May 2, 2025 • 29 mins
Set in a frontier military post, this series explores the lives and duties of cavalry soldiers. It portrays the challenges and camaraderie of life on the frontier.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:09):
At the cavern whow Fort Laramie.
Speaker 2 (00:50):
Fort Laramie, starring Raymond Burr as Captain lee Quins, especially
transcribed tales of the dark and tragic ground of the
wild Frontier, the saga of fighting men who rode the
rim of Empire, and the dramatic story of lee Quin's
captain of cavalry.
Speaker 1 (01:26):
Might as well stay mounted, Sergeant, looks like the stage
is ready, Yes, sir, I'll talk to the agent. Morning.
Mister Church.
Speaker 3 (01:44):
God, morning to you, captain.
Speaker 1 (01:47):
Did you come for them? My orders say to meet
mister and missus Horace Quiring at the Red Cloud Agency
and escort them to Fort Laramie. Good at their stage
outside it is? Did you hear me say? Good? I
heard you good. That's good for their leaving and good
(02:07):
for good riddance too. Bureau of Indian Affairs bothering you,
mister Church. Botherings a small word, Captain.
Speaker 4 (02:15):
I won't try to spell it all out for you.
Speaker 1 (02:17):
You wouldn't believe me if I did.
Speaker 5 (02:20):
Suffice it to say, I am played out.
Speaker 1 (02:24):
Well. If they're ready, the Indians are played out too.
What's the matter with them? You?
Speaker 3 (02:33):
You don't know these.
Speaker 1 (02:34):
Folks at all. The major says mister quiring. Has something
to do with the Bureau of Indian Affairs.
Speaker 5 (02:41):
Basket weaving, dancing, law and culture studies, fire making, Indian mythology. Oh,
I tell you, captain, we've had a busy couple of weeks.
Speaker 1 (02:51):
Well, if he wants to learn about the Indians, he'd captain.
He's been teaching. He's been teaching the Indians how to
make baskets. That's the least of it. Him and his
missus too. Touched up a few of the tribal dancers.
And that Gussie.
Speaker 5 (03:09):
She'll say, your orders, don't mention Gussie.
Speaker 1 (03:15):
Gussie, she's their niece. A great hand to go around
and make fires. Rubbing a couple of dry sticks together
showed the Indians out, did she?
Speaker 6 (03:25):
Oh?
Speaker 1 (03:25):
They was amazed.
Speaker 3 (03:27):
Oh you wouldn't leave Gussie here?
Speaker 7 (03:30):
Well, I mean seeing her name.
Speaker 1 (03:32):
Ain't set down in your orders. Oh, you wouldn't do
a trick like that, me, captain, I'll take them all.
Speaker 5 (03:38):
Oh good, of course that poses a problem too.
Speaker 1 (03:42):
How's that you gotta find them first? They lost always
Let's go, captain.
Speaker 7 (04:05):
Can you see them yet?
Speaker 1 (04:06):
I make out three heads up at the top of
the rocks. I guess their heads.
Speaker 5 (04:11):
That's the quiring. From the distance, there's always some question.
Speaker 1 (04:16):
Then you get close up and oh, I've got to rest.
Speaker 5 (04:22):
Getting light headed.
Speaker 1 (04:24):
I don't see how they got up that high, especially
the women. No you don't.
Speaker 5 (04:28):
You you've got to catch them in the act to
believe it. And then you'd swear he hadn't seen it.
Oh active, mighty active.
Speaker 1 (04:38):
Well I'll go up and get them. Can't keep the
patrols sitting around all morning.
Speaker 5 (04:42):
I figured they're your responsibility. Now, captain, I've done all
I can do, and then some.
Speaker 1 (04:48):
And we'll pick you up on our way down.
Speaker 7 (04:50):
All right.
Speaker 8 (05:02):
Oh ah, yes, mister hush, I never hoped for this,
truly a legophus mutus.
Speaker 1 (05:18):
What's your luton?
Speaker 9 (05:19):
Gussie lagopus lu chorus?
Speaker 10 (05:22):
Strictly speaking, of course, it's a rupestuous. But you can't
blame the girls for being carried away.
Speaker 1 (05:28):
You talking about that bird there on the legs.
Speaker 10 (05:32):
I know you're gonna tell me it's a white tailed ptarmigan,
But in.
Speaker 4 (05:36):
Bird circles it's a grouse.
Speaker 10 (05:40):
Well, yes, if you want to be blunt, it's a grouse.
Speaker 4 (05:43):
Horace right here, Winnifred.
Speaker 9 (05:45):
Only in the broadest sense is the Ptarmigan a grouse
Akain Again, I'll give you nothing more.
Speaker 11 (05:54):
Remember Uncle Horace Aunt Winnifred's last paper before the Ornithological Society.
He definitely established the Ptarmigan as a gallinacious bird akin
to the ground.
Speaker 10 (06:05):
Oh, man, you want to have your facts well in
hand before you take on the quiring girls.
Speaker 4 (06:10):
Who, by the way, who are you?
Speaker 1 (06:11):
I'm Captain Quince. I'm in charge of your cavalry escort
to Fort Laram.
Speaker 10 (06:15):
Oh yes, yes, indeed, of course. Well now i'm horrors choiring.
Oh this is my wife, Wonderfrein, and my niece Augusta.
We call her Gussie.
Speaker 4 (06:24):
Gussie a girl's captain, Quince, ma'am Miss.
Speaker 11 (06:29):
Jick Hans captain is ma'am, My goodness, quint.
Speaker 10 (06:35):
She's thinking of the Australian black ash.
Speaker 11 (06:39):
Oh indeed, I'm not, Uncle Horace. We studied the quints
at the seminary. I'm thinking more in terms of the
pear shaped fruit of the pirates.
Speaker 4 (06:48):
Sidoni.
Speaker 1 (06:48):
Who she has you there?
Speaker 10 (06:53):
I warn you, Captain, they keep a man on his pace.
Well shall we make our descent?
Speaker 1 (07:01):
I kind of think we better.
Speaker 12 (07:13):
Maybe it's a little early form to have breakfastly for
the Quirings.
Speaker 1 (07:18):
They probably struck out before dawn and roasted a buffalo
and an open fire, a fire Gussie made rubbing two
dry sticks together.
Speaker 12 (07:26):
I know you don't like your assignment. Leave, but there's
no cause to exaggerate.
Speaker 1 (07:29):
I thought the Indian agent was exaggerating too.
Speaker 12 (07:32):
They seemed like perfectly nice people to me, pleasant, close
knit family.
Speaker 1 (07:36):
You spent five minutes with him, never got past how
to do missus. Daggett was leaving on the stage. I
explained that it's all right. Maybe it's better you find
out for yourself. Indian agent says they know more about
Indians than the Indians do. They might start telling us
how to run the guard Mount.
Speaker 3 (07:54):
I wish they'd come. I'm starved.
Speaker 1 (07:57):
Maybe they lost. Oh, that's ridiculous, The Indian agent says,
they're always lost. You see, they go climbing around a
lot looking for birds and things.
