July 27, 2025 • 29 mins
A legendary variety show blending witty monologues, comic sketches, and musical interludes, all anchored by the impeccable timing of its beloved host. It’s a masterclass in comedic timing.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:11):
Do you know the reason why Jello today tastes richer,
more thrillingly good than it ever has before. Well, it's
all because of Jello's wonderful new process that locks in
Jello's grand and glorious flavor. It is today Jello gives
you more of the richness that for over forty years
has made Jello America's favorite gelatine dessert, because now this
(00:32):
richness is locked right into the tiny Jello particles. To
bring you extra enjoyment, try all of Jello's six delicious
flavors Rosy pink strawberry, crimson raspberry, ruby, red cherry, golden orange,
sunny lemon, and emerald green limes.
Speaker 2 (00:48):
All of these tempting.
Speaker 1 (00:49):
Jellow flavors offer you bright, brilliant beauty and flavor that
makes you think of the juicy ripe fruit itself, flavor that.
Speaker 2 (00:56):
Is locked in for your added pleasure.
Speaker 1 (00:59):
To prove how swellt hell Jello's lost in flavor really is,
open a package of Jello. Notice that there's no tell
Taylor roma, no sign of escaping fragrance and flavor. Then
dissolve the tiny Jello particles and notice how Jello's captive
goodness comes pouring out in a rush of richness. Get
Jello tomorrow in all six delicious flavors, and thrill to
(01:19):
the marvelous new delight of Jello's lost in flavor.
Speaker 2 (01:45):
That the please inslaved by the orchestra.
Speaker 3 (01:47):
Now, ladies and gentlemen, we turn back the block and
take you to the direct bar across the streets from
the NBC building here in Hollywood. The time is exactly
fifteen minutes before this broadcast.
Speaker 2 (01:56):
Stay away that hurry up and order your sandwich, will
you marry? We'll be on the end in a few minutes.
Speaker 4 (02:08):
A sandwich, Yes, I'm a growing girl. I want meat
and potatoes.
Speaker 2 (02:13):
We'll all right order a meat sandwich. And the potato
chips here are very crispy.
Speaker 4 (02:19):
Every Sunday we have to eat in the drug store.
Why don't you take me to the brown Derby once in.
Speaker 2 (02:22):
A while, Mary, I'm not going into the brown Derby
until they hang my picture in the main dining room
with the rest of the big movie size. They can't
treat me that way. What do you mean every time
I want to see that drawing of myself, I've got
to go in and wash my hands. Well, it's not right.
Speaker 4 (02:50):
All stop complaining, Say Jack, look at this item on
the menu, Jack Benny feesh'l thirty five.
Speaker 2 (02:58):
Cents, Jack Benny fesh, what is it?
Speaker 4 (03:01):
A minute's sake with a transfusion?
Speaker 2 (03:04):
Oh, these soda jerks think they're so smart. Hey, gil Roy,
what do I have to do to get a little
service around here?
Speaker 5 (03:10):
Make an easy blue eyes? Hello Mary?
Speaker 4 (03:13):
Wella be I have a hot roasty sandwich, mashed potatoes,
lettuce and tomato salad, and apple pie with twody fruity
ice creams.
Speaker 2 (03:20):
Mary, you haven't got time to eat all that?
Speaker 4 (03:22):
Okay, don't sut the fruity.
Speaker 2 (03:26):
I will say that stuff for the program, Say gil Roy.
I think I'll just have a cup of coffee and
a donuts A wh a donut, one of those over
there with the powdered sugar on us.
Speaker 6 (03:35):
That's a plain through it.
Speaker 2 (03:36):
I forgot to dust them.
Speaker 5 (03:37):
Off this morning.
Speaker 2 (03:44):
Oh oh, oh, well, never mind, Maybe I'll just have
a cup of ollo Phil Hello Jackson, Hello Mary.
Speaker 4 (03:51):
Hello, hey Jack. Get a load of filled slacks? Are
the button on the side?
Speaker 2 (03:56):
Oh yeah, well, I'll be done. I put on a
faro bollas. Oh my godness, why don't you open your
eyes when you get up in the morning.
Speaker 3 (04:06):
They're open, Jackson, but they don't work till noon. No,
bet Rich, Well, Mike guy, give me a Phil Harris special.
Speaker 2 (04:17):
Okay, one ham on it.
Speaker 6 (04:19):
Put a wave in it.
Speaker 2 (04:24):
Put a wave in it. The more he gatistical thing
I ever heard.
Speaker 4 (04:28):
There's your Ordermary, Thanks, Oh Jack. Looking down the other
end of the counter, it's Virgil rhymer, A funny sound man.
Speaker 2 (04:35):
That's what he thinks. Nobody speaks to me. He's getting
too fresh. Hello, Virgil, what do I have get long
distance on the phone?
Speaker 5 (04:40):
I want a Dinverse family.
Speaker 2 (04:47):
Oh he's he's so clever.
Speaker 5 (04:49):
That's vigil.
Speaker 3 (04:50):
You sure got a lot of laughs at Champaign last Sunday.
Speaker 5 (04:52):
You were the funniest thing on the Betty program.
Speaker 3 (04:54):
Yeah, and imagine what I could do a whole poison
post didn't hold me down.
Speaker 2 (05:00):
Poison puts. That's a fine way to talk about our sponsor.
You mean you, I know who we mean, white guy.
No sitting Verge are horrific.
Speaker 5 (05:12):
Do you get many fan letters?
Speaker 3 (05:13):
I'll say, remember that little poodle that you used to
run out and bring in my mail?
Speaker 5 (05:17):
Yeah?
Speaker 3 (05:18):
Well I got a safe Bernard Now.
Speaker 2 (05:22):
That's positively the worst joke I ever heard.
Speaker 4 (05:25):
I thought I was kind of cute me too.
Speaker 3 (05:27):
Yeah you know, Virgil, I thought you had a lot
of fun working for Vennie Bum.
Speaker 2 (05:32):
That old slave driver does everything but chase us across
the ice. Well that's the last straw.
Speaker 5 (05:37):
Now listen here, Virgil.
Speaker 3 (05:38):
Oh hello, mister Lagree, where's your whip?
Speaker 2 (05:44):
Never mind the white tracks? You get over to NBC
and set up our props for the program. I'll scram
see what I told you?
Speaker 7 (05:50):
Gil?
Speaker 2 (05:52):
All right, get going, Get going? Hey, Verg, because I
slipped my mos and Mickey, you stay out of it?
Speaker 5 (05:59):
Hey, where's my arms?
Speaker 2 (06:00):
Are you at?
Speaker 5 (06:01):
S weir?
Speaker 6 (06:02):
You want something to drink with it?
Speaker 2 (06:04):
Oh?
Speaker 5 (06:04):
Thanks, I'm on the wagon.
Speaker 2 (06:06):
He never heard a coffee in the morning. Hurry up
with mine, will.
Speaker 5 (06:10):
You say, mister Vinnie. I just get on the wing
machine and humo.
Speaker 2 (06:13):
Oh hello Dennis, Hello, say mister Bennie.
