July 25, 2025 • 28 mins
A legendary variety show blending witty monologues, comic sketches, and musical interludes, all anchored by the impeccable timing of its beloved host. It’s a masterclass in comedic timing.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
The Jack Benny Program presented by Lucky Strike.
Speaker 2 (00:03):
Ifessor hat not any Manula, no MANU American front.
Speaker 1 (00:09):
Page news in the nation's great tobacco markets. The famous
Crossley poll has just finished asking independent tobacco experts what
cigarette the youth smoke over fifty percent more named Lucky
Strike than any other brand. Yes, by a fifty percent
margin over any other brand. Independent tobacco experts name Lucky
Strike first choice, Lucky Strike first choice. These experts are
(00:30):
the independent tobacco buyers, auctioneers and warehousemen, the man who
see who buys what tobacco at the auctions and when
independent tobacco experts like these name Lucky Strike first choice
for personal smoking enjoyment, then you know ls MFT, ls
MFT Lucky Strike means fine tobacco. So smoke the smoke
tobacco experts smoke Lucky Strike. Remember, by a fifty percent
(00:53):
margin over any other brand. Independent tobacco experts name Lucky
Strike first choice, Lucky Strike first choice.
Speaker 2 (01:09):
The Lucky Strike Program starring Jack Penny with Barry Livingston,
Hillaris Rochester Downer, Staying Yours, throw Ly Don Wilson, Landers
and Gentlemen, Last.
Speaker 1 (01:26):
Night was a big knight in Hollywood.
Speaker 2 (01:28):
The occasion was a special showing of Ronald Coleman's new
picture of Double Life. Naturally, all the important stars in
Hollywood received invitations to attend the scale affair.
Speaker 1 (01:36):
And while all this was going on, where was our
little star Rochester? Hammy, my pajamas, I'm going to bed
here you are boys, No, no, no, my willing ones.
The knights are awfully cold.
Speaker 3 (01:48):
I know it's cold, but you've already got three companies,
two Quills and half Dead and four electric blackets with
a direct lyne to ball of down.
Speaker 1 (02:00):
Never mind, Just turn out the lights and I'll go
to sleep.
Speaker 3 (02:02):
Don't you want me to read to you like I
always do.
Speaker 1 (02:05):
Yes, pick up one of those trade papers, either the
variety of the reporter.
Speaker 3 (02:09):
Okay, now let's see, say, boss, look what it says.
Why Tonight at the Academy's theater there will be a
special showing of Ronald Comer's new Universal International Picture.
Speaker 4 (02:20):
A Double LFE.
Speaker 1 (02:21):
I know, I know it says all the big.
Speaker 3 (02:23):
Stars in Hollywood have been invited to attend.
Speaker 1 (02:26):
Yeah, I know.
Speaker 3 (02:26):
Didn't they mail you an invitation?
Speaker 1 (02:28):
Well, frankly, I don't know whether they did or not.
I didn't even bother looking.
Speaker 3 (02:33):
Oh, Boss, come down right this morning when the mailman
came by, you grabbed his bag and went through it
like an occipice with.
Speaker 1 (02:41):
A mixed master in each cham. I was looking for
a reply from Dorothy Dix. Anyway, who wants to go
to a Hollywood premiere? You always see the same people.
Barbara Stanwick will be there with Robert Taylor, Lauren McCall
will be there with Humphrey Boguy, Rona Turner will be
(03:03):
there with let me see today's paper anyway, Rochester. Believe me,
I'm not mad because I didn't get an invitation of
the preview. As a matter of fact, if Universal Studios,
if William Gifts, the executive producer, if Ronald Coleman himself
called me on the phone right now, I wouldn't go
(03:25):
to that. I'll get a Rochester, I'll get it. Hello.
Is that Sam's meat Market? No it isn't. Who was it, Boss,
or some guy wanted Sam's meat Market?
Speaker 3 (03:43):
SAMs meat Market. That's the new place down on the corner.
They're having a big opening tonight. Yeah, didn't you get
an invitation to that? Either?
Speaker 1 (03:51):
I wouldn't go if I did you always see the
same things.
Speaker 3 (03:54):
Yeah, Liberal will be there with Bacon, s'lon will be there.
Speaker 1 (03:58):
Cut that out now, Rochester. I'm going to bed, so
turn out the light.
Speaker 3 (04:04):
Well you'll get it, you'll get it.
Speaker 1 (04:06):
I've got it. Hello.
Speaker 5 (04:08):
Hello, Jack's Mary.
Speaker 1 (04:10):
Oh, Mary, I'm.
Speaker 6 (04:11):
Glad I caught you. I thought maybe you're already left
to see Ronald Coleman.
Speaker 1 (04:14):
Set you. No, Mary, I was supposed to go, but
I don't know. When you've been a star as long
as I have you, you don't get excited about those things.
Speaker 6 (04:21):
You know, see, And I thought we could go together.
Speaker 1 (04:24):
No, no, Mary, I'm ready for bed.
Speaker 5 (04:25):
Oh that's too bad. I have two tickets.
Speaker 1 (04:28):
What what what? What? What was that married?
Speaker 4 (04:30):
What did you say?
Speaker 1 (04:31):
What did you say? Mary?
Speaker 5 (04:32):
I could have to say tickets.
Speaker 1 (04:36):
Mary, just to Gord. You got tickets. You don't have
to be so nervous about it. Look, I was ready
for bed, but I wouldn't let you down. So while
I get dressed, you jump in a cab and pick
me up in ten minutes.
Speaker 6 (04:44):
Okay, Jack, I may be a few minutes late. I
want to stop off with the forest and get a
Corse eye.
Speaker 1 (04:49):
Good good. While you're there, get one for yourself. I mean,
come over as soon as you can. Goodbye, Rochester, Rochester,
I'm going to the opening.
Speaker 3 (05:02):
I know Sam wouldn't let you down.
Speaker 1 (05:06):
Not the meat mark. I'll stop jabbering and help me dress.
I had, Jackson. The door was open, so I came
right in. Hllo fell. Where are you going? Or? I
promise Mary I take her to a special showing of
Ronald Coleman's new picture. No kidding, Jackson, you mean you've
got an invitation. I certainly did. That's why I'm putting
on this tuxedo. You may not know it, Phil, but
for the past twenty years I've been rubbing elbows with
the most important people in show business. And the looks
(05:27):
of them sleeves, you must have been rubbing them pretty hard,
all right, So it's a little thin around the elbows. Now,
pardon me while I get dressed. I'll help you, Jackson.
While you're putting on your shirt, I'll button your shoes. Thanks, Hill. Oh, Rochester,
hand me my wing collar, will you please?
Speaker 4 (05:44):
Yes?
Speaker 3 (05:44):
Sir?
Speaker 1 (05:45):
Oh, what's the matter?
Speaker 3 (05:46):
You were side stiffly in the half collar.
Speaker 1 (05:48):
It's only a fourteen. Oh that's all right. We gonna
make it work. Put it on. Okay, here's the collar button? Yeah,
I got it?
Speaker 3 (05:54):
Al stiff? All this collar is really stiff.
Speaker 1 (05:57):
Yeah, just a minute now, there I got it. How's that?