Speaker 3 (08:06):
Well, they're not lost this time. Here's mister quiring.
Speaker 10 (08:10):
Well, hi, goodness, Oh, don't you bother getting up for me?
Speaker 3 (08:13):
Major Captain orner, mister quiring morning, sir? Oh isn't synonymous acquiring?
Speaker 4 (08:20):
Thank you?
Speaker 12 (08:21):
All right?
Speaker 4 (08:23):
Well? Now, how nice? So this is the officer's mess,
is it?
Speaker 3 (08:26):
That's right? You like some coffee while we're waiting?
Speaker 4 (08:29):
Oh, I love some Nothing like a good cup of
coffee waiting.
Speaker 1 (08:33):
For the ladies, and the ladies for missus quiring, Missus Gussie.
Speaker 4 (08:37):
Oh, the girls, the girl see where are they?
Speaker 1 (08:41):
Well?
Speaker 3 (08:41):
I just supposed you'd all be together.
Speaker 4 (08:43):
We were, we were, But that was at breakfast. I
haven't seen the girls since breakfast. A little raspy in
the throat, are we, Captain No?
Speaker 1 (08:52):
I sort of choked.
Speaker 4 (08:54):
You want to watch that? That's bad business.
Speaker 3 (08:56):
You've had breakfast, mister quiring?
Speaker 7 (08:59):
Goodness?
Speaker 2 (09:00):
Yes?
Speaker 4 (09:00):
Why is after seven?
Speaker 7 (09:01):
Major?
Speaker 4 (09:02):
Oh it was a good breakfast too.
Speaker 10 (09:04):
It was outdoors, you know, open fire, all the sounds
of the Aurora as the sun came up and shone
with its full glory on Laramie Peak.
Speaker 1 (09:12):
You say, in open fire.
Speaker 4 (09:14):
Mister Gussie insists on an open fire.
Speaker 10 (09:17):
Ever since she learned how to well the things young
ladies learn in seminars these days, I just opened.
Speaker 12 (09:24):
Your eyes mind telling us what you had for breakfast,
not at all.
Speaker 10 (09:29):
Glad to Winnifred's departments. You know the food she made,
the boast. But to tell you the truth, I never
thought you'd bag it. Will see, she wasn't up in
that canyon five minutes until bang bang.
Speaker 4 (09:40):
Oh, I'm sorry. I hope it didn't frighten you. Major.
Speaker 3 (09:43):
Oh, I'm all.
Speaker 1 (09:44):
Right, Uh bang bang? What mister?
Speaker 4 (09:49):
Oh, breakfast, yes, breakfast.
Speaker 3 (09:51):
It wasn't a buffalo by any h.
Speaker 4 (09:53):
O oh No, no, no buffalo. I don't believe Winnifred could
have bagged the butler. No, it wasn't a buffalo.
Speaker 3 (09:59):
I didn't think it would be.
Speaker 10 (10:00):
No, it was that antelope. Say that is a bad
throat you've got, Captain.
Speaker 1 (10:06):
I guess it comes from exaggerating things, wouldn't you say, Major.
Speaker 12 (10:12):
I've got some business to attend to. Better get over
the headquarters.
Speaker 4 (10:15):
You haven't had your breakfast?
Speaker 3 (10:16):
Major, Well, I'm I'm not hungry.
Speaker 7 (10:19):
I'll bet it.
Speaker 10 (10:20):
Wonderfred contempt you with some of that antelope. Oh, my
delicate succulents. I hope their foray into the woods was successful.
I couldn't go with him, you see, I was most anxious.
Speaker 1 (10:30):
Foray into what woods? Mister what woods?
Speaker 10 (10:34):
Now?
Speaker 4 (10:34):
We just let me get my bearings. Which way is north?
Speaker 3 (10:39):
That way?
Speaker 10 (10:39):
Well, that's splendid, Yes, that's it. There are some woods
to the north, and last time I saw the girls they.
Speaker 12 (10:44):
Were qu you're a former search party, immediately take what.
Speaker 1 (10:48):
Men you need. Search part why the land of the
north is Indian country, mister U.
Speaker 10 (10:54):
And of course that's why they went. But more, my
goodness is search. You speak as if the girls are lost.
Speaker 12 (11:00):
We're speaking as if they're in danger, mister quiring. Those
woods are full of a rapper hole shoshone crow.
Speaker 10 (11:05):
I don't think they'll bother the girls, but I am
glad you mentioned that. I've been meaning to have a
chat with you concerning the perimeter defense of the fort.
Speaker 3 (11:15):
Captain.
Speaker 7 (11:16):
Yes, yes, now Major.
Speaker 4 (11:18):
By the way, Sir, I noticed last night of tattoo.
Seemed to me who'ld make the slightest.
Speaker 1 (11:43):
I wonder if I understood you correctly, Captain.
Speaker 4 (11:46):
We're to look up in the trees as well.
Speaker 1 (11:48):
You understood me, mister Saberds, Up in the trees, up
on rock ledges, up on cliffs.
Speaker 4 (11:56):
The ladies climb, sir, climb or fly.
Speaker 1 (11:59):
I don't know, but you pick a spot no one
can get to except maybe an eagle, and they'll be there,
m h. Captain ahead of us, mister.
Speaker 5 (12:17):
H, m hm.
Speaker 4 (12:23):
Sounds like a grizzly.
Speaker 1 (12:24):
Like no grizzly I ever heard.
Speaker 11 (12:27):
M h that.
Speaker 1 (12:31):
To write the down. Mister s Let's give him a hand.
It's an Indian captain, That poor devil.
Speaker 4 (12:38):
Somebody stuffed a gag in his mouth. And what's unless
he's caught at that?
Speaker 1 (12:42):
Mister is a butterfly in that.
Speaker 4 (12:46):
How on her?
Speaker 1 (12:46):
Give me a hand? Yes, sir, let's get that kerchief
out of his mouth. No cure, no cure. You're all right,
We're not going to kill you. When do we caught on?
Mister saberts a handler.
Speaker 7 (13:04):
Something said, trap down this brush.
Speaker 1 (13:06):
You let go? I run, I know, come here again?
You let go white squaws crazy? Yeah, I think you're right.
Speaker 10 (13:17):
Down there.
Speaker 4 (13:19):
Don't sell him free, captain. Look where she is, clear
up at the top of them.
Speaker 1 (13:25):
I told you, mister Sabots, you better come down from
them as in squiring. No, no, you not let her
down here again. I run, white squaw full of bad
spears up.
Speaker 4 (13:38):
Do as I say.
Speaker 1 (13:41):
You found him.
Speaker 7 (13:42):
He bothers that.
Speaker 1 (13:43):
I keep working. Missus Sabbats. Let him go. When you
get him free, I'll go up and get the the girls.
Speaker 4 (14:04):
Are you hard of hearing?
Speaker 13 (14:06):
Young man.
Speaker 9 (14:07):
I hallooed you on two occasions about the Indian.
Speaker 1 (14:10):
And I heard you, missus quiring.
