Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
You know what's up back with us again?
Speaker 2 (00:02):
We give you one dance.
Speaker 1 (00:05):
Yours in SATs Superstar. Okay, so late your background said
rude and and.
Speaker 2 (00:16):
Host India. Do you then calliny Halos told me just
now that goos Karen Bo say what the funk I want?
So I'm winning, guys, let's go Okay okay, okay, you
(00:37):
need six color six then uh you your ina and
talk show Anya do a poorly Mamori too so topic
and Anerican like you hang out carginy and I can
(00:58):
manay break the break beat okay? Uh okay. There's like
break bait that I like, which is like you know,
night punk and like you know, like actual breakbeats. And
then there is Kaya Indonesian breakbeats that I like bi
ghetto yan Kaya you know unga and everything, which I
(01:22):
think is cool. And then there's the shitty genre that
I absolutely fucking hate break up it. I fucking hate
that ship, dude, like I already talked about it on
my TikTok as well as like I just think this
genre is like a bastardization of like break beats genre Inakaran.
And then now it becomes like this whatever it became
(01:42):
you know, okay, okay okay. For me, it is nothing
wrong with.
Speaker 3 (02:01):
The man did or Ricotta young Albama to Gore Uh
stand forward, then the other break old School to pie
Yeah what they do capturing Sudan among pertaining.
Speaker 2 (02:20):
The story area beca b what iah x X makin
and gimme coma and you make okay, I'm clang it.
(02:43):
But the top club and Sky okay lang it it
to be said, be like okay bid and some d
d J D are not just ended okay, so basically
young girl. Yet they.
Speaker 3 (03:01):
Then had boys and Break You do the region Man
Manga Bizar, breaking the dish like ninties, and they played
break bits and Funky you like funk.
Speaker 2 (03:11):
I love fun Manga Bizarre, the sorry mongo Mas mean
less of they do get the young plays some fun
and break beat you and break sounds, Numan Callo, breaks mom,
then movies but as going, let's break that you took
(03:32):
the beginning gimmick uh, and the talk beca.
Speaker 3 (03:39):
They didn't give me gimmick til ms Karden, It's all
about gimmix. Gimmis coming to gimmick do and or and
g and then music.
Speaker 2 (03:59):
The follow follow no munkin mounkin good than name, jack Son,
(04:24):
give me gim I mean yeah, it's shipped that like
fun Cat and like break Bit into the culture. It's
like the culture of man, right, that's the type of
music you listen to. And then there is like a
certain you go to this club and you listen to it,
(04:46):
and Okay, there is like, yeah, it's supposed to sound
that way, right, John said Jack And yeah, fine it
went on TikTok fuck it man, it went big whatever
right to one like after that a breakbeat, right, They're like,
oh yeah, in it trendy. This is something we can
I call it gentrification gun, you know, like you take
(05:08):
something from the people who actually love that music and
this part of their culture. You take it, you commercialize it,
and then you don't pay respect to anything from the past.
For example, like cal As a hardcore DJ. I pay
respect to the originals, right, like Paul Elstak. All these
guys then like Biga Beta, just a bunch of fucking
posers that came in and they're like, oh yeah, fuck it,
(05:29):
an you can makes money, it's viral. Let's just keep
doing this ship and then the quality goes down, you know,
quality of the music, complain TikTok. Yeah, man, it's like
fast edits of like like fucking pop music, like with
the same fucking synth over and over again. A still God,
(05:51):
take talking Latin. Get these producers produce the ship. I'm like, dude,
you guys are not even trying. Okay, as a producer,
you should be get better or whatever whatever structure build
up in a sample and the and then so like.
Speaker 3 (06:17):
Toue so didn't like it, up the pocket, some little
bat up the Indian and someone you got, what do
you think about it?
Speaker 2 (06:27):
I also hate that, Like I don't like big room
that much. I always make up. Bit to me is
like big room. Like big room is like, let's make
something so fucking fast, let's just do it for money whatever,
there's no soul in it. Big up is the same thing. Okay,
let's just take a pop song and let's remix it
and let's put this fucking offbeat like sine wave bullship
(06:48):
on it, and then that's it. And then it's like
get better. You know, you don't even side chain this
ship the kick and the base, like you have to
like what my and another thing is like, okay, break
beats it doesn't dirty breakbeats original some prescaran followed the
(07:09):
scene lure and like the general bigger scene it's dirty
break and breaks some break bisk production level and then
like oh yeah, here's the break beats and fine like
early two thousands. It sounds that way. It sounds that
way because for a reason you want to look by
(07:29):
the producers all these tools and you still fucking suck,
Like how the fun is that possible? You know what
I mean? And and any pian.
Speaker 3 (07:40):
Go defending mecap and and all that that that that
stuff like Kara produxi production creativit.
Speaker 2 (07:51):
Okay, I agree with you sound my sounding some more,
the scar, I agree some some human taste and you.
Speaker 1 (08:12):
Together okay taste or Indonesia among to be a friend
super tato.
Speaker 2 (08:28):
So people problem a lot more repeat the same notes.
It's fine right to man is the sound designs? How
how is your sound design.
Speaker 3 (08:41):
Or one? I don't give a shid about some design
or gotistics.
Speaker 2 (08:51):
But the scar and orangey joke, that's it. Finish, Okay,
I can't. I can't defend that. Actually, it's more like
yoda funk. If you're if that's your goal. But in
the same time, you just have to know that you'll
never become bigger than this, you know what I mean,
You're just stuck there. Uh sounds potato. Okay. This is
(09:23):
also something I hate. Why the why guys export? I
know you're doing this for money exactly music culture and
the bana Okay I get is that I agree with,
just because there's also another thing that I hate. Big
(09:46):
up big. It's big now doesn't mean everyone needs to
do it, you know what I mean? Do you actually
like it? If you like it, then go for it.
But if you don't actually like it, final just do
your own thing. Your tex house DJ, be a fucking
tech house d J, D hip hop DJ playing fucking
hip hop, be good at it. There is fucking there's
(10:07):
thirty million people in Jakarta, man, dude, like, fuck there.
You want to fill out a room that's like two
hundred and fifty people two thousand people. There's thirty million
people here, Like, you don't have to like equal, you know,
And it's kind of trend. It's some media questions alter.
Speaker 1 (10:48):
Is it a good thing or a bad thing. It's
a good thing. At the ginger break with.
