July 20, 2025 • 28 mins
A legendary variety show blending witty monologues, comic sketches, and musical interludes, all anchored by the impeccable timing of its beloved host. It’s a masterclass in comedic timing.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:06):
The Jello program starrying Jack Benny with Mary Livingston and
Cel Harris in his orchestra. The Orchantrope has a program
with Overnight from thin Ice. The right dinner can make
(00:28):
a success of almost any day, and the right dessert
can make a success of any dinner. And I believe
the right dessert is Jello. For everybody likes Jello. It's
so attractive, so tempting, so down right delicious. No other
gelatin dessert brings you Jello's extra rich fruit flavor. No
other can top it for bright, delicious colors and rich,
satisfying fruit goodness. And you can serve jello in so minutes,
(00:51):
Serve it plain, going wellow decorated with fluffy whipped cream,
or use one of the attractive recipes which are on
every Jello package. They're all easy to make, make an
inexpensive and you like them, just be sure to get
genuine Jello. Pa there is only one Jello. Look for
the big red letters on the box. They spell Jello
(01:44):
that was Overnight from thin Ice, played by Phil Harrison's Orchestra. Now,
ladies and gentlemen, we bring you a rag, a bone,
and a hank.
Speaker 2 (01:51):
Or glow again, it's a Jack Benny the Silver Fox talking.
Speaker 3 (02:03):
And Don.
Speaker 2 (02:03):
That was a nice literary introduction you gave me. I
didn't know you were so familiar with Shakespeare.
Speaker 3 (02:08):
Why Shakespeare didn't write that? Jack?
Speaker 1 (02:11):
You know a Don?
Speaker 3 (02:12):
Yeah? Jack is well, well, anyway, Shakespeare didn't write it.
Speaker 2 (02:16):
Jack.
Speaker 3 (02:16):
You know, A Rag of Bone and a hank of
Hair was written by Rudyard Chipley. Oh did kippy with
that one?
Speaker 4 (02:22):
Up?
Speaker 3 (02:23):
He's been adding the word gray? It was my old idea.
Speaker 2 (02:25):
Well, ain't you the one? But I didn't mind that, Don.
I'm quite proud of my gray hair. Besides, it's not
due to age. I'm just prematurely gray.
Speaker 3 (02:34):
Prematurely Yeah.
Speaker 2 (02:35):
Up to the age of nineteen, my hair was as
black as the eighth of Saves.
Speaker 3 (02:39):
Well what happened? Mother nature trumped it the last time.
I'll play cards with her.
Speaker 2 (02:47):
Oh, don't worry about it, Jack. Personally, I liked your
gray hair. Oh do you sess it matches your complexion?
Speaker 3 (02:55):
So it does?
Speaker 2 (02:55):
Anyway, you should talk about someone else's hair. But those
curly locks you got, what's the matter with them? You
look like a big fat Shirley temple. Oh yeah, well,
you look like George Jarls twenty years from now. That's so,
I don't mind looking like George Arlis. He's one of
our greatest actors. That's where the resemblance ends. Get a
(03:21):
load of Phil's hair, folks, so way these seagulls follow
them down the street. Yeah, George is so dead. Buzzards
follow you a fine talk boys, boys, what's going on here?
Nothing down, We're just giving each.
Speaker 3 (03:40):
Other the birds. Wow, that was a hot one. The
audience will cool it off.
Speaker 2 (03:47):
Not tonight, Phil, I'm a little too fast for you.
Speaker 5 (03:49):
Oh hello, Mary, Hello Jacket, I'm as anything.
Speaker 3 (03:51):
Oh, nothing much. Don started kidding me about my gray hair,
and then Phil picked it up.
Speaker 5 (03:57):
Who's got it now?
Speaker 3 (04:00):
Mary, I'm talking about my own hair?
Speaker 2 (04:02):
Oh zose, Yes, yes, so I still got plenty of
hair left.
Speaker 3 (04:09):
Yeah.
Speaker 5 (04:09):
Stick a palm tree on your head and you'll have
an oasis.
Speaker 3 (04:13):
That's silly. Imagine a palm tree on my head.
Speaker 5 (04:15):
You could have monkeys for dandrus.
Speaker 3 (04:20):
Oh Mary, that was a good one, thanks Hill. Yes,
you two are so clever. Why don't you get your
own programs? Ah, Jack, we wouldn't leave you.
Speaker 5 (04:28):
No, you're too good at shoes.
Speaker 2 (04:32):
Well I'm glad you appreciate my humble efforts.
Speaker 3 (04:34):
Oh Jack, you mouf.
Speaker 5 (04:35):
Here comes our wandering boy. Hello Kenny, Hello Kenny.
Speaker 3 (04:39):
Oh h Kenny. What's the matter with you? Oh? Nothing,
I'm just burned up, that's all about what.
Speaker 2 (04:46):
Oh?
Speaker 3 (04:46):
I had another fire with my girl. That's all we
do lately. Fips, pip pip, Well, Kenny, those are just
lovers quarrel, that's all what happens.
Speaker 2 (04:53):
Invite me over her house all the time, and after
I get there, all she does is make fudge for me.
Speaker 3 (04:59):
Fudge, Well, what's wrong with that? She won't put much
in it? Now, isn't that awful? I don't see how
you put up with it? Oh? And that's not all.
Speaker 2 (05:16):
Every night, when I asked her to go to the movie,
she wants to play post Office instead.
Speaker 3 (05:20):
Boy, is she dumb?
Speaker 2 (05:22):
Dumb?
Speaker 3 (05:23):
What's dumb about playing post Office? It isn't even open
at night?
Speaker 2 (05:28):
Why, Kenny? Post Office is a kissing game. Haven't you
ever played it?
Speaker 3 (05:31):
No? How does it go? It's very simple.
Speaker 2 (05:33):
They call out your name and the name of a girl,
and then you go out in the next room and.
Speaker 3 (05:37):
You kiss her. Then what do you do? That's all
there is Kenny, that's the game. Well, that's the silliest
thing I ever heard of. It's not silly. Everybody has
played post Office.
Speaker 5 (05:47):
Yeah, it's lack. It's time.
Speaker 3 (05:48):
Why I've played it a million times? Of course, did
you ever play it? Till? Yes?
Speaker 2 (06:01):
Oh, they come on, Mary, show Kenny how it goes. Now, look, Kenny,
Mary's supposed to be in another room, and I'm the postman,
so I send you to Mary to get the letter?
Speaker 3 (06:09):
Is not that the way? It's dark? Phil, I never
bother with the preliminaries. Now, come on, Kenny, put your arms.
Put your arms around Mary like that.
Speaker 5 (06:18):
Get your elbow out of my ear.
Speaker 2 (06:20):
Come on, Kenny, put your arms around her.
