July 22, 2025 • 29 mins
Set in a frontier town, this series follows a U.S. Marshal as he maintains law and order. The show combines action with moral dilemmas of the Old West.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:09):
Gun Smoke, brought to you by L and N Filter.
Speaker 2 (00:14):
This is it.
Speaker 3 (00:16):
L and M is best stands out from all the
rats around God's City and in the territory on West.
There's just one way to handle the killers and the spoilers.
And that's where the US Marshall and the Smell of
gun Smoke. Gunsmoke starring William Conrad, Trance drug story.
Speaker 1 (01:00):
If the violence the move went with Young America, and
the story of a man will move with it.
Speaker 4 (01:06):
I'm that man, Matt dyllon United States. Marshall, the first
man they look for and the last they want to meet.
It's a chance, a job, and it makes a man
watchful and a little lonely.
Speaker 2 (01:49):
Morning, dark Chester.
Speaker 1 (01:51):
Hello, Matt. We've been waiting for you, mister Dylon.
Speaker 2 (01:54):
This is something wrong.
Speaker 5 (01:55):
Yes, it's mister Doby. He's the desk in the hotel there.
He's real upset about something. You want to see?
Speaker 2 (02:01):
All right?
Speaker 4 (02:02):
You both wait here for me. I'll be right out, yes.
Speaker 5 (02:04):
Sir, All right, Marshall Dylan, I've sure been.
Speaker 2 (02:14):
Wanting to see you.
Speaker 4 (02:15):
Oh what's the trouble, misterbe You got a riot in
here or something.
Speaker 5 (02:18):
They'll be a right if you don't get them people
out of here, Marshall. What people the Daggett says, Who
who were the Daggett? Big Dan Daggetty calls himself. And
he is big too, Marshall.
Speaker 6 (02:30):
I never heard of him.
Speaker 2 (02:32):
He's only been in Dodge since yesterday.
Speaker 5 (02:34):
He's one of them mountain men from on west who's
a hunter or something, one of them real harry fellas.
Speaker 2 (02:40):
Shouldn't be allowed around other white men. Oh why not?
What's he doing?
Speaker 5 (02:44):
He's setting in my hotel. Let him in before he
told me before he told you what it's better. You
see for yourself, Marshall. Room's right at the top of.
Speaker 2 (02:54):
The stairs there. Oh okay, dobbey, let's go.
Speaker 5 (02:59):
It's true any Marshall, that I don't have to let
nobody stay in my hotel.
Speaker 2 (03:03):
I don't want I gots Uh. He got a good reason.
Speaker 5 (03:07):
That's plenty of reasons. Three men moved out already, And.
Speaker 2 (03:10):
That sounds to me like he must have a box
of rattle snakes with him. Mus Worse from that, this
is room here. Uh, this is a double room, isn't it.
He needs it, needs a whole.
Speaker 1 (03:23):
Dog on prairie, And that's where he's going now.
Speaker 2 (03:26):
You tell him Marshall.
Speaker 5 (03:35):
Oh, I got the US Marshall with me this time, Daggett.
Speaker 4 (03:39):
Oh, I'm Marshall, Dylon. Daggett thought they wanted me to
come over here and meet you.
Speaker 2 (03:47):
Come on in. How he were right about is being big?
Speaker 4 (03:54):
Billy man can help being big. It's no offense. It's
all right. There been times I wished I was smaller,
not that I can't move as fast as any man.
Speaker 2 (04:07):
I'm easier to see. He's the only bad part.
Speaker 4 (04:10):
Tell me, dagget what's the trouble between you and Adobe here?
It ain't my trouble, Marshall all right, Dobby, I guess
you better explain.
Speaker 2 (04:19):
There's nothing wrong here that I can see. It ain't him.
Speaker 6 (04:22):
It's his wife.
Speaker 2 (04:24):
Bruh. You don't like my wife cause she's a Indian, Marshal.
That's a lie.
Speaker 5 (04:29):
What I care if she's an Indian?
Speaker 2 (04:31):
I don't understand. Where is she dagged in the other room.
We'll bring her in here. Adobe.
Speaker 4 (04:41):
You know what I could do to you with the
fingers of this one hand, just the fingers.
Speaker 2 (04:48):
Don't forget. I got the Marshal with me.
Speaker 4 (04:50):
I use the other hand on him. He starts ordering
me around too. Wait a minute, this kind of talk
isn't done any good. You're probably pretty good with that gun, Marshal,
But I've killed mountain.
Speaker 2 (05:01):
Lion with his knife.
Speaker 4 (05:03):
I ain't afraid of anything alive, and not many ghosts goost.
Speaker 2 (05:08):
You even talk like a sad all right, that's enough, Tully.
Speaker 1 (05:12):
Dagon.
Speaker 4 (05:12):
I didn't come here for a fight. I came to
say what all the trouble is about. Now.
Speaker 2 (05:15):
If it's something that has.
Speaker 4 (05:16):
To do with your wife, tell me it has to
do with Doobe, not with my wife.
Speaker 2 (05:20):
That's a lie.
Speaker 1 (05:23):
There she is.
Speaker 2 (05:24):
Look, Marshall, if it is.
Speaker 7 (05:26):
Me they're talking about Dan, Why didn't you call me?
Speaker 4 (05:29):
It's nothing to do with you. He was trying to
order me around. At least he was adobe there.
Speaker 5 (05:37):
I only told you to get her in here so
so Marshall could see it.
Speaker 1 (05:40):
Well, now he's seen her.
Speaker 2 (05:43):
Now what's all of fuss about? You're playing dumb?
Speaker 4 (05:47):
Ain't you dagget Wait a minute, I don't think he is.
Tell me something. Where did you and miss Daggett meet
near Denver? Near Denver? I'm a mountain man, Marshall, never
been on the prairie before.
Speaker 2 (06:02):
Uh, what were you doing near Denver, Miss Daggett.
Speaker 7 (06:04):
I was sent there four years ago to complete my education.
My father was a chief.
Speaker 2 (06:09):
Marshall, a chief? What chief?
Speaker 7 (06:12):
His name was yellow Horse, yellow Hord.
Speaker 1 (06:15):
That's worse, that's the worst.
Speaker 2 (06:17):
Yet, I don't understand either.
Speaker 1 (06:18):
Of you men.
Speaker 2 (06:20):
What are you talking about?
Speaker 4 (06:22):
Well, Doby could tell that your wife was a KaiA. Well,
by the way she dressed, she got to come from
some tribe, don't she being the daughter of yellow Horse
makes any worse?
Speaker 2 (06:33):
Why?
Speaker 4 (06:35):
Two years ago that KaiA was killed some eighteen settlers
on raids through the country there here yellow Horse let
him until he was killed.
Speaker 2 (06:46):
You never told me that, is that true?
Speaker 7 (06:52):
I only heard my father was dead. They told me
nothing else.
Speaker 2 (06:57):
Well was different. Doesn't make anyway. You wasn't on memory.
The feeling's still.
Speaker 4 (07:04):
High against Kaya was around here, Daggett. But you're right,
she had nothing to do with him.
Speaker 6 (07:08):
Kaya was a Kyle.
Speaker 1 (07:09):
We won't stand for him and daughter.