Speaker 2 (10:56):
I would even call you maybe at the Gendrea what's
called Indonesia yea and against it support I do it
for money somehow against U. I think that the thing
(11:22):
is because we're both musicians. Maybe do music for the music,
like dude, Like I would love to do music one
of my time. But I still have a day job,
which is label managing. But I do my day job
so I can do all the music I want to
do without caring. You know, Jerika. In my opinion, okay,
(11:43):
if you're if you love the music that you make
so much, you should fight for it. In the same time,
what the fuck happened to indoor bounds, indoor bounce, yeah
genre and indo In my opinion, friend, go defend something
some prime d J d J theline lion It's okay. Look,
(12:05):
I believed in this genre that it's something that can
become big if you upgrade the sound, if you just
make it like better and better and better. But at
a certain point, indoor bounce kind of stuck. This make
a big Malayah young fight for this genre. In theo
(12:26):
Bounce Mala, they're like, let's let's abandon this ship, let's
move to bake up. It's like put and yeah and
it's yeah, you got you got a club young go
see and line movement named or anything any trend. It's
(12:46):
kind of like the next.
Speaker 1 (12:53):
Club young.
Speaker 3 (12:56):
Up steadying, Okay, gene in the editor, so okay then okay, sorry,
the sok and sagram t d K and this club
Man the stop Samma Rang, clap on top of the
bullet my name and break the atopic or anything, you know,
(13:20):
spain us.
Speaker 2 (13:20):
Like that something to the guys like, oh, what do
(13:58):
we do now? Yeah?
Speaker 1 (14:11):
Like you matain like okay, h Guinea calor Guinea Cal.
Speaker 2 (14:22):
Part can club Man and sat Gender to the Clupters,
Sleep and Man, the Lord Generate, the the nb C,
The Residents, House Music, ed did you look more Man
progressive trans strictly house music, whereas the Party to the
(14:44):
the the the Chuplican two Man Book and in the
first place, but you know you can, but in the
same beIN you can. Oh yeah, and their club is
se yes and no because now it's confusing, right when
you're your trend hopping so much like for example, no
(15:06):
Offense fee on. But like is the type of DJ
that will kind of like move into different genres constantly.
He's an open format DJ, right, so like as an
open format D yeah, but like as an open format DJ,
like you kind of don't have the right to say, like,
(15:26):
oh I have to play this type of music though,
Why you're an open format DJ. You can play whatever
you want, you know what I mean? Okay, if the
club doesn't allow you to play that music, then don't
play it. It's different from like, for example, me or
like Blue Clay or Odoro right, Like we have a
very specific I play only hardcore, I only play hard style,
only play hard techno. Like if you say your club
doesn't play hardcore, heartstyle or hard techno, not play that,
(15:47):
then I don't want to play at your club, you
know what I mean? But if your career is an
open format DJ, how you can adjust to the club
See fish on the some gentlemen to man. The other
debrief bloom yeah go, And I said, was the brief
(16:12):
pus I believe called debrief so bloom and they're.
Speaker 3 (16:16):
Nothing but bully commentary column was Pertini some lu club
mine tun Tongua de brief did j op and format
(16:38):
debrief near mine.
Speaker 2 (16:45):
Momentary guitar and this saca it too like m DJ,
which is dis in this.
Speaker 3 (16:52):
Current and the problem, the commentary hearing about the bullying
and break bits on New Resident stage, the guard from
(17:12):
here from even this comment Yeah, okay, I'm not I'm
not defending anyone here, you know what I mean.
Speaker 2 (17:25):
I'm just gonna be honest opinion. If you brief an
open format d J like or like, because I've seen
play everything. He plays house music, he plays drum and bass,
he plays pop music, he plays everything, and then like,
if you brief him, I'm pretty sure. Okay, if that's
what you want music, yeabile and maybe go the same. Yeah,
(18:09):
like in the middle of your set, before you five
minutes before you sorry give you said, don't play?
Speaker 1 (18:20):
Yeah you go he he he.
Speaker 2 (18:21):
DJs like every night, you know what I mean, name
the club. Get some jay, do you guys say the
Shanghai John Come back? Then I was like trapped and dubstep.
And then there's a club in Shanghai that booked me
called Liberan, So it's like an exclusive club. It's like
(18:42):
kind of like more of a hip hop club. Good
at them. And then by the way, we forgot to
tell you that this is a hip hop club. Okay,
export lug like they look. Yeah. Back then I was
still doing stuff with Brian. I think they Yeah. So
it's like, okay, it makes sense, you know what I mean.
(19:05):
I'm not blaming you for it too, but yo, he
told you before beforehand. I told me, yo, you can't
play this ship uh in in in the middle of
my set, which used to happen at table back then
like es, yeah, I throw am. That's kind of shitty
(19:25):
of me that to do that, but you know, fuck it, bro,
Like he would come up to me, don't play too
hard the crowd god im un and I'm like, oh,
don't play too hard, but I don't. I don't stop.
I don't stop. And then until to the point where
(19:47):
maybe it never happened, but maybe they'll be like, oh,
can you stop playing now. I'm like, yeah, sure bro,
you know but it happened to me a couple of
times where they're like, hey, the crowd doesn't get it.
Can we cut your set or you know whatever. I
still get paid the same. Yeah, that would be some
somehow and brillions. Yeah it is. Yeah, okay, back to
(20:08):
a break bit or but we can use this as
an example. When you trend hop too much, people don't
know what brand you are exactly. When a club books you.
They don't know what to expect. Yeah, in the same time,
but yeah, it happens to me. To you.
Speaker 3 (20:29):
People know some house and progressive d but back in
the days play break bits, you breaks, my city, my names,
some club.
Speaker 2 (20:43):
So plumbs dj so a difference min name, but someone
to go to with friends, with friends trans they give
me break I give almost so did karg and Masala? Yeah,
(21:06):
the d C production fairly? Maybe could? I think I
think he just doesn't like that. A bunch of people
are like Tibatiba thenaka, they're not actually like super into it.
(21:27):
They're just doing it for the money, you know what
I mean? Yeah, Okay, while maybe the thing for this
genre you got okay, ye collect collective break.
Speaker 1 (21:48):
Is it? Is it.
Speaker 2 (21:51):
Just saying break bitness, dude. But the thing is if
you call it just break beats is confusing, right. There's
like different types of break beats. There's like the old
school break beats, there's the progressive.
Speaker 1 (22:00):
Okay, break and then the few said you YouTube break
among and.
Speaker 3 (22:12):
Whether you you like to call it babil and Indonesia
break by just like that, So Dibilan people are doing
it for money. Yeah, as you by the d d J.
And when you alition that someone, are you really doing
(22:36):
this for money? Are you really doing this because you
like it? Because you like it you're happy?
Speaker 2 (22:46):
Yeah, because in the end, it's not worth it. Bro, Okay,
what's the point on playing music you don't like? And
then you're depressed? Okay, loo, my look my DJ, and
you're the pressed and you're like, what the fuck, It's
not worth it? Just like keep doing what you like
(23:06):
the market, you know, in my opinion, like I never
had to fucking try.
Speaker 1 (23:11):
To collect Different because they like it so much.
Speaker 2 (23:15):
Of course, yeah, shout out because collective Collective, Collective amils
a young min name found caught breakbeat and they're like
super into it. But they also make like anime remixes
all that stuff pro and yeah pro, then you have
(23:38):
collect Different why and like supper follow for me, I
can like it if you just produce it better, just
(23:59):
like do some crazy ship with it. Like I'm just
I'm tired of the thing that played in the video.