Speaker 5 (06:16):
I just got on the wing machine.
Speaker 8 (06:17):
And how much do you see?
Speaker 2 (06:18):
How how are you feeling? Kids?
Speaker 5 (06:20):
All right?
Speaker 2 (06:20):
I guess good good.
Speaker 8 (06:22):
I thought I had fallen arches for a while, but
I wasn't pulling my socks up. Oh oh, I see
thank Kevin. My girl can use those arch supporters I bought.
Speaker 2 (06:37):
Why don't you buy him, Jack, because I don't need them?
What makes you think I got flat feet? Plot?
Speaker 6 (06:42):
PLoP plot?
Speaker 2 (06:44):
All right, all right, young lady. Just for that, I'm
not going to pick up your check today.
Speaker 4 (06:48):
I can carry it over to the cashier myself.
Speaker 8 (06:51):
I was gonna pay it too, say mister Bennie, I
just got on the wing machine.
Speaker 5 (06:55):
Yes, how much do you think I weigh?
Speaker 2 (06:57):
How much? Dennis?
Speaker 5 (06:58):
One hundred and forty one pounds rip.
Speaker 2 (07:05):
Strips?
Speaker 5 (07:05):
I took the scale in the phone booth.
Speaker 2 (07:13):
Oh oh, well, you better watch yourself, young man.
Speaker 5 (07:16):
And you know what else, mister Benny.
Speaker 8 (07:18):
When I put a penny in the machine, I got
one of those little cars with my fortune on it.
Speaker 2 (07:21):
Oh you're for today? What did it say?
Speaker 7 (07:23):
Kid?
Speaker 5 (07:24):
You're lucky? You can sing.
Speaker 2 (07:29):
There's a machine that knows its business. Hey, Gilroy, where's
my coffee? Did you send a Brazil for it? Deefeef
in your smart Alex. I wouldn't even eat here if
the brown Derby wasn't so careless about where they hung
my picture? You want to wash your hands here? Sometimes?
(07:54):
Well I'll be gone.
Speaker 6 (07:56):
Hey, kids, you better.
Speaker 2 (07:57):
Snap into it.
Speaker 9 (07:57):
We on the air in a few minutes.
Speaker 2 (07:59):
Okay, don see later, Jaxon.
Speaker 3 (08:00):
I'm gonna run ahead and find out what my boys
are gonna play today.
Speaker 2 (08:03):
What you mean you don't know what numbers you're doing?
Weren't you a rehearsal. We didn't have a rehearsal, Frank,
he left the cards and chips haul Oh, seeing the joints, fella,
be right off? Oh say, Don John, come here a minute,
will you? Oh? When you introduced me today, I wish
you'd do me a favor and say, I just started
my new picture at Warner Brothers with Anne Sheridan.
Speaker 5 (08:24):
Will are you breaking a picture with Anne Shirdon?
Speaker 2 (08:26):
Yes? And it might be on the program today. You know,
it might be a nice subject to talk about, you know,
inject a little romance.
Speaker 4 (08:32):
What do you mean romance? You're playing the part of
her father, aren't you.
Speaker 2 (08:35):
I had that out with a director and I'm now
her husband. My new role will be great for the picture.
Speaker 4 (08:41):
It won't hurt to make up business either, all.
Speaker 2 (08:44):
Right, I don't forget Don Warner Brothers. Huh yeah, be
with you in a second, Mary. I want to get
a tube of shaving creams. Hey, mister, give me a
tube of shaving cream. Will you God turn in an
old tube?
Speaker 8 (08:58):
You know, God turning no one.
Speaker 2 (09:04):
Look, I haven't got an old tube. Now hurry, will
you haven't been regulations? But look look I don't make
the laws and all.
Speaker 4 (09:13):
Look, come on, Jack will relate to the TROSA.
Speaker 2 (09:17):
I'm coming now. Look, mister forgets the shaving cream. Just
give me a cigar. You gotta have an old one,
you know. Never mind, forget the whole thing.
Speaker 6 (09:26):
Come on, Mary, let's go, said the sad Sad Sa.
Speaker 3 (11:18):
That was the Jersey bounce played for the orchestra. And now,
ladies and gentlemen, we bring you a man who has
just started his new picture for Warner Brothers with lovely
Ann Sheridan. Jack glamor boy Benny.
Speaker 2 (11:37):
Thank you glo again. This is Jack Benny. You're a
glamour boy, like Don said, Heaven knows, I'd never go
that far. Don, How in the world did you ever
find out about my new picture with Ann Sheridan? Did
you read about it in some columns?
Speaker 5 (11:56):
Did you?
Speaker 6 (11:57):
Oh, Jack?
Speaker 3 (11:57):
As a matter of fact, I haven't seen anything about
it papers.
Speaker 2 (12:00):
Well, then, how did you ever hear about it. I
was trying to keep it a secret. How'd you find out?
Don to the little bird teller?
Speaker 4 (12:07):
Yeah, old gray Canary.
Speaker 2 (12:12):
Mary.
Speaker 3 (12:13):
But it's the truth.
Speaker 2 (12:14):
Don. Anne Sheridan is my new leading lady, and she
sure is a peach to work with. I can imagine.
I mean her her annunciation is so clear and bell like,
and her her diction is simply marvelous, you know, and her.
Speaker 4 (12:31):
That's Benny for you. With him, it's her diction.
Speaker 9 (12:36):
Now.
Speaker 2 (12:36):
She is beautiful, I'll admit that. And confidentially, Don I
think her husband, George brand is a little jealous of me.
You know. What do you mean? Well, he happened to
visit the sets the other day just as Anne and
I were doing a love scene, and right in the
middle of a kiss, he got mad and walked out.
Speaker 3 (12:53):
Well, naturally, why did you kiss him?
Speaker 2 (13:00):
I didn't kiss him. I kissed Miss Sheridan. Pay attention,
will you? Anyway? Don? I think that this picture will
be one of my best screen efforts to date. In fact,
I'm already getting fan letters on it. Really Yep.
Speaker 4 (13:12):
He gets a deal from Bullocks and he calls it
a fan letter.
Speaker 2 (13:16):
I'm talking about real movie fans that write in. Don
you know that little poodle that used to run out
and bring in my mail? What poodle? Well, I got
a great day now, Freddy Clever, Hey, Dozzie some mad Lis.
Speaker 7 (13:31):
Now wait a minute, you that's my gag.
Speaker 2 (13:33):
You said same, Bernard.
Speaker 3 (13:35):
I said, great, Dame, it's a different gag all together.
You steal any more of myself and I'll play ring
around your nosy. Oh go sit down, Hey, Jackson, do
you think there's a chance of getting me in that
new picture you're making?
Speaker 2 (13:48):
Well, I don't know, Phil, and I'm Ann Sheridan's Hudson.
And what part did you play?
Speaker 3 (13:54):
Well, if you're her husband, she's got to have a sweetheart.
Speaker 2 (14:01):
Listen, my Strow, I wouldn't make any more cracks like
that if I were you less. Next season, when I
say play Phil, I'll be addressing Phil SPATOWNI so watch it.