Speaker 9 (14:13):
And you deliberately let him go after I told you
he bothered us.
Speaker 1 (14:18):
He won't bother you anymore. See down there, he's running
like fire. Done.
Speaker 11 (14:23):
They've flown Aunt Winifred. But with all the commotion, who
can blame them?
Speaker 9 (14:27):
Indeed, indeed, first.
Speaker 4 (14:29):
The Indian and we silenced him.
Speaker 9 (14:32):
But now just took around down there, Gussie, enough army
to have you lost something important?
Speaker 1 (14:41):
Captain ma'am, ma'am, you got to understand a few things
about the West, about Indians, about army garrison.
Speaker 11 (14:50):
Well, now if that isn't what we are trying our
level best to do, Captain Quince, And how better to
do it than by going directly to nature, studying the
birds of flight, the animals.
Speaker 1 (15:01):
Miss Gussie, Yes, Miss Gussie, this is Indian country. You're
not allowed to go directly to nature an Indian country,
not if you're a white woman.
Speaker 7 (15:09):
Now that's plain silly.
Speaker 1 (15:11):
It's a treaty, says so missus Quarin. Took a long time, talking, negotiating,
given and taken, and finally it was decided the Indians
were the only ones with rights to this land.
Speaker 11 (15:23):
The Indian didn't mean us any harm, did you think,
Aunt Winnifred thear.
Speaker 13 (15:27):
This thing from his mind? He was nosy, that's all.
Gussie and I had stolen up on. Now mind what
I tell you, Captain.
Speaker 9 (15:39):
We'd stolen up on a bitten a sharp shinned hawk.
Aunt Winnifred, your language, I'm breaking it down for the captain.
Remember the problem we had earlier about what he called grouse?
Speaker 1 (15:54):
Oh, of course, ma'am, if you'll let me get a
word in.
Speaker 9 (15:58):
A sharp shinned hawk, a goshawk, a bald eagle, and
a crow a crow.
Speaker 11 (16:05):
Aunt Winnifrey, the Indian was a crow.
Speaker 4 (16:09):
Wasn't he a captain?
Speaker 1 (16:12):
Yes, ma'am, he was a crow. And to use her words, Major,
when the crow persisted in making so much noise, we
(16:33):
did the only reasonable thing. That's when they dropped the
butterfly net on him and gagged him with a kerchief.
Speaker 3 (16:40):
Wait a minute, I've lost track. Is this crow a.
Speaker 1 (16:43):
Bird or an Indian?
Speaker 7 (16:46):
Captain?
Speaker 12 (16:47):
The Army's been my life for fifteen years, but this
business with acquirings may bring it to an untimely conclusion.
I'm about to write Washington that if they send another
party out here in the name of investigating anything, I'll resign.
Speaker 1 (17:02):
How long the quiring is going to be putting up here.
Speaker 12 (17:06):
He hasn't said, But this is an order, Captain. From
now on, I'm assigning you to a full time watch
and the three of them. We can't always be sending
search parties out to find.
Speaker 1 (17:16):
There's no watching the three of them at one time
they got away of pairing off or striking out alone.
Speaker 3 (17:23):
And sign a man to each of them. But I
want them accounted for at all times.
Speaker 1 (17:28):
I hope we don't have any Indian up horisons before
they leave. Couldn't spare the men to fight him? Oh no, Eh,
that'd be missus quiry.
Speaker 3 (17:39):
What on earth she's doing with sergeant?
Speaker 1 (17:40):
Of course talking to him anyway, I'd have to get
closer to find out. What about you?
Speaker 12 (17:47):
Go ahead, Captain, I'm going over to the settlers. I
just remembered the Missus Daggett's out of hatpins.
Speaker 11 (18:00):
Sure you're trying, do you understand?
Speaker 7 (18:03):
I'm not sure, No, ma'am. I hear what she's saying.
Speaker 9 (18:07):
All right, it's a perfectly simple direct statement.
Speaker 7 (18:11):
Toe out to Wow.
Speaker 11 (18:14):
Oh Captain, Quince, help me make this nice.
Speaker 4 (18:18):
Sergeant, understand what's wrong?
Speaker 6 (18:21):
Sergeant I don't rightly know, Captain, something about the way
I walk or don't walk, or something.
Speaker 1 (18:28):
The lady you two haven't met formally.
Speaker 7 (18:34):
Well now she just she just come on me talking.
Speaker 1 (18:38):
Allow me inquiring. This is Sergeant.
Speaker 13 (18:41):
Gorse, Shake hands, Sergeant, Yes, ma'am.
Speaker 11 (18:45):
Now then did you say Gorse?
Speaker 7 (18:49):
Yes, ma'am, that's my name, Gorse.
Speaker 10 (18:51):
Wonderful?
Speaker 1 (18:52):
Oh, wonderful.
Speaker 9 (18:53):
Wait till I tell Gussie and.
Speaker 13 (18:55):
Horace a Quince and the Gorse on the same army post.
Speaker 11 (19:00):
Oh, I can't wait, this is too good to keep.
Speaker 9 (19:02):
You'll excuse me, Yes, ma'am, don't forget Sergeant.
Speaker 1 (19:06):
Toe out, toe out.
Speaker 7 (19:13):
She sure got a bird somewhere, is ain't she?
Speaker 6 (19:16):
Maybe you think I walk funny?
Speaker 1 (19:21):
Captain. I'm beginning to think everyone's a little funny around here,
one way or another.
Speaker 7 (19:28):
My name? What's she going on about my name?
Speaker 1 (19:31):
For? She knows what it means?
Speaker 7 (19:33):
What does it mean?
Speaker 1 (19:34):
I don't know? No, me, I got a couple of choices.
They can't decide if I'm an Australian black ash or
the pear shaped fruit of the pirates. Sodonia.
Speaker 7 (19:45):
Captain, I'm gonna go get me some beer.
Speaker 1 (19:48):
Uh see you practice on the way over. Sergeant. I
don't forget toe out.
Speaker 6 (20:16):
You just gotta make up your mind to stay put,
mister chuire. We can't come looking for you every now
and then.
Speaker 4 (20:22):
But I've never lost you, know never.
Speaker 7 (20:26):
I always know where I am.
Speaker 6 (20:27):
I have maps, and well it's more that I don't
know where you are older than your loss.
Speaker 7 (20:33):
No, sir, I'm not. I'm oh.
Speaker 4 (20:35):
That's a different matter entirely.
Speaker 10 (20:38):
Don't worry. I'll get us back. I have maps and
charts and things I can't understand. Winifred, though, that's my wife, Winnifred, Yes, sir,
it's not like her to steer me wrong this way.
Usually Winnifred's worders are buned. She says something it's true,
(20:58):
But this time she by the way, I don't believe
I cut your.
Speaker 4 (21:01):
Name, Sergeant.
Speaker 1 (21:02):
My name's Gorse.
Speaker 10 (21:03):
Oh yes, sergeant, Oh that's a fine imagine you're quite
proud of.
