August 8, 2025 • 30 mins
Set in a frontier town, this series follows a U.S. Marshal as he maintains law and order. The show combines action with moral dilemmas of the Old West.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:10):
Around city and in the territory on West. There's just
one way to handle the killers and the spoilers. And
that's where the US Marshall and the Smell of Gun Smoke.
(00:38):
Gun Smoke, starring William Conrad, The Story of the violence
that moved West with Young America, The story of a
man who moved with it. Matt Dillon, United States Marshall.
(01:17):
Mister Dylan, I never saw a street like that.
Speaker 2 (01:21):
Huh, what do you mean, Chester, dusty.
Speaker 3 (01:23):
Sir, just plain dusty. It's only spring and already the
plaza's just vulgar with dust.
Speaker 2 (01:32):
Streets and Texas are all.
Speaker 3 (01:33):
Grass Chester, No, sure, but they're better than this. You
think there'd be somewhere fixing it.
Speaker 2 (01:39):
Uh, Dodger's growing. Chester. Maybe someday it won't look so
bad to you.
Speaker 3 (01:44):
I don't even live that long, ter.
Speaker 2 (01:47):
I'm glad you got that much figured out anyway, I.
Speaker 4 (01:50):
Surely have you.
Speaker 3 (01:52):
Oh now wait, that's not what I meant to either.
Speaker 5 (01:54):
Don't let it worry you, Chester, ud. You get those
posters down to mister High Tower.
Speaker 3 (01:59):
Yes, sir, he said, they'll be ready about noon tomorrow.
Speaker 2 (02:02):
Alright, pick 'em up then, will you? Yes?
Speaker 3 (02:06):
Oh my goodness, mister Dilnan nearly forgot n well for that?
What after I left, mister high Towers, I thought I'd
just take a glass of beer. I had to get
all that dust out of 'em and thro you know
how bad it is walking around knee deep in that
stuff and.
Speaker 2 (02:19):
Out of Yeah, yeah, alright, Chester, Well what is it
you forgot? Well, sir?
Speaker 3 (02:24):
I dropped into the Texas Trail and Miss Kitty was there,
and she said she thinks there might be trouble over
there before long.
Speaker 2 (02:31):
And she said to tell you, uh, what kind of trouble?
Speaker 3 (02:34):
Oh, the usual thing, some man fighting over girl.
Speaker 2 (02:37):
Well, you don't seem to be very worried about it.
I'm tired of people fighting.
Speaker 3 (02:42):
I wish they'd all just go away some words and
kill each other off and have done with it.
Speaker 5 (02:48):
That would be fine, as long as they little do
it and dodge. I'll come on, Chester, let's go over
and see what it's all about.
Speaker 6 (03:07):
Just Sad is a new girl. Math she's shy as
a foller. I don't know what she's doing.
Speaker 2 (03:13):
Here anyway, or do you know the name of the man.
Speaker 6 (03:16):
Dorgan says.
Speaker 7 (03:18):
I tried to get her away from him, but I I.
Speaker 6 (03:20):
Think she's too scared.
Speaker 2 (03:23):
Now maybe she likes him? Did you ever think of that?
I hope not.
Speaker 7 (03:29):
Anyway, he won't let anyone else dance with him. There's
two over at the bar your chest are there? They
tried twice.
Speaker 2 (03:37):
I know one of those men, the tall one. His
name is Horn.
Speaker 6 (03:41):
Who is he?
Speaker 2 (03:43):
Yeah? He's a gunman pretty fast too, so I've heard.
Speaker 6 (03:47):
Well.
Speaker 7 (03:47):
I was over there with to say the last time
they came up, and somehow from the way they talked,
I got the feeling they're more interested in Dorgan than her.
Speaker 5 (03:56):
Now you mean they're trying to draw him into a fight,
that's my guess. Alright, Kenny, I'll see what I can do,
uh miss Sada.
Speaker 2 (04:13):
Yes, I'm Matt Dylan. I'd uh be proud if you
dance with me.
Speaker 7 (04:19):
Well, I I I I don't think i'd better go.
Speaker 4 (04:22):
Ahead to say that's all right, you can dance with him.
Speaker 6 (04:26):
Mister Dorgey.
Speaker 5 (04:27):
You told those others that I hello Horn.
Speaker 2 (04:32):
He's here, is Watson?
Speaker 4 (04:33):
Howdy? Marshall?
Speaker 2 (04:34):
How I am? What's on your mind? Horn? You just
want to let you know, Marshall, if there's any trouble here,
we ain't responsible leave me alone.
Speaker 4 (04:47):
There won't be any trouble.
Speaker 8 (04:49):
All we want, Marshall is our turn with the girl here.
And Dorgan's had her hog the whole evening and that
ain't fair and that's all. What's funny Marshall.
Speaker 2 (05:01):
Now you sound like a man of the church social right.
Speaker 5 (05:05):
I'm trying to be peaceable about it. It's all i've
seen you when you didn't try on. What are you
looking for an excuse to work this man into a gunfight?
Speaker 9 (05:14):
Hey, sure is, Marshall. I ain't gonna take much more
from him or Watson either.
Speaker 2 (05:20):
What's the real trouble between you? There's no trouble, Marshall.
We just wanna dance with that girl. That's all you
wanna tell me.
Speaker 5 (05:31):
Dorgan nothing, Marshall, nothing, Hm alright to say that, uh
go over there and sit with Kitty.
Speaker 9 (05:41):
Now, wait a minute, Marshall, to say this is my girl.
I've been buying her drinks. She's staying right here.
Speaker 2 (05:49):
Go ahead to say that it's going over with Kitty.
Speaker 6 (05:52):
I I don't know which one.
Speaker 2 (05:54):
I just go to say that. Nobody will stop you.
All right?
Speaker 6 (05:58):
Then, thank you for the drinks, mister Dargan.
Speaker 4 (06:02):
Well I beat it. Chester you got a great way
of handling things. All I can say, what is mister.
Speaker 2 (06:10):
Billon take their guns? Chester?
Speaker 4 (06:13):
Oh no you don't, Watson, Well, you gonna let him
do that.
Speaker 2 (06:16):
We ain't looking for trouble.
Speaker 5 (06:19):
You're smarter than I figured, Horn, am I Marshall got up?
Speaker 10 (06:24):
Chester?
Speaker 2 (06:24):
Yes, A right, you are, sir, igor right, all right, all.
