Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:11):
Around Dodge City and in the territory on West. There
is just one way to handle the killers and the spoilers.
And that's where the US Marshal and The Smell of
Guns Smoke Gun, starring William Conrad, The story of the
(00:42):
violence that moved west with Young America and the story
of a man.
Speaker 2 (00:47):
Who moved with it.
Speaker 3 (00:48):
I'm that man, Matt Dillon, United States Marshall, the first
man they look for and the last they want to meet.
It's a chancey job and it makes a man watchful
and a little lone man.
Speaker 2 (01:24):
M he does.
Speaker 4 (01:26):
Look you there, peeee talky pee. He was watching his honesty.
Pee peek walky peep.
Speaker 2 (01:36):
He wasn't back your not Jetty to stop back idea.
Speaker 5 (01:45):
Now you leave that for a woman.
Speaker 2 (01:46):
Be a doing nothing Chester, I leant right you Torment
and old Pete like that.
Speaker 4 (01:51):
Ah fellas do a Chester domin nothing. Old Pete don't care.
You know, he don't care who He don't say nothing yet.
Speaker 6 (02:00):
Don't make no difference if he says nothing or not.
It ain't right eating a body for no reason to tall.
Speaker 4 (02:06):
He's awful, funny looking Chester.
Speaker 2 (02:08):
Well now it ain't that.
Speaker 6 (02:09):
Uh shame you live as long as roll peach, you
might be funnier looking the app What do you mean
you can't never tell what might happen.
Speaker 7 (02:17):
To you, Ted?
Speaker 6 (02:18):
Why you might just grow another ear, another nose or
something like that. Ah, no, sir, you can't tell it
all how you might turn out. And I'd be mighty
careful for I poked any fun mighty careful.
Speaker 8 (02:33):
Well, I guess.
Speaker 2 (02:35):
Here the pools one, I'll see if it's strong enough.
Speaker 4 (02:37):
All right, Hey, that's a fishing pool in that's a
fishing pull it.
Speaker 6 (02:43):
Of course it's a fishing pole.
Speaker 2 (02:46):
Ted.
Speaker 6 (02:46):
If you spent more time down the river instead of
tagging a long after old peach, you wouldn't ask a
fool questions like that fool is sitting down let me see. Yeah, yeah,
I guess I'll do all right. You go on fishing
out Chester Well saying, now that sounded like a good id.
Speaker 4 (03:04):
Got a special place to.
Speaker 6 (03:05):
Go, boy boy, I got me a place where them
catfish is so big you can hear 'em now for.
Speaker 4 (03:12):
You, you little reach or ever, I'd like to see that.
Speaker 2 (03:16):
Gerald, Uh, site to see, Ted, a site to see?
Speaker 3 (03:34):
Ah, that's real nice.
Speaker 2 (03:36):
Yeah, that's just what you need, man, another gun. What
do you mean die?
Speaker 8 (03:42):
Now?
Speaker 2 (03:42):
Your office is full of 'em.
Speaker 9 (03:43):
Now, well, now this is a new model, Doc, I
want the Marshall look at it over for me before
I ordered any number of 'em. It's a center fire
repeter center fier. You know whatever that means.
Speaker 2 (03:55):
Oh, if it.
Speaker 3 (03:55):
Works right, it made something money good doctor. As far
as rifles are concerned, they'll tell you that.
Speaker 2 (03:59):
But say it works alright, Marshall.
Speaker 9 (04:01):
H And they're making it in three sizes of fifteen
shot rifle, a twelve shot carbine, and a half size
six shot.
Speaker 2 (04:09):
Huh. It's a new kind of gun.
Speaker 10 (04:10):
Doct If folks would put as much time in on
inventing things to cure people with us they do inventing
things to kill him with.
Speaker 3 (04:16):
It, I will do ah, hell I, Pete.
Speaker 2 (04:19):
I'll be right with you, Pete.
Speaker 8 (04:21):
Ah.
Speaker 3 (04:21):
Then I'll go ahead challenge you'll wait on him.
Speaker 9 (04:24):
I'd try to take care of him right away when
he comes in. He don't come in very often. I
go ahead to take your time.
Speaker 2 (04:29):
Yeah.
Speaker 9 (04:33):
Ah, Now, Pete, what can I do for you this month?
H want some of them candles over there?
Speaker 11 (04:48):
Uh?
Speaker 2 (04:48):
How many you want? Pete? Six? Oh? Just two? Be
sure that'll last you the month. That's two it is? Now?
What else? Beans? Uh?