Speaker 2 (07:10):
I'll be a fool dobe.
Speaker 4 (07:12):
I can blame her for what somebody else did.
Speaker 5 (07:14):
I blame that whole tribe and especially her father, And
I won't stand for her being here she's probably as
murdering as he was.
Speaker 1 (07:22):
Gon be all right, holler Naggett.
Speaker 4 (07:27):
I uh, I'd like to apologize to miss Daggett for
bothering her.
Speaker 1 (07:34):
Apologize.
Speaker 2 (07:35):
Let's get out of here, Dobe.
Speaker 5 (07:36):
No, No, you come here to throw him out, and
you're gonna do it, Dobby.
Speaker 4 (07:40):
I guess I'm a little like Dan Daggett here. I
don't like taking orders very well either.
Speaker 5 (07:46):
All right, marshall, if the law won't help me, the
law won't help.
Speaker 2 (07:51):
You, why don't you try anything else?
Speaker 7 (07:55):
Not?
Speaker 2 (07:55):
Come on? Work uping out of here.
Speaker 7 (08:16):
This is L and M Filters.
Speaker 2 (08:20):
It stands out from all the rest.
Speaker 7 (08:23):
Miracle tears much more flavor. Llen M's got everything.
Speaker 6 (08:30):
It's the best.
Speaker 3 (08:31):
Yes, Ellen M is best. Stands out from all the rest.
Ellen M stands out for flavor, flavor, flavor flavor.
Speaker 7 (08:42):
The miracle tip draws easy, you enjoy all the taste.
Speaker 3 (08:46):
Ellen M stands out for effective filtration. Filtration, filtration filtration.
Speaker 5 (08:54):
No filter compares with LL and m's pure white Miracle tip.
Speaker 2 (08:58):
Ellen M's got everything.
Speaker 8 (09:00):
It's America's best filter tips cigarette m.
Speaker 2 (09:31):
Uh, mister Dillon, Yeah, what is a jestice? Well?
Speaker 5 (09:34):
Uh, would you mind stopping in mister Jones's store here
it it won't take but amendy too.
Speaker 4 (09:39):
Uh uh, you're gonna spend your bett money on clothes again?
Speaker 1 (09:43):
Oh, most sir?
Speaker 5 (09:44):
I mean, well, you see, mister Dylon, I I need
a little string tie h for Sundays kind of Oh.
Speaker 1 (09:51):
They don't cost him one a quarter?
Speaker 6 (09:54):
All right?
Speaker 2 (09:55):
In that case, I'll go with you. There's Kiddy. Him
is Kitty.
Speaker 5 (10:06):
Oh Chester, the ties is hanging back over there, mister Jones,
I won't belong.
Speaker 4 (10:11):
All right, Chester, Wow, you're as bad as Chester. Kiddy
always buying clothes as Chester.
Speaker 8 (10:22):
Matt. If Chester's always buying clothes, how come ever since
I've known him he's wearn that same bear a stripe?
Speaker 2 (10:27):
Then, well he's careful with him. I guess you never
got some.
Speaker 1 (10:32):
Torn you have to go to bed if he ever did.
Speaker 2 (10:35):
Where's mister Jonas out back?
Speaker 8 (10:37):
He's showing Dan Dagging and his wife something?
Speaker 2 (10:40):
Oh are they here?
Speaker 8 (10:41):
Sure? Introduce me to him, Big Dan daggets like you
said last night, Matt here in the name he's a
buffalo that man. Yeah, sure, his wife's name is Rose
said you couldn't pronounce it in Indians.
Speaker 2 (10:53):
They made it English. She's a beautiful little thing. She's
prettier than most women around here.
Speaker 7 (10:59):
Thanks.
Speaker 2 (11:02):
Oh not, how kiddy? You're right?
Speaker 4 (11:05):
He really is.
Speaker 8 (11:06):
I guess dam Dagger can't be all brutal or a
girl like that when never married him.
Speaker 4 (11:10):
That's too bad. Adobe over at the dodge house can't
see it. You're away, kitty.
Speaker 2 (11:14):
No, Adobe's just not thinking very straight. Where's Jonas? He's
our back rodding? Oh, hello, Marsha, I didn't recognize you.
Don here he come? What's up?
Speaker 6 (11:27):
Man?
Speaker 4 (11:27):
His name's Rodin. He works over at one of the stables.
Speaker 8 (11:30):
Oh, that explains why he's too poor ever to come
into the long branch.
Speaker 6 (11:36):
Hey, Joan, I'll be right with you.
Speaker 2 (11:38):
I'm in a hurry.
Speaker 7 (11:39):
Won't be for a minute.
Speaker 2 (11:41):
Wait waiting for yourself?
Speaker 1 (11:42):
Beach to her?
Speaker 2 (11:44):
Hey, wait a minute, what's she doing in here?
Speaker 1 (11:46):
Anywhere?
Speaker 2 (11:47):
You stay here?
Speaker 1 (11:48):
Kiddy, got as much right to be here.
Speaker 2 (11:50):
As you wherever Rodan car were a woman? You've gone crazy?
Speaker 4 (11:55):
No, that's throw out of here, right will A woman
is my wife?
Speaker 2 (11:59):
Mister, your wife? Your wife. You'll have to throw me
out too.
Speaker 4 (12:06):
But now look here, I I didn't mean nothing.
Speaker 2 (12:11):
If you don't mean nothing and don't talk.
Speaker 5 (12:15):
Sure, sure, but if I care, it's your business.
Speaker 2 (12:20):
I don't care.
Speaker 4 (12:21):
And even if you do care, you shouldn't say nothing
about it out loud or I ain't saying that.
Speaker 2 (12:28):
I gotta go now, I gotta go. I don't looks
like you handle that pretty well, Daggo.
Speaker 4 (12:43):
Can't fight every man in the world now, I guess
you can't, and I don't mean to, as long as
they don't push me too far. Ah is uh Doobe
living here alone?
Speaker 7 (12:58):
Oh?
Speaker 4 (12:58):
He's doing a lot of time talking around you, trying
to stir up trouble before it comes. We'll probably be
gone back to Colorado and the mountains down. But Marshall
will Yeah.
Speaker 2 (13:14):
You come and see us sometime the next day or so,
Rose and kind of like that. Uh, thank you, dag
It be a pleasure.
Speaker 1 (13:41):
Where's Doc at this morning, Mitch Dylan. I've been up
his office twice and he ain't there now.
Speaker 5 (13:45):
They was called out to the Duke place last night Chester, Oh,
somebody sick.
Speaker 2 (13:51):
Well.
Speaker 4 (13:51):
Doc doesn't got many social calls, you know.
Speaker 1 (13:55):
I was calling on him.
Speaker 4 (13:56):
Social Uh huh, Oh, Well he will appreciate that.
Speaker 2 (13:59):
I'm sure.
Speaker 4 (14:01):
Well, I think I'll go up to the dodge house
and make a call on Jim Dobe.
Speaker 1 (14:04):
M more trouble mcdylan.
Speaker 4 (14:07):
Al, I will be if somebody doesn't stop him. He
been talking to everybody who'll listen about Rose dack At
being the yellow Horse's daughter.
Speaker 2 (14:16):
How they ought to runner out of town.