Speaker 5 (06:30):
Right, your guns will be at the jail. You can
pick 'em up in the morning when you leave, Tom
leave uh, all three of you, good night, gentlemen. Taking
his gun from a manlike Horn was the fastest way
in the world to get him out of the saloons
(06:51):
and off the streets and behind covers somewhere. There were
too many men who might show up out of his
past and suddenly make their claim on him. And Horne
was the one that really met her either Dorgun or
Watch and looked like real gunmen.
Speaker 2 (07:08):
So I thought I'd been.
Speaker 5 (07:09):
Pretty smart till her next morning. I went just crossing
the plaza when I ran into Kitty in Chester.
Speaker 6 (07:16):
A smart. We've been trying to find you.
Speaker 2 (07:20):
Oh, it's the matter, kiddie, it's to.
Speaker 6 (07:22):
Say to I don't know where she is.
Speaker 2 (07:24):
Fine.
Speaker 7 (07:24):
I looked in her room this morning and she'd gone.
Nobody's seen her anywhere.
Speaker 2 (07:29):
Oh maybe she went out to buy some clothes or something.
Speaker 7 (07:31):
She was afraid to go out alone. I always had
to go with her. I just know something's happened to her.
Oh like what Dorgan? He was real sweet on her, Matt,
and I don't trust him at all.
Speaker 3 (07:45):
Oh, door can come by the office real early, mister Dylon.
I gave him his gun and he van moved. He
was in a big hurry to go someplace, and.
Speaker 2 (07:51):
I told him to leave town this morning.
Speaker 6 (07:53):
Well you didn't tell him to take the sata with him.
Speaker 2 (07:56):
Ah? Did they get back together last night?
Speaker 4 (07:59):
Sure?
Speaker 7 (08:00):
Just as soon as Horn and Watson left, I couldn't
stop it.
Speaker 5 (08:04):
H I see, Uh tell me, Kitty, can she ride?
Speaker 6 (08:08):
Oh? No? I asked him to go out with me once?
Speaker 5 (08:11):
Alright, there was a stage west this morning. Go see
if they got on at Willia Chester.
Speaker 2 (08:17):
Alright, Kitty. If she did leave with Dorgan, maybe it's
because she wanted to.
Speaker 7 (08:23):
Oh maybe she wouldn't say anything about him last night,
one way or the other. I told you, I think
she's afraid of him, Matt. But even if she did
wanna go, well, she isn't as kind, that's all.
Speaker 5 (08:35):
Well, that may be kitty, but it's not the law's
job to chaperone every girl that hits Dodge.
Speaker 6 (08:41):
What if she didn't wanna go, Matt, what if he
forced it?
Speaker 2 (08:44):
Do? Now, that'd be different, a whole lot different.
Speaker 6 (08:47):
You bet it was.
Speaker 4 (08:48):
They was honed, mister Dying.
Speaker 3 (08:49):
The agent described them exactly. They left an hour ago,
right on time.
Speaker 6 (08:53):
I knew it, I knew it.
Speaker 4 (08:54):
I will I get our horseshoe.
Speaker 5 (08:56):
No, no, wait a minute, Chester, Dargan might put up
a f If he does, we can't shoot around that girl.
Speaker 6 (09:02):
Well then how can you stop him? Man?
Speaker 5 (09:05):
Well, somehow, I don't figure. Dorgan is a really brave man.
I think we can bluff him. He might try to
fight two of us. But if there were more, say
maybe a dozen, man, Well you mean we'll take a Possey.
Speaker 2 (09:16):
Well this time it might.
Speaker 5 (09:17):
Just work, Chester, but I'll pick 'em man, I can
trust not to do any hasty shooting. Uh, Chester, you
go round up, uh Arnold Winters and uh uh John Kemp,
Marty Walter and Bob Gast and uh I'll get the
rest of 'em. Ah, I see and tell him we'll
all meet at the jail in twenty minutes.
Speaker 10 (09:48):
Everybody here, m At you're dyling?
Speaker 5 (09:50):
Alright, I'm coming Chester, good all right, men, all right,
listen to me now. Now I've picked you men because
I know that you're steady, every one of you. There's
(10:13):
a girl on that stage, and whatever happens, we can't
return fire.
Speaker 2 (10:17):
Is that clear? All right?
Speaker 1 (10:20):
I'll figure out how.
Speaker 5 (10:21):
We're gonna stop him when we get there.
Speaker 2 (10:24):
You, Marshall, well, what are you doing here? When Marshall,
me and Watson hurt? You needed help, but I told
you to get out of town. Horn.
Speaker 10 (10:38):
Oh, we just want to be sure you got Dorgan
before we left. Marshall.
Speaker 5 (10:42):
I don't need your help, and don't you be here
when I get back, either one of you.
Speaker 10 (10:48):
How do you like that?
Speaker 2 (10:51):
All right? Men, alright, let's go.
Speaker 10 (11:10):
You're a coming, mister Dillon.
Speaker 2 (11:12):
All right, Chester, men, spread out in my half circle.
Speaker 5 (11:17):
When the stage comes out of those cottonwoods, Chester and
aisle right forward and stop her, and then you're closing
around us.
Speaker 2 (11:24):
I got it, all right, let's go. What's the water?
Speaker 4 (11:38):
Marshall?
Speaker 5 (11:38):
It's all right, Jim. I just want to talk to
a couple of your passengers. You Dorgan, come on out.
Speaker 4 (11:47):
You try a thing to say to me right in
front of me.
Speaker 5 (11:50):
I figured that, Argan, come on out anyway.
Speaker 4 (11:55):
All right, just said to get a you standing right here,
to say it and don't move.
Speaker 2 (12:07):
It.
Speaker 4 (12:07):
What's on your mind, Marshall?
Speaker 5 (12:10):
I want to know if to say that is here
because she wants to be that's all.
Speaker 4 (12:15):
Tell him to say that, all right, tell him, just.
Speaker 2 (12:19):
Tell me the truth to say that.
Speaker 5 (12:21):
If you want to go with him, you may, But
if he's forcing you to go, then we're here to
take you back to Dodge.
Speaker 9 (12:27):
You wouldn't want her death on your conscience, would you, Marshall?
Speaker 6 (12:31):
Please don't. I can't because I wanted to there.
Speaker 2 (12:41):
That's a good answer to say.
Speaker 4 (12:43):
Them and go on back to Dodge and leave us alone.
Speaker 5 (12:47):
I guess you didn't hear the same thing I did, Dorgan.
I'm wanting you you haven't got a chance.
