August 7, 2025 • 28 mins
A legendary variety show blending witty monologues, comic sketches, and musical interludes, all anchored by the impeccable timing of its beloved host. It’s a masterclass in comedic timing.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:04):
The Jello Program starring Jack Fenny with Mary Livingston Hill,
Harris Kenny Baker, and yours truly Donal Wilson. The Orchotrope
has a program with for no rhyme or reason. I
(01:19):
know you've often heard people say today was a red
letter day for me.
Speaker 2 (01:23):
Well, let me tell you.
Speaker 1 (01:24):
Any day can be a red letter day. By those
big red letters on a Jello box. Well, they spell Jello,
and Jello.
Speaker 3 (01:30):
Spells a tree.
Speaker 1 (01:32):
That name is your guarantee of brown dessert because the.
Speaker 4 (01:35):
Name of Jello is a trademark.
Speaker 1 (01:36):
It's the property of General Foods that tells you here
is the genuine, the one and only Jello. If you
hear any other jelaphan dessert called jello, you know that
is incorrect. And that's why we ask you to insist
on Jello by name. But Jello brings you that delicious,
extra rich fruit flavor, a wonderful refreshing fruit freshlets.
Speaker 4 (01:56):
They just can't be taught.
Speaker 1 (01:58):
So when you go to your growth, so don't accept
any side executes those big red letters spell red letter
desert while they spell Jello. And now, ladies and gentlemen,
(02:37):
I'd like to announce that next week this program will
move to the new NBC Studios on Sunset.
Speaker 4 (02:42):
Boulevard in Hollywood.
Speaker 1 (02:43):
So tonight, folks, let us bit of you to this
old room. For for three years, every Sunday night you
have heard that same old sweet voice saying hello again.
Speaker 5 (02:54):
This is Jack Dunny talking, thank you, thank you well, Don,
this is our farewell performance under this old roof.
Speaker 6 (03:09):
Just think, after three years of work and worry and fun,
we gotta move. I don't know how you feel about it, Don,
but see I'm ready to go over in the corner
and have a good cry.
Speaker 4 (03:18):
Soh Jack, I wouldn't take it that hard.
Speaker 1 (03:21):
After all, It's just moving from one studio to the other.
Speaker 6 (03:23):
That's all I know, Don. But I'm sentimental. I just
can't stand changes. I felt the same way when they
raised the prices at the Brown Derby.
Speaker 4 (03:34):
But I'm built that way. There's nothing I can do
about it. But Jack's you studio will be wonderful. Why
it's modern and gay. It's full of bright.
Speaker 6 (03:44):
Lights and decorations done none of that, sease. I'm not
a child. It can be bought with chromium and tinseil.
Speaker 4 (03:52):
You can't tell me anything.
Speaker 6 (03:53):
I made up my mind to be broken harder tonight,
and I'm gonna stay that way.
Speaker 1 (03:58):
But Jack, you're so silly. After all, this is only
a building with so much brick and steel and cement.
Speaker 4 (04:03):
Rick stealing some men. That's enough, town. That's like Saint
Garble was a rag of bone and a hunk of hair.
You're just cold and callous.
Speaker 1 (04:15):
Now wait a minute, Jack, I've got feelings. Why, I've
got more sentiment and my little finger than you have
in your whole body.
Speaker 6 (04:21):
Your little fingers. I've seen legs of lamb that were
smaller than legs you and your feelings.
Speaker 3 (04:31):
John is right.
Speaker 7 (04:32):
Yet you're always making a mountain out of nothing. What's
there to be said about?
Speaker 6 (04:35):
Well, yeah, why are you always trying to get sympathy?
You haven't got any more sentiment for this building than
a furmite? Oh oh, I haven't a I haven't got
any sentiment. Ah well, let me show you something philed.
You see my watch Shane here. You think that's an
else tooth hanging on it, don't you? Yeah, well it's
not this tooth Along to the first girl I ever
went out with, Rosie Gum And another.
Speaker 4 (05:04):
Thing, you know that big moose head that hangs in
my den.
Speaker 7 (05:06):
That got her mother, I'll scream.
Speaker 4 (05:10):
Well it's not. If you want to know something, I
got that moose head. Come in me, mister Penny. But
we were sent over here to move the furniture out
of the room. The furniture already. Yeah, come on, Mervin, Okay, Laverne. Oh,
for heaven's sake, can'ty even wait until we're through. We've
been here three years. Another ten minutes isn't going to
(05:31):
make any difference. Stout business buddy grabbed that chair, Mervin.
Speaker 6 (05:33):
Okay, imagine that fellas all this brush to get over
into that new building. Well, what's the matter with that
new building? Don't you believe in progress? Don't you believe
in the advancement of radio?
Speaker 4 (05:42):
Well, certainly I do.
Speaker 6 (05:44):
But listen, Phil, you should be the last one to
want to go into that new studio. Why because when
we get there, your aren't just still have to wear shoes,
that's why.
Speaker 4 (05:59):
Ah yeah, yeah, they're gonna wear shoes next Sunday night.
And that's an order, order and no order.
Speaker 6 (06:03):
You're gonna see plenty of bunyance half in time. Fine
bunch of artists. You got eight Hill believes four huckleberry
fins and a zoo.
Speaker 4 (06:19):
Phil, I wish you'd tell your first.
Speaker 6 (06:20):
Violin this incidental to stop selling sandwiches while the program
is going up. Well, he's got to make a living someway.
Speaker 4 (06:28):
A lot of my expense.