Speaker 1 (14:18):
Hm. It's like he's looking for helping it.
Speaker 5 (14:22):
Yeah, he ought to know better than that, a man
like Dobe.
Speaker 4 (14:25):
Now that's what I'm gonna try to explain to Hi.
Just Marshalla, Uh, hello Dagger Marshall. Uh, I'm kinda worried.
Speaker 2 (14:38):
A what's the matter? It's Rose.
Speaker 4 (14:41):
I can't find her nowhere, he can't find her. No, well,
maybe you and Chester will help look for her. I've
been everware. Of course we'll help you. Now, why did
you see her last?
Speaker 2 (14:53):
Right in the room? Let me tell you.
Speaker 4 (14:57):
I woke up real early, couldn't get back to sleep,
but I didn't wanna bother roads, so I got dressed,
I went out in the street and I walked around.
Speaker 2 (15:11):
I wasn't gone more than one hour.
Speaker 4 (15:13):
Marshall shouldn't never have left her, or that you ask
him at the hotel, did anybody see her leave or there?
Speaker 2 (15:20):
Wasn't nobody at the hotel.
Speaker 4 (15:21):
Not when I went out, not when I come back.
Nobody could have seen her?
Speaker 1 (15:25):
Well work, did you a gune to that hour?
Speaker 2 (15:28):
And she wouldn't have gone? Nowhere's Chester?
Speaker 1 (15:30):
Not Rose?
Speaker 2 (15:32):
What I can't understand?
Speaker 4 (15:36):
Well, alright, let's start looking for a Come on, I
guess we'll start.
Speaker 2 (15:46):
With a hotel. Sure do you want to thank you
for this? Marshall?
Speaker 6 (15:52):
You too?
Speaker 2 (15:53):
Chester?
Speaker 5 (15:54):
H We will find her, don't you wor?
Speaker 2 (15:56):
Hey? Yeah? Sure?
Speaker 5 (15:58):
Look he's got somebody with him.
Speaker 2 (16:01):
That's Rose. That's Rose in that fuck you.
Speaker 4 (16:07):
Rose?
Speaker 2 (16:10):
Rose? What are you doing there?
Speaker 8 (16:12):
Hello?
Speaker 6 (16:12):
Dan?
Speaker 2 (16:13):
Well, get down here, up, take it.
Speaker 7 (16:19):
You? You don't have to carry me back where?
Speaker 2 (16:24):
What happened to your feet?
Speaker 7 (16:25):
Uh?
Speaker 2 (16:25):
Chest?
Speaker 8 (16:25):
Here?
Speaker 2 (16:26):
What?
Speaker 7 (16:26):
Uh?
Speaker 2 (16:26):
Do me a pay? Take this buggy with him? Sure?
Speaker 5 (16:29):
Well let me get it down here?
Speaker 3 (16:33):
Ah, and you you must be dagging.
Speaker 1 (16:37):
Yeah.
Speaker 2 (16:38):
I'll take Rose into the Marshall's office. She shouldn't be
on the street out here. We'll go. Mmm.
Speaker 5 (16:49):
She told me about her husband, Mad, but she didn't
tell me that it was that billy.
Speaker 2 (16:55):
Come on, let's follow him.
Speaker 4 (16:56):
Yeah, tell me about uh?
Speaker 2 (17:00):
What was Rose doing with you?
Speaker 5 (17:02):
I if I'm go out with the prairie about ten
miles east to hear.
Speaker 2 (17:05):
Oh why was she doing out there?
Speaker 6 (17:07):
Eh?
Speaker 2 (17:07):
I left her and tell her that just you stay
and sit right there.
Speaker 7 (17:13):
Roll they're all right there. Oh doctor, this is my husband, Dan.
Speaker 4 (17:21):
I kind of gathered that road right an uh, good thing.
Speaker 2 (17:27):
You come along, doctor, if.
Speaker 4 (17:29):
You'l up to tell him the whole stone Rose, I
expect the marshall he'll be interested too.
Speaker 2 (17:34):
Uh.
Speaker 5 (17:34):
Yes, all right, God, good man, I want you to
come up to my office with me.
Speaker 4 (17:39):
Yes, doctor, as she had been hurt, Doctor, go ahead, Rose.
Speaker 2 (17:43):
Tell 'em.
Speaker 9 (17:45):
Well, early this morning I woke up when somebody tied
a band in over my face.
Speaker 2 (17:51):
You never should have left you alone.
Speaker 7 (17:53):
Oh that is foolish talk, Dan. It was not your fault.
Speaker 2 (17:56):
Go on, mars.
Speaker 9 (17:58):
Well, it was two men. They never said a word
the whole time. They never talked one. But they teared
me out the back way, and then they tied me
onto a horse and let it way out into the prairie.
They finally stopped and took me off and untied me,
and then they took my shoes away and they rode off.
(18:23):
Finally got the blindfold off, and I walked and walked
till I saw the doctor's buggy coming. I could not
have walked much farther.
Speaker 4 (18:35):
Rose, Rose, Now wait a minute, time, Rose, you never
saw these men, No, and you never heard their voices.
Speaker 9 (18:45):
No, But but I heard them walk. Everybody has a
different walk, or that.
Speaker 2 (18:50):
You recognize either of 'em from hearing them walk.
Speaker 7 (18:54):
No, it was not Dobe or that man in the store.
Speaker 4 (18:59):
Well, you'll find them, Rose. We'll sit on the street.
We'll listen until we find them. When we do, i'll
cut them.
Speaker 2 (19:10):
I'll cut them offul before I kill them. Now, dag it.
Speaker 4 (19:14):
You'll let Rose find them as you can, and then
I'll take them.
Speaker 2 (19:17):
They're mine, Marshall. They're just as much mine as Rose
is mine.
Speaker 4 (19:23):
I wouldn't let nobody else in the world touch them
with me.
Speaker 1 (19:27):
Gotta be murdered.
Speaker 2 (19:28):
Is that what you call it?
Speaker 1 (19:31):
Rose?
Speaker 4 (19:32):
God wants you in his office. You go along now,
and then we'll start listening. It's as good a way
to hunt as any.
Speaker 3 (19:58):
Ellen m is Bet stands out from all the rest.
Ellen M's got everything.
Speaker 7 (20:05):
Everything everything death flavor.
Speaker 3 (20:08):
Ellen m stands out for flavor. The miracle tip draws easy.
Speaker 1 (20:13):
Let you enjoy all.
Speaker 3 (20:14):
The taste Death Filter ellen M stands out for effective filtration.
No filter compares with LL and M's Pure White Miracle
tip for quality.
Speaker 7 (20:24):
Or effectiveness death Tobacco.
Speaker 3 (20:26):
Highest quality, Tobaccos low nicotine, Tobaccos L and M Tobaccos
light and mild. Every way Ellen M is best stands
out from all the rest. They've got everything king size
are regular. Ellen M is America's best filter tip cigarette.
Speaker 4 (21:04):
For the next few days, the Daggets took up their
post on the boardwalk halfway down Front Street for those
that sit there for hours, her head down, her eyes
half closed and listening to the footsteps of hundreds of
men as they passed. And Daggett would stand at aside
his bowie knife and his belt, waiting with animal patience
(21:28):
for a sign from his wife. But it didn't come,
and I began to hope that for his sake, the
kidnappers had left the country and nothing had happened. And
then the morning of the third day, Chester and I
were loafing around on the porch at the General's store.
