Dj Indonesia - (Dj Talks Jayjax, Valymo, Bullo & Lenn)

Episode Transcript

Speaker 1 (00:00):
Your comedy X the Drums, d J talks CACI.

Speaker 2 (00:08):
You need to.

Speaker 3 (00:14):
Hasty perspective or here we go, did.

Speaker 1 (00:18):
Talks K and Lisa like subscribe comment and j J
master Class and Jack Happy then and so it's a
Jack and Dome station DJ so long s s A JACKA.

Speaker 3 (00:39):
Sama, Bulo, Len and Valo. Yeah, how are you guys going?
I'm sorry?

Speaker 1 (00:53):
So this is actually how many times we met? Uh
where we met before, but not really talk much in
VALLEI right.

Speaker 3 (01:01):
It was noisy.

Speaker 4 (01:03):
We were seeing and she also yeah, yeah, so.

Speaker 3 (01:08):
I already know Len and Bulo a bull.

Speaker 1 (01:12):
But so what's your stage name Valley Moore and your
real name Valan?

Speaker 3 (01:19):
And the move stands for movement? Okay, I guess who's
the he? Where you come from?

Speaker 1 (01:24):
Actually, from your excellent I think you're from.

Speaker 3 (01:25):
France, from France, from French.

Speaker 1 (01:28):
So as you guys know, Len is from Blanda and
Bulow is from Australia.

Speaker 3 (01:34):
So yeah, how are you guys today? All good? Good?
Back from seeing park yesterday?

Speaker 1 (01:41):
Oh Lincoln Park even in what is in the exploits stadium?

Speaker 3 (01:48):
Yeah, I saw from my friend's story. It's actually fun.
So yeah, how long have you stayed in Indonesia.

Speaker 4 (01:55):
It's been two years. Been two years. I arrived in
Bali and cap shooting. Also I had the chance to
visit Indonesia also last year for two that we need
to promote a song reason Bound Family. The chance to
go to Bengkuluta, malong To and many cities. That was

(02:25):
very impressive to see all the different landscape of the
country and how the people are very nice over there
and the food very great of course.

Speaker 1 (02:33):
So uh, for a note, I'm gonna ask a lot
to Valimo first because people already know about you guys,
but it's getting there's gonna be a complic that we're
going to talk about. It's gonna be really fun. So
I want to know you better first because I know
them already. Yeah, so you come to Indonesia just the
first time, it was just only for a visit or
because you have a work like tour with right now you're.

Speaker 3 (02:56):
Working with Baron.

Speaker 4 (02:58):
Actually, I was living in Asia quite a long time.
I was in Vietnam for three years and I had
a chance to visit many countries for tours and stuff.
And after this little moment between twenty and twenty twenty two,
if you see what I'm talking about. I was back

(03:19):
in France and when I had a chance to come
back to Asia, we decided with a friend to try
Indonesia and over there, I was seduced actually by the
fact that the country is very attracted by rock music
and metal music, which is something I haven't found in
the countries around. And this is why I decided also

(03:41):
to stay there, because I was feeling comfortable with this,
the fact that the people are liking music like that.

Speaker 3 (03:51):
Okay, so where are you staying? Are you staying in Bali?
In Bali, in Balley?

Speaker 1 (03:55):
The same with you guys, right the first time, you
guys going to to Bali, but you guys already know
value movie before everybody every starts in Bali but mostly
and then now you guys are staying in Jakarta. Right,
So how long is we saying Jakarta already? Like just
forlification or is there another.

Speaker 4 (04:13):
We arrived two days ago, uh, and I'm super happy
to meet you guys today and we are actually here
also for meeting Soda on Thursday. That is a song
is so as she's in Indonesia, we decided to organize.

Speaker 3 (04:29):
A meeting or to see her you're going to release
a song with her. It's already released. It's already released
two weeks ago.

Speaker 4 (04:35):
It's name Don't Give Up, and it's released on the
label that I'm an R four Records and uh.

Speaker 3 (04:42):
Again is at the same record label as Bread Rears.
So yeah, yeah, Like what do you do now? Is in Indonesia?

Speaker 1 (04:53):
Like, are you like working as a residency in Bali
or just any.

Speaker 3 (04:56):
Like other than DJ? What are you doing? Yeah? Absolutely
working as a resident DJ.