Speaker 6 (06:30):
I bought a three decker from him last week, and
all I had in it was a strip of bacon
and two bars of the Lambeth Walk. Can I tell
you one thing, Phil, Andy Murvin, give me a hand
with this ashtray?
Speaker 4 (06:47):
Will you astray? I got it together?
Speaker 6 (06:49):
Now, I give you my word of honor. Folks, that
ashtray doesn't weigh over three ounces. Now, will be as
quiet as you can when you felling.
Speaker 8 (06:58):
Okay, Okay, we'll watch it.
Speaker 4 (06:59):
See the budget, Andy Laverne.
Speaker 6 (07:01):
Yeah, see Mary, look at him taking those cares out.
I can't bear to watch it.
Speaker 4 (07:07):
I just think we spent three years working in this
one little room.
Speaker 7 (07:10):
Yeah, now we gotta leave.
Speaker 4 (07:12):
Oh well, we've had some mighty funny programs come out
of here.
Speaker 7 (07:15):
We've had some mighty other time too.
Speaker 2 (07:19):
Well.
Speaker 6 (07:19):
Naturally, we can't always click even a castor net missus
once in a while, See Mary, don't you feel sad
about leaving there? Do.
Speaker 7 (07:30):
I What do you think I got on this piece
of paper.
Speaker 8 (07:32):
The Mervyn flat.
Speaker 4 (07:33):
I'll bet it's one of them lousy poems. Now you
keep out of this. Is it a poem?
Speaker 6 (07:38):
Mary?
Speaker 7 (07:38):
Yeah, it's a farewell to this old studio.
Speaker 6 (07:40):
Well, this is one time I'll appreciate it. What's the
title of your poems?
Speaker 7 (07:44):
I've got those. I hate to leave the studio with
a fawn. I've spent so many happy days blues.
Speaker 4 (07:54):
Well, taking deep breath and start the poems.
Speaker 7 (07:56):
Okay, it's still so lonely, sad and blue. I could
bite my nails and say boohoo for today we move
this gang and Knee from NBC to NBC.
Speaker 4 (08:10):
That's very clever. Mary now gets funny.
Speaker 7 (08:17):
You may say, what does it matter? But here we've
heard Jack funny chatters. It brought a smile, a laugh,
a roar, and now and then a great big snort.
Speaker 4 (08:28):
Marry. I feel bad enough as it is.
Speaker 7 (08:30):
When programs here we did begin. John Wilson only had
one chin. Hey he did at that A little me
was sweet sixteen, and Kenny looked like Bobby Green see, and.
Speaker 6 (08:42):
It seemed like yesterday, Hey, la Verne, ain't that something
there have you got an ask for him?
Speaker 4 (08:46):
That all Mary?
Speaker 7 (08:47):
One more verse in my snows there is a lump
as we leave the hero dump dump. So here's good
luck and lots of joy from flatfoot Mary with a
Floyd Floyd.
Speaker 4 (08:59):
Yeah, yes, I'm Mary. I thought that was one of
your best poems. That was simply grand.
Speaker 7 (09:10):
And you know Jack, I wrote that one in bed,
in bed, yes, but I deprized when I woke up.
Speaker 4 (09:15):
Imagine it would be a shock, an awful.
Speaker 6 (09:18):
Phil Harrison his Ark would play a brand new Peppe
tune called what have you Got that gets me? Are
you ready to I'll set a Mervyn story dance, Yes, comrade.
Speaker 4 (09:26):
Let's play bill. I'll collect the ticket confession that was
(11:12):
one of the guys that gets me, played by Phil
Harrison his arts to say, Phil, that number is from
my new Paramount picture Artisan Models Abroad, and I know
that's why I played it. Well, that's a swell tune.
Speaker 6 (11:22):
And you know, Phil, originally I sang a whole chorus
of that number to Joan Bennett and one of our
love scenes, didn't I marry.
Speaker 7 (11:29):
Yeah, But the Cotton Interear shows, so they had to
cut it out.
Speaker 4 (11:38):
It wasn't the reason at all.
Speaker 6 (11:39):
They just didn't want me to conflict with Crosby.
Speaker 4 (11:43):
After all, we both worked for the same studios.
Speaker 1 (11:45):
Well how does the picture look, Jack?
Speaker 4 (11:46):
I mean, how are you in it? Oh?
Speaker 6 (11:49):
I'd rather not talk about it, don And you know
it will sound like I'm conceited and I'm ragging.
Speaker 2 (11:54):
You know.
Speaker 6 (11:54):
Wait, Lim comes out and you'll see for yourself how
great I am. No kissing me on the level you
know now here I'm supposed to be a comedian. Yet
I handled the love if this was Joan Bennett about
as well as well, I won't say better, but as
well as any lover on the screen.
Speaker 4 (12:12):
And believe me, I'm sincere. Oh sure, sure, Well I did,
Why Jack, I thought.
Speaker 7 (12:20):
And you didn't kis Joan once in a whole picture?
Speaker 4 (12:23):
Well, well what's that Jack?
Speaker 8 (12:24):
You didn't even kiss Joan Bennett.
Speaker 4 (12:26):
Well, heavens knows.
Speaker 6 (12:27):
I try to Phil, He's as quick as a deer.
But you know there was one other scene I had
Bulla's Now you talk about pathos, Well.
Speaker 4 (12:40):
Hey, Murvyn, bring over the step ladder.
Speaker 2 (12:42):
I want to take these grapes.
Speaker 4 (12:43):
Downs a lot the step ladder. Now, Phil, you talk
about Pathos here it is all. It's steady.
Speaker 6 (12:50):
Now now you talk about Pathos. There's one scene where
Joan and I quarrel and she says goodbye and leaves me,
and there's a look that comes over my faith.