Speaker 2 (12:53):
How long do you think you can use her for cover?
Speaker 9 (12:57):
Now?
Speaker 5 (12:57):
I got twelve men here, Dorgan, and we'll follow you
from here to California if necessary. It's not right men,
if she should get killed, I'll just let you imagine
what we will do to you.
Speaker 2 (13:10):
Now.
Speaker 5 (13:11):
You drop your gun, though, right where you are, and
step forward and do it now, all right?
Speaker 2 (13:22):
Get his gun just alright, one of you men, get
rid of your guns and put Dorgan up behind you.
Speaker 3 (13:31):
Mister What are we gonna do with to say that
she can't ride anyway, especially in those clothes?
Speaker 5 (13:36):
Well the blood sell places a couple of miles from here.
Go over there and borrow their buckboard, Chester, and where
your trouble will let you drive her back to town.
Speaker 3 (13:46):
Yes, sir, my, well you wait right here, mister Saiden.
I'll be back in no time at all. Where mister Dylon?
Speaker 2 (14:15):
Oh Chester?
Speaker 10 (14:18):
Eh?
Speaker 2 (14:19):
What time did you get back with to saydo last night? Chester?
Speaker 3 (14:23):
And now Buckboary. It ain't like a horse. You can't
drive it a loop.
Speaker 2 (14:26):
All the way? That's all right? Chester?
Speaker 6 (14:30):
Uh?
Speaker 5 (14:30):
What have you got there? He Dorgan's breakfast and you'll
probably have to wake him up. He hasn't made a
sound so far.
Speaker 11 (14:35):
Oh, there are the keys on the desk, mister Dylon.
Speaker 2 (14:46):
Yeah, come here quick? What open the south Chester? Hurry?
You might still be alive.
Speaker 5 (14:59):
I he got a knife, alright, cut him free, I'll
hold it. Uh, he's been dead a long time now.
Speaker 3 (15:17):
Who'da thought he'd go hang hisself.
Speaker 5 (15:21):
He didn't Chester what there's no rope in his cell.
Somebody called him over here to the window, knocked him
in the head and slipped the rope around his neck
and tied him tight to the bars.
Speaker 2 (15:34):
It saysn't suicide. It's murder.
Speaker 3 (15:36):
Horn Horn and that pillow watch and they did it.
Speaker 2 (15:40):
They're the only ones I know who've been wanting him dead.
Who'll we go arrest him? Ah?
Speaker 5 (15:45):
They just go free again. I got no evidence the
court would accept.
Speaker 3 (15:50):
But those two don't think any more stranger than a
man than shooting no wolf and throwing his skin over
pants and.
Speaker 5 (15:56):
Their killers Chester. But right now they got nobody to
kill except maybe me.
Speaker 1 (16:22):
We will return for the second act of gun Smoke
in just a moment, but first make sure you're by
your radio this Monday evening for CBS Radio's Monday Evening
Dramatic shows. The Lux Radio Theater and Suspense are putting
on two of their top shows of the season. Suspense
has a new writer, William Shakespeare by name, and they're
staging his wonderful Tale of Love, Vengeance and Murder Othellow
(16:45):
with Richard Widmark as the star, and our Lux Radio
theater is bringing you the charming nostalgic story Wait Till
the Sun Shines Nellie with David Wayne and Gene Peters
in their original movie roles It's a Date, Monday Night suspense,
and the Lux Radio Theater on most of these same
stations now the second act the gun Smoke.
Speaker 5 (17:24):
When I found out that Horn and Watson were still
in Dodge, I figured that they were probably waiting for
me to run them out, that they'd be glad for
the excuse if I did leaven Dorgan's murder behind them.
Speaker 2 (17:37):
Instead, I did nothing, and I said nothing. Open it
to send.
Speaker 5 (17:42):
Their nerves some maybe drive them to a bottle and
some loose talk. That night, pretending there was nothing in
the world on our minds. Chester and I walked into
the Texas Trail.
Speaker 3 (17:59):
There is prouding night, mister Dylon.
Speaker 5 (18:01):
Yeah, say there's to say to see her? You're like
a fall hog after ripe acordons Chester.
Speaker 4 (18:10):
Well, no, my grageous. It wouldn't be polite for me
not say hello.
Speaker 5 (18:14):
Woodie, I'll see you later. That fellow who just left,
is he coming back?
Speaker 2 (18:29):
Kitty?
Speaker 6 (18:30):
He wasn't broke? Sit down, man, you're drinking.
Speaker 2 (18:38):
No, not tonight.
Speaker 6 (18:41):
Expecting trouble.
Speaker 2 (18:42):
Huh yeah, maybe.
Speaker 7 (18:46):
Look at Chester and just say to that. I sure
wish this plice required. I'd get anything to know what
you're saying.
Speaker 5 (18:56):
It may get noisier. All right, Look over that Watson
just came in.
Speaker 7 (19:05):
Say he's drunk. Nice, he's real drunk. Yeah, he's just
gonna start trouble again. Look he spotted to say that.
Speaker 2 (19:16):
I don't see horn.
Speaker 6 (19:18):
Horn hasn't been in the night.
Speaker 2 (19:20):
I said I was gonna dance with her.
Speaker 4 (19:23):
You're a little gal drunk walking.
Speaker 10 (19:24):
Get out of here. He's the lady alone. What lady?
Speaker 2 (19:29):
Who take that back?
Speaker 6 (19:30):
Matt?
Speaker 2 (19:32):
Are you from Texas? Mister here, yes, I am.
Speaker 12 (19:37):
Well now if I was from Texas, i'd suddenly keep
it to myself.
Speaker 2 (19:41):
You're wrong watching.
Speaker 3 (19:43):
There's a lot of good decent people in Texas. Maybe
since you were left, that's the one that you can.
Speaker 10 (19:48):
Even get a woman like this. Don't you be judging
the people of.
Speaker 2 (19:54):
Matt alright, get out of the way.
Speaker 5 (20:03):
Let me throw he.
Speaker 2 (20:10):
He drew on me, mister doner.
Speaker 5 (20:13):
I was only.
Speaker 2 (20:13):
Gonna fight him.
Speaker 3 (20:15):
I didn't think he'd draw.
Speaker 2 (20:16):
Everybody saw at Chester he had his gun out first.
Speaker 3 (20:20):
I shot him twice. He didn't even fire.
Speaker 2 (20:26):
How come he didn't kill not take a DC Chester
to say to go get him a drink with.