Speaker 4 (05:03):
I'm so living in Bali and working there as a
regular DJ for the club number twenty nine in the world.
She she Where we deliver, I call it like a
festival experience, playing in the main room. So when the
people come, we go from tekoffs to art techno, sometimes

(05:23):
art style based sauce. We go by many genre and
we refer to people to have here like the experience
of a festival with the smokes and stuff, taking the mic,
jumping on stage, interacting with the people.

Speaker 1 (05:38):
Like Sishi club is just always hectic, Like it's just
I mean it's not a really big but like there's
scenes is always I've always got to CC like quite
a lot when you go to Bali. It's one of
the best places to go, right for a club in
it's a club, but you get like this festival.

Speaker 3 (05:54):
Experience is it?

Speaker 1 (05:55):
Is it your favorite one of my favorite club? But
there is a lot of good clubs in like Atlas
and so. But yeah, I always go with my friends
sometimes because yeah, I always we we actually always go
to the Holidays club when we will also go.

Speaker 3 (06:10):
To other clubs to experience something. It's always fun.

Speaker 1 (06:14):
Yeah, I'm gonna ask you guys, like, how is it
DJ in Indonesia? Anyone can want to say something. Let's
make it a simple explanation. But how do you feel
so far living in Indonetia as a DJ?

Speaker 4 (06:27):
People think it's easy, but it's not.

Speaker 3 (06:33):
We say first thing first.

Speaker 4 (06:35):
And this is a message for all the bullets who
are listening to us today.

Speaker 3 (06:40):
Get your kitas get your kit. It's a big problem
for you.

Speaker 4 (06:44):
Yeah, correctly, and after I would say it's also a
matter of how you interact and.

Speaker 3 (06:55):
Your network or so.

Speaker 4 (06:56):
Of course, you cannot just arrive here in Indonesia and
ask I am a good DJ. Can I play something
like that? It doesn't work like that. You have to
understand the scene also, of course, to know what is
the man gener being played in the clubs and eventually

(07:16):
start to talk with the local scene hang out, not
in a way of being interested, but more to to
to understand the scene and to see what eventually the
people are gonna are gonna wait from.

Speaker 3 (07:31):
You when you are playing on stage in the clubs.
How got you? Yeah?

Speaker 5 (07:34):
I agree, Like so many people think like, yeah, you.

Speaker 6 (07:40):
Can just go to Bali and DJ, but I don't
even know what a kid is first start, right, like
and that's the most important thing.

Speaker 3 (07:47):
Yeah, basically it sums up that's also what your own
is ship.

Speaker 2 (07:51):
Yeah, because like if you go to Ballei and I
want a DJ, then Bali is so different compared to already.

Speaker 3 (07:58):
Right, It's true. The see like what you actually want yourself?

Speaker 2 (08:02):
Do you want to be like just have fun play
on Bali then your sort of stick to this sound
if you want to have.

Speaker 3 (08:08):
A career in Indonesia or Asia in general.

Speaker 7 (08:11):
You understanding of what people actually want the market first,
because it's very different compared.

Speaker 3 (08:17):
To you stay only in Bali, you're gonna end up
playing you know.

Speaker 1 (08:24):
Exactly, Like as you know your guys, Indonesia is big,
but Bali is It's a place for Bulet, I get it.

Speaker 3 (08:30):
But if you go out in Indonesia, did you guys
play other than the Bali's generally call it that.

Speaker 1 (08:35):
I'm curious also with you guys when you play other
than your.

Speaker 3 (08:42):
Say, your own song or generally.

Speaker 1 (08:44):
Like you know that Indonesia is the commercial market, they
still stick with this culture of like in the Bounds
right now, it's very big, Like do you sometimes combine
that play like some of in the Bounds songs to
get the crowd reaction or just stick with your own
Very interesting.

Speaker 4 (09:02):
I had to add some songs of Indoor Boonds, of course,
I remember that I was playing.

Speaker 3 (09:08):
I think it was your remix of a Big Room Never.

Speaker 4 (09:12):
Dies, Never Dies exactly, and I was digging some songs
of Indo Bounds. But I also wanted to surprise the
people a bit and add some of the rock songs
from Indonesia.

Speaker 3 (09:27):
For example.

Speaker 4 (09:28):
Uh, we ended the show in with mash up I
did of shell and seven song if I can say
is melon pat Yeah, mixed with Dramond bass and the
people were quite surprised.