Speaker 3 (06:01):
Boss?
Speaker 1 (06:02):
I guess it's all right? But so tight I can
hand o. Jarna's slipped off the collar button. I'll try
it again, Rochester.
Speaker 3 (06:17):
Boss, this collar is too tight for you.
Speaker 1 (06:19):
We pull it harder.
Speaker 3 (06:20):
I'm getting it. Get hole still there?
Speaker 1 (06:24):
I said, color is so tight I can hardly breathe? Phil,
How do I look like Herbert Hoover with a crew haircut?
Don't be so funny? Oh there's Mary. All I have
to do is snap on this boat tie and I'll
be on my way. Got it? There it goes again, Rochester,
where's my bow tie?
Speaker 3 (06:44):
Well out the window and headed for Cavastata.
Speaker 1 (06:52):
Well get me another wry coming hill. Can I drop
you off any place? No, Jackson, I'll stay here. I'm
a little hungry, Roch jes for get me an even
the glass? Okay, pill make yourself at home, will you say? Mary?
(07:15):
Don't look now, But ever since we've been riding in
this cab, there's been a moving van following us.
Speaker 6 (07:20):
I know what. So many times I've gone to the
theater and found out i'd have the tickets on the piano.
So this time I'm taking the piano with me.
Speaker 1 (07:32):
Say you know, Mary, that's all quiet.
Speaker 5 (07:35):
You fall for everything I've got to take right here,
tend the invitations too.
Speaker 4 (07:43):
Let me see.
Speaker 1 (07:46):
Universal International cardially invite you to attend a special showing
of A Double Life starring Ronald Coleman. Say geez, gee
me here invitations. Here are folks, Academy Theater. Come on, Mary,
how much is that driver? A dollar sixty? Oh?
Speaker 4 (08:09):
Johannah, Yes, what happened?
Speaker 1 (08:10):
Nothing? Nothing? Here you are driver? Keep the change. Thanks,
pix your collar. I'm trying to but don I'd wasted
my bowl.
Speaker 6 (08:18):
Tie now you haven't. They've got the search flight on it.
Speaker 5 (08:20):
It'll be down in a minute.
Speaker 1 (08:25):
Oh yes, here it comes there. I got her. Oh no,
that's the one that was headed for Tapastrano. Here they'll
fix my collar. Come on, Mary, let's go in. Gosh,
look look all of us big stars are here. Come on,
hurry hold your own invitations, please, you spectator, stand back?
Let them in? How do you do, mister Gable? Good evening,
(08:47):
mister Taylor, how are you, mister peck. How do you do,
miss Livingston? I told you spectators to stand by with her.
Oh well, let me go right in. Mister, mister he
(09:09):
doesn't even know I'm Jack Benny.
Speaker 6 (09:11):
Well, don't tell him. How something to look forward to.
Come on, Jack, hurry, the life is starting then.
Speaker 1 (09:16):
Okay, they marry. Here are two seats here right in
this road, a little more than halfway in. Follow me,
pardon me, pardon me, pardon.
Speaker 5 (09:26):
Me, pardon me, pardon me, pardon me, pardon.
Speaker 1 (09:28):
Me, pardon me, pardon me, pardon me, pardon me. Oh Donna,
there's only one seat. We'll have to go back. Pardon me,
pardon me, pardon me, pardon me, pardon me, pardon me,
pardon me, pardon me, pardon me, pardon me, pardon me,
(09:51):
pardon me, pardon me.
Speaker 7 (09:52):
Yeah, come back, you went out to exit.
Speaker 1 (09:57):
Oh yeah, here we are marry. Here are two seat
We found the aisle.
Speaker 5 (10:00):
Good gee, Jack.
Speaker 6 (10:08):
We just know that the travelog is coming on.
Speaker 1 (10:11):
Oh yes, as the.
Speaker 2 (10:12):
Sun comes up over the famous diamond Head in Honolulu,
we pay another visit to that land of enchantment, resting
far out in the Blue Pacific, the Hawaiian Islands.
Speaker 1 (10:23):
Well Jack, Jack, it's me, Don Wilson, Allo, Don, I
didn't see you're sitting behind me. Who are you with
your quartet?
Speaker 4 (10:29):
The sportsman? Oh?
Speaker 1 (10:30):
Good, good?
Speaker 8 (10:31):
And now let us pay a.
Speaker 1 (10:33):
Brief visit to one of the lesser known islands, where
we find chief Human Nukandua and his people doing them
native deaths. Gee, this is good, isn't it?
Speaker 4 (10:42):
Jack? Jack?
Speaker 1 (10:43):
John, I want to see this travelogue? Quiet back there? Yes, Don, Quiet,
you're disturbing the people, Jack, What a coincidence? The quartet
has a commercial workout that fits the music they're playing.
All right, all right, but don now we're in a theater.
Not now now good Don go ahead fellas very softly, Don,
we're in the theater. I can't hear who lucky? Who
(11:03):
wants you? Want you laugh? He?
Speaker 9 (11:05):
Who you?
Speaker 1 (11:08):
Why you can't do this? We're in a theater. They
the boys be quiet? Who was? Yeah?
Speaker 8 (11:19):
Yeah?
Speaker 1 (11:20):
Who was the lucky shick? And one we like who?
Two we walk firm, Holy pack's mighty three and easy
on the draws. One yeo he mayel it called.
Speaker 8 (11:35):
The sebe rings boot because he polk a lucky fight.
Speaker 1 (11:43):
Yeah, yeah, ye lucky you were working like why why.
Speaker 8 (11:53):
Yeah, Nica Essentials to continuing sucks Love you do on
the Fine on the Night of macleweg Man, Hanna.
Speaker 1 (12:10):
Boy Hit and now amid the rays of the setting
(12:44):
size it's with heavy hearts. If we say goodbye to Hawaii,
Home of the Pineapple, well, everybody is on the doll
pastic of your poms pineapple joke. No, Honnie, I like that.
He must be a friend of hil Harris. Hey, Mary, Mary,
(13:14):
here comes the feature picture.
Speaker 2 (13:16):
Yeah.
Speaker 7 (13:16):
Look, Ronald Coleman in a double light.
Speaker 5 (13:29):
She would have cloud hurry jackalone, never get out to
the lobby.
Speaker 1 (13:32):
Okay, gosh, Mary, that was one of the best pictures
I ever saw.
Speaker 5 (13:36):
Yes, and it was such an appropriate title, a double life.
Speaker 7 (13:39):
It really fits.
Speaker 6 (13:40):
Mister Coleman was perfect.
Speaker 5 (13:41):
It's a Broadway star who was afraid.
Speaker 7 (13:43):
To play a fellow.
Speaker 6 (13:44):
Well, oh, fine, I suppose you could have played a
fellow better than Ronald Coleman.
Speaker 1 (13:49):
No, Mary, I don't think the people would like me
and Ronnie's part in the picture. But then, on the
other hand, do you think the public would have liked
Coleman and the horn blows at Midnight?
Speaker 6 (13:59):
They wouldn't have liked that picture with Eisenhower in US.
Speaker 1 (14:04):
I guess not, Hey, Mary, Sorry, isn't that mister missus
Coleman over there? Ronnie?
Speaker 7 (14:08):
And Banita?
