August 1, 2025 • 30 mins
Set in a frontier town, this series follows a U.S. Marshal as he maintains law and order. The show combines action with moral dilemmas of the Old West.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Post Toasties.
Speaker 2 (00:01):
The Heap Good Cornflakes is proud to present gun smoke
around Odds City and in the territory on West. There's
(00:22):
just one way to handle the killers and the spoilers.
And that's where the US Marshall and the mellow gun smoke.
(00:48):
Gun Smoke the story of the violence that moved west
with young America, the story of a man who moved
with it. Matt Dillon, United States Marshall, stay there. Next
time you hear a crackling noise in your kitchen, better
get up and investigate. Maybe somebody just couldn't wait for
his breakfast of crackling crisp post toasties. And that's a
(01:11):
treat you shouldn't miss. Post toasties, you know, are the
heap good corn flakes. Why, after one taste, I'll bet
anything you agree with me.
Speaker 3 (01:19):
Post toasties is just the best.
Speaker 2 (01:21):
Thing that's happened to corn since the Indians discovered it.
There's nothing quite like sweet kernel corn flavor when it's
toasted right in, toasted into crisp fresh corn flakes. Man,
oh man, that's post toasties, heap good corn flakes. Better
tryumph And now gun smoke starring William Conrad.
Speaker 3 (02:07):
They's saying much of a room quarter?
Speaker 1 (02:09):
Take a look out the window.
Speaker 3 (02:10):
It ain't much with Tom wouldn't need a whole lot
more dust down there. You couldn't see Dodge at all.
Speaker 4 (02:17):
That it'd be an improvement that things will work out
I always have, haven't they?
Speaker 1 (02:22):
You got a short memory?
Speaker 3 (02:24):
Quarder didn't work out so good?
Speaker 5 (02:26):
Up and dead would well? At least we didn't get shot.
Now things will go.
Speaker 3 (02:30):
Better, ye, I hope. So what kind of law man
they got here?
Speaker 1 (02:34):
I wonder we'll soon find out?
Speaker 3 (02:36):
Ought to be along any minute now? I sent word.
Speaker 4 (02:39):
We'd like to have a talk right away at the
hotel here by the way quarter.
Speaker 1 (02:43):
Who's going to do the talking?
Speaker 3 (02:44):
As time? I'll do it?
Speaker 1 (02:46):
It must be him.
Speaker 3 (02:48):
You rit me handle this now, don't okay?
Speaker 1 (02:51):
Come in.
Speaker 4 (02:59):
My name's Matt Dillon. I'm Ben Corter Marshall. This is
my partner, Harry Duggan Marshall.
Speaker 3 (03:09):
He asked me to come here. You said it was
urgent or it is Marshall. It is. See Doug and me.
Speaker 4 (03:14):
We're business partners, and whenever we come to a new
town like Dodge here, we like to get to know whoever's.
Speaker 3 (03:21):
Running the place.
Speaker 4 (03:22):
That way, we figured there won't be any misunderstanding.
Speaker 3 (03:25):
Leater on, Oh what is your business? Gentlemen?
Speaker 4 (03:28):
We're gamblers. Uh, I wouldn't want of me. Dodge is
an open town. We make money gambling, Marshall, sometimes a
lot of money. We just want you to know in
advance that you'll get your share of it. I'm a
lawman corner, and as long as I am, there won't
be any crooked.
Speaker 3 (03:49):
Games and Dodge. Oh oh, marshall.
Speaker 4 (03:52):
You know how sometimes a player will lose a little
money and start a fuss over it, and then maybe
even go to the law about it. And when he does,
is you atually been cheated before he gets to the law,
there's another killing.
Speaker 6 (04:05):
Now.
Speaker 3 (04:05):
You can run your game clear, but you keep it
straight or out you go, both of you.
Speaker 4 (04:10):
It's not friendly, Marshal. You've made one mistake trying to
bribe me. You make another in your throw and dodge
one of those hard nose marshals.
Speaker 1 (04:19):
Huh, you'll find out soon or not.
Speaker 3 (04:23):
Muster him.
Speaker 4 (04:27):
Good day, gentlemen, you handled him great quarter. Just now,
don't be a fool. He's no better than anybody else.
And I got an idea we can persuade him yet, Chester.
Speaker 3 (05:03):
Yes, sir, I was the prisoner.
Speaker 5 (05:05):
Oh he's all right, mister Dillon, just sleeping.
Speaker 1 (05:08):
Off his drink.
Speaker 3 (05:09):
Well, it's late. I think I'll get out of here
and go to bed.
Speaker 4 (05:17):
Don't forget to put the lamp out before you leave
the office, Chester, No, try, I won't.
Speaker 5 (05:25):
You see anybody? You want a rifle?
Speaker 3 (05:28):
No, stay where you are, all right, Chicken, crawl over
and on and put that lamp out. Huh, but stay
low at least three.
Speaker 5 (05:51):
Ain't we going after mister Dillon?
Speaker 3 (05:53):
Now he had a rifle, Chester, and he was in
the alley just across the street. That's mighty poor shooting.
If he wanted to hit me, what do you mean?
I think he was.
Speaker 4 (06:00):
Trying to scare me. Show me how they treat the
law where he comes from, them two gamblers.
Speaker 3 (06:06):
Huh Yeah.
Speaker 4 (06:07):
Maybe I can't be sure, and I'm going to take
a rifle and go out the back way.
Speaker 3 (06:19):
I'll see you tomorrow.
Speaker 4 (06:20):
Chester, Hello, man, good evening, kiddy. Thanks, it's crowded in
(06:49):
here tonight. Drink No, no, not now?
Speaker 3 (06:52):
Huh.
Speaker 1 (06:53):
Chester was in earlier. He told me about your getting
shot at last night.
Speaker 3 (06:58):
Oh, I didn't get it hit anyway, but you might.
Speaker 1 (07:00):
Have, especially a man with a rifle.
Speaker 4 (07:03):
A kitty, I'll admit, I don't like the idea of
being ambushed.
Speaker 3 (07:07):
I prefer to do my fighting in the open.
Speaker 5 (07:10):
Matt.
Speaker 1 (07:11):
Why do you have to fight at all? Why can't
you live like other men?
Speaker 3 (07:15):
Somebody has to enforce the log, Kitty, so forget it, Matt.
Speaker 1 (07:23):
Any idea who was after you last night?
Speaker 4 (07:26):
Well might have been one of those two men watching
us from the bar over there.
Speaker 3 (07:31):
Maybe both of them.