Speaker 3 (09:46):
And kind of like motioning, so you yeah, sane, We
actually fully adapted to the market. Yeah, it's like like
in the bounds at the moment. It depends also depends
on the venue. But yeah, we literally make like a

(10:07):
lot of music and edits.

Speaker 2 (10:08):
In how we would like to do it in our way,
but it still has that Indolands five so so adapted
a lot.

Speaker 1 (10:15):
So like you guys are trying to you know, balance
things to grab like the Indonesia market, and also still
stick with your character as.

Speaker 2 (10:24):
Like yeah, exazing, like try to do like make sure
of it, still have your own identity in there, but
also adapt to the market because obviously it's the most popular.

Speaker 4 (10:34):
It's like a deal, you know, the crowds. Some people
are gonna expect you to play something different, but some
of them they are coming to here the genre that
they know the most, which is trending, like in the Bones.
So it's like a deal. You play one track of
Indo Bones. Some people are happy after you play one

(10:54):
of your tracks a remix or mashup that you did,
and they're going to be like okay, cool, cool, and
then you bounce back to the bounds something like that.

Speaker 1 (11:04):
We're talking about the scenes itself, like I wanna know,
this is a fun talk. Actually, you guys notice that
Indonesia there is a big drama.

Speaker 3 (11:12):
I think, like it's not even a month about it,
like a couple of weeks ago, two weeks ago about.

Speaker 1 (11:17):
The density thing you're talking about basically general music. You
know what's the topic about, right, Yeah, you already know
what's the basic topic about. You know, they're talking that
the scenes in Jakarta is dead because of like what
we talk like the Asia culture. They love to sit.
They they don't appreciate the music. They just want to

(11:38):
hear the music that is viral on TikTok and they
call it this.

Speaker 3 (11:44):
Media call it. It's like a trust culture where they are.

Speaker 1 (11:47):
Expecting they want Indonesia to be like other countries out Donesia,
like you know, people enjoying the music, people appreciate the
music more. Like what do you I'm curious is there
a thing like in your country that this like this drama,
like this topic like when you hate one let's say

(12:08):
one or two generator is very big, or like certain
culture that is now in the top and people just
hating it.

Speaker 3 (12:14):
It's like the same situation. Is that also a thing
happening like that? I don't know.

Speaker 2 (12:20):
Actually, like every country has its own genres, right, that's
some certain times a certain genre is popular and it
isn't necessarily just what people like at the moment.

Speaker 3 (12:32):
So yeah, I will say it's.

Speaker 6 (12:35):
Broken or it's just I feel like it's very limiting.

Speaker 2 (12:39):
Yeah, well yeah, it's maybe people are they're fishing. It's
maybe this because this is all they here on social
media and that's also what they expect in the club.

Speaker 3 (12:48):
But yeah, that's the case.

Speaker 2 (12:50):
Focus on the social media, right, like, yeah, that's how
you need people now out.

Speaker 3 (12:55):
Theres maybe the problem with the trends.

Speaker 4 (12:58):
There's gonna be a ways some people criticizing the trends.

Speaker 3 (13:03):
But I see some people were also praising the.

Speaker 4 (13:06):
Fact that Anima, for example, was playing in Jackrtawer's project.
But people should not forget photos who's criticizing trending genre
that Anima is also a project from TikTok because itself,
it has the visuals, this is what the people share
on social media's So I think maybe the main part

(13:29):
of the problem is TikTok itself, is this platform leading
the people to listen to one genre. Meanwhile, there is
a lot a lot to discover, so in some way
it can also be an open door.

Speaker 3 (13:47):
It can be a door.

Speaker 4 (13:48):
To discover some new genre, some subgenres, digging a bit
what the other DJs are doing and discover some stuff.
But if the first thing you see on TikTok is this,
maybe people don't have time to dig more about what's
being done.

Speaker 2 (14:07):
But yeah, the fun thing is TikTok is like data driven, right,
so it shows like it shows a video what you
actually like the most. So apparently people like the animal
visuals at this time the most. Apparently people like Indo
Balunds because that's works on TikTok as well pretty.

Speaker 3 (14:24):
Well the most. So it's crazy how its actually come back.

Speaker 1 (14:29):
It's on fault because it's choosing by ourselves, right, Like
maybe that's the question.

Speaker 3 (14:33):
Is also a thing in your country? Let's say, ah,
I don't know.

