August 4, 2025 • 21 mins
Set in a frontier town, this series follows a U.S. Marshal as he maintains law and order. The show combines action with moral dilemmas of the Old West.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:12):
Around time City and in the territory on West. There's
just one way to handle the killers and the spoilers.
And that's where the US Marshal and The Smell of
Guns Smoke Gons, starring William Conrad. The story of the
(00:45):
violence that moved west with young America and the story
of a man.
Speaker 2 (00:49):
Who moved with it.
Speaker 1 (00:50):
I'm that man, Matt Dillon, United States Marshall, the first
man they look for and the last.
Speaker 2 (00:57):
They want to meet.
Speaker 1 (00:59):
It's a chance to job and that makes a man
watchful and a little lone man.
Speaker 2 (01:40):
Marshall doing a lot of hours out of the cattle
business shift.
Speaker 1 (01:44):
His hours in the head out on the train this morning,
just I can afford to buy.
Speaker 2 (01:48):
Your drink five. Thanks, But I hear Doc Adam has
been looking all over for me. I better go find him.
And he was in here a while, A good talking
to g and where she comes. Maybe she knows where
we went. Nah you, Doc.
Speaker 3 (02:01):
Had to leave map.
Speaker 2 (02:02):
They called him out the swift place.
Speaker 1 (02:03):
And emergency back.
Speaker 4 (02:05):
He asked me to give him message, oh, you know,
as four from his wife.
Speaker 2 (02:09):
Yeah, sure I heard. I got a little piece of
lamb right on the shout there. You might ranch. They're
not doing him very good though.
Speaker 5 (02:16):
We know he's sure run cold in the dark.
Speaker 2 (02:18):
He was out there last night and they planned.
Speaker 1 (02:20):
To go back for him today.
Speaker 2 (02:22):
To go back for him. Yeah, they have to be
brought in the town map.
Speaker 6 (02:26):
They got spotted at seat or both of 'em.
Speaker 2 (02:29):
See, he got a little baby out there too.
Speaker 6 (02:32):
And that's why Doc said, somebody's gotta fetch all three
of 'em in the dodge where they can be taken.
Speaker 1 (02:36):
Care of us.
Speaker 2 (02:37):
I'll find a wagon and go out after him tomorrow.
He couldn't get back to night anyway. He wants me
to help, Marsham.
Speaker 1 (02:42):
I got a old pire select cowboys who ain't earned
uh fee. If I thanks spars or chustering that manage
he might need help. And what he mean he had
to throw a sick as he may be. He'll get
a gun and fight before he lets you carry him
off that place, I.
Speaker 2 (02:57):
Know, and then he can stay there. But I'm gonna
break his wife and a child then alright, if you.
Speaker 1 (03:03):
Keep an eye on him, he can be a batman.
Speaker 3 (03:31):
Oh this german, this ain't able to up his place right.
Speaker 2 (03:38):
Now, chater, But I wanna meet these people, it must
say no, come on.
Speaker 3 (03:47):
Uh, chujill, how you know their new You ain't been
out there this way in over a year.
Speaker 1 (03:52):
All the more reasons I made him. I was walking
around back. I thought I saw somebody there.
Speaker 2 (03:58):
Nothing but a side happened, blue Gars.
Speaker 3 (04:01):
He must be living on nothing.
Speaker 2 (04:04):
Doesn't look like it Chester.
Speaker 3 (04:07):
Well, I you say, he butchering a caf Now where'd
you get there?
Speaker 1 (04:10):
Well? You sure didn't raise it on those weeds. As
woman's trying to hold hello, what are you men doing here?
Speaker 2 (04:24):
And our Marshall Dylan from Dodge, This is Chuster Proudfoot.
There's something wrong Marshall. No, after your hat's gonna get
all bloody where you put.
Speaker 1 (04:35):
It on this cat you leave at the here, you'll
get the sound struck without a hat. Alright, So I
was trying to cover up Emmitt Bower's brand. We're starving
out here, Marshall. I had to kill that cat.
Speaker 5 (04:51):
You he ain't gonna risk my husband, Alia.
Speaker 2 (04:53):
Marshall, Oh, I'm not do unless Emmitt Bower's complains.
Speaker 1 (04:57):
Joe. Joe had to do it, Marshall.
Speaker 5 (04:59):
We this can't go on without something to eat.
Speaker 6 (05:04):
Look look over there.
Speaker 5 (05:05):
While I've been hoeing, I couldn't plant enough feed for
hardly anything to come up, and we can't.
Speaker 1 (05:10):
Afford no more seed.
Speaker 5 (05:11):
Our credits run out and dodge the.
Speaker 2 (05:13):
Ground doesn't even look PLoud.
Speaker 5 (05:15):
Well, I done the best I could. That ain't easy.
Speaker 2 (05:19):
No, Uh, that's for a woman. Well on our way
to ed Thorpe's. I guess you know that they got
a spot a treever I was there this morning. Ed
Thorpes did uh died in the night.