Speaker 9 (05:10):
Any now, I'll tell you what I'll do. I'll I'll
start point him out. You you let me know when stuff.
Just raise your hand, peete when I thought out enough?
Speaker 2 (05:25):
Uh that's fine? Now uh what else you need?
Speaker 8 (05:34):
Uh?
Speaker 9 (05:34):
Lamp wicks, lamp chimney? Oh?
Speaker 3 (05:39):
Oh cool? Well sure, Uh, Johna's where gonna go. I
wanna catch jim Buck before he takes the stage out.
I'll be back and see that gun later.
Speaker 9 (05:47):
I'll watch your marshall any old time? Helong janet ok
Alright now Pete?
Speaker 2 (05:52):
What else? Pete?
Speaker 3 (05:59):
Sa strain and cool?
Speaker 2 (06:00):
Is he?
Speaker 3 (06:01):
How long has he been around here anyway?
Speaker 2 (06:04):
Oh? Het? Uh?
Speaker 10 (06:05):
Heaven's a mad eye on uh out of anybody that
he's been coming in the town once a month ever
since I've been here, probably long before that.
Speaker 3 (06:15):
Why doesn't he talk talk? You know what he was him?
Speaker 9 (06:17):
No?
Speaker 10 (06:18):
I don't, man, he's never asked for any help. He's
never been anywhere near my office.
Speaker 3 (06:23):
I wonder he's a patient who always tormenting that he takes.
Speaker 10 (06:27):
Oh he's always been general with the youngsters. Sometimes he
can get riled and grown ups though and talk me
getting riled. Chester said he was gonna bring a package
up from the people for me. Where is he anyway?
Speaker 3 (06:40):
Chester is taking a day off.
Speaker 2 (06:42):
A day up? What's Chester you need with a day off?
Speaker 3 (06:44):
And he told me he wanted to take a friend
fishing fishing.
Speaker 5 (06:47):
Oh well, I.
Speaker 10 (06:49):
Better get out to people and get it myself, and
I'll see it.
Speaker 2 (06:53):
An.
Speaker 4 (07:02):
I don't hear no cats as me on Chester, or
we're right on the back too.
Speaker 2 (07:07):
Well, I see it's just the wrong fun day.
Speaker 6 (07:09):
They don't tell him do it when the sun's high,
you're more likely to hear him carrying on around supper time.
Speaker 4 (07:15):
New Shirt talks funny.
Speaker 6 (07:17):
Well, I ain't talking funny at nobody the way you
were doing old people this morning.
Speaker 4 (07:22):
I won't do it no more.
Speaker 2 (07:23):
That's a good thing. Might not come out so good
next time, are right?
Speaker 11 (07:28):
Well?
Speaker 5 (07:29):
Because old Pete.
Speaker 2 (07:30):
Might just turn around and snap you right in too.
That's how's that? Ah?
Speaker 6 (07:34):
She don't mind your line. It's heading last snag now
if you watch it, that's better. Uh No, you ain't
done nothing yet.
Speaker 2 (07:42):
But he's getting older and tirer, and what with not
even getting any sleep.
Speaker 7 (07:47):
At aall, He don't sleep.
Speaker 2 (07:48):
Uh, they say he don't sleep a wink.
Speaker 5 (07:51):
He just sets.
Speaker 2 (07:52):
There with that little old shack of his guarding that treasure. Here,
you want some more bread and cheese?
Speaker 4 (07:57):
Yes, she smells kind of funny.
Speaker 6 (08:01):
Well it is pretty stout, but that just signifies it's good.
He's all you wants a good points?
Speaker 4 (08:06):
Uh? What kind of treasure does old Peter have?
Speaker 6 (08:09):
Turn? Oh he got a little old dad the trail
buried out there.
Speaker 2 (08:16):
They say he told to clean up the Mississippi off in.
Speaker 3 (08:19):
A parate ship.
Speaker 4 (08:20):
You ever seen it Chester?
Speaker 6 (08:22):
Well, no, I ain't never seen it exactly. But he
uses gold money when he comes to time, and he's
sure he has to get it from some work hired.
Speaker 4 (08:30):
Course, that's one of his piece of the He's the
one I should like to see some.
Speaker 2 (08:35):
Piece of eight.
Speaker 6 (08:36):
Well, now I ain't so sure that it's part.
Speaker 4 (08:39):
I like to take me run out there and see.
Speaker 2 (08:41):
I ain't likely to be very good? Right the sat
still head. If you found out wherever the capita should
have to help her, where are you going I come
to do?
