July 29, 2025 • 24 mins
A collection of gripping detective stories featuring sharp-witted investigators, puzzling crimes, and clever resolutions. Each episode showcases the art of deduction and the thrill of the chase. Explore a world of immersive, ad-free audio experiences from nature sounds to timeless stories at https://www.adfreesounds.com
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Oh, no warrior. The man.
Speaker 2 (00:08):
Further, the Shadow, mysterious character who aids the forces of
law and order, is in reality Lamont Cranston, wealthy young
man about town. As the Shadow, Cranston is gifted with
(00:31):
hypnotic power to cloud men's minds so that they cannot see.
Cranston's friend and companion, the lovely Margot Link, is the
only person who knows to whom the voice of the
invisible Shadow belongs.
Speaker 1 (00:45):
Today's Going the Isle of the Living Dead.
Speaker 2 (00:56):
Margo Lamont and Margo's act are on a cruise of
the West.
Speaker 3 (01:01):
It is early evening at their.
Speaker 1 (01:02):
Ship sails into the harbor of the little island Same Jue.
Speaker 2 (01:08):
In spite of the thunder storm that is in clogress,
Margo insists that they go it or her answer, you
so only lamt of companies Here. They walk down the
ship a gang plank to a waiting lot.
Speaker 4 (01:22):
The mon you told me yourself to these copical tom
you have a last long.
Speaker 1 (01:25):
But this is the rainy Easy in one my slip
and you'll swim the same Jude.
Speaker 4 (01:31):
Why they don't put escalators on these gang planks. That's
really they haven't the best apartment stores.
Speaker 2 (01:36):
But the best apartment stores don't float?
Speaker 1 (01:39):
Yeah yeah, let me help.
Speaker 3 (01:41):
You into the lot. Oh yeah, hi pilot. Uh, that's
going to the pilot's cabinet.
Speaker 1 (01:55):
Get out of the thing. Time should that reading? I
never up back when with the pilot?
Speaker 3 (02:06):
Maybe who will that the troll?
Speaker 5 (02:08):
Right?
Speaker 3 (02:08):
Won't we maybe.
Speaker 6 (02:11):
Tell?
Speaker 1 (02:13):
Are you a native of Saint June? Yeah?
Speaker 2 (02:16):
Well, certainly looks like a beautiful place, you think so well?
I yes, m you have been here before, you know
we haven't.
Speaker 6 (02:27):
Then wait and see before you talk.
Speaker 7 (02:30):
You'll be a big health of the channel of comments.
Speaker 1 (02:34):
Uh, what's wrong with the island?
Speaker 3 (02:36):
Pilot?
Speaker 1 (02:37):
One half of islands good?
Speaker 2 (02:40):
Other half belongs to the devil?
Speaker 1 (02:42):
What do you mean? Look through window.
Speaker 3 (02:47):
You'll see you think him over there?
Speaker 1 (02:49):
Oh yes, I can just curtly make it out.
Speaker 6 (02:52):
That plantation belonged to devil lady. This is nat devil Lady. Yes,
no one go near her place? Why not you ever
hear of zombie zombies?
Speaker 2 (03:06):
The zombies Maho are supposed to be dead men here
in the topics to walk about with no mind.
Speaker 3 (03:10):
The soul madeive superstition. What about these zumbies violets?
Speaker 1 (03:16):
Are they supposed to be zombies?
Speaker 3 (03:17):
On the plantation.
Speaker 1 (03:20):
Will answer me.
Speaker 6 (03:21):
Now talk to pilots when he sta a boat.
Speaker 4 (03:26):
You must have read that on a street car someplace.
Come on them, let's go on.
Speaker 3 (03:30):
There's all right.
Speaker 8 (03:36):
When you supposed to let the moon?
Speaker 1 (03:40):
I don't know.
Speaker 2 (03:42):
Hey, there's not the young girl that play bridge, but
it's on the board where that's sitting back there on
the stairs.
Speaker 7 (03:47):
Yes, of course, very foot. The monkey is fine.
Speaker 1 (03:52):
I wonder what the cover. Let's find out.
Speaker 6 (03:56):
Hello there, oh, hello, Morgel.
Speaker 1 (04:02):
Not anything wrong, Betty.
Speaker 8 (04:04):
Nod that is.
Speaker 9 (04:10):
I'm living, mister.
Speaker 7 (04:12):
Why Betty, I'm going.
Speaker 8 (04:13):
To the island to look to much choun David Job.
Speaker 3 (04:17):
Well, that shouldn't be an occasion for that.
Speaker 8 (04:21):
I'm afraid something happened to me.
Speaker 7 (04:25):
That's why I'm here, That's why I've come to this.
Speaker 2 (04:31):
No, no, beddy, how do you know that something happened
to him?
Speaker 8 (04:35):
Well, six months ago he went to New York to
find worse. I heard from him regularly, and then one
day I was the letter telling me that he cured
a job on the island.
Speaker 1 (04:47):
Take you and what kind of a job?
Speaker 7 (04:50):
Something the sugar plenty sugar prompt the model.
Speaker 1 (04:55):
Isn't that the place?
Speaker 2 (04:56):
Well, there must be more than one sugar plantation model.
What happened next, Studdy?
Speaker 1 (05:02):
I never heard from him again.
Speaker 8 (05:04):
I wrote to this thing his company and learned that
he had definitely come to same dude. So I came
to New York and book passage.
Speaker 1 (05:12):
There might have been a mixed up in the nail.
Speaker 3 (05:14):
Is there anything?
Speaker 1 (05:15):
No?
Speaker 8 (05:15):
No, I've heard so many Traine things about the Islanders
taste hill.
Speaker 7 (05:20):
Now that I'm here the night still.
Speaker 3 (05:26):
I hear something that's happened to the month.
Speaker 2 (05:32):
What is it that is probably a native celebrations. Well,
of course, look up down the hill.