Speaker 1 (05:32):
I guess well you didn't tell me that, Joe.
Speaker 2 (05:35):
You mean you left missus Thorpe along with that baby.
I ain't gonna.
Speaker 1 (05:39):
Chance catch you no fever, but Joe the baby.
Speaker 2 (05:43):
My woman here is always worrying about babies. It's only
cause she can't have none. I guess she's like one
of them there, dry Gord, don't.
Speaker 5 (05:52):
Joe, you're putting shame on me.
Speaker 2 (05:56):
Uh Chester, let's see, come on, let's get out of here.
Uh his neighbor.
Speaker 1 (06:05):
Yes, mostly next time you're a dodger, come see me.
I'll see that you get some seeds.
Speaker 3 (06:37):
I wouldn't just do that part.
Speaker 2 (06:38):
We wouldn't never make dodgies to night as the baby.
Speaker 4 (06:41):
At Chester when it was to sleep anywhere. I guess
i'd been boding it right, Uh huh, yeah, just like a.
Speaker 3 (06:47):
Mother if you own.
Speaker 2 (06:49):
There's doc whit a for us. Uh, now you sit
tired him in a chester. We'll help you with a baby.
Speaker 3 (07:02):
So do you hope you don't wake up?
Speaker 1 (07:05):
Whereas he had the bad and his waterflare. Now lad
died before we got the doc and start flying down
and back there.
Speaker 2 (07:12):
They covered her up. Good, she's gonna sleep most of
the ways. Business thought.
Speaker 1 (07:23):
She's still asleep, give me her hand up, yeah, sure,
missus thort Oh oh uh yeah.
Speaker 2 (07:42):
It's amotic guy. She's not asleep, man, but she's dead.
Speaker 1 (07:49):
Now.
Speaker 2 (07:50):
She's died on the way in.
Speaker 1 (07:51):
I guess, huh. Now I got a baby to take
her of and a dark I think she know she
was gonna die, and why, I guess. Before we left
her place, she told me that if anything happened to her,
the baby was to be putting Mars Smally's care, and
Mars Smally was to have a complete.
Speaker 2 (08:08):
Charge over him.
Speaker 1 (08:10):
What she says goes, well, Mar's a widow and she's
had kids herself, and that was a good choice. Yeah,
but she's too old to raise him herself. Man, And
I don't have to worry about that later, doctor, And
now it's kept busy.
Speaker 3 (08:44):
Yeah, I'm in the armist don standing.
Speaker 2 (08:46):
Front the door. Why wouldn't they come to the office, Yester.
Speaker 3 (08:51):
You know how mar small he is. You don't think
his lady likes to go to any man's office. What
she's doing is ms Nadler.
Speaker 2 (08:57):
She didn't say, well, you go on down and get
the mail. Chester All wait here for you?
Speaker 3 (09:01):
Aink you?
Speaker 1 (09:06):
Oh Mar, hello, Marshall.
Speaker 2 (09:08):
Have you Beendles's neighbor?
Speaker 5 (09:09):
Pretty good, Marshall.
Speaker 1 (09:10):
Thain't everybody can send him for the Marshal and bring
him on the run.
Speaker 2 (09:13):
Oh no, Ma, you know your word has always been
in law with me.
Speaker 6 (09:16):
Oh listen to him.
Speaker 3 (09:19):
Maybe he'll carry miss Maidler.
Speaker 2 (09:21):
Well that's true, mah Marshall.
Speaker 6 (09:24):
Missus Needley wants to adoptor thought babe.
Speaker 2 (09:28):
Oh missus sutless the baby, and you're a charge mans
All up to you.
Speaker 6 (09:32):
I've had him over a week, Marshall, and I'm gonna
keep him awhile longer so he'll be near you, Doc
just in Keys. But Missus Needley here seems like a
mighty fine woman to me, and i'd better take that
baby only I'm worried about one thing.
Speaker 5 (09:47):
I've I I told her the truth, Marshall, and she
thinks maybe Joe and I can't make a go of
it out there.
Speaker 2 (09:55):
Uh d you.
Speaker 5 (09:56):
Remember what you said when you were leave him that day?
Speaker 1 (09:59):
Yes, I said to come to see in. I'd hope
you got some seed to planet.
Speaker 5 (10:02):
Well, right now, that's all I need. I'd get a
little calling up. I might even raise a few hogs.
I'll work offul hard, Marshal, I promise I will.
Speaker 6 (10:09):
She gets started and she can he with the b marsh.
Speaker 5 (10:12):
You why I I'll pay you back. I I ain't begging.
I'll pay you back every cent.
Speaker 1 (10:16):
Marshalice Nayler, you come by my office where you leave town.
I'm gonna go into the story and I have a
talk with mister Jonas right now.