Speaker 1 (07:32):
Uh look like gamblers to me.
Speaker 4 (07:35):
Yeah, they are the one who's headed this way calls
himself ben quarter.
Speaker 6 (07:40):
If there's gonna be trouble, No, they.
Speaker 3 (07:42):
Won't be, I said, still evening Marshall. Hello, ah, A right,
pretty girl, say what you have to say? Sure do
make it hard to be friends, Marshall. I just wanted
to say that I heard you got shot that last.
Speaker 4 (08:00):
Night, so well, I'm sorry it happened, that's all. I
sure don't envy a man who has to be a
market It's mighty dangerous, and besides, it usually don't pay
very good. What do you think I ought to do
about it? Cordon quit all that isn't necessary Marshall. Why,
(08:21):
if you were smart, you could stay right here and
make more money and take less chances too. I uh,
I didn't know for sure it was you, Cord, but
I know it now. What do you mean there's a
stage out of Dodge in half an hour you and
Douggan are going to be on it.
Speaker 3 (08:42):
Oh no, we're opening our new game across the street.
To not take your gun quarter. I'll wait a minute, Marshall.
Speaker 4 (08:47):
You can't do that second, Oh no you won't. All right, Duggan,
I want your gun next. A sure, Marshall, Sure, down around,
put your hands on the bar, all right, now, go
(09:15):
pick up your partner. You're right in the stage north
and I now get going dock and I don't ever
come back either one of you.
Speaker 3 (09:31):
They got on the stage all right.
Speaker 4 (09:34):
I was there to see him do it, and just
before it pulled out, I unloaded their guns and tossed
them unto the floor inside, and then they left and
I forgot about them. I figured these two, like so
many others i'd run out of Dodge, would keep going
and make their trouble somewhere else.
Speaker 1 (09:54):
But a couple of weeks later I found out I'd
figured wrong. I was walking up front straight one evening
was Doc.
Speaker 7 (10:02):
That humbold woman who was in to seeing me again today, Matt.
Speaker 4 (10:07):
While you're usually complaining about a shortage of patients, Doc.
Speaker 5 (10:11):
I know, but this woman is not a patient.
Speaker 3 (10:13):
She's a suicide. DOC. That might be said of anybody
who comes to you. Eh.
Speaker 1 (10:19):
Oh no, I'm gonna remember that, an't.
Speaker 5 (10:21):
You, mister Dillon. See they're right inside the alphagans there,
mister Dilan.
Speaker 3 (10:29):
I just saw them. Who'd you say, testa.
Speaker 4 (10:31):
Them gamblers Cordon Duggan, And they got somebody else with them,
some stranger.
Speaker 3 (10:36):
I don't know. I'll say light of sure, Matt. Yeah,
they are right down at the end of the bar there,
all three of them.
Speaker 4 (10:52):
Well, here he is here, he is choke, this is him. Wow,
we're back, Marshall, and we brought a man with us
to sort of look after our interests.
Speaker 3 (11:08):
You won't buffalo him so easy? Hello to you really, Marshall?
Speaker 1 (11:14):
Here?
Speaker 3 (11:14):
Yeah, why didn't they tell him?
Speaker 1 (11:17):
I didn't mention no name?
Speaker 5 (11:19):
What are you two talking about?
Speaker 3 (11:20):
What is this? Chkemulin and I are old friends. Caught him.
Speaker 4 (11:23):
We worked and wrote a long time together. We went
through quite a lot and so too much. Remember, yeah,
I remember you've soldier gun to these two.
Speaker 1 (11:37):
Is that right? That's right?
Speaker 3 (11:42):
So you're here to kill me?
Speaker 1 (11:45):
Yeah, I'm here to kill you.
Speaker 2 (12:10):
Say how are morning appetites at your house? If they're
pretty drowsy, here's a real good way to wake them up.
Set a bowlful of post toasties the heap good corn
flakes at everybody's place. Just watch your flake notice when
they see how crisp post toasties are, and wait a
late taste that sweet kernel corn flavor toast it in
(12:31):
bet your whole tribal agree with you. Post toasties are
the best thing that's happened to corn since the Indians
discovered it.
Speaker 6 (12:38):
And here's a thought.
Speaker 2 (12:39):
If you'd like to make a good thing even better,
try topping post toasties with your favorite fruit. You'll find
that's a mighty good way to start today. Fact is,
it's a downright delicious way. So next time you shop,
be sure to ask for post toasties. They're the heap
good corn flakes you'll see.
Speaker 8 (12:58):
Post toasties good corn, the best thing that's happened to
corn since the Indians has covered it. To keep good
corn flakes hostostis heap good corn flakes.
Speaker 2 (13:10):
Now back to gun smoke.
Speaker 4 (13:30):
It was a bad feeling to meet Toke Morland again
after some fifteen years, and they having stating at the
bar of the Alafraganza hired by a couple of crooked
gamblers to kill me.
Speaker 3 (13:42):
To and I had run horses together over in.
Speaker 4 (13:44):
New Mexico until the night we rode into Silver City
and got taken by a drunken mob and beaten.
Speaker 3 (13:51):
After this, it didn't matter who they were.
Speaker 4 (13:54):
After a whine the next day when they found out
that we weren't them and they wanted it was to late.
Something had gone wrong inside Took, and as soon as
he was able, he rode off without a word. I
never saw him again until now.
Speaker 1 (14:12):
How long you've been, to Marshall?
Speaker 3 (14:14):
Long time, Took.
Speaker 1 (14:16):
I never figured Lorman for much.
Speaker 3 (14:18):
I want to talk to you.
Speaker 4 (14:20):
Come on over to the to Oh, no, you don't
shut out, Come on too.
Speaker 3 (14:29):
So's uh this your professional shooting?
Speaker 1 (14:37):
Oh? I gambled a little.
Speaker 3 (14:40):
Why do you do it too?
Speaker 1 (14:42):
I don't like people much, not after what happened in
Silver City.
Speaker 3 (14:46):
You recovered from that beating we both did. We were young.
It was a long time ago.
Speaker 1 (14:51):
Maybe my memory is better than yours.
Speaker 3 (14:53):
No, no, that isn't it.
Speaker 4 (14:56):
We both changed after that took We sure did, but
we changed in different ways. You hate everybody. I just
hate mobs. I guess that's one reason I became a lawman.
Speaker 1 (15:11):
There was a law man helping them that night in
Silbury City. He was the sheriff. They are good sheriffs
and bad like marshals. I suppose it's kind of too bad.
You're a Marshall man.