Speaker 6 (08:50):
Well?
Speaker 2 (08:50):
Now, don't you get off getting home boys?
Speaker 5 (08:57):
They sure don't grow up like they used to.
Speaker 2 (09:00):
It's it's hard to tell what the world's coming to.
Speaker 12 (09:17):
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Speaker 8 (10:20):
Ealer, O oh man, you couldn't hold out.
Speaker 3 (10:37):
You win, kitty, it's too hot to sit in that
office waiting for something to happen.
Speaker 8 (10:43):
Stamping is sivilia, please.
Speaker 2 (10:48):
It is hot.
Speaker 11 (10:50):
I'm surprised at you that Julie Chester complains it hot.
Speaker 3 (10:53):
To heat be complaining esus isn't here.
Speaker 11 (10:57):
Well, you know, I feel kind of sorry for Chester
in your errands and all this heat.
Speaker 3 (11:01):
Kiddy Chester is not running my errands.
Speaker 2 (11:04):
He's fishing. Yeah, he used to be here hard like
h h.
Speaker 1 (11:13):
Yeah.
Speaker 3 (11:13):
I can just see him now, sitting out there with
his feet in the water or someplace fishing.
Speaker 8 (11:18):
Mum.
Speaker 11 (11:18):
I'm sorry to hear that too. Oh oh, why well
he usually comes in with a string and smell a
catfish and presents him to me, and I never know
how to refuse him. I don't know how to get
rid of him either.
Speaker 2 (11:29):
Uh up, he'd.
Speaker 11 (11:35):
Oh oh ullah, this is his regular visit to the bar.
You could run a calendar the way he comes in
here every month.
Speaker 3 (11:43):
Oh he he uh ever say anything?
Speaker 2 (11:46):
Can he mm?
Speaker 11 (11:47):
Never just puts his money down in the bar, I
has three drinks, no more, no.
Speaker 2 (11:53):
Less, and walks on out. Uh. He keeps h himself.
Speaker 3 (11:57):
Pretty much to it.
Speaker 11 (12:00):
I wish everybody steps up to that bar.
Speaker 2 (12:02):
He is quiet, h.
Speaker 3 (12:07):
Still, just coming into the area.
Speaker 2 (12:11):
A bottle ring it up here. Hey lady, come on
up here and have a drink with it. Come on,
have a drink.
Speaker 11 (12:18):
No thanks, boys, not right now.
Speaker 2 (12:21):
You come up here, and I'll tell you what I'll do.
Speaker 4 (12:25):
I'll pay for all the glasses.
Speaker 11 (12:29):
Looks like I gotter gout that settle.
Speaker 2 (12:30):
It looks like that's better. Oh you come with him, Messa.
Speaker 3 (12:42):
Buy it for you too, and I thank you right
in here.
Speaker 2 (12:45):
Come on, give him room. They ain't me boy, it's
that big glue. Move down, o man.
Speaker 8 (12:53):
Move on, don't buy the people.
Speaker 11 (12:54):
Boys, we got room?
Speaker 2 (12:55):
Ah old man?
Speaker 11 (12:57):
Move my boys.
Speaker 2 (12:58):
Ain't you here? Good answer me? Can't you here? Good?
Speaker 11 (13:03):
Look here?
Speaker 2 (13:03):
Body? Are they get a civil answer? All right?
Speaker 3 (13:07):
I said, I pushing you think she's too good to
talk to me?
Speaker 2 (13:11):
Uh? Fix him? Yeah, I'll help you out. We had
an old fool. He knocked me down. I'll fix him.
Speaker 3 (13:31):
He's a little tougher than he looks.
Speaker 2 (13:33):
And I I'll fix him good. Whatever height did they you?
You had it? Come and I'm gonna get here.
Speaker 3 (13:38):
Now. What you're gunna do is get out of hair
and sober up. Maybe I will for a now, Marshall,
maybe I will for an now put that up with
the old man. Ain't gonna get away with this, and
there ain't nothing you can do about it. I wouldn't
count on that.
Speaker 7 (14:13):
All right, don't all right?
Speaker 6 (14:16):
You don't want these fish, I'll just take 'em right
on over and give him them a kitty.
Speaker 3 (14:19):
I don't think i'd do that if I were you, Chester,
why not? Well she hasn't gotten number that last batch yet.
Speaker 6 (14:26):
Well it's been a good week since I give him
as kitty them last fish.
Speaker 2 (14:30):
You are to be more and graved this nice new man.