I'm okay, I'm like that actually sounds like the stuff
that you would hear and call that like the original stuff,
And I'm like okay with that too many young I'm like, dude,
how many fucking remixes? You know? Len Lend made a video, right,
(24:20):
Lend made a video five big remixes. Yeah, yeah Lend
did that, and the yeah bi yeah and then and
then I watched the remixes that he showed. I'm like, dude,
this is all the same fucking song, Like what is
it is? The same thing with Big Room Doodle, you
know what I mean, when fucking animals came out? Cool whatever.
Speaker 1 (24:42):
You don't hate the gender, but you hate the I hate.
I hate the production value.
Speaker 2 (24:46):
I hate like how how like uncreative it is, because
like I want music to keep going forward, you know
what I mean. Same thing with hard techno. I hate
some of them, like the ship that goes boom, Like,
how many fucking songs do we that sounds like that?
That's the same thing. Bro Okay, it's all it's all
(25:09):
this ship, man, It's not. I don't hate the genre
and ship like that. It's just I hate like when
stuff becomes so generic, Like.
Speaker 3 (25:19):
Don't you think every kind of genera there has to
be at the generic sounds, the generic patterns.
Speaker 2 (25:26):
Potato potato, that house of potato. We're running out of time, Okay, Okay,
maybe this is for next time. Uh fucking make better productions, bro,
so we can actually enjoy the ship.
Speaker 1 (25:43):
Just go for it.
Speaker 2 (25:47):
Sounds what so called. Just go for it, just have
some fun.
Speaker 1 (25:51):
Then let's enjoy it the ship.
Speaker 2 (25:54):
It's okay. Okay, guys, they died sec bar young we
thought of and we're calling it your sucky scene, which.
Speaker 1 (26:03):
Is video reaction react. Okay, then get the boom.
Speaker 2 (26:07):
Yeah, team Tiam hallows a million, Tim hellows million. Then okay,
video for Dama. Okay, let's go company. Ok this man,
(26:40):
okay in the gil Man. The thing is what the
guinea and the like what they take.
Speaker 1 (26:54):
You, I'm not I'm gonna gonna don't give them some
music graph Yeah, some some kind at time in America
create dig.
Speaker 2 (27:09):
Under my last Yeah, are they going to circle? Oh?
I know? Bro? Okay the hand uh s s bid
s s b D s b D s break dam Okay.
(27:39):
And I've always been like, what is this. I don't
think it's a bad thing because they're enjoying the music.
It looks funny. Can yeah, hey even exactly. But in
(28:04):
the same time, a guitar or a shuffle or hocken.
Speaker 3 (28:12):
Yeah yeah, topic m dancer and the start of the
kind of dance and the start of the kind of music. Okay,
the fee direction guitar to uh.
Speaker 2 (28:32):
Oh the song no, because that's what I enjoyed, the.
Speaker 1 (28:37):
Music, coup pints, break the cable, let's go.
Speaker 2 (28:42):
Boom, there's a cool break. You hear this?
Speaker 1 (29:02):
You hate this all?
Speaker 2 (29:04):
Get that? That? That that that that like bron Okay,
so the wait, that's my fucking track. Who made this?
So I'm not don't get this exactly? Who made this?
(29:26):
Base on? That's my track? Look, so we can be
s this is actually cool. But you hear how that's all?
You see what I mean? You tell you what I mean?
Speaker 3 (29:47):
Okay, okay, okay, uh nothing, this is the thing. And
they're like goody, like.
Speaker 2 (29:55):
Mi now.
Speaker 1 (30:05):
That I rememan, like do you want a grip?
Speaker 2 (30:09):
When you got this? Year? Was that? Yes? See? There
you go? There you go? What year was that? Bro?
My name? Okay? But but you're playing no, it's okay
to play music from back then, and it sounds like that,
like it's okay to like Okay, for example, I still
early hardcore. Okay, I'm still making it a new way,
(30:30):
you know, to the point where the early heart people
are like, oh yeah, there's a new version of.
Speaker 1 (30:34):
This you know that shipped.
Speaker 2 (30:37):
Again? Okay, I kind of like it.
Speaker 1 (30:43):
Yeah the.
Speaker 2 (30:49):
One doesn't it annoy you?
Speaker 1 (30:50):
That sounds all the same color production for one.
Speaker 2 (30:54):
Min and the club you do for me? What? Uh?
Speaker 1 (31:06):
Right? I mean?
Speaker 2 (31:07):
I get?
Speaker 1 (31:07):
I get you get?
Speaker 2 (31:10):
Yeah? Uh I don't see what topic. I don't play it.
I don't play it.
Speaker 1 (31:22):
I mean can mine one thing?
Speaker 2 (31:26):
I don't. That's the thing, man, it's ye like, it's
okay to make stuff sound old school, but like old school, okay,
you have to upgrade it from the old school. You
know what I mean called singular monos sign wave. We
can that version of it but better. But it doesn't
(31:49):
sound better. So what do you think about this video?
Is it sucks? I think it sucks.
Speaker 3 (31:56):
Okay for me, it's not sucks. Becca has a super dato.
Maybe he doesn't like it, but I'm okay with it.
Speaker 2 (32:06):
So for me, I think next, like one of the
episodes Guitars Normal Terry has every genre.
Speaker 3 (32:12):
Personally eat yeah, yeah, dass, super yeah, I K and
then super yeah tribute things like it m drama okay,
next video, Yeah.
Speaker 1 (32:47):
It's not me.
Speaker 2 (32:51):
That's the sound sounds of Dato Indonesia the whole, you know,
and then beside joga time back playing it partly and.
Speaker 3 (33:10):
So they didn't make training though. Then then you got
up the book the podcast going like the short you
the one but one all all of a sudden it
is and squ.
Speaker 2 (33:25):
It too some it too something young some yeah of
course or ho you to thing that old morning It
took frequency rang k so get yeah, p befra.
Speaker 3 (33:45):
Marat like it straight to the point, go the pan
the way get bill I mentioned my Apnu made the maraton.
Speaker 2 (33:58):
You look to one of a time all the coast
Guinea bang some Karen into one of the biggest streamings
Karen and everything, and then there'll be someone t time
back feeling which one arab then to someone then with
makim one. Yeah, I mean in my opinion, bro, people
(34:26):
are enjoying it. That's good. Yeah in developed nah you
know what I mean. But color my reaction to this
video or like you having fun and they're exercising and
they're enjoying music. That's good for them, bro, Yeah you
know them. Then some some recita Porter and the regim
(34:53):
and the boundaries and Jackson Young Hanan to break steady
the command. Then so you make a lot of money
trying part muking. Okay, most example, long, I said, the
(35:17):
most example, Suka. Then let okay support you store any videos.