Speaker 3 (15:25):
You're gonna go through with us anyway?
Speaker 5 (15:27):
Is that it?
Speaker 1 (15:27):
I'll never back off from a fight. What if I
won't fight you, You don't have to. I get paid anyway,
but you'll have to leave dodge.
Speaker 3 (15:38):
You think I'll do that?
Speaker 1 (15:40):
No, but I'll give you twenty four hours to think
it over anyway.
Speaker 3 (15:44):
All right, that gives you twenty four hours too.
Speaker 1 (15:48):
I don't change talks nothing to me. Money is AD's
to the pleasure.
Speaker 3 (15:56):
You'd enjoy shooting me.
Speaker 1 (16:00):
You ain't, Matt Dylan. You're a US Marshall.
Speaker 4 (16:02):
Now talk tokyore stupid? You don't think?
Speaker 1 (16:06):
Maybe well, I'm pretty good gunman.
Speaker 3 (16:10):
Yeah, sure, Matt.
Speaker 1 (16:12):
You can let Corter and Dug and run their game here,
or you can quit.
Speaker 4 (16:15):
It's a crooked game that be fights. Men would die now.
I got a job to talk.
Speaker 1 (16:21):
Twenty four hours Marshall, Okay, twenty four hours.
Speaker 6 (16:42):
Hello Matt, Yes, Bulldoc, Doc.
Speaker 4 (16:46):
You're looking mighty glom today.
Speaker 3 (16:48):
Mate. How am I you should be? Why?
Speaker 5 (16:53):
Well, I've been over the dodge house.
Speaker 4 (16:55):
Mister Riesling's down with the guard again, and there's a
lot of talk.
Speaker 3 (16:59):
Man.
Speaker 1 (17:00):
No, you must have your reasons. But people are sure
wondering what those two gamblers are doing back in town again.
Speaker 3 (17:05):
Allt'll all be settled tonight.
Speaker 5 (17:07):
Well, I'm glad to hurt.
Speaker 3 (17:09):
Don't go to bed earlier. Huh, we might need you.
Speaker 6 (17:12):
Yeah, a fight man.
Speaker 7 (17:14):
Why you didn't have any trouble with him before?
Speaker 1 (17:20):
Oh? That other fellow they brought with him, Yeah that one.
Speaker 5 (17:25):
Ain't there no way at all to stop him.
Speaker 3 (17:27):
Mister Dillon, I've been trying to think Chester.
Speaker 5 (17:30):
Ain't there anything in this world?
Speaker 1 (17:32):
I hate?
Speaker 3 (17:32):
It's a paid gun.
Speaker 5 (17:34):
I got no use for a man that can be
bought for money.
Speaker 4 (17:36):
Money's important to talk, and I don't see it. You
know what talk is?
Speaker 3 (17:43):
Now?
Speaker 5 (17:44):
Well, he was in the Texas Trail a little while ago.
Speaker 3 (17:46):
Good I'll be back later. Hello.
Speaker 1 (18:08):
Talk, Well it's Marshall, Dylan said, Don Marshall, you know
miss Kitty here? Hello, Matt, Kitty you've been talking about
you and me, and Kitty been talking about me too.
Speaker 3 (18:22):
Then I'm not interrupting because I'd like to talk about you.
Speaker 1 (18:24):
Go right ahead, but don't stay too long. He's an
awful pretty girl, Matt. Maybe I better leave. No, no,
you stay right where you are. Anything the Marshal has
got to say a weekend? All here, you leave, I'll leave.
Speaker 3 (18:38):
It's all right, Kitty, stay.
Speaker 1 (18:40):
Talk.
Speaker 3 (18:42):
What are they paying you to get rid of me?
Speaker 1 (18:44):
Seven hundred dollars?
Speaker 4 (18:46):
What if I give you seven hundred but you shoot them?
Speaker 3 (18:53):
You don't care who you kill?
Speaker 8 (18:54):
Do?
Speaker 1 (18:54):
You don't matter much?
Speaker 3 (18:57):
No? All right, I'll give you seven hundred. De clare
out of here. I forget this whole business.
Speaker 1 (19:02):
You have changed, man. You sure never wear a card
in the old days?
Speaker 3 (19:08):
Is that what you think?
Speaker 1 (19:09):
So is Kitty? Don't you kiddy? Don't tell me what
I think. She's full of fire, Matt. He deserves a
real man. I think I'll get my money from quatern Duggan.
I don't want to leave Dodge, not till Kitty and
me get a little better acquainted.
Speaker 3 (19:23):
Anyway, No, I am leaving.
Speaker 4 (19:25):
You're no good talk. You are really no good at
all anymore.
Speaker 1 (19:32):
Wait till late o'clock, Marshall. We'll see about it. Then.
Speaker 5 (19:36):
Sure, I saw it, and I was just coming for you.
Speaker 3 (20:14):
It was to Morland.
Speaker 5 (20:15):
He just shot him and at the money table back there,
but the.
Speaker 4 (20:18):
Other fellow dd Okay, Chester, keep an eye on Cutter
and Dugan.
Speaker 1 (20:28):
Evening, Marshall, you got here just in time. The duke
kill that man took I killed him. Why you objected
to the deal. Try to pull a gun. It was
self defense, but that don't matter none.
Speaker 4 (20:47):
A crooked deal always leads to kill him. That's why
I'm running your friends out of Dodge.
Speaker 5 (20:52):
You ain't running us out of Dodge, Marshall.
Speaker 1 (20:56):
I told you once quarter I'll run this play. Keep
out of it.
Speaker 5 (21:00):
Took sure, I didn't mean not shut up for them.
Speaker 1 (21:07):
I guess you ain't a coward after all. Man, I
got out of Dodge. Take them with you. No, I'm
gonna try to kill me another law man first.
Speaker 3 (21:22):
Okay, took so long, So long, Marshall.
Speaker 1 (21:43):
I'm hurt, Matt bad.
Speaker 3 (21:47):
Yeah, you hit me.
Speaker 1 (21:50):
Both times.
Speaker 3 (21:54):
I had to talk.
Speaker 1 (21:57):
Too late to do anything about it.
Speaker 3 (22:00):
Yeah, yeah, it's too late.
Speaker 1 (22:04):
By heaven not. I wish I had last week back again. Man,
m h here it is yeh mm hmm.
Speaker 3 (22:30):
Corda duggan. Get out of here anyway you can, but fast,
and if you come back with another gunman, I won't
wait to shoot him. I got away from me.