Speaker 1 (14:38):
This is for example, but let's say technology right now,
it's so big, this newsic is boring? How is it
so trist everyone is playing techno? We're not going back
to like progressive house or something. Is there also that
drama or like this is the same, Like there's always
going to be people like that always, so there's no difference.
It's not only Indonesia maybe like that in male country

(15:01):
there is a different scenes. For example, in France.

Speaker 4 (15:05):
What I was a bit disappointed about is that there
is only two kinds of scene, the mainstream one or
the underground one. And as my artist project, I consider
myself being in the betwin and for that there is
not really a scene. There is some, but it's very small,

(15:27):
which could be interesting also, but it's complicated to evolve
then as an artist if you stick to only like
the very very small scenes.

Speaker 3 (15:39):
So I think.

Speaker 4 (15:44):
Eventually there is a place for these genres in festivals also,
this is where you can find like a large more
large crowd and where you can stand out. But yeah,
in France there's different this kind of thing, like the underground,
the mainstream and in between.

Speaker 3 (16:04):
If you have.

Speaker 4 (16:05):
A chance, you can eventually go to a festival, you
can play in the fifty one.

Speaker 3 (16:08):
But it's very very hard, you know, Like you said before,
it depends on your ambition.

Speaker 5 (16:14):
Like being in Indonesia, if you want to play regularly and.

Speaker 3 (16:18):
Do that then like applying, so it depends what you
want to do.

Speaker 1 (16:25):
So like I see that there is actually all struggle
is the same as a DJ no matter what you're
Indonesia in like in your own country, it's basically the
same struggle with this industry.

Speaker 2 (16:38):
Whether you like it or not, you're somehow dependent on
the market at that time.

Speaker 1 (16:44):
So like basically make your own thing based on the trend,
but something unique by yourself, right, something like.

Speaker 3 (16:51):
It's from you. Just maybe you can learn something about
what's trending now and make it by your own ideas
something like that.

Speaker 2 (17:00):
Like you're a fishing about music, right and you know
this is popular in this country, So combine those together
and then you get something yeaheel.

Speaker 3 (17:08):
Something fresh.

Speaker 4 (17:10):
I think maybe this is what wish do something I
did doing his show in DVP. He has took the
song of Cartel or Saha and you mix it with
uh techno melodic techno. Yeah, yeah, that's that's interesting. And
I think this is what we can call educating people.

Speaker 2 (17:28):
Maybe yeah, it's giving them something new also something familiar
they're like comfortable with it, and then showing something new
with the drop and then like, hey, this is also possible.

Speaker 3 (17:38):
You never know if they're.

Speaker 2 (17:39):
Gonna like it. At least you try something different and
if you at a certain time you see it sticks
and you kind of make a new genre.

Speaker 1 (17:46):
So I want to know your perspective what do you
think needs to be I'm not saying don't. Let's say
what do you think what needs to be fixed or
can get better? In the maybe music scene or jious
scenes in Indonesia.

Speaker 6 (18:02):
The quality of edits getting put it out online and like, yeah,
I think it's a very low quality standard like a
club standard at the moment is like.

Speaker 3 (18:15):
Yeah, very questionable. Actually, like what do you even what
people are playing live?

Speaker 5 (18:25):
Like I feel like at the moment, anyone can just
like whip up an edit, play it and it's like
acceptable even if it's not.

Speaker 3 (18:35):
Production like if the production.

Speaker 4 (18:37):
Is the quality of the sounds, like if they reap
from YouTube.

Speaker 1 (18:45):
Nowadays everyone well, I think Indonesian scenes of electronic is
getting actually better, like from the I think it's from
COVID like twenty twenty where now Indonesian electronic scenes actually
quite big than before. Where a lot of DJs are

(19:06):
like a lot of newcomer DJs to a lot of
people want to be DJ, but a lot of people
also trying to make music like what you said, but
they are well I'm not saying all of it, but
a lot of mostly are not trying to do something
unique and creative like mostly are copying each other and
something like that.

Speaker 3 (19:23):
That's also I mean, Indonesian's dancings is very big.

Speaker 1 (19:29):
We have a lot of clubs here, so there's a
lot of chance to educate the people, right, Okay, Like
I want to ask.

Speaker 3 (19:35):
You, do you prefer to choose idealist or realist?

Speaker 4 (19:44):
I think in the beginning I was idealist DJ, and
I don't want to talk for everyone, but I think
we're all being idealist DJs in the beginning, and after
we become more like realist.

Speaker 3 (19:57):
Idealists.