I'm scelling as Saxon and you can ye this this,
this is the proof that it's it's it's amazing, it's amazing.
(35:40):
Just I I just wish again, h I wish I
canna break za. Okay, make some originals just remixes using
the same sense. Oh yeah again, said man in. Uh yeah, yeah,
this does not sucks. Thank you, guys, thank you.
Speaker 1 (36:02):
Okay, guitar second, Okay, guys, thank you.
Speaker 2 (36:08):
That's gonnaet segment. No you you yeah.
Speaker 3 (36:15):
The American panamania uh at your since accident slag the
paka you break bit burner.
Speaker 2 (36:31):
So I'll explore a music a two man but to
form myself top form for more marsal capitalist, I don't
really know s break So you you for your break
with me? But was h one from.
Speaker 1 (36:50):
Massali and the Capitalista Club?
Speaker 2 (36:53):
Do it? Uh in the sorry ok alum fifty uh
fifty fifty one, okay, Karna go the the halloweens halleween
the club nomentum. But planking again. So the gelastic capitalists
(37:15):
the most every club owner specific and superamana vatcan profit
break different points. So they are trying negito karna hallowing
business mind. Then okay, okay, this is kindly your next
like a break club column for more, yes for more yes,
(37:41):
uh the capitalist se sana colle but you go fifty
fift color club break by the club club and the
young man mamong mine break another six Lessn't that like
(38:02):
the smaller ones, the small many you know row clubs.
Speaker 1 (38:09):
Okay, you know what I mean, like club.
Speaker 2 (38:14):
Small clubs, these small bars. I will just play okay, okay,
the capital called the capital, yeah of course, man, since
when did this these bottle service clubs play break with.
Speaker 3 (38:29):
Yeah yeah yeah yeah, became alter Man break bit and even.
Speaker 2 (38:41):
And Trent.
Speaker 3 (38:44):
Trend bank like yeah, Guinea but like it's a pretty
young and Masuka break bit then.
Speaker 2 (38:55):
Didn't into it at top break but it's it's okay
too many young yeah America, you guys and America even
they have to make it, they have to change it.
(39:19):
But you know thing, goobies make money from it. I thought, okay, yeah,
yellow doing too much go to one other situation. You
got young mo. Can any DJs not break with break
with the man and something else bes like, for a
(39:42):
good example, some d break bits. So now in my opinion,
it's more true to him goes to you. There's that
also yeah, but yeah by d J and to my
trend hopping okay, okay, Karen clubs, Karen Motor, breakbeat general.
(40:10):
And I don't agree with this because like some.
Speaker 1 (40:17):
More clubs break break.
Speaker 2 (40:23):
It depends like there's some clubs and you would never
hear breakbeats in zoo right, yeah you know what I mean?
You never heard yeah exactly. So there's like clubs that
will just still play what they want. Yeah yeah, okay, export.
Speaker 1 (40:42):
Okay, and like break bit, just go for it.
Speaker 2 (40:49):
What man, you actually like it? Would you like if
you if you actually like it? Just played class colors,
(41:11):
clop mine break beat music and ah okay this is
interesting and interesting. Uh in they opened up a callow
gua yes, class adam music and my among for fancy
(41:31):
clubs and then music and for fancy clubs. You know,
for example, my type of music, like hardcore, you never
hear that in a fancy club. Bro, it's not made
for that.
Speaker 3 (41:41):
What what's to use it, but you take, I'm gonna
look like super club you do you do?
Speaker 2 (41:47):
Then you know.
Speaker 3 (41:50):
My name big room to them and all all this identity,
but my name sound Google can sound break business Losa
to Clappy and would established it girds moments, the club
and the young the.
Speaker 2 (42:10):
Dragon Fly more go dragon Fly La track never changed.
Fucking yeah okay, the the the remars houses, the household
fools to go to clap and go to clubs like
(42:35):
yeah some more clapp and the and the and then
the ticket John is smaller. Call the super clubs again,
you know, but I mean the super club to go in,
(42:59):
Like Bro, super clubs are so expensive to run that
you need to make money one way or another, you
know or not, you're gonna run out of business.
Speaker 1 (43:08):
The big.
Speaker 2 (43:10):
No yeah yeah, then fuck it, Bro. You have to
do what you have to do right Like it sucks
for us as DJs, but you're the club owner. You know,
you know how much money you have to make Guasi
club for example, like both as Dragonfly, Bro and I
(43:32):
don't spend a lot of money. I feel ashamed, you
know what I mean? Because the music is already making
this environment that's like all right, rich people go here
you have to act like a rich kid, right, and
I'm like, fuck, I gotta open bottles and ship now
when I go to like a lot of the fancy
clubs here now and then music in Manka. Yeah, it's
just fucking fucking whatever. You know. It makes me feel like, oh,
(43:54):
I'm just going to a bar like I don't. I
don't feel I don't feel like a million dollars bro,
Like this place is supposed to make me feel like
I'm in Vegas. Yeah it doesn't, you know, so I
end up not spending comment and yeah, looking perspective, fruit,
you might not go on tire bank then.
Speaker 1 (44:16):
Sound break this girl, my chim, go on tire bank.
Speaker 2 (44:19):
It's just legits girl, my chim. Then to break it,
didn't go go and listen to your music, bro, okay.
Speaker 1 (44:34):
Yo.
Speaker 2 (44:35):
So that's the end of the episode. Guys get Out
discuss about the Kaby, the video reaction, the q n A. So, yeah,
just just make the songs better, dude, Honestly, that's it.
Does it make some originals do some crazy ship okay
for me, whether you make it original ed bang then
(45:00):
by Orange Zuka, getto why not more? Get so?
Speaker 3 (45:03):
Uh this the production for you mon producers and among seriously,
then uh, just do whatever you like. Support Bannert, but
like you know, X, then Collectiff, Color Party in the
(45:29):
g then Bangert, then very video reactions that the Bannet.
Then you got time and.
Speaker 2 (45:38):
Tribute, then promodo you need a basement of heaven three hours,
the X club set, the germs Arica. Miss it is
a klama that.
Speaker 3 (45:58):
Gem and club and stadium throws Centro throws you, Sampe wonder.
Speaker 2 (46:11):
Ordinary, let me do a gym and let me explorer.
Is okay? Leave a comment below discuss d J d
j R. Yes, John, Later in the next episodes, maybe
(46:35):
we're gonna discuss more about metal and other stuff like that.
So right down below, look that is sin mana or
let me associate many and don't forget to subscribe, like
share with your friends and yeah, show it to your
mom and you know, do all that stuff you're seeing.
(46:55):
Then you got a follow color YouTube Atty. Hello, Yeah,
I was at that timement. Okay, okay, guys, thank you
kind like you. Then you just seeing guitar going to one.
I'm sick.
Speaker 1 (47:05):
We're signing out yours in sacks, super clo
You know what's up back with us again?