Speaker 2 (23:13):
In just a moment. We'll tell you about next week's
adventure on gun smoke. Say, mother, want to see your
small fry eat a better breakfast than ever? Well, may
I suggest that you dish them up some sugar crinkles
to start with. Sugar crinkles, you know, make breakfast more
fun than a circus. Sugar crinkles is the sugar rice
treat that's just right sweet. It's high time to forget
(23:37):
these sugar coated cereals that seemed too sweet to you
and those others that don't seem sweet enough to the kids.
Just pour out crisp, golden sugar crinkles and see how
just right sweet a sugar coated cereal can be just
right sweet. Be sure to get several packages of sugar
crinkles because they're great for snacks too. Kids love them
(23:59):
that way, Kids loved them anyway. Try sugar nickles and
you will too, or.
Speaker 8 (24:07):
Your breakfast star a smack you love Sugar sugart Crinkles,
Beet Beep, sugar.
Speaker 3 (24:14):
Rice just bright, sweet with milk for the breakfast.
Speaker 1 (24:17):
John, that's a fact from the pack off.
Speaker 8 (24:19):
Boy, can't beat beep just right, Sweet sugar Crincles.
Speaker 3 (24:23):
God to.
Speaker 2 (24:44):
Gun Smoke under the direction of Norman McDonald, stars William
Conrad as Matt Dylan Us Marshal. Tonight's story was specially
written for Gun Smoke by John Meston, with music composed
and conducted by Rex Cory. Featured in the cast were
John Dayer, Harry Bartel and Lawrence Dumkin and Parley Bear
is Chester, Howard mcneer is Doc, and Georgia Ella's is
(25:06):
kidding Ken Peter is Speaking. Join us again next week
as Matt dylon Us Marshall meets two brothers who want
to stop his fight to bring law and order out
of the wild violence of the West in gun Smoke.
Listen next week at this time when gun Smoke will
(25:28):
be brought to you by Sugar Crinkles, the Sugar Rice Street.
Speaker 1 (25:31):
That's just right.
Speaker 7 (25:33):
Sweeten Sacha coffee and instance Sanka, the two delicious coffees
that let you sleep bring you Sacha salutes. And this
is when Elliott transcribes saluting our people of the week,
the everyday people who help make America an even nicer
place in which to live. Your name is Private William
(25:53):
aut of Hyde Park, New York. Though you're home now
from Korea, a part of you remains there, in the
heart and soul of a gentle Korean lad whom you
knew only as Kim.
Speaker 6 (26:03):
You Private all hardly.
Speaker 7 (26:05):
Noticed this young Warwayfoo peeled potatoes and sometimes scrub pots
at your company mess. But then there was something you
did notice. Whenever this scullery boy had time, he was
poring over a book, an American book on engineering.
Speaker 6 (26:18):
Kim had a dream.
Speaker 7 (26:20):
Korea needed rebuilding the roads, the bridges, the towns, and
he wanted to be a part of it. Though he
hadn't a penny. He wanted to scrape up enough money
to go to school and to become.
Speaker 1 (26:29):
A civil engineer.
Speaker 7 (26:31):
And not long after that, you, Private, Alt were ready
to go home to America, where the schools are free
and the bridges have been built. But you had one
beautiful good bye gift for your little friend Kim. You
found a school for him and you paid the tuition.
Thank you, Private All, for having been in Korea in
the first place, for having understood one little boy's yearnings,
(26:53):
for having helped, and in his name, we proudly send
you Private William Alt. This sank a salout say, do
you have any idea of what an American ambassador looks like?
Speaker 6 (27:04):
What do you figure a fellow in.
Speaker 7 (27:06):
Striped pants, a top hat, and maybe a Harvard accent. Well,
my favorite American ambassador this week is a New York
City taxi cab driver and his name is Joe Burns.
Ambassador Joseph Burns, that is, and what kind of an
ambassador will take it from the State Department. He's a
real fourteen carrot American ambassador of goodwill. You see, last
(27:27):
week Joe Burns had two young toys from Venezuela in
his cab. They left two hundred and eighty dollars behind
them by mistake, but Joe Burns found them and he
returned the money and figured that was that, But it wasn't.
The story became known down in Venezuela, where some people
don't like our country, and where were sometimes accused of
being money grabbers who wouldn't give the other fellow a break.
(27:48):
And one newspaper down there was so impressed by Joe
Burns's kind deed, well they made him a page one story.
And the US Embassy was so grateful to Joe Burns
the the letter was sent to him, thanking him for
putting our country in the.
Speaker 6 (28:02):
Good light it deserves.
Speaker 7 (28:04):
So fancy hats off to Cabby Joe Burns, the finest
ambassador of them all, and to him with full protocol,
this Gala Sanka salute. I'll be back in a moment
with a story about the latest collegiate style a brass beanie.
But first, well, first of all, folks, if I say
to you, here is a coffee with a full, rich
(28:24):
bodied flavor, and here's a coffee that's easy to make,
and here's a coffee that lets you sleep, well, you
might think I'm talking about.
Speaker 6 (28:30):
Three different coffees, but I'm not.
Speaker 7 (28:33):
I'm talking about one coffee, the new instant Sanka coffee,
the only coffee in all the world that gives you
all three of those advantages. Just taste instant Saka made
hot and black and good and strong, and you'll see
it once that it's all coffee with a delicious, extra
rich flavor you want. It's a sinch to make instant
snaka two, whether you're making one cup or a dozen.
(28:53):
And of course, instant Sanka lets you sleep because ninety
seven percent of the sleep disturbing caffeine has been removed.
Drink as much as you want and it won't keep
you awake. Oh and look for instant Saca in the
new economy size jar and you'll save money. If your
grocer hasn't already got it, he'll have it soon. So
drink instant sanka, the only coffee that combines extra rich
(29:14):
flavor with instant ease and lets you sleep. Now here's
a memo to the upper classmen at Saint Ambrose College
out in Iowa. Go easy on one of the freshmen
who's around the campus now wearing one of those beanie caps.
Full as he's a freshman named Vandy Farrell. You see, gentlemen,
until freshman Farrell put on a beanie, he wore the
hat of a regular army major. And I don't know
(29:37):
how you feel, but I think that fifty eight year
old freshman Farrell must be quite a guy to begin
his army retirement in this style, So I'll take my
hat off to him with this Sanka salute, and I'll
be back next week when Sanka Coffee and Instant Sanca,
both delicious and both caffeine free, will again present Sanka
salutes in the meantime.
Speaker 6 (29:58):
This is Winnelly.
Speaker 7 (29:59):
It suggested when you try sanga, you love it and
you'll sleep.