Speaker 4 (21:09):
Did you say Gorse?
Speaker 7 (21:10):
I sure did.
Speaker 4 (21:12):
Oh, man, that's a good one.
Speaker 7 (21:16):
Now.
Speaker 4 (21:16):
The joke's on me, sergeant, it is.
Speaker 10 (21:19):
Yes, Winnifred didn't steer me wrong at all.
Speaker 4 (21:22):
She said, Oh my, this is rich.
Speaker 1 (21:24):
Yes it is.
Speaker 10 (21:25):
She was telling me about the gorse, she said, And
I was quite naturally excited about that.
Speaker 4 (21:30):
Why, well for a good reason. I sure you don't
run in the gorse every day, you.
Speaker 7 (21:35):
Know, well I don't. But I look here, mister quiry, and.
Speaker 10 (21:40):
I quite naturally assumed that Winnifreedards were referring to the
common furs or wind.
Speaker 4 (21:46):
And that's why I struck out to see it. Perhaps
snip a sampler to me.
Speaker 7 (21:51):
I sure don't know what you're talking about.
Speaker 6 (21:54):
And your wife, I hear everything she says, and I
don't know what she's talking about neither.
Speaker 4 (21:59):
Well, that is, I wrote out.
Speaker 10 (22:00):
I got to thinking, perhaps Winifred wasn't referring to the common.
Speaker 4 (22:04):
Furs or win at all.
Speaker 10 (22:06):
Yes, I said, Well, it's been years since I read
her paper on the gorse, but I.
Speaker 4 (22:11):
Remember the main points, all right. So let me see.
Speaker 10 (22:15):
Now there's the gorse linnet, the gorse chat, gorse hatch,
gorse hatcher and gorse hatcher.
Speaker 7 (22:24):
What are you talking about, all am gorses?
Speaker 4 (22:27):
Oh?
Speaker 10 (22:29):
Oh no, say, oh shame on me. Will I never
remember to keep it simple for the lamur? Will I
never remember well, begin at the beginning again, and we're
back now to.
Speaker 4 (22:39):
The furs and the wind. That's very like junifer.
Speaker 7 (22:43):
That last bunch with all gorses in front.
Speaker 4 (22:46):
Of birds songbirds, Ma.
Speaker 7 (22:50):
You like birds? Is that what you're saying? Well?
Speaker 10 (22:53):
Like, oh, my dear gus birds and I oh, I'm sorry,
but a sergeant named when the Fred will just have
to do a paper on that.
Speaker 6 (23:05):
Oh, we we got a lot more interesting birds in
that out here, you do? Oh sure what you don't
want to mess around with common old gorses when you
can come up on a say, the jhawk, he flies backwards,
you know. Then there's a mugwamp mugwam.
Speaker 10 (23:26):
Did you see mug wom My goodness, I thought they
were extinct.
Speaker 6 (23:30):
Oh no, no, we got them all over out here.
Then there's the three footed fire free fuck stands on
one rubs his other two together makes fire.
Speaker 4 (23:40):
Gussie will be thrilled.
Speaker 6 (23:52):
I just can't believe this. That's why I come up here, Captain.
Speaker 1 (23:57):
They're really leaving, that's what they say, pushing farther west
on the trail of a three footed firebird.
Speaker 6 (24:08):
I told them California up hie in this year least?
Why it's the last covey I saw was there?
Speaker 1 (24:14):
All right, I understand missus Quarry is going to give
you full credit on her paper about them at better
count heads. Here's mister Quiring talking to the major.
Speaker 6 (24:25):
Well, i've seen missus Quiring not two minutes ago. She
was helping the squad do some Indian beadwork. She isn't
doing it now, find her goes. Oh, now she ain't
run away again, Captain.
Speaker 1 (24:36):
I want them all three on that stage. Sergeant, yes, sir,
keep an eye out for miss Gussie while you're out
of sergeant.
Speaker 7 (24:41):
Yes, sir, Oh Captain.
Speaker 10 (24:46):
Captain yes, mister Quiring, Well, I wouldn't want to misshake
in your hand in farewell.
Speaker 4 (24:52):
Okay, the stage is packed. Have said my goodbyes to
the major.
Speaker 1 (24:56):
You lose something your wife and I don't seem is
Gussie either?
Speaker 10 (25:01):
Well?
Speaker 4 (25:02):
No, let me see. Well, if I were Winnifred, now
where would I go?
Speaker 10 (25:07):
I always begin that way, and then I let my
mind function as if it were Winifred's mine the root.
Speaker 1 (25:13):
House, that's clear over behind the settlers.
Speaker 4 (25:16):
That fine.
Speaker 10 (25:16):
Well, when we go over what she's doing at the
root house, you didn't know she found a small flowering.
Speaker 4 (25:23):
Gorse and thought it only face.
Speaker 1 (25:25):
Never mind, what now.
Speaker 4 (25:29):
It's miss Gussie. Captain, Yes, Captain, we're all accounted for.
There's no problems. I'm afraid there is, Sir. It seems
Miss Gussie was demonstrating how quickly she Well, they don't
think it's too serious.
Speaker 13 (25:43):
But under the circumstances they took her to the post
hospital hospital.
Speaker 1 (25:48):
Under what circumstances, mister Seibers burned hands, Captain.
Speaker 4 (25:54):
But the doctor says, in a few days she'll be
able to travel.
Speaker 1 (25:58):
And a few days, missus Symonds, this is in order
for the next few days. No dry sticks for Miss Gussie,
move out.
Speaker 2 (26:33):
Fort Laramie is produced and directed by Norman mac donald
and stars Raymond Burr as lee Quin's Captain of Cavalry,
with Vic Perham as Sergeant Gorse. The script was specially
written for Fort Laramie by Kathleen Hit with sound patterns
by Bill James and Tom Henley musical supervision by Amarigo Marino.
(26:54):
Featured in the cast were Howard mcner, Virginia Gregg Parley, Bear,
Shirley Mitchell and John Dayner, Jack moyles Is, Major Diggett
and Harry Bartel is Lieutenant Cyberts.
Speaker 1 (27:21):
Company tensent dismiss.
Speaker 2 (27:37):
Next week another transcribed story of the Northwest Frontier and
the troopers who fought under lee Quin's Captain of Cavalry.
(28:10):
Yours Truly, Johnny Dollar is no signature on a Valentine.
Not that our danger loving insurance investigator is opposed to romance.
It's just that the detective's profession calls for a pragmatic
approach to life if he wants to go on living.
That's why, no matter how lovely a lady may be,
no matter how attracted to her, Johnny Dollar may be,
(28:30):
solving the particular case he's working on always takes precedence
over seminent. The case he's working on now calls for
courage as well as caution, and it's a baffling mystery thriller.
You'll enjoy following clue by clue as you listen to
Yours Truly Johnny Dollar Monday through Friday evening on most
of these same CBS radio stations
At the cavern whow Fort Laramie.