Speaker 1 (14:09):
Where where? Just coming out of the oh?
Speaker 5 (14:12):
Say Ronnie, Ronnie, what is it?
Speaker 4 (14:14):
Banita?
Speaker 5 (14:23):
Hey, isn't that Jack Benny over there?
Speaker 4 (14:25):
Where?
Speaker 1 (14:26):
All? Well, let's hurry, Vanita.
Speaker 5 (14:28):
He hasn't seen us, I lady, Yes, he's coming to Orgon.
Speaker 4 (14:33):
Well, I've got an idea. So if he wants recognize me, Ronnie,
what are you doing with my he's going to wear it.
Maybe you host think I'm Tom Brenneman.
Speaker 5 (14:45):
Yes, but then you'll have to kiss him.
Speaker 4 (14:50):
Anyway, Let's let's try and get rid of him quickly.
I want to go to Sierras and celebrate.
Speaker 5 (14:53):
All right, we don't create a scene a Please listen
to him and perhaps you'll go away.
Speaker 4 (14:57):
Yes, she told me the same thing about your mother,
and she's been with us a twenty year.
Speaker 1 (15:03):
Well, Ronnie, Benita, how are you hello?
Speaker 4 (15:06):
Jack?
Speaker 5 (15:06):
Hello?
Speaker 4 (15:07):
Mary?
Speaker 1 (15:07):
Bana? Say Ronnie, your picture was simply one of us.
Speaker 4 (15:10):
Thank you Jack, glad you liked it?
Speaker 1 (15:12):
Like it?
Speaker 7 (15:12):
You know, Ronnie.
Speaker 6 (15:14):
Watching your performances evening was one of the most enjoyable experiences.
I've ever had. Well, not only as a double life
a great picture, but your acting was the finest I've
ever seen on the stag or screen. Now, Mary, see,
you're absolutely brilliant as a fellow, and when you played
yourself you were so suave and so handsome.
Speaker 7 (15:35):
Well, Mary's not, you're embarrassing him.
Speaker 1 (15:38):
Benita, you'll keep out of this, you know, Ronnie, my
favorite scene in the whole picture was when you, as
a fellow, accused your wife Desimona, being unfaithful because you
saw another man carrying her handkerchief. Oh you mean the
(15:59):
speech when I said, I Heaven, I saw the.
Speaker 4 (16:02):
Handkerchief in his hand. Oh, perjud woman loved us stone
my heart and makes me call what I intent to
do a murder, which I thought a sacrifice. I saw
the handkerchief.
Speaker 1 (16:13):
Yes, yes, that's the speech I mean. Only, Ronnie, if
I were playing the park, I believe I would have
done it something like this.
Speaker 4 (16:24):
By Heaven, I.
Speaker 1 (16:33):
Saw the handkerchief in his hand, Oh, Perjude, with him
of us stone my heart and makes me call what
I intend to do murder which I caught a sacrifice.
I saw the hanky. The heart of that sound.
Speaker 4 (16:55):
Wonderful Phil Harris couldn't have read it better.
Speaker 1 (16:58):
He couldn't have read it at all. Well, Ronnie, how
can you say that? Let's get the death of that
last line? I so not all my power again? Where's
my bow ties?
Speaker 7 (17:15):
I swallowed it?
Speaker 1 (17:18):
No, no, here it is on the sidewalk. Excuse me, amna,
where's my collar button?
Speaker 5 (17:22):
And you I swallowed something?
Speaker 1 (17:24):
I got another one here in my best pocket. Or say, Ronnie, Ronnie,
if you don't mind my talking about your picture again?
Speaker 4 (17:30):
Not at all, not at all.
Speaker 1 (17:32):
Well, I've seen you in a lot of pictures, and
I thought that in this one you were you were
thank you. No, no, let me finish, let me find it.
I uh, I thought that you were miscast.
Speaker 4 (17:44):
Oh so you you thought I was miscassd yes? You
see in the.
Speaker 1 (17:49):
Picture they have you turn killer and commit murder and
Ronnie in real life, I mean you, you couldn't possibly
murder anybody?
Speaker 4 (17:58):
Oh I don't.
Speaker 7 (18:00):
No, huh, Well it's getting late. We're can't be running along.
Speaker 1 (18:15):
No, no, you can't go home yet. This is the
opening of Ronnie's new picture. A night like this calls
for a celebration. I know, let's all go over to
my house. And play the sop man.
Speaker 4 (18:27):
No thanks, Bevanisa and I are going to ceros goodbye.
Speaker 6 (18:29):
Wait a minute, Jack, it's getting kind of late. Maybe
we ought to go home.
Speaker 1 (18:32):
Nor we can't run off and leave the cold on.
They'll think I'm snubbing them. No, war boat of cereals.
Come on, Come on everybody, Oh taxi.
Speaker 4 (18:43):
Look Jack, we can't all get into one taxi that
are part of us.
Speaker 1 (18:46):
Okay, you folks take this cab, Mary, Now I'll take
the next one. See your ceros, Anita. What a fool
I was to let Benny.
Speaker 4 (18:56):
Know where we were going.
Speaker 5 (18:57):
Oh, what's the different starling? And anyway, Mary's such a night.
Speaker 4 (19:00):
I'm nothing against her. I like Mary? Is that Benny
I can't stand.
Speaker 1 (19:06):
Lately? It seems that everywhere I go I run into him.
Happen to me too.
Speaker 5 (19:11):
Last Thursday afternoon I saw him at Queer Gardens.
Speaker 4 (19:14):
Tea Denny at the tea party for women.
Speaker 5 (19:17):
Yes, he had a shawl over his head and came
around to tell our fortunes. No, then he took his balin,
played golden ear rings and passed around the tamboree.
Speaker 4 (19:31):
You mean Benny himself passed the tambourine. Yes, oh that's
too bad. His monkey must have died, Darling.
Speaker 5 (19:40):
Let's forget about him, let's talk about us. You know
I didn't have a chance to tell you how much
I enjoyed Double Life. I think it is the finest
pity you've ever made.
Speaker 4 (19:51):
Well, thank you very much done.
Speaker 7 (19:54):
You know i'm your severius critics.
Speaker 5 (19:56):
I think your performance in that picture was magne.
Speaker 7 (19:59):
Well you you're wonderful.
Speaker 5 (20:02):
Oh and Ronnie, yes, I've brought you sircus.
Speaker 1 (20:11):
What did you say? Dear said?
Speaker 5 (20:13):
I thought your performance in the picture really are zero?
Speaker 4 (20:23):
Was dingly lucky to get this ring side table?
Speaker 6 (20:25):
Yes, I hear.
Speaker 5 (20:26):
They have a wonderful floor show. It's nice we all
arrived together and no one was kept waiting.
Speaker 1 (20:29):
Yes, yes, it worse, wasn't it?
Speaker 6 (20:31):
Say Jack? It's ye chilly in here? Will you please
get me my coat?
Speaker 1 (20:34):
Certainly?
Speaker 3 (20:34):
Mary?
Speaker 1 (20:35):
What about you? Banita? Is your cold text?
Speaker 7 (20:37):
No, it's personal, Lamb.
Speaker 4 (20:44):
That's rather good, Banita.