Speaker 5 (20:34):
Uh Watson, Uh Watson, little Texas feller.
Speaker 2 (20:45):
He shot me, Watson. Watson listened to me the juice
strangled Dorgan Dogon.
Speaker 12 (21:00):
We killed him. Me and r right in jail. There
it comes.
Speaker 5 (21:19):
If i'd take Horner alive, I'll call on some of
you Amanda's witnesses to Watson's confession here.
Speaker 2 (21:28):
Well, uh, a couple of you. Take him out back. Chester,
You all right, you look peaky.
Speaker 6 (21:40):
I got him a whiskey so here, just like you said.
Speaker 5 (21:42):
Drink it down, Chester, mister Dillon, Yeah.
Speaker 3 (21:54):
Mister Dillon. If he hadn't been drunk, I couldn't shot him.
Speaker 5 (22:00):
Well, that may be, Chester, but don't forget one thing.
Drunk as he was, he drew to kill you. If
you'd given him another second, he would have. You had
to shoot him. It was self defense, pure and simple.
Yes you didn't, eh, that's sure true. But I now
you stay here for a while. I'll be out in
(22:20):
the plaza.
Speaker 6 (22:22):
To see that.
Speaker 10 (22:24):
Get me one more drink.
Speaker 5 (22:27):
To the word of the gunfight would spread fast and
dodge and the word of the dying man's confession even faster.
Wherever Horn was, I knew he'd hear about it. And
since he was a gunman of an entirely different breed
from men like Watson and Dorgan and could be defended
(22:48):
on it, instead of running, he'd shoot it out with me.
It was a simple manner of vanity, and there was
no way to stop him.
Speaker 2 (22:56):
The only thing I could do was wait expectantly.
Speaker 5 (23:01):
The classic cleared, but before Horns showed up, Chester came
out of the Texas.
Speaker 2 (23:07):
Trail and walked over to me. Mister Dylon, Now you
all right?
Speaker 3 (23:13):
Now, Chester, I'm fine, But say I just read the
Horns gone and got himself a shotgun.
Speaker 2 (23:19):
How's that?
Speaker 3 (23:19):
So you can't meet him like this? I'll go get
you one out of the office.
Speaker 2 (23:24):
No, but Ter, Dilon, I shot I know.
Speaker 5 (23:29):
But if Horn's done that, he's lost his nerve. It
means he can't face me any other way.
Speaker 3 (23:34):
Yeah, but you haven't got a chance against a shotgun.
Speaker 2 (23:37):
I will soon find out there he comes.
Speaker 3 (23:42):
Ah, he does have a shotgun, mister Dylon.
Speaker 2 (23:48):
Alright, get off the street, Chester, I don't like Lee.
Speaker 4 (23:51):
Go on, guess ya.
Speaker 2 (24:11):
The evening, Marshall, you're a well armed horn. Yeah, ain't.
Speaker 5 (24:20):
This is the first time, isn't it first time? What
you had to get behind a shotgun?
Speaker 2 (24:30):
I ain't taking no chances, Marshall. Sure, but from what
I've heard, that never bothered you before.
Speaker 5 (24:39):
Meaning you're fast enough with a six gun to have
lived this long horn, you must be pretty good. What's
your throne? Now you've lost your nerve. You're not a
gunman anymore. You're just ordinary dirt common. It's nothing that
I could find a dozen men like you and any
(25:00):
saloon in town. It was different before Horn, you kind
of stood out a little. Nobody's gonna worry about you
after this, you think, Nah, do you think I.
Speaker 10 (25:15):
Need this shotgun?
Speaker 2 (25:16):
Cause you needed? Everybody can see that.
Speaker 10 (25:21):
I ain't scared of you, Marshall. I ain't scared of
no man alive.
Speaker 2 (25:28):
Talks cheap.
Speaker 5 (25:29):
I ain't talking, and now.
Speaker 10 (25:35):
I ain't got no shotgun. Now, don't you tell me
I'm scared.
Speaker 5 (25:42):
You don't have to draw a horn. You can still
take your chances in court.
Speaker 10 (25:50):
It was right, Marshall. I was scared. I ain't no more.
Speaker 2 (25:59):
Look, I'm giving you a chance. Why don't you take it.
Speaker 10 (26:05):
Never mind.
Speaker 5 (26:30):
You all right, mister Dylan, Yeah, yeah, Chester, It's been
a long day.
Speaker 2 (26:41):
Let's go somewhere and try and forget it.
Speaker 1 (27:14):
Gun Smoke, under the direction of Norman MacDonald, stars William
Conrad as Matt Dillon U S Marshal. Tonight's story was
especially written for Gun Smoke by John Meston, with music
composed and conducted by Rex Cory. Featured in the cast
were Tom Tully, Lawrence Dobkin, Paul dubov and Lillian Baia,
Harley bear Is Chester and Georgia Ellis Is Kiddy. Gun
(27:35):
Smoke is heard by our troops overseas through the facilities
of the Armed Forces Radio Service. Join us again next
week as Matt Dillon US Marshal fights to bring law
and order out of the wild violence of the West.
In gun Smoke, you have to face facts when you
(28:02):
talk about Korea, and the facts are that there are
more than thirty five thousand war orphans in Korea. They
not only have no parents, but they have no shelter,
no warm clothing, no food. They are not responsible for
their condition, and some of them can remember no other.
Speaker 2 (28:17):
Their government tries to help, but the best it can
do is a cup or two of.
Speaker 1 (28:20):
Rice a day for each other. Korean war refugees cannot
shelter them. Often they can hardly care for their own children.
Because these orphans have not had food and have been
exposed to all kinds of weather. Many of them have tuberculosis.
They are all weak from hunger and an easy prey
to disease. Yet people over there, like the representatives of CARE,
the package sending relief agency, say many of these children
(28:43):
can be saved if they get food and clothing. Now
CARE has stockpiles over there. An order or contribution will
send them to those most in need. Package delivery is
guaranteed to save the kids of Korea. Send the contribution
to your local Care office or to CARE in New
York or Care Los Angeles.
Speaker 13 (29:02):
Some people wake up like this, and some people wake
up like this.
Speaker 6 (29:07):
Come on you raby.
Speaker 10 (29:09):
Some get out of that track.
Speaker 13 (29:10):
But nine million people prefer to wake up to music,
to a breakfast symphony, a popular singer, or news. Because
nine million people have clock radios that turn themselves on
in the morning.
Speaker 2 (29:21):
How do you like to wake up?