Speaker 5 (10:24):
Oh Marshall, I I I I do, thank you, I
do bag out.
Speaker 1 (10:30):
She can look at him a little white log. He
old Marshall a lot Jonas can, I says you today.
Speaker 2 (10:44):
And I came to say about Ms. Nayler. Yeah you
know her, don't you, well?
Speaker 5 (10:48):
Sir?
Speaker 1 (10:48):
Do you? Old Nadler's out back in the stock room
right now? Oh he is they were. Come in here,
he's buying hisself a new pair of boots.
Speaker 2 (10:59):
Marshall. I thought they're credit had run out.
Speaker 1 (11:02):
Oh they they're doing better now. You started bringing meat
into Delmonico's and a couple other eating places. Paid that
part of his bill already, ain't you, Naylor?
Speaker 2 (11:12):
I don't know as I like you talking about my
private affairs. June, No harm.
Speaker 1 (11:17):
It's only Marshall Billon. A lot of they her cause her.
They're looking boots they ought to be. Them's the best
I stack them were twenty dollar boots. Twenty dollars. Let
it buy a whole wagon load of seeds. Neighbor, You
telling me how to spend my money?
Speaker 2 (11:33):
Does your wife know you've been doing better lately?
Speaker 1 (11:36):
Family matters ain't no concern of the.
Speaker 2 (11:38):
Law or yours are. And if it weren't for your wife,
I wouldn't bother just wanting you, Naylor. But because of her,
I'm telling.
Speaker 1 (11:43):
You to take those boots off and buy some seed and.
Speaker 2 (11:47):
Whatever else you need to grow corn with.
Speaker 1 (11:49):
Now look here, Marshall, I I'm giving you a chance.
Speaker 2 (11:54):
Naylor.
Speaker 1 (11:54):
In three days from now, I'm gonna be riding out
to see what you've done with it. It's up to
you whether or not you'll be writing back with.
Speaker 5 (12:00):
Me and.
Speaker 3 (12:24):
Today's days.
Speaker 4 (12:25):
He was done you We gonna ride.
Speaker 3 (12:27):
Out the nablers.
Speaker 2 (12:28):
I reckon with another Diychester.
Speaker 3 (12:31):
You know something, I don't think you wanna go tall?
Speaker 2 (12:34):
Yeah, you're right, I don't.
Speaker 1 (12:38):
H Marshall Chester almost about how about it?
Speaker 2 (12:42):
I was just up with del Monica's Marshall. I myself
a feed. Oh god, how was it? It was fine?
So I went out back and got a talking with
a cooker. Oh, Marshall, I reckon.
Speaker 1 (12:54):
Any man's got a right to complain when he goes
to a restaurant and finds himself eating his own beef.
Speaker 2 (13:01):
Well, I know about that bar you do? And why
ain't you done nothing about him?
Speaker 1 (13:05):
Uh?
Speaker 2 (13:05):
Because I'm miss Labler. I guess what, Marshall, I'm a
rich man.
Speaker 1 (13:09):
I don't mind a nester slaughter in one of my
calves when he's starving, But nobody is gonna start selling
my beef.
Speaker 2 (13:16):
I'll kill him he keeps that up, I'll handle it. Boys.
Speaker 1 (13:19):
I admire that woman and his marshal, but letting him
get by with rustling ain't gonna help her. Oh, by
the way.
Speaker 2 (13:27):
Mars Smally brought some pires down in the kitchen while
I was there. She's waiting outside here. She wants to
talk to you. Tell me right out.
Speaker 6 (13:42):
Uh hello, mar Oh you riding out to the neigh
late marshl that's right. Then you tell her aunt, sorry,
tell her. I think she's a good woman, but I
I just can't let that baby go into the home
of a cowfief.
Speaker 2 (14:01):
Never break your heart.
Speaker 6 (14:02):
Ma Oh, I I got a trust put on me.
Speaker 2 (14:06):
Marshall, alright, I'll tell her. Hello, miss Labor.
Speaker 5 (14:50):
Oh, Marshall, hello Chester, alright, man, what brings you out here? Marshall?
Speaker 2 (14:56):
Your husband on?
Speaker 5 (14:57):
Man, No, he's been gone.
Speaker 2 (14:59):
Since his nither. You know that he's been slaughtering Emmitt
Bower's beef.
Speaker 5 (15:09):
Oh so he's complained about it, about that cat.
Speaker 1 (15:13):
No, it's more than the one cat, miss neighbor. He's
been selling meat around Dodge lately. Oh, no, it's true.
Speaker 6 (15:22):
So that's what he had in the wagon.
Speaker 2 (15:25):
He wouldn't let me. Look, I know you've had nothing
to do with him in his neighbor, but.
Speaker 1 (15:28):
Uh, I hate to tell you this, but Mars Molly
isn't gonna let you have the baby.
Speaker 4 (15:37):
Well, she she's.