Speaker 3 (30:04):
This is the CBS Radio Network.
Post Toasties.
Speaker 2 (00:01):
The Heap Good Cornflakes is proud to present gun smoke
around Odds City and in the territory on West. There's
(00:22):
just one way to handle the killers and the spoilers.
And that's where the US Marshall and the mellow gun smoke.
(00:48):
Gun Smoke the story of the violence that moved west
with young America, the story of a man who moved
with it. Matt Dillon, United States Marshall, stay there. Next
time you hear a crackling noise in your kitchen, better
get up and investigate. Maybe somebody just couldn't wait for
his breakfast of crackling crisp post toasties. And that's a
(01:11):
treat you shouldn't miss. Post toasties, you know, are the
heap good corn flakes. Why, after one taste, I'll bet
anything you agree with me.
Speaker 3 (01:19):
Post toasties is just the best.
Speaker 2 (01:21):
Thing that's happened to corn since the Indians discovered it.
There's nothing quite like sweet kernel corn flavor when it's
toasted right in, toasted into crisp fresh corn flakes. Man,
oh man, that's post toasties, heap good corn flakes. Better
tryumph And now gun smoke starring William Conrad.
Speaker 3 (02:07):
They's saying much of a room quarter?
Speaker 1 (02:09):
Take a look out the window.
Speaker 3 (02:10):
It ain't much with Tom wouldn't need a whole lot
more dust down there. You couldn't see Dodge at all.
Speaker 4 (02:17):
That it'd be an improvement that things will work out
I always have, haven't they?
Speaker 1 (02:22):
You got a short memory?
Speaker 3 (02:24):
Quarder didn't work out so good?
Speaker 5 (02:26):
Up and dead would well? At least we didn't get shot.
Now things will go.
Speaker 3 (02:30):
Better, ye, I hope. So what kind of law man
they got here?
Speaker 1 (02:34):
I wonder we'll soon find out?
Speaker 3 (02:36):
Ought to be along any minute now? I sent word.
Speaker 4 (02:39):
We'd like to have a talk right away at the
hotel here by the way quarter.
Speaker 1 (02:43):
Who's going to do the talking?
Speaker 3 (02:44):
As time? I'll do it?
Speaker 1 (02:46):
It must be him.
Speaker 3 (02:48):
You rit me handle this now, don't okay?
Speaker 1 (02:51):
Come in.
Speaker 4 (02:59):
My name's Matt Dillon. I'm Ben Corter Marshall. This is
my partner, Harry Duggan Marshall.
Speaker 3 (03:09):
He asked me to come here. You said it was
urgent or it is Marshall. It is. See Doug and me.
Speaker 4 (03:14):
We're business partners, and whenever we come to a new
town like Dodge here, we like to get to know whoever's.
Speaker 3 (03:21):
Running the place.
Speaker 4 (03:22):
That way, we figured there won't be any misunderstanding.
Speaker 3 (03:25):
Leater on, Oh what is your business? Gentlemen?
Speaker 4 (03:28):
We're gamblers. Uh, I wouldn't want of me. Dodge is
an open town. We make money gambling, Marshall, sometimes a
lot of money. We just want you to know in
advance that you'll get your share of it. I'm a
lawman corner, and as long as I am, there won't
be any crooked.
Speaker 3 (03:49):
Games and Dodge. Oh oh, marshall.
Speaker 4 (03:52):
You know how sometimes a player will lose a little
money and start a fuss over it, and then maybe
even go to the law about it. And when he does,
is you atually been cheated before he gets to the law,
there's another killing.
Speaker 6 (04:05):
Now.
Speaker 3 (04:05):
You can run your game clear, but you keep it
straight or out you go, both of you.
Speaker 4 (04:10):
It's not friendly, Marshal. You've made one mistake trying to
bribe me. You make another in your throw and dodge
one of those hard nose marshals.
Speaker 1 (04:19):
Huh, you'll find out soon or not.
Speaker 3 (04:23):
Muster him.
Speaker 4 (04:27):
Good day, gentlemen, you handled him great quarter. Just now,
don't be a fool. He's no better than anybody else.
And I got an idea we can persuade him yet, Chester.
Speaker 3 (05:03):
Yes, sir, I was the prisoner.
Speaker 5 (05:05):
Oh he's all right, mister Dillon, just sleeping.
Speaker 1 (05:08):
Off his drink.
Speaker 3 (05:09):
Well, it's late. I think I'll get out of here
and go to bed.
Speaker 4 (05:17):
Don't forget to put the lamp out before you leave
the office, Chester, No, try, I won't.
Speaker 5 (05:25):
You see anybody? You want a rifle?
Speaker 3 (05:28):
No, stay where you are, all right, Chicken, crawl over
and on and put that lamp out. Huh, but stay
low at least three.
Speaker 5 (05:51):
Ain't we going after mister Dillon?
Speaker 3 (05:53):
Now he had a rifle, Chester, and he was in
the alley just across the street. That's mighty poor shooting.
If he wanted to hit me, what do you mean?
I think he was.
Speaker 4 (06:00):
Trying to scare me. Show me how they treat the
law where he comes from, them two gamblers.
Speaker 3 (06:06):
Huh Yeah.
Speaker 4 (06:07):
Maybe I can't be sure, and I'm going to take
a rifle and go out the back way.
Speaker 3 (06:19):
I'll see you tomorrow.
Speaker 4 (06:20):
Chester, Hello, man, good evening, kiddy. Thanks, it's crowded in
(06:49):
here tonight. Drink No, no, not now?
Speaker 3 (06:52):
Huh.
Speaker 1 (06:53):
Chester was in earlier. He told me about your getting
shot at last night.
Speaker 3 (06:58):
Oh, I didn't get it hit anyway, but you might.
Speaker 1 (07:00):
Have, especially a man with a rifle.
Speaker 4 (07:03):
A kitty, I'll admit, I don't like the idea of
being ambushed.
Speaker 3 (07:07):
I prefer to do my fighting in the open.
Speaker 5 (07:10):
Matt.
Speaker 1 (07:11):
Why do you have to fight at all? Why can't
you live like other men?
Speaker 3 (07:15):
Somebody has to enforce the log, Kitty, so forget it, Matt.
Speaker 1 (07:23):
Any idea who was after you last night?
Speaker 4 (07:26):
Well might have been one of those two men watching
us from the bar over there.
Speaker 3 (07:31):
Maybe both of them.
Speaker 1 (07:32):
Uh look like gamblers to me.