Speaker 2 (00:50):
Fort Laramie, starring Raymond Burr as Captain lee Quins, especially
transcribed tales of the dark and tragic ground of the
wild Frontier, the saga of fighting men who rode the
rim of Empire, and the dramatic story of lee Quin's
captain of cavalry.
Speaker 1 (01:26):
Might as well stay mounted, Sergeant, looks like the stage
is ready, Yes, sir, I'll talk to the agent. Morning.
Mister Church.
Speaker 3 (01:44):
God, morning to you, captain.
Speaker 1 (01:47):
Did you come for them? My orders say to meet
mister and missus Horace Quiring at the Red Cloud Agency
and escort them to Fort Laramie. Good at their stage
outside it is? Did you hear me say? Good? I
heard you good. That's good for their leaving and good
(02:07):
for good riddance too. Bureau of Indian Affairs bothering you,
mister Church. Botherings a small word, Captain.
Speaker 4 (02:15):
I won't try to spell it all out for you.
Speaker 1 (02:17):
You wouldn't believe me if I did.
Speaker 5 (02:20):
Suffice it to say, I am played out.
Speaker 1 (02:24):
Well. If they're ready, the Indians are played out too.
What's the matter with them? You?
Speaker 3 (02:33):
You don't know these.
Speaker 1 (02:34):
Folks at all. The major says mister quiring. Has something
to do with the Bureau of Indian Affairs.
Speaker 5 (02:41):
Basket weaving, dancing, law and culture studies, fire making, Indian mythology. Oh,
I tell you, captain, we've had a busy couple of weeks.
Speaker 1 (02:51):
Well, if he wants to learn about the Indians, he'd captain.
He's been teaching. He's been teaching the Indians how to
make baskets. That's the least of it. Him and his
missus too. Touched up a few of the tribal dancers.
And that Gussie.
Speaker 5 (03:09):
She'll say, your orders, don't mention Gussie.
Speaker 1 (03:15):
Gussie, she's their niece. A great hand to go around
and make fires. Rubbing a couple of dry sticks together
showed the Indians out, did she?
Speaker 6 (03:25):
Oh?
Speaker 1 (03:25):
They was amazed.
Speaker 3 (03:27):
Oh you wouldn't leave Gussie here?
Speaker 7 (03:30):
Well, I mean seeing her name.
Speaker 1 (03:32):
Ain't set down in your orders. Oh, you wouldn't do
a trick like that, me, captain, I'll take them all.
Speaker 5 (03:38):
Oh good, of course that poses a problem too.
Speaker 1 (03:42):
How's that you gotta find them first? They lost always
Let's go, captain.
Speaker 7 (04:05):
Can you see them yet?
Speaker 1 (04:06):
I make out three heads up at the top of
the rocks. I guess their heads.
Speaker 5 (04:11):
That's the quiring. From the distance, there's always some question.
Speaker 1 (04:16):
Then you get close up and oh, I've got to rest.
Speaker 5 (04:22):
Getting light headed.
Speaker 1 (04:24):
I don't see how they got up that high, especially
the women. No you don't.
Speaker 5 (04:28):
You you've got to catch them in the act to
believe it. And then you'd swear he hadn't seen it.
Oh active, mighty active.
Speaker 1 (04:38):
Well I'll go up and get them. Can't keep the
patrols sitting around all morning.
Speaker 5 (04:42):
I figured they're your responsibility. Now, captain, I've done all
I can do, and then some.
Speaker 1 (04:48):
And we'll pick you up on our way down.
Speaker 7 (04:50):
All right.
Speaker 8 (05:02):
Oh ah, yes, mister hush, I never hoped for this,
truly a legophus mutus.
Speaker 1 (05:18):
What's your luton?
Speaker 9 (05:19):
Gussie lagopus lu chorus?
Speaker 10 (05:22):
Strictly speaking, of course, it's a rupestuous. But you can't
blame the girls for being carried away.
Speaker 1 (05:28):
You talking about that bird there on the legs.
Speaker 10 (05:32):
I know you're gonna tell me it's a white tailed ptarmigan,
But in.
Speaker 4 (05:36):
Bird circles it's a grouse.
Speaker 10 (05:40):
Well, yes, if you want to be blunt, it's a grouse.
Speaker 4 (05:43):
Horace right here, Winnifred.
Speaker 9 (05:45):
Only in the broadest sense is the Ptarmigan a grouse
Akain Again, I'll give you nothing more.
Speaker 11 (05:54):
Remember Uncle Horace Aunt Winnifred's last paper before the Ornithological Society.
He definitely established the Ptarmigan as a gallinacious bird akin
to the ground.
Speaker 10 (06:05):
Oh, man, you want to have your facts well in
hand before you take on the quiring girls.
Speaker 4 (06:10):
Who, by the way, who are you?
Speaker 1 (06:11):
I'm Captain Quince. I'm in charge of your cavalry escort
to Fort Laram.
Speaker 10 (06:15):
Oh yes, yes, indeed, of course. Well now i'm horrors choiring.
Oh this is my wife, Wonderfrein, and my niece Augusta.
We call her Gussie.
Speaker 4 (06:24):
Gussie a girl's captain, Quince, ma'am Miss.
Speaker 11 (06:29):
Jick Hans captain is ma'am, My goodness, quint.
Speaker 10 (06:35):
She's thinking of the Australian black ash.
Speaker 11 (06:39):
Oh indeed, I'm not, Uncle Horace. We studied the quints
at the seminary. I'm thinking more in terms of the
pear shaped fruit of the pirates.
Speaker 4 (06:48):
Sidoni.
Speaker 1 (06:48):
Who she has you there?
Speaker 10 (06:53):
I warn you, Captain, they keep a man on his pace.
Well shall we make our descent?
Speaker 1 (07:01):
I kind of think we better.
Speaker 12 (07:13):
Maybe it's a little early form to have breakfastly for
the Quirings.
Speaker 1 (07:18):
They probably struck out before dawn and roasted a buffalo
and an open fire, a fire Gussie made rubbing two
dry sticks together.
Speaker 12 (07:26):
I know you don't like your assignment. Leave, but there's
no cause to exaggerate.
Speaker 1 (07:29):
I thought the Indian agent was exaggerating too.
Speaker 12 (07:32):
They seemed like perfectly nice people to me, pleasant, close
knit family.
Speaker 1 (07:36):
You spent five minutes with him, never got past how
to do missus. Daggett was leaving on the stage. I
explained that it's all right. Maybe it's better you find
out for yourself. Indian agent says they know more about
Indians than the Indians do. They might start telling us
how to run the guard Mount.
Speaker 3 (07:54):
I wish they'd come. I'm starved.
Speaker 1 (07:57):
Maybe they lost. Oh, that's ridiculous, The Indian agent says,
they're always lost. You see, they go climbing around a
lot looking for birds and things.
Speaker 3 (08:06):
Well, they're not lost this time. Here's mister quiring.
Speaker 10 (08:10):
Well, hi, goodness, Oh, don't you bother getting up for me?
Speaker 3 (08:13):
Major Captain orner, mister quiring morning, sir? Oh isn't synonymous acquiring?