Speaker 1 (05:38):
He's a faint line of light bobbing along the month
that's on the planet taking the pilot told.
Speaker 3 (05:42):
Us the bart come on, mother, Well that's the pilot.
Speaker 7 (05:44):
Well this means all the man, beautiful candy.
Speaker 3 (05:49):
Zombies.
Speaker 1 (05:50):
I don't suppose anything, Yes, pilot, a pilot. Don't light
moving along that hill side? What are they?
Speaker 9 (05:58):
Yes?
Speaker 1 (05:59):
And one of those we're hearing.
Speaker 3 (06:00):
I hear no drum, no drums, I see no light.
Speaker 2 (06:04):
Now wait a minute, although zombies are they that?
Speaker 1 (06:09):
Jandy?
Speaker 6 (06:10):
You know Johndee know everything?
Speaker 3 (06:14):
He says?
Speaker 1 (06:15):
Drum in death, Johnny, for who is Johnny from this.
Speaker 9 (06:22):
Did you find out what?
Speaker 1 (06:24):
Nobody?
Speaker 7 (06:27):
Now?
Speaker 9 (06:28):
You know what I mean about the island.
Speaker 5 (06:30):
It's take it.
Speaker 1 (06:32):
Ddy Mark.
Speaker 2 (06:33):
When I have a day and a half to spend
on this island, I believe your mind will help you
look for David, and believe me, we won't give up
until he.
Speaker 7 (06:41):
Couns that we should have gotten one of the natives
to gardens as the plantation.
Speaker 2 (07:01):
I couldn't find anyone who takes a job. Oh full
of super tickets here and go near the Nestbok place.
They We've had trouble hiring these tattle honchets to make
this trip tonight.
Speaker 8 (07:10):
Has missus ness the only plantation on.
Speaker 1 (07:12):
The island, Noboddy, there's one other. We don't find David
to night. We'll visit there in the morning. Well look,
so they head there. Didn't let someone standing in the room. Yeah,
but you can tell us the way.
Speaker 3 (07:24):
Yeah, yep, there, Come on, we'll talk to this little
see job.
Speaker 4 (07:29):
I'm riding, certainly must and it's the old milk wagon.
Speaker 2 (07:33):
I say, there, I wonder if you can help it.
We're looking for the next with plantations. No yeah, no
plant season, yes, yes, the world come back, run.
Speaker 9 (07:51):
Into the underparty.
Speaker 4 (07:52):
You see his face from us, that's weird half to face.
Speaker 1 (07:57):
Yeah, I suppose he was dumb.
Speaker 2 (08:00):
No, please, both of you don't not have any more.
Talk about the zombies.
Speaker 3 (08:07):
Gum over there through the trees and the plantation, right hope?
Come on, yeah, boy, come on, come on?
Speaker 10 (08:21):
Yes, why you were hiring the horses? And asked one
of the nabors about the zombies from the drum. Yeah,
he told me that when the tom coms play, that
meant that another body has written from the spray to
wander about the mess the plantation.
Speaker 3 (08:36):
Of course, that's the native suprestition.
Speaker 9 (08:39):
Look, there's a hat, I say.
Speaker 3 (08:41):
Oh boy, oh yeah, leave the horses here, ud he
gave it all.
Speaker 7 (08:50):
We'll find them.
Speaker 3 (08:51):
Grim looking place, isn't it.
Speaker 1 (08:54):
Hey?
Speaker 3 (08:54):
What kind of horses?
Speaker 1 (08:55):
To the tree there? We huh?
Speaker 4 (08:58):
It looks like the front door right over there.
Speaker 1 (09:00):
The good Well, let's see what happens.
Speaker 4 (09:04):
My mom, I don't like any part of this business.
Speaker 1 (09:11):
Why.
Speaker 7 (09:11):
It's almost like a graveyard.
Speaker 3 (09:14):
Is that what you meant?
Speaker 1 (09:16):
When?
Speaker 7 (09:16):
No, it is like a crazy maybe Jesus crazy.
Speaker 1 (09:24):
I better knock against the evening. Well you'd like to do, missus, yes,
But are you mister yes, I am.
Speaker 3 (09:37):
Won't you come in?
Speaker 1 (09:38):
Thank you? This is miss Lane, miss Forton, and I'm Ramon.
Speaker 6 (09:44):
And I'm happy to lead all of you.
Speaker 3 (09:45):
Won't you come in and study?
Speaker 1 (09:47):
Well?
Speaker 4 (09:47):
Thank you mont all and not at all as the
lady's stori, i'd be Wasn't that what you were going
to say, miss Lane? Yes, well, the islanders love to
talk about anything or any one. I'm a white woman
living alone.
Speaker 7 (10:03):
I suppose I'm a good charge at that.
Speaker 1 (10:04):
All. Let's the lam Well you need me more?
Speaker 7 (10:09):
No, Mando, you may go.
Speaker 3 (10:10):
It's bad night to night. I keep what go, Mondo?
Speaker 1 (10:15):
I go?
Speaker 4 (10:19):
The lady is always I'm easy, and lady see.
Speaker 1 (10:22):
Yeah, and listeness.
Speaker 3 (10:23):
And I'd like to explain the reason for our late
visit tonight. We call on you to learn if you.
Speaker 2 (10:28):
Had ever heard of a young man here on the
island named David Belmont. David Belmont.
Speaker 4 (10:33):
No, I'm afraid I don't know. Oh, I hope there's
another plantation on the island and you look.
Speaker 5 (10:40):
For in there.
Speaker 1 (10:41):
No, we came to you first.
Speaker 6 (10:43):
I wish I could help you, but I'm afraid I can.
Speaker 1 (10:46):
I see, well, it looks like what was that? It
sounds ever were in that house.
Speaker 7 (10:51):
Now I couldn't see.
Speaker 1 (10:53):
Listen, that seems to come from under the school.
Speaker 4 (10:56):
Now, don't be alarmed, and I'll find out what the
de servant is lando. Nd that the window, someone's looking here,
a fool that no one at the window?