Oh you couldn't fire me, Jackson, I got too much
on you. Oh yeah, well listen, Phil, if you're referring
to that night in Phoenix, that young lady was my
I've never been to Phoenix. Hmm. Why don't I keep
(14:24):
my big mouth shut? Anyway? Phil, don't think I can't
get along without you say, mister Benny Ollo Dennis, you
met me in the drug store, remember, Oh, oh, yes.
Speaker 5 (14:38):
Say mister Benny.
Speaker 8 (14:39):
Can I come out to the studio and watch you
work on your picture someday?
Speaker 2 (14:42):
Why? Certainly, Dennis, anytime you feel like it.
Speaker 5 (14:45):
That's swell.
Speaker 8 (14:46):
And say, while I'm out there, would you mind introducing
me to a to a certain somebody?
Speaker 2 (14:52):
As if I didn't know? Who? Do you mean, Dennis?
Speaker 5 (14:55):
Oh, you'll tease me about it?
Speaker 6 (14:56):
No, no, no, who do you want to meet?
Speaker 7 (14:58):
Ed?
Speaker 5 (14:58):
Would g Robinson?
Speaker 2 (15:04):
Well that I never figured. Well, it's about time for
your song, kids, so let's have it. Okay, call it
a minute, Come here, mister Benny. Yes, would you'll be
interested in the two pey with no cups on it?
Speaker 5 (15:18):
Yeah?
Speaker 2 (15:21):
You want to see his head? Folks, The only thing
you can part on it is his eyebrows. Sing that.
Speaker 7 (15:40):
Way?
Speaker 6 (15:44):
Wha we on the none.
Speaker 9 (15:49):
Long on a fall?
Speaker 7 (15:54):
Why recall.
Speaker 8 (16:00):
You're smart?
Speaker 7 (16:05):
I remember you. You're the one who made my dreams
come true of you.
Speaker 9 (16:16):
This is a girl.
Speaker 7 (16:21):
I remember you.
Speaker 9 (16:25):
You're the one who said I love you too.
Speaker 3 (16:31):
I do.
Speaker 7 (16:32):
Didn't you know? I remember dic.
Speaker 5 (16:41):
And s.
Speaker 9 (16:44):
My when my life is true.
Speaker 10 (16:57):
And mean.
Speaker 2 (17:00):
It re.
Speaker 10 (17:03):
Woply long show.
Speaker 9 (17:11):
So barn.
Speaker 10 (17:20):
Bun bo.
Speaker 2 (18:01):
That was I remember you sung by Dennis Day, who
would rather meet Edward G. Robinson than Anne Sheridan. And now, folks,
I only wanted to.
Speaker 5 (18:09):
Meet Robinson so he would introduce me to miss Sheridan.
Speaker 2 (18:11):
So I go to all that trouble. I could introduce
you to Anne.
Speaker 5 (18:15):
Well, I wanted to meet her for nothing.
Speaker 2 (18:23):
It wouldn't cost you anything.
Speaker 8 (18:25):
And now, folks, you charge me twenty five cents to
meet Barbara Standwick.
Speaker 2 (18:31):
You met Barbara Stanwick and Robert Taylor. And now, folks,
that isn't worth a quarter? Then I don't know what.
And now, folks, mister Don Wilson, that eminent American author,
has written another of this famous one act plays. Take it,
mister Wilson.
Speaker 3 (18:50):
The scene, ladies and gentlemen, don't run off, Dennis.
Speaker 2 (18:53):
You're in this. You're going to be an old prospector. Okay, here,
Phil ho my yo yo, Dennis, put that away. Go ahead,
done the scene, ladies and gentlemen.
Speaker 3 (19:02):
There's the home of mister and Missus Rufus Lemaire, who
live in the cabin on the edge of the Mohave Desert.
Speaker 2 (19:08):
And the desolate part of the West. They're just finishing
their evening.
Speaker 5 (19:11):
Meal music please.
Speaker 2 (19:21):
Well, well, serie, I thought our supper tonight was fine.
There's nothing like barbecue coyotes.
Speaker 4 (19:29):
Not only that I got a first coat out of it.
Speaker 2 (19:31):
Yes, and that jello we had for dessert with mighty tempts.
Where did you get it?
Speaker 4 (19:36):
I walked eighty five miles to our neighborhood grocer.
Speaker 2 (19:39):
Well it sure is worth it, say Ruth.
Speaker 4 (19:42):
I've seen a newspaper in town, and guess what what
It says that men ain't gonna wear cuffs on their
pants anymore?
Speaker 2 (19:48):
Eight eh see, I wonder if I got cuffs on
my pants.
Speaker 4 (19:52):
I might take off your books sometime and find out
one of.
Speaker 2 (19:56):
These d's I'm agoing toue. I wonder who that is?
I mean, mmm, hello, strangers, who are you?
Speaker 5 (20:06):
I'm a prospector, and for three weeks now I've been
lost in the desert without border drink.
Speaker 2 (20:11):
I'm starving, I tell you, Starmen, be calm, old timers,
sit down, okay, hold my yo yo. Hmmm, a fine prospector.
Speaker 5 (20:34):
I'm starving.
Speaker 2 (20:34):
I'll tell you, Storary, I don't worry, will take care
of you.
Speaker 4 (20:38):
Yes, I'll ta's a nice hot dish of beef stew.
Speaker 5 (20:41):
Beef stew Yep, no, thank you, I'm a vegetarian.
Speaker 2 (20:46):
Hmmm, I'm starman, I said, starvant. Be patient. We'll think
of something stranger today.
Speaker 4 (20:52):
Would you like a nice lettuce? And Tomato said?
Speaker 5 (20:54):
What kind of person?
Speaker 6 (20:55):
Friends?
Speaker 2 (20:55):
About thousand irons?
Speaker 7 (21:05):
No?
Speaker 5 (21:05):
Thank you, m I'm starving.
Speaker 3 (21:09):
I say you're starving, Well, you've got to eat something.
Isn't there anything you'd like?
Speaker 5 (21:16):
Yes? Have you got some tempting and delicious jellro jello?
Speaker 2 (21:21):
I'm sorry, Pardner, we had some, but we ate every
bit of it.
Speaker 4 (21:25):
I'm going to make it again tomorrow, though, Okay, I'll
be back.
Speaker 2 (21:28):
So on, hol on, stranger, I'm serving, I say, your
servance service awful? What are the products in command? Such loyalties?
(21:49):
That little grand ladies and gentlemen was written by our
own Don Wilson. And Don that's the best one yet. Oh,
I don't deserve too much credit for it. Jack, You
see that was a true story. I believe you. Now
now go over to your chairs and sit down, and
our folks and our folks, I would like to announce
(22:12):
that our program next Sunday will originate from San Francisco,
where we are going to dedicate the brand new NBC studios.
In fact, we're going to do their very first broadcast.
Speaker 4 (22:22):
Well, I guess a new building can take it.
Speaker 2 (22:24):
Don't worry. If I can just get my writers out
of Hurley's Bar.
Speaker 3 (22:27):
And into a Turkish bath, will be okay.
