Speaker 2 (02:09):
O O d rid Eh Gudred Safety Silver Town. The
Shadow the Mont Cranston, a man of wealth, acutant of times,
and a master of other people's minds, devotes his life
to righting wrongs, protecting the innocent, and punishing the guilty

(02:33):
using advanced methods that they ultimately become available to all
law enforcement agencies. Cranston is known to the underworld as
the shadows never seen only her, as haunting, to superstitious minds,
as a goat, as inevitable as a guilty conscience. The
identity of the Shadow is known only to his friends
and aids. Margot Lane to Day's story, the fire above

(03:08):
wire reported a Fourth and Chestnut Street Plaise and Forth
and Chestnut, while I reported it forth and Chestnut Street,
Plaise and.

Speaker 4 (03:16):
Fourth and Chestnut, Stay back leap back.

Speaker 1 (03:31):
I'm sorry, man, we can't let him there.

Speaker 2 (03:32):
You'll be friend to death.

Speaker 1 (03:34):
Right, I'll get through that.

Speaker 4 (03:36):
Say do I tell you my father and sister and
then I'll get back. Hey, you get back talking the guy.

Speaker 1 (03:41):
Hold on, I'm getting there.

Speaker 3 (03:50):
O see. I went in the fire above just this time.

Speaker 2 (03:53):
Oh hello, Tom, I had a notion is to bring
you out here as we can check it. Three dad
and sick, sadly burned.

Speaker 3 (04:00):
That's been the idea house started.

Speaker 2 (04:02):
It's the same story as the last six tenement fires.

Speaker 3 (04:04):
Commissioners. It started in the hallway with an oil soap,
baby cabage.

Speaker 1 (04:07):
Come ahead.

Speaker 3 (04:08):
There's no doubt about it. We're dealing with a piromniac.

Speaker 2 (04:11):
These sixth tenement houses fires all started in the hallways and.

Speaker 1 (04:14):
In an oil tope.

Speaker 2 (04:14):
Baby guards, I know that's what might apartments been trying
the hammer into your head for the past ten days.
What's the matter with your police force? Can't you pick
up this crazy power?

Speaker 1 (04:23):
Bud?

Speaker 2 (04:23):
It's done her best, rounded up every possible sestplate in
the city.

Speaker 3 (04:26):
Question one hundred of them.

Speaker 2 (04:27):
Well, Commissioner, I'm here to tell you that if something
isn't done and done quickly, the city council will have
your job and mine too. Yes, I know, carel what
you take the couple reporters, Wow, lesson, it looks like
that crazy firebugs put another one.

Speaker 1 (04:39):
Over on you.

Speaker 2 (04:39):
What's the matter, Commissioner.

Speaker 1 (04:40):
Can't you find this nott who's running around with a
box of masses and can of kerosene.

Speaker 3 (04:43):
We're doing everything possible.

Speaker 2 (04:45):
Yeah, And meanwhile a couple of dozen four devils get
burned to death. The whole town's care siff wondering what
this maniac's gonna burn neck? Maybe it's time you called
him a The sious friend of yours called it Shadow Wesson. Yeah,
why don't you get the shadow to help you? We'll
capt to the maniac without the shadow's health.

Speaker 5 (04:59):
Look out, you know, lamont I here sorry for the
Commission of Western The newspapers are writing the life out

(05:21):
of it right. Listen to the editorial end of the Shadow.
Due to the inability of our police force are carried
the way of the intendorism. Dozens of innocent persons in
the tenement of our city have died weeks of past,
and yet the fiendish criminal responsible for these fires has
not been apprehended. It would appear that again the people
are in need of help from that mysterious figure known

(05:43):
only as the Shadow.

Speaker 1 (05:44):
Yes, Margaret, and you said there's a treating Western and
his police force.

Speaker 3 (05:47):
But they're roughly there are.

Speaker 1 (05:48):
Many actually, one of the most difficult type of criminals
to deal with the world before end of the Shadow.

Speaker 6 (05:53):
Yes, Margo, but this time is humanly comforable.

Speaker 1 (05:56):
I'm trying to see that Western gets the credit of
breaking this case. Is his candidate broken?

Speaker 5 (06:00):
Is that why we're driving from the tenement section now?