Speaker 7 (20:45):
I know I heard it on Fred Allen's progress.
Speaker 5 (20:53):
They have about ordering our foods. He'll be through eating
when the floor show starts.
Speaker 4 (20:56):
I'll call the waiter, O waiter, waiter.
Speaker 5 (21:01):
Make us I have a shrimp coftail.
Speaker 6 (21:03):
If you don't mean you're rare and very good, Mada,
I have a seesy shell and laughter alin neuburg and broccoli.
Speaker 4 (21:09):
Yes, Mada, I think I have some consummet prime ribs
of beef medium rare and a baked potato, Yes, sir, And.
Speaker 1 (21:16):
Now what about you shoulders, Well, I'll i'll have a
potaza zure at saladavec Rockford a la bouff avec baudelais
a pom deterire. Well, Jack here, never mind the comments,
(21:41):
Just bring.
Speaker 4 (21:41):
What I ordered?
Speaker 1 (21:42):
Say Jack, when did you start eating French food?
Speaker 6 (21:45):
And they evaluated the frank?
Speaker 1 (21:55):
Well? And would you like something to drink with your dinner?
We have some wonderful bitty campaign. Mom is thirty seven?
Could i'll lose thirty three and pipe a hide? Take
thirty five? Uh? Make mine slits forty seven's That was
a good year, wasn't it not? The USC Never never
(22:18):
mind the wide crash. You att to pay a little
more attention to your job. Some waiter, look at this
tableclothing a napkin. I've never seen such dirty linen? Will
you do them for us?
Speaker 9 (22:28):
Wrong food?
Speaker 1 (22:33):
That's besides the point. I've never seen such a rude,
impertinent waiter. I got a good mouth, raising your voice
to me. What nobody asked you to come in here
in the first place. You spoiled my whole evening. That's
the last straw. How about you and me stepping outside?
This is zeros. We can do us right here. Look, Waiter,
(23:03):
just go get our orders, all right.
Speaker 7 (23:09):
Johnnie, you can come out from under the table.
Speaker 5 (23:11):
People have stopped staring.
Speaker 1 (23:15):
Well, now let us all have a pleasant evening. Come on,
let's eat, drink and be merry. Well that was really
a delicious dinner. Did you enjoy yours? Ronnieyeah, I certainly did.
Speaker 4 (23:33):
Waiter, give me the check please.
Speaker 1 (23:34):
Oh no, no, no, Ronnie, this is uh, this is
my little party.
Speaker 4 (23:38):
But after all, Jack, we're a celebrating mine new picture.
Speaker 1 (23:40):
I don't care, Waiter, don't listen to him. Give me
the check, all right, but you'll hate yourself in the morning,
never mind giving to me. Thank you.
Speaker 5 (23:50):
Hey, Ronnie, this is the first time I've ever seen
Jack pick up a check. I wonder what happened.
Speaker 4 (23:54):
Somebody must have spiked his slips.
Speaker 1 (23:59):
Waiter, give me your pencil. I want to check these
items now.
Speaker 4 (24:09):
Let's see.
Speaker 6 (24:11):
You know this really has been a grand evening.
Speaker 5 (24:13):
Yes, the floor show is wonderful. Google music is so exciting,
and it's Jerry Lessons.
Speaker 7 (24:18):
That's a funny comedian.
Speaker 4 (24:19):
Atmosphere is nice and coaches.
Speaker 1 (24:21):
But it would all be quiet. I'm going over the check.
Let's see, shrimp cocktail a dollar cents, Caesar salad a
dollar and a quarter, philet mignon, whoop.
Speaker 9 (24:52):
Hmmm lobster say, hmmm, hmmm.
Speaker 1 (24:59):
Mmmm. Ronnie, Ronnie, did you have an extra cup of coffee?
Speaker 4 (25:06):
No, Jack, I had milker.
Speaker 1 (25:08):
Well, where did this extra cup of coffee come from?
Speaker 4 (25:10):
Waider?
Speaker 1 (25:10):
You ordered it? I didn't order, and I want to
taken off the bill. Yeah, please, now you keep out
of this, Mary, Waiter. I'm not going to pay for
this extra cup of coffee.
Speaker 4 (25:19):
I wanted a jack. Jack, let me pay the check.
Speaker 1 (25:21):
No, no, Ronnie, this is my party. This is my party. Now, look, Waiter,
I don't mind paying for what we got, but I
know that no one here had an extra cup of coffee.
Oh Jack, for heaven, had this bill corrected immediately?
Speaker 7 (25:32):
Ronnie, the orchestra's playing, Let's stunt our way.
Speaker 4 (25:35):
Out the back door.
Speaker 1 (25:36):
All right, I mean to come quick, hurry up.
Speaker 3 (25:38):
I went about it.
Speaker 1 (25:38):
Waiter, You ordered the coffee and you'll pay for it.
I ordered him, but I changed my mind and you
put it back. Did you see me leave the table
with it?
Speaker 5 (25:45):
Yes?
Speaker 1 (25:46):
Bye Heaven, I saw the coffee in your hand. Oh
Archard Wager.
Speaker 4 (25:52):
That's told my heart.
Speaker 1 (25:53):
Next thing for what I have said to do? A
murder well, which I taught a sacrifile by coffee. Oh god,
they're both high power. Jack will be back in just
(26:19):
a matter. But first, here's Basil Rysdale by a fifty
percent margin over any other brand. Independent tobacco experts named
Lucky Strike first choice. Lucky Strike first choice. I'm heavn
back of that statement is an impartial Crosley pull, just
completed in eleven Southern tobacco states. This famous authentic research
(26:42):
group reveals that when independent tobacco experts choose a cigarette
for their own personal smoking enjoyment, over fifty percent more
named Lucky Strike than any other brand. Yes, by a
fifty percent margin over any other brand, independent tobacco experts
name Lucky Strike first choice. These are the tobacco xsts,
the independent buyers, auctioneers, and ware housman who buy, sell,
(27:04):
and handle tobacco at the auctions. Men like mister Sidney T. Curran,
tobacco warehouseman of Oxford, North Carolina, who recently said, at
auction after auction, I've seen the makers of Lucky Strike
by fine tobacco. It smokes a mild, cool and fragrant.
Speaker 4 (27:18):
I've smoked Luckis myself for twenty six years.
Speaker 1 (27:21):
So for your own reels beat down smoking enjoyment remembers
ls MFT, ls MFT, Lucky Strike means fine tobacco, so round,
so firm, so fully packed, so free and easy on
the draw. So smoke the smoke. Tobacco experts smoke, remember,
by a fifty.
Speaker 4 (27:38):
Percent margin over any other brand.
Speaker 1 (27:40):
Independent tobacco experts name Lucky Strike first choice, Lucky Strike
first choice, Ladies and gentlemen. I want to thank mister
and missus Ronald Coleman for being with us tonight and
to Denni's day, My best wishes and congratulations tonight.
Speaker 4 (28:18):
This is NBC, the National Broadcasting Company,
The Jack Benny Program presented by Lucky Strike.
Speaker 2 (00:03):
Ifessor hat not any Manula, no MANU American front.