Speaker 6 (11:11):
Thread your pardon?
Speaker 3 (11:13):
Lo look all of you do see anyone there?
Speaker 1 (11:16):
No? No, I don't know.
Speaker 8 (11:19):
I saw someone up.
Speaker 6 (11:21):
No idea a very very jo.
Speaker 1 (11:24):
You call missless, ma'am. That is that noise?
Speaker 4 (11:28):
Mundo?
Speaker 1 (11:29):
Hi, I'm john Zi outside. I kissed him away. But
what was the noise beneath the house?
Speaker 3 (11:36):
Noise beneath the house?
Speaker 2 (11:38):
Yet, those those moons, that that's what they makes them
restless too.
Speaker 4 (11:45):
Nights God has forgotten in this rainy season. But the
horses in the cellar under this room, ma'am, that depends
two horses. Yes, yes, hi, I'm fags.
Speaker 3 (11:57):
Excuse me for of course we were leaving in a way.
Speaker 4 (12:02):
Quite all right, quite all right, mistress. Man horses quiet
yet mandos good nightly playing.
Speaker 3 (12:09):
Good night, and thank you anyway for it.
Speaker 7 (12:13):
Yeah, that's where I come from. That's known as the problems.
Speaker 1 (12:16):
What almost to the month.
Speaker 7 (12:19):
You hear that certain speak of Johnny?
Speaker 3 (12:22):
Yes, and the parlor on.
Speaker 7 (12:23):
The boat spoke of Johnny too.
Speaker 2 (12:25):
Yes, that's right, speak that that's Johnny. Johndy knows everything
you think the horses, because there are most unusual animals. Baddy, Well,
do you remember those moans were heard?
Speaker 1 (12:39):
Now?
Speaker 3 (12:40):
The heart to suggests.
Speaker 2 (12:42):
That was the first time, Margo I ever heard a
hoarse moan with a vocal cord of a human being.
Speaker 3 (13:10):
I believe that.
Speaker 2 (13:10):
And then get down the streets. They can work there
before we go to the other plantation in the morning.
Speaker 4 (13:15):
It's almost morning now, is lemon?
Speaker 2 (13:17):
No, it's only two o'clock, So I suppose it would
be too much first to go ahead of the plantations.
Speaker 1 (13:23):
Well, it's quite a journey on a night like this.
Speaker 8 (13:27):
I've got to know something about David soon.
Speaker 2 (13:29):
If David isn't it the other plantation, I'd like to
pay another visit to our plan.
Speaker 1 (13:34):
If it can't, well, leave the horses yet. Well, someone's
awake at the local.
Speaker 4 (13:42):
Inn, Lamon, Why do you want to go back to
some of the place.
Speaker 2 (13:45):
Well, for one thing, I'd like to learn more about
those moans that came from hurt telling they did humans
they were human motto?
Speaker 1 (13:56):
What about this norm con the one who knows everything
very much. Enjoy meeting him. Mondo, well until we go
in coming batter well, Well, night, night one, thank you.
Speaker 2 (14:13):
This is one large bar, yeao, two small table and
tomorrow for offline out of the ring.
Speaker 4 (14:20):
I don't know whether I want coffee or a clothes ringer.
Speaker 8 (14:24):
I don't know how to.
Speaker 1 (14:25):
Thank your boot for I this pneumonia, just for myself.
Speaker 4 (14:29):
It's all right, betty. Here, let's not stand here and
trip all over the floor. We must make puddles.
Speaker 3 (14:34):
Let's do it at the table.
Speaker 1 (14:37):
Let's going on over there seems to be a can
gathered around someone at the end of the bar.
Speaker 7 (14:42):
Let him do this one?
Speaker 3 (14:44):
Why are we were?
Speaker 1 (14:45):
I want them on kind of.
Speaker 3 (14:58):
Waiting back and uh uh.
Speaker 1 (15:08):
But cars, old boy, I read a car. Don't know.
Speaker 3 (15:15):
Little that's not enough.
Speaker 1 (15:22):
Putting money, money, more money about now he's talking in
a native voice and just a moment ago, so let's
find out about this.
Speaker 2 (15:32):
I thank your pardon, sir, yes uh man, just one
of the natives for his speech. Christy spoke perfect things
and Senny reverted to a cut native voice.
Speaker 1 (15:43):
And that's why we're throwing money in his hat. Now.
This man is sort of half with his drunken his
dad go around the pot because he's been gifted with
a remarkable talent.
Speaker 2 (15:53):
For imitating any time he here, No, I seed, I
haven't told him. It's rather uncanny when you first hear it.
Speaker 1 (16:00):
Yes, he look, you're bucking up another.
Speaker 3 (16:09):
Just sucking it for a quick sixture up my door.
Speaker 1 (16:11):
For heaven's sake.
Speaker 2 (16:11):
Tell my wife's perfect money money for Johndy, get some money.
Speaker 7 (16:21):
Lamar what happened?
Speaker 3 (16:23):
Johny? Here's some money for you.
Speaker 1 (16:26):
Johnny, listen to me?
Speaker 2 (16:28):
Can you talk like missus ness the plantation owners? Come on, Jody,
I think.
Speaker 4 (16:48):
Let lad here has just slide down your my plate.
You must have been me.
Speaker 1 (16:55):
You have your lords not do as I command?
Speaker 7 (16:58):
Come on, who do you talk?
Speaker 3 (17:00):
Qui bule? You haven't done?
Speaker 1 (17:02):
Yeah, it's yes, that's the title is what's a couple? Lady?
Some where did it go? Why do you want to jumping?
(17:24):
Let's missus put my hondo? Yes, ma'am.
Speaker 4 (17:43):
What's that manning you're carrying with the guy?
Speaker 6 (17:46):
That's first, mam knowing going out into the fields.
Speaker 4 (17:49):
The work propably ruined if they don't find hi ooo
carrying for them?