Speaker 1 (15:40):
Right, you know, so it.
Speaker 4 (15:43):
Wouldn't be fitting for doing with kenderd timoths Bowers.
Speaker 1 (15:49):
Yeah, I'll be back in his neighbor and I'll go
talk to him, all right, come on yesterday.
Speaker 3 (15:59):
And mother Sema see that easy.
Speaker 1 (16:00):
He's den Oh oh, I thought I might find your
Marshall for some of the wrong bollers.
Speaker 2 (16:17):
One of my men's been murdered. That's uh. I.
Speaker 1 (16:20):
We found him out yonder about five miles.
Speaker 2 (16:23):
He's been left for dead, but he talked a little
bit what happened. He's gone now, Marshall, so you'll.
Speaker 1 (16:30):
Have to take our word for what he told. Alright,
you run across Joe Nabler Slaughter in another steer and
Naylor selling him.
Speaker 2 (16:39):
That's what he said.
Speaker 1 (16:40):
Anything else, only that Naylor got on his horse and
headed for Dodge. I guess he figures he'll get caught.
Might as well get drunk one more time.
Speaker 2 (16:50):
He'll get caught.
Speaker 1 (16:52):
I promise you that.
Speaker 4 (17:10):
John finally found it.
Speaker 3 (17:15):
He's in there getting drunk.
Speaker 2 (17:17):
Bar that's taking us long enough, everybody, and Thomas, no,
I'm not for everybody now.
Speaker 4 (17:21):
He ain't been trying to hide. We just been looking
in all the wrong places see him, Yeah, I see him.
Speaker 1 (17:35):
Top there, Marshall. Don't you come no closer?
Speaker 2 (17:40):
Put that gun away? And they learned. I saw Chester.
I knew you'd be in here next. Why they learned?
Why would I be after you? You don't fool me.
Speaker 1 (17:52):
You know all about it.
Speaker 2 (17:53):
You admit killing that writer. I knew when I shot him.
I couldn't get.
Speaker 1 (17:58):
By with it.
Speaker 2 (18:00):
My horses tracks were all over the place. Or don't
make it any worse than it is.
Speaker 1 (18:06):
I told you not to come, Andy Clause.
Speaker 2 (18:08):
Put your gun on the barn.
Speaker 1 (18:09):
They but.
Speaker 2 (18:11):
You watch what I'm gonna do with it?
Speaker 6 (18:15):
No?
Speaker 1 (18:16):
They or don't?
Speaker 2 (18:17):
Why not? Hit you?
Speaker 1 (18:20):
Didn't? I now I'm gonna kill you. You. I know
you hurt bad Miss jillan Al hit me in the arm.
Speaker 2 (18:33):
Chester'll be alright?
Speaker 1 (18:35):
You killed him?
Speaker 2 (18:36):
Yeah, I knew something with I went in. I'm gone
over the docks.
Speaker 1 (18:40):
That's right, I will Marster Tillon.
Speaker 3 (18:52):
Oh you've been heard.
Speaker 6 (18:54):
I it's not bad mar What about Joe Needles?
Speaker 2 (18:58):
He's dead.
Speaker 3 (19:00):
I figured you would be.
Speaker 4 (19:01):
I heard you was looking for him.
Speaker 6 (19:02):
That's why I followed you down here.
Speaker 2 (19:04):
Well, my arm's bleeding somehow, better get on over the doctor.
Speaker 1 (19:07):
No, hear me our first, Marshal.
Speaker 2 (19:10):
Yeah, of course I'll go ahead.
Speaker 6 (19:12):
You'd be the one to tell missus Nadler about him,
won't sit.
Speaker 2 (19:15):
I guess I'll take.
Speaker 6 (19:17):
Awake and with your Marshal. Well, a woman can't live
out there alone. I got an extra room at my
house if you'll help with the work.
Speaker 2 (19:24):
Well, what about the baby?
Speaker 6 (19:27):
It'll be her baby, Marshall, and tell her I won't
interfere none.
Speaker 2 (19:33):
Yeah, I sure will, Mar. I'll tell her all that
I'll go out the first thing in the morning.
Speaker 1 (19:38):
You won't go nowhere.
Speaker 6 (19:39):
You stand here gabbin all night.
Speaker 5 (19:42):
Why then I'm bleeding.
Speaker 6 (19:43):
Marshal, Yo, you're only gonna get it fixed here.
Speaker 1 (19:47):
Yeah, you'll ride, Mar, That's then you pretty often higher.
(20:28):
Gunsmoke produced and directed in Hollywood by Norman McDonald's, stars
William Conrad as Matt Dyllan Us Marshall. The story was
specially writing for Gun Smoke by John Meston. Featured in
the cast were Virginia Christine, John Dayner, Vic Perrin and
Morrison and Harry Bartel, Harley bear Is Chester, Howard mcneer
(20:49):
is doc and Georgia Ellis is kidding This is George
Walch inviting you to join us again next week, when
CBS Radio presents another story on gunsmoke.