Speaker 4 (19:57):
You see a play, you see all your favorite DJs playing,
and that's great.

Speaker 3 (20:04):
But after the time.

Speaker 4 (20:06):
You realize how hard it can be, the challenge and
you learn, You learn a lot, and then you become
more like a realist DJ. I consider myself as a
realist DJ today because I see that what works is

(20:26):
actually not anymore trying to defend your profile, but it's
to offer a service, like a kind of service. Like
for example, we're talking about like playing more rock in
the shows. So I created a pack which is compiling
rock music like the most famous tracks mixed with idiom

(20:47):
and I distributed it on a hypedit to invite the
other DJ to play it, and I was surprised to
see that it had quite a big success. We did
like number one in like a few days, and we
decided to make a sug on one, which also I
end up number one. And this is where I realized
with the friends that I was walking for this, that

(21:09):
people are actually now seeking for a service. They want
you to offer something that's gonna be useful for them,
and this is hope they're gonna like follow you.

Speaker 3 (21:21):
Basically, that's my opinion about that.

Speaker 6 (21:26):
Yeah, I agree, Like you have to find that happy medium, right,
Like you have your idea of what you think you
want to do and how you think it's gonna be,
and then you do it because like I'm sure all
the time you just start doating for fun at the side,
it was like a side hustle, and then you do
it and then you're like, all right, this is the reality.

Speaker 3 (21:44):
This is my career. Now, this is my income.

Speaker 6 (21:47):
So you have to adapt and try and find that
the happy medium of yeah, being original and people pleasing
and somewhere in the middle like to be to make
it work.

Speaker 3 (22:00):
It's a yeah, yeah, something like that sit with you.

Speaker 2 (22:05):
Yeah, any kind of agree Obviously Obviously when you start
your il list, then you have like a fission and
but that's pretty unrealistic.

Speaker 3 (22:15):
Actually, only one or two percent of the people who
start as a deal cause we don't realize that being
it is hard. It's hard, and it's not for everybody.
You kind of have to be lucky as well, like yeah,
uh m of.

Speaker 2 (22:25):
Its sheep mining garrets, like they're the one percent to
two percent that can be an eye list and everything
works for them right somehow. But like it's better to
be a realist because then, yeah, you have a better
chance of succeeding in this indusue cause it's hard and
you're there's so many factors you have to keep in
mind that you have to work on. So it's better
to be realistic and somehow adapt to the market what's

(22:48):
happening at the moment. But still you can be an
IROL list in the back of your head and do
your own twisting it, but you.

Speaker 3 (22:53):
Have to keep the market in mind, otherwise you have
no business.

Speaker 5 (22:56):
Yeah, or do bodies have like an ielias of like yeah, yeah, yeah,
true finding the dance they can aspress themselves fully as
the artists I want to be and then still in
mind sign something but it depends what your ambitions are.

Speaker 2 (23:11):
It's good to be ilist though, because that's what you
keep to the scene, because if you're the.

Speaker 3 (23:16):
Idolist, you don't love it that much. Maybe you're just
in there for the money.

Speaker 2 (23:19):
Because we all do this because we like made music,
playing music, producing music, right, So I think everybody's an ilist,
but somehow you have to realize that you're well yeah
if you but everybody needs to make a living, right Yeah,
If you can't survive, then what's the.

Speaker 3 (23:36):
Point it is? You know, the industry works appreciate guys.

Speaker 1 (23:41):
That it almost Google starting and Googla lasting sign So
I've been actually like I doad the same thing like you.

Speaker 3 (23:53):
I've been too Letherlands just for study a year.

Speaker 1 (23:56):
But it's also like a struggle for me that you
also need to connection. You have to also that's why
I started to play DJ. I was not getting paid
at first because like a community right by the time
by the time.

Speaker 3 (24:07):
I got blah blah blah, it was good, but I have.

Speaker 1 (24:10):
To go back because I couldn't say that more than
a year in Netherlands.

Speaker 3 (24:13):
So yeah, I know how hard it.

Speaker 1 (24:16):
Is to actually, you know, start everything, especially in this.
I'm curious, who is the first DJ like your inspiration
you'd be starting becoming DJ?

Speaker 3 (24:27):
You want to start? I want to start.

Speaker 1 (24:28):
Actually my inspiration is actually from your country, very famously.