Speaker 1 (00:09):
Page news in the nation's great tobacco markets. The famous
Crossley poll has just finished asking independent tobacco experts what
cigarette the youth smoke over fifty percent more named Lucky
Strike than any other brand. Yes, by a fifty percent
margin over any other brand. Independent tobacco experts name Lucky
Strike first choice, Lucky Strike first choice. These experts are
(00:30):
the independent tobacco buyers, auctioneers and warehousemen, the man who
see who buys what tobacco at the auctions and when
independent tobacco experts like these name Lucky Strike first choice
for personal smoking enjoyment, then you know ls MFT, ls
MFT Lucky Strike means fine tobacco. So smoke the smoke
tobacco experts smoke Lucky Strike. Remember, by a fifty percent
(00:53):
margin over any other brand. Independent tobacco experts name Lucky
Strike first choice, Lucky Strike first choice.
Speaker 2 (01:09):
The Lucky Strike Program starring Jack Penny with Barry Livingston,
Hillaris Rochester Downer, Staying Yours, throw Ly Don Wilson, Landers
and Gentlemen, Last.
Speaker 1 (01:26):
Night was a big knight in Hollywood.
Speaker 2 (01:28):
The occasion was a special showing of Ronald Coleman's new
picture of Double Life. Naturally, all the important stars in
Hollywood received invitations to attend the scale affair.
Speaker 1 (01:36):
And while all this was going on, where was our
little star Rochester? Hammy, my pajamas, I'm going to bed
here you are boys, No, no, no, my willing ones.
The knights are awfully cold.
Speaker 3 (01:48):
I know it's cold, but you've already got three companies,
two Quills and half Dead and four electric blackets with
a direct lyne to ball of down.
Speaker 1 (02:00):
Never mind, Just turn out the lights and I'll go
to sleep.
Speaker 3 (02:02):
Don't you want me to read to you like I
always do.
Speaker 1 (02:05):
Yes, pick up one of those trade papers, either the
variety of the reporter.
Speaker 3 (02:09):
Okay, now let's see, say, boss, look what it says.
Why Tonight at the Academy's theater there will be a
special showing of Ronald Comer's new Universal International Picture.
Speaker 4 (02:20):
A Double LFE.
Speaker 1 (02:21):
I know, I know it says all the big.
Speaker 3 (02:23):
Stars in Hollywood have been invited to attend.
Speaker 1 (02:26):
Yeah, I know.
Speaker 3 (02:26):
Didn't they mail you an invitation?
Speaker 1 (02:28):
Well, frankly, I don't know whether they did or not.
I didn't even bother looking.
Speaker 3 (02:33):
Oh, Boss, come down right this morning when the mailman
came by, you grabbed his bag and went through it
like an occipice with.
Speaker 1 (02:41):
A mixed master in each cham. I was looking for
a reply from Dorothy Dix. Anyway, who wants to go
to a Hollywood premiere? You always see the same people.
Barbara Stanwick will be there with Robert Taylor, Lauren McCall
will be there with Humphrey Boguy, Rona Turner will be
(03:03):
there with let me see today's paper anyway, Rochester. Believe me,
I'm not mad because I didn't get an invitation of
the preview. As a matter of fact, if Universal Studios,
if William Gifts, the executive producer, if Ronald Coleman himself
called me on the phone right now, I wouldn't go
(03:25):
to that. I'll get a Rochester, I'll get it. Hello.
Is that Sam's meat Market? No it isn't. Who was it, Boss,
or some guy wanted Sam's meat Market?
Speaker 3 (03:43):
SAMs meat Market. That's the new place down on the corner.
They're having a big opening tonight. Yeah, didn't you get
an invitation to that? Either?
Speaker 1 (03:51):
I wouldn't go if I did you always see the
same things.
Speaker 3 (03:54):
Yeah, Liberal will be there with Bacon, s'lon will be there.
Speaker 1 (03:58):
Cut that out now, Rochester. I'm going to bed, so
turn out the light.
Speaker 3 (04:04):
Well you'll get it, you'll get it.
Speaker 1 (04:06):
I've got it. Hello.
Speaker 5 (04:08):
Hello, Jack's Mary.
Speaker 1 (04:10):
Oh, Mary, I'm.
Speaker 6 (04:11):
Glad I caught you. I thought maybe you're already left
to see Ronald Coleman.
Speaker 1 (04:14):
Set you. No, Mary, I was supposed to go, but
I don't know. When you've been a star as long
as I have you, you don't get excited about those things.
Speaker 6 (04:21):
You know, see, And I thought we could go together.
Speaker 1 (04:24):
No, no, Mary, I'm ready for bed.
Speaker 5 (04:25):
Oh that's too bad. I have two tickets.
Speaker 1 (04:28):
What what what? What? What was that married?
Speaker 4 (04:30):
What did you say?
Speaker 1 (04:31):
What did you say? Mary?
Speaker 5 (04:32):
I could have to say tickets.
Speaker 1 (04:36):
Mary, just to Gord. You got tickets. You don't have
to be so nervous about it. Look, I was ready
for bed, but I wouldn't let you down. So while
I get dressed, you jump in a cab and pick
me up in ten minutes.
Speaker 6 (04:44):
Okay, Jack, I may be a few minutes late. I
want to stop off with the forest and get a
Corse eye.
Speaker 1 (04:49):
Good good. While you're there, get one for yourself. I mean,
come over as soon as you can. Goodbye, Rochester, Rochester,
I'm going to the opening.
Speaker 3 (05:02):
I know Sam wouldn't let you down.
Speaker 1 (05:06):
Not the meat mark. I'll stop jabbering and help me dress.
I had, Jackson. The door was open, so I came
right in. Hllo fell. Where are you going? Or? I
promise Mary I take her to a special showing of
Ronald Coleman's new picture. No kidding, Jackson, you mean you've
got an invitation. I certainly did. That's why I'm putting
on this tuxedo. You may not know it, Phil, but
for the past twenty years I've been rubbing elbows with
the most important people in show business. And the looks
(05:27):
of them sleeves, you must have been rubbing them pretty hard,
all right, So it's a little thin around the elbows. Now,
pardon me while I get dressed. I'll help you, Jackson.
While you're putting on your shirt, I'll button your shoes. Thanks, Hill. Oh, Rochester,
hand me my wing collar, will you please?
Speaker 4 (05:44):
Yes?
Speaker 3 (05:44):
Sir?
Speaker 1 (05:45):
Oh, what's the matter?
Speaker 3 (05:46):
You were side stiffly in the half collar.
Speaker 1 (05:48):
It's only a fourteen. Oh that's all right. We gonna
make it work. Put it on. Okay, here's the collar button? Yeah,
I got it?
Speaker 3 (05:54):
Al stiff? All this collar is really stiff.
Speaker 1 (05:57):
Yeah, just a minute now, there I got it. How's that?
Speaker 3 (06:01):
Boss?
Speaker 1 (06:02):
I guess it's all right? But so tight I can
hand o. Jarna's slipped off the collar button. I'll try
it again, Rochester.
Speaker 3 (06:17):
Boss, this collar is too tight for you.
Speaker 1 (06:19):
We pull it harder.
Speaker 3 (06:20):
I'm getting it. Get hole still there?