Speaker 3 (14:32):
I don't think she is.
Speaker 6 (14:35):
And I swear I just don't know what you used
to telephone me in all that time fishing. If nobody
ain't gonna appreciate it.
Speaker 2 (14:40):
I.
Speaker 3 (14:42):
Gage hello, alright, ey, come in that.
Speaker 2 (14:45):
I'm afraid I need your help.
Speaker 3 (14:47):
Sure Ida is sit on telling me about it?
Speaker 2 (14:48):
I got our chair? What the truest? Uh?
Speaker 5 (14:50):
Yes, sir? Here you are right?
Speaker 2 (14:54):
Thank you?
Speaker 3 (14:54):
Chest Chip alright, I hey, what's the trouble?
Speaker 11 (14:57):
It's my boy Tad.
Speaker 2 (14:58):
He's nice, young and he couldn't be in no trouble.
Speaker 3 (15:01):
Never wt Chester, What about? Said he?
Speaker 11 (15:02):
Isn't home, wasn't home all day and didn't come home
to supper.
Speaker 2 (15:06):
That's not like him that I'm afraid for him.
Speaker 3 (15:08):
I had eight boys his age. You get to feeling
pretty big sometimes I just forget to come home right
on time.
Speaker 8 (15:14):
Not Ted.
Speaker 7 (15:15):
Ever since his pad died.
Speaker 2 (15:17):
He's taking great stock and doing the evening chorice. For me.
It wouldn't just run off from Chutchman's gates. He's bound
to be all right. I see him this afternoon looking
just as fine. You saw him? Well, sure were fishing together?
Did he come back to town with you?
Speaker 6 (15:30):
Well, no, ma'am, he didn't. He come back four I
did I. I kind of wondered about it too at
the time.
Speaker 2 (15:35):
How's that? Well? It just seemed like he has took
with a story. I was telling him about Old Pete
and all, but I just started telling him the best
part from Ted run off?
Speaker 3 (15:43):
What part was that?
Speaker 2 (15:44):
Chester?
Speaker 6 (15:45):
Well, part about how Old Pete sets up all I'd garden,
that bury drags, what buried treasure? Well, I don't really
take much stock in it, but the boys seemed to
be pretty took with it.
Speaker 2 (15:56):
Chester.
Speaker 3 (15:57):
What did you tell him?
Speaker 11 (15:58):
Well?
Speaker 2 (15:58):
Now, lots of people think so Pet's got some parts
fool buried up there, some worse than that.
Speaker 7 (16:03):
That must be where the boy went.
Speaker 3 (16:05):
I might have any Chester got the voices. Don't worry
any If he's there, we'll bring.
Speaker 2 (16:10):
Him back.
Speaker 12 (16:28):
The way CBS Radios. Andy Griffith put it recently, my
wife and I have picked out a dandy place for
our vacation. It has accommodations for children, it includes Hi
Fi and air conditioning, and it's a veritable mecca for
the tired breadwinner. As a matter of fact, it's got
all the comforts of home.
Speaker 2 (16:46):
You know why it is home.
Speaker 12 (16:50):
Well, that's a sample of the offbeat Griffith humor that's
winning him new fans every weeknight.
Speaker 2 (16:55):
Here on CBS Radio.
Speaker 12 (16:57):
His approach, according to one observer, of the current comedy scene,
is a nineteen fifty nine version of.
Speaker 2 (17:03):
The lake Will Rogers.
Speaker 12 (17:05):
The genial drawl is there, and there's the same twinkling
sense of fun.
Speaker 2 (17:10):
You're sure to like what you hear when Andy Griffith
takes to the air.
Speaker 12 (17:14):
Right here at this spot on your dial. Along with
Andy Griffith, you'll enjoy hearing all those sparkling comedy time features,
the game of and Andy Music, Hall, Burns and Allen
and Bob and Ray. They're yours for the Laughing weeknights
don CBS Radio.
Speaker 3 (17:47):
Grease, stop dropping your feet. And he's so anxious to
get there. I told you I was gonna get even
with the old man, didn't I. I don't see what
he'd done so bad to get his shack burned down.
Speaker 2 (18:01):
He's got it coming to him. But he didn't do
nothing so bad. Well, he didn't sash you. He didn't
even see nothing. Shut up and watch where you're going.
I can't help it, mort I can't see where I'm.
Speaker 3 (18:15):
Going till arouse the old man for sure. He don't
see why we couldn't have read that place.
Speaker 2 (18:21):
Car.