Speaker 3 (24:34):
Let me guess the other two? Only one? That's it?
Just one? Well, yeah, it's very famous. It's pretty new,
like like the first time. I think it's like in Thousan.
I'm not sure.

Speaker 1 (24:53):
Yeah, like this, my dad loves to play this stuff,
get of music and I like look up.

Speaker 3 (24:59):
Here and from France and stuff.

Speaker 1 (25:02):
I think it's like the pioneer of like this ed
M with house commercial house I call it.

Speaker 3 (25:09):
But he's like the pioneer, right commercial in the end mainstream. Yeah,
we can't tell he was, but if I can.

Speaker 4 (25:19):
Dance back, yeah, a bit back in time, there was
like two people that really influenced the market, not only
in France but like worldwide.

Speaker 3 (25:30):
And it's daft of course.

Speaker 4 (25:33):
And by this after they were like creating I think
what was maybe the golden age of the Victoric music
in France. It's when they created this French Dutch which
was a bit disco and which is like coming back
in France at the moment, by the way, with dark

(25:54):
discool and stuff like that. There is Indonesian tailent like
a side of for example, who is sometimes playing in
France and he's playing like that disco and stuff.

Speaker 3 (26:05):
And I see like more and more the scene.

Speaker 4 (26:07):
Is willing to go back to these roots like like
a cycle, like a cycle.

Speaker 1 (26:13):
Yeah, I see, I see. Well, follow up question like
what is actually now big? Like I know you're the
we talk about this one. I know the scenes in
Netherlands and Australia, but I'm curious, what is like the
biggest hits like in general was in France right now?

Speaker 3 (26:29):
Like what is happening there?

Speaker 4 (26:31):
All the biggest hits now in France? There is seen
a lot of techno in this Yeah, we had you know,
for example kids push up. Yeah, I think about the
most if I remember the most recent one, the most
viral one was this song kind of fast and uh

(26:54):
it's a French guy. A lot of people are listening to, yeah,
more fast music like dark and fast music.

Speaker 3 (27:02):
Yeah, kind of dark. Yeah. So back to the question,
so who was who's inspiring you to be? Like, oh,
I want to be DJ punk that my first album
was dove Punk and after I was.

Speaker 4 (27:20):
Inspired actually by for example, scrit X or Tears Too.

Speaker 3 (27:27):
Chummy you know.

Speaker 4 (27:30):
Yeah, I had a chance to and someone collaborate with
all of them by walking and releasing on their label.
So that helped me to get even more inspired and
being more involved into what I was doing at that time.
But definitely my main influence is house music.

Speaker 3 (27:51):
I can tell you.

Speaker 2 (27:53):
How about you guys Heartwell yeah, yeah, because that was
which was both school but yeah, because when I turned eighteen,
I went to this festival with my friends in Hollands
and I knew from dance music, but wasn't necessarily I'm.

Speaker 3 (28:13):
Going to be DJ or a producer. I just I
knew from it.

Speaker 2 (28:16):
I went to the festival and he was closing that
festival and I was like, yeah, yeah, this is cool
like his what I liked about how it as well,
like his m seeing how he grabbed like everything, how
he grabs the crowd, like this energy.

Speaker 3 (28:32):
We saw him taking the mic recently in a video.
Was even angry.

Speaker 2 (28:41):
Yeah, it was like like his whole show, his whole five.
Obviously I loved I loved the music he was playing,
like proper mainstage music. Big room was popular back then,
and just like how he am c it and how
he got the crowd present his present.

Speaker 3 (28:56):
I was, this is cool.

Speaker 6 (28:57):
Yeah, yeah, I think signs every other young bussy male.

Speaker 3 (29:01):
Will Sparks.

Speaker 6 (29:05):
Yeah, same as like I guess just out partying when
you're young, right, And then I saw him one time
like Will Sparks, and.

Speaker 3 (29:13):
Then I don't know, something shifted in me.

Speaker 8 (29:15):
I was like all right, yeah, same sort of thing
with your experience, like how can he do that? And
like how is he making the sounds and things like that,
because yeah, I didn't know how they did it, like
like everyone thinks liked Jane, you're doing it live rights
in like making the remix live.

Speaker 3 (29:33):
He just makes Yeah, so yeah that's for me.

Speaker 1 (29:37):
Like I also do like do you also make like
communities here, like especially in Bali, like you have another
like your old community like like for example, I have
a community with my boys. It's called the Package Collective
and we it's a community about Indo Bouncy also has
such thing.