Speaker 1 (06:24):
I said, color is so tight I can hardly breathe? Phil,
How do I look like Herbert Hoover with a crew haircut?
Don't be so funny? Oh there's Mary. All I have
to do is snap on this boat tie and I'll
be on my way. Got it? There it goes again, Rochester,
where's my bow tie?
Speaker 3 (06:44):
Well out the window and headed for Cavastata.
Speaker 1 (06:52):
Well get me another wry coming hill. Can I drop
you off any place? No, Jackson, I'll stay here. I'm
a little hungry, Roch jes for get me an even
the glass? Okay, pill make yourself at home, will you say? Mary?
(07:15):
Don't look now, But ever since we've been riding in
this cab, there's been a moving van following us.
Speaker 6 (07:20):
I know what. So many times I've gone to the
theater and found out i'd have the tickets on the piano.
So this time I'm taking the piano with me.
Speaker 1 (07:32):
Say you know, Mary, that's all quiet.
Speaker 5 (07:35):
You fall for everything I've got to take right here,
tend the invitations too.
Speaker 4 (07:43):
Let me see.
Speaker 1 (07:46):
Universal International cardially invite you to attend a special showing
of A Double Life starring Ronald Coleman. Say geez, gee
me here invitations. Here are folks, Academy Theater. Come on, Mary,
how much is that driver? A dollar sixty? Oh?
Speaker 4 (08:09):
Johannah, Yes, what happened?
Speaker 1 (08:10):
Nothing? Nothing? Here you are driver? Keep the change. Thanks,
pix your collar. I'm trying to but don I'd wasted
my bowl.
Speaker 6 (08:18):
Tie now you haven't. They've got the search flight on it.
Speaker 5 (08:20):
It'll be down in a minute.
Speaker 1 (08:25):
Oh yes, here it comes there. I got her. Oh no,
that's the one that was headed for Tapastrano. Here they'll
fix my collar. Come on, Mary, let's go in. Gosh,
look look all of us big stars are here. Come on,
hurry hold your own invitations, please, you spectator, stand back?
Let them in? How do you do, mister Gable? Good evening,
(08:47):
mister Taylor, how are you, mister peck. How do you do,
miss Livingston? I told you spectators to stand by with her.
Oh well, let me go right in. Mister, mister he
(09:09):
doesn't even know I'm Jack Benny.
Speaker 6 (09:11):
Well, don't tell him. How something to look forward to.
Come on, Jack, hurry, the life is starting then.
Speaker 1 (09:16):
Okay, they marry. Here are two seats here right in
this road, a little more than halfway in. Follow me,
pardon me, pardon me, pardon.
Speaker 5 (09:26):
Me, pardon me, pardon me, pardon me, pardon.
Speaker 1 (09:28):
Me, pardon me, pardon me, pardon me, pardon me. Oh Donna,
there's only one seat. We'll have to go back. Pardon me,
pardon me, pardon me, pardon me, pardon me, pardon me,
pardon me, pardon me, pardon me, pardon me, pardon me,
(09:51):
pardon me, pardon me.
Speaker 7 (09:52):
Yeah, come back, you went out to exit.
Speaker 1 (09:57):
Oh yeah, here we are marry. Here are two seat
We found the aisle.
Speaker 5 (10:00):
Good gee, Jack.
Speaker 6 (10:08):
We just know that the travelog is coming on.
Speaker 1 (10:11):
Oh yes, as the.
Speaker 2 (10:12):
Sun comes up over the famous diamond Head in Honolulu,
we pay another visit to that land of enchantment, resting
far out in the Blue Pacific, the Hawaiian Islands.
Speaker 1 (10:23):
Well Jack, Jack, it's me, Don Wilson, Allo, Don, I
didn't see you're sitting behind me. Who are you with
your quartet?
Speaker 4 (10:29):
The sportsman? Oh?
Speaker 1 (10:30):
Good, good?
Speaker 8 (10:31):
And now let us pay a.
Speaker 1 (10:33):
Brief visit to one of the lesser known islands, where
we find chief Human Nukandua and his people doing them
native deaths. Gee, this is good, isn't it?
Speaker 4 (10:42):
Jack? Jack?
Speaker 1 (10:43):
John, I want to see this travelogue? Quiet back there? Yes, Don, Quiet,
you're disturbing the people, Jack, What a coincidence? The quartet
has a commercial workout that fits the music they're playing.
All right, all right, but don now we're in a theater.
Not now now good Don go ahead fellas very softly, Don,
we're in the theater. I can't hear who lucky? Who
(11:03):
wants you? Want you laugh? He?
Speaker 9 (11:05):
Who you?
Speaker 1 (11:08):
Why you can't do this? We're in a theater. They
the boys be quiet? Who was? Yeah?
Speaker 8 (11:19):
Yeah?
Speaker 1 (11:20):
Who was the lucky shick? And one we like who?
Two we walk firm, Holy pack's mighty three and easy
on the draws. One yeo he mayel it called.
Speaker 8 (11:35):
The sebe rings boot because he polk a lucky fight.
Speaker 1 (11:43):
Yeah, yeah, ye lucky you were working like why why.
Speaker 8 (11:53):
Yeah, Nica Essentials to continuing sucks Love you do on
the Fine on the Night of macleweg Man, Hanna.
Speaker 1 (12:10):
Boy Hit and now amid the rays of the setting
(12:44):
size it's with heavy hearts. If we say goodbye to Hawaii,
Home of the Pineapple, well, everybody is on the doll
pastic of your poms pineapple joke. No, Honnie, I like that.
He must be a friend of hil Harris. Hey, Mary, Mary,
(13:14):
here comes the feature picture.
Speaker 2 (13:16):
Yeah.
Speaker 7 (13:16):
Look, Ronald Coleman in a double light.
Speaker 5 (13:29):
She would have cloud hurry jackalone, never get out to
the lobby.
Speaker 1 (13:32):
Okay, gosh, Mary, that was one of the best pictures
I ever saw.
Speaker 5 (13:36):
Yes, and it was such an appropriate title, a double life.
Speaker 7 (13:39):
It really fits.
Speaker 6 (13:40):
Mister Coleman was perfect.
Speaker 5 (13:41):
It's a Broadway star who was afraid.
Speaker 7 (13:43):
To play a fellow.
Speaker 6 (13:44):
Well, oh, fine, I suppose you could have played a
fellow better than Ronald Coleman.
Speaker 1 (13:49):
No, Mary, I don't think the people would like me
and Ronnie's part in the picture. But then, on the
other hand, do you think the public would have liked
Coleman and the horn blows at Midnight?
Speaker 6 (13:59):
They wouldn't have liked that picture with Eisenhower in US.
Speaker 1 (14:04):
I guess not, Hey, Mary, Sorry, isn't that mister missus
Coleman over there? Ronnie?
Speaker 7 (14:08):
And Banita?
Speaker 1 (14:09):
Where where? Just coming out of the oh?
Speaker 5 (14:12):
Say Ronnie, Ronnie, what is it?
Speaker 4 (14:14):
Banita?
Speaker 5 (14:23):
Hey, isn't that Jack Benny over there?
Speaker 4 (14:25):
Where?
Speaker 1 (14:26):
All? Well, let's hurry, Vanita.