Speaker 3 (18:21):
I don't want no horses stumping around your bad enough,
now shut up. I wanna burn him out without no one.
Speaker 2 (18:31):
Here. Quite. It's a kid, I can be quiet. What
are you doing here? Walks offt how just watch him?
Speaker 4 (18:47):
Want to come up and how he Treasure?
Speaker 2 (18:48):
That's what's he talking about? More? What are you doing here?
Come on? Now, let's let's have him truth he's trying.
Speaker 4 (18:57):
It's Poy Treasure.
Speaker 2 (18:58):
Who told you that?
Speaker 11 (19:00):
When the man marsh was on.
Speaker 4 (19:02):
He says pooky Pats, it's up all the gun.
Speaker 2 (19:05):
You better not try to fool me. Boy.
Speaker 4 (19:07):
I ain't trust hunt, I ain't all.
Speaker 2 (19:10):
Right, didn't where's it buried?
Speaker 11 (19:13):
Oh?
Speaker 3 (19:16):
Come on, lord, let the boy go. That foolish old
man ain't got no gold. Well, you don't even have
a decent pair of boots.
Speaker 2 (19:23):
Maybe he does and maybe he don't, but it's sure
worth finding. I a corboy. He's telling the words burned.
I don't know.
Speaker 4 (19:32):
She's the only one who knows who were here.
Speaker 2 (19:34):
The old man's the only one year every I heard it. Well,
he was too up for he to talk to us before,
but we'll sure get some talk out of him this time.
Speaker 3 (19:42):
I thought we were just gonna sneak up and burn.
The plight was burning after we talked to him, Reese,
after we make him talk, I.
Speaker 2 (19:50):
Come one, try go now, what's the matter, Sonny. Don't
you wanna see the treasury?
Speaker 8 (20:00):
I want to go home.
Speaker 5 (20:01):
You ain't going home yet, Sunny, Not just yet, mister Dillon.
Speaker 3 (20:20):
Ye oh, Chester, I'll feel get terrible bat that boy.
Speaker 2 (20:24):
Get yourself into fixing something. I said. We got a chuster.
Speaker 3 (20:27):
Boys his age are likely to on off.
Speaker 2 (20:29):
Now, And I know but me telling him that fool story,
that that's what started him.
Speaker 3 (20:33):
All if you hadn't told him, somebody else would I
sure do hope he got hurt. None, No, night in
the open isn't gonna hurt.
Speaker 2 (20:40):
Him, I know, but that mighty rough Country ninety think too?
Sure what old Peter do do? Look Country, miss dinan
f there's fire out there.
Speaker 3 (20:49):
Yeah, must be Pete's shock. Come up, look around, see
if anyone's around here.
Speaker 2 (21:12):
Yeah. M you don't get outside the doors? Oh yeah,
keeps Pete.
Speaker 3 (21:22):
Yeah, musta got himself out of the door or somewhere.
Speaker 2 (21:26):
See dead. Uh, not quite.
Speaker 3 (21:29):
He's been beaten and he's burned, and he's still breathing.
M there's somebody over there.
Speaker 2 (21:36):
Chester, I'll go see. I'm I immigrations him, mister doing
yeah Chester, Oh h keeps Tad. I'm find ted.
Speaker 3 (21:56):
H he's been hurt too. Looks like he's coming out
of it.
Speaker 2 (22:04):
I don't see nothing.
Speaker 3 (22:06):
Just take it easy, Test you're alright now, don't hit
nobody's gonna hit your ted. It's Marshall, Dylan Rsha.
Speaker 2 (22:14):
Don't even get me, Marshall. Don't don't beat me like.
Speaker 3 (22:17):
They get beat Nobody's gonna beat your ted. You're alright now,
he too taking him, beat 'em, beat 'em asking him what.
Speaker 8 (22:31):
Trees wash?
Speaker 4 (22:32):
Oh my, she wouldn't tell him nothing, no matter what
they did. Yeah, I bet they'll ever find the trees
of Marshall.
Speaker 3 (22:42):
That's the right test. I don't ever find it. And
I come on, test her.
Speaker 9 (22:46):
Let's get 'em both to doc. Come on more, drink up,
(23:07):
and let's get out of here.
Speaker 2 (23:09):
Oh, quit your fuss and rees a, no hurry. I
thought we were just coming through Dodge to get supplied.
Well we got him, did We just ain't smart to
stand around drinking. I don't like it. I'd sooner be
headed for Texas.
Speaker 3 (23:24):
Squereead then, and I just don't push me.
Speaker 2 (23:27):
I want to put some distance between me and that shack.