Speaker 4 (08:20):
Thank you?
Speaker 12 (08:21):
All right?
Speaker 4 (08:23):
Well? Now, how nice? So this is the officer's mess,
is it?
Speaker 3 (08:26):
That's right? You like some coffee while we're waiting?
Speaker 4 (08:29):
Oh, I love some Nothing like a good cup of
coffee waiting.
Speaker 1 (08:33):
For the ladies, and the ladies for missus quiring, Missus Gussie.
Speaker 4 (08:37):
Oh, the girls, the girl see where are they?
Speaker 1 (08:41):
Well?
Speaker 3 (08:41):
I just supposed you'd all be together.
Speaker 4 (08:43):
We were, we were, But that was at breakfast. I
haven't seen the girls since breakfast. A little raspy in
the throat, are we, Captain No?
Speaker 1 (08:52):
I sort of choked.
Speaker 4 (08:54):
You want to watch that? That's bad business.
Speaker 3 (08:56):
You've had breakfast, mister quiring?
Speaker 7 (08:59):
Goodness?
Speaker 2 (09:00):
Yes?
Speaker 4 (09:00):
Why is after seven?
Speaker 7 (09:01):
Major?
Speaker 4 (09:02):
Oh it was a good breakfast too.
Speaker 10 (09:04):
It was outdoors, you know, open fire, all the sounds
of the Aurora as the sun came up and shone
with its full glory on Laramie Peak.
Speaker 1 (09:12):
You say, in open fire.
Speaker 4 (09:14):
Mister Gussie insists on an open fire.
Speaker 10 (09:17):
Ever since she learned how to well the things young
ladies learn in seminars these days, I just opened.
Speaker 12 (09:24):
Your eyes mind telling us what you had for breakfast,
not at all.
Speaker 10 (09:29):
Glad to Winnifred's departments. You know the food she made,
the boast. But to tell you the truth, I never
thought you'd bag it. Will see, she wasn't up in
that canyon five minutes until bang bang.
Speaker 4 (09:40):
Oh, I'm sorry. I hope it didn't frighten you. Major.
Speaker 3 (09:43):
Oh, I'm all.
Speaker 1 (09:44):
Right, Uh bang bang? What mister?
Speaker 4 (09:49):
Oh, breakfast, yes, breakfast.
Speaker 3 (09:51):
It wasn't a buffalo by any h.
Speaker 4 (09:53):
O oh No, no, no buffalo. I don't believe Winnifred could
have bagged the butler. No, it wasn't a buffalo.
Speaker 3 (09:59):
I didn't think it would be.
Speaker 10 (10:00):
No, it was that antelope. Say that is a bad
throat you've got, Captain.
Speaker 1 (10:06):
I guess it comes from exaggerating things, wouldn't you say, Major.
Speaker 12 (10:12):
I've got some business to attend to. Better get over
the headquarters.
Speaker 4 (10:15):
You haven't had your breakfast?
Speaker 3 (10:16):
Major, Well, I'm I'm not hungry.
Speaker 7 (10:19):
I'll bet it.
Speaker 10 (10:20):
Wonderfred contempt you with some of that antelope. Oh, my
delicate succulents. I hope their foray into the woods was successful.
I couldn't go with him, you see, I was most anxious.
Speaker 1 (10:30):
Foray into what woods? Mister what woods?
Speaker 10 (10:34):
Now?
Speaker 4 (10:34):
We just let me get my bearings. Which way is north?
Speaker 3 (10:39):
That way?
Speaker 10 (10:39):
Well, that's splendid, Yes, that's it. There are some woods
to the north, and last time I saw the girls they.
Speaker 12 (10:44):
Were qu you're a former search party, immediately take what.
Speaker 1 (10:48):
Men you need. Search part why the land of the
north is Indian country, mister U.
Speaker 10 (10:54):
And of course that's why they went. But more, my
goodness is search. You speak as if the girls are lost.
Speaker 12 (11:00):
We're speaking as if they're in danger, mister quiring. Those
woods are full of a rapper hole shoshone crow.
Speaker 10 (11:05):
I don't think they'll bother the girls, but I am
glad you mentioned that. I've been meaning to have a
chat with you concerning the perimeter defense of the fort.
Speaker 3 (11:15):
Captain.
Speaker 7 (11:16):
Yes, yes, now Major.
Speaker 4 (11:18):
By the way, Sir, I noticed last night of tattoo.
Seemed to me who'ld make the slightest.
Speaker 1 (11:43):
I wonder if I understood you correctly, Captain.
Speaker 4 (11:46):
We're to look up in the trees as well.
Speaker 1 (11:48):
You understood me, mister Saberds, Up in the trees, up
on rock ledges, up on cliffs.
Speaker 4 (11:56):
The ladies climb, sir, climb or fly.
Speaker 1 (11:59):
I don't know, but you pick a spot no one
can get to except maybe an eagle, and they'll be there,
m h. Captain ahead of us, mister.
Speaker 5 (12:17):
H, m hm.
Speaker 4 (12:23):
Sounds like a grizzly.
Speaker 1 (12:24):
Like no grizzly I ever heard.
Speaker 11 (12:27):
M h that.
Speaker 1 (12:31):
To write the down. Mister s Let's give him a hand.
It's an Indian captain, That poor devil.
Speaker 4 (12:38):
Somebody stuffed a gag in his mouth. And what's unless
he's caught at that?
Speaker 1 (12:42):
Mister is a butterfly in that.
Speaker 4 (12:46):
How on her?
Speaker 1 (12:46):
Give me a hand? Yes, sir, let's get that kerchief
out of his mouth. No cure, no cure. You're all right,
We're not going to kill you. When do we caught on?
Mister saberts a handler.
Speaker 7 (13:04):
Something said, trap down this brush.
Speaker 1 (13:06):
You let go? I run, I know, come here again?
You let go white squaws crazy? Yeah, I think you're right.
Speaker 10 (13:17):
Down there.
Speaker 4 (13:19):
Don't sell him free, captain. Look where she is, clear
up at the top of them.
Speaker 1 (13:25):
I told you, mister Sabots, you better come down from
them as in squiring. No, no, you not let her
down here again. I run, white squaw full of bad
spears up.
Speaker 4 (13:38):
Do as I say.
Speaker 1 (13:41):
You found him.
Speaker 7 (13:42):
He bothers that.
Speaker 1 (13:43):
I keep working. Missus Sabbats. Let him go. When you
get him free, I'll go up and get the the girls.
Speaker 4 (14:04):
Are you hard of hearing?
Speaker 13 (14:06):
Young man.
Speaker 9 (14:07):
I hallooed you on two occasions about the Indian.
Speaker 1 (14:10):
And I heard you, missus quiring.
Speaker 9 (14:13):
And you deliberately let him go after I told you
he bothered us.
Speaker 1 (14:18):
He won't bother you anymore. See down there, he's running
like fire. Done.
Speaker 11 (14:23):
They've flown Aunt Winifred. But with all the commotion, who
can blame them?