Speaker 2 (00:02):
We give you one dance.
Speaker 1 (00:05):
Yours in SATs Superstar. Okay, so late your background said
rude and and.
Speaker 2 (00:16):
Host India. Do you then calliny Halos told me just
now that goos Karen Bo say what the funk I want?
So I'm winning, guys, let's go Okay okay, okay, you
(00:37):
need six color six then uh you your ina and
talk show Anya do a poorly Mamori too so topic
and Anerican like you hang out carginy and I can
(00:58):
manay break the break beat okay? Uh okay. There's like
break bait that I like, which is like you know,
night punk and like you know, like actual breakbeats. And
then there is Kaya Indonesian breakbeats that I like bi
ghetto yan Kaya you know unga and everything, which I
(01:22):
think is cool. And then there's the shitty genre that
I absolutely fucking hate break up it. I fucking hate
that ship, dude, like I already talked about it on
my TikTok as well as like I just think this
genre is like a bastardization of like break beats genre Inakaran.
And then now it becomes like this whatever it became
(01:42):
you know, okay, okay okay. For me, it is nothing
wrong with.
Speaker 3 (02:01):
The man did or Ricotta young Albama to Gore Uh
stand forward, then the other break old School to pie
Yeah what they do capturing Sudan among pertaining.
Speaker 2 (02:20):
The story area beca b what iah x X makin
and gimme coma and you make okay, I'm clang it.
(02:43):
But the top club and Sky okay lang it it
to be said, be like okay bid and some d
d J D are not just ended okay, so basically
young girl. Yet they.
Speaker 3 (03:01):
Then had boys and Break You do the region Man
Manga Bizar, breaking the dish like ninties, and they played
break bits and Funky you like funk.
Speaker 2 (03:11):
I love fun Manga Bizarre, the sorry mongo Mas mean
less of they do get the young plays some fun
and break beat you and break sounds, Numan Callo, breaks mom,
then movies but as going, let's break that you took
(03:32):
the beginning gimmick uh, and the talk beca.
Speaker 3 (03:39):
They didn't give me gimmick til ms Karden, It's all
about gimmix. Gimmis coming to gimmick do and or and
g and then music.
Speaker 2 (03:59):
The follow follow no munkin mounkin good than name, jack Son,
(04:24):
give me gim I mean yeah, it's shipped that like
fun Cat and like break Bit into the culture. It's
like the culture of man, right, that's the type of
music you listen to. And then there is like a
certain you go to this club and you listen to it,
(04:46):
and Okay, there is like, yeah, it's supposed to sound
that way, right, John said Jack And yeah, fine it
went on TikTok fuck it man, it went big whatever
right to one like after that a breakbeat, right, They're like,
oh yeah, in it trendy. This is something we can
I call it gentrification gun, you know, like you take
(05:08):
something from the people who actually love that music and
this part of their culture. You take it, you commercialize it,
and then you don't pay respect to anything from the past.
For example, like cal As a hardcore DJ. I pay
respect to the originals, right, like Paul Elstak. All these
guys then like Biga Beta, just a bunch of fucking
posers that came in and they're like, oh yeah, fuck it,
(05:29):
an you can makes money, it's viral. Let's just keep
doing this ship and then the quality goes down, you know,
quality of the music, complain TikTok. Yeah, man, it's like
fast edits of like like fucking pop music, like with
the same fucking synth over and over again. A still God,
(05:51):
take talking Latin. Get these producers produce the ship. I'm like, dude,
you guys are not even trying. Okay, as a producer,
you should be get better or whatever whatever structure build
up in a sample and the and then so like.
Speaker 3 (06:17):
Toue so didn't like it, up the pocket, some little
bat up the Indian and someone you got, what do
you think about it?
Speaker 2 (06:27):
I also hate that, Like I don't like big room
that much. I always make up. Bit to me is
like big room. Like big room is like, let's make
something so fucking fast, let's just do it for money whatever,
there's no soul in it. Big up is the same thing. Okay,
let's just take a pop song and let's remix it
and let's put this fucking offbeat like sine wave bullship
(06:48):
on it, and then that's it. And then it's like
get better. You know, you don't even side chain this
ship the kick and the base, like you have to
like what my and another thing is like, okay, break
beats it doesn't dirty breakbeats original some prescaran followed the
(07:09):
scene lure and like the general bigger scene it's dirty
break and breaks some break bisk production level and then
like oh yeah, here's the break beats and fine like
early two thousands. It sounds that way. It sounds that
way because for a reason you want to look by
(07:29):
the producers all these tools and you still fucking suck,
Like how the fun is that possible? You know what
I mean? And and any pian.
Speaker 3 (07:40):
Go defending mecap and and all that that that that
stuff like Kara produxi production creativit.
Speaker 2 (07:51):
Okay, I agree with you sound my sounding some more,
the scar, I agree some some human taste and you.
Speaker 1 (08:12):
Together okay taste or Indonesia among to be a friend
super tato.
Speaker 2 (08:28):
So people problem a lot more repeat the same notes.
It's fine right to man is the sound designs? How
how is your sound design.
Speaker 3 (08:41):
Or one? I don't give a shid about some design
or gotistics.
Speaker 2 (08:51):
But the scar and orangey joke, that's it. Finish, Okay,
I can't. I can't defend that. Actually, it's more like
yoda funk. If you're if that's your goal. But in
the same time, you just have to know that you'll
never become bigger than this, you know what I mean,
You're just stuck there. Uh sounds potato. Okay. This is
(09:23):
also something I hate. Why the why guys export? I
know you're doing this for money exactly music culture and
the bana Okay I get is that I agree with,
just because there's also another thing that I hate. Big
(09:46):
up big. It's big now doesn't mean everyone needs to
do it, you know what I mean? Do you actually
like it? If you like it, then go for it.
But if you don't actually like it, final just do
your own thing. Your tex house DJ, be a fucking
tech house d J, D hip hop DJ playing fucking
hip hop, be good at it. There is fucking there's
(10:07):
thirty million people in Jakarta, man, dude, like, fuck there.
You want to fill out a room that's like two
hundred and fifty people two thousand people. There's thirty million
people here, Like, you don't have to like equal, you know,
And it's kind of trend. It's some media questions alter.
Speaker 1 (10:48):
Is it a good thing or a bad thing. It's
a good thing. At the ginger break with.