Speaker 1 (29:28):
America now wakes up to nine million clock radios and
listens most to the CBS radio network,
Around city and in the territory on West. There's just
one way to handle the killers and the spoilers. And
that's where the US Marshall and the Smell of Gun Smoke.
(00:38):
Gun Smoke, starring William Conrad, The Story of the violence
that moved West with Young America, The story of a
man who moved with it. Matt Dillon, United States Marshall.
(01:17):
Mister Dylan, I never saw a street like that.
Speaker 2 (01:21):
Huh, what do you mean, Chester, dusty.
Speaker 3 (01:23):
Sir, just plain dusty. It's only spring and already the
plaza's just vulgar with dust.
Speaker 2 (01:32):
Streets and Texas are all.
Speaker 3 (01:33):
Grass Chester, No, sure, but they're better than this. You
think there'd be somewhere fixing it.
Speaker 2 (01:39):
Uh, Dodger's growing. Chester. Maybe someday it won't look so
bad to you.
Speaker 3 (01:44):
I don't even live that long, ter.
Speaker 2 (01:47):
I'm glad you got that much figured out anyway, I.
Speaker 4 (01:50):
Surely have you.
Speaker 3 (01:52):
Oh now wait, that's not what I meant to either.
Speaker 5 (01:54):
Don't let it worry you, Chester, ud. You get those
posters down to mister High Tower.
Speaker 3 (01:59):
Yes, sir, he said, they'll be ready about noon tomorrow.
Speaker 2 (02:02):
Alright, pick 'em up then, will you? Yes?
Speaker 3 (02:06):
Oh my goodness, mister Dilnan nearly forgot n well for that?
What after I left, mister high Towers, I thought I'd
just take a glass of beer. I had to get
all that dust out of 'em and thro you know
how bad it is walking around knee deep in that
stuff and.
Speaker 2 (02:19):
Out of Yeah, yeah, alright, Chester, Well what is it
you forgot? Well, sir?
Speaker 3 (02:24):
I dropped into the Texas Trail and Miss Kitty was there,
and she said she thinks there might be trouble over
there before long.
Speaker 2 (02:31):
And she said to tell you, uh, what kind of trouble?
Speaker 3 (02:34):
Oh, the usual thing, some man fighting over girl.
Speaker 2 (02:37):
Well, you don't seem to be very worried about it.
I'm tired of people fighting.
Speaker 3 (02:42):
I wish they'd all just go away some words and
kill each other off and have done with it.
Speaker 5 (02:48):
That would be fine, as long as they little do
it and dodge. I'll come on, Chester, let's go over
and see what it's all about.
Speaker 6 (03:07):
Just Sad is a new girl. Math she's shy as
a foller. I don't know what she's doing.
Speaker 2 (03:13):
Here anyway, or do you know the name of the man.
Speaker 6 (03:16):
Dorgan says.
Speaker 7 (03:18):
I tried to get her away from him, but I I.
Speaker 6 (03:20):
Think she's too scared.
Speaker 2 (03:23):
Now maybe she likes him? Did you ever think of that?
I hope not.
Speaker 7 (03:29):
Anyway, he won't let anyone else dance with him. There's
two over at the bar your chest are there? They
tried twice.
Speaker 2 (03:37):
I know one of those men, the tall one. His
name is Horn.
Speaker 6 (03:41):
Who is he?
Speaker 2 (03:43):
Yeah? He's a gunman pretty fast too, so I've heard.
Speaker 6 (03:47):
Well.
Speaker 7 (03:47):
I was over there with to say the last time
they came up, and somehow from the way they talked,
I got the feeling they're more interested in Dorgan than her.
Speaker 5 (03:56):
Now you mean they're trying to draw him into a fight,
that's my guess. Alright, Kenny, I'll see what I can do,
uh miss Sada.
Speaker 2 (04:13):
Yes, I'm Matt Dylan. I'd uh be proud if you
dance with me.
Speaker 7 (04:19):
Well, I I I I don't think i'd better go.
Speaker 4 (04:22):
Ahead to say that's all right, you can dance with him.
Speaker 6 (04:26):
Mister Dorgey.
Speaker 5 (04:27):
You told those others that I hello Horn.
Speaker 2 (04:32):
He's here, is Watson?
Speaker 4 (04:33):
Howdy? Marshall?
Speaker 2 (04:34):
How I am? What's on your mind? Horn? You just
want to let you know, Marshall, if there's any trouble here,
we ain't responsible leave me alone.
Speaker 4 (04:47):
There won't be any trouble.
Speaker 8 (04:49):
All we want, Marshall is our turn with the girl here.
And Dorgan's had her hog the whole evening and that
ain't fair and that's all. What's funny Marshall.
Speaker 2 (05:01):
Now you sound like a man of the church social right.
Speaker 5 (05:05):
I'm trying to be peaceable about it. It's all i've
seen you when you didn't try on. What are you
looking for an excuse to work this man into a gunfight?
Speaker 9 (05:14):
Hey, sure is, Marshall. I ain't gonna take much more
from him or Watson either.
Speaker 2 (05:20):
What's the real trouble between you? There's no trouble, Marshall.
We just wanna dance with that girl. That's all you
wanna tell me.
Speaker 5 (05:31):
Dorgan nothing, Marshall, nothing, Hm alright to say that, uh
go over there and sit with Kitty.
Speaker 9 (05:41):
Now, wait a minute, Marshall, to say this is my girl.
I've been buying her drinks. She's staying right here.
Speaker 2 (05:49):
Go ahead to say that it's going over with Kitty.
Speaker 6 (05:52):
I I don't know which one.
Speaker 2 (05:54):
I just go to say that. Nobody will stop you.
All right?
Speaker 6 (05:58):
Then, thank you for the drinks, mister Dargan.
Speaker 4 (06:02):
Well I beat it. Chester you got a great way
of handling things. All I can say, what is mister.
Speaker 2 (06:10):
Billon take their guns? Chester?
Speaker 4 (06:13):
Oh no you don't, Watson, Well, you gonna let him
do that.
Speaker 2 (06:16):
We ain't looking for trouble.
Speaker 5 (06:19):
You're smarter than I figured, Horn, am I Marshall got up?
Speaker 10 (06:24):
Chester?
Speaker 2 (06:24):
Yes, A right, you are, sir, igor right, all right, all.