Speaker 5 (21:47):
Oh, where's the Daggets this morn Mich you're doing?
Speaker 1 (21:51):
They ain't over there where they usually are.
Speaker 4 (21:53):
Well, I guess they haven't started yet, Chirsty.
Speaker 5 (21:55):
I swear every man in Dawg must have walked past there,
but now all but two maybe.
Speaker 10 (22:01):
Mm weren't that Marshall chested flow mister Doby, Doby.
Speaker 5 (22:13):
I'm looking for the Dagget's Marsham.
Speaker 2 (22:16):
Have you seen him? No?
Speaker 4 (22:17):
I haven't tell him. But Dan Daggett hasn't taken things
as easy as he was by were you? I'd stop
looking right now.
Speaker 5 (22:26):
Doc told me what happened Marshall. Doc did and well
he knew nobody else would, so he took it on himself.
Speaker 4 (22:35):
What for for my own good? The way he put it, well,
I did it?
Speaker 7 (22:41):
Do you?
Speaker 1 (22:41):
And they could.
Speaker 2 (22:43):
Made me mad? Mad it myself mostly Marshall. I I've
been a fool. He missed, Dylan.
Speaker 5 (22:52):
There's rose now in the street.
Speaker 2 (22:54):
There he got shot gun? Hey?
Speaker 1 (22:56):
What she doing?
Speaker 2 (22:57):
That'sact? She's following those two men who he story. Come on,
she stopped him.
Speaker 5 (23:03):
She's gotten hurn around, but she's gonna shoot 'em. Oh,
they ain't making any wove.
Speaker 2 (23:09):
They an't know where that what if it wor? Yes,
she ain't learning letting. I will have to do it again.
Don't show the rollers.
Speaker 6 (23:18):
I'll take 'em.
Speaker 2 (23:30):
Alright, give me the shotgun? Rose, Why did you do it?
I'd have arrest of.
Speaker 7 (23:39):
'em then, would have found a way to kill them.
Speaker 1 (23:42):
Even if you have, they're dead.
Speaker 2 (23:44):
And if you're doing both of 'em? How why they trust?
Speaker 1 (23:51):
I never saw him before? 'em alife?
Speaker 2 (23:53):
Couple of strangers again?
Speaker 7 (23:55):
Roll, I'll go.
Speaker 2 (23:56):
Get somebody, give me a hand. That table? Why didn't
you tell me? What did you run away for? Why'd
you kill him?
Speaker 7 (24:08):
They're the ones thing?
Speaker 2 (24:09):
How'd you know? Where did you spot them?
Speaker 7 (24:13):
They walked past that table while we were eating breakfast?
Speaker 2 (24:17):
You said you was going up to our room.
Speaker 7 (24:20):
I did go long enough to get the shotgun.
Speaker 2 (24:25):
Why didn't you tell me? Why'd you have to kill him?
Speaker 7 (24:29):
Could not see you hang with? What happened to me there?
Speaker 2 (24:32):
I'd gladly hung for it. Anything's better than you're going
to jail. I will not mind them, it'll kill you.
I won't let it happen. They ain't right. Don't try
to take her, Marshall, don't you try.
Speaker 4 (24:51):
I know how you feel like it, But I've got
to arrest him.
Speaker 2 (24:55):
Oh, there's got a sound trial. What do they do
to her? Well?
Speaker 4 (25:03):
I don't think there's a judge in the Kansas that
convict Roseville what she did under the circumstances.
Speaker 2 (25:10):
Marca Dillon. Ah's what Tilly. I gotta say something, Marshall. Alright,
say it.
Speaker 5 (25:18):
Them two men she killed, I just looked at 'em
and I I don't know who they are, but.
Speaker 1 (25:25):
I've seen so.
Speaker 5 (25:27):
I seen him the other day when I was talking
the way.
Speaker 2 (25:32):
I was, they heard me. They was listening.
Speaker 1 (25:36):
Go ahead, Well I I.
Speaker 2 (25:39):
I used to have to tell you.
Speaker 3 (25:40):
That I.
Speaker 4 (25:41):
Don't feel very proud the other one that ought to
go to jail?
Speaker 2 (25:47):
Do they?
Speaker 5 (25:48):
That's what I'm trying to tell you, Marshall. It's mostly
my fault what happened to her and is killing and all.
Speaker 2 (25:55):
I'll you have learned something now anyway.
Speaker 5 (25:57):
Well, there's nothing I can do about it.
Speaker 2 (26:01):
Too late, I feel like hide, mister Joby.
Speaker 7 (26:08):
Yes, ma'am, would you walk back to the hotel with me?
My husband, thank you.
Speaker 2 (26:20):
I'd be proud to.
Speaker 4 (26:42):
Now our star William Conrad, Thank you, George. Today there's
one Filder cigarette that stands out from all the rest.
L and M stands out for flavor, for effective filtration,
for highest quality tobacco, ELL and Man's got everything. That's
what makes it America's best solitive cigarette. Try L and
(27:06):
M's King Size or regulars. I know you'll go for us.
Speaker 3 (27:31):
Gunsmoke, produced and directed by Norman McDonald, stars William Conrad
as Matt.
Speaker 1 (27:35):
Villon Us Marshall.
Speaker 3 (27:37):
Our story was especially written for Gun Smoke by John Lesson,
with music composed and conducted by Rectory Down patterns by
Tom Hanley and Ray Kemper. Featured in the cast were
Lawrence Dobton, Harry Bartel, Lillian Bias, Clayton Post and joju
Val Barley bear Is Chester, Howard mcneer is Doc, and Georgia.
Speaker 1 (27:58):
Ellis is kidding.
Speaker 11 (28:07):
Stop start smoking with a smile with Chesterfield smiling all
the while with Chesterfield, to the smile and you.
Speaker 2 (28:19):
Smoke and just give them a try.
Speaker 1 (28:22):
I have a chester Field.
Speaker 3 (28:24):
They said, it's fine, what a smile and you're smoking.
Next time you buy cigarettes, stop remember this. In the
whole wide world, no.
Speaker 4 (28:36):
Cigarette satisfies like chester Feeves.
Speaker 1 (28:50):
Listen to Chesterfield.
Speaker 5 (28:51):
Two great radio shows every week.
Speaker 3 (28:54):
It's the Perry Como Show every Monday, Wednesday and Friday
and Dragonet Tuesday nights on other networks. Remember listen again
next week, or another transcribed story of the Western Frontier
when Marshall, Matt, Dyllon, Chuster, proudfut Dot and Kitty, together
with all the other hard living citizens of Dodge will
(29:16):
be whether you want born, it's America growing West in
the eighteen seventies. It's drama, it's guns.
Speaker 1 (29:23):
Folks Drop to you by Ellen M.
Speaker 2 (29:26):
Fild Just the CBS Radio Networks
Gun Smoke, brought to you by L and N Filter.
Speaker 2 (00:14):
This is it.
Speaker 3 (00:16):
L and M is best stands out from all the
rats around God's City and in the territory on West.
There's just one way to handle the killers and the spoilers.