Speaker 3 (17:56):
Hando?
Speaker 2 (17:57):
What's that landin.
Speaker 1 (17:58):
Yes, it's good, ma'am.
Speaker 4 (18:00):
All the false range will come and they'll supper, for
it'll be punnied. Miss Terry Mundo gove aware off. I
don't give each another ingestion.
Speaker 2 (18:10):
Suh Mando. I'd like to be your arms when you
six men's arms.
Speaker 4 (18:17):
Mando opened that celar door. No, no, not, let me
go with them, I said, open that cellar door.
Speaker 1 (18:25):
This man not God. A high up.
Speaker 4 (18:34):
Quickly, wadi fool.
Speaker 1 (18:38):
I'll listen to me, all of you.
Speaker 4 (18:40):
I don't expect you to know what I'm saying, but
listen anyway. You understand that you're no longer menu climbing
chains bound together U the cattle laboring the cane field
under my commands a.
Speaker 6 (18:54):
Two days hours of rain out of.
Speaker 7 (18:58):
My fool you, I care all my crap running in
the field.
Speaker 4 (19:07):
I only keep all of you alive because I save
money using you the labor for me instead of lady.
Speaker 1 (19:12):
Help.
Speaker 6 (19:13):
Fortunately, that billy stupid.
Speaker 4 (19:16):
Station of zombies kept all people away, and now you've
dropped the three.
Speaker 6 (19:21):
So I'm going to punish you for it.
Speaker 1 (19:23):
Before you go to the fields.
Speaker 2 (19:25):
You're gonna feel al.
Speaker 1 (19:28):
Back all the time.
Speaker 6 (19:38):
Help you come here, Come here, okay, not today.
Speaker 2 (19:46):
I'm giving me coman Joe.
Speaker 1 (19:50):
That's what that They no longer a bay your command.
Speaker 6 (19:56):
See talk to me then you hell.
Speaker 1 (20:00):
I spoke, missus Nesbit. But I'm not one of your slaves.
Who are you? Men?
Speaker 3 (20:06):
Call me the shadow like no one.
Speaker 1 (20:12):
I'm standing like the tag you. Yeah, no one. My
hypnotic powers make me invisible to your eyes. But you
want why are you here? I have come to bree
these men from the evil spell that you've cast upon them. No, no,
you have no hell get up? Set up my power
(20:35):
right you missed you? Because it's power greater than yours.
Speaker 4 (20:40):
No, no one has great power than I Mando, this man,
listen to.
Speaker 3 (20:44):
The location of my boy.
Speaker 2 (20:46):
Yes, Mondo, come on, seize me if you'll dare. No
Bungo boy, bno, no, want to see your voice. Bungo here,
faithful Mando has deserted you, missus Nesbit. He's not only
(21:07):
deserted you, but he's also lucky in the cellar with
the slaves you've so cruelly treated, and they're becoming restless.
Perhaps they feel that the power you hold over them
it's not a stormy.
Speaker 3 (21:20):
You've led them to believe.
Speaker 2 (21:24):
That door will remain locked. But could you tell me
the secret you've used to turn these poor.
Speaker 1 (21:30):
Creatures into living dead men? Believe you over next like animals.
Speaker 3 (21:35):
I can't tell you that the men are becoming.
Speaker 1 (21:37):
More restless till your power will wear.
Speaker 3 (21:40):
Off all together.
Speaker 1 (21:42):
And when it does, I must warn you it will
be for me to attempt to save you from them.
Mad rage. No, you haven't much time, missus nest you can't.
I cannot reach you. So you tell me what you've
done to these men.
Speaker 7 (21:59):
I've been seeking them up struck. Did I discovered here
on the island?
Speaker 5 (22:03):
I thought?
Speaker 1 (22:05):
Is there an antidote for that drug? No?
Speaker 4 (22:07):
No, it's not necessary unless it's administer daily.
Speaker 1 (22:10):
The effects send me out of here. First, you must
tell me who these men are.
Speaker 7 (22:17):
Come up them.
Speaker 2 (22:18):
The other's a white man that I had in this state,
and you gave him this bruk and put them to
work in your fields as sleeves.
Speaker 1 (22:23):
Isn't that right?
Speaker 2 (22:25):
And you created the two petition of the thumb piece
of a tomb. Tom just take away anyone who might
be curious about directivities just learning the other more thing?
Is one of these men, David Belmont than.
Speaker 1 (22:40):
Is he among them.
Speaker 3 (22:42):
Help me open the door. You promised me up, I
keep my promt.
Speaker 9 (22:49):
Hello in the door, Hello, Hello, are you hello?
Speaker 1 (23:18):
Yes? I want to fact you again. That's the Cranston
for all that you've done for Betty and me. I
don't mention it.
Speaker 3 (23:23):
David, good by, and.
Speaker 1 (23:26):
Remember we'll see you soon.
Speaker 7 (23:28):
In the shape very far, getting into the lunch.
Speaker 1 (23:33):
And all of that was one of the step Now.
Speaker 4 (23:38):
All on, I can't say that I'm sorry to be
hitting Farewell.
Speaker 3 (23:42):
It's a dreamy little isle of thank you.
Speaker 1 (23:45):
I think it wasn't so.
Speaker 4 (23:48):
I'm glad that the authority is clear than that of
any responsibility.
Speaker 1 (23:51):
To step Well.
Speaker 2 (23:53):
It was easy to prove that she died of shut
shocking used by Fear the Living dead men that he
had helped the creating.
Speaker 9 (24:03):
Well.
Speaker 4 (24:03):
I set of one point in my mind anyway like that,
the only zombies that I ever want to see again
are the kind they serving a knife.
Speaker 5 (24:12):
Club in a long cool glove's art.
Speaker 1 (24:49):
Man, I don't know
Oh, no warrior. The man.