I ain't no jack, no more. I ain't nobody know
we was there. The kid dies. I took care of
the kids. Now quit fust met me, yo toe around
Mark Marshall. Must be some mistake, there's no mistaken.
Speaker 5 (23:48):
Got the guns, Shuster, Yes, you ain't getting my gun.
Speaker 2 (23:52):
You got no right.
Speaker 3 (23:53):
You've got some idea of resistant arrest, Muster.
Speaker 2 (23:56):
I ain't gonna let you take me iby.
Speaker 3 (23:58):
That's fine with me. I like the excuse to beat
you from head of the jail cell, the way you
beat old Pete.
Speaker 2 (24:03):
I don't know what you're talking about, Marshall.
Speaker 3 (24:06):
You don't know about a burning shock of beating the
old man or the boy.
Speaker 2 (24:12):
Why no, Marshall, you must be looking for somebody else.
Speaker 3 (24:16):
The boy says, we're looking for you, Morchi. You didn't
kill him, not the boy, Not quite. But Pete died
in Doc's office just a few minutes ago.
Speaker 2 (24:26):
No, come on, let's go. You ain't taking me. He
got him as Dylan.
Speaker 3 (24:38):
Yes, bring the other one along now now.
Speaker 2 (24:41):
Wait a minute, Wait a minute now. It wasn't my idea.
If you did your share, it wasn't my fault. I
didn't be no harm. It was the old man's fault.
How do you figure that?
Speaker 3 (24:51):
What if he hadn't have been so off ay about
talking him, we wouldn't have beat him so bad.
Speaker 2 (24:56):
It wouldn't have killed him, were sure? Not?
Speaker 3 (24:58):
If we wouldn't have killed him, all he had to
do was tell us where the treasure was hid.
Speaker 2 (25:02):
It was his fault.
Speaker 3 (25:03):
He couldn't tell you there was no treasure.
Speaker 2 (25:05):
Well, and then why didn't he say so, the old fool.
Speaker 3 (25:09):
I'll tell you why he didn't say so. He couldn't talk.
Speaker 2 (25:11):
He had no tongue. I had been cut out. No,
no tongue.
Speaker 3 (25:17):
Yeah, doctor discovered that when he examined him. Must have
been the Indians who did it years ago.
Speaker 2 (25:26):
Well, then it's still his fault. He could have let on.
Speaker 3 (25:29):
Oh, Pete was too proud to let on for sympathy
from the likes of you. He didn't ask for sympathy
from anybody.
Speaker 7 (25:36):
But you can't.
Speaker 2 (25:40):
Come on, let's get him out of here.
Speaker 12 (26:01):
Throw it up please ah ah valveslifter noise that and
consurrety ne k Sight three CE heavy duty crank case concentrated. Well,
it certainly needs something, but the car is practically new.
It'll run like new too, sir if you keep a
engine clean and friction free with k SIT's new three
C in the.
Speaker 2 (26:19):
Crank case KSE Sight three C with saramount quickly top.
Speaker 12 (26:24):
Hydraulic valvelifter noise there.
Speaker 2 (26:26):
Well, I haven't time to leave it now. Maybe when
I have more time.
Speaker 12 (26:29):
Only takes a minute to add a can of k
SIT three C to your oil case. I three C
will clean your engine. Why you drive, cushion the working
parts and stop that noise. And it costs only a
dollar and a half. K sight three seeds, smooth and quiet.
Your engine gives it more past than power, increases gas
and oil mile its too, only a dollar and a
(26:50):
half and it works.
Speaker 2 (26:51):
Why not drive works? Why you drive?
Speaker 12 (26:53):
After only a few miles, you'll really notice the difference.
Case I three C is guaranteed. If you don't get results,
you get double your money back.
Speaker 1 (27:10):
Gunsm but Houston, directed in Hollywood by Norman McDonald, stars
William Conrad as Matt Dillon US Marshall. The story was
specially written for Gunsmote by Marion Clark, with editorial supervision.
Speaker 2 (27:23):
By John Mester. Featured in the cast were Richard.
Speaker 1 (27:26):
Dials, Barnie Phillips, Jane Bates, Vic Paren and Bart Robinson.
Speaker 12 (27:32):
Finally, there is Sester, Howard mcneer is doctor, and Georgia
allis this kidding?
Speaker 2 (27:40):
This is George Walsh inviting you to join us.
Speaker 12 (27:42):
Again next week when CBS Radio presents another
Speaker 2 (27:45):
Story on guns mo