And that's where the US Marshall and the Smell of
gun Smoke. Gunsmoke starring William Conrad, Trance drug story.
Speaker 1 (01:00):
If the violence the move went with Young America, and
the story of a man will move with it.
Speaker 4 (01:06):
I'm that man, Matt dyllon United States. Marshall, the first
man they look for and the last they want to meet.
It's a chance, a job, and it makes a man
watchful and a little lonely.
Speaker 2 (01:49):
Morning, dark Chester.
Speaker 1 (01:51):
Hello, Matt. We've been waiting for you, mister Dylon.
Speaker 2 (01:54):
This is something wrong.
Speaker 5 (01:55):
Yes, it's mister Doby. He's the desk in the hotel there.
He's real upset about something. You want to see?
Speaker 2 (02:01):
All right?
Speaker 4 (02:02):
You both wait here for me. I'll be right out, yes.
Speaker 5 (02:04):
Sir, All right, Marshall Dylan, I've sure been.
Speaker 2 (02:14):
Wanting to see you.
Speaker 4 (02:15):
Oh what's the trouble, misterbe You got a riot in
here or something.
Speaker 5 (02:18):
They'll be a right if you don't get them people
out of here, Marshall. What people the Daggett says, Who
who were the Daggett? Big Dan Daggetty calls himself. And
he is big too, Marshall.
Speaker 6 (02:30):
I never heard of him.
Speaker 2 (02:32):
He's only been in Dodge since yesterday.
Speaker 5 (02:34):
He's one of them mountain men from on west who's
a hunter or something, one of them real harry fellas.
Speaker 2 (02:40):
Shouldn't be allowed around other white men. Oh why not?
What's he doing?
Speaker 5 (02:44):
He's setting in my hotel. Let him in before he
told me before he told you what it's better. You
see for yourself, Marshall. Room's right at the top of.
Speaker 2 (02:54):
The stairs there. Oh okay, dobbey, let's go.
Speaker 5 (02:59):
It's true any Marshall, that I don't have to let
nobody stay in my hotel.
Speaker 2 (03:03):
I don't want I gots Uh. He got a good reason.
Speaker 5 (03:07):
That's plenty of reasons. Three men moved out already, And.
Speaker 2 (03:10):
That sounds to me like he must have a box
of rattle snakes with him. Mus Worse from that, this
is room here. Uh, this is a double room, isn't it.
He needs it, needs a whole.
Speaker 1 (03:23):
Dog on prairie, And that's where he's going now.
Speaker 2 (03:26):
You tell him Marshall.
Speaker 5 (03:35):
Oh, I got the US Marshall with me this time, Daggett.
Speaker 4 (03:39):
Oh, I'm Marshall, Dylon. Daggett thought they wanted me to
come over here and meet you.
Speaker 2 (03:47):
Come on in. How he were right about is being big?
Speaker 4 (03:54):
Billy man can help being big. It's no offense. It's
all right. There been times I wished I was smaller,
not that I can't move as fast as any man.
Speaker 2 (04:07):
I'm easier to see. He's the only bad part.
Speaker 4 (04:10):
Tell me, dagget what's the trouble between you and Adobe here?
It ain't my trouble, Marshall all right, Dobby, I guess
you better explain.
Speaker 2 (04:19):
There's nothing wrong here that I can see. It ain't him.
Speaker 6 (04:22):
It's his wife.
Speaker 2 (04:24):
Bruh. You don't like my wife cause she's a Indian, Marshal.
That's a lie.
Speaker 5 (04:29):
What I care if she's an Indian?
Speaker 2 (04:31):
I don't understand. Where is she dagged in the other room.
We'll bring her in here. Adobe.
Speaker 4 (04:41):
You know what I could do to you with the
fingers of this one hand, just the fingers.
Speaker 2 (04:48):
Don't forget. I got the Marshal with me.
Speaker 4 (04:50):
I use the other hand on him. He starts ordering
me around too. Wait a minute, this kind of talk
isn't done any good. You're probably pretty good with that gun, Marshal,
But I've killed mountain.
Speaker 2 (05:01):
Lion with his knife.
Speaker 4 (05:03):
I ain't afraid of anything alive, and not many ghosts goost.
Speaker 2 (05:08):
You even talk like a sad all right, that's enough, Tully.
Speaker 1 (05:12):
Dagon.
Speaker 4 (05:12):
I didn't come here for a fight. I came to
say what all the trouble is about. Now.
Speaker 2 (05:15):
If it's something that has.
Speaker 4 (05:16):
To do with your wife, tell me it has to
do with Doobe, not with my wife.
Speaker 2 (05:20):
That's a lie.
Speaker 1 (05:23):
There she is.
Speaker 2 (05:24):
Look, Marshall, if it is.
Speaker 7 (05:26):
Me they're talking about Dan, Why didn't you call me?
Speaker 4 (05:29):
It's nothing to do with you. He was trying to
order me around. At least he was adobe there.
Speaker 5 (05:37):
I only told you to get her in here so
so Marshall could see it.
Speaker 1 (05:40):
Well, now he's seen her.
Speaker 2 (05:43):
Now what's all of fuss about? You're playing dumb?
Speaker 4 (05:47):
Ain't you dagget Wait a minute, I don't think he is.
Tell me something. Where did you and miss Daggett meet
near Denver? Near Denver? I'm a mountain man, Marshall, never
been on the prairie before.
Speaker 2 (06:02):
Uh, what were you doing near Denver, Miss Daggett.
Speaker 7 (06:04):
I was sent there four years ago to complete my education.
My father was a chief.
Speaker 2 (06:09):
Marshall, a chief? What chief?
Speaker 7 (06:12):
His name was yellow Horse, yellow Hord.
Speaker 1 (06:15):
That's worse, that's the worst.
Speaker 2 (06:17):
Yet, I don't understand either.
Speaker 1 (06:18):
Of you men.
Speaker 2 (06:20):
What are you talking about?
Speaker 4 (06:22):
Well, Doby could tell that your wife was a KaiA. Well,
by the way she dressed, she got to come from
some tribe, don't she being the daughter of yellow Horse
makes any worse?
Speaker 2 (06:33):
Why?
Speaker 4 (06:35):
Two years ago that KaiA was killed some eighteen settlers
on raids through the country there here yellow Horse let
him until he was killed.
Speaker 2 (06:46):
You never told me that, is that true?
Speaker 7 (06:52):
I only heard my father was dead. They told me
nothing else.
Speaker 2 (06:57):
Well was different. Doesn't make anyway. You wasn't on memory.
The feeling's still.
Speaker 4 (07:04):
High against Kaya was around here, Daggett. But you're right,
she had nothing to do with him.
Speaker 6 (07:08):
Kaya was a Kyle.
Speaker 1 (07:09):
We won't stand for him and daughter.
Speaker 2 (07:10):
I'll be a fool dobe.
Speaker 4 (07:12):
I can blame her for what somebody else did.
Speaker 5 (07:14):
I blame that whole tribe and especially her father, And
I won't stand for her being here she's probably as
murdering as he was.
Speaker 1 (07:22):
Gon be all right, holler Naggett.
Speaker 4 (07:27):
I uh, I'd like to apologize to miss Daggett for
bothering her.