Speaker 5 (06:30):
Right, your guns will be at the jail. You can
pick 'em up in the morning when you leave, Tom
leave uh, all three of you, good night, gentlemen. Taking
his gun from a manlike Horn was the fastest way
in the world to get him out of the saloons
(06:51):
and off the streets and behind covers somewhere. There were
too many men who might show up out of his
past and suddenly make their claim on him. And Horne
was the one that really met her either Dorgun or
Watch and looked like real gunmen.
Speaker 2 (07:08):
So I thought I'd been.
Speaker 5 (07:09):
Pretty smart till her next morning. I went just crossing
the plaza when I ran into Kitty in Chester.
Speaker 6 (07:16):
A smart. We've been trying to find you.
Speaker 2 (07:20):
Oh, it's the matter, kiddie, it's to.
Speaker 6 (07:22):
Say to I don't know where she is.
Speaker 2 (07:24):
Fine.
Speaker 7 (07:24):
I looked in her room this morning and she'd gone.
Nobody's seen her anywhere.
Speaker 2 (07:29):
Oh maybe she went out to buy some clothes or something.
Speaker 7 (07:31):
She was afraid to go out alone. I always had
to go with her. I just know something's happened to her.
Oh like what Dorgan? He was real sweet on her, Matt,
and I don't trust him at all.
Speaker 3 (07:45):
Oh, door can come by the office real early, mister Dylon.
I gave him his gun and he van moved. He
was in a big hurry to go someplace, and.
Speaker 2 (07:51):
I told him to leave town this morning.
Speaker 6 (07:53):
Well you didn't tell him to take the sata with him.
Speaker 2 (07:56):
Ah? Did they get back together last night?
Speaker 4 (07:59):
Sure?
Speaker 7 (08:00):
Just as soon as Horn and Watson left, I couldn't
stop it.
Speaker 5 (08:04):
H I see, Uh tell me, Kitty, can she ride?
Speaker 6 (08:08):
Oh? No? I asked him to go out with me once?
Speaker 5 (08:11):
Alright, there was a stage west this morning. Go see
if they got on at Willia Chester.
Speaker 2 (08:17):
Alright, Kitty. If she did leave with Dorgan, maybe it's
because she wanted to.
Speaker 7 (08:23):
Oh maybe she wouldn't say anything about him last night,
one way or the other. I told you, I think
she's afraid of him, Matt. But even if she did
wanna go, well, she isn't as kind, that's all.
Speaker 5 (08:35):
Well, that may be kitty, but it's not the law's
job to chaperone every girl that hits Dodge.
Speaker 6 (08:41):
What if she didn't wanna go, Matt, what if he
forced it?
Speaker 2 (08:44):
Do? Now, that'd be different, a whole lot different.
Speaker 6 (08:47):
You bet it was.
Speaker 4 (08:48):
They was honed, mister Dying.
Speaker 3 (08:49):
The agent described them exactly. They left an hour ago,
right on time.
Speaker 6 (08:53):
I knew it, I knew it.
Speaker 4 (08:54):
I will I get our horseshoe.
Speaker 5 (08:56):
No, no, wait a minute, Chester, Dargan might put up
a f If he does, we can't shoot around that girl.
Speaker 6 (09:02):
Well then how can you stop him? Man?
Speaker 5 (09:05):
Well, somehow, I don't figure. Dorgan is a really brave man.
I think we can bluff him. He might try to
fight two of us. But if there were more, say
maybe a dozen, man, Well you mean we'll take a Possey.
Speaker 2 (09:16):
Well this time it might.
Speaker 5 (09:17):
Just work, Chester, but I'll pick 'em man, I can
trust not to do any hasty shooting. Uh, Chester, you
go round up, uh Arnold Winters and uh uh John Kemp,
Marty Walter and Bob Gast and uh I'll get the
rest of 'em. Ah, I see and tell him we'll
all meet at the jail in twenty minutes.
Speaker 10 (09:48):
Everybody here, m At you're dyling?
Speaker 5 (09:50):
Alright, I'm coming Chester, good all right, men, all right,
listen to me now. Now I've picked you men because
I know that you're steady, every one of you. There's
(10:13):
a girl on that stage, and whatever happens, we can't
return fire.
Speaker 2 (10:17):
Is that clear? All right?
Speaker 1 (10:20):
I'll figure out how.
Speaker 5 (10:21):
We're gonna stop him when we get there.
Speaker 2 (10:24):
You, Marshall, well, what are you doing here? When Marshall,
me and Watson hurt? You needed help, but I told
you to get out of town. Horn.
Speaker 10 (10:38):
Oh, we just want to be sure you got Dorgan
before we left. Marshall.
Speaker 5 (10:42):
I don't need your help, and don't you be here
when I get back, either one of you.
Speaker 10 (10:48):
How do you like that?
Speaker 2 (10:51):
All right? Men, alright, let's go.
Speaker 10 (11:10):
You're a coming, mister Dillon.
Speaker 2 (11:12):
All right, Chester, men, spread out in my half circle.
Speaker 5 (11:17):
When the stage comes out of those cottonwoods, Chester and
aisle right forward and stop her, and then you're closing
around us.
Speaker 2 (11:24):
I got it, all right, let's go. What's the water?
Speaker 4 (11:38):
Marshall?
Speaker 5 (11:38):
It's all right, Jim. I just want to talk to
a couple of your passengers. You Dorgan, come on out.
Speaker 4 (11:47):
You try a thing to say to me right in
front of me.
Speaker 5 (11:50):
I figured that, Argan, come on out anyway.
Speaker 4 (11:55):
All right, just said to get a you standing right here,
to say it and don't move.
Speaker 2 (12:07):
It.
Speaker 4 (12:07):
What's on your mind, Marshall?
Speaker 5 (12:10):
I want to know if to say that is here
because she wants to be that's all.
Speaker 4 (12:15):
Tell him to say that, all right, tell him, just.
Speaker 2 (12:19):
Tell me the truth to say that.
Speaker 5 (12:21):
If you want to go with him, you may, But
if he's forcing you to go, then we're here to
take you back to Dodge.
Speaker 9 (12:27):
You wouldn't want her death on your conscience, would you, Marshall?
Speaker 6 (12:31):
Please don't. I can't because I wanted to there.
Speaker 2 (12:41):
That's a good answer to say.
Speaker 4 (12:43):
Them and go on back to Dodge and leave us alone.
Speaker 5 (12:47):
I guess you didn't hear the same thing I did, Dorgan.
I'm wanting you you haven't got a chance.
Speaker 2 (12:53):
How long do you think you can use her for cover?
Speaker 9 (12:57):
Now?