Speaker 4 (13:09):
Isn't that awful? Did you hurt yourself? Laverne?
Speaker 2 (13:12):
Yeah?
Speaker 8 (13:12):
Bang my elbow?
Speaker 4 (13:13):
I get it for you. Oh what's the use? Let's
forget my picture? Will you fellas way ahead of you? Now?
Wait a minute, Jack, Wait a minute.
Speaker 1 (13:26):
Was there any place in the picture where you were
able to mention jello?
Speaker 4 (13:28):
You know you told me you try. Well done. It
was very difficult. You see the story is late. Hey, Mervin,
take these pictures and load them on the truck. Okay,
you see the story is late in Paris.
Speaker 6 (13:39):
Well, Joan and I had one scene in a restaurant,
but I didn't know how to order Jello and friends. Jack,
all you have to say was Arson boullemois y Jello, Oh,
junny want jello?
Speaker 4 (13:50):
Well, supposing the waiter asked me what play more.
Speaker 1 (13:56):
Well, then you could have said I want to store
Barrie or or Rosalie morosely.
Speaker 6 (14:02):
Live don that's about a springe as corn beef and cabin.
I suppose I should have asked to see zy big
rouge letters.
Speaker 4 (14:13):
Anyway, it's too late now don hey Mervin hear me
that screwdriver?
Speaker 2 (14:16):
Will you?
Speaker 4 (14:17):
We wean to see? Oh go away they fellas. It's
about time for Kenny's song. Where is he?
Speaker 8 (14:32):
I don't know. I haven't seen him.
Speaker 6 (14:33):
He comes in whenever he feels like him. Oh well,
if he doesn't show up, I'll see him.
Speaker 4 (14:40):
Hello Jack, Gee, I'm burned up? Well so am I?
Where were you should have been here when the show started?
Speaker 8 (14:46):
What's not my thought on me? I got here an
hour goal.
Speaker 4 (14:48):
What happened?
Speaker 6 (14:49):
Well, every time I try to committed as two of
your two guys to pick me up and throw me
in a truck.
Speaker 4 (14:57):
Don those movers? But what do they think you're? Were
a you or something?
Speaker 6 (15:00):
Oh?
Speaker 4 (15:01):
I guess so one guy said, careful, don't drop it.
Speaker 6 (15:05):
Oh Kenny, that's the topper. You didn't have to be
shoved around like that. Why didn't you tell those months
to let you loan?
Speaker 2 (15:10):
I thought it was part of the program.
Speaker 4 (15:12):
Oh you did bend over, Kenny? I did, yeah out,
that's part of the program too. Kid's getting to be
more fun every year.
Speaker 3 (15:27):
It sure is.
Speaker 4 (15:28):
Now, let's drop it. It's time for your song. What
are you gonna sing?
Speaker 2 (15:31):
Well?
Speaker 8 (15:32):
Uh?
Speaker 2 (15:32):
At first I was going to sing you go to
my head?
Speaker 4 (15:35):
Uh huh.
Speaker 8 (15:36):
And then I said to myself.
Speaker 4 (15:37):
No, Kenny, why don't you sing now?
Speaker 2 (15:39):
It can be told?
Speaker 4 (15:40):
Oh? And then I thought it over and said, Kenny,
bicker the song. Well, it got a long story forward, Kenny,
what's it gonna be?
Speaker 3 (15:47):
Oh?
Speaker 8 (15:47):
I'm so mixed up now, the heck with it.
Speaker 4 (15:49):
The heck with nothing. Go ahead with your song, Hey,
murder him. Give me a hand with this, will you?
I got it? Put him down. He's gotta sing.
Speaker 1 (16:03):
Yeah.
Speaker 4 (16:07):
Now, listen you fellas.
Speaker 6 (16:08):
I've had just about enough from you. You can finish
all of this moving later.
Speaker 8 (16:11):
Pipe down, you old mackerel.
Speaker 4 (16:14):
Mackerel. Loads are fighting words, brother, Yeah.
Speaker 3 (16:16):
Would you want to make something out of it?
Speaker 4 (16:18):
You're just lucky.
Speaker 6 (16:19):
I got this cold thing, Kenny.
Speaker 2 (16:35):
I've got days with a dream, my dream, demon, I've
got a day with a.
Speaker 3 (16:45):
Dream, home made demon. I've got too far, And even
at heaven, any corner becomes our corner of heaven bo Heaven.
Speaker 2 (17:15):
I wish the clock with pick packer. I wish believeryday
will hurry by. I weed the tongue which fired me
the time, but I'll be happy when the moon is high.
(17:42):
I've got a day with a dream, my dreamy bar,
I've got a date with a dream, maybe my.
Speaker 3 (17:57):
I've got to my antrap to me at eleven when
annual corner be come the corner of eleven, and.
Speaker 8 (18:14):
To agree, dance on it.
Speaker 2 (18:20):
I'm gonna see to a.
Speaker 4 (18:25):
Man for.
Speaker 3 (18:30):
Peas over time.
Speaker 6 (18:34):
Than night and the.
Speaker 2 (18:40):
Mile, have a day with agree.
Speaker 4 (19:04):
That was I've got a Date with a Dream, sung
by Kenny Baker, and that was swell. Kenny. You were
an excellent voice, thanks Deck, and it was quite a
few to admit it.
Speaker 6 (19:15):
Well, there's nothing, there's nothing white about it. You have
a marvelous voice, and there's no getting away from us.
Speaker 4 (19:21):
It's so darn Marves. What do you want to get
away from it?