Speaker 1 (06:02):
Yes, Michael, I've been checking a seri of mine for
several days now, Yes, but only.

Speaker 5 (06:06):
As a mont Crimpston, the amateur criminologist.

Speaker 3 (06:08):
Well, here we are.

Speaker 5 (06:10):
It's just another tenement house as far as I can see.

Speaker 1 (06:14):
Shifford has a third dealer's shop on the ground floor.
And wait here for me, mogol. I'm going in there.
Hold you long.

Speaker 5 (06:21):
You see a meat coat lying around somewhere. You might
figure out with you it might make up for the
agony cofee.

Speaker 1 (06:27):
And I can tell you this month before I go in, Margo,
in the last four buildings fired by this hiromaniac, it's
been a third dealer's shop on the ground floor. The
man who runs the shop here had his establishment the
last place that went up and flemed.

Speaker 3 (06:41):
Hm reare.

Speaker 5 (06:42):
He certainly moved into another fire.

Speaker 1 (06:44):
Margo, And I'm curious to know why.

Speaker 5 (06:46):
But rightly your hat over your eyes and roll up
your coat collar like that.

Speaker 1 (06:52):
If just that in case the shadow has to visit
this third dealer later, there won't be any connection with
the Mount Crimpston. Wait here, Margot, don't under any circumstance
coming in that shop.

Speaker 3 (07:17):
All right, what can I do for you me?

Speaker 1 (07:20):
I'm trying to match a piece of sir.

Speaker 6 (07:22):
You seem to have quite a collection.

Speaker 3 (07:23):
I don't sell repail, we send you.

Speaker 1 (07:26):
Didn't you just have your shop over the for some chestnuts?

Speaker 3 (07:29):
I moved?

Speaker 1 (07:30):
Oh yes, yes that's right building you were in burnt down.
I hear several people burned to this. Yeah, so the
paper said you lost all your stock?

Speaker 6 (07:39):
I so were you covered by insurance?

Speaker 3 (07:42):
Okay?

Speaker 1 (07:42):
I gotta not time to stop to human say you
better go match you for some place out So wait
a minute now, so far, what's the interesting in concursion hotel?

Speaker 3 (07:50):
Lots of the prices, right.

Speaker 1 (07:51):
You'll come back some other time. I ain't got time
to talk to you. You don't seem very anxious to
do business. Could it be that you don't care very
much about carry him stuck?

Speaker 3 (08:02):
What do you mean? Or are you anyway?

Speaker 1 (08:04):
What are you coming around? He asked him a lot
of questions for trying to make me talk.

Speaker 3 (08:08):
What do you want?

Speaker 1 (08:09):
Well at the moment, I'd like to know why you're
so anxious to get little there? You're expecting someone? What
if I am now your business to get out of here?
If you don't mind, I think I'll just have a
little look around. If you haven't got what I want
to wear, sirs, I won't come back.

Speaker 3 (08:23):
Nobody asks you to come here in the first place.

Speaker 1 (08:29):
I see you're all set up, and you know, gay,
I got a customer over here and it's behind the
rackt H.

Speaker 3 (08:33):
I don't know. He said.

Speaker 1 (08:36):
He come in here from Maxim for.

Speaker 3 (08:38):
He looks funny to sit his belly, go.

Speaker 1 (08:41):
Out the front, do and pull down the blacks. We'll
we'll find out what he said. Okay, we better take
him in the room or want to tell clip As
that Bras Knuckles will do the press of he will
stuf without him.

Speaker 3 (08:51):
He's right back to there.

Speaker 1 (08:52):
Yeah, I don't see anybody all right? Right in it? Hey,
he ain't here, but he was just a couple of
minutes ago. I did n't go in between those two rags.
Maybe heard it talking and do it out the back way.
Now he can do that.

Speaker 3 (09:05):
The door's locked.

Speaker 1 (09:05):
I got the key in my pocket, and he's gotta
be here somewhere.

Speaker 3 (09:08):
He couldn't have got loud.

Speaker 1 (09:11):
Wait a minute. You hear that, Yeah, you heard it
from back there in the corner. Come on, look, maybe
he's a.

Speaker 3 (09:15):
Comer, got a gun. I am not from the police.
I carry no gun, but that the boy's waist.