Speaker 2 (10:56):
I would even call you maybe at the Gendrea what's
called Indonesia yea and against it support I do it
for money somehow against U. I think that the thing
(11:22):
is because we're both musicians. Maybe do music for the music,
like dude, Like I would love to do music one
of my time. But I still have a day job,
which is label managing. But I do my day job
so I can do all the music I want to
do without caring. You know, Jerika. In my opinion, okay,
(11:43):
if you're if you love the music that you make
so much, you should fight for it. In the same time,
what the fuck happened to indoor bounds, indoor bounce, yeah
genre and indo In my opinion, friend, go defend something
some prime d J d J theline lion It's okay. Look,
(12:05):
I believed in this genre that it's something that can
become big if you upgrade the sound, if you just
make it like better and better and better. But at
a certain point, indoor bounce kind of stuck. This make
a big Malayah young fight for this genre. In theo
(12:26):
Bounce Mala, they're like, let's let's abandon this ship, let's
move to bake up. It's like put and yeah and
it's yeah, you got you got a club young go
see and line movement named or anything any trend. It's
(12:46):
kind of like the next.
Speaker 1 (12:53):
Club young.
Speaker 3 (12:56):
Up steadying, Okay, gene in the editor, so okay then okay, sorry,
the sok and sagram t d K and this club
Man the stop Samma Rang, clap on top of the
bullet my name and break the atopic or anything, you know,
(13:20):
spain us.
Speaker 2 (13:20):
Like that something to the guys like, oh, what do
(13:58):
we do now? Yeah?
Speaker 1 (14:11):
Like you matain like okay, h Guinea calor Guinea Cal.
Speaker 2 (14:22):
Part can club Man and sat Gender to the Clupters,
Sleep and Man, the Lord Generate, the the nb C,
The Residents, House Music, ed did you look more Man
progressive trans strictly house music, whereas the Party to the
(14:44):
the the the Chuplican two Man Book and in the
first place, but you know you can, but in the
same beIN you can. Oh yeah, and their club is
se yes and no because now it's confusing, right when
you're your trend hopping so much like for example, no
(15:06):
Offense fee on. But like is the type of DJ
that will kind of like move into different genres constantly.
He's an open format DJ, right, so like as an
open format D yeah, but like as an open format DJ,
like you kind of don't have the right to say, like,
(15:26):
oh I have to play this type of music though,
Why you're an open format DJ. You can play whatever
you want, you know what I mean? Okay, if the
club doesn't allow you to play that music, then don't
play it. It's different from like, for example, me or
like Blue Clay or Odoro right, Like we have a
very specific I play only hardcore, I only play hard style,
only play hard techno. Like if you say your club
doesn't play hardcore, heartstyle or hard techno, not play that,
(15:47):
then I don't want to play at your club, you
know what I mean? But if your career is an
open format DJ, how you can adjust to the club
See fish on the some gentlemen to man. The other
debrief bloom yeah go, And I said, was the brief
(16:12):
pus I believe called debrief so bloom and they're.
Speaker 3 (16:16):
Nothing but bully commentary column was Pertini some lu club
mine tun Tongua de brief did j op and format
(16:38):
debrief near mine.
Speaker 2 (16:45):
Momentary guitar and this saca it too like m DJ,
which is dis in this.
Speaker 3 (16:52):
Current and the problem, the commentary hearing about the bullying
and break bits on New Resident stage, the guard from
(17:12):
here from even this comment Yeah, okay, I'm not I'm
not defending anyone here, you know what I mean.
Speaker 2 (17:25):
I'm just gonna be honest opinion. If you brief an
open format d J like or like, because I've seen
play everything. He plays house music, he plays drum and bass,
he plays pop music, he plays everything, and then like,
if you brief him, I'm pretty sure. Okay, if that's
what you want music, yeabile and maybe go the same. Yeah,
(18:09):
like in the middle of your set, before you five
minutes before you sorry give you said, don't play?
Speaker 1 (18:20):
Yeah you go he he he.
Speaker 2 (18:21):
DJs like every night, you know what I mean, name
the club. Get some jay, do you guys say the
Shanghai John Come back? Then I was like trapped and dubstep.
And then there's a club in Shanghai that booked me
called Liberan, So it's like an exclusive club. It's like
(18:42):
kind of like more of a hip hop club. Good
at them. And then by the way, we forgot to
tell you that this is a hip hop club. Okay,
export lug like they look. Yeah. Back then I was
still doing stuff with Brian. I think they Yeah. So
it's like, okay, it makes sense, you know what I mean.
(19:05):
I'm not blaming you for it too, but yo, he
told you before beforehand. I told me, yo, you can't
play this ship uh in in in the middle of
my set, which used to happen at table back then
like es, yeah, I throw am. That's kind of shitty
(19:25):
of me that to do that, but you know, fuck it, bro,
Like he would come up to me, don't play too
hard the crowd god im un and I'm like, oh,
don't play too hard, but I don't. I don't stop.
I don't stop. And then until to the point where
(19:47):
maybe it never happened, but maybe they'll be like, oh,
can you stop playing now. I'm like, yeah, sure bro,
you know but it happened to me a couple of
times where they're like, hey, the crowd doesn't get it.
Can we cut your set or you know whatever. I
still get paid the same. Yeah, that would be some
somehow and brillions. Yeah it is. Yeah, okay, back to
(20:08):
a break bit or but we can use this as
an example. When you trend hop too much, people don't
know what brand you are exactly. When a club books you.
They don't know what to expect. Yeah, in the same time,
but yeah, it happens to me. To you.
Speaker 3 (20:29):
People know some house and progressive d but back in
the days play break bits, you breaks, my city, my names,
some club.
Speaker 2 (20:43):
So plumbs dj so a difference min name, but someone
to go to with friends, with friends trans they give
me break I give almost so did karg and Masala? Yeah,
(21:06):
the d C production fairly? Maybe could? I think I
think he just doesn't like that. A bunch of people
are like Tibatiba thenaka, they're not actually like super into it.
(21:27):
They're just doing it for the money, you know what
I mean? Yeah, Okay, while maybe the thing for this
genre you got okay, ye collect collective break.
Speaker 1 (21:48):
Is it? Is it.
Speaker 2 (21:51):
Just saying break bitness, dude. But the thing is if
you call it just break beats is confusing, right. There's
like different types of break beats. There's like the old
school break beats, there's the progressive.
Speaker 1 (22:00):
Okay, break and then the few said you YouTube break
among and.
Speaker 3 (22:12):
Whether you you like to call it babil and Indonesia
break by just like that, So Dibilan people are doing
it for money. Yeah, as you by the d d J.
And when you alition that someone, are you really doing
(22:36):
this for money? Are you really doing this because you
like it? Because you like it you're happy?
Speaker 2 (22:46):
Yeah, because in the end, it's not worth it. Bro, Okay,
what's the point on playing music you don't like? And
then you're depressed? Okay, loo, my look my DJ, and
you're the pressed and you're like, what the fuck, It's
not worth it? Just like keep doing what you like
(23:06):
the market, you know, in my opinion, like I never
had to fucking try.
Speaker 1 (23:11):
To collect Different because they like it so much.
Speaker 2 (23:15):
Of course, yeah, shout out because collective Collective, Collective amils
a young min name found caught breakbeat and they're like
super into it. But they also make like anime remixes
all that stuff pro and yeah pro, then you have
(23:38):
collect Different why and like supper follow for me, I
can like it if you just produce it better, just
(23:59):
like do some crazy ship with it. Like I'm just
I'm tired of the thing that played in the video.