Speaker 6 (19:23):
Course I don't want to get away from it. I
paid you a compliment, your little brat.
Speaker 8 (19:28):
You did yes, bend over Kenny.
Speaker 4 (19:32):
And you beat that Mary. You pay a fellow compliment.
You don't know what you're talking about.
Speaker 7 (19:35):
Well, it's your own thoughts. You always try to mix
them up.
Speaker 4 (19:37):
Why don't you pick on somebody your side. That's what
I say. Now listen, you guys, get away from me.
You'll catch my coal and our fault. If I may
be permitted to talk on my own program.
Speaker 6 (19:52):
I would like to announce that next Sunday night, we
will again attempt a stupendous and artistic dramatic clime where
I'm going to present none of Then they hold of Jack.
Speaker 7 (20:03):
Come in, Hey Jack, who's care well?
Speaker 4 (20:07):
Well? The mayor of maam I hire your boss? Some
shot well and he was sure glad as he is. Yeah,
I thought you forgot about us this year?
Speaker 2 (20:22):
What you Piley showed up?
Speaker 8 (20:23):
Yes, sir, and I sattery terrify.
Speaker 4 (20:27):
Well, ladies, I'm at home, Mandy, this is your hangout.
Speaker 3 (20:30):
I am man.
Speaker 7 (20:31):
Hello, Curly, how are all the girls?
Speaker 8 (20:33):
Are they still chasing you?
Speaker 2 (20:34):
They're sure ry and they well, let you get out
of breath.
Speaker 8 (20:36):
Let me know.
Speaker 4 (20:39):
Hey, handy, Look who's here?
Speaker 7 (20:40):
Oh you Honnie?
Speaker 4 (20:41):
Hello Mary.
Speaker 8 (20:43):
I'll give you a kiss advice.
Speaker 2 (20:44):
I thought you'd appreciate it.
Speaker 7 (20:46):
I won't, so I'm talking.
Speaker 4 (20:54):
The last said, we don't have to waste a sound
effect there.
Speaker 8 (20:58):
Hey, and there's Jenny.
Speaker 6 (20:59):
What are you?
Speaker 8 (21:00):
I've been doing shit.
Speaker 4 (21:01):
Oh, just singing and bending over they Haddie, you're not
going to forget your old friend Don Wilson, are you?
I should say that?
Speaker 6 (21:09):
Hello?
Speaker 4 (21:09):
Darn hello?
Speaker 6 (21:10):
Andy?
Speaker 8 (21:10):
You go wait, haven't you?
Speaker 3 (21:21):
Hey?
Speaker 4 (21:22):
One at a time?
Speaker 6 (21:22):
Fellas well?
Speaker 4 (21:23):
Andy? We're sure glad I have you with us again.
Tell me you have a good time this summer.
Speaker 8 (21:26):
I had a swell time, Buck.
Speaker 4 (21:28):
I went to Hanolulu and I took mon Paul the Honolula.
Say that wasn't been a real vacation. I could just
picture your Paul with those Hawaiian girls in their grass skirts.
They're wow.
Speaker 8 (21:39):
Oh he didn't hang around them much because the matter
was he bashball. I wasn't that buck man? Had he
want a Lei's.
Speaker 4 (21:48):
Oh you had him all the lease? Hey, how did
it work out?
Speaker 3 (21:50):
Well?
Speaker 8 (21:50):
I'm not so good. We had trouble getting them into restrooms.
Speaker 4 (21:54):
Oh well, anyway, Andy, I envy you. I should have
waited a little bit then. Anyway, Andy, I really I
envy you that trip.
Speaker 8 (22:04):
See.
Speaker 6 (22:04):
I remember when I was there and thought those beautiful
hula dancers, see they are gorgeous. But then that's nothing
compared with a marvelous scenery the palm tree, the tropical
flowers and the coloring of the sky against the blue Pacific.
Speaker 8 (22:17):
Yes, sir, they sure can't wiggle.
Speaker 6 (22:25):
Andy, I wish you'd keep up with the conversation. I
was talking about the flowers and scenery.
Speaker 8 (22:29):
Oh, I can enjoy that stuff when I'm on the
townshend plan.
Speaker 4 (22:35):
That's right, and say, Andy, how about the bull trip.
Speaker 6 (22:38):
Do you enjoy your boat trip?
Speaker 8 (22:39):
I sure did, but there was one day when it
was awful?
Speaker 3 (22:42):
Rough.
Speaker 8 (22:42):
Do you want to hear about it?
Speaker 7 (22:44):
Yeah, bend over, Andy, don't bother.
Speaker 4 (22:46):
We can hear about it later. What do you got
in that package?
Speaker 2 (22:48):
Andy?
Speaker 7 (22:49):
Oh?
Speaker 8 (22:49):
I nearly forgot here, bock, here's a little present.
Speaker 4 (22:52):
I brought you a present.
Speaker 6 (22:54):
Hell, nothing from Honolulu. Huh, go ahead and open see
that was sweedy Andy, he is, Oh, fellas, look, I says,
a real pineapple. See god, Jay, I've always wanted one
(23:19):
of these.
Speaker 7 (23:20):
Well, if I haven't take yacks and buy one at.
Speaker 4 (23:22):
Any grocer, not one like this.
Speaker 6 (23:24):
This is a real Hawaiian pineapple. I know because when
I was over.
Speaker 4 (23:27):
There, I used to look up and seat thousands don't
grow you on the trees, or Jack, You couldn't have
looked up because pineapples don't grow on trees, but plants.
They grow right out of the town. Well, this was
years ago. I was short, man. Don't tell me about
pineapple jack. You must be thinking a coconut. I'm not
thinking of coconuts. I'm telling you, fellas I used to
look up and see the pineapple.