Speaker 2 (22:33):
Now, kids, I gave all of you your railroad ticket,
so I better check them over to see if everything's
all right. Phil, what's your Pullman reservation? I'm sleeping in
car nineteen lore five? Check? What's yours? Dennis?
Speaker 5 (22:45):
Car nineteen lore five?
Speaker 2 (22:48):
Check? Now wait a met never mind, what's yours? Done
car nineteen lore five?
Speaker 5 (23:03):
Check?
Speaker 2 (23:05):
What's uh? What's yours? Mary?
Speaker 4 (23:07):
Upper five?
Speaker 5 (23:08):
Thanks?
Speaker 2 (23:09):
Jack, don't mention it. Well, everything's okay, So remember fellas
be at the station one half hour before train time.
Speaker 3 (23:19):
I take it easy, Jackson. Three of us can't sleep
in one's birth off cars, Mark, we won't be comfortable.
Speaker 2 (23:24):
Listen, don and a day's a board of though. The
four March brothers slept in one birth and they had
a harp beside, So stop beefing, Jack.
Speaker 3 (23:32):
If fire was the sin as the Four March brothers,
I wouldn't complain.
Speaker 2 (23:35):
Don the tickets are bought, and that's the way it's
gonna be.
Speaker 3 (23:37):
That's a lot of hoy about the March brothers. How
do you know they all slept in one's birth Jack was.
Speaker 4 (23:42):
In the baggage car with Pink's mules.
Speaker 2 (23:46):
You said it in those days when I said I
was gonna hit the hay, I mend it anyway, fellas
as the short trip, So don't worry about it.
Speaker 5 (23:56):
Say mister Benny, where are you going to sleep?
Speaker 2 (23:58):
Well, Dennis, on account of my yeah, I think I'll
just sit up in the chair car and read. I'll
get a magazine or buy.
Speaker 3 (24:05):
A popular mechanics and find out how three guides can
lay down at one bird.
Speaker 2 (24:11):
Who said lay down, lay down or lie down? Which
is correct?
Speaker 5 (24:20):
A lot of good that'll do us.
Speaker 2 (24:24):
Listen casually, please top being so fussy, say how am
I going to get up to.
Speaker 5 (24:28):
San Francisco by carrying your pigeons?
Speaker 2 (24:30):
Virgo, you're not going to be with us next week.
You can tune in and listen. I wouldn't listen.
Speaker 3 (24:35):
To this program if it was a pot of gold
and I had the only telephone in the country.
Speaker 2 (24:43):
Oh you you wouldn't they that's topping him Jack. I
wasn't trying at top. And I don't want to hear
any more about our trip. We're going there. We're going
to open up the new studios and immediately. Mmm.
Speaker 3 (25:02):
Hello, hello, mister Venny, this is Rochester.
Speaker 2 (25:06):
Hello, Rochester. What do you want?
Speaker 5 (25:07):
Well, Farsty did it before they did it again?
Speaker 2 (25:11):
What what are you talking about?
Speaker 5 (25:13):
Carmichael just came out of hibernation and I can't find
the gas man.
Speaker 2 (25:21):
You mean my polar bear woke up already? Why he's
not supposed to come out of hibernation though.
Speaker 5 (25:25):
May first he's early? Who was the gas man? Stopped
dreaming things up? Tell me Rochester?
Speaker 2 (25:32):
Was Tom Michael in a good mood? Well? Yes and no?
What do you mean yes or no?
Speaker 3 (25:38):
When he first got up, he came over and hugged
me and squeezed me, and he even.
Speaker 5 (25:42):
Tried to kiss me well, and then he put salt
and pepper on me.
Speaker 2 (25:51):
Oh, that cute little rascal. I bet he's a fin
of the rail and you better give him something to
eat to Rochester, a lot of nourishing food.
Speaker 5 (26:00):
Uh huh.
Speaker 2 (26:01):
What that bear needs is something fastening.
Speaker 3 (26:03):
I know one Papa fag you ain't gonna get.
Speaker 2 (26:12):
Oh, Rochester, stop, you know he loves you. Now, here's
what you do. Give Carmichael a nice cold shower and
then comb's hair out. Might be all mad at you know.
Speaker 6 (26:22):
You don't like it.
Speaker 3 (26:22):
When I comba is is well, I'm giving a slap
on his nose and make him behave let him know
who's boss.
Speaker 9 (26:27):
I let him know.
Speaker 7 (26:28):
Once, then he lets me know him.
Speaker 6 (26:29):
Now there's no question about him.
Speaker 2 (26:36):
All right, Rochester, just leaving alone. When I come home,
I'll take care of everything. Goodbye, goodbye? Oh say boss,
now what I'm going up to San Francisco with you?
And yes, of course we're.
Speaker 3 (26:48):
On this tip. Am I going to be under twelve?
Or puma parter again? You're getting a ticket now?
Speaker 2 (26:57):
Goodbye? Dont Michael? Every year the gas company wants to
take my meter out. Oh well, playfell.
Speaker 6 (27:09):
Here's the cake.
Speaker 3 (27:10):
Glist of desserts, the price and beautiful at spring itself,
yellow cubes with strawberries. It's an enticing treat that will
lend the grand touch of color and flavor to any
meat you serve it with.
Speaker 2 (27:20):
Our folks will enjoy it.
Speaker 3 (27:21):
And just listen to how easy it is to make.
Simply dissolve one package of irons jello in a pint
of hot water. Next, turn into a shallow pan and
chill and confirmed cut the jello into cubes, and then
arrange them in sherbet glasses with sweet and sliced strawberries
using quick frozen strawberries. If you wish, serve either plain
or with cream water. Dessert so rich and inviting to
(27:41):
look at, so gloriously good. Make the family this wonderful
combination of sweet, juicy, red strawberries and clear, golden cubes
of orange jello. Get several packages of orange Jellow tomorrow,
but be sure when you do to get genuine jello,
because Jello's flavor is locked in for your added enjoyment.
Speaker 2 (28:06):
Is the last number of the twenty ninth program in
the current Jello series, And we will be with you
again next Sunday night at the same time, broadcasting from
the new NBC Studios in San Francisco.
Speaker 4 (28:15):
Jean Jacksie at the train.
Speaker 2 (28:17):
Wait a minute, Mary, we've all got to stick around
to day and put on a little entertainment for men
in uniform. They'll all be coming in here in a
few minutes.
Speaker 4 (28:22):
Oh well, I'll just have time to write a poem.
All soldier, sailors and marines, you're the nicest done.
Speaker 2 (28:28):
Ever, Save at Save at good Night, Polk.
Speaker 1 (28:36):
Friends, the same folks who make jello make another wonderful dessert,
jell O pudding.
Speaker 2 (28:41):
Three luscious puddings that you make with milk. Try Jello
chocolate pudding. A smoother, mellower pudding.
Speaker 1 (28:47):
You never taste it, and what a world of rich
homemade goodness. It has a grand chocolate flavor, developed especially
for jello puddings by the famous.
Speaker 2 (28:56):
Walter Baker chocolate people.