Speaker 5 (12:57):
I got twelve men here, Dorgan, and we'll follow you
from here to California if necessary. It's not right men,
if she should get killed, I'll just let you imagine
what we will do to you.
Speaker 2 (13:10):
Now.
Speaker 5 (13:11):
You drop your gun, though, right where you are, and
step forward and do it now, all right?
Speaker 2 (13:22):
Get his gun just alright, one of you men, get
rid of your guns and put Dorgan up behind you.
Speaker 3 (13:31):
Mister What are we gonna do with to say that
she can't ride anyway, especially in those clothes?
Speaker 5 (13:36):
Well the blood sell places a couple of miles from here.
Go over there and borrow their buckboard, Chester, and where
your trouble will let you drive her back to town.
Speaker 3 (13:46):
Yes, sir, my, well you wait right here, mister Saiden.
I'll be back in no time at all. Where mister Dylon?
Speaker 2 (14:15):
Oh Chester?
Speaker 10 (14:18):
Eh?
Speaker 2 (14:19):
What time did you get back with to saydo last night? Chester?
Speaker 3 (14:23):
And now Buckboary. It ain't like a horse. You can't
drive it a loop.
Speaker 2 (14:26):
All the way? That's all right? Chester?
Speaker 6 (14:30):
Uh?
Speaker 5 (14:30):
What have you got there? He Dorgan's breakfast and you'll
probably have to wake him up. He hasn't made a
sound so far.
Speaker 11 (14:35):
Oh, there are the keys on the desk, mister Dylon.
Speaker 2 (14:46):
Yeah, come here quick? What open the south Chester? Hurry?
You might still be alive.
Speaker 5 (14:59):
I he got a knife, alright, cut him free, I'll
hold it. Uh, he's been dead a long time now.
Speaker 3 (15:17):
Who'da thought he'd go hang hisself.
Speaker 5 (15:21):
He didn't Chester what there's no rope in his cell.
Somebody called him over here to the window, knocked him
in the head and slipped the rope around his neck
and tied him tight to the bars.
Speaker 2 (15:34):
It saysn't suicide. It's murder.
Speaker 3 (15:36):
Horn Horn and that pillow watch and they did it.
Speaker 2 (15:40):
They're the only ones I know who've been wanting him dead.
Who'll we go arrest him? Ah?
Speaker 5 (15:45):
They just go free again. I got no evidence the
court would accept.
Speaker 3 (15:50):
But those two don't think any more stranger than a
man than shooting no wolf and throwing his skin over
pants and.
Speaker 5 (15:56):
Their killers Chester. But right now they got nobody to
kill except maybe me.
Speaker 1 (16:22):
We will return for the second act of gun Smoke
in just a moment, but first make sure you're by
your radio this Monday evening for CBS Radio's Monday Evening
Dramatic shows. The Lux Radio Theater and Suspense are putting
on two of their top shows of the season. Suspense
has a new writer, William Shakespeare by name, and they're
staging his wonderful Tale of Love, Vengeance and Murder Othellow
(16:45):
with Richard Widmark as the star, and our Lux Radio
theater is bringing you the charming nostalgic story Wait Till
the Sun Shines Nellie with David Wayne and Gene Peters
in their original movie roles It's a Date, Monday Night suspense,
and the Lux Radio Theater on most of these same
stations now the second act the gun Smoke.
Speaker 5 (17:24):
When I found out that Horn and Watson were still
in Dodge, I figured that they were probably waiting for
me to run them out, that they'd be glad for
the excuse if I did leaven Dorgan's murder behind them.
Speaker 2 (17:37):
Instead, I did nothing, and I said nothing. Open it
to send.
Speaker 5 (17:42):
Their nerves some maybe drive them to a bottle and
some loose talk. That night, pretending there was nothing in
the world on our minds. Chester and I walked into
the Texas Trail.
Speaker 3 (17:59):
There is prouding night, mister Dylon.
Speaker 5 (18:01):
Yeah, say there's to say to see her? You're like
a fall hog after ripe acordons Chester.
Speaker 4 (18:10):
Well, no, my grageous. It wouldn't be polite for me
not say hello.
Speaker 5 (18:14):
Woodie, I'll see you later. That fellow who just left,
is he coming back?
Speaker 2 (18:29):
Kitty?
Speaker 6 (18:30):
He wasn't broke? Sit down, man, you're drinking.
Speaker 2 (18:38):
No, not tonight.
Speaker 6 (18:41):
Expecting trouble.
Speaker 2 (18:42):
Huh yeah, maybe.
Speaker 7 (18:46):
Look at Chester and just say to that. I sure
wish this plice required. I'd get anything to know what
you're saying.
Speaker 5 (18:56):
It may get noisier. All right, Look over that Watson
just came in.
Speaker 7 (19:05):
Say he's drunk. Nice, he's real drunk. Yeah, he's just
gonna start trouble again. Look he spotted to say that.
Speaker 2 (19:16):
I don't see horn.
Speaker 6 (19:18):
Horn hasn't been in the night.
Speaker 2 (19:20):
I said I was gonna dance with her.
Speaker 4 (19:23):
You're a little gal drunk walking.
Speaker 10 (19:24):
Get out of here. He's the lady alone. What lady?
Speaker 2 (19:29):
Who take that back?
Speaker 6 (19:30):
Matt?
Speaker 2 (19:32):
Are you from Texas? Mister here, yes, I am.
Speaker 12 (19:37):
Well now if I was from Texas, i'd suddenly keep
it to myself.
Speaker 2 (19:41):
You're wrong watching.
Speaker 3 (19:43):
There's a lot of good decent people in Texas. Maybe
since you were left, that's the one that you can.
Speaker 10 (19:48):
Even get a woman like this. Don't you be judging
the people of.
Speaker 2 (19:54):
Matt alright, get out of the way.
Speaker 5 (20:03):
Let me throw he.
Speaker 2 (20:10):
He drew on me, mister doner.
Speaker 5 (20:13):
I was only.
Speaker 2 (20:13):
Gonna fight him.
Speaker 3 (20:15):
I didn't think he'd draw.
Speaker 2 (20:16):
Everybody saw at Chester he had his gun out first.
Speaker 3 (20:20):
I shot him twice. He didn't even fire.
Speaker 2 (20:26):
How come he didn't kill not take a DC Chester
to say to go get him a drink with.
Speaker 5 (20:34):
Uh Watson, Uh Watson, little Texas feller.