Speaker 1 (09:23):
He came from the corner. But there's nobody there. Nothing,
Shut up. It must be somebody there, No matter that
you won't come up with your hands up, I'll pay
you full on a letter. Things in the shadows are
best left in the shadows. Heman, Oh, what are you
doing here? What do you want? I'm looking for a man,
two men, perhaps more, will burned scores of innocent people

(09:49):
to death, cause thousands of dollars damage to property, and
terrorized the whole city. I think I have found. Yes,
I know you portrayed yourself. So why you're commanded the
right around shoot. I am the shadow, Hegman loose papers
for days now. They've been paying the shadow so I

(10:10):
could find out who set the fire. And now he's
here here in the shop. Yes, Hegman. A bullet with
silence Forrelli. There's nothing you can do can keep me
from reading the thought that are racing through your mind.

Speaker 3 (10:25):
You're caught, and you know it really our thoughts.

Speaker 1 (10:29):
You're crazy. It can't be John, Yes it can. I
can read your mind. He's making pictures like the writing
on a sleep. You've given me the motive for these crimes.
You're a broker, Sure that's right Hegman's book. Yes, Hegman.
You write heavy insurance on the stock of men, like Forrelli,

(10:51):
on stock that doesn't exist. You're not reading my mind, Shadow,
you're just jesting. You're smart, but you're not smart enough.
And you wouldn't have walked into that place. And I'm
telling you here and now you'll never walk out the
doors locked. I don't care how much you know, because
you'll never live. That telephone bullet from that gun won't
save you. You've set your last fire. Everything.

Speaker 3 (11:13):
What are we gonna do?

Speaker 1 (11:14):
I tell you what we're gonna do. Rally, get me
that can of Kerothene.

Speaker 3 (11:18):
But it's in the back room.

Speaker 1 (11:19):
Boys, I'm afraid as always. I tell you your yellow
livered fool.

Speaker 3 (11:24):
So I've set my last fire, have I shadow?

Speaker 1 (11:26):
Yes, your last fire? I tell you, get that Kerothine.

Speaker 3 (11:30):
Go on.

Speaker 2 (11:31):
But this shadow, I can't see you.

Speaker 1 (11:32):
I don't know where he is. Let's tell you, fool,
I've heard him at that shadow he had some trick
of being able to appear in the room.

Speaker 3 (11:37):
Without being seen. But he's here, all right.

Speaker 1 (11:40):
And if he lays their hand on, if he tries, says,
got your grab hold of him and I'll do it
the rest.

Speaker 3 (11:44):
How want I tell you? So you don't work alone?

Speaker 1 (11:49):
Shadow, you've set that trap for where you've caught your
own trap. Quickly, get that terra right, all right, don't get.

Speaker 3 (11:59):
Why don't you.

Speaker 1 (12:00):
Answer shadow, I'll deal with you alone, hegman, I police
can break and here you'll be burned, burn on the floor.
Throw someone else. Hurry up. That girl's gone for the cop.
We go out the back way and lock the door. Huh.
And then this shadow he died quickly. All right, shadow,
Now you just try to come through this back door
and I'll finish you off with a bullet before the

(12:20):
fire can get your Come on from get get ready
to plan this door a minute, I touch a match
to this newspaper signing your death. No shadow yours. Don't
think it can break through the front window and get
out because it's covered with steel wire. All right, Come on, bok,
you go up quick.

Speaker 4 (12:36):
Hey both, what that noise?

Speaker 1 (12:38):
Just a car in the street. Come on, we're getting out.

Speaker 2 (12:40):
Closed the door locked, Ladies and gentlemen, it's the shadow
on the right track.

Speaker 3 (12:57):
The next few minutes. We'll give the answer right now.

Speaker 2 (13:00):
Motorists, remember this when you are attempted to dry squeezing
the last thousand miles out of a worn tire, watch out.
You may say fifty cents a present fire.

Speaker 3 (13:08):
Prices, but who knows the shadow knows.

Speaker 1 (13:12):
Spose you had a skid a blowout while hitting it
up along some fast, crowded highway, think what it might
cost you in repair bills, doctor bills, hospital bills. Take
the shadows at price.