Speaker 9 (14:27):
Indeed, indeed, first.
Speaker 4 (14:29):
The Indian and we silenced him.
Speaker 9 (14:32):
But now just took around down there, Gussie, enough army
to have you lost something important?
Speaker 1 (14:41):
Captain ma'am, ma'am, you got to understand a few things
about the West, about Indians, about army garrison.
Speaker 11 (14:50):
Well, now if that isn't what we are trying our
level best to do, Captain Quince, And how better to
do it than by going directly to nature, studying the
birds of flight, the animals.
Speaker 1 (15:01):
Miss Gussie, Yes, Miss Gussie, this is Indian country. You're
not allowed to go directly to nature an Indian country,
not if you're a white woman.
Speaker 7 (15:09):
Now that's plain silly.
Speaker 1 (15:11):
It's a treaty, says so missus Quarin. Took a long time, talking, negotiating,
given and taken, and finally it was decided the Indians
were the only ones with rights to this land.
Speaker 11 (15:23):
The Indian didn't mean us any harm, did you think,
Aunt Winnifred thear.
Speaker 13 (15:27):
This thing from his mind? He was nosy, that's all.
Gussie and I had stolen up on. Now mind what
I tell you, Captain.
Speaker 9 (15:39):
We'd stolen up on a bitten a sharp shinned hawk.
Aunt Winnifred, your language, I'm breaking it down for the captain.
Remember the problem we had earlier about what he called grouse?
Speaker 1 (15:54):
Oh, of course, ma'am, if you'll let me get a
word in.
Speaker 9 (15:58):
A sharp shinned hawk, a goshawk, a bald eagle, and
a crow a crow.
Speaker 11 (16:05):
Aunt Winnifrey, the Indian was a crow.
Speaker 4 (16:09):
Wasn't he a captain?
Speaker 1 (16:12):
Yes, ma'am, he was a crow. And to use her words, Major,
when the crow persisted in making so much noise, we
(16:33):
did the only reasonable thing. That's when they dropped the
butterfly net on him and gagged him with a kerchief.
Speaker 3 (16:40):
Wait a minute, I've lost track. Is this crow a.
Speaker 1 (16:43):
Bird or an Indian?
Speaker 7 (16:46):
Captain?
Speaker 12 (16:47):
The Army's been my life for fifteen years, but this
business with acquirings may bring it to an untimely conclusion.
I'm about to write Washington that if they send another
party out here in the name of investigating anything, I'll resign.
Speaker 1 (17:02):
How long the quiring is going to be putting up here.
Speaker 12 (17:06):
He hasn't said, But this is an order, Captain. From
now on, I'm assigning you to a full time watch
and the three of them. We can't always be sending
search parties out to find.
Speaker 1 (17:16):
There's no watching the three of them at one time
they got away of pairing off or striking out alone.
Speaker 3 (17:23):
And sign a man to each of them. But I
want them accounted for at all times.
Speaker 1 (17:28):
I hope we don't have any Indian up horisons before
they leave. Couldn't spare the men to fight him? Oh no, Eh,
that'd be missus quiry.
Speaker 3 (17:39):
What on earth she's doing with sergeant?
Speaker 1 (17:40):
Of course talking to him anyway, I'd have to get
closer to find out. What about you?
Speaker 12 (17:47):
Go ahead, Captain, I'm going over to the settlers. I
just remembered the Missus Daggett's out of hatpins.
Speaker 11 (18:00):
Sure you're trying, do you understand?
Speaker 7 (18:03):
I'm not sure, No, ma'am. I hear what she's saying.
Speaker 9 (18:07):
All right, it's a perfectly simple direct statement.
Speaker 7 (18:11):
Toe out to Wow.
Speaker 11 (18:14):
Oh Captain, Quince, help me make this nice.
Speaker 4 (18:18):
Sergeant, understand what's wrong?
Speaker 6 (18:21):
Sergeant I don't rightly know, Captain, something about the way
I walk or don't walk, or something.
Speaker 1 (18:28):
The lady you two haven't met formally.
Speaker 7 (18:34):
Well now she just she just come on me talking.
Speaker 1 (18:38):
Allow me inquiring. This is Sergeant.
Speaker 13 (18:41):
Gorse, Shake hands, Sergeant, Yes, ma'am.
Speaker 11 (18:45):
Now then did you say Gorse?
Speaker 7 (18:49):
Yes, ma'am, that's my name, Gorse.
Speaker 10 (18:51):
Wonderful?
Speaker 1 (18:52):
Oh, wonderful.
Speaker 9 (18:53):
Wait till I tell Gussie and.
Speaker 13 (18:55):
Horace a Quince and the Gorse on the same army post.
Speaker 11 (19:00):
Oh, I can't wait, this is too good to keep.
Speaker 9 (19:02):
You'll excuse me, Yes, ma'am, don't forget Sergeant.
Speaker 1 (19:06):
Toe out, toe out.
Speaker 7 (19:13):
She sure got a bird somewhere, is ain't she?
Speaker 6 (19:16):
Maybe you think I walk funny?
Speaker 1 (19:21):
Captain. I'm beginning to think everyone's a little funny around here,
one way or another.
Speaker 7 (19:28):
My name? What's she going on about my name?
Speaker 1 (19:31):
For? She knows what it means?
Speaker 7 (19:33):
What does it mean?
Speaker 1 (19:34):
I don't know? No, me, I got a couple of choices.
They can't decide if I'm an Australian black ash or
the pear shaped fruit of the pirates. Sodonia.
Speaker 7 (19:45):
Captain, I'm gonna go get me some beer.
Speaker 1 (19:48):
Uh see you practice on the way over. Sergeant. I
don't forget toe out.
Speaker 6 (20:16):
You just gotta make up your mind to stay put,
mister chuire. We can't come looking for you every now
and then.
Speaker 4 (20:22):
But I've never lost you, know never.
Speaker 7 (20:26):
I always know where I am.
Speaker 6 (20:27):
I have maps, and well it's more that I don't
know where you are older than your loss.
Speaker 7 (20:33):
No, sir, I'm not. I'm oh.
Speaker 4 (20:35):
That's a different matter entirely.
Speaker 10 (20:38):
Don't worry. I'll get us back. I have maps and
charts and things I can't understand. Winifred, though, that's my wife, Winnifred, Yes, sir,
it's not like her to steer me wrong this way.
Usually Winnifred's worders are buned. She says something it's true,
(20:58):
But this time she by the way, I don't believe
I cut your.
Speaker 4 (21:01):
Name, Sergeant.
Speaker 1 (21:02):
My name's Gorse.
Speaker 10 (21:03):
Oh yes, sergeant, Oh that's a fine imagine you're quite
proud of.
Speaker 4 (21:09):
Did you say Gorse?
Speaker 7 (21:10):
I sure did.
Speaker 4 (21:12):
Oh, man, that's a good one.
Speaker 7 (21:16):
Now.
Speaker 4 (21:16):
The joke's on me, sergeant, it is.
Speaker 10 (21:19):
Yes, Winnifred didn't steer me wrong at all.