Speaker 4 (07:35):
Yeah, they are the one who's headed this way calls
himself ben quarter.
Speaker 6 (07:40):
If there's gonna be trouble, No, they.
Speaker 3 (07:42):
Won't be, I said, still evening Marshall. Hello, ah, A right,
pretty girl, say what you have to say? Sure do
make it hard to be friends, Marshall. I just wanted
to say that I heard you got shot that last.
Speaker 4 (08:00):
Night, so well, I'm sorry it happened, that's all. I
sure don't envy a man who has to be a
market It's mighty dangerous, and besides, it usually don't pay
very good. What do you think I ought to do
about it? Cordon quit all that isn't necessary Marshall. Why,
(08:21):
if you were smart, you could stay right here and
make more money and take less chances too. I uh,
I didn't know for sure it was you, Cord, but
I know it now. What do you mean there's a
stage out of Dodge in half an hour you and
Douggan are going to be on it.
Speaker 3 (08:42):
Oh no, we're opening our new game across the street.
To not take your gun quarter. I'll wait a minute, Marshall.
Speaker 4 (08:47):
You can't do that second, Oh no you won't. All right, Duggan,
I want your gun next. A sure, Marshall, Sure, down around,
put your hands on the bar, all right, now, go
(09:15):
pick up your partner. You're right in the stage north
and I now get going dock and I don't ever
come back either one of you.
Speaker 3 (09:31):
They got on the stage all right.
Speaker 4 (09:34):
I was there to see him do it, and just
before it pulled out, I unloaded their guns and tossed
them unto the floor inside, and then they left and
I forgot about them. I figured these two, like so
many others i'd run out of Dodge, would keep going
and make their trouble somewhere else.
Speaker 1 (09:54):
But a couple of weeks later I found out I'd
figured wrong. I was walking up front straight one evening
was Doc.
Speaker 7 (10:02):
That humbold woman who was in to seeing me again today, Matt.
Speaker 4 (10:07):
While you're usually complaining about a shortage of patients, Doc.
Speaker 5 (10:11):
I know, but this woman is not a patient.
Speaker 3 (10:13):
She's a suicide. DOC. That might be said of anybody
who comes to you. Eh.
Speaker 1 (10:19):
Oh no, I'm gonna remember that, an't.
Speaker 5 (10:21):
You, mister Dillon. See they're right inside the alphagans there,
mister Dilan.
Speaker 3 (10:29):
I just saw them. Who'd you say, testa.
Speaker 4 (10:31):
Them gamblers Cordon Duggan, And they got somebody else with them,
some stranger.
Speaker 3 (10:36):
I don't know. I'll say light of sure, Matt. Yeah,
they are right down at the end of the bar there,
all three of them.
Speaker 4 (10:52):
Well, here he is here, he is choke, this is him. Wow,
we're back, Marshall, and we brought a man with us
to sort of look after our interests.
Speaker 3 (11:08):
You won't buffalo him so easy? Hello to you really, Marshall?
Speaker 1 (11:14):
Here?
Speaker 3 (11:14):
Yeah, why didn't they tell him?
Speaker 1 (11:17):
I didn't mention no name?
Speaker 5 (11:19):
What are you two talking about?
Speaker 3 (11:20):
What is this? Chkemulin and I are old friends. Caught him.
Speaker 4 (11:23):
We worked and wrote a long time together. We went
through quite a lot and so too much. Remember, yeah,
I remember you've soldier gun to these two.
Speaker 1 (11:37):
Is that right? That's right?
Speaker 3 (11:42):
So you're here to kill me?
Speaker 1 (11:45):
Yeah, I'm here to kill you.
Speaker 2 (12:10):
Say how are morning appetites at your house? If they're
pretty drowsy, here's a real good way to wake them up.
Set a bowlful of post toasties the heap good corn
flakes at everybody's place. Just watch your flake notice when
they see how crisp post toasties are, and wait a
late taste that sweet kernel corn flavor toast it in
(12:31):
bet your whole tribal agree with you. Post toasties are
the best thing that's happened to corn since the Indians
discovered it.
Speaker 6 (12:38):
And here's a thought.
Speaker 2 (12:39):
If you'd like to make a good thing even better,
try topping post toasties with your favorite fruit. You'll find
that's a mighty good way to start today. Fact is,
it's a downright delicious way. So next time you shop,
be sure to ask for post toasties. They're the heap
good corn flakes you'll see.
Speaker 8 (12:58):
Post toasties good corn, the best thing that's happened to
corn since the Indians has covered it. To keep good
corn flakes hostostis heap good corn flakes.
Speaker 2 (13:10):
Now back to gun smoke.
Speaker 4 (13:30):
It was a bad feeling to meet Toke Morland again
after some fifteen years, and they having stating at the
bar of the Alafraganza hired by a couple of crooked
gamblers to kill me.
Speaker 3 (13:42):
To and I had run horses together over in.
Speaker 4 (13:44):
New Mexico until the night we rode into Silver City
and got taken by a drunken mob and beaten.
Speaker 3 (13:51):
After this, it didn't matter who they were.
Speaker 4 (13:54):
After a whine the next day when they found out
that we weren't them and they wanted it was to late.
Something had gone wrong inside Took, and as soon as
he was able, he rode off without a word. I
never saw him again until now.
Speaker 1 (14:12):
How long you've been, to Marshall?
Speaker 3 (14:14):
Long time, Took.
Speaker 1 (14:16):
I never figured Lorman for much.
Speaker 3 (14:18):
I want to talk to you.
Speaker 4 (14:20):
Come on over to the to Oh, no, you don't
shut out, Come on too.
Speaker 3 (14:29):
So's uh this your professional shooting?
Speaker 1 (14:37):
Oh? I gambled a little.
Speaker 3 (14:40):
Why do you do it too?
Speaker 1 (14:42):
I don't like people much, not after what happened in
Silver City.
Speaker 3 (14:46):
You recovered from that beating we both did. We were young.
It was a long time ago.
Speaker 1 (14:51):
Maybe my memory is better than yours.
Speaker 3 (14:53):
No, no, that isn't it.
Speaker 4 (14:56):
We both changed after that took We sure did, but
we changed in different ways. You hate everybody. I just
hate mobs. I guess that's one reason I became a lawman.
Speaker 1 (15:11):
There was a law man helping them that night in
Silbury City. He was the sheriff. They are good sheriffs
and bad like marshals. I suppose it's kind of too bad.
You're a Marshall man.
Speaker 3 (15:25):
You're gonna go through with us anyway?
Speaker 5 (15:27):
Is that it?