Speaker 1 (07:34):
Apologize.
Speaker 2 (07:35):
Let's get out of here, Dobe.
Speaker 5 (07:36):
No, No, you come here to throw him out, and
you're gonna do it, Dobby.
Speaker 4 (07:40):
I guess I'm a little like Dan Daggett here. I
don't like taking orders very well either.
Speaker 5 (07:46):
All right, marshall, if the law won't help me, the
law won't help.
Speaker 2 (07:51):
You, why don't you try anything else?
Speaker 7 (07:55):
Not?
Speaker 2 (07:55):
Come on? Work uping out of here.
Speaker 7 (08:16):
This is L and M Filters.
Speaker 2 (08:20):
It stands out from all the rest.
Speaker 7 (08:23):
Miracle tears much more flavor. Llen M's got everything.
Speaker 6 (08:30):
It's the best.
Speaker 3 (08:31):
Yes, Ellen M is best. Stands out from all the rest.
Ellen M stands out for flavor, flavor, flavor flavor.
Speaker 7 (08:42):
The miracle tip draws easy, you enjoy all the taste.
Speaker 3 (08:46):
Ellen M stands out for effective filtration. Filtration, filtration filtration.
Speaker 5 (08:54):
No filter compares with LL and m's pure white Miracle tip.
Speaker 2 (08:58):
Ellen M's got everything.
Speaker 8 (09:00):
It's America's best filter tips cigarette m.
Speaker 2 (09:31):
Uh, mister Dillon, Yeah, what is a jestice? Well?
Speaker 5 (09:34):
Uh, would you mind stopping in mister Jones's store here
it it won't take but amendy too.
Speaker 4 (09:39):
Uh uh, you're gonna spend your bett money on clothes again?
Speaker 1 (09:43):
Oh, most sir?
Speaker 5 (09:44):
I mean, well, you see, mister Dylon, I I need
a little string tie h for Sundays kind of Oh.
Speaker 1 (09:51):
They don't cost him one a quarter?
Speaker 6 (09:54):
All right?
Speaker 2 (09:55):
In that case, I'll go with you. There's Kiddy. Him
is Kitty.
Speaker 5 (10:06):
Oh Chester, the ties is hanging back over there, mister Jones,
I won't belong.
Speaker 4 (10:11):
All right, Chester, Wow, you're as bad as Chester. Kiddy
always buying clothes as Chester.
Speaker 8 (10:22):
Matt. If Chester's always buying clothes, how come ever since
I've known him he's wearn that same bear a stripe?
Speaker 2 (10:27):
Then, well he's careful with him. I guess you never
got some.
Speaker 1 (10:32):
Torn you have to go to bed if he ever did.
Speaker 2 (10:35):
Where's mister Jonas out back?
Speaker 8 (10:37):
He's showing Dan Dagging and his wife something?
Speaker 2 (10:40):
Oh are they here?
Speaker 8 (10:41):
Sure? Introduce me to him, Big Dan daggets like you
said last night, Matt here in the name he's a
buffalo that man. Yeah, sure, his wife's name is Rose
said you couldn't pronounce it in Indians.
Speaker 2 (10:53):
They made it English. She's a beautiful little thing. She's
prettier than most women around here.
Speaker 7 (10:59):
Thanks.
Speaker 2 (11:02):
Oh not, how kiddy? You're right?
Speaker 4 (11:05):
He really is.
Speaker 8 (11:06):
I guess dam Dagger can't be all brutal or a
girl like that when never married him.
Speaker 4 (11:10):
That's too bad. Adobe over at the dodge house can't
see it. You're away, kitty.
Speaker 2 (11:14):
No, Adobe's just not thinking very straight. Where's Jonas? He's
our back rodding? Oh, hello, Marsha, I didn't recognize you.
Don here he come? What's up?
Speaker 6 (11:27):
Man?
Speaker 4 (11:27):
His name's Rodin. He works over at one of the stables.
Speaker 8 (11:30):
Oh, that explains why he's too poor ever to come
into the long branch.
Speaker 6 (11:36):
Hey, Joan, I'll be right with you.
Speaker 2 (11:38):
I'm in a hurry.
Speaker 7 (11:39):
Won't be for a minute.
Speaker 2 (11:41):
Wait waiting for yourself?
Speaker 1 (11:42):
Beach to her?
Speaker 2 (11:44):
Hey, wait a minute, what's she doing in here?
Speaker 1 (11:46):
Anywhere?
Speaker 2 (11:47):
You stay here?
Speaker 1 (11:48):
Kiddy, got as much right to be here.
Speaker 2 (11:50):
As you wherever Rodan car were a woman? You've gone crazy?
Speaker 4 (11:55):
No, that's throw out of here, right will A woman
is my wife?
Speaker 2 (11:59):
Mister, your wife? Your wife. You'll have to throw me
out too.
Speaker 4 (12:06):
But now look here, I I didn't mean nothing.
Speaker 2 (12:11):
If you don't mean nothing and don't talk.
Speaker 5 (12:15):
Sure, sure, but if I care, it's your business.
Speaker 2 (12:20):
I don't care.
Speaker 4 (12:21):
And even if you do care, you shouldn't say nothing
about it out loud or I ain't saying that.
Speaker 2 (12:28):
I gotta go now, I gotta go. I don't looks
like you handle that pretty well, Daggo.
Speaker 4 (12:43):
Can't fight every man in the world now, I guess
you can't, and I don't mean to, as long as
they don't push me too far. Ah is uh Doobe
living here alone?
Speaker 7 (12:58):
Oh?
Speaker 4 (12:58):
He's doing a lot of time talking around you, trying
to stir up trouble before it comes. We'll probably be
gone back to Colorado and the mountains down. But Marshall
will Yeah.
Speaker 2 (13:14):
You come and see us sometime the next day or so,
Rose and kind of like that. Uh, thank you, dag
It be a pleasure.
Speaker 1 (13:41):
Where's Doc at this morning, Mitch Dylan. I've been up
his office twice and he ain't there now.
Speaker 5 (13:45):
They was called out to the Duke place last night Chester, Oh,
somebody sick.
Speaker 2 (13:51):
Well.
Speaker 4 (13:51):
Doc doesn't got many social calls, you know.
Speaker 1 (13:55):
I was calling on him.
Speaker 4 (13:56):
Social Uh huh, Oh, Well he will appreciate that.
Speaker 2 (13:59):
I'm sure.
Speaker 4 (14:01):
Well, I think I'll go up to the dodge house
and make a call on Jim Dobe.
Speaker 1 (14:04):
M more trouble mcdylan.
Speaker 4 (14:07):
Al, I will be if somebody doesn't stop him. He
been talking to everybody who'll listen about Rose dack At
being the yellow Horse's daughter.
Speaker 2 (14:16):
How they ought to runner out of town.
Speaker 1 (14:18):
Hm. It's like he's looking for helping it.
Speaker 5 (14:22):
Yeah, he ought to know better than that, a man
like Dobe.
Speaker 4 (14:25):
Now that's what I'm gonna try to explain to Hi.
Just Marshalla, Uh, hello Dagger Marshall. Uh, I'm kinda worried.
Speaker 2 (14:38):
A what's the matter? It's Rose.