I'm okay, I'm like that actually sounds like the stuff
that you would hear and call that like the original stuff,
And I'm like okay with that too many young I'm like, dude,
how many fucking remixes? You know? Len Lend made a video, right,
(24:20):
Lend made a video five big remixes. Yeah, yeah Lend
did that, and the yeah bi yeah and then and
then I watched the remixes that he showed. I'm like, dude,
this is all the same fucking song, Like what is
it is? The same thing with Big Room Doodle, you
know what I mean, when fucking animals came out? Cool whatever.
Speaker 1 (24:42):
You don't hate the gender, but you hate the I hate.
I hate the production value.
Speaker 2 (24:46):
I hate like how how like uncreative it is, because
like I want music to keep going forward, you know
what I mean. Same thing with hard techno. I hate
some of them, like the ship that goes boom, Like,
how many fucking songs do we that sounds like that?
That's the same thing. Bro Okay, it's all it's all
(25:09):
this ship, man, It's not. I don't hate the genre
and ship like that. It's just I hate like when
stuff becomes so generic, Like.
Speaker 3 (25:19):
Don't you think every kind of genera there has to
be at the generic sounds, the generic patterns.
Speaker 2 (25:26):
Potato potato, that house of potato. We're running out of time, Okay, Okay,
maybe this is for next time. Uh fucking make better productions, bro,
so we can actually enjoy the ship.
Speaker 1 (25:43):
Just go for it.
Speaker 2 (25:47):
Sounds what so called. Just go for it, just have
some fun.
Speaker 1 (25:51):
Then let's enjoy it the ship.
Speaker 2 (25:54):
It's okay. Okay, guys, they died sec bar young we
thought of and we're calling it your sucky scene, which.
Speaker 1 (26:03):
Is video reaction react. Okay, then get the boom.
Speaker 2 (26:07):
Yeah, team Tiam hallows a million, Tim hellows million. Then okay,
video for Dama. Okay, let's go company. Ok this man,
(26:40):
okay in the gil Man. The thing is what the
guinea and the like what they take.
Speaker 1 (26:54):
You, I'm not I'm gonna gonna don't give them some
music graph Yeah, some some kind at time in America
create dig.
Speaker 2 (27:09):
Under my last Yeah, are they going to circle? Oh?
I know? Bro? Okay the hand uh s s bid
s s b D s b D s break dam Okay.
(27:39):
And I've always been like, what is this. I don't
think it's a bad thing because they're enjoying the music.
It looks funny. Can yeah, hey even exactly. But in
(28:04):
the same time, a guitar or a shuffle or hocken.
Speaker 3 (28:12):
Yeah yeah, topic m dancer and the start of the
kind of dance and the start of the kind of music. Okay,
the fee direction guitar to uh.
Speaker 2 (28:32):
Oh the song no, because that's what I enjoyed, the.
Speaker 1 (28:37):
Music, coup pints, break the cable, let's go.
Speaker 2 (28:42):
Boom, there's a cool break. You hear this?
Speaker 1 (29:02):
You hate this all?
Speaker 2 (29:04):
Get that? That? That that that that like bron Okay,
so the wait, that's my fucking track. Who made this?
So I'm not don't get this exactly? Who made this?
(29:26):
Base on? That's my track? Look, so we can be
s this is actually cool. But you hear how that's all?
You see what I mean? You tell you what I mean?
Speaker 3 (29:47):
Okay, okay, okay, uh nothing, this is the thing. And
they're like goody, like.
Speaker 2 (29:55):
Mi now.
Speaker 1 (30:05):
That I rememan, like do you want a grip?
Speaker 2 (30:09):
When you got this? Year? Was that? Yes? See? There
you go? There you go? What year was that? Bro?
My name? Okay? But but you're playing no, it's okay
to play music from back then, and it sounds like that,
like it's okay to like Okay, for example, I still
early hardcore. Okay, I'm still making it a new way,
(30:30):
you know, to the point where the early heart people
are like, oh yeah, there's a new version of.
Speaker 1 (30:34):
This you know that shipped.
Speaker 2 (30:37):
Again? Okay, I kind of like it.
Speaker 1 (30:43):
Yeah the.
Speaker 2 (30:49):
One doesn't it annoy you?
Speaker 1 (30:50):
That sounds all the same color production for one.
Speaker 2 (30:54):
Min and the club you do for me? What? Uh?
Speaker 1 (31:06):
Right? I mean?
Speaker 2 (31:07):
I get?
Speaker 1 (31:07):
I get you get?
Speaker 2 (31:10):
Yeah? Uh I don't see what topic. I don't play it.
I don't play it.
Speaker 1 (31:22):
I mean can mine one thing?
Speaker 2 (31:26):
I don't. That's the thing, man, it's ye like, it's
okay to make stuff sound old school, but like old school, okay,
you have to upgrade it from the old school. You
know what I mean called singular monos sign wave. We
can that version of it but better. But it doesn't
(31:49):
sound better. So what do you think about this video?
Is it sucks? I think it sucks.
Speaker 3 (31:56):
Okay for me, it's not sucks. Becca has a super dato.
Maybe he doesn't like it, but I'm okay with it.
Speaker 2 (32:06):
So for me, I think next, like one of the
episodes Guitars Normal Terry has every genre.
Speaker 3 (32:12):
Personally eat yeah, yeah, dass, super yeah, I K and
then super yeah tribute things like it m drama okay,
next video, Yeah.
Speaker 1 (32:47):
It's not me.
Speaker 2 (32:51):
That's the sound sounds of Dato Indonesia the whole, you know,
and then beside joga time back playing it partly and.
Speaker 3 (33:10):
So they didn't make training though. Then then you got
up the book the podcast going like the short you
the one but one all all of a sudden it
is and squ.
Speaker 2 (33:25):
It too some it too something young some yeah of
course or ho you to thing that old morning It
took frequency rang k so get yeah, p befra.
Speaker 3 (33:45):
Marat like it straight to the point, go the pan
the way get bill I mentioned my Apnu made the maraton.
Speaker 2 (33:58):
You look to one of a time all the coast
Guinea bang some Karen into one of the biggest streamings
Karen and everything, and then there'll be someone t time
back feeling which one arab then to someone then with
makim one. Yeah, I mean in my opinion, bro, people
(34:26):
are enjoying it. That's good. Yeah in developed nah you
know what I mean. But color my reaction to this
video or like you having fun and they're exercising and
they're enjoying music. That's good for them, bro, Yeah you
know them. Then some some recita Porter and the regim
(34:53):
and the boundaries and Jackson Young Hanan to break steady
the command. Then so you make a lot of money
trying part muking. Okay, most example, long, I said, the
(35:17):
most example, Suka. Then let okay support you store any videos.