Speaker 3 (06:21):
I bet this is a trap. It is not. Go ahead,
and I don't be afraid. I'm not afraid. And why
are you trembling? Hey? Everything helps? That's right now.
Speaker 2 (06:34):
Now kiss him Mary, kiss him? Go ahead, kiss Kenny.
Speaker 5 (06:38):
Oh you play with him?
Speaker 3 (06:39):
Jack? Oh, well, let's forget the whole thing. Kenny will
never learn the game.
Speaker 5 (06:43):
Let him wait the post office opens?
Speaker 3 (06:45):
Yeah, Hi, your fuck holp. I let me in on there?
Oh hello Andy, Hello? Why are you walk in? You
are so quiet? Stop card and I've forgot my shoes.
Speaker 6 (06:59):
What's going on here anyway?
Speaker 2 (07:01):
Oh, we're just showing Kenny how to play post office.
Speaker 3 (07:03):
Do you want to play? Hold my CRU's a victim? Well,
good night, Jack, I'll come back here. Mary, say, fuck,
I listened to your program last week. Are you on
the level about wanting to get rid of your old Maxwell?
If I am, Andy, would you like to buy my car?
Speaker 4 (07:20):
Well?
Speaker 6 (07:21):
That all depends.
Speaker 5 (07:22):
Depends on what whether he's crazy or not.
Speaker 3 (07:25):
Quiet Mary, we're talking business. Say fuck, what do you want?
What do you want for your car? Well?
Speaker 2 (07:30):
Andy, I shouted out, asking ninety five dollars, but I'll
probably end.
Speaker 3 (07:34):
Up with eighty. I don't think you'll even finish in
the money. Now, look, Andy, are you interested in my
car or not?
Speaker 7 (07:44):
Well, taun Ma, we're discussing it last night, and Paul
thought I ought to buy him.
Speaker 3 (07:49):
He did, yeah, but mar changed his mind with the
right cross to the gym. Well, I'm sorry your Paul
got in wrong on account of my car. Don't worry
about him when he comes to you, runner bull leg, Well, look.
Speaker 2 (08:02):
And he lets you and I go over here in
the corner. I'll make you a nice proposition on that Maxwell.
Speaker 3 (08:06):
Okay, fuck sing Kenny.
Speaker 2 (08:08):
Now look here Andy, Despite all rumors, my car is
an excellent condition. Why that Maxwell is good to the
last drop and another thing.
Speaker 3 (08:28):
I'm thrill, aren't you.
Speaker 6 (08:32):
Just look what?
Speaker 4 (08:33):
Love?
Speaker 3 (08:34):
And I'm hot, I'm squeak, but it's a god.
Speaker 6 (08:47):
Off straight.
Speaker 3 (08:49):
I'll sweep be a crowd. It sweet.
Speaker 6 (09:00):
Before Blossom on Broadway when I'm walking with you, Blossom
(09:20):
segrees never grew for not the crown and the low from.
Speaker 4 (09:34):
And all my cards turn into sime.
Speaker 2 (09:43):
Is Maggie on the way when you let me.
Speaker 3 (09:51):
Maggie, My heart never knew Joy walks on Broadway, sung
(10:34):
by Kenny Baker.
Speaker 2 (10:36):
As fine a tenor as these old ears I've ever heard,
and these old eyes I've ever seen. It very well done.
My lead yowser yaoser gee. That sounds just like Ben Burnie,
Ben Bernie.
Speaker 5 (10:46):
Yes, I had to be Originals.
Speaker 2 (10:48):
I wasn't imitating Bernie. I've always said yaodas baby.
Speaker 3 (10:51):
I used to say yawser, that's funny.
Speaker 5 (10:54):
When I was a baby, gas.
Speaker 3 (10:55):
Well, that was popular too, Yes, you know Jack.
Speaker 1 (10:59):
When I was a baby, I used to say glove.
Speaker 2 (11:00):
Glove, well done, some done to some babies. Used to say,
dada and some glove glove.
Speaker 3 (11:08):
I was the Google type. Well that shows you they
are all kinds of What kind of a baby? Will
you feel? Bottles? Oh well, put it away while we're broadcasting.
Say five, Yes, Andy, you.
Speaker 8 (11:25):
May not please this, but when I was a baby,
I was the prettiest thing you ever saw.
Speaker 3 (11:30):
Yeah, I bet you were that. I had blue eyes
and blonde curls and dimples all over my face, dimpled
all over your face. Yeah, I look like a golf ball.
You did, Yes, Sir May used to put me to
sweep with a.
Speaker 2 (11:46):
Niblic Landy, didn't your fires Landy? You're still cute, you
really are. I might even add that you're handsome.
Speaker 3 (11:57):
Oh you just said that to make me feel good.
It's gonna sure got results. Well, we can't say cute forever.
We all get older. You know, time marches on.
Speaker 5 (12:07):
That's a chef on, Andy, Mary say buck, I got
a picture of me here, taken when I.
Speaker 3 (12:13):
Was six months old. Want to see it? Sure, I'd
love to.
Speaker 2 (12:16):
Hey here you are.
Speaker 3 (12:17):
Oh, isn't that adorable?
Speaker 2 (12:20):
Let me see it?
Speaker 3 (12:21):
Jack? How me too? Say that's really something six months old? Gee?
But you know, Andy, I don't seem to recognize you
in this picture. Well, I'll tell you a buck. They
never could get me to face the camera. Oh, I see,
you can't tell me from Robert Taylor there. Hey, that's right, Andy,
(12:47):
say Mary. Isn't it a cute picture? Yeah?
Speaker 5 (12:49):
But his ears are awfully big for a day.
Speaker 3 (12:51):
Yet too, they are a g andy. You really have
such big ears. So they had to lock me up
during the rabbit season. Well, here's your picture back, Andy,
And won't you ever lose? I don't, won't you know? Fellas?
Speaker 2 (13:03):
All this talk about babies kind of makes you stop
and think, doesn't it. It's the mystery of life. We're born,
we cry, we grow up, we mature, and yet what
are we? I'm a Republican, Kenny, I don't know, fella.
Speaker 3 (13:20):
It's a problem, isn't it.
Speaker 2 (13:22):
We start from the cradle just babies, and then it
seems like, I don't know, it seems like overnight we're
transformed into.
Speaker 3 (13:29):
Full grown beings. And yet do we really change? Do
we really blossom? Oh?
Speaker 2 (13:35):
Shut up, there's no use trying to be a philosopher
around here.
Speaker 1 (13:45):
You know, Jack, I hardly agree with you and your philosophy.
You're absolutely right, thanks Don. We don't really change when
we're babies.
Speaker 3 (13:52):
Our mothers feed us jello and we love it. How true, Don,
How true?