Speaker 4 (21:22):
She said, Oh my, this is rich.
Speaker 1 (21:24):
Yes it is.
Speaker 10 (21:25):
She was telling me about the gorse, she said, And
I was quite naturally excited about that.
Speaker 4 (21:30):
Why, well for a good reason. I sure you don't
run in the gorse every day, you.
Speaker 7 (21:35):
Know, well I don't. But I look here, mister quiry, and.
Speaker 10 (21:40):
I quite naturally assumed that Winnifreedards were referring to the
common furs or wind.
Speaker 4 (21:46):
And that's why I struck out to see it. Perhaps
snip a sampler to me.
Speaker 7 (21:51):
I sure don't know what you're talking about.
Speaker 6 (21:54):
And your wife, I hear everything she says, and I
don't know what she's talking about neither.
Speaker 4 (21:59):
Well, that is, I wrote out.
Speaker 10 (22:00):
I got to thinking, perhaps Winifred wasn't referring to the common.
Speaker 4 (22:04):
Furs or win at all.
Speaker 10 (22:06):
Yes, I said, Well, it's been years since I read
her paper on the gorse, but I.
Speaker 4 (22:11):
Remember the main points, all right. So let me see.
Speaker 10 (22:15):
Now there's the gorse linnet, the gorse chat, gorse hatch,
gorse hatcher and gorse hatcher.
Speaker 7 (22:24):
What are you talking about, all am gorses?
Speaker 4 (22:27):
Oh?
Speaker 10 (22:29):
Oh no, say, oh shame on me. Will I never
remember to keep it simple for the lamur? Will I
never remember well, begin at the beginning again, and we're
back now to.
Speaker 4 (22:39):
The furs and the wind. That's very like junifer.
Speaker 7 (22:43):
That last bunch with all gorses in front.
Speaker 4 (22:46):
Of birds songbirds, Ma.
Speaker 7 (22:50):
You like birds? Is that what you're saying? Well?
Speaker 10 (22:53):
Like, oh, my dear gus birds and I oh, I'm sorry,
but a sergeant named when the Fred will just have
to do a paper on that.
Speaker 6 (23:05):
Oh, we we got a lot more interesting birds in
that out here, you do? Oh sure what you don't
want to mess around with common old gorses when you
can come up on a say, the jhawk, he flies backwards,
you know. Then there's a mugwamp mugwam.
Speaker 10 (23:26):
Did you see mug wom My goodness, I thought they
were extinct.
Speaker 6 (23:30):
Oh no, no, we got them all over out here.
Then there's the three footed fire free fuck stands on
one rubs his other two together makes fire.
Speaker 4 (23:40):
Gussie will be thrilled.
Speaker 6 (23:52):
I just can't believe this. That's why I come up here, Captain.
Speaker 1 (23:57):
They're really leaving, that's what they say, pushing farther west
on the trail of a three footed firebird.
Speaker 6 (24:08):
I told them California up hie in this year least?
Why it's the last covey I saw was there?
Speaker 1 (24:14):
All right, I understand missus Quarry is going to give
you full credit on her paper about them at better
count heads. Here's mister Quiring talking to the major.
Speaker 6 (24:25):
Well, i've seen missus Quiring not two minutes ago. She
was helping the squad do some Indian beadwork. She isn't
doing it now, find her goes. Oh, now she ain't
run away again, Captain.
Speaker 1 (24:36):
I want them all three on that stage. Sergeant, yes, sir,
keep an eye out for miss Gussie while you're out
of sergeant.
Speaker 7 (24:41):
Yes, sir, Oh Captain.
Speaker 10 (24:46):
Captain yes, mister Quiring, Well, I wouldn't want to misshake
in your hand in farewell.
Speaker 4 (24:52):
Okay, the stage is packed. Have said my goodbyes to
the major.
Speaker 1 (24:56):
You lose something your wife and I don't seem is
Gussie either?
Speaker 10 (25:01):
Well?
Speaker 4 (25:02):
No, let me see. Well, if I were Winnifred, now
where would I go?
Speaker 10 (25:07):
I always begin that way, and then I let my
mind function as if it were Winifred's mine the root.
Speaker 1 (25:13):
House, that's clear over behind the settlers.
Speaker 4 (25:16):
That fine.
Speaker 10 (25:16):
Well, when we go over what she's doing at the
root house, you didn't know she found a small flowering.
Speaker 4 (25:23):
Gorse and thought it only face.
Speaker 1 (25:25):
Never mind, what now.
Speaker 4 (25:29):
It's miss Gussie. Captain, Yes, Captain, we're all accounted for.
There's no problems. I'm afraid there is, Sir. It seems
Miss Gussie was demonstrating how quickly she Well, they don't
think it's too serious.
Speaker 13 (25:43):
But under the circumstances they took her to the post
hospital hospital.
Speaker 1 (25:48):
Under what circumstances, mister Seibers burned hands, Captain.
Speaker 4 (25:54):
But the doctor says, in a few days she'll be
able to travel.
Speaker 1 (25:58):
And a few days, missus Symonds, this is in order
for the next few days. No dry sticks for Miss Gussie,
move out.
Speaker 2 (26:33):
Fort Laramie is produced and directed by Norman mac donald
and stars Raymond Burr as lee Quin's Captain of Cavalry,
with Vic Perham as Sergeant Gorse. The script was specially
written for Fort Laramie by Kathleen Hit with sound patterns
by Bill James and Tom Henley musical supervision by Amarigo Marino.
(26:54):
Featured in the cast were Howard mcner, Virginia Gregg Parley, Bear,
Shirley Mitchell and John Dayner, Jack moyles Is, Major Diggett
and Harry Bartel is Lieutenant Cyberts.
Speaker 1 (27:21):
Company tensent dismiss.
Speaker 2 (27:37):
Next week another transcribed story of the Northwest Frontier and
the troopers who fought under lee Quin's Captain of Cavalry.
(28:10):
Yours Truly, Johnny Dollar is no signature on a Valentine.
Not that our danger loving insurance investigator is opposed to romance.
It's just that the detective's profession calls for a pragmatic
approach to life if he wants to go on living.
That's why, no matter how lovely a lady may be,
no matter how attracted to her, Johnny Dollar may be,
(28:30):
solving the particular case he's working on always takes precedence
over seminent. The case he's working on now calls for
courage as well as caution, and it's a baffling mystery thriller.
You'll enjoy following clue by clue as you listen to
Yours Truly Johnny Dollar Monday through Friday evening on most
of these same CBS radio stations
Popular Podcasts
Las Culturistas with Matt Rogers and Bowen Yang
Ding dong! Join your culture consultants, Matt Rogers and Bowen Yang, on an unforgettable journey into the beating heart of CULTURE. Alongside sizzling special guests, they GET INTO the hottest pop-culture moments of the day and the formative cultural experiences that turned them into Culturistas. Produced by the Big Money Players Network and iHeartRadio.
The Joe Rogan Experience
The official podcast of comedian Joe Rogan.
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.