Speaker 6 (23:47):
Why you couldn't have looked up and stints I could
to listen, A full grown pineapple plant is only three
feet high?
Speaker 4 (23:52):
How fold were you at the time? One foot stakes
and shut up anyway, it's mighty sweetie and he thanks
for the pineapple.
Speaker 7 (24:03):
You're welcome, rings and cottage cheese. Next Sunday we'll make
a salad.
Speaker 4 (24:07):
Oh no, no, this is mine. Stick around andy.
Speaker 6 (24:09):
Right after the program, I'll take you over to my
place for a real home cooked dinner.
Speaker 4 (24:13):
See I'm hungry.
Speaker 6 (24:14):
And now, ladies and gentlemen, as I started to announced
before next Sunday night, we're going to present us stupendous
and artistic, dramatic crims that.
Speaker 4 (24:20):
We feel well, I'll answered, Hello home.
Speaker 8 (24:24):
Mister Billy, this is Rochester.
Speaker 4 (24:26):
Oh you are what do you want?
Speaker 8 (24:28):
Are you planning to go home at dinner tonight?
Speaker 4 (24:30):
I certainly I am.
Speaker 8 (24:31):
Well, if you want some peas, you better bring that pineapple.
Speaker 4 (24:37):
What are you talking about?
Speaker 6 (24:38):
There was plenty of food in the ice box when
I left the house this morning. What happened to us
in the witch in the ice box? When I left
this morning, it was just bulging with pool.
Speaker 8 (24:45):
Well the swelling's gone down there, Rochester.
Speaker 4 (24:57):
Did you throw another party this afternoon? Well, come to
think over, a few of my friends dropped in for
some tea and donuts. Now listen, if you just heard
tea and jonuts, what happened all those lamb chops?
Speaker 8 (25:06):
Well I ran out of donuts.
Speaker 4 (25:07):
Yes, so we bought holes in the chops and duncan.
Speaker 8 (25:12):
That's fine.
Speaker 4 (25:13):
And what happened to that big roast turkey that was there? Oh?
Speaker 8 (25:16):
Yeah, that was first prize in the pingo game?
Speaker 4 (25:22):
Well that's the last draw. You got a lot of
nerve in biting people to the house without my permission.
Speaker 8 (25:26):
Well I went to college.
Speaker 4 (25:27):
Well I don't care where you went. See that you
have some pood in the house when I get there. Okay, goodbye?
Speaker 8 (25:33):
Say for why as long as you're coming home, will
you bring my fanmail?
Speaker 4 (25:45):
Yes, I'll bring it.
Speaker 6 (25:46):
Goodbye, and our ladies and gentlemen, as I started to
announce next Sunday night, we're going to present a stupendous
and artistic, dramatic prium.
Speaker 1 (25:53):
That we prive Mervin Willy throw.
Speaker 8 (25:55):
Let's take up this rug.
Speaker 4 (25:56):
Okay, get off, fuddy.
Speaker 6 (25:57):
Now, wait a minute, I thought you guys are gone.
Now you're not gonna this rot Untilbert through it our program.
I'm standing on it and I won't get off.
Speaker 8 (26:03):
Are you, Betty?
Speaker 1 (26:04):
You're too old to do a backflip?
Speaker 4 (26:06):
I am, Hey, well, I'm not budging off this raw.
I'm on Mervyn here for it. Okay, well that's the
last straw. Listen you, mam. I'm gonna take this up
with a head of NBC.
Speaker 8 (26:21):
What do you think I am?
Speaker 4 (26:23):
Oh, pardon me, missus Swallow.
Speaker 6 (26:24):
I didn't recognize you in those overalls playing for us,
ladies and gentlemen.
Speaker 4 (26:33):
It's not true. There's nothing new under the sun.
Speaker 6 (26:35):
There is.
Speaker 4 (26:36):
I know it's new, and it's delicious.
Speaker 1 (26:40):
It's the new Jellow butterscotch pudding, one of the grandest
desserts you ever dipped.
Speaker 8 (26:44):
A spoon in.
Speaker 1 (26:44):
It's mellow and it's creamy, smooth, It's rich and glossy
looking with a tempting toffee color. It's luscious with good
old fashioned brown sugar.
Speaker 4 (26:52):
In other words, it's a swell day.
Speaker 1 (26:55):
And the Jellow Butter Scotch Pudding is only one of
three new Jellow Pudding Vanilla Real Vanilla, a delicate, creamy
pudding dessert with a wonderful flavor. And the chocolate rich
and smooth and chocolate e and all free Jello puddings
are amazingly quick and easy to prepare with just a
few moments cooking simple directions are in every package.
Speaker 4 (27:15):
And take my word for it, for I've tried them all.
Speaker 1 (27:18):
You get real homemade pudding with a perfect satin smoothness
of texture and a rich, full flavor that can't be beat.
Speaker 4 (27:25):
So try all free and try them soon.
Speaker 1 (27:27):
The best way is to buy three packages of the
time Jello, Butterscott Vanilla and Chocolate pudding free prize winning
new dessert.
Speaker 4 (27:34):
Your family is going to go for it. We ran
over time, so good night, folks. Kenny Baker pays on
the Jello program, So here to say Martin Lauri Production.
Speaker 2 (27:57):
This is a Natra black Dassy cover
Speaker 6 (28:01):
On
The Jello Program starring Jack Fenny with Mary Livingston Hill,
Harris Kenny Baker, and yours truly Donal Wilson. The Orchotrope
has a program with for no rhyme or reason. I
(01:19):
know you've often heard people say today was a red
letter day for me.