Speaker 1 (13:57):
And then we're children in school and those six delicious flavors.
Speaker 3 (14:00):
Are just as tempting to us. Yeah. Man, Well and
Dona's time passes on. As the years go drifting by,
we become men.
Speaker 2 (14:10):
Pray, Kenny, stop showing off. You always bounce in at
the wrong time.
Speaker 3 (14:15):
Well, I want to be a man.
Speaker 5 (14:17):
Write a letter to Tanny Claus.
Speaker 3 (14:20):
I'm sorry they butted in, Don. Is there anything else
you wanted to say? Oh? Just oodles? But I'll save
it for later. That's fine.
Speaker 2 (14:25):
We'll all be waiting, and now, ladies and gentlemen. While
we're waiting, Bill Harrison his Orchester will play Who from Sunny?
Speaker 3 (14:31):
Hit it? Bill, I'll wait a minute, Come in, mister Benny. Yes, dude,
I to see my baby picture. No I wouldn't, but
I won't have one taken goodbye.
Speaker 2 (14:47):
You know fellas, I'll bet eight dollars he's nuts later.
Speaker 4 (15:02):
It's sometime I think about it.
Speaker 3 (15:35):
Some sense?
Speaker 4 (15:41):
What's a sod things?
Speaker 2 (16:30):
There was a brand new number called Who from Sunny
played thirty some new Tunesville played by Phil Harrison his orchestra.
And now, ladies and gentlemen, as this is the climax
of the football season and it being such a popular sport,
tonight we are going to present a little drama of
the Gridiron entitled The Big Game Button Button, Who's Got
(16:52):
the Ball? Owing to the shortage of actors, a double
roll that of the coach, also the star quarterbacks Flash, Benny.
Speaker 3 (17:05):
Do you hear that? Mary?
Speaker 2 (17:06):
I'm playing two parts, yes, Hans, Now Kenny Baker will.
Speaker 3 (17:11):
I'm ignoring that, Mary, Thanks. Kenny Baker will be right in.
Speaker 2 (17:15):
Phil Harris will be halfback, Andy Devine will be full back,
and Don Wilson will be the rest of the teams.
Speaker 3 (17:23):
And remember Don, football will not be made of jellos.
And don't expect me to carry it. Find college spirits.
Speaker 5 (17:29):
We all said, fellows, Wait a minute, what am I
gonna be?
Speaker 3 (17:32):
Well, Mary, we're short of men, so you'll have to
be one of the players.
Speaker 5 (17:35):
Okay, just call me butch.
Speaker 3 (17:37):
I remember Mary, you got to get out there and fight.
Speaker 5 (17:40):
Don't worry, I'll splug them.
Speaker 3 (17:42):
That'd fine.
Speaker 5 (17:42):
What do you hear from the mob.
Speaker 2 (17:46):
Don't overdo it now, folks, The scene of our play
is flat Foot Cotter College located flat Foot College located
in the thriving little town of art Supporter, Nebraska.
Speaker 3 (18:00):
I was a scene open.
Speaker 2 (18:00):
The first half has just ended in the big game
with Meatball texts. The coach is giving his team a
pep talk in the locker room curtains. Yep, I listen, man,
the score is nothing. You're playing like a lot of jellyfish.
(18:21):
Now that's happy. You have to get out there and fight,
fight for dear old flat boots. Are we gonna let
Meatball beat us?
Speaker 3 (18:26):
Are we gonna let them cross our goal line? Are
we gonna let him win? We always do well. This
time is gonna be different.
Speaker 2 (18:40):
I listen, man, We're up against the tough out Keep
your eyes open this half.
Speaker 3 (18:44):
Meatballs got something up their sleeve. I Dad, Spaghetti, quiet, coach,
this all of.
Speaker 2 (18:51):
You, we're going out there and we're gonna win. I
want all of you to be up on your toes
and stuck off of silly And you, Harris, you're the
most conspicuous player on the field.
Speaker 3 (19:05):
What's the idea of.
Speaker 2 (19:06):
Wearing a steel helmet? I ain't gonna get my hair
must fine cooperation? Why can't you be like divine here?
Speaker 3 (19:12):
He was in there slogging and biting every minute. Why
he's the most alert man on the team. Yeah, who
are we playing? Mass of stuff?
Speaker 2 (19:24):
And you, Baker, listen to me. You're disgrace to the
good name of flat Foot. You're out there playing.
Speaker 3 (19:29):
You don't even know the signals?
Speaker 2 (19:30):
I do too?
Speaker 3 (19:31):
What are they? Red means stop and green means gold? Now,
why don't you remember that when you're out in the
field and you Livingstone step out here? Yes, coach Cools,
I'm the cow, I mean cold. I get this, Livingston.
Speaker 2 (19:52):
You're supposed to be playing football all during the first
quarter you're up in the grand stands.
Speaker 3 (19:55):
What are you doing there?
Speaker 5 (19:56):
I had a gate with a raccoon coat?
Speaker 3 (19:58):
Was there a man in it?
Speaker 5 (20:00):
Still we're going out tonight.
Speaker 3 (20:02):
A fine team. What a bunch of myth with? I
resent that? Look who's resenting? But it's true. There's a
football player among you.
Speaker 1 (20:09):
Oh wait a minute, coach, you're balling us up. What
about Benny. He's the worst quarterback we've ever had.
Speaker 2 (20:13):
I'm getting to him. Come here, Benny, what happened to
you when you sleep out there?
Speaker 3 (20:19):
I did the best I could sir, you get the best. Ye,
you're the laziest, dopiest player on the team. You ought
to know why you're the worst guy. I'm sorry, you're me.
I got out there boys and fight. We can't lose
(20:40):
unless meet ball. Keith on cheating. Yes, they have eleven
men on their team, but.
Speaker 1 (20:44):
Coach, every football team has eleven men.
Speaker 3 (20:46):
They have, darn it. I was thinking of baseball. I
got out. Can you Benny snap into it. I'll try, sir.
Let's go out and win.
Speaker 8 (20:54):
Come hey, cop Hair, the alumni they're always there. Let's
oh boy, here we are, folks. The second half is
about to begin. Meat Fall is already on the field.
(21:15):
Here comes the flat foot team folks, led by flash Benny.
Speaker 3 (21:18):
This is their cheering section.
Speaker 2 (21:20):
Yeah flat foot ready, lad make.
Speaker 4 (21:24):
The back.
Speaker 3 (21:27):
And now the meat for cheering section.
Speaker 8 (21:29):
Yeah our folks, what a fine display of spontsmanship. The
last half is about the start. The crowd is getting restless.
Speaker 3 (21:47):
Here's the whistle. They're lining up.