I'm scelling as Saxon and you can ye this this,
this is the proof that it's it's it's amazing, it's amazing.
(35:40):
Just I I just wish again, h I wish I
canna break za. Okay, make some originals just remixes using
the same sense. Oh yeah again, said man in. Uh yeah, yeah,
this does not sucks. Thank you, guys, thank you.
Speaker 1 (36:02):
Okay, guitar second, Okay, guys, thank you.
Speaker 2 (36:08):
That's gonnaet segment. No you you yeah.
Speaker 3 (36:15):
The American panamania uh at your since accident slag the
paka you break bit burner.
Speaker 2 (36:31):
So I'll explore a music a two man but to
form myself top form for more marsal capitalist, I don't
really know s break So you you for your break
with me? But was h one from.
Speaker 1 (36:50):
Massali and the Capitalista Club?
Speaker 2 (36:53):
Do it? Uh in the sorry ok alum fifty uh
fifty fifty one, okay, Karna go the the halloweens halleween
the club nomentum. But planking again. So the gelastic capitalists
(37:15):
the most every club owner specific and superamana vatcan profit
break different points. So they are trying negito karna hallowing
business mind. Then okay, okay, this is kindly your next
like a break club column for more, yes for more yes,
(37:41):
uh the capitalist se sana colle but you go fifty
fift color club break by the club club and the
young man mamong mine break another six Lessn't that like
(38:02):
the smaller ones, the small many you know row clubs.
Speaker 1 (38:09):
Okay, you know what I mean, like club.
Speaker 2 (38:14):
Small clubs, these small bars. I will just play okay, okay,
the capital called the capital, yeah of course, man, since
when did this these bottle service clubs play break with.
Speaker 3 (38:29):
Yeah yeah yeah yeah, became alter Man break bit and even.
Speaker 2 (38:41):
And Trent.
Speaker 3 (38:44):
Trend bank like yeah, Guinea but like it's a pretty
young and Masuka break bit then.
Speaker 2 (38:55):
Didn't into it at top break but it's it's okay
too many young yeah America, you guys and America even
they have to make it, they have to change it.
(39:19):
But you know thing, goobies make money from it. I thought, okay, yeah,
yellow doing too much go to one other situation. You
got young mo. Can any DJs not break with break
with the man and something else bes like, for a
(39:42):
good example, some d break bits. So now in my opinion,
it's more true to him goes to you. There's that
also yeah, but yeah by d J and to my
trend hopping okay, okay, Karen clubs, Karen Motor, breakbeat general.
(40:10):
And I don't agree with this because like some.
Speaker 1 (40:17):
More clubs break break.
Speaker 2 (40:23):
It depends like there's some clubs and you would never
hear breakbeats in zoo right, yeah you know what I mean?
You never heard yeah exactly. So there's like clubs that
will just still play what they want. Yeah yeah, okay, export.
Speaker 1 (40:42):
Okay, and like break bit, just go for it.
Speaker 2 (40:49):
What man, you actually like it? Would you like if
you if you actually like it? Just played class colors,
(41:11):
clop mine break beat music and ah okay this is
interesting and interesting. Uh in they opened up a callow
gua yes, class adam music and my among for fancy
(41:31):
clubs and then music and for fancy clubs. You know,
for example, my type of music, like hardcore, you never
hear that in a fancy club. Bro, it's not made
for that.
Speaker 3 (41:41):
What what's to use it, but you take, I'm gonna
look like super club you do you do?
Speaker 2 (41:47):
Then you know.
Speaker 3 (41:50):
My name big room to them and all all this identity,
but my name sound Google can sound break business Losa
to Clappy and would established it girds moments, the club
and the young the.
Speaker 2 (42:10):
Dragon Fly more go dragon Fly La track never changed.
Fucking yeah okay, the the the remars houses, the household
fools to go to clap and go to clubs like
(42:35):
yeah some more clapp and the and the and then
the ticket John is smaller. Call the super clubs again,
you know, but I mean the super club to go in,
(42:59):
Like Bro, super clubs are so expensive to run that
you need to make money one way or another, you
know or not, you're gonna run out of business.
Speaker 1 (43:08):
The big.
Speaker 2 (43:10):
No yeah yeah, then fuck it, Bro. You have to
do what you have to do right Like it sucks
for us as DJs, but you're the club owner. You know,
you know how much money you have to make Guasi
club for example, like both as Dragonfly, Bro and I
(43:32):
don't spend a lot of money. I feel ashamed, you
know what I mean? Because the music is already making
this environment that's like all right, rich people go here
you have to act like a rich kid, right, and
I'm like, fuck, I gotta open bottles and ship now
when I go to like a lot of the fancy
clubs here now and then music in Manka. Yeah, it's
just fucking fucking whatever. You know. It makes me feel like, oh,
(43:54):
I'm just going to a bar like I don't. I
don't feel I don't feel like a million dollars bro,
Like this place is supposed to make me feel like
I'm in Vegas. Yeah it doesn't, you know, so I
end up not spending comment and yeah, looking perspective, fruit,
you might not go on tire bank then.
Speaker 1 (44:16):
Sound break this girl, my chim, go on tire bank.
Speaker 2 (44:19):
It's just legits girl, my chim. Then to break it,
didn't go go and listen to your music, bro, okay.
Speaker 1 (44:34):
Yo.
Speaker 2 (44:35):
So that's the end of the episode. Guys get Out
discuss about the Kaby, the video reaction, the q n A. So, yeah,
just just make the songs better, dude, Honestly, that's it.
Does it make some originals do some crazy ship okay
for me, whether you make it original ed bang then
(45:00):
by Orange Zuka, getto why not more? Get so?
Speaker 3 (45:03):
Uh this the production for you mon producers and among seriously,
then uh, just do whatever you like. Support Bannert, but
like you know, X, then Collectiff, Color Party in the
(45:29):
g then Bangert, then very video reactions that the Bannet.
Then you got time and.
Speaker 2 (45:38):
Tribute, then promodo you need a basement of heaven three hours,
the X club set, the germs Arica. Miss it is
a klama that.
Speaker 3 (45:58):
Gem and club and stadium throws Centro throws you, Sampe wonder.
Speaker 2 (46:11):
Ordinary, let me do a gym and let me explorer.
Is okay? Leave a comment below discuss d J d
j R. Yes, John, Later in the next episodes, maybe
(46:35):
we're gonna discuss more about metal and other stuff like that.
So right down below, look that is sin mana or
let me associate many and don't forget to subscribe, like
share with your friends and yeah, show it to your
mom and you know, do all that stuff you're seeing.
(46:55):
Then you got a follow color YouTube Atty. Hello, Yeah,
I was at that timement. Okay, okay, guys, thank you
kind like you. Then you just seeing guitar going to one.
I'm sick.
Speaker 1 (47:05):
We're signing out yours in sacks, super clo
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