Speaker 1 (15:27):
I'll never back off from a fight. What if I
won't fight you, You don't have to. I get paid anyway,
but you'll have to leave dodge.
Speaker 3 (15:38):
You think I'll do that?
Speaker 1 (15:40):
No, but I'll give you twenty four hours to think
it over anyway.
Speaker 3 (15:44):
All right, that gives you twenty four hours too.
Speaker 1 (15:48):
I don't change talks nothing to me. Money is AD's
to the pleasure.
Speaker 3 (15:56):
You'd enjoy shooting me.
Speaker 1 (16:00):
You ain't, Matt Dylan. You're a US Marshall.
Speaker 4 (16:02):
Now talk tokyore stupid? You don't think?
Speaker 1 (16:06):
Maybe well, I'm pretty good gunman.
Speaker 3 (16:10):
Yeah, sure, Matt.
Speaker 1 (16:12):
You can let Corter and Dug and run their game here,
or you can quit.
Speaker 4 (16:15):
It's a crooked game that be fights. Men would die now.
I got a job to talk.
Speaker 1 (16:21):
Twenty four hours Marshall, Okay, twenty four hours.
Speaker 6 (16:42):
Hello Matt, Yes, Bulldoc, Doc.
Speaker 4 (16:46):
You're looking mighty glom today.
Speaker 3 (16:48):
Mate. How am I you should be? Why?
Speaker 5 (16:53):
Well, I've been over the dodge house.
Speaker 4 (16:55):
Mister Riesling's down with the guard again, and there's a
lot of talk.
Speaker 3 (16:59):
Man.
Speaker 1 (17:00):
No, you must have your reasons. But people are sure
wondering what those two gamblers are doing back in town again.
Speaker 3 (17:05):
Allt'll all be settled tonight.
Speaker 5 (17:07):
Well, I'm glad to hurt.
Speaker 3 (17:09):
Don't go to bed earlier. Huh, we might need you.
Speaker 6 (17:12):
Yeah, a fight man.
Speaker 7 (17:14):
Why you didn't have any trouble with him before?
Speaker 1 (17:20):
Oh? That other fellow they brought with him, Yeah that one.
Speaker 5 (17:25):
Ain't there no way at all to stop him.
Speaker 3 (17:27):
Mister Dillon, I've been trying to think Chester.
Speaker 5 (17:30):
Ain't there anything in this world?
Speaker 1 (17:32):
I hate?
Speaker 3 (17:32):
It's a paid gun.
Speaker 5 (17:34):
I got no use for a man that can be
bought for money.
Speaker 4 (17:36):
Money's important to talk, and I don't see it. You
know what talk is?
Speaker 3 (17:43):
Now?
Speaker 5 (17:44):
Well, he was in the Texas Trail a little while ago.
Speaker 3 (17:46):
Good I'll be back later. Hello.
Speaker 1 (18:08):
Talk, Well it's Marshall, Dylan said, Don Marshall, you know
miss Kitty here? Hello, Matt, Kitty you've been talking about
you and me, and Kitty been talking about me too.
Speaker 3 (18:22):
Then I'm not interrupting because I'd like to talk about you.
Speaker 1 (18:24):
Go right ahead, but don't stay too long. He's an
awful pretty girl, Matt. Maybe I better leave. No, no,
you stay right where you are. Anything the Marshal has
got to say a weekend? All here, you leave, I'll leave.
Speaker 3 (18:38):
It's all right, Kitty, stay.
Speaker 1 (18:40):
Talk.
Speaker 3 (18:42):
What are they paying you to get rid of me?
Speaker 1 (18:44):
Seven hundred dollars?
Speaker 4 (18:46):
What if I give you seven hundred but you shoot them?
Speaker 3 (18:53):
You don't care who you kill?
Speaker 8 (18:54):
Do?
Speaker 1 (18:54):
You don't matter much?
Speaker 3 (18:57):
No? All right, I'll give you seven hundred. De clare
out of here. I forget this whole business.
Speaker 1 (19:02):
You have changed, man. You sure never wear a card
in the old days?
Speaker 3 (19:08):
Is that what you think?
Speaker 1 (19:09):
So is Kitty? Don't you kiddy? Don't tell me what
I think. She's full of fire, Matt. He deserves a
real man. I think I'll get my money from quatern Duggan.
I don't want to leave Dodge, not till Kitty and
me get a little better acquainted.
Speaker 3 (19:23):
Anyway, No, I am leaving.
Speaker 4 (19:25):
You're no good talk. You are really no good at
all anymore.
Speaker 1 (19:32):
Wait till late o'clock, Marshall. We'll see about it. Then.
Speaker 5 (19:36):
Sure, I saw it, and I was just coming for you.
Speaker 3 (20:14):
It was to Morland.
Speaker 5 (20:15):
He just shot him and at the money table back there,
but the.
Speaker 4 (20:18):
Other fellow dd Okay, Chester, keep an eye on Cutter
and Dugan.
Speaker 1 (20:28):
Evening, Marshall, you got here just in time. The duke
kill that man took I killed him. Why you objected
to the deal. Try to pull a gun. It was
self defense, but that don't matter none.
Speaker 4 (20:47):
A crooked deal always leads to kill him. That's why
I'm running your friends out of Dodge.
Speaker 5 (20:52):
You ain't running us out of Dodge, Marshall.
Speaker 1 (20:56):
I told you once quarter I'll run this play. Keep
out of it.
Speaker 5 (21:00):
Took sure, I didn't mean not shut up for them.
Speaker 1 (21:07):
I guess you ain't a coward after all. Man, I
got out of Dodge. Take them with you. No, I'm
gonna try to kill me another law man first.
Speaker 3 (21:22):
Okay, took so long, So long, Marshall.
Speaker 1 (21:43):
I'm hurt, Matt bad.
Speaker 3 (21:47):
Yeah, you hit me.
Speaker 1 (21:50):
Both times.
Speaker 3 (21:54):
I had to talk.
Speaker 1 (21:57):
Too late to do anything about it.
Speaker 3 (22:00):
Yeah, yeah, it's too late.
Speaker 1 (22:04):
By heaven not. I wish I had last week back again. Man,
m h here it is yeh mm hmm.
Speaker 3 (22:30):
Corda duggan. Get out of here anyway you can, but fast,
and if you come back with another gunman, I won't
wait to shoot him. I got away from me.