Speaker 8 (21:48):
Meat Fall is about the kick off the flat foot
Flatfoot receiving and beef up up up up.
Speaker 3 (21:54):
It won't come down, folks. They gotta kick over again.
They're lining up and they're he's the kick. Oh that's
a beauty. There it goes. Kenny Baker of Flatfoot receives
the ball, which.
Speaker 8 (22:05):
Immediately throws Kenny for a ten yard loss.
Speaker 3 (22:08):
He's badly shaken. Here in a huddle. Let's see what
the saint take it away? Feel?
Speaker 2 (22:16):
I listen, fellas, find our own two yard line. But
don't get nervous.
Speaker 3 (22:20):
Yeah, what have we got to lose two yards?
Speaker 2 (22:24):
Never mind, we gotta make a game. I know what's
by our secret pyramid formation play?
Speaker 3 (22:28):
Do you remember how it goes?
Speaker 8 (22:29):
Harris?
Speaker 3 (22:30):
No, humm, a little lovely?
Speaker 2 (22:38):
Now look Harris, look at her. You get up on
Baker's shoulder and I'll throw the ball to you, so
when they rush in the ball will be out of
each You get a Baker.
Speaker 3 (22:45):
Yeah, I'll be killed.
Speaker 2 (22:46):
I wait a minute, hold everything. What's this guy doing
in our huddle? He looks like a spy for meat balls?
From your own center? Right guard, left guard, and right tackle?
Speaker 3 (22:55):
Where's my other tack?
Speaker 7 (22:56):
Ah?
Speaker 3 (22:58):
What without us? Worms? I come on, fellas, let's line up.
I'm fall signals.
Speaker 5 (23:02):
I want to call signal.
Speaker 3 (23:04):
Oh no, you did last half? Will yell out your
telephone number? We want to get results. So do I
pay flies? What do you want me to do? Run
out and get me a hot dog? Get me one? Two? Okay,
come on, come on, come on? What are you throwing? Yeah?
(23:24):
Quiet head, balls, don't get saucy. Let's get gone.
Speaker 2 (23:29):
Line up, Fellas, ready signals seventy two twenty three.
Speaker 8 (23:33):
Height the famous pyramid formation play. Can't tell what happened
yet it was a loss. The ball's on a half
job line. Baker is unconscious and Harris. Where's Harris?
Speaker 7 (23:47):
Oh?
Speaker 3 (23:47):
There he is hanging on the gold post. They're trying
to revive Baker. Take it away. He feels. See this
is awful, poor Kenny.
Speaker 2 (23:56):
I wonder if you'll come to If I do, it
will be the first time, Allison, Fellas, let's try our
famous hidden ball.
Speaker 3 (24:02):
Play lay off of that one flash. Yeah.
Speaker 6 (24:03):
Last time we tried it, we couldn't find the ball.
Speaker 3 (24:06):
For a fun that's right, here's your hot dog. I'll
give me a bite here, piggy. Hey, They run out
and get me one.
Speaker 6 (24:13):
Oh yeah, I wanna play now.
Speaker 3 (24:15):
Come on, fellas, we only got ninety nine yards to go.
Try Shall we go go in someplace? Quiet Baker? Now, look, Fellas,
they keep pushing us back time after time. I know
what we'll do. I'll carry the ball. My tell. Here
we go again. Oh yeah, line up there, I'll show
you our signals. Eleven twenty two fourteen King Dogs. No, Hi,
(24:36):
keim fellas. Here's the play, folks.
Speaker 8 (24:43):
The ball is snapped to Benny and Kenny Baker's immediately
knocked out.
Speaker 3 (24:46):
They got Bennet. No, he twists and turns and crashes
right through me.
Speaker 8 (24:50):
Fall there he goes Down't wait, Benny is tackled. No,
Benry's pants are tackle Benny is free underwear, folks, I
am not. He's a He sinks for a touchdown.
Speaker 3 (25:01):
Wow, look at him? Run fifteen yards, twenty yards, thirty
forty fifty sixty seventy. Hey, you pull over to the sideline.
Where do you think you're gone? Arob's rum on my
way to a touchdown. Yeah, that's what they all say.
(25:21):
Let's see. Your play is light. But g Off's row
is only going seventy. Well, the limit here is thighty five.
Speaker 8 (25:27):
And why didn't you stick out your hand when you
pass that left end?
Speaker 3 (25:29):
But how do you think I knocked him down?
Speaker 8 (25:31):
Oh?
Speaker 3 (25:31):
Ald, wise guy?
Speaker 2 (25:32):
He Hey, come out with me I'm gonna make this touchdown.
Speaker 3 (25:35):
First, Oh no, you're not.
Speaker 2 (25:36):
I'm not a then take fix.
Speaker 3 (25:42):
What a fight, polks, What a fight, bennything's for the
right of the jaw. The cop comes when a Steve
I'm a cut, which catches Benny off. God, what a suck.
Benny is woppley.
Speaker 8 (25:50):
He's down, he's pining it up, but he can't make it.
The count is parked fine six, seven, eight, nine, ten,
he's off me fall wins ten to nothing.
Speaker 3 (26:03):
That's the moment, folks. We'll bring the contestants to the microphone.
The winner of us on Muffy.
Speaker 8 (26:08):
It was a great fight, but the best man won.
And now the loser flash Spenny, I was row put
on the soup.
Speaker 3 (26:18):
Ma, I'll be right home.
Speaker 1 (26:33):
Here's a grand dessert for this time of year, and
it's easy to prepare. It's called orange marshmallow mold, and
it will bring a cheerful dish of sunshine to your
December menus.
Speaker 3 (26:43):
It's a rich and.
Speaker 1 (26:44):
Delicious combination of bright orange, yellow white oranges and creamy marshmallows.
Speaker 3 (26:48):
And here's the way you make it.
Speaker 1 (26:50):
Dissolved one package will kill until slightly thickened, then fall
in two diced oranges and eight marshmallows cut in.
Speaker 3 (26:56):
Quarters so firm, turn out on a platter, and you
have one.
Speaker 1 (26:58):
Of the most attractive alert you ever served, orange marshmallow moles.
So try this swell dessert tomorrow, but be sure to
make it with the one and only genuine Jello.
Speaker 5 (27:43):
Hello, Hello, Mama, what so I wasn't hurt? I feel fine?
Listen mama, this is the last number of the Tense
Program the New Jello series, and we'll be with you
again next Sunday night at the same time.
Speaker 3 (27:57):
What what are you Happened at Mary's? Momma said?
Speaker 5 (28:02):
Good night? Those h.
Speaker 7 (28:09):
L The melody who from the production Son is written
by Jerome Kern. Kenny Baker appears on the Jelly Program.
Speaker 1 (28:24):
There's the courtesy of Mervyn Lay Production.