Speaker 2 (00:08):
Further, the Shadow, mysterious character who aids the forces of
law and order, is in reality Lamont Cranston, wealthy young
man about town. As the Shadow, Cranston is gifted with
(00:31):
hypnotic power to cloud men's minds so that they cannot see.
Cranston's friend and companion, the lovely Margot Link, is the
only person who knows to whom the voice of the
invisible Shadow belongs.
Speaker 1 (00:45):
Today's Going the Isle of the Living Dead.
Speaker 2 (00:56):
Margo Lamont and Margo's act are on a cruise of
the West.
Speaker 3 (01:01):
It is early evening at their.
Speaker 1 (01:02):
Ship sails into the harbor of the little island Same Jue.
Speaker 2 (01:08):
In spite of the thunder storm that is in clogress,
Margo insists that they go it or her answer, you
so only lamt of companies Here. They walk down the
ship a gang plank to a waiting lot.
Speaker 4 (01:22):
The mon you told me yourself to these copical tom
you have a last long.
Speaker 1 (01:25):
But this is the rainy Easy in one my slip
and you'll swim the same Jude.
Speaker 4 (01:31):
Why they don't put escalators on these gang planks. That's
really they haven't the best apartment stores.
Speaker 2 (01:36):
But the best apartment stores don't float?
Speaker 1 (01:39):
Yeah yeah, let me help.
Speaker 3 (01:41):
You into the lot. Oh yeah, hi pilot. Uh, that's
going to the pilot's cabinet.
Speaker 1 (01:55):
Get out of the thing. Time should that reading? I
never up back when with the pilot?
Speaker 3 (02:06):
Maybe who will that the troll?
Speaker 5 (02:08):
Right?
Speaker 3 (02:08):
Won't we maybe.
Speaker 6 (02:11):
Tell?
Speaker 1 (02:13):
Are you a native of Saint June? Yeah?
Speaker 2 (02:16):
Well, certainly looks like a beautiful place, you think so well?
I yes, m you have been here before, you know
we haven't.
Speaker 6 (02:27):
Then wait and see before you talk.
Speaker 7 (02:30):
You'll be a big health of the channel of comments.
Speaker 1 (02:34):
Uh, what's wrong with the island?
Speaker 3 (02:36):
Pilot?
Speaker 1 (02:37):
One half of islands good?
Speaker 2 (02:40):
Other half belongs to the devil?
Speaker 1 (02:42):
What do you mean? Look through window.
Speaker 3 (02:47):
You'll see you think him over there?
Speaker 1 (02:49):
Oh yes, I can just curtly make it out.
Speaker 6 (02:52):
That plantation belonged to devil lady. This is nat devil Lady. Yes,
no one go near her place? Why not you ever
hear of zombie zombies?
Speaker 2 (03:06):
The zombies Maho are supposed to be dead men here
in the topics to walk about with no mind.
Speaker 3 (03:10):
The soul madeive superstition. What about these zumbies violets?
Speaker 1 (03:16):
Are they supposed to be zombies?
Speaker 3 (03:17):
On the plantation.
Speaker 1 (03:20):
Will answer me.
Speaker 6 (03:21):
Now talk to pilots when he sta a boat.
Speaker 4 (03:26):
You must have read that on a street car someplace.
Come on them, let's go on.
Speaker 3 (03:30):
There's all right.
Speaker 8 (03:36):
When you supposed to let the moon?
Speaker 1 (03:40):
I don't know.
Speaker 2 (03:42):
Hey, there's not the young girl that play bridge, but
it's on the board where that's sitting back there on
the stairs.
Speaker 7 (03:47):
Yes, of course, very foot. The monkey is fine.
Speaker 1 (03:52):
I wonder what the cover. Let's find out.
Speaker 6 (03:56):
Hello there, oh, hello, Morgel.
Speaker 1 (04:02):
Not anything wrong, Betty.
Speaker 8 (04:04):
Nod that is.
Speaker 9 (04:10):
I'm living, mister.
Speaker 7 (04:12):
Why Betty, I'm going.
Speaker 8 (04:13):
To the island to look to much choun David Job.
Speaker 3 (04:17):
Well, that shouldn't be an occasion for that.
Speaker 8 (04:21):
I'm afraid something happened to me.
Speaker 7 (04:25):
That's why I'm here, That's why I've come to this.
Speaker 2 (04:31):
No, no, beddy, how do you know that something happened
to him?
Speaker 8 (04:35):
Well, six months ago he went to New York to
find worse. I heard from him regularly, and then one
day I was the letter telling me that he cured
a job on the island.
Speaker 1 (04:47):
Take you and what kind of a job?
Speaker 7 (04:50):
Something the sugar plenty sugar prompt the model.
Speaker 1 (04:55):
Isn't that the place?
Speaker 2 (04:56):
Well, there must be more than one sugar plantation model.
What happened next, Studdy?
Speaker 1 (05:02):
I never heard from him again.
Speaker 8 (05:04):
I wrote to this thing his company and learned that
he had definitely come to same dude. So I came
to New York and book passage.
Speaker 1 (05:12):
There might have been a mixed up in the nail.
Speaker 3 (05:14):
Is there anything?
Speaker 1 (05:15):
No?
Speaker 8 (05:15):
No, I've heard so many Traine things about the Islanders
taste hill.
Speaker 7 (05:20):
Now that I'm here the night still.
Speaker 3 (05:26):
I hear something that's happened to the month.
Speaker 2 (05:32):
What is it that is probably a native celebrations. Well,
of course, look up down the hill.
Speaker 1 (05:38):
He's a faint line of light bobbing along the month
that's on the planet taking the pilot told.
Speaker 3 (05:42):
Us the bart come on, mother, Well that's the pilot.
Speaker 7 (05:44):
Well this means all the man, beautiful candy.
Speaker 3 (05:49):
Zombies.
Speaker 1 (05:50):
I don't suppose anything, Yes, pilot, a pilot. Don't light
moving along that hill side? What are they?
Speaker 9 (05:58):
Yes?