Around time City and in the territory on West. There's
just one way to handle the killers and the spoilers.
And that's where the US Marshal and The Smell of
Guns Smoke Gons, starring William Conrad. The story of the
(00:45):
violence that moved west with young America and the story
of a man.
Speaker 2 (00:49):
Who moved with it.
Speaker 1 (00:50):
I'm that man, Matt Dillon, United States Marshall, the first
man they look for and the last.
Speaker 2 (00:57):
They want to meet.
Speaker 1 (00:59):
It's a chance to job and that makes a man
watchful and a little lone man.
Speaker 2 (01:40):
Marshall doing a lot of hours out of the cattle
business shift.
Speaker 1 (01:44):
His hours in the head out on the train this morning,
just I can afford to buy.
Speaker 2 (01:48):
Your drink five. Thanks, But I hear Doc Adam has
been looking all over for me. I better go find him.
And he was in here a while, A good talking
to g and where she comes. Maybe she knows where
we went. Nah you, Doc.
Speaker 3 (02:01):
Had to leave map.
Speaker 2 (02:02):
They called him out the swift place.
Speaker 1 (02:03):
And emergency back.
Speaker 4 (02:05):
He asked me to give him message, oh, you know,
as four from his wife.
Speaker 2 (02:09):
Yeah, sure I heard. I got a little piece of
lamb right on the shout there. You might ranch. They're
not doing him very good though.
Speaker 5 (02:16):
We know he's sure run cold in the dark.
Speaker 2 (02:18):
He was out there last night and they planned.
Speaker 1 (02:20):
To go back for him today.
Speaker 2 (02:22):
To go back for him. Yeah, they have to be
brought in the town map.
Speaker 6 (02:26):
They got spotted at seat or both of 'em.
Speaker 2 (02:29):
See, he got a little baby out there too.
Speaker 6 (02:32):
And that's why Doc said, somebody's gotta fetch all three
of 'em in the dodge where they can be taken.
Speaker 1 (02:36):
Care of us.
Speaker 2 (02:37):
I'll find a wagon and go out after him tomorrow.
He couldn't get back to night anyway. He wants me
to help, Marsham.
Speaker 1 (02:42):
I got a old pire select cowboys who ain't earned
uh fee. If I thanks spars or chustering that manage
he might need help. And what he mean he had
to throw a sick as he may be. He'll get
a gun and fight before he lets you carry him
off that place, I.
Speaker 2 (02:57):
Know, and then he can stay there. But I'm gonna
break his wife and a child then alright, if you.
Speaker 1 (03:03):
Keep an eye on him, he can be a batman.
Speaker 3 (03:31):
Oh this german, this ain't able to up his place right.
Speaker 2 (03:38):
Now, chater, But I wanna meet these people, it must
say no, come on.
Speaker 3 (03:47):
Uh, chujill, how you know their new You ain't been
out there this way in over a year.
Speaker 1 (03:52):
All the more reasons I made him. I was walking
around back. I thought I saw somebody there.
Speaker 2 (03:58):
Nothing but a side happened, blue Gars.
Speaker 3 (04:01):
He must be living on nothing.
Speaker 2 (04:04):
Doesn't look like it Chester.
Speaker 3 (04:07):
Well, I you say, he butchering a caf Now where'd
you get there?
Speaker 1 (04:10):
Well? You sure didn't raise it on those weeds. As
woman's trying to hold hello, what are you men doing here?
Speaker 2 (04:24):
And our Marshall Dylan from Dodge, This is Chuster Proudfoot.
There's something wrong Marshall. No, after your hat's gonna get
all bloody where you put.
Speaker 1 (04:35):
It on this cat you leave at the here, you'll
get the sound struck without a hat. Alright, So I
was trying to cover up Emmitt Bower's brand. We're starving
out here, Marshall. I had to kill that cat.
Speaker 5 (04:51):
You he ain't gonna risk my husband, Alia.
Speaker 2 (04:53):
Marshall, Oh, I'm not do unless Emmitt Bower's complains.
Speaker 1 (04:57):
Joe. Joe had to do it, Marshall.
Speaker 5 (04:59):
We this can't go on without something to eat.
Speaker 6 (05:04):
Look look over there.
Speaker 5 (05:05):
While I've been hoeing, I couldn't plant enough feed for
hardly anything to come up, and we can't.
Speaker 1 (05:10):
Afford no more seed.
Speaker 5 (05:11):
Our credits run out and dodge the.
Speaker 2 (05:13):
Ground doesn't even look PLoud.
Speaker 5 (05:15):
Well, I done the best I could. That ain't easy.
Speaker 2 (05:19):
No, Uh, that's for a woman. Well on our way
to ed Thorpe's. I guess you know that they got
a spot a treever I was there this morning. Ed
Thorpes did uh died in the night.