Speaker 2 (20:45):
He shot me, Watson. Watson listened to me the juice
strangled Dorgan Dogon.
Speaker 12 (21:00):
We killed him. Me and r right in jail. There
it comes.
Speaker 5 (21:19):
If i'd take Horner alive, I'll call on some of
you Amanda's witnesses to Watson's confession here.
Speaker 2 (21:28):
Well, uh, a couple of you. Take him out back. Chester,
You all right, you look peaky.
Speaker 6 (21:40):
I got him a whiskey so here, just like you said.
Speaker 5 (21:42):
Drink it down, Chester, mister Dillon, Yeah.
Speaker 3 (21:54):
Mister Dillon. If he hadn't been drunk, I couldn't shot him.
Speaker 5 (22:00):
Well, that may be, Chester, but don't forget one thing.
Drunk as he was, he drew to kill you. If
you'd given him another second, he would have. You had
to shoot him. It was self defense, pure and simple.
Yes you didn't, eh, that's sure true. But I now
you stay here for a while. I'll be out in
(22:20):
the plaza.
Speaker 6 (22:22):
To see that.
Speaker 10 (22:24):
Get me one more drink.
Speaker 5 (22:27):
To the word of the gunfight would spread fast and
dodge and the word of the dying man's confession even faster.
Wherever Horn was, I knew he'd hear about it. And
since he was a gunman of an entirely different breed
from men like Watson and Dorgan and could be defended
(22:48):
on it, instead of running, he'd shoot it out with me.
It was a simple manner of vanity, and there was
no way to stop him.
Speaker 2 (22:56):
The only thing I could do was wait expectantly.
Speaker 5 (23:01):
The classic cleared, but before Horns showed up, Chester came
out of the Texas.
Speaker 2 (23:07):
Trail and walked over to me. Mister Dylon, Now you
all right?
Speaker 3 (23:13):
Now, Chester, I'm fine, But say I just read the
Horns gone and got himself a shotgun.
Speaker 2 (23:19):
How's that?
Speaker 3 (23:19):
So you can't meet him like this? I'll go get
you one out of the office.
Speaker 2 (23:24):
No, but Ter, Dilon, I shot I know.
Speaker 5 (23:29):
But if Horn's done that, he's lost his nerve. It
means he can't face me any other way.
Speaker 3 (23:34):
Yeah, but you haven't got a chance against a shotgun.
Speaker 2 (23:37):
I will soon find out there he comes.
Speaker 3 (23:42):
Ah, he does have a shotgun, mister Dylon.
Speaker 2 (23:48):
Alright, get off the street, Chester, I don't like Lee.
Speaker 4 (23:51):
Go on, guess ya.
Speaker 2 (24:11):
The evening, Marshall, you're a well armed horn. Yeah, ain't.
Speaker 5 (24:20):
This is the first time, isn't it first time? What
you had to get behind a shotgun?
Speaker 2 (24:30):
I ain't taking no chances, Marshall. Sure, but from what
I've heard, that never bothered you before.
Speaker 5 (24:39):
Meaning you're fast enough with a six gun to have
lived this long horn, you must be pretty good. What's
your throne? Now you've lost your nerve. You're not a
gunman anymore. You're just ordinary dirt common. It's nothing that
I could find a dozen men like you and any
(25:00):
saloon in town. It was different before Horn, you kind
of stood out a little. Nobody's gonna worry about you
after this, you think, Nah, do you think I.
Speaker 10 (25:15):
Need this shotgun?
Speaker 2 (25:16):
Cause you needed? Everybody can see that.
Speaker 10 (25:21):
I ain't scared of you, Marshall. I ain't scared of
no man alive.
Speaker 2 (25:28):
Talks cheap.
Speaker 5 (25:29):
I ain't talking, and now.
Speaker 10 (25:35):
I ain't got no shotgun. Now, don't you tell me
I'm scared.
Speaker 5 (25:42):
You don't have to draw a horn. You can still
take your chances in court.
Speaker 10 (25:50):
It was right, Marshall. I was scared. I ain't no more.
Speaker 2 (25:59):
Look, I'm giving you a chance. Why don't you take it.
Speaker 10 (26:05):
Never mind.
Speaker 5 (26:30):
You all right, mister Dylan, Yeah, yeah, Chester, It's been
a long day.
Speaker 2 (26:41):
Let's go somewhere and try and forget it.
Speaker 1 (27:14):
Gun Smoke, under the direction of Norman MacDonald, stars William
Conrad as Matt Dillon U S Marshal. Tonight's story was
especially written for Gun Smoke by John Meston, with music
composed and conducted by Rex Cory. Featured in the cast
were Tom Tully, Lawrence Dobkin, Paul dubov and Lillian Baia,
Harley bear Is Chester and Georgia Ellis Is Kiddy. Gun
(27:35):
Smoke is heard by our troops overseas through the facilities
of the Armed Forces Radio Service. Join us again next
week as Matt Dillon US Marshal fights to bring law
and order out of the wild violence of the West.
In gun Smoke, you have to face facts when you
(28:02):
talk about Korea, and the facts are that there are
more than thirty five thousand war orphans in Korea. They
not only have no parents, but they have no shelter,
no warm clothing, no food. They are not responsible for
their condition, and some of them can remember no other.
Speaker 2 (28:17):
Their government tries to help, but the best it can
do is a cup or two of.
Speaker 1 (28:20):
Rice a day for each other. Korean war refugees cannot
shelter them. Often they can hardly care for their own children.
Because these orphans have not had food and have been
exposed to all kinds of weather. Many of them have tuberculosis.
They are all weak from hunger and an easy prey
to disease. Yet people over there, like the representatives of CARE,
the package sending relief agency, say many of these children
(28:43):
can be saved if they get food and clothing. Now
CARE has stockpiles over there. An order or contribution will
send them to those most in need. Package delivery is
guaranteed to save the kids of Korea. Send the contribution
to your local Care office or to CARE in New
York or Care Los Angeles.
Speaker 13 (29:02):
Some people wake up like this, and some people wake
up like this.
Speaker 6 (29:07):
Come on you raby.
Speaker 10 (29:09):
Some get out of that track.
Speaker 13 (29:10):
But nine million people prefer to wake up to music,
to a breakfast symphony, a popular singer, or news. Because
nine million people have clock radios that turn themselves on
in the morning.
Speaker 2 (29:21):
How do you like to wake up?
Speaker 1 (29:28):
America now wakes up to nine million clock radios and
listens most to the CBS radio network,
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