Speaker 4 (14:41):
I can't find her nowhere, he can't find her. No, well,
maybe you and Chester will help look for her. I've
been everware. Of course we'll help you. Now, why did
you see her last?
Speaker 2 (14:53):
Right in the room? Let me tell you.
Speaker 4 (14:57):
I woke up real early, couldn't get back to sleep,
but I didn't wanna bother roads, so I got dressed,
I went out in the street and I walked around.
Speaker 2 (15:11):
I wasn't gone more than one hour.
Speaker 4 (15:13):
Marshall shouldn't never have left her, or that you ask
him at the hotel, did anybody see her leave or there?
Speaker 2 (15:20):
Wasn't nobody at the hotel.
Speaker 4 (15:21):
Not when I went out, not when I come back.
Nobody could have seen her?
Speaker 1 (15:25):
Well work, did you a gune to that hour?
Speaker 2 (15:28):
And she wouldn't have gone? Nowhere's Chester?
Speaker 1 (15:30):
Not Rose?
Speaker 2 (15:32):
What I can't understand?
Speaker 4 (15:36):
Well, alright, let's start looking for a Come on, I
guess we'll start.
Speaker 2 (15:46):
With a hotel. Sure do you want to thank you
for this? Marshall?
Speaker 6 (15:52):
You too?
Speaker 2 (15:53):
Chester?
Speaker 5 (15:54):
H We will find her, don't you wor?
Speaker 2 (15:56):
Hey? Yeah? Sure?
Speaker 5 (15:58):
Look he's got somebody with him.
Speaker 2 (16:01):
That's Rose. That's Rose in that fuck you.
Speaker 4 (16:07):
Rose?
Speaker 2 (16:10):
Rose? What are you doing there?
Speaker 8 (16:12):
Hello?
Speaker 6 (16:12):
Dan?
Speaker 2 (16:13):
Well, get down here, up, take it.
Speaker 7 (16:19):
You? You don't have to carry me back where?
Speaker 2 (16:24):
What happened to your feet?
Speaker 7 (16:25):
Uh?
Speaker 2 (16:25):
Chest?
Speaker 8 (16:25):
Here?
Speaker 2 (16:26):
What?
Speaker 7 (16:26):
Uh?
Speaker 2 (16:26):
Do me a pay? Take this buggy with him? Sure?
Speaker 5 (16:29):
Well let me get it down here?
Speaker 3 (16:33):
Ah, and you you must be dagging.
Speaker 1 (16:37):
Yeah.
Speaker 2 (16:38):
I'll take Rose into the Marshall's office. She shouldn't be
on the street out here. We'll go. Mmm.
Speaker 5 (16:49):
She told me about her husband, Mad, but she didn't
tell me that it was that billy.
Speaker 2 (16:55):
Come on, let's follow him.
Speaker 4 (16:56):
Yeah, tell me about uh?
Speaker 2 (17:00):
What was Rose doing with you?
Speaker 5 (17:02):
I if I'm go out with the prairie about ten
miles east to hear.
Speaker 2 (17:05):
Oh why was she doing out there?
Speaker 6 (17:07):
Eh?
Speaker 2 (17:07):
I left her and tell her that just you stay
and sit right there.
Speaker 7 (17:13):
Roll they're all right there. Oh doctor, this is my husband, Dan.
Speaker 4 (17:21):
I kind of gathered that road right an uh, good thing.
Speaker 2 (17:27):
You come along, doctor, if.
Speaker 4 (17:29):
You'l up to tell him the whole stone Rose, I
expect the marshall he'll be interested too.
Speaker 2 (17:34):
Uh.
Speaker 5 (17:34):
Yes, all right, God, good man, I want you to
come up to my office with me.
Speaker 4 (17:39):
Yes, doctor, as she had been hurt, Doctor, go ahead, Rose.
Speaker 2 (17:43):
Tell 'em.
Speaker 9 (17:45):
Well, early this morning I woke up when somebody tied
a band in over my face.
Speaker 2 (17:51):
You never should have left you alone.
Speaker 7 (17:53):
Oh that is foolish talk, Dan. It was not your fault.
Speaker 2 (17:56):
Go on, mars.
Speaker 9 (17:58):
Well, it was two men. They never said a word
the whole time. They never talked one. But they teared
me out the back way, and then they tied me
onto a horse and let it way out into the prairie.
They finally stopped and took me off and untied me,
and then they took my shoes away and they rode off.
(18:23):
Finally got the blindfold off, and I walked and walked
till I saw the doctor's buggy coming. I could not
have walked much farther.
Speaker 4 (18:35):
Rose, Rose, Now wait a minute, time, Rose, you never
saw these men, No, and you never heard their voices.
Speaker 9 (18:45):
No, But but I heard them walk. Everybody has a
different walk, or that.
Speaker 2 (18:50):
You recognize either of 'em from hearing them walk.
Speaker 7 (18:54):
No, it was not Dobe or that man in the store.
Speaker 4 (18:59):
Well, you'll find them, Rose. We'll sit on the street.
We'll listen until we find them. When we do, i'll
cut them.
Speaker 2 (19:10):
I'll cut them offul before I kill them. Now, dag it.
Speaker 4 (19:14):
You'll let Rose find them as you can, and then
I'll take them.
Speaker 2 (19:17):
They're mine, Marshall. They're just as much mine as Rose
is mine.
Speaker 4 (19:23):
I wouldn't let nobody else in the world touch them
with me.
Speaker 1 (19:27):
Gotta be murdered.
Speaker 2 (19:28):
Is that what you call it?
Speaker 1 (19:31):
Rose?
Speaker 4 (19:32):
God wants you in his office. You go along now,
and then we'll start listening. It's as good a way
to hunt as any.
Speaker 3 (19:58):
Ellen m is Bet stands out from all the rest.
Ellen M's got everything.
Speaker 7 (20:05):
Everything everything death flavor.
Speaker 3 (20:08):
Ellen m stands out for flavor. The miracle tip draws easy.
Speaker 1 (20:13):
Let you enjoy all.
Speaker 3 (20:14):
The taste Death Filter ellen M stands out for effective filtration.
No filter compares with LL and M's Pure White Miracle
tip for quality.
Speaker 7 (20:24):
Or effectiveness death Tobacco.
Speaker 3 (20:26):
Highest quality, Tobaccos low nicotine, Tobaccos L and M Tobaccos
light and mild. Every way Ellen M is best stands
out from all the rest. They've got everything king size
are regular. Ellen M is America's best filter tip cigarette.
Speaker 4 (21:04):
For the next few days, the Daggets took up their
post on the boardwalk halfway down Front Street for those
that sit there for hours, her head down, her eyes
half closed and listening to the footsteps of hundreds of
men as they passed. And Daggett would stand at aside
his bowie knife and his belt, waiting with animal patience
(21:28):
for a sign from his wife. But it didn't come,
and I began to hope that for his sake, the
kidnappers had left the country and nothing had happened. And
then the morning of the third day, Chester and I
were loafing around on the porch at the General's store.
Speaker 5 (21:47):
Oh, where's the Daggets this morn Mich you're doing?
Speaker 1 (21:51):
They ain't over there where they usually are.
Speaker 4 (21:53):
Well, I guess they haven't started yet, Chirsty.