Speaker 2 (13:27):
Play face yes, motorus, and the way to play doubly
safe is to ride on the new Gundrich safe this
silver town. Because this new safety sensation is really two
great tires combined in one outside. Every new Silver Town
has the light saber tread that reduces the danger of
gidding as never before, give you and your family a
new feeling of acilities, no matter how wet the weather.

(13:49):
Inside the Silvertown tire there's the famous golden fly protection
against price Steed blowout that has already saved thousands of lives.

Speaker 3 (13:56):
Why should you risk your neck through skid or.

Speaker 2 (13:58):
Blowout when today you can get life saving protection against
both of these common driving hazards without paying a ten
extra Replace unsafe tread born tires with a set of
a new good Rick tat the Silver towel for tires
that give you the skin protection of the temptation of
light saber treads plus golden fly blow out protection at
no extra.

Speaker 1 (14:19):
Car, My girl, that'll be the police taking up on
how my car happened to crash into that first tours,
the exact moment of fire side.

Speaker 5 (14:39):
What are you going to tell them the month I
got away in the cart before anybody had a chance
to see it.

Speaker 1 (14:43):
So that my car was being driven by a young woman.

Speaker 3 (14:47):
Don't think so, Mango. I told him the car was chilling,
and that.

Speaker 1 (14:49):
Makes a criminal out of me.

Speaker 5 (14:51):
Doesn't it that all that matters?

Speaker 1 (14:53):
Yes, so one time grad you disobeyed my orders, Mago,
But I better go.

Speaker 3 (14:57):
On my setting.

Speaker 1 (14:57):
Wait. I don't want the police to find your hair,
all right, and I hope they don't get decisions.

Speaker 5 (15:01):
Is what really happened?

Speaker 1 (15:02):
And where do you wor? No good evenings? Sergeant come
in in scry to kept the waiting.

Speaker 2 (15:16):
That's all right, that's uh, Crampston. I've just got a
few routine questions to ask you, in addition to the
information you gave us over the phone.

Speaker 1 (15:34):
Bet you for really yeah quick, let me get boss,
what you find out where that girl go? I got
around to the frond like you told me. Boss, I
see a stop out of the car and I follow.
She get in a TEXTI but she don't get away
from me? Where is she now? I follow? What's the
way she lives? We get us tonight. If you take her, Boss,
perhaps you'll lead us to the shadow. But how do
you know for sure the shadow got away? Send the papers.
They put the fire up before it spread upstairs, and

(15:56):
now the cops looking for you as the owner of
the first Hey, look, Boss, you say you take care
of you have to preestet after me. You don't worry
about the cop. I'll get out of town in a
day or two. First, we got to get the shadow.
As long as he's alive, we're both as good as
in the death house. Sure, but how we're gonna get
throw that girl?

Speaker 3 (16:12):
You're jope.

Speaker 1 (16:13):
We'll get her. Leave a note for this guy the
month he was calling to before she drove that car
to the store. And I'll bet your tutor one he's
the shadow. When he comes together, we'll walk into a trap.

Speaker 3 (16:23):
He will get out of.

Speaker 1 (16:24):
Man, that's it fun. We get him here in your place,
make a big fire down here to tell him we
get rid of bot of him. Yeah, come on, show
me where this girl is. We got to get a
hold of her a night of It may be too
late Friday.

Speaker 3 (16:57):
This is the house that sell the girl food the wind.
Go in the bedroom there he's got a mate. But
I think she's gone now.

Speaker 1 (17:03):
Okay, he's had plenty of time to gat a sad
since that light went out, going the window. Went to
her room and get up her rolly. But of course
she wake up. Maybe she springing out after this gag.
You're putting her mouth quickly enough it's so for chloro form.
You wait here and help me carry it down.

Speaker 3 (17:16):
The pirate states. I'm boss.

Speaker 1 (17:17):
Yeah, I wait right here by the window while you're
getting her out, Pennis. Note on the curtains and go on,
I get that window. What we get in there? Okay,
I don't bump in anything, Just grab her and slap
that gagging them out and hold until the chlorophon doesn't stuff.
All right, I'll get him.

Speaker 6 (17:28):
You what, hello, Helen, I came to in a minute.

(17:52):
I got your message.

Speaker 3 (17:53):
What's wrong is this? Margin? Were all this?