Speaker 1 (05:59):
And one of those we're hearing.
Speaker 3 (06:00):
I hear no drum, no drums, I see no light.
Speaker 2 (06:04):
Now wait a minute, although zombies are they that?
Speaker 1 (06:09):
Jandy?
Speaker 6 (06:10):
You know Johndee know everything?
Speaker 3 (06:14):
He says?
Speaker 1 (06:15):
Drum in death, Johnny, for who is Johnny from this.
Speaker 9 (06:22):
Did you find out what?
Speaker 1 (06:24):
Nobody?
Speaker 7 (06:27):
Now?
Speaker 9 (06:28):
You know what I mean about the island.
Speaker 5 (06:30):
It's take it.
Speaker 1 (06:32):
Ddy Mark.
Speaker 2 (06:33):
When I have a day and a half to spend
on this island, I believe your mind will help you
look for David, and believe me, we won't give up
until he.
Speaker 7 (06:41):
Couns that we should have gotten one of the natives
to gardens as the plantation.
Speaker 2 (07:01):
I couldn't find anyone who takes a job. Oh full
of super tickets here and go near the Nestbok place.
They We've had trouble hiring these tattle honchets to make
this trip tonight.
Speaker 8 (07:10):
Has missus ness the only plantation on.
Speaker 1 (07:12):
The island, Noboddy, there's one other. We don't find David
to night. We'll visit there in the morning. Well look,
so they head there. Didn't let someone standing in the room. Yeah,
but you can tell us the way.
Speaker 3 (07:24):
Yeah, yep, there, Come on, we'll talk to this little
see job.
Speaker 4 (07:29):
I'm riding, certainly must and it's the old milk wagon.
Speaker 2 (07:33):
I say, there, I wonder if you can help it.
We're looking for the next with plantations. No yeah, no
plant season, yes, yes, the world come back, run.
Speaker 9 (07:51):
Into the underparty.
Speaker 4 (07:52):
You see his face from us, that's weird half to face.
Speaker 1 (07:57):
Yeah, I suppose he was dumb.
Speaker 2 (08:00):
No, please, both of you don't not have any more.
Talk about the zombies.
Speaker 3 (08:07):
Gum over there through the trees and the plantation, right hope?
Come on, yeah, boy, come on, come on?
Speaker 10 (08:21):
Yes, why you were hiring the horses? And asked one
of the nabors about the zombies from the drum. Yeah,
he told me that when the tom coms play, that
meant that another body has written from the spray to
wander about the mess the plantation.
Speaker 3 (08:36):
Of course, that's the native suprestition.
Speaker 9 (08:39):
Look, there's a hat, I say.
Speaker 3 (08:41):
Oh boy, oh yeah, leave the horses here, ud he
gave it all.
Speaker 7 (08:50):
We'll find them.
Speaker 3 (08:51):
Grim looking place, isn't it.
Speaker 1 (08:54):
Hey?
Speaker 3 (08:54):
What kind of horses?
Speaker 1 (08:55):
To the tree there? We huh?
Speaker 4 (08:58):
It looks like the front door right over there.
Speaker 1 (09:00):
The good Well, let's see what happens.
Speaker 4 (09:04):
My mom, I don't like any part of this business.
Speaker 1 (09:11):
Why.
Speaker 7 (09:11):
It's almost like a graveyard.
Speaker 3 (09:14):
Is that what you meant?
Speaker 1 (09:16):
When?
Speaker 7 (09:16):
No, it is like a crazy maybe Jesus crazy.
Speaker 1 (09:24):
I better knock against the evening. Well you'd like to do, missus, yes,
But are you mister yes, I am.
Speaker 3 (09:37):
Won't you come in?
Speaker 1 (09:38):
Thank you? This is miss Lane, miss Forton, and I'm Ramon.
Speaker 6 (09:44):
And I'm happy to lead all of you.
Speaker 3 (09:45):
Won't you come in and study?
Speaker 1 (09:47):
Well?
Speaker 4 (09:47):
Thank you mont all and not at all as the
lady's stori, i'd be Wasn't that what you were going
to say, miss Lane? Yes, well, the islanders love to
talk about anything or any one. I'm a white woman
living alone.
Speaker 7 (10:03):
I suppose I'm a good charge at that.
Speaker 1 (10:04):
All. Let's the lam Well you need me more?
Speaker 7 (10:09):
No, Mando, you may go.
Speaker 3 (10:10):
It's bad night to night. I keep what go, Mondo?
Speaker 1 (10:15):
I go?
Speaker 4 (10:19):
The lady is always I'm easy, and lady see.
Speaker 1 (10:22):
Yeah, and listeness.
Speaker 3 (10:23):
And I'd like to explain the reason for our late
visit tonight. We call on you to learn if you.
Speaker 2 (10:28):
Had ever heard of a young man here on the
island named David Belmont. David Belmont.
Speaker 4 (10:33):
No, I'm afraid I don't know. Oh, I hope there's
another plantation on the island and you look.
Speaker 5 (10:40):
For in there.
Speaker 1 (10:41):
No, we came to you first.
Speaker 6 (10:43):
I wish I could help you, but I'm afraid I can.
Speaker 1 (10:46):
I see, well, it looks like what was that? It
sounds ever were in that house.
Speaker 7 (10:51):
Now I couldn't see.
Speaker 1 (10:53):
Listen, that seems to come from under the school.
Speaker 4 (10:56):
Now, don't be alarmed, and I'll find out what the
de servant is lando. Nd that the window, someone's looking here,
a fool that no one at the window?
Speaker 6 (11:11):
Thread your pardon?
Speaker 3 (11:13):
Lo look all of you do see anyone there?
Speaker 1 (11:16):
No? No, I don't know.
Speaker 8 (11:19):
I saw someone up.
Speaker 6 (11:21):
No idea a very very jo.
Speaker 1 (11:24):
You call missless, ma'am. That is that noise?