Speaker 1 (28:58):
So tomorrow when you ordered jello, asks for all three
yellow puddings, Chocolate, vanilla, and butterscotch. They're just like Grandma's,
only more so.
Do you know the reason why Jello today tastes richer,
more thrillingly good than it ever has before. Well, it's
all because of Jello's wonderful new process that locks in
Jello's grand and glorious flavor. It is today Jello gives
you more of the richness that for over forty years
has made Jello America's favorite gelatine dessert, because now this
(00:32):
richness is locked right into the tiny Jello particles. To
bring you extra enjoyment, try all of Jello's six delicious
flavors Rosy pink strawberry, crimson raspberry, ruby, red cherry, golden orange,
sunny lemon, and emerald green limes.
Speaker 2 (00:48):
All of these tempting.
Speaker 1 (00:49):
Jellow flavors offer you bright, brilliant beauty and flavor that
makes you think of the juicy ripe fruit itself, flavor that.
Speaker 2 (00:56):
Is locked in for your added pleasure.
Speaker 1 (00:59):
To prove how swellt hell Jello's lost in flavor really is,
open a package of Jello. Notice that there's no tell
Taylor roma, no sign of escaping fragrance and flavor. Then
dissolve the tiny Jello particles and notice how Jello's captive
goodness comes pouring out in a rush of richness. Get
Jello tomorrow in all six delicious flavors, and thrill to
(01:19):
the marvelous new delight of Jello's lost in flavor.
Speaker 2 (01:45):
That the please inslaved by the orchestra.
Speaker 3 (01:47):
Now, ladies and gentlemen, we turn back the block and
take you to the direct bar across the streets from
the NBC building here in Hollywood. The time is exactly
fifteen minutes before this broadcast.
Speaker 2 (01:56):
Stay away that hurry up and order your sandwich, will
you marry? We'll be on the end in a few minutes.
Speaker 4 (02:08):
A sandwich, Yes, I'm a growing girl. I want meat
and potatoes.
Speaker 2 (02:13):
We'll all right order a meat sandwich. And the potato
chips here are very crispy.
Speaker 4 (02:19):
Every Sunday we have to eat in the drug store.
Why don't you take me to the brown Derby once in.
Speaker 2 (02:22):
A while, Mary, I'm not going into the brown Derby
until they hang my picture in the main dining room
with the rest of the big movie size. They can't
treat me that way. What do you mean every time
I want to see that drawing of myself, I've got
to go in and wash my hands. Well, it's not right.
Speaker 4 (02:50):
All stop complaining, Say Jack, look at this item on
the menu, Jack Benny feesh'l thirty five.
Speaker 2 (02:58):
Cents, Jack Benny fesh, what is it?
Speaker 4 (03:01):
A minute's sake with a transfusion?
Speaker 2 (03:04):
Oh, these soda jerks think they're so smart. Hey, gil Roy,
what do I have to do to get a little
service around here?
Speaker 5 (03:10):
Make an easy blue eyes? Hello Mary?
Speaker 4 (03:13):
Wella be I have a hot roasty sandwich, mashed potatoes,
lettuce and tomato salad, and apple pie with twody fruity
ice creams.
Speaker 2 (03:20):
Mary, you haven't got time to eat all that?
Speaker 4 (03:22):
Okay, don't sut the fruity.
Speaker 2 (03:26):
I will say that stuff for the program, Say gil Roy.
I think I'll just have a cup of coffee and
a donuts A wh a donut, one of those over
there with the powdered sugar on us.
Speaker 6 (03:35):
That's a plain through it.
Speaker 2 (03:36):
I forgot to dust them.
Speaker 5 (03:37):
Off this morning.
Speaker 2 (03:44):
Oh oh, oh, well, never mind, Maybe I'll just have
a cup of ollo Phil Hello Jackson, Hello Mary.
Speaker 4 (03:51):
Hello, hey Jack. Get a load of filled slacks? Are
the button on the side?
Speaker 2 (03:56):
Oh yeah, well, I'll be done. I put on a
faro bollas. Oh my godness, why don't you open your
eyes when you get up in the morning.
Speaker 3 (04:06):
They're open, Jackson, but they don't work till noon. No,
bet Rich, Well, Mike guy, give me a Phil Harris special.
Speaker 2 (04:17):
Okay, one ham on it.
Speaker 6 (04:19):
Put a wave in it.
Speaker 2 (04:24):
Put a wave in it. The more he gatistical thing
I ever heard.
Speaker 4 (04:28):
There's your Ordermary, Thanks, Oh Jack. Looking down the other
end of the counter, it's Virgil rhymer, A funny sound man.
Speaker 2 (04:35):
That's what he thinks. Nobody speaks to me. He's getting
too fresh. Hello, Virgil, what do I have get long
distance on the phone?
Speaker 5 (04:40):
I want a Dinverse family.
Speaker 2 (04:47):
Oh he's he's so clever.
Speaker 5 (04:49):
That's vigil.
Speaker 3 (04:50):
You sure got a lot of laughs at Champaign last Sunday.
Speaker 5 (04:52):
You were the funniest thing on the Betty program.
Speaker 3 (04:54):
Yeah, and imagine what I could do a whole poison
post didn't hold me down.
Speaker 2 (05:00):
Poison puts. That's a fine way to talk about our sponsor.
You mean you, I know who we mean, white guy.
No sitting Verge are horrific.
Speaker 5 (05:12):
Do you get many fan letters?
Speaker 3 (05:13):
I'll say, remember that little poodle that you used to
run out and bring in my mail?
Speaker 5 (05:17):
Yeah?
Speaker 3 (05:18):
Well I got a safe Bernard Now.
Speaker 2 (05:22):
That's positively the worst joke I ever heard.
Speaker 4 (05:25):
I thought I was kind of cute me too.
Speaker 3 (05:27):
Yeah you know, Virgil, I thought you had a lot
of fun working for Vennie Bum.
Speaker 2 (05:32):
That old slave driver does everything but chase us across
the ice. Well that's the last straw.
Speaker 5 (05:37):
Now listen here, Virgil.
Speaker 3 (05:38):
Oh hello, mister Lagree, where's your whip?
Speaker 2 (05:44):
Never mind the white tracks? You get over to NBC
and set up our props for the program. I'll scram
see what I told you?
Speaker 7 (05:50):
Gil?
Speaker 2 (05:52):
All right, get going, Get going? Hey, Verg, because I
slipped my mos and Mickey, you stay out of it?
Speaker 5 (05:59):
Hey, where's my arms?
Speaker 2 (06:00):
Are you at?
Speaker 5 (06:01):
S weir?
Speaker 6 (06:02):
You want something to drink with it?
Speaker 2 (06:04):
Oh?
Speaker 5 (06:04):
Thanks, I'm on the wagon.
Speaker 2 (06:06):
He never heard a coffee in the morning. Hurry up
with mine, will.
Speaker 5 (06:10):
You say, mister Vinnie. I just get on the wing
machine and humo.
Speaker 2 (06:13):
Oh hello Dennis, Hello, say mister Bennie.
Speaker 5 (06:16):
I just got on the wing machine.
Speaker 8 (06:17):
And how much do you see?