Speaker 1 (05:32):
I guess well you didn't tell me that, Joe.
Speaker 2 (05:35):
You mean you left missus Thorpe along with that baby.
I ain't gonna.
Speaker 1 (05:39):
Chance catch you no fever, but Joe the baby.
Speaker 2 (05:43):
My woman here is always worrying about babies. It's only
cause she can't have none. I guess she's like one
of them there, dry Gord, don't.
Speaker 5 (05:52):
Joe, you're putting shame on me.
Speaker 2 (05:56):
Uh Chester, let's see, come on, let's get out of here.
Uh his neighbor.
Speaker 1 (06:05):
Yes, mostly next time you're a dodger, come see me.
I'll see that you get some seeds.
Speaker 3 (06:37):
I wouldn't just do that part.
Speaker 2 (06:38):
We wouldn't never make dodgies to night as the baby.
Speaker 4 (06:41):
At Chester when it was to sleep anywhere. I guess
i'd been boding it right, Uh huh, yeah, just like a.
Speaker 3 (06:47):
Mother if you own.
Speaker 2 (06:49):
There's doc whit a for us. Uh, now you sit
tired him in a chester. We'll help you with a baby.
Speaker 3 (07:02):
So do you hope you don't wake up?
Speaker 1 (07:05):
Whereas he had the bad and his waterflare. Now lad
died before we got the doc and start flying down
and back there.
Speaker 2 (07:12):
They covered her up. Good, she's gonna sleep most of
the ways. Business thought.
Speaker 1 (07:23):
She's still asleep, give me her hand up, yeah, sure,
missus thort Oh oh uh yeah.
Speaker 2 (07:42):
It's amotic guy. She's not asleep, man, but she's dead.
Speaker 1 (07:49):
Now.
Speaker 2 (07:50):
She's died on the way in.
Speaker 1 (07:51):
I guess, huh. Now I got a baby to take
her of and a dark I think she know she
was gonna die, and why, I guess. Before we left
her place, she told me that if anything happened to her,
the baby was to be putting Mars Smally's care, and
Mars Smally was to have a complete.
Speaker 2 (08:08):
Charge over him.
Speaker 1 (08:10):
What she says goes, well, Mar's a widow and she's
had kids herself, and that was a good choice. Yeah,
but she's too old to raise him herself. Man, And
I don't have to worry about that later, doctor, And
now it's kept busy.
Speaker 3 (08:44):
Yeah, I'm in the armist don standing.
Speaker 2 (08:46):
Front the door. Why wouldn't they come to the office, Yester.
Speaker 3 (08:51):
You know how mar small he is. You don't think
his lady likes to go to any man's office. What
she's doing is ms Nadler.
Speaker 2 (08:57):
She didn't say, well, you go on down and get
the mail. Chester All wait here for you?
Speaker 3 (09:01):
Aink you?
Speaker 1 (09:06):
Oh Mar, hello, Marshall.
Speaker 2 (09:08):
Have you Beendles's neighbor?
Speaker 5 (09:09):
Pretty good, Marshall.
Speaker 1 (09:10):
Thain't everybody can send him for the Marshal and bring
him on the run.
Speaker 2 (09:13):
Oh no, Ma, you know your word has always been
in law with me.
Speaker 6 (09:16):
Oh listen to him.
Speaker 3 (09:19):
Maybe he'll carry miss Maidler.
Speaker 2 (09:21):
Well that's true, mah Marshall.
Speaker 6 (09:24):
Missus Needley wants to adoptor thought babe.
Speaker 2 (09:28):
Oh missus sutless the baby, and you're a charge mans
All up to you.
Speaker 6 (09:32):
I've had him over a week, Marshall, and I'm gonna
keep him awhile longer so he'll be near you, Doc
just in Keys. But Missus Needley here seems like a
mighty fine woman to me, and i'd better take that
baby only I'm worried about one thing.
Speaker 5 (09:47):
I've I I told her the truth, Marshall, and she
thinks maybe Joe and I can't make a go of
it out there.
Speaker 2 (09:55):
Uh d you.
Speaker 5 (09:56):
Remember what you said when you were leave him that day?
Speaker 1 (09:59):
Yes, I said to come to see in. I'd hope
you got some seed to planet.
Speaker 5 (10:02):
Well, right now, that's all I need. I'd get a
little calling up. I might even raise a few hogs.
I'll work offul hard, Marshal, I promise I will.
Speaker 6 (10:09):
She gets started and she can he with the b marsh.
Speaker 5 (10:12):
You why I I'll pay you back. I I ain't begging.
I'll pay you back every cent.
Speaker 1 (10:16):
Marshalice Nayler, you come by my office where you leave town.
I'm gonna go into the story and I have a
talk with mister Jonas right now.
Speaker 5 (10:24):
Oh Marshall, I I I I do, thank you, I
do bag out.