Speaker 4 (29:53):
Maybe at the moment they focused on music, so you
understand if the people like you them want to join
and make a community. Uh, let's see later, but first
music matter first.

Speaker 3 (30:07):
Okay, that's nice, that's nice. How about you boys working
on a lot of new music.

Speaker 2 (30:14):
Actually what we do and yeah we have upcoming to
it together to yeah yeah us.

Speaker 3 (30:22):
Yeah. Last week we showed a lot of content for
a new.

Speaker 2 (30:24):
Single with female artists in Indonesia.

Speaker 3 (30:28):
I just like that.

Speaker 2 (30:30):
Yeah, we're gonna, we're gonna, we're gonna postpone a little
bit because of fasting mode as well, like the timing
is not right.

Speaker 3 (30:37):
Collaboration also with the Indonesian artists. Yeah yeah yeah.

Speaker 2 (30:42):
Besides that, making a lot of content put out edits.

Speaker 3 (30:46):
New music.

Speaker 2 (30:47):
This year, it's all about releasing a lot of music
actually and sort of finding your own sound.

Speaker 3 (30:52):
And stuff nice and make TikTok videos. Yeah, I mean
it's this is also the thing. TikTok is not a
bad thing.

Speaker 1 (31:02):
But what I learned is like all the Jays right
now we live in like this year, you know that
social media is very big, right that I think. Also
it's very important to make contents like in your own way,
no matter what, because it's a free promotion to because
like social media is very important, right to like to

(31:22):
promote yourself anything, make contents whatever with your music.

Speaker 2 (31:28):
It's so important, like you can reach so many people
with it. And also whether you like it or not.
It also is an indication of people actually like your stuff.
If you don't get many plays, many people don't.

Speaker 3 (31:41):
Like your stuff. But I'm curious as an A and R.

Speaker 1 (31:44):
Do you also sometimes like when you scroll TikTok and
you found out, okay, I want to sign this guy.

Speaker 3 (31:49):
Like you yeah, yeah, yeah, you.

Speaker 1 (31:51):
Found a guy from TikTok and like, oh shit, it's
making some good music.

Speaker 3 (31:55):
Yeah, it happened.

Speaker 4 (31:57):
I remember about one artist his name is or Radios,
and he's making mashups and he's explaining how he's doing
it in a very very quick short video. The quality
is super good, and I'm pretty sure that there's a
lot of ditches that are playing his stuff. And I
was seeing this content and this gave me the idea

(32:20):
of contacting him and asking, do you have some songs
actually that you want to send for our label? And
I was saying that it doesn't have like it, it
doesn't have a hit, a proper song that he wants
to put in front. So this is where my job
stands for is to find these people being very talented
and who maybe doesn't have a hit song or a

(32:43):
lot of exposure and trying to ask them if they
want to sign on the label to eventually bring a track.

Speaker 3 (32:52):
Two more audience. Well, yeah, it's a fun talk with
you guys. I think that's it the end of our podcast.

Speaker 1 (33:01):
I want to I want to give from each of you,
give words, like simple words to the people outside who's watching.

Speaker 3 (33:10):
What do you want to say that in what kind
of context? Context? Up to you?

Speaker 1 (33:16):
As a d J'SDJ talks, So what is your Maybe
you want to get advice or some words.

Speaker 2 (33:23):
Okay, stay passionate, stay creative, be unique, have fun, stay.

Speaker 3 (33:30):
Healthy, important. Well that's it, Yeah, like I have fun,
good summary about you? You want to give some words?

Speaker 4 (33:39):
Oh, drink water, get your kitas now more seriously, yeah,
I think, uh, never give up, never give up. I
don't give up like song being raised two weeks ago,
my god. But it's really important to continue pushing and

(34:03):
to try to find your own sound, your own identity
in order to stand out in this amazing but very
hard industry.

Speaker 3 (34:13):
Yeah.

Speaker 7 (34:14):
I think on the back of that, you need a
good support system around you, pay where you can trust
and rely on as well a bit and yeah, basically
that sounded that, well.

Speaker 3 (34:27):
What about me?

Speaker 1 (34:29):
Don't forget to subscribe our next content.

Speaker 3 (34:33):
By the way, thank you for coming to them talks,
media talks. It's fun.

Speaker 1 (34:37):
It's a pleasure to meet you guys, especially you so
yeah uh doumbus Mania.

Speaker 3 (34:45):
Thank you, Don