Speaker 3 (28:26):
This is a national broadcasting company.
Speaker 2 (28:31):
H
The Jello program starrying Jack Benny with Mary Livingston and
Cel Harris in his orchestra. The Orchantrope has a program
with Overnight from thin Ice. The right dinner can make
(00:28):
a success of almost any day, and the right dessert
can make a success of any dinner. And I believe
the right dessert is Jello. For everybody likes Jello. It's
so attractive, so tempting, so down right delicious. No other
gelatin dessert brings you Jello's extra rich fruit flavor. No
other can top it for bright, delicious colors and rich,
satisfying fruit goodness. And you can serve jello in so minutes,
(00:51):
Serve it plain, going wellow decorated with fluffy whipped cream,
or use one of the attractive recipes which are on
every Jello package. They're all easy to make, make an
inexpensive and you like them, just be sure to get
genuine Jello. Pa there is only one Jello. Look for
the big red letters on the box. They spell Jello
(01:44):
that was Overnight from thin Ice, played by Phil Harrison's Orchestra. Now,
ladies and gentlemen, we bring you a rag, a bone,
and a hank.
Speaker 2 (01:51):
Or glow again, it's a Jack Benny the Silver Fox talking.
Speaker 3 (02:03):
And Don.
Speaker 2 (02:03):
That was a nice literary introduction you gave me. I
didn't know you were so familiar with Shakespeare.
Speaker 3 (02:08):
Why Shakespeare didn't write that? Jack?
Speaker 1 (02:11):
You know a Don?
Speaker 3 (02:12):
Yeah? Jack is well, well, anyway, Shakespeare didn't write it.
Speaker 2 (02:16):
Jack.
Speaker 3 (02:16):
You know, A Rag of Bone and a hank of
Hair was written by Rudyard Chipley. Oh did kippy with
that one?
Speaker 4 (02:22):
Up?
Speaker 3 (02:23):
He's been adding the word gray? It was my old idea.
Speaker 2 (02:25):
Well, ain't you the one? But I didn't mind that, Don.
I'm quite proud of my gray hair. Besides, it's not
due to age. I'm just prematurely gray.
Speaker 3 (02:34):
Prematurely Yeah.
Speaker 2 (02:35):
Up to the age of nineteen, my hair was as
black as the eighth of Saves.
Speaker 3 (02:39):
Well what happened? Mother nature trumped it the last time.
I'll play cards with her.
Speaker 2 (02:47):
Oh, don't worry about it, Jack. Personally, I liked your
gray hair. Oh do you sess it matches your complexion?
Speaker 3 (02:55):
So it does?
Speaker 2 (02:55):
Anyway, you should talk about someone else's hair. But those
curly locks you got, what's the matter with them? You
look like a big fat Shirley temple. Oh yeah, well,
you look like George Jarls twenty years from now. That's so,
I don't mind looking like George Arlis. He's one of
our greatest actors. That's where the resemblance ends. Get a
(03:21):
load of Phil's hair, folks, so way these seagulls follow
them down the street. Yeah, George is so dead. Buzzards
follow you a fine talk boys, boys, what's going on here?
Nothing down, We're just giving each.
Speaker 3 (03:40):
Other the birds. Wow, that was a hot one. The
audience will cool it off.
Speaker 2 (03:47):
Not tonight, Phil, I'm a little too fast for you.
Speaker 5 (03:49):
Oh hello, Mary, Hello Jacket, I'm as anything.
Speaker 3 (03:51):
Oh, nothing much. Don started kidding me about my gray hair,
and then Phil picked it up.
Speaker 5 (03:57):
Who's got it now?
Speaker 3 (04:00):
Mary, I'm talking about my own hair?
Speaker 2 (04:02):
Oh zose, Yes, yes, so I still got plenty of
hair left.
Speaker 3 (04:09):
Yeah.
Speaker 5 (04:09):
Stick a palm tree on your head and you'll have
an oasis.
Speaker 3 (04:13):
That's silly. Imagine a palm tree on my head.
Speaker 5 (04:15):
You could have monkeys for dandrus.
Speaker 3 (04:20):
Oh Mary, that was a good one, thanks Hill. Yes,
you two are so clever. Why don't you get your
own programs? Ah, Jack, we wouldn't leave you.
Speaker 5 (04:28):
No, you're too good at shoes.
Speaker 2 (04:32):
Well I'm glad you appreciate my humble efforts.
Speaker 3 (04:34):
Oh Jack, you mouf.
Speaker 5 (04:35):
Here comes our wandering boy. Hello Kenny, Hello Kenny.
Speaker 3 (04:39):
Oh h Kenny. What's the matter with you? Oh? Nothing,
I'm just burned up, that's all about what.
Speaker 2 (04:46):
Oh?
Speaker 3 (04:46):
I had another fire with my girl. That's all we
do lately. Fips, pip pip, Well, Kenny, those are just
lovers quarrel, that's all what happens.
Speaker 2 (04:53):
Invite me over her house all the time, and after
I get there, all she does is make fudge for me.
Speaker 3 (04:59):
Fudge, Well, what's wrong with that? She won't put much
in it? Now, isn't that awful? I don't see how
you put up with it? Oh? And that's not all.
Speaker 2 (05:16):
Every night, when I asked her to go to the movie,
she wants to play post Office instead.
Speaker 3 (05:20):
Boy, is she dumb?
Speaker 2 (05:22):
Dumb?
Speaker 3 (05:23):
What's dumb about playing post Office? It isn't even open
at night?
Speaker 2 (05:28):
Why, Kenny? Post Office is a kissing game. Haven't you
ever played it?
Speaker 3 (05:31):
No? How does it go? It's very simple.
Speaker 2 (05:33):
They call out your name and the name of a girl,
and then you go out in the next room and.
Speaker 3 (05:37):
You kiss her. Then what do you do? That's all
there is Kenny, that's the game. Well, that's the silliest
thing I ever heard of. It's not silly. Everybody has
played post Office.
Speaker 5 (05:47):
Yeah, it's lack. It's time.
Speaker 3 (05:48):
Why I've played it a million times? Of course, did
you ever play it? Till? Yes?
Speaker 2 (06:01):
Oh, they come on, Mary, show Kenny how it goes. Now, look, Kenny,
Mary's supposed to be in another room, and I'm the postman,
so I send you to Mary to get the letter?
Speaker 3 (06:09):
Is not that the way? It's dark? Phil, I never
bother with the preliminaries. Now, come on, Kenny, put your arms.
Put your arms around Mary like that.
Speaker 5 (06:18):
Get your elbow out of my ear.
Speaker 2 (06:20):
Come on, Kenny, put your arms around her.