Speaker 4 (11:28):
Mundo?
Speaker 1 (11:29):
Hi, I'm john Zi outside. I kissed him away. But
what was the noise beneath the house?
Speaker 3 (11:36):
Noise beneath the house?
Speaker 2 (11:38):
Yet, those those moons, that that's what they makes them
restless too.
Speaker 4 (11:45):
Nights God has forgotten in this rainy season. But the
horses in the cellar under this room, ma'am, that depends
two horses. Yes, yes, hi, I'm fags.
Speaker 3 (11:57):
Excuse me for of course we were leaving in a way.
Speaker 4 (12:02):
Quite all right, quite all right, mistress. Man horses quiet
yet mandos good nightly playing.
Speaker 3 (12:09):
Good night, and thank you anyway for it.
Speaker 7 (12:13):
Yeah, that's where I come from. That's known as the problems.
Speaker 1 (12:16):
What almost to the month.
Speaker 7 (12:19):
You hear that certain speak of Johnny?
Speaker 3 (12:22):
Yes, and the parlor on.
Speaker 7 (12:23):
The boat spoke of Johnny too.
Speaker 2 (12:25):
Yes, that's right, speak that that's Johnny. Johndy knows everything
you think the horses, because there are most unusual animals. Baddy, Well,
do you remember those moans were heard?
Speaker 1 (12:39):
Now?
Speaker 3 (12:40):
The heart to suggests.
Speaker 2 (12:42):
That was the first time, Margo I ever heard a
hoarse moan with a vocal cord of a human being.
Speaker 3 (13:10):
I believe that.
Speaker 2 (13:10):
And then get down the streets. They can work there
before we go to the other plantation in the morning.
Speaker 4 (13:15):
It's almost morning now, is lemon?
Speaker 2 (13:17):
No, it's only two o'clock, So I suppose it would
be too much first to go ahead of the plantations.
Speaker 1 (13:23):
Well, it's quite a journey on a night like this.
Speaker 8 (13:27):
I've got to know something about David soon.
Speaker 2 (13:29):
If David isn't it the other plantation, I'd like to
pay another visit to our plan.
Speaker 1 (13:34):
If it can't, well, leave the horses yet. Well, someone's
awake at the local.
Speaker 4 (13:42):
Inn, Lamon, Why do you want to go back to
some of the place.
Speaker 2 (13:45):
Well, for one thing, I'd like to learn more about
those moans that came from hurt telling they did humans
they were human motto?
Speaker 1 (13:56):
What about this norm con the one who knows everything
very much. Enjoy meeting him. Mondo, well until we go
in coming batter well, Well, night, night one, thank you.
Speaker 2 (14:13):
This is one large bar, yeao, two small table and
tomorrow for offline out of the ring.
Speaker 4 (14:20):
I don't know whether I want coffee or a clothes ringer.
Speaker 8 (14:24):
I don't know how to.
Speaker 1 (14:25):
Thank your boot for I this pneumonia, just for myself.
Speaker 4 (14:29):
It's all right, betty. Here, let's not stand here and
trip all over the floor. We must make puddles.
Speaker 3 (14:34):
Let's do it at the table.
Speaker 1 (14:37):
Let's going on over there seems to be a can
gathered around someone at the end of the bar.
Speaker 7 (14:42):
Let him do this one?
Speaker 3 (14:44):
Why are we were?
Speaker 1 (14:45):
I want them on kind of.
Speaker 3 (14:58):
Waiting back and uh uh.
Speaker 1 (15:08):
But cars, old boy, I read a car. Don't know.
Speaker 3 (15:15):
Little that's not enough.
Speaker 1 (15:22):
Putting money, money, more money about now he's talking in
a native voice and just a moment ago, so let's
find out about this.
Speaker 2 (15:32):
I thank your pardon, sir, yes uh man, just one
of the natives for his speech. Christy spoke perfect things
and Senny reverted to a cut native voice.
Speaker 1 (15:43):
And that's why we're throwing money in his hat. Now.
This man is sort of half with his drunken his
dad go around the pot because he's been gifted with
a remarkable talent.
Speaker 2 (15:53):
For imitating any time he here, No, I seed, I
haven't told him. It's rather uncanny when you first hear it.
Speaker 1 (16:00):
Yes, he look, you're bucking up another.
Speaker 3 (16:09):
Just sucking it for a quick sixture up my door.
Speaker 1 (16:11):
For heaven's sake.
Speaker 2 (16:11):
Tell my wife's perfect money money for Johndy, get some money.
Speaker 7 (16:21):
Lamar what happened?
Speaker 3 (16:23):
Johny? Here's some money for you.
Speaker 1 (16:26):
Johnny, listen to me?
Speaker 2 (16:28):
Can you talk like missus ness the plantation owners? Come on, Jody,
I think.
Speaker 4 (16:48):
Let lad here has just slide down your my plate.
You must have been me.
Speaker 1 (16:55):
You have your lords not do as I command?
Speaker 7 (16:58):
Come on, who do you talk?
Speaker 3 (17:00):
Qui bule? You haven't done?
Speaker 1 (17:02):
Yeah, it's yes, that's the title is what's a couple? Lady?
Some where did it go? Why do you want to jumping?
(17:24):
Let's missus put my hondo? Yes, ma'am.
Speaker 4 (17:43):
What's that manning you're carrying with the guy?
Speaker 6 (17:46):
That's first, mam knowing going out into the fields.
Speaker 4 (17:49):
The work propably ruined if they don't find hi ooo
carrying for them?
Speaker 3 (17:56):
Hando?
Speaker 2 (17:57):
What's that landin.
Speaker 1 (17:58):
Yes, it's good, ma'am.
Speaker 4 (18:00):
All the false range will come and they'll supper, for
it'll be punnied. Miss Terry Mundo gove aware off. I
don't give each another ingestion.
Speaker 2 (18:10):
Suh Mando. I'd like to be your arms when you
six men's arms.