Speaker 5 (17:56):
Margaret?

Speaker 1 (17:57):
She's gone, she's been taken my daughter that she's consu
the way.

Speaker 3 (18:01):
How do you know?

Speaker 1 (18:01):
Did you see it happened?

Speaker 3 (18:03):
I know.

Speaker 5 (18:04):
I was in my room and I heard, and I
run in here and fails the norm in the bedroom the.

Speaker 3 (18:11):
Heavens and this happened over.

Speaker 5 (18:13):
Now, will go and see because it's just to the police. No,
I didn't care because I read that note first and
he said not to call the police.

Speaker 1 (18:27):
Right, I'm not calling the police, Helen Margo here in
the Perhaps she could lead them to melds. Hard to
explain now, but listen, Ellen, you want to help your mistress,
she must do exactly as I said.

Speaker 3 (18:43):
I know you would. I just wanted to stay here.

Speaker 1 (18:45):
Don't talk to anyone, don't tell anyone what happened to
you here for me?

Speaker 3 (18:48):
Do you understand? I understand? Where do you go?

Speaker 1 (18:50):
I'm going to do exactly as the note says. Ellen,
I'm going to find miss Margo and bring up back
with me.

Speaker 3 (18:56):
If I'm not back in.

Speaker 1 (18:57):
Two hours, you haven't heard from me, tell note of
commission Western or the police department.

Speaker 3 (19:02):
Remember that. Ellen.

Speaker 1 (19:04):
If I'm not back in two hours, take that note
to Commissioner westerns.

Speaker 5 (19:07):
Oh, dear God, let nothing happen to him happen?

Speaker 6 (19:25):
Mm h oh, sir, have fine time a night to
be calling?

Speaker 3 (19:34):
Hello?

Speaker 2 (19:34):
Hello you? How did you get my private number, shuttle?

Speaker 1 (19:40):
I've had it for a long time.

Speaker 3 (19:43):
Oh no, Western now wanted at this time. I spose
you've caught the firebugs. I suppose you all set to
make a.

Speaker 1 (19:49):
Monkey out of me and the who police for the
newspapers have done you and your force a grave injustice. Commissioner,
It's not my doing. So what what is it worth
the lost for a few hours to sleep if you
can trap the firebugs before morning?

Speaker 3 (20:03):
Commissioner, where are they I have.

Speaker 1 (20:05):
An appointment with him. With him the next hour I'm
finished with him? Are yours?

Speaker 3 (20:12):
You're ready to take them?

Speaker 1 (20:14):
With them? You can have the honor and credit of
ending their reign of terror commissioners?

Speaker 3 (20:18):
What am I supposed to do? Wait here and putto
my tomb?

Speaker 1 (20:22):
Throw a courton of police around the district founded by
fourth Street of the River from Fruit to Medley Square.

Speaker 3 (20:28):
Oh crazy, that'll take halfway forward?

Speaker 1 (20:30):
Worth it? All right?

Speaker 3 (20:33):
What then?

Speaker 1 (20:33):
You've been touch with headquarters? You've not heard from me
by four thirty and note will be delivered to you
telling you where to find the firebug, the body of
the shadow.

Speaker 3 (21:00):
Less than you.

Speaker 1 (21:01):
I'm gonna give you one more chance to talk. Whatever
you'll think different after I bring your fingers with a
few more matches. Won't tell you.

Speaker 3 (21:09):
I won't who is the shadow worthy?

Speaker 1 (21:11):
Talk? Or this is only a text of what you'll
get it, you know, like that talk?

Speaker 3 (21:18):
Oh No, I won't tell you.

Speaker 2 (21:23):
I ain't gonna tay up there in the dark anymore.

Speaker 3 (21:24):
I'm scared. I don't work no more for somebody.

Speaker 1 (21:27):
I can't get back up that really get up there
A way I tell you you don't. I'll give you
something to be scared of.

Speaker 3 (21:31):
But it's dark.

Speaker 1 (21:32):
I can't see you all the time.

Speaker 3 (21:33):
In the dark.

Speaker 2 (21:34):
I keep hearing the noise and sounds. Just now I
think I hear somebody left. Of course, somebody something flimmed
the door.

Speaker 3 (21:44):
So we meet again, the Shadow.