Speaker 3 (06:21):
I bet this is a trap. It is not. Go ahead,
and I don't be afraid. I'm not afraid. And why
are you trembling? Hey? Everything helps? That's right now.
Speaker 2 (06:34):
Now kiss him Mary, kiss him? Go ahead, kiss Kenny.
Speaker 5 (06:38):
Oh you play with him?
Speaker 3 (06:39):
Jack? Oh, well, let's forget the whole thing. Kenny will
never learn the game.
Speaker 5 (06:43):
Let him wait the post office opens?
Speaker 3 (06:45):
Yeah, Hi, your fuck holp. I let me in on there?
Oh hello Andy, Hello? Why are you walk in? You
are so quiet? Stop card and I've forgot my shoes.
Speaker 6 (06:59):
What's going on here anyway?
Speaker 2 (07:01):
Oh, we're just showing Kenny how to play post office.
Speaker 3 (07:03):
Do you want to play? Hold my CRU's a victim? Well,
good night, Jack, I'll come back here. Mary, say, fuck,
I listened to your program last week. Are you on
the level about wanting to get rid of your old Maxwell?
If I am, Andy, would you like to buy my car?
Speaker 4 (07:20):
Well?
Speaker 6 (07:21):
That all depends.
Speaker 5 (07:22):
Depends on what whether he's crazy or not.
Speaker 3 (07:25):
Quiet Mary, we're talking business. Say fuck, what do you want?
What do you want for your car? Well?
Speaker 2 (07:30):
Andy, I shouted out, asking ninety five dollars, but I'll
probably end.
Speaker 3 (07:34):
Up with eighty. I don't think you'll even finish in
the money. Now, look, Andy, are you interested in my
car or not?
Speaker 7 (07:44):
Well, taun Ma, we're discussing it last night, and Paul
thought I ought to buy him.
Speaker 3 (07:49):
He did, yeah, but mar changed his mind with the
right cross to the gym. Well, I'm sorry your Paul
got in wrong on account of my car. Don't worry
about him when he comes to you, runner bull leg, Well, look.
Speaker 2 (08:02):
And he lets you and I go over here in
the corner. I'll make you a nice proposition on that Maxwell.
Speaker 3 (08:06):
Okay, fuck sing Kenny.
Speaker 2 (08:08):
Now look here Andy, Despite all rumors, my car is
an excellent condition. Why that Maxwell is good to the
last drop and another thing.
Speaker 3 (08:28):
I'm thrill, aren't you.
Speaker 6 (08:32):
Just look what?
Speaker 4 (08:33):
Love?
Speaker 3 (08:34):
And I'm hot, I'm squeak, but it's a god.
Speaker 6 (08:47):
Off straight.
Speaker 3 (08:49):
I'll sweep be a crowd. It sweet.
Speaker 6 (09:00):
Before Blossom on Broadway when I'm walking with you, Blossom
(09:20):
segrees never grew for not the crown and the low from.
Speaker 4 (09:34):
And all my cards turn into sime.
Speaker 2 (09:43):
Is Maggie on the way when you let me.
Speaker 3 (09:51):
Maggie, My heart never knew Joy walks on Broadway, sung
(10:34):
by Kenny Baker.
Speaker 2 (10:36):
As fine a tenor as these old ears I've ever heard,
and these old eyes I've ever seen. It very well done.
My lead yowser yaoser gee. That sounds just like Ben Burnie,
Ben Bernie.
Speaker 5 (10:46):
Yes, I had to be Originals.
Speaker 2 (10:48):
I wasn't imitating Bernie. I've always said yaodas baby.
Speaker 3 (10:51):
I used to say yawser, that's funny.
Speaker 5 (10:54):
When I was a baby, gas.
Speaker 3 (10:55):
Well, that was popular too, Yes, you know Jack.
Speaker 1 (10:59):
When I was a baby, I used to say glove.
Speaker 2 (11:00):
Glove, well done, some done to some babies. Used to say,
dada and some glove glove.
Speaker 3 (11:08):
I was the Google type. Well that shows you they
are all kinds of What kind of a baby? Will
you feel? Bottles? Oh well, put it away while we're broadcasting.
Say five, Yes, Andy, you.
Speaker 8 (11:25):
May not please this, but when I was a baby,
I was the prettiest thing you ever saw.
Speaker 3 (11:30):
Yeah, I bet you were that. I had blue eyes
and blonde curls and dimples all over my face, dimpled
all over your face. Yeah, I look like a golf ball.
You did, Yes, Sir May used to put me to
sweep with a.
Speaker 2 (11:46):
Niblic Landy, didn't your fires Landy? You're still cute, you
really are. I might even add that you're handsome.
Speaker 3 (11:57):
Oh you just said that to make me feel good.
It's gonna sure got results. Well, we can't say cute forever.
We all get older. You know, time marches on.
Speaker 5 (12:07):
That's a chef on, Andy, Mary say buck, I got
a picture of me here, taken when I.
Speaker 3 (12:13):
Was six months old. Want to see it? Sure, I'd
love to.
Speaker 2 (12:16):
Hey here you are.
Speaker 3 (12:17):
Oh, isn't that adorable?
Speaker 2 (12:20):
Let me see it?
Speaker 3 (12:21):
Jack? How me too? Say that's really something six months old? Gee?
But you know, Andy, I don't seem to recognize you
in this picture. Well, I'll tell you a buck. They
never could get me to face the camera. Oh, I see,
you can't tell me from Robert Taylor there. Hey, that's right, Andy,
(12:47):
say Mary. Isn't it a cute picture? Yeah?
Speaker 5 (12:49):
But his ears are awfully big for a day.
Speaker 3 (12:51):
Yet too, they are a g andy. You really have
such big ears. So they had to lock me up
during the rabbit season. Well, here's your picture back, Andy,
And won't you ever lose? I don't, won't you know? Fellas?
Speaker 2 (13:03):
All this talk about babies kind of makes you stop
and think, doesn't it. It's the mystery of life. We're born,
we cry, we grow up, we mature, and yet what
are we? I'm a Republican, Kenny, I don't know, fella.
Speaker 3 (13:20):
It's a problem, isn't it.
Speaker 2 (13:22):
We start from the cradle just babies, and then it
seems like, I don't know, it seems like overnight we're
transformed into.
Speaker 3 (13:29):
Full grown beings. And yet do we really change? Do
we really blossom? Oh?
Speaker 2 (13:35):
Shut up, there's no use trying to be a philosopher
around here.
Speaker 1 (13:45):
You know, Jack, I hardly agree with you and your philosophy.
You're absolutely right, thanks Don. We don't really change when
we're babies.
Speaker 3 (13:52):
Our mothers feed us jello and we love it. How true, Don,
How true?
Speaker 1 (13:57):
And then we're children in school and those six delicious flavors.