Speaker 4 (18:17):
Mando opened that celar door. No, no, not, let me
go with them, I said, open that cellar door.
Speaker 1 (18:25):
This man not God. A high up.
Speaker 4 (18:34):
Quickly, wadi fool.
Speaker 1 (18:38):
I'll listen to me, all of you.
Speaker 4 (18:40):
I don't expect you to know what I'm saying, but
listen anyway. You understand that you're no longer menu climbing
chains bound together U the cattle laboring the cane field
under my commands a.
Speaker 6 (18:54):
Two days hours of rain out of.
Speaker 7 (18:58):
My fool you, I care all my crap running in
the field.
Speaker 4 (19:07):
I only keep all of you alive because I save
money using you the labor for me instead of lady.
Speaker 1 (19:12):
Help.
Speaker 6 (19:13):
Fortunately, that billy stupid.
Speaker 4 (19:16):
Station of zombies kept all people away, and now you've
dropped the three.
Speaker 6 (19:21):
So I'm going to punish you for it.
Speaker 1 (19:23):
Before you go to the fields.
Speaker 2 (19:25):
You're gonna feel al.
Speaker 1 (19:28):
Back all the time.
Speaker 6 (19:38):
Help you come here, Come here, okay, not today.
Speaker 2 (19:46):
I'm giving me coman Joe.
Speaker 1 (19:50):
That's what that They no longer a bay your command.
Speaker 6 (19:56):
See talk to me then you hell.
Speaker 1 (20:00):
I spoke, missus Nesbit. But I'm not one of your slaves.
Who are you? Men?
Speaker 3 (20:06):
Call me the shadow like no one.
Speaker 1 (20:12):
I'm standing like the tag you. Yeah, no one. My
hypnotic powers make me invisible to your eyes. But you
want why are you here? I have come to bree
these men from the evil spell that you've cast upon them. No, no,
you have no hell get up? Set up my power
(20:35):
right you missed you? Because it's power greater than yours.
Speaker 4 (20:40):
No, no one has great power than I Mando, this man,
listen to.
Speaker 3 (20:44):
The location of my boy.
Speaker 2 (20:46):
Yes, Mondo, come on, seize me if you'll dare. No
Bungo boy, bno, no, want to see your voice. Bungo here,
faithful Mando has deserted you, missus Nesbit. He's not only
(21:07):
deserted you, but he's also lucky in the cellar with
the slaves you've so cruelly treated, and they're becoming restless.
Perhaps they feel that the power you hold over them
it's not a stormy.
Speaker 3 (21:20):
You've led them to believe.
Speaker 2 (21:24):
That door will remain locked. But could you tell me
the secret you've used to turn these poor.
Speaker 1 (21:30):
Creatures into living dead men? Believe you over next like animals.
Speaker 3 (21:35):
I can't tell you that the men are becoming.
Speaker 1 (21:37):
More restless till your power will wear.
Speaker 3 (21:40):
Off all together.
Speaker 1 (21:42):
And when it does, I must warn you it will
be for me to attempt to save you from them.
Mad rage. No, you haven't much time, missus nest you can't.
I cannot reach you. So you tell me what you've
done to these men.
Speaker 7 (21:59):
I've been seeking them up struck. Did I discovered here
on the island?
Speaker 5 (22:03):
I thought?
Speaker 1 (22:05):
Is there an antidote for that drug? No?
Speaker 4 (22:07):
No, it's not necessary unless it's administer daily.
Speaker 1 (22:10):
The effects send me out of here. First, you must
tell me who these men are.
Speaker 7 (22:17):
Come up them.
Speaker 2 (22:18):
The other's a white man that I had in this state,
and you gave him this bruk and put them to
work in your fields as sleeves.
Speaker 1 (22:23):
Isn't that right?
Speaker 2 (22:25):
And you created the two petition of the thumb piece
of a tomb. Tom just take away anyone who might
be curious about directivities just learning the other more thing?
Is one of these men, David Belmont than.
Speaker 1 (22:40):
Is he among them.
Speaker 3 (22:42):
Help me open the door. You promised me up, I
keep my promt.
Speaker 9 (22:49):
Hello in the door, Hello, Hello, are you hello?
Speaker 1 (23:18):
Yes? I want to fact you again. That's the Cranston
for all that you've done for Betty and me. I
don't mention it.
Speaker 3 (23:23):
David, good by, and.
Speaker 1 (23:26):
Remember we'll see you soon.
Speaker 7 (23:28):
In the shape very far, getting into the lunch.
Speaker 1 (23:33):
And all of that was one of the step Now.
Speaker 4 (23:38):
All on, I can't say that I'm sorry to be
hitting Farewell.
Speaker 3 (23:42):
It's a dreamy little isle of thank you.
Speaker 1 (23:45):
I think it wasn't so.
Speaker 4 (23:48):
I'm glad that the authority is clear than that of
any responsibility.
Speaker 1 (23:51):
To step Well.
Speaker 2 (23:53):
It was easy to prove that she died of shut
shocking used by Fear the Living dead men that he
had helped the creating.
Speaker 9 (24:03):
Well.
Speaker 4 (24:03):
I set of one point in my mind anyway like that,
the only zombies that I ever want to see again
are the kind they serving a knife.
Speaker 5 (24:12):
Club in a long cool glove's art.
Speaker 1 (24:49):
Man, I don't know
Popular Podcasts
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Special Summer Offer: Exclusively on Apple Podcasts, try our Dateline Premium subscription completely free for one month! With Dateline Premium, you get every episode ad-free plus exclusive bonus content.
On Purpose with Jay Shetty
I’m Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and I’m so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood you’re able to deal with relationship struggles, work challenges and life’s ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them we’ve never seen before. New episodes every Monday and Friday. Your support means the world to me and I don’t take it for granted — click the follow button and leave a review to help us spread the love with On Purpose. I can’t wait for you to listen to your first or 500th episode!