Speaker 2 (01:23):
Well, let me tell you.
Speaker 1 (01:24):
Any day can be a red letter day. By those
big red letters on a Jello box. Well, they spell Jello,
and Jello.
Speaker 3 (01:30):
Spells a tree.
Speaker 1 (01:32):
That name is your guarantee of brown dessert because the.
Speaker 4 (01:35):
Name of Jello is a trademark.
Speaker 1 (01:36):
It's the property of General Foods that tells you here
is the genuine, the one and only Jello. If you
hear any other jelaphan dessert called jello, you know that
is incorrect. And that's why we ask you to insist
on Jello by name. But Jello brings you that delicious,
extra rich fruit flavor, a wonderful refreshing fruit freshlets.
Speaker 4 (01:56):
They just can't be taught.
Speaker 1 (01:58):
So when you go to your growth, so don't accept
any side executes those big red letters spell red letter
desert while they spell Jello. And now, ladies and gentlemen,
(02:37):
I'd like to announce that next week this program will
move to the new NBC Studios on Sunset.
Speaker 4 (02:42):
Boulevard in Hollywood.
Speaker 1 (02:43):
So tonight, folks, let us bit of you to this
old room. For for three years, every Sunday night you
have heard that same old sweet voice saying hello again.
Speaker 5 (02:54):
This is Jack Dunny talking, thank you, thank you well, Don,
this is our farewell performance under this old roof.
Speaker 6 (03:09):
Just think, after three years of work and worry and fun,
we gotta move. I don't know how you feel about it, Don,
but see I'm ready to go over in the corner
and have a good cry.
Speaker 4 (03:18):
Soh Jack, I wouldn't take it that hard.
Speaker 1 (03:21):
After all, It's just moving from one studio to the other.
Speaker 6 (03:23):
That's all I know, Don. But I'm sentimental. I just
can't stand changes. I felt the same way when they
raised the prices at the Brown Derby.
Speaker 4 (03:34):
But I'm built that way. There's nothing I can do
about it. But Jack's you studio will be wonderful. Why
it's modern and gay. It's full of bright.
Speaker 6 (03:44):
Lights and decorations done none of that, sease. I'm not
a child. It can be bought with chromium and tinseil.
Speaker 4 (03:52):
You can't tell me anything.
Speaker 6 (03:53):
I made up my mind to be broken harder tonight,
and I'm gonna stay that way.
Speaker 1 (03:58):
But Jack, you're so silly. After all, this is only
a building with so much brick and steel and cement.
Speaker 4 (04:03):
Rick stealing some men. That's enough, town. That's like Saint
Garble was a rag of bone and a hunk of hair.
You're just cold and callous.
Speaker 1 (04:15):
Now wait a minute, Jack, I've got feelings. Why, I've
got more sentiment and my little finger than you have
in your whole body.
Speaker 6 (04:21):
Your little fingers. I've seen legs of lamb that were
smaller than legs you and your feelings.
Speaker 3 (04:31):
John is right.
Speaker 7 (04:32):
Yet you're always making a mountain out of nothing. What's
there to be said about?
Speaker 6 (04:35):
Well, yeah, why are you always trying to get sympathy?
You haven't got any more sentiment for this building than
a furmite? Oh oh, I haven't a I haven't got
any sentiment. Ah well, let me show you something philed.
You see my watch Shane here. You think that's an
else tooth hanging on it, don't you? Yeah, well it's
not this tooth Along to the first girl I ever
went out with, Rosie Gum And another.
Speaker 4 (05:04):
Thing, you know that big moose head that hangs in
my den.
Speaker 7 (05:06):
That got her mother, I'll scream.
Speaker 4 (05:10):
Well it's not. If you want to know something, I
got that moose head. Come in me, mister Penny. But
we were sent over here to move the furniture out
of the room. The furniture already. Yeah, come on, Mervin, Okay, Laverne. Oh,
for heaven's sake, can'ty even wait until we're through. We've
been here three years. Another ten minutes isn't going to
(05:31):
make any difference. Stout business buddy grabbed that chair, Mervin.
Speaker 6 (05:33):
Okay, imagine that fellas all this brush to get over
into that new building. Well, what's the matter with that
new building? Don't you believe in progress? Don't you believe
in the advancement of radio?
Speaker 4 (05:42):
Well, certainly I do.
Speaker 6 (05:44):
But listen, Phil, you should be the last one to
want to go into that new studio. Why because when
we get there, your aren't just still have to wear shoes,
that's why.
Speaker 4 (05:59):
Ah yeah, yeah, they're gonna wear shoes next Sunday night.
And that's an order, order and no order.
Speaker 6 (06:03):
You're gonna see plenty of bunyance half in time. Fine
bunch of artists. You got eight Hill believes four huckleberry
fins and a zoo.
Speaker 4 (06:19):
Phil, I wish you'd tell your first.
Speaker 6 (06:20):
Violin this incidental to stop selling sandwiches while the program
is going up. Well, he's got to make a living someway.
Speaker 4 (06:28):
A lot of my expense.
Speaker 6 (06:30):
I bought a three decker from him last week, and
all I had in it was a strip of bacon
and two bars of the Lambeth Walk. Can I tell
you one thing, Phil, Andy Murvin, give me a hand
with this ashtray?
Speaker 4 (06:47):
Will you astray? I got it together?
Speaker 6 (06:49):
Now, I give you my word of honor. Folks, that
ashtray doesn't weigh over three ounces. Now, will be as
quiet as you can when you felling.
Speaker 8 (06:58):
Okay, Okay, we'll watch it.