Speaker 1 (10:30):
She can look at him a little white log. He
old Marshall a lot Jonas can, I says you today.
Speaker 2 (10:44):
And I came to say about Ms. Nayler. Yeah you
know her, don't you, well?
Speaker 5 (10:48):
Sir?
Speaker 1 (10:48):
Do you? Old Nadler's out back in the stock room
right now? Oh he is they were. Come in here,
he's buying hisself a new pair of boots.
Speaker 2 (10:59):
Marshall. I thought they're credit had run out.
Speaker 1 (11:02):
Oh they they're doing better now. You started bringing meat
into Delmonico's and a couple other eating places. Paid that
part of his bill already, ain't you, Naylor?
Speaker 2 (11:12):
I don't know as I like you talking about my
private affairs. June, No harm.
Speaker 1 (11:17):
It's only Marshall Billon. A lot of they her cause her.
They're looking boots they ought to be. Them's the best
I stack them were twenty dollar boots. Twenty dollars. Let
it buy a whole wagon load of seeds. Neighbor, You
telling me how to spend my money?
Speaker 2 (11:33):
Does your wife know you've been doing better lately?
Speaker 1 (11:36):
Family matters ain't no concern of the.
Speaker 2 (11:38):
Law or yours are. And if it weren't for your wife,
I wouldn't bother just wanting you, Naylor. But because of her,
I'm telling.
Speaker 1 (11:43):
You to take those boots off and buy some seed and.
Speaker 2 (11:47):
Whatever else you need to grow corn with.
Speaker 1 (11:49):
Now look here, Marshall, I I'm giving you a chance.
Speaker 2 (11:54):
Naylor.
Speaker 1 (11:54):
In three days from now, I'm gonna be riding out
to see what you've done with it. It's up to
you whether or not you'll be writing back with.
Speaker 5 (12:00):
Me and.
Speaker 3 (12:24):
Today's days.
Speaker 4 (12:25):
He was done you We gonna ride.
Speaker 3 (12:27):
Out the nablers.
Speaker 2 (12:28):
I reckon with another Diychester.
Speaker 3 (12:31):
You know something, I don't think you wanna go tall?
Speaker 2 (12:34):
Yeah, you're right, I don't.
Speaker 1 (12:38):
H Marshall Chester almost about how about it?
Speaker 2 (12:42):
I was just up with del Monica's Marshall. I myself
a feed. Oh god, how was it? It was fine?
So I went out back and got a talking with
a cooker. Oh, Marshall, I reckon.
Speaker 1 (12:54):
Any man's got a right to complain when he goes
to a restaurant and finds himself eating his own beef.
Speaker 2 (13:01):
Well, I know about that bar you do? And why
ain't you done nothing about him?
Speaker 1 (13:05):
Uh?
Speaker 2 (13:05):
Because I'm miss Labler. I guess what, Marshall, I'm a
rich man.
Speaker 1 (13:09):
I don't mind a nester slaughter in one of my
calves when he's starving, But nobody is gonna start selling
my beef.
Speaker 2 (13:16):
I'll kill him he keeps that up, I'll handle it. Boys.
Speaker 1 (13:19):
I admire that woman and his marshal, but letting him
get by with rustling ain't gonna help her. Oh, by
the way.
Speaker 2 (13:27):
Mars Smally brought some pires down in the kitchen while
I was there. She's waiting outside here. She wants to
talk to you. Tell me right out.
Speaker 6 (13:42):
Uh hello, mar Oh you riding out to the neigh
late marshl that's right. Then you tell her aunt, sorry,
tell her. I think she's a good woman, but I
I just can't let that baby go into the home
of a cowfief.
Speaker 2 (14:01):
Never break your heart.
Speaker 6 (14:02):
Ma Oh, I I got a trust put on me.
Speaker 2 (14:06):
Marshall, alright, I'll tell her. Hello, miss Labor.
Speaker 5 (14:50):
Oh, Marshall, hello Chester, alright, man, what brings you out here? Marshall?
Speaker 2 (14:56):
Your husband on?
Speaker 5 (14:57):
Man, No, he's been gone.
Speaker 2 (14:59):
Since his nither. You know that he's been slaughtering Emmitt
Bower's beef.
Speaker 5 (15:09):
Oh so he's complained about it, about that cat.
Speaker 1 (15:13):
No, it's more than the one cat, miss neighbor. He's
been selling meat around Dodge lately. Oh, no, it's true.
Speaker 6 (15:22):
So that's what he had in the wagon.
Speaker 2 (15:25):
He wouldn't let me. Look, I know you've had nothing
to do with him in his neighbor, but.
Speaker 1 (15:28):
Uh, I hate to tell you this, but Mars Molly
isn't gonna let you have the baby.
Speaker 4 (15:37):
Well, she she's.
Speaker 1 (15:40):
Right, you know, so it.
Speaker 4 (15:43):
Wouldn't be fitting for doing with kenderd timoths Bowers.