Speaker 2 (23:13):
In just a moment. We'll tell you about next week's
adventure on gun smoke. Say, mother, want to see your
small fry eat a better breakfast than ever? Well, may
I suggest that you dish them up some sugar crinkles
to start with. Sugar crinkles, you know, make breakfast more
fun than a circus. Sugar crinkles is the sugar rice
treat that's just right sweet. It's high time to forget
(23:37):
these sugar coated cereals that seemed too sweet to you
and those others that don't seem sweet enough to the kids.
Just pour out crisp, golden sugar crinkles and see how
just right sweet a sugar coated cereal can be just
right sweet. Be sure to get several packages of sugar
crinkles because they're great for snacks too. Kids love them
(23:59):
that way, Kids loved them anyway. Try sugar nickles and
you will too, or.
Speaker 8 (24:07):
Your breakfast star a smack you love Sugar sugart Crinkles,
Beet Beep, sugar.
Speaker 3 (24:14):
Rice just bright, sweet with milk for the breakfast.
Speaker 1 (24:17):
John, that's a fact from the pack off.
Speaker 8 (24:19):
Boy, can't beat beep just right, Sweet sugar Crincles.
Speaker 3 (24:23):
God to.
Speaker 2 (24:44):
Gun Smoke under the direction of Norman McDonald, stars William
Conrad as Matt Dylan Us Marshal. Tonight's story was specially
written for Gun Smoke by John Meston, with music composed
and conducted by Rex Cory. Featured in the cast were
John Dayer, Harry Bartel and Lawrence Dumkin and Parley Bear
is Chester, Howard mcneer is Doc, and Georgia Ella's is
(25:06):
kidding Ken Peter is Speaking. Join us again next week
as Matt dylon Us Marshall meets two brothers who want
to stop his fight to bring law and order out
of the wild violence of the West in gun Smoke.
Listen next week at this time when gun Smoke will
(25:28):
be brought to you by Sugar Crinkles, the Sugar Rice Street.
Speaker 1 (25:31):
That's just right.
Speaker 7 (25:33):
Sweeten Sacha coffee and instance Sanka, the two delicious coffees
that let you sleep bring you Sacha salutes. And this
is when Elliott transcribes saluting our people of the week,
the everyday people who help make America an even nicer
place in which to live. Your name is Private William
(25:53):
aut of Hyde Park, New York. Though you're home now
from Korea, a part of you remains there, in the
heart and soul of a gentle Korean lad whom you
knew only as Kim.
Speaker 6 (26:03):
You Private all hardly.
Speaker 7 (26:05):
Noticed this young Warwayfoo peeled potatoes and sometimes scrub pots
at your company mess. But then there was something you
did notice. Whenever this scullery boy had time, he was
poring over a book, an American book on engineering.
Speaker 6 (26:18):
Kim had a dream.
Speaker 7 (26:20):
Korea needed rebuilding the roads, the bridges, the towns, and
he wanted to be a part of it. Though he
hadn't a penny. He wanted to scrape up enough money
to go to school and to become.
Speaker 1 (26:29):
A civil engineer.
Speaker 7 (26:31):
And not long after that, you, Private, Alt were ready
to go home to America, where the schools are free
and the bridges have been built. But you had one
beautiful good bye gift for your little friend Kim. You
found a school for him and you paid the tuition.
Thank you, Private All, for having been in Korea in
the first place, for having understood one little boy's yearnings,
(26:53):
for having helped, and in his name, we proudly send
you Private William Alt. This sank a salout say, do
you have any idea of what an American ambassador looks like?
Speaker 6 (27:04):
What do you figure a fellow in.
Speaker 7 (27:06):
Striped pants, a top hat, and maybe a Harvard accent. Well,
my favorite American ambassador this week is a New York
City taxi cab driver and his name is Joe Burns.
Ambassador Joseph Burns, that is, and what kind of an
ambassador will take it from the State Department. He's a
real fourteen carrot American ambassador of goodwill. You see, last
(27:27):
week Joe Burns had two young toys from Venezuela in
his cab. They left two hundred and eighty dollars behind
them by mistake, but Joe Burns found them and he
returned the money and figured that was that, But it wasn't.
The story became known down in Venezuela, where some people
don't like our country, and where were sometimes accused of
being money grabbers who wouldn't give the other fellow a break.
(27:48):
And one newspaper down there was so impressed by Joe
Burns's kind deed, well they made him a page one story.
And the US Embassy was so grateful to Joe Burns
the the letter was sent to him, thanking him for
putting our country in the.
Speaker 6 (28:02):
Good light it deserves.
Speaker 7 (28:04):
So fancy hats off to Cabby Joe Burns, the finest
ambassador of them all, and to him with full protocol,
this Gala Sanka salute. I'll be back in a moment
with a story about the latest collegiate style a brass beanie.
But first, well, first of all, folks, if I say
to you, here is a coffee with a full, rich
(28:24):
bodied flavor, and here's a coffee that's easy to make,
and here's a coffee that lets you sleep, well, you
might think I'm talking about.
Speaker 6 (28:30):
Three different coffees, but I'm not.
Speaker 7 (28:33):
I'm talking about one coffee, the new instant Sanka coffee,
the only coffee in all the world that gives you
all three of those advantages. Just taste instant Saka made
hot and black and good and strong, and you'll see
it once that it's all coffee with a delicious, extra
rich flavor you want. It's a sinch to make instant
snaka two, whether you're making one cup or a dozen.
(28:53):
And of course, instant Sanka lets you sleep because ninety
seven percent of the sleep disturbing caffeine has been removed.
Drink as much as you want and it won't keep
you awake. Oh and look for instant Saca in the
new economy size jar and you'll save money. If your
grocer hasn't already got it, he'll have it soon. So
drink instant sanka, the only coffee that combines extra rich
(29:14):
flavor with instant ease and lets you sleep. Now here's
a memo to the upper classmen at Saint Ambrose College
out in Iowa. Go easy on one of the freshmen
who's around the campus now wearing one of those beanie caps.
Full as he's a freshman named Vandy Farrell. You see, gentlemen,
until freshman Farrell put on a beanie, he wore the
hat of a regular army major. And I don't know
(29:37):
how you feel, but I think that fifty eight year
old freshman Farrell must be quite a guy to begin
his army retirement in this style, So I'll take my
hat off to him with this Sanka salute, and I'll
be back next week when Sanka Coffee and Instant Sanca,
both delicious and both caffeine free, will again present Sanka
salutes in the meantime.
Speaker 6 (29:58):
This is Winnelly.
Speaker 7 (29:59):
It suggested when you try sanga, you love it and
you'll sleep.
Speaker 3 (30:04):
This is the CBS Radio Network.
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