Speaker 3 (14:00):
Are just as tempting to us. Yeah. Man, Well and
Dona's time passes on. As the years go drifting by,
we become men.
Speaker 2 (14:10):
Pray, Kenny, stop showing off. You always bounce in at
the wrong time.
Speaker 3 (14:15):
Well, I want to be a man.
Speaker 5 (14:17):
Write a letter to Tanny Claus.
Speaker 3 (14:20):
I'm sorry they butted in, Don. Is there anything else
you wanted to say? Oh? Just oodles? But I'll save
it for later. That's fine.
Speaker 2 (14:25):
We'll all be waiting, and now, ladies and gentlemen. While
we're waiting, Bill Harrison his Orchester will play Who from Sunny?
Speaker 3 (14:31):
Hit it? Bill, I'll wait a minute, Come in, mister Benny. Yes, dude,
I to see my baby picture. No I wouldn't, but
I won't have one taken goodbye.
Speaker 2 (14:47):
You know fellas, I'll bet eight dollars he's nuts later.
Speaker 4 (15:02):
It's sometime I think about it.
Speaker 3 (15:35):
Some sense?
Speaker 4 (15:41):
What's a sod things?
Speaker 2 (16:30):
There was a brand new number called Who from Sunny
played thirty some new Tunesville played by Phil Harrison his orchestra.
And now, ladies and gentlemen, as this is the climax
of the football season and it being such a popular sport,
tonight we are going to present a little drama of
the Gridiron entitled The Big Game Button Button, Who's Got
(16:52):
the Ball? Owing to the shortage of actors, a double
roll that of the coach, also the star quarterbacks Flash, Benny.
Speaker 3 (17:05):
Do you hear that? Mary?
Speaker 2 (17:06):
I'm playing two parts, yes, Hans, Now Kenny Baker will.
Speaker 3 (17:11):
I'm ignoring that, Mary, Thanks. Kenny Baker will be right in.
Speaker 2 (17:15):
Phil Harris will be halfback, Andy Devine will be full back,
and Don Wilson will be the rest of the teams.
Speaker 3 (17:23):
And remember Don, football will not be made of jellos.
And don't expect me to carry it. Find college spirits.
Speaker 5 (17:29):
We all said, fellows, Wait a minute, what am I
gonna be?
Speaker 3 (17:32):
Well, Mary, we're short of men, so you'll have to
be one of the players.
Speaker 5 (17:35):
Okay, just call me butch.
Speaker 3 (17:37):
I remember Mary, you got to get out there and fight.
Speaker 5 (17:40):
Don't worry, I'll splug them.
Speaker 3 (17:42):
That'd fine.
Speaker 5 (17:42):
What do you hear from the mob.
Speaker 2 (17:46):
Don't overdo it now, folks, The scene of our play
is flat Foot Cotter College located flat Foot College located
in the thriving little town of art Supporter, Nebraska.
Speaker 3 (18:00):
I was a scene open.
Speaker 2 (18:00):
The first half has just ended in the big game
with Meatball texts. The coach is giving his team a
pep talk in the locker room curtains. Yep, I listen, man,
the score is nothing. You're playing like a lot of jellyfish.
(18:21):
Now that's happy. You have to get out there and fight,
fight for dear old flat boots. Are we gonna let
Meatball beat us?
Speaker 3 (18:26):
Are we gonna let them cross our goal line? Are
we gonna let him win? We always do well. This
time is gonna be different.
Speaker 2 (18:40):
I listen, man, We're up against the tough out Keep
your eyes open this half.
Speaker 3 (18:44):
Meatballs got something up their sleeve. I Dad, Spaghetti, quiet, coach,
this all of.
Speaker 2 (18:51):
You, we're going out there and we're gonna win. I
want all of you to be up on your toes
and stuck off of silly And you, Harris, you're the
most conspicuous player on the field.
Speaker 3 (19:05):
What's the idea of.
Speaker 2 (19:06):
Wearing a steel helmet? I ain't gonna get my hair
must fine cooperation? Why can't you be like divine here?
Speaker 3 (19:12):
He was in there slogging and biting every minute. Why
he's the most alert man on the team. Yeah, who
are we playing? Mass of stuff?
Speaker 2 (19:24):
And you, Baker, listen to me. You're disgrace to the
good name of flat Foot. You're out there playing.
Speaker 3 (19:29):
You don't even know the signals?
Speaker 2 (19:30):
I do too?
Speaker 3 (19:31):
What are they? Red means stop and green means gold? Now,
why don't you remember that when you're out in the
field and you Livingstone step out here? Yes, coach Cools,
I'm the cow, I mean cold. I get this, Livingston.
Speaker 2 (19:52):
You're supposed to be playing football all during the first
quarter you're up in the grand stands.
Speaker 3 (19:55):
What are you doing there?
Speaker 5 (19:56):
I had a gate with a raccoon coat?
Speaker 3 (19:58):
Was there a man in it?
Speaker 5 (20:00):
Still we're going out tonight.
Speaker 3 (20:02):
A fine team. What a bunch of myth with? I
resent that? Look who's resenting? But it's true. There's a
football player among you.
Speaker 1 (20:09):
Oh wait a minute, coach, you're balling us up. What
about Benny. He's the worst quarterback we've ever had.
Speaker 2 (20:13):
I'm getting to him. Come here, Benny, what happened to
you when you sleep out there?
Speaker 3 (20:19):
I did the best I could sir, you get the best. Ye,
you're the laziest, dopiest player on the team. You ought
to know why you're the worst guy. I'm sorry, you're me.
I got out there boys and fight. We can't lose
(20:40):
unless meet ball. Keith on cheating. Yes, they have eleven
men on their team, but.
Speaker 1 (20:44):
Coach, every football team has eleven men.
Speaker 3 (20:46):
They have, darn it. I was thinking of baseball. I
got out. Can you Benny snap into it. I'll try, sir.
Let's go out and win.
Speaker 8 (20:54):
Come hey, cop Hair, the alumni they're always there. Let's
oh boy, here we are, folks. The second half is
about to begin. Meat Fall is already on the field.
(21:15):
Here comes the flat foot team folks, led by flash Benny.
Speaker 3 (21:18):
This is their cheering section.
Speaker 2 (21:20):
Yeah flat foot ready, lad make.
Speaker 4 (21:24):
The back.
Speaker 3 (21:27):
And now the meat for cheering section.
Speaker 8 (21:29):
Yeah our folks, what a fine display of spontsmanship. The
last half is about the start. The crowd is getting restless.
Speaker 3 (21:47):
Here's the whistle. They're lining up.
Speaker 8 (21:48):
Meat Fall is about the kick off the flat foot
Flatfoot receiving and beef up up up up.