Speaker 2 (06:18):
How how are you feeling? Kids?
Speaker 5 (06:20):
All right?
Speaker 2 (06:20):
I guess good good.
Speaker 8 (06:22):
I thought I had fallen arches for a while, but
I wasn't pulling my socks up. Oh oh, I see
thank Kevin. My girl can use those arch supporters I bought.
Speaker 2 (06:37):
Why don't you buy him, Jack, because I don't need them?
What makes you think I got flat feet? Plot?
Speaker 6 (06:42):
PLoP plot?
Speaker 2 (06:44):
All right, all right, young lady. Just for that, I'm
not going to pick up your check today.
Speaker 4 (06:48):
I can carry it over to the cashier myself.
Speaker 8 (06:51):
I was gonna pay it too, say mister Bennie, I
just got on the wing machine.
Speaker 5 (06:55):
Yes, how much do you think I weigh?
Speaker 2 (06:57):
How much? Dennis?
Speaker 5 (06:58):
One hundred and forty one pounds rip.
Speaker 2 (07:05):
Strips?
Speaker 5 (07:05):
I took the scale in the phone booth.
Speaker 2 (07:13):
Oh oh, well, you better watch yourself, young man.
Speaker 5 (07:16):
And you know what else, mister Benny.
Speaker 8 (07:18):
When I put a penny in the machine, I got
one of those little cars with my fortune on it.
Speaker 2 (07:21):
Oh you're for today? What did it say?
Speaker 7 (07:23):
Kid?
Speaker 5 (07:24):
You're lucky? You can sing.
Speaker 2 (07:29):
There's a machine that knows its business. Hey, Gilroy, where's
my coffee? Did you send a Brazil for it? Deefeef
in your smart Alex. I wouldn't even eat here if
the brown Derby wasn't so careless about where they hung
my picture? You want to wash your hands here? Sometimes?
(07:54):
Well I'll be gone.
Speaker 6 (07:56):
Hey, kids, you better.
Speaker 2 (07:57):
Snap into it.
Speaker 9 (07:57):
We on the air in a few minutes.
Speaker 2 (07:59):
Okay, don see later, Jaxon.
Speaker 3 (08:00):
I'm gonna run ahead and find out what my boys
are gonna play today.
Speaker 2 (08:03):
What you mean you don't know what numbers you're doing?
Weren't you a rehearsal. We didn't have a rehearsal, Frank,
he left the cards and chips haul Oh, seeing the joints, fella,
be right off? Oh say, Don John, come here a minute,
will you? Oh? When you introduced me today, I wish
you'd do me a favor and say, I just started
my new picture at Warner Brothers with Anne Sheridan.
Speaker 5 (08:24):
Will are you breaking a picture with Anne Shirdon?
Speaker 2 (08:26):
Yes? And it might be on the program today. You know,
it might be a nice subject to talk about, you know,
inject a little romance.
Speaker 4 (08:32):
What do you mean romance? You're playing the part of
her father, aren't you.
Speaker 2 (08:35):
I had that out with a director and I'm now
her husband. My new role will be great for the picture.
Speaker 4 (08:41):
It won't hurt to make up business either, all.
Speaker 2 (08:44):
Right, I don't forget Don Warner Brothers. Huh yeah, be
with you in a second, Mary. I want to get
a tube of shaving creams. Hey, mister, give me a
tube of shaving cream. Will you God turn in an
old tube?
Speaker 8 (08:58):
You know, God turning no one.
Speaker 2 (09:04):
Look, I haven't got an old tube. Now hurry, will
you haven't been regulations? But look look I don't make
the laws and all.
Speaker 4 (09:13):
Look, come on, Jack will relate to the TROSA.
Speaker 2 (09:17):
I'm coming now. Look, mister forgets the shaving cream. Just
give me a cigar. You gotta have an old one,
you know. Never mind, forget the whole thing.
Speaker 6 (09:26):
Come on, Mary, let's go, said the sad Sad Sa.
Speaker 3 (11:18):
That was the Jersey bounce played for the orchestra. And now,
ladies and gentlemen, we bring you a man who has
just started his new picture for Warner Brothers with lovely
Ann Sheridan. Jack glamor boy Benny.
Speaker 2 (11:37):
Thank you glo again. This is Jack Benny. You're a
glamour boy, like Don said, Heaven knows, I'd never go
that far. Don, How in the world did you ever
find out about my new picture with Ann Sheridan? Did
you read about it in some columns?
Speaker 5 (11:56):
Did you?
Speaker 6 (11:57):
Oh, Jack?
Speaker 3 (11:57):
As a matter of fact, I haven't seen anything about
it papers.
Speaker 2 (12:00):
Well, then, how did you ever hear about it. I
was trying to keep it a secret. How'd you find out?
Don to the little bird teller?
Speaker 4 (12:07):
Yeah, old gray Canary.
Speaker 2 (12:12):
Mary.
Speaker 3 (12:13):
But it's the truth.
Speaker 2 (12:14):
Don. Anne Sheridan is my new leading lady, and she
sure is a peach to work with. I can imagine.
I mean her her annunciation is so clear and bell like,
and her her diction is simply marvelous, you know, and her.
Speaker 4 (12:31):
That's Benny for you. With him, it's her diction.
Speaker 9 (12:36):
Now.
Speaker 2 (12:36):
She is beautiful, I'll admit that. And confidentially, Don I
think her husband, George brand is a little jealous of me.
You know. What do you mean? Well, he happened to
visit the sets the other day just as Anne and
I were doing a love scene, and right in the
middle of a kiss, he got mad and walked out.
Speaker 3 (12:53):
Well, naturally, why did you kiss him?
Speaker 2 (13:00):
I didn't kiss him. I kissed Miss Sheridan. Pay attention,
will you? Anyway? Don? I think that this picture will
be one of my best screen efforts to date. In fact,
I'm already getting fan letters on it. Really Yep.
Speaker 4 (13:12):
He gets a deal from Bullocks and he calls it
a fan letter.
Speaker 2 (13:16):
I'm talking about real movie fans that write in. Don
you know that little poodle that used to run out
and bring in my mail? What poodle? Well, I got
a great day now, Freddy Clever, Hey, Dozzie some mad Lis.
Speaker 7 (13:31):
Now wait a minute, you that's my gag.
Speaker 2 (13:33):
You said same, Bernard.
Speaker 3 (13:35):
I said, great, Dame, it's a different gag all together.
You steal any more of myself and I'll play ring
around your nosy. Oh go sit down, Hey, Jackson, do
you think there's a chance of getting me in that
new picture you're making?
Speaker 2 (13:48):
Well, I don't know, Phil, and I'm Ann Sheridan's Hudson.
And what part did you play?
Speaker 3 (13:54):
Well, if you're her husband, she's got to have a sweetheart.
Speaker 2 (14:01):
Listen, my Strow, I wouldn't make any more cracks like
that if I were you less. Next season, when I
say play Phil, I'll be addressing Phil SPATOWNI so watch it.