Speaker 4 (06:59):
See the budget, Andy Laverne.
Speaker 6 (07:01):
Yeah, see Mary, look at him taking those cares out.
I can't bear to watch it.
Speaker 4 (07:07):
I just think we spent three years working in this
one little room.
Speaker 7 (07:10):
Yeah, now we gotta leave.
Speaker 4 (07:12):
Oh well, we've had some mighty funny programs come out
of here.
Speaker 7 (07:15):
We've had some mighty other time too.
Speaker 2 (07:19):
Well.
Speaker 6 (07:19):
Naturally, we can't always click even a castor net missus
once in a while, See Mary, don't you feel sad
about leaving there? Do.
Speaker 7 (07:30):
I What do you think I got on this piece
of paper.
Speaker 8 (07:32):
The Mervyn flat.
Speaker 4 (07:33):
I'll bet it's one of them lousy poems. Now you
keep out of this. Is it a poem?
Speaker 6 (07:38):
Mary?
Speaker 7 (07:38):
Yeah, it's a farewell to this old studio.
Speaker 6 (07:40):
Well, this is one time I'll appreciate it. What's the
title of your poems?
Speaker 7 (07:44):
I've got those. I hate to leave the studio with
a fawn. I've spent so many happy days blues.
Speaker 4 (07:54):
Well, taking deep breath and start the poems.
Speaker 7 (07:56):
Okay, it's still so lonely, sad and blue. I could
bite my nails and say boohoo for today we move
this gang and Knee from NBC to NBC.
Speaker 4 (08:10):
That's very clever. Mary now gets funny.
Speaker 7 (08:17):
You may say, what does it matter? But here we've
heard Jack funny chatters. It brought a smile, a laugh,
a roar, and now and then a great big snort.
Speaker 4 (08:28):
Marry. I feel bad enough as it is.
Speaker 7 (08:30):
When programs here we did begin. John Wilson only had
one chin. Hey he did at that A little me
was sweet sixteen, and Kenny looked like Bobby Green see, and.
Speaker 6 (08:42):
It seemed like yesterday, Hey, la Verne, ain't that something
there have you got an ask for him?
Speaker 4 (08:46):
That all Mary?
Speaker 7 (08:47):
One more verse in my snows there is a lump
as we leave the hero dump dump. So here's good
luck and lots of joy from flatfoot Mary with a
Floyd Floyd.
Speaker 4 (08:59):
Yeah, yes, I'm Mary. I thought that was one of
your best poems. That was simply grand.
Speaker 7 (09:10):
And you know Jack, I wrote that one in bed,
in bed, yes, but I deprized when I woke up.
Speaker 4 (09:15):
Imagine it would be a shock, an awful.
Speaker 6 (09:18):
Phil Harrison his Ark would play a brand new Peppe
tune called what have you Got that gets me? Are
you ready to I'll set a Mervyn story dance, Yes, comrade.
Speaker 4 (09:26):
Let's play bill. I'll collect the ticket confession that was
(11:12):
one of the guys that gets me, played by Phil
Harrison his arts to say, Phil, that number is from
my new Paramount picture Artisan Models Abroad, and I know
that's why I played it. Well, that's a swell tune.
Speaker 6 (11:22):
And you know, Phil, originally I sang a whole chorus
of that number to Joan Bennett and one of our
love scenes, didn't I marry.
Speaker 7 (11:29):
Yeah, But the Cotton Interear shows, so they had to
cut it out.
Speaker 4 (11:38):
It wasn't the reason at all.
Speaker 6 (11:39):
They just didn't want me to conflict with Crosby.
Speaker 4 (11:43):
After all, we both worked for the same studios.
Speaker 1 (11:45):
Well how does the picture look, Jack?
Speaker 4 (11:46):
I mean, how are you in it? Oh?
Speaker 6 (11:49):
I'd rather not talk about it, don And you know
it will sound like I'm conceited and I'm ragging.
Speaker 2 (11:54):
You know.
Speaker 6 (11:54):
Wait, Lim comes out and you'll see for yourself how
great I am. No kissing me on the level you
know now here I'm supposed to be a comedian. Yet
I handled the love if this was Joan Bennett about
as well as well, I won't say better, but as
well as any lover on the screen.
Speaker 4 (12:12):
And believe me, I'm sincere. Oh sure, sure, Well I did,
Why Jack, I thought.
Speaker 7 (12:20):
And you didn't kis Joan once in a whole picture?
Speaker 4 (12:23):
Well, well what's that Jack?
Speaker 8 (12:24):
You didn't even kiss Joan Bennett.
Speaker 4 (12:26):
Well, heavens knows.
Speaker 6 (12:27):
I try to Phil, He's as quick as a deer.
But you know there was one other scene I had
Bulla's Now you talk about pathos, Well.
Speaker 4 (12:40):
Hey, Murvyn, bring over the step ladder.
Speaker 2 (12:42):
I want to take these grapes.
Speaker 4 (12:43):
Downs a lot the step ladder. Now, Phil, you talk
about Pathos here it is all. It's steady.
Speaker 6 (12:50):
Now now you talk about Pathos. There's one scene where
Joan and I quarrel and she says goodbye and leaves me,
and there's a look that comes over my faith.
Speaker 4 (13:09):
Isn't that awful? Did you hurt yourself? Laverne?
Speaker 2 (13:12):
Yeah?
Speaker 8 (13:12):
Bang my elbow?
Speaker 4 (13:13):
I get it for you. Oh what's the use? Let's
forget my picture? Will you fellas way ahead of you? Now?
Wait a minute, Jack, Wait a minute.