Speaker 5 (21:55):
I swear every man in Dawg must have walked past there,
but now all but two maybe.
Speaker 10 (22:01):
Mm weren't that Marshall chested flow mister Doby, Doby.
Speaker 5 (22:13):
I'm looking for the Dagget's Marsham.
Speaker 2 (22:16):
Have you seen him? No?
Speaker 4 (22:17):
I haven't tell him. But Dan Daggett hasn't taken things
as easy as he was by were you? I'd stop
looking right now.
Speaker 5 (22:26):
Doc told me what happened Marshall. Doc did and well
he knew nobody else would, so he took it on himself.
Speaker 4 (22:35):
What for for my own good? The way he put it, well,
I did it?
Speaker 7 (22:41):
Do you?
Speaker 1 (22:41):
And they could.
Speaker 2 (22:43):
Made me mad? Mad it myself mostly Marshall. I I've
been a fool. He missed, Dylan.
Speaker 5 (22:52):
There's rose now in the street.
Speaker 2 (22:54):
There he got shot gun? Hey?
Speaker 1 (22:56):
What she doing?
Speaker 2 (22:57):
That'sact? She's following those two men who he story. Come on,
she stopped him.
Speaker 5 (23:03):
She's gotten hurn around, but she's gonna shoot 'em. Oh,
they ain't making any wove.
Speaker 2 (23:09):
They an't know where that what if it wor? Yes,
she ain't learning letting. I will have to do it again.
Don't show the rollers.
Speaker 6 (23:18):
I'll take 'em.
Speaker 2 (23:30):
Alright, give me the shotgun? Rose, Why did you do it?
I'd have arrest of.
Speaker 7 (23:39):
'em then, would have found a way to kill them.
Speaker 1 (23:42):
Even if you have, they're dead.
Speaker 2 (23:44):
And if you're doing both of 'em? How why they trust?
Speaker 1 (23:51):
I never saw him before? 'em alife?
Speaker 2 (23:53):
Couple of strangers again?
Speaker 7 (23:55):
Roll, I'll go.
Speaker 2 (23:56):
Get somebody, give me a hand. That table? Why didn't
you tell me? What did you run away for? Why'd
you kill him?
Speaker 7 (24:08):
They're the ones thing?
Speaker 2 (24:09):
How'd you know? Where did you spot them?
Speaker 7 (24:13):
They walked past that table while we were eating breakfast?
Speaker 2 (24:17):
You said you was going up to our room.
Speaker 7 (24:20):
I did go long enough to get the shotgun.
Speaker 2 (24:25):
Why didn't you tell me? Why'd you have to kill him?
Speaker 7 (24:29):
Could not see you hang with? What happened to me there?
Speaker 2 (24:32):
I'd gladly hung for it. Anything's better than you're going
to jail. I will not mind them, it'll kill you.
I won't let it happen. They ain't right. Don't try
to take her, Marshall, don't you try.
Speaker 4 (24:51):
I know how you feel like it, But I've got
to arrest him.
Speaker 2 (24:55):
Oh, there's got a sound trial. What do they do
to her? Well?
Speaker 4 (25:03):
I don't think there's a judge in the Kansas that
convict Roseville what she did under the circumstances.
Speaker 2 (25:10):
Marca Dillon. Ah's what Tilly. I gotta say something, Marshall. Alright,
say it.
Speaker 5 (25:18):
Them two men she killed, I just looked at 'em
and I I don't know who they are, but.
Speaker 1 (25:25):
I've seen so.
Speaker 5 (25:27):
I seen him the other day when I was talking
the way.
Speaker 2 (25:32):
I was, they heard me. They was listening.
Speaker 1 (25:36):
Go ahead, Well I I.
Speaker 2 (25:39):
I used to have to tell you.
Speaker 3 (25:40):
That I.
Speaker 4 (25:41):
Don't feel very proud the other one that ought to
go to jail?
Speaker 2 (25:47):
Do they?
Speaker 5 (25:48):
That's what I'm trying to tell you, Marshall. It's mostly
my fault what happened to her and is killing and all.
Speaker 2 (25:55):
I'll you have learned something now anyway.
Speaker 5 (25:57):
Well, there's nothing I can do about it.
Speaker 2 (26:01):
Too late, I feel like hide, mister Joby.
Speaker 7 (26:08):
Yes, ma'am, would you walk back to the hotel with me?
My husband, thank you.
Speaker 2 (26:20):
I'd be proud to.
Speaker 4 (26:42):
Now our star William Conrad, Thank you, George. Today there's
one Filder cigarette that stands out from all the rest.
L and M stands out for flavor, for effective filtration,
for highest quality tobacco, ELL and Man's got everything. That's
what makes it America's best solitive cigarette. Try L and
(27:06):
M's King Size or regulars. I know you'll go for us.
Speaker 3 (27:31):
Gunsmoke, produced and directed by Norman McDonald, stars William Conrad
as Matt.
Speaker 1 (27:35):
Villon Us Marshall.
Speaker 3 (27:37):
Our story was especially written for Gun Smoke by John Lesson,
with music composed and conducted by Rectory Down patterns by
Tom Hanley and Ray Kemper. Featured in the cast were
Lawrence Dobton, Harry Bartel, Lillian Bias, Clayton Post and joju
Val Barley bear Is Chester, Howard mcneer is Doc, and Georgia.
Speaker 1 (27:58):
Ellis is kidding.
Speaker 11 (28:07):
Stop start smoking with a smile with Chesterfield smiling all
the while with Chesterfield, to the smile and you.
Speaker 2 (28:19):
Smoke and just give them a try.
Speaker 1 (28:22):
I have a chester Field.
Speaker 3 (28:24):
They said, it's fine, what a smile and you're smoking.
Next time you buy cigarettes, stop remember this. In the
whole wide world, no.
Speaker 4 (28:36):
Cigarette satisfies like chester Feeves.
Speaker 1 (28:50):
Listen to Chesterfield.
Speaker 5 (28:51):
Two great radio shows every week.
Speaker 3 (28:54):
It's the Perry Como Show every Monday, Wednesday and Friday
and Dragonet Tuesday nights on other networks. Remember listen again
next week, or another transcribed story of the Western Frontier
when Marshall, Matt, Dyllon, Chuster, proudfut Dot and Kitty, together
with all the other hard living citizens of Dodge will
(29:16):
be whether you want born, it's America growing West in
the eighteen seventies. It's drama, it's guns.
Speaker 1 (29:23):
Folks Drop to you by Ellen M.
Speaker 2 (29:26):
Fild Just the CBS Radio Networks
Popular Podcasts
On Purpose with Jay Shetty
I’m Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and I’m so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood you’re able to deal with relationship struggles, work challenges and life’s ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them we’ve never seen before. New episodes every Monday and Friday. Your support means the world to me and I don’t take it for granted — click the follow button and leave a review to help us spread the love with On Purpose. I can’t wait for you to listen to your first or 500th episode!
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Special Summer Offer: Exclusively on Apple Podcasts, try our Dateline Premium subscription completely free for one month! With Dateline Premium, you get every episode ad-free plus exclusive bonus content.
24/7 News: The Latest
The latest news in 4 minutes updated every hour, every day.