Speaker 3 (21:54):
It won't come down, folks. They gotta kick over again.
They're lining up and they're he's the kick. Oh that's
a beauty. There it goes. Kenny Baker of Flatfoot receives
the ball, which.
Speaker 8 (22:05):
Immediately throws Kenny for a ten yard loss.
Speaker 3 (22:08):
He's badly shaken. Here in a huddle. Let's see what
the saint take it away? Feel?
Speaker 2 (22:16):
I listen, fellas, find our own two yard line. But
don't get nervous.
Speaker 3 (22:20):
Yeah, what have we got to lose two yards?
Speaker 2 (22:24):
Never mind, we gotta make a game. I know what's
by our secret pyramid formation play?
Speaker 3 (22:28):
Do you remember how it goes?
Speaker 8 (22:29):
Harris?
Speaker 3 (22:30):
No, humm, a little lovely?
Speaker 2 (22:38):
Now look Harris, look at her. You get up on
Baker's shoulder and I'll throw the ball to you, so
when they rush in the ball will be out of
each You get a Baker.
Speaker 3 (22:45):
Yeah, I'll be killed.
Speaker 2 (22:46):
I wait a minute, hold everything. What's this guy doing
in our huddle? He looks like a spy for meat balls?
From your own center? Right guard, left guard, and right tackle?
Speaker 3 (22:55):
Where's my other tack?
Speaker 7 (22:56):
Ah?
Speaker 3 (22:58):
What without us? Worms? I come on, fellas, let's line up.
I'm fall signals.
Speaker 5 (23:02):
I want to call signal.
Speaker 3 (23:04):
Oh no, you did last half? Will yell out your
telephone number? We want to get results. So do I
pay flies? What do you want me to do? Run
out and get me a hot dog? Get me one? Two? Okay,
come on, come on, come on? What are you throwing? Yeah?
(23:24):
Quiet head, balls, don't get saucy. Let's get gone.
Speaker 2 (23:29):
Line up, Fellas, ready signals seventy two twenty three.
Speaker 8 (23:33):
Height the famous pyramid formation play. Can't tell what happened
yet it was a loss. The ball's on a half
job line. Baker is unconscious and Harris. Where's Harris?
Speaker 7 (23:47):
Oh?
Speaker 3 (23:47):
There he is hanging on the gold post. They're trying
to revive Baker. Take it away. He feels. See this
is awful, poor Kenny.
Speaker 2 (23:56):
I wonder if you'll come to If I do, it
will be the first time, Allison, Fellas, let's try our
famous hidden ball.
Speaker 3 (24:02):
Play lay off of that one flash. Yeah.
Speaker 6 (24:03):
Last time we tried it, we couldn't find the ball.
Speaker 3 (24:06):
For a fun that's right, here's your hot dog. I'll
give me a bite here, piggy. Hey, They run out
and get me one.
Speaker 6 (24:13):
Oh yeah, I wanna play now.
Speaker 3 (24:15):
Come on, fellas, we only got ninety nine yards to go.
Try Shall we go go in someplace? Quiet Baker? Now, look, Fellas,
they keep pushing us back time after time. I know
what we'll do. I'll carry the ball. My tell. Here
we go again. Oh yeah, line up there, I'll show
you our signals. Eleven twenty two fourteen King Dogs. No, Hi,
(24:36):
keim fellas. Here's the play, folks.
Speaker 8 (24:43):
The ball is snapped to Benny and Kenny Baker's immediately
knocked out.
Speaker 3 (24:46):
They got Bennet. No, he twists and turns and crashes
right through me.
Speaker 8 (24:50):
Fall there he goes Down't wait, Benny is tackled. No,
Benry's pants are tackle Benny is free underwear, folks, I
am not. He's a He sinks for a touchdown.
Speaker 3 (25:01):
Wow, look at him? Run fifteen yards, twenty yards, thirty
forty fifty sixty seventy. Hey, you pull over to the sideline.
Where do you think you're gone? Arob's rum on my
way to a touchdown. Yeah, that's what they all say.
(25:21):
Let's see. Your play is light. But g Off's row
is only going seventy. Well, the limit here is thighty five.
Speaker 8 (25:27):
And why didn't you stick out your hand when you
pass that left end?
Speaker 3 (25:29):
But how do you think I knocked him down?
Speaker 8 (25:31):
Oh?
Speaker 3 (25:31):
Ald, wise guy?
Speaker 2 (25:32):
He Hey, come out with me I'm gonna make this touchdown.
Speaker 3 (25:35):
First, Oh no, you're not.
Speaker 2 (25:36):
I'm not a then take fix.
Speaker 3 (25:42):
What a fight, polks, What a fight, bennything's for the
right of the jaw. The cop comes when a Steve
I'm a cut, which catches Benny off. God, what a suck.
Benny is woppley.
Speaker 8 (25:50):
He's down, he's pining it up, but he can't make it.
The count is parked fine six, seven, eight, nine, ten,
he's off me fall wins ten to nothing.
Speaker 3 (26:03):
That's the moment, folks. We'll bring the contestants to the microphone.
The winner of us on Muffy.
Speaker 8 (26:08):
It was a great fight, but the best man won.
And now the loser flash Spenny, I was row put
on the soup.
Speaker 3 (26:18):
Ma, I'll be right home.
Speaker 1 (26:33):
Here's a grand dessert for this time of year, and
it's easy to prepare. It's called orange marshmallow mold, and
it will bring a cheerful dish of sunshine to your
December menus.
Speaker 3 (26:43):
It's a rich and.
Speaker 1 (26:44):
Delicious combination of bright orange, yellow white oranges and creamy marshmallows.
Speaker 3 (26:48):
And here's the way you make it.
Speaker 1 (26:50):
Dissolved one package will kill until slightly thickened, then fall
in two diced oranges and eight marshmallows cut in.
Speaker 3 (26:56):
Quarters so firm, turn out on a platter, and you
have one.
Speaker 1 (26:58):
Of the most attractive alert you ever served, orange marshmallow moles.
So try this swell dessert tomorrow, but be sure to
make it with the one and only genuine Jello.
Speaker 5 (27:43):
Hello, Hello, Mama, what so I wasn't hurt? I feel fine?
Listen mama, this is the last number of the Tense
Program the New Jello series, and we'll be with you
again next Sunday night at the same time.
Speaker 3 (27:57):
What what are you Happened at Mary's? Momma said?
Speaker 5 (28:02):
Good night? Those h.
Speaker 7 (28:09):
L The melody who from the production Son is written
by Jerome Kern. Kenny Baker appears on the Jelly Program.
Speaker 1 (28:24):
There's the courtesy of Mervyn Lay Production.
Speaker 3 (28:26):
This is a national broadcasting company.
Speaker 2 (28:31):
H
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