Speaker 5 (14:28):
He hasn't seen us, I lady, Yes, he's coming to Orgon.
Speaker 4 (14:33):
Well, I've got an idea. So if he wants recognize me, Ronnie,
what are you doing with my he's going to wear it.
Maybe you host think I'm Tom Brenneman.
Speaker 5 (14:45):
Yes, but then you'll have to kiss him.
Speaker 4 (14:50):
Anyway, Let's let's try and get rid of him quickly.
I want to go to Sierras and celebrate.
Speaker 5 (14:53):
All right, we don't create a scene a Please listen
to him and perhaps you'll go away.
Speaker 4 (14:57):
Yes, she told me the same thing about your mother,
and she's been with us a twenty year.
Speaker 1 (15:03):
Well, Ronnie, Benita, how are you hello?
Speaker 4 (15:06):
Jack?
Speaker 5 (15:06):
Hello?
Speaker 4 (15:07):
Mary?
Speaker 1 (15:07):
Bana? Say Ronnie, your picture was simply one of us.
Speaker 4 (15:10):
Thank you Jack, glad you liked it?
Speaker 1 (15:12):
Like it?
Speaker 7 (15:12):
You know, Ronnie.
Speaker 6 (15:14):
Watching your performances evening was one of the most enjoyable experiences.
I've ever had. Well, not only as a double life
a great picture, but your acting was the finest I've
ever seen on the stag or screen. Now, Mary, see,
you're absolutely brilliant as a fellow, and when you played
yourself you were so suave and so handsome.
Speaker 7 (15:35):
Well, Mary's not, you're embarrassing him.
Speaker 1 (15:38):
Benita, you'll keep out of this, you know, Ronnie, my
favorite scene in the whole picture was when you, as
a fellow, accused your wife Desimona, being unfaithful because you
saw another man carrying her handkerchief. Oh you mean the
(15:59):
speech when I said, I Heaven, I saw the.
Speaker 4 (16:02):
Handkerchief in his hand. Oh, perjud woman loved us stone
my heart and makes me call what I intent to
do a murder, which I thought a sacrifice. I saw
the handkerchief.
Speaker 1 (16:13):
Yes, yes, that's the speech I mean. Only, Ronnie, if
I were playing the park, I believe I would have
done it something like this.
Speaker 4 (16:24):
By Heaven, I.
Speaker 1 (16:33):
Saw the handkerchief in his hand, Oh, Perjude, with him
of us stone my heart and makes me call what
I intend to do murder which I caught a sacrifice.
I saw the hanky. The heart of that sound.
Speaker 4 (16:55):
Wonderful Phil Harris couldn't have read it better.
Speaker 1 (16:58):
He couldn't have read it at all. Well, Ronnie, how
can you say that? Let's get the death of that
last line? I so not all my power again? Where's
my bow ties?
Speaker 7 (17:15):
I swallowed it?
Speaker 1 (17:18):
No, no, here it is on the sidewalk. Excuse me, amna,
where's my collar button?
Speaker 5 (17:22):
And you I swallowed something?
Speaker 1 (17:24):
I got another one here in my best pocket. Or say, Ronnie, Ronnie,
if you don't mind my talking about your picture again?
Speaker 4 (17:30):
Not at all, not at all.
Speaker 1 (17:32):
Well, I've seen you in a lot of pictures, and
I thought that in this one you were you were
thank you. No, no, let me finish, let me find it.
I uh, I thought that you were miscast.
Speaker 4 (17:44):
Oh so you you thought I was miscassd yes? You
see in the.
Speaker 1 (17:49):
Picture they have you turn killer and commit murder and
Ronnie in real life, I mean you, you couldn't possibly
murder anybody?
Speaker 4 (17:58):
Oh I don't.
Speaker 7 (18:00):
No, huh, Well it's getting late. We're can't be running along.
Speaker 1 (18:15):
No, no, you can't go home yet. This is the
opening of Ronnie's new picture. A night like this calls
for a celebration. I know, let's all go over to
my house. And play the sop man.
Speaker 4 (18:27):
No thanks, Bevanisa and I are going to ceros goodbye.
Speaker 6 (18:29):
Wait a minute, Jack, it's getting kind of late. Maybe
we ought to go home.
Speaker 1 (18:32):
Nor we can't run off and leave the cold on.
They'll think I'm snubbing them. No, war boat of cereals.
Come on, Come on everybody, Oh taxi.
Speaker 4 (18:43):
Look Jack, we can't all get into one taxi that
are part of us.
Speaker 1 (18:46):
Okay, you folks take this cab, Mary, Now I'll take
the next one. See your ceros, Anita. What a fool
I was to let Benny.
Speaker 4 (18:56):
Know where we were going.
Speaker 5 (18:57):
Oh, what's the different starling? And anyway, Mary's such a night.
Speaker 4 (19:00):
I'm nothing against her. I like Mary? Is that Benny
I can't stand.
Speaker 1 (19:06):
Lately? It seems that everywhere I go I run into him.
Happen to me too.
Speaker 5 (19:11):
Last Thursday afternoon I saw him at Queer Gardens.
Speaker 4 (19:14):
Tea Denny at the tea party for women.
Speaker 5 (19:17):
Yes, he had a shawl over his head and came
around to tell our fortunes. No, then he took his balin,
played golden ear rings and passed around the tamboree.
Speaker 4 (19:31):
You mean Benny himself passed the tambourine. Yes, oh that's
too bad. His monkey must have died, Darling.
Speaker 5 (19:40):
Let's forget about him, let's talk about us. You know
I didn't have a chance to tell you how much
I enjoyed Double Life. I think it is the finest
pity you've ever made.
Speaker 4 (19:51):
Well, thank you very much done.
Speaker 7 (19:54):
You know i'm your severius critics.
Speaker 5 (19:56):
I think your performance in that picture was magne.
Speaker 7 (19:59):
Well you you're wonderful.
Speaker 5 (20:02):
Oh and Ronnie, yes, I've brought you sircus.
Speaker 1 (20:11):
What did you say? Dear said?
Speaker 5 (20:13):
I thought your performance in the picture really are zero?
Speaker 4 (20:23):
Was dingly lucky to get this ring side table?
Speaker 6 (20:25):
Yes, I hear.
Speaker 5 (20:26):
They have a wonderful floor show. It's nice we all
arrived together and no one was kept waiting.
Speaker 1 (20:29):
Yes, yes, it worse, wasn't it?
Speaker 6 (20:31):
Say Jack? It's ye chilly in here? Will you please
get me my coat?
Speaker 1 (20:34):
Certainly?
Speaker 3 (20:34):
Mary?
Speaker 1 (20:35):
What about you? Banita? Is your cold text?
Speaker 7 (20:37):
No, it's personal, Lamb.
Speaker 4 (20:44):
That's rather good, Banita.
Speaker 7 (20:45):
I know I heard it on Fred Allen's progress.
Speaker 5 (20:53):
They have about ordering our foods. He'll be through eating
when the floor show starts.
Speaker 4 (20:56):
I'll call the waiter, O waiter, waiter.
Speaker 5 (21:01):
Make us I have a shrimp coftail.
Speaker 6 (21:03):
If you don't mean you're rare and very good, Mada,
I have a seesy shell and laughter alin neuburg and broccoli.