Speaker 1 (15:49):
Yeah, I'll be back in his neighbor and I'll go
talk to him, all right, come on yesterday.
Speaker 3 (15:59):
And mother Sema see that easy.
Speaker 1 (16:00):
He's den Oh oh, I thought I might find your
Marshall for some of the wrong bollers.
Speaker 2 (16:17):
One of my men's been murdered. That's uh. I.
Speaker 1 (16:20):
We found him out yonder about five miles.
Speaker 2 (16:23):
He's been left for dead, but he talked a little
bit what happened. He's gone now, Marshall, so you'll.
Speaker 1 (16:30):
Have to take our word for what he told. Alright,
you run across Joe Nabler Slaughter in another steer and
Naylor selling him.
Speaker 2 (16:39):
That's what he said.
Speaker 1 (16:40):
Anything else, only that Naylor got on his horse and
headed for Dodge. I guess he figures he'll get caught.
Might as well get drunk one more time.
Speaker 2 (16:50):
He'll get caught.
Speaker 1 (16:52):
I promise you that.
Speaker 4 (17:10):
John finally found it.
Speaker 3 (17:15):
He's in there getting drunk.
Speaker 2 (17:17):
Bar that's taking us long enough, everybody, and Thomas, no,
I'm not for everybody now.
Speaker 4 (17:21):
He ain't been trying to hide. We just been looking
in all the wrong places see him, Yeah, I see him.
Speaker 1 (17:35):
Top there, Marshall. Don't you come no closer?
Speaker 2 (17:40):
Put that gun away? And they learned. I saw Chester.
I knew you'd be in here next. Why they learned?
Why would I be after you? You don't fool me.
Speaker 1 (17:52):
You know all about it.
Speaker 2 (17:53):
You admit killing that writer. I knew when I shot him.
I couldn't get.
Speaker 1 (17:58):
By with it.
Speaker 2 (18:00):
My horses tracks were all over the place. Or don't
make it any worse than it is.
Speaker 1 (18:06):
I told you not to come, Andy Clause.
Speaker 2 (18:08):
Put your gun on the barn.
Speaker 1 (18:09):
They but.
Speaker 2 (18:11):
You watch what I'm gonna do with it?
Speaker 6 (18:15):
No?
Speaker 1 (18:16):
They or don't?
Speaker 2 (18:17):
Why not? Hit you?
Speaker 1 (18:20):
Didn't? I now I'm gonna kill you. You. I know
you hurt bad Miss jillan Al hit me in the arm.
Speaker 2 (18:33):
Chester'll be alright?
Speaker 1 (18:35):
You killed him?
Speaker 2 (18:36):
Yeah, I knew something with I went in. I'm gone
over the docks.
Speaker 1 (18:40):
That's right, I will Marster Tillon.
Speaker 3 (18:52):
Oh you've been heard.
Speaker 6 (18:54):
I it's not bad mar What about Joe Needles?
Speaker 2 (18:58):
He's dead.
Speaker 3 (19:00):
I figured you would be.
Speaker 4 (19:01):
I heard you was looking for him.
Speaker 6 (19:02):
That's why I followed you down here.
Speaker 2 (19:04):
Well, my arm's bleeding somehow, better get on over the doctor.
Speaker 1 (19:07):
No, hear me our first, Marshal.
Speaker 2 (19:10):
Yeah, of course I'll go ahead.
Speaker 6 (19:12):
You'd be the one to tell missus Nadler about him,
won't sit.
Speaker 2 (19:15):
I guess I'll take.
Speaker 6 (19:17):
Awake and with your Marshal. Well, a woman can't live
out there alone. I got an extra room at my
house if you'll help with the work.
Speaker 2 (19:24):
Well, what about the baby?
Speaker 6 (19:27):
It'll be her baby, Marshall, and tell her I won't
interfere none.
Speaker 2 (19:33):
Yeah, I sure will, Mar. I'll tell her all that
I'll go out the first thing in the morning.
Speaker 1 (19:38):
You won't go nowhere.
Speaker 6 (19:39):
You stand here gabbin all night.
Speaker 5 (19:42):
Why then I'm bleeding.
Speaker 6 (19:43):
Marshal, Yo, you're only gonna get it fixed here.
Speaker 1 (19:47):
Yeah, you'll ride, Mar, That's then you pretty often higher.
(20:28):
Gunsmoke produced and directed in Hollywood by Norman McDonald's, stars
William Conrad as Matt Dyllan Us Marshall. The story was
specially writing for Gun Smoke by John Meston. Featured in
the cast were Virginia Christine, John Dayner, Vic Perrin and
Morrison and Harry Bartel, Harley bear Is Chester, Howard mcneer
(20:49):
is doc and Georgia Ellis is kidding This is George
Walch inviting you to join us again next week, when
CBS Radio presents another story on gunsmoke.
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