Oh you couldn't fire me, Jackson, I got too much
on you. Oh yeah, well listen, Phil, if you're referring
to that night in Phoenix, that young lady was my
I've never been to Phoenix. Hmm. Why don't I keep
(14:24):
my big mouth shut? Anyway? Phil, don't think I can't
get along without you say, mister Benny Ollo Dennis, you
met me in the drug store, remember, Oh, oh, yes.
Speaker 5 (14:38):
Say mister Benny.
Speaker 8 (14:39):
Can I come out to the studio and watch you
work on your picture someday?
Speaker 2 (14:42):
Why? Certainly, Dennis, anytime you feel like it.
Speaker 5 (14:45):
That's swell.
Speaker 8 (14:46):
And say, while I'm out there, would you mind introducing
me to a to a certain somebody?
Speaker 2 (14:52):
As if I didn't know? Who? Do you mean, Dennis?
Speaker 5 (14:55):
Oh, you'll tease me about it?
Speaker 6 (14:56):
No, no, no, who do you want to meet?
Speaker 7 (14:58):
Ed?
Speaker 5 (14:58):
Would g Robinson?
Speaker 2 (15:04):
Well that I never figured. Well, it's about time for
your song, kids, so let's have it. Okay, call it
a minute, Come here, mister Benny. Yes, would you'll be
interested in the two pey with no cups on it?
Speaker 5 (15:18):
Yeah?
Speaker 2 (15:21):
You want to see his head? Folks, The only thing
you can part on it is his eyebrows. Sing that.
Speaker 7 (15:40):
Way?
Speaker 6 (15:44):
Wha we on the none.
Speaker 9 (15:49):
Long on a fall?
Speaker 7 (15:54):
Why recall.
Speaker 8 (16:00):
You're smart?
Speaker 7 (16:05):
I remember you. You're the one who made my dreams
come true of you.
Speaker 9 (16:16):
This is a girl.
Speaker 7 (16:21):
I remember you.
Speaker 9 (16:25):
You're the one who said I love you too.
Speaker 3 (16:31):
I do.
Speaker 7 (16:32):
Didn't you know? I remember dic.
Speaker 5 (16:41):
And s.
Speaker 9 (16:44):
My when my life is true.
Speaker 10 (16:57):
And mean.
Speaker 2 (17:00):
It re.
Speaker 10 (17:03):
Woply long show.
Speaker 9 (17:11):
So barn.
Speaker 10 (17:20):
Bun bo.
Speaker 2 (18:01):
That was I remember you sung by Dennis Day, who
would rather meet Edward G. Robinson than Anne Sheridan. And now, folks,
I only wanted to.
Speaker 5 (18:09):
Meet Robinson so he would introduce me to miss Sheridan.
Speaker 2 (18:11):
So I go to all that trouble. I could introduce
you to Anne.
Speaker 5 (18:15):
Well, I wanted to meet her for nothing.
Speaker 2 (18:23):
It wouldn't cost you anything.
Speaker 8 (18:25):
And now, folks, you charge me twenty five cents to
meet Barbara Standwick.
Speaker 2 (18:31):
You met Barbara Stanwick and Robert Taylor. And now, folks,
that isn't worth a quarter? Then I don't know what.
And now, folks, mister Don Wilson, that eminent American author,
has written another of this famous one act plays. Take it,
mister Wilson.
Speaker 3 (18:50):
The scene, ladies and gentlemen, don't run off, Dennis.
Speaker 2 (18:53):
You're in this. You're going to be an old prospector. Okay, here,
Phil ho my yo yo, Dennis, put that away. Go ahead,
done the scene, ladies and gentlemen.
Speaker 3 (19:02):
There's the home of mister and Missus Rufus Lemaire, who
live in the cabin on the edge of the Mohave Desert.
Speaker 2 (19:08):
And the desolate part of the West. They're just finishing
their evening.
Speaker 5 (19:11):
Meal music please.
Speaker 2 (19:21):
Well, well, serie, I thought our supper tonight was fine.
There's nothing like barbecue coyotes.
Speaker 4 (19:29):
Not only that I got a first coat out of it.
Speaker 2 (19:31):
Yes, and that jello we had for dessert with mighty tempts.
Where did you get it?
Speaker 4 (19:36):
I walked eighty five miles to our neighborhood grocer.
Speaker 2 (19:39):
Well it sure is worth it, say Ruth.
Speaker 4 (19:42):
I've seen a newspaper in town, and guess what what
It says that men ain't gonna wear cuffs on their
pants anymore?
Speaker 2 (19:48):
Eight eh see, I wonder if I got cuffs on
my pants.
Speaker 4 (19:52):
I might take off your books sometime and find out
one of.
Speaker 2 (19:56):
These d's I'm agoing toue. I wonder who that is?
I mean, mmm, hello, strangers, who are you?
Speaker 5 (20:06):
I'm a prospector, and for three weeks now I've been
lost in the desert without border drink.
Speaker 2 (20:11):
I'm starving, I tell you, Starmen, be calm, old timers,
sit down, okay, hold my yo yo. Hmmm, a fine prospector.
Speaker 5 (20:34):
I'm starving.
Speaker 2 (20:34):
I'll tell you, Storary, I don't worry, will take care
of you.
Speaker 4 (20:38):
Yes, I'll ta's a nice hot dish of beef stew.
Speaker 5 (20:41):
Beef stew Yep, no, thank you, I'm a vegetarian.
Speaker 2 (20:46):
Hmmm, I'm starman, I said, starvant. Be patient. We'll think
of something stranger today.
Speaker 4 (20:52):
Would you like a nice lettuce? And Tomato said?
Speaker 5 (20:54):
What kind of person?
Speaker 6 (20:55):
Friends?
Speaker 2 (20:55):
About thousand irons?
Speaker 7 (21:05):
No?
Speaker 5 (21:05):
Thank you, m I'm starving.
Speaker 3 (21:09):
I say you're starving, Well, you've got to eat something.
Isn't there anything you'd like?
Speaker 5 (21:16):
Yes? Have you got some tempting and delicious jellro jello?
Speaker 2 (21:21):
I'm sorry, Pardner, we had some, but we ate every
bit of it.
Speaker 4 (21:25):
I'm going to make it again tomorrow, though, Okay, I'll
be back.
Speaker 2 (21:28):
So on, hol on, stranger, I'm serving, I say, your
servance service awful? What are the products in command? Such loyalties?
(21:49):
That little grand ladies and gentlemen was written by our
own Don Wilson. And Don that's the best one yet. Oh,
I don't deserve too much credit for it. Jack, You
see that was a true story. I believe you. Now
now go over to your chairs and sit down, and
our folks and our folks, I would like to announce
(22:12):
that our program next Sunday will originate from San Francisco,
where we are going to dedicate the brand new NBC studios.
In fact, we're going to do their very first broadcast.
Speaker 4 (22:22):
Well, I guess a new building can take it.
Speaker 2 (22:24):
Don't worry. If I can just get my writers out
of Hurley's Bar.
Speaker 3 (22:27):
And into a Turkish bath, will be okay.
Speaker 2 (22:33):
Now, kids, I gave all of you your railroad ticket,
so I better check them over to see if everything's
all right. Phil, what's your Pullman reservation? I'm sleeping in
car nineteen lore five? Check? What's yours? Dennis?