Speaker 4 (21:09):
Yes, Mada, I think I have some consummet prime ribs
of beef medium rare and a baked potato, Yes, sir, And.
Speaker 1 (21:16):
Now what about you shoulders, Well, I'll i'll have a
potaza zure at saladavec Rockford a la bouff avec baudelais
a pom deterire. Well, Jack here, never mind the comments,
(21:41):
Just bring.
Speaker 4 (21:41):
What I ordered?
Speaker 1 (21:42):
Say Jack, when did you start eating French food?
Speaker 6 (21:45):
And they evaluated the frank?
Speaker 1 (21:55):
Well? And would you like something to drink with your dinner?
We have some wonderful bitty campaign. Mom is thirty seven?
Could i'll lose thirty three and pipe a hide? Take
thirty five? Uh? Make mine slits forty seven's That was
a good year, wasn't it not? The USC Never never
(22:18):
mind the wide crash. You att to pay a little
more attention to your job. Some waiter, look at this
tableclothing a napkin. I've never seen such dirty linen? Will
you do them for us?
Speaker 9 (22:28):
Wrong food?
Speaker 1 (22:33):
That's besides the point. I've never seen such a rude,
impertinent waiter. I got a good mouth, raising your voice
to me. What nobody asked you to come in here
in the first place. You spoiled my whole evening. That's
the last straw. How about you and me stepping outside?
This is zeros. We can do us right here. Look, Waiter,
(23:03):
just go get our orders, all right.
Speaker 7 (23:09):
Johnnie, you can come out from under the table.
Speaker 5 (23:11):
People have stopped staring.
Speaker 1 (23:15):
Well, now let us all have a pleasant evening. Come on,
let's eat, drink and be merry. Well that was really
a delicious dinner. Did you enjoy yours? Ronnieyeah, I certainly did.
Speaker 4 (23:33):
Waiter, give me the check please.
Speaker 1 (23:34):
Oh no, no, no, Ronnie, this is uh, this is
my little party.
Speaker 4 (23:38):
But after all, Jack, we're a celebrating mine new picture.
Speaker 1 (23:40):
I don't care, Waiter, don't listen to him. Give me
the check, all right, but you'll hate yourself in the morning,
never mind giving to me. Thank you.
Speaker 5 (23:50):
Hey, Ronnie, this is the first time I've ever seen
Jack pick up a check. I wonder what happened.
Speaker 4 (23:54):
Somebody must have spiked his slips.
Speaker 1 (23:59):
Waiter, give me your pencil. I want to check these
items now.
Speaker 4 (24:09):
Let's see.
Speaker 6 (24:11):
You know this really has been a grand evening.
Speaker 5 (24:13):
Yes, the floor show is wonderful. Google music is so exciting,
and it's Jerry Lessons.
Speaker 7 (24:18):
That's a funny comedian.
Speaker 4 (24:19):
Atmosphere is nice and coaches.
Speaker 1 (24:21):
But it would all be quiet. I'm going over the check.
Let's see, shrimp cocktail a dollar cents, Caesar salad a
dollar and a quarter, philet mignon, whoop.
Speaker 9 (24:52):
Hmmm lobster say, hmmm, hmmm.
Speaker 1 (24:59):
Mmmm. Ronnie, Ronnie, did you have an extra cup of coffee?
Speaker 4 (25:06):
No, Jack, I had milker.
Speaker 1 (25:08):
Well, where did this extra cup of coffee come from?
Speaker 4 (25:10):
Waider?
Speaker 1 (25:10):
You ordered it? I didn't order, and I want to
taken off the bill. Yeah, please, now you keep out
of this, Mary, Waiter. I'm not going to pay for
this extra cup of coffee.
Speaker 4 (25:19):
I wanted a jack. Jack, let me pay the check.
Speaker 1 (25:21):
No, no, Ronnie, this is my party. This is my party. Now, look, Waiter,
I don't mind paying for what we got, but I
know that no one here had an extra cup of coffee.
Oh Jack, for heaven, had this bill corrected immediately?
Speaker 7 (25:32):
Ronnie, the orchestra's playing, Let's stunt our way.
Speaker 4 (25:35):
Out the back door.
Speaker 1 (25:36):
All right, I mean to come quick, hurry up.
Speaker 3 (25:38):
I went about it.
Speaker 1 (25:38):
Waiter, You ordered the coffee and you'll pay for it.
I ordered him, but I changed my mind and you
put it back. Did you see me leave the table
with it?
Speaker 5 (25:45):
Yes?
Speaker 1 (25:46):
Bye Heaven, I saw the coffee in your hand. Oh
Archard Wager.
Speaker 4 (25:52):
That's told my heart.
Speaker 1 (25:53):
Next thing for what I have said to do? A
murder well, which I taught a sacrifile by coffee. Oh god,
they're both high power. Jack will be back in just
(26:19):
a matter. But first, here's Basil Rysdale by a fifty
percent margin over any other brand. Independent tobacco experts named
Lucky Strike first choice. Lucky Strike first choice. I'm heavn
back of that statement is an impartial Crosley pull, just
completed in eleven Southern tobacco states. This famous authentic research
(26:42):
group reveals that when independent tobacco experts choose a cigarette
for their own personal smoking enjoyment, over fifty percent more
named Lucky Strike than any other brand. Yes, by a
fifty percent margin over any other brand, independent tobacco experts
name Lucky Strike first choice. These are the tobacco xsts,
the independent buyers, auctioneers, and ware housman who buy, sell,
(27:04):
and handle tobacco at the auctions. Men like mister Sidney T. Curran,
tobacco warehouseman of Oxford, North Carolina, who recently said, at
auction after auction, I've seen the makers of Lucky Strike
by fine tobacco. It smokes a mild, cool and fragrant.
Speaker 4 (27:18):
I've smoked Luckis myself for twenty six years.
Speaker 1 (27:21):
So for your own reels beat down smoking enjoyment remembers
ls MFT, ls MFT, Lucky Strike means fine tobacco, so round,
so firm, so fully packed, so free and easy on
the draw. So smoke the smoke. Tobacco experts smoke, remember,
by a fifty.
Speaker 4 (27:38):
Percent margin over any other brand.
Speaker 1 (27:40):
Independent tobacco experts name Lucky Strike first choice, Lucky Strike
first choice, Ladies and gentlemen. I want to thank mister
and missus Ronald Coleman for being with us tonight and
to Denni's day, My best wishes and congratulations tonight.
Speaker 4 (28:18):
This is NBC, the National Broadcasting Company,
Popular Podcasts
On Purpose with Jay Shetty
I’m Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and I’m so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood you’re able to deal with relationship struggles, work challenges and life’s ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them we’ve never seen before. New episodes every Monday and Friday. Your support means the world to me and I don’t take it for granted — click the follow button and leave a review to help us spread the love with On Purpose. I can’t wait for you to listen to your first or 500th episode!
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Special Summer Offer: Exclusively on Apple Podcasts, try our Dateline Premium subscription completely free for one month! With Dateline Premium, you get every episode ad-free plus exclusive bonus content.
24/7 News: The Latest
The latest news in 4 minutes updated every hour, every day.