Speaker 1 (21:46):
Shut up your gibing. Surry's here and that's just what
I want. Less and Shadow, don't.

Speaker 3 (21:53):
Come near me. I'm warning you.

Speaker 1 (21:54):
I've got a gun pressed against this girl's head. One
false move out of you and I'll pull a trigger.
Go on, you tell him I'm not bluffing.

Speaker 5 (22:02):
Why did you come? They use me to get you here,
to make you walk into a death trap.

Speaker 6 (22:08):
They're going to kill you.

Speaker 5 (22:09):
You'll kill us both, all.

Speaker 3 (22:10):
Right, Margo.

Speaker 1 (22:12):
Maybe we can early stand by that door. If the
Shadow tries to get out, lose your next Remember if
he gets away, you'll go to the chair, all.

Speaker 3 (22:21):
Right, boss, I watch. I'm sorry.

Speaker 5 (22:26):
This is nice for.

Speaker 1 (22:31):
Now that I'm here. Hegmun what do you want? I
just wanted to hear shadow, That's all I see. You
prepared another trap, another fire trap. You'll get it, and
this time the girl won't get you out of it,
because you'll be right down here in the cellar with you.

Speaker 3 (22:52):
Come on the boss to quick.

Speaker 1 (22:54):
We got out. Now lock the door for the fire away.
Really don't open that door, I say, yes, listen to him.
Do it. Hegman ordered you, and you live a few
minutes longer. Then you die with a bullet in the back.
That your boss. No, no, the boss will not do that.

Speaker 3 (23:14):
Your lying is shadow.

Speaker 1 (23:15):
He plans to kill us because we know too much
about him. But you you forrelly, no more. Not until
you're dead, will he be safe? It may be a
few minutes, an hour.

Speaker 3 (23:33):
See what do you mean?

Speaker 1 (23:34):
Shadow told he's thinking about killing you. I'm not.

Speaker 3 (23:38):
I'm not gonna kill you.

Speaker 1 (23:39):
Can trust, leave you forget. I can read Hegmann's mind.
Do you believe? Just to get your But he can
read the mind in the shop, he said it. No, no,
I tell you you're my friend. You know too much
about Hegman.

Speaker 4 (23:53):
For Shadow is right?

Speaker 3 (23:55):
Why not too much?

Speaker 2 (23:56):
Only when I'm dead will you be saved?

Speaker 1 (23:57):
Both too? Can keep a secret only when one is dead,
for really, when one is dead, for really, listen to
me when one is dead, when one is dead, When
one is dead, so I listen to the next taste.

Speaker 2 (24:15):
When one is dead.

Speaker 1 (24:16):
I rarely keep away way, don't listen to me. Hit
the tide your mind. That's another one of the shadows.
John Brother, all right, yeah, yeah, I meant to kill you, Brolly.
I was gonna do it a minute. We got rid
of the Shadow and this girl. But I don't need
you now. I got them crapping. I'll give you yours
now here you you can, but before right die, I've

(24:43):
got you both.

Speaker 4 (24:44):
Get up you, I said to you Wood before.

Speaker 3 (24:50):
Regressed further.

Speaker 1 (24:55):
Here cut your get out of this place, go back
to the apartment. If that no from Ellen to destroy it.
The secret of the Shadow from the main.

Speaker 3 (25:06):
A secret.

Speaker 5 (25:08):
More time with me.

Speaker 4 (25:09):
See, there's nothing more can be done here.

Speaker 1 (25:15):
The firebox has said there last fire. One more thing
to be done.

Speaker 3 (25:21):
What's there?

Speaker 1 (25:21):
And it's getting touched with Commissioner Western. I promised him
I'd give him the credit of capturing the criminals. He
and half the police force of the city of Waiting
out there in the streets. The Shadow always keeps his words.

Speaker 2 (25:42):
You have a listening to a dramatized version of one
of the many copyrighted stories which appear in the Shatteral magazine.

Speaker 1 (25:58):
So we don't cry m. There's bitters who climbed and
not pay the shadow nose.

Speaker 2 (26:19):
All the characters and all the places named are physician,
and the similarity the person's living or dead is pure
legal incident.

Speaker 1 (26:26):
Uh.
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