Speaker 5 (22:45):
Car nineteen lore five?
Speaker 2 (22:48):
Check? Now wait a met never mind, what's yours? Done
car nineteen lore five?
Speaker 5 (23:03):
Check?
Speaker 2 (23:05):
What's uh? What's yours? Mary?
Speaker 4 (23:07):
Upper five?
Speaker 5 (23:08):
Thanks?
Speaker 2 (23:09):
Jack, don't mention it. Well, everything's okay, So remember fellas
be at the station one half hour before train time.
Speaker 3 (23:19):
I take it easy, Jackson. Three of us can't sleep
in one's birth off cars, Mark, we won't be comfortable.
Speaker 2 (23:24):
Listen, don and a day's a board of though. The
four March brothers slept in one birth and they had
a harp beside, So stop beefing, Jack.
Speaker 3 (23:32):
If fire was the sin as the Four March brothers,
I wouldn't complain.
Speaker 2 (23:35):
Don the tickets are bought, and that's the way it's
gonna be.
Speaker 3 (23:37):
That's a lot of hoy about the March brothers. How
do you know they all slept in one's birth Jack was.
Speaker 4 (23:42):
In the baggage car with Pink's mules.
Speaker 2 (23:46):
You said it in those days when I said I
was gonna hit the hay, I mend it anyway, fellas
as the short trip, So don't worry about it.
Speaker 5 (23:56):
Say mister Benny, where are you going to sleep?
Speaker 2 (23:58):
Well, Dennis, on account of my yeah, I think I'll
just sit up in the chair car and read. I'll
get a magazine or buy.
Speaker 3 (24:05):
A popular mechanics and find out how three guides can
lay down at one bird.
Speaker 2 (24:11):
Who said lay down, lay down or lie down? Which
is correct?
Speaker 5 (24:20):
A lot of good that'll do us.
Speaker 2 (24:24):
Listen casually, please top being so fussy, say how am
I going to get up to.
Speaker 5 (24:28):
San Francisco by carrying your pigeons?
Speaker 2 (24:30):
Virgo, you're not going to be with us next week.
You can tune in and listen. I wouldn't listen.
Speaker 3 (24:35):
To this program if it was a pot of gold
and I had the only telephone in the country.
Speaker 2 (24:43):
Oh you you wouldn't they that's topping him Jack. I
wasn't trying at top. And I don't want to hear
any more about our trip. We're going there. We're going
to open up the new studios and immediately. Mmm.
Speaker 3 (25:02):
Hello, hello, mister Venny, this is Rochester.
Speaker 2 (25:06):
Hello, Rochester. What do you want?
Speaker 5 (25:07):
Well, Farsty did it before they did it again?
Speaker 2 (25:11):
What what are you talking about?
Speaker 5 (25:13):
Carmichael just came out of hibernation and I can't find
the gas man.
Speaker 2 (25:21):
You mean my polar bear woke up already? Why he's
not supposed to come out of hibernation though.
Speaker 5 (25:25):
May first he's early? Who was the gas man? Stopped
dreaming things up? Tell me Rochester?
Speaker 2 (25:32):
Was Tom Michael in a good mood? Well? Yes and no?
What do you mean yes or no?
Speaker 3 (25:38):
When he first got up, he came over and hugged
me and squeezed me, and he even.
Speaker 5 (25:42):
Tried to kiss me well, and then he put salt
and pepper on me.
Speaker 2 (25:51):
Oh, that cute little rascal. I bet he's a fin
of the rail and you better give him something to
eat to Rochester, a lot of nourishing food.
Speaker 5 (26:00):
Uh huh.
Speaker 2 (26:01):
What that bear needs is something fastening.
Speaker 3 (26:03):
I know one Papa fag you ain't gonna get.
Speaker 2 (26:12):
Oh, Rochester, stop, you know he loves you. Now, here's
what you do. Give Carmichael a nice cold shower and
then comb's hair out. Might be all mad at you know.
Speaker 6 (26:22):
You don't like it.
Speaker 3 (26:22):
When I comba is is well, I'm giving a slap
on his nose and make him behave let him know
who's boss.
Speaker 9 (26:27):
I let him know.
Speaker 7 (26:28):
Once, then he lets me know him.
Speaker 6 (26:29):
Now there's no question about him.
Speaker 2 (26:36):
All right, Rochester, just leaving alone. When I come home,
I'll take care of everything. Goodbye, goodbye? Oh say boss,
now what I'm going up to San Francisco with you?
And yes, of course we're.
Speaker 3 (26:48):
On this tip. Am I going to be under twelve?
Or puma parter again? You're getting a ticket now?
Speaker 2 (26:57):
Goodbye? Dont Michael? Every year the gas company wants to
take my meter out. Oh well, playfell.
Speaker 6 (27:09):
Here's the cake.
Speaker 3 (27:10):
Glist of desserts, the price and beautiful at spring itself,
yellow cubes with strawberries. It's an enticing treat that will
lend the grand touch of color and flavor to any
meat you serve it with.
Speaker 2 (27:20):
Our folks will enjoy it.
Speaker 3 (27:21):
And just listen to how easy it is to make.
Simply dissolve one package of irons jello in a pint
of hot water. Next, turn into a shallow pan and
chill and confirmed cut the jello into cubes, and then
arrange them in sherbet glasses with sweet and sliced strawberries
using quick frozen strawberries. If you wish, serve either plain
or with cream water. Dessert so rich and inviting to
(27:41):
look at, so gloriously good. Make the family this wonderful
combination of sweet, juicy, red strawberries and clear, golden cubes
of orange jello. Get several packages of orange Jellow tomorrow,
but be sure when you do to get genuine jello,
because Jello's flavor is locked in for your added enjoyment.
Speaker 2 (28:06):
Is the last number of the twenty ninth program in
the current Jello series, And we will be with you
again next Sunday night at the same time, broadcasting from
the new NBC Studios in San Francisco.
Speaker 4 (28:15):
Jean Jacksie at the train.
Speaker 2 (28:17):
Wait a minute, Mary, we've all got to stick around
to day and put on a little entertainment for men
in uniform. They'll all be coming in here in a
few minutes.
Speaker 4 (28:22):
Oh well, I'll just have time to write a poem.
All soldier, sailors and marines, you're the nicest done.
Speaker 2 (28:28):
Ever, Save at Save at good Night, Polk.
Speaker 1 (28:36):
Friends, the same folks who make jello make another wonderful dessert,
jell O pudding.
Speaker 2 (28:41):
Three luscious puddings that you make with milk. Try Jello
chocolate pudding. A smoother, mellower pudding.
Speaker 1 (28:47):
You never taste it, and what a world of rich
homemade goodness. It has a grand chocolate flavor, developed especially
for jello puddings by the famous.
Speaker 2 (28:56):
Walter Baker chocolate people.
Speaker 1 (28:58):
So tomorrow when you ordered jello, asks for all three
yellow puddings, Chocolate, vanilla, and butterscotch. They're just like Grandma's,
only more so.
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