Speaker 1 (13:26):
Was there any place in the picture where you were
able to mention jello?
Speaker 4 (13:28):
You know you told me you try. Well done. It
was very difficult. You see the story is late. Hey, Mervin,
take these pictures and load them on the truck. Okay,
you see the story is late in Paris.
Speaker 6 (13:39):
Well, Joan and I had one scene in a restaurant,
but I didn't know how to order Jello and friends. Jack,
all you have to say was Arson boullemois y Jello, Oh,
junny want jello?
Speaker 4 (13:50):
Well, supposing the waiter asked me what play more.
Speaker 1 (13:56):
Well, then you could have said I want to store
Barrie or or Rosalie morosely.
Speaker 6 (14:02):
Live don that's about a springe as corn beef and cabin.
I suppose I should have asked to see zy big
rouge letters.
Speaker 4 (14:13):
Anyway, it's too late now don hey Mervin hear me
that screwdriver?
Speaker 2 (14:16):
Will you?
Speaker 4 (14:17):
We wean to see? Oh go away they fellas. It's
about time for Kenny's song. Where is he?
Speaker 8 (14:32):
I don't know. I haven't seen him.
Speaker 6 (14:33):
He comes in whenever he feels like him. Oh well,
if he doesn't show up, I'll see him.
Speaker 4 (14:40):
Hello Jack, Gee, I'm burned up? Well so am I?
Where were you should have been here when the show started?
Speaker 8 (14:46):
What's not my thought on me? I got here an
hour goal.
Speaker 4 (14:48):
What happened?
Speaker 6 (14:49):
Well, every time I try to committed as two of
your two guys to pick me up and throw me
in a truck.
Speaker 4 (14:57):
Don those movers? But what do they think you're? Were
a you or something?
Speaker 6 (15:00):
Oh?
Speaker 4 (15:01):
I guess so one guy said, careful, don't drop it.
Speaker 6 (15:05):
Oh Kenny, that's the topper. You didn't have to be
shoved around like that. Why didn't you tell those months
to let you loan?
Speaker 2 (15:10):
I thought it was part of the program.
Speaker 4 (15:12):
Oh you did bend over, Kenny? I did, yeah out,
that's part of the program too. Kid's getting to be
more fun every year.
Speaker 3 (15:27):
It sure is.
Speaker 4 (15:28):
Now, let's drop it. It's time for your song. What
are you gonna sing?
Speaker 2 (15:31):
Well?
Speaker 8 (15:32):
Uh?
Speaker 2 (15:32):
At first I was going to sing you go to
my head?
Speaker 4 (15:35):
Uh huh.
Speaker 8 (15:36):
And then I said to myself.
Speaker 4 (15:37):
No, Kenny, why don't you sing now?
Speaker 2 (15:39):
It can be told?
Speaker 4 (15:40):
Oh? And then I thought it over and said, Kenny,
bicker the song. Well, it got a long story forward, Kenny,
what's it gonna be?
Speaker 3 (15:47):
Oh?
Speaker 8 (15:47):
I'm so mixed up now, the heck with it.
Speaker 4 (15:49):
The heck with nothing. Go ahead with your song, Hey,
murder him. Give me a hand with this, will you?
I got it? Put him down. He's gotta sing.
Speaker 1 (16:03):
Yeah.
Speaker 4 (16:07):
Now, listen you fellas.
Speaker 6 (16:08):
I've had just about enough from you. You can finish
all of this moving later.
Speaker 8 (16:11):
Pipe down, you old mackerel.
Speaker 4 (16:14):
Mackerel. Loads are fighting words, brother, Yeah.
Speaker 3 (16:16):
Would you want to make something out of it?
Speaker 4 (16:18):
You're just lucky.
Speaker 6 (16:19):
I got this cold thing, Kenny.
Speaker 2 (16:35):
I've got days with a dream, my dream, demon, I've
got a day with a.
Speaker 3 (16:45):
Dream, home made demon. I've got too far, And even
at heaven, any corner becomes our corner of heaven bo Heaven.
Speaker 2 (17:15):
I wish the clock with pick packer. I wish believeryday
will hurry by. I weed the tongue which fired me
the time, but I'll be happy when the moon is high.
(17:42):
I've got a day with a dream, my dreamy bar,
I've got a date with a dream, maybe my.
Speaker 3 (17:57):
I've got to my antrap to me at eleven when
annual corner be come the corner of eleven, and.
Speaker 8 (18:14):
To agree, dance on it.
Speaker 2 (18:20):
I'm gonna see to a.
Speaker 4 (18:25):
Man for.
Speaker 3 (18:30):
Peas over time.
Speaker 6 (18:34):
Than night and the.
Speaker 2 (18:40):
Mile, have a day with agree.
Speaker 4 (19:04):
That was I've got a Date with a Dream, sung
by Kenny Baker, and that was swell. Kenny. You were
an excellent voice, thanks Deck, and it was quite a
few to admit it.
Speaker 6 (19:15):
Well, there's nothing, there's nothing white about it. You have
a marvelous voice, and there's no getting away from us.
Speaker 4 (19:21):
It's so darn Marves. What do you want to get
away from it?
Speaker 6 (19:23):
Course I don't want to get away from it. I
paid you a compliment, your little brat.
Speaker 8 (19:28):
You did yes, bend over Kenny.
Speaker 4 (19:32):
And you beat that Mary. You pay a fellow compliment.
You don't know what you're talking about.
Speaker 7 (19:35):
Well, it's your own thoughts. You always try to mix
them up.
Speaker 4 (19:37):
Why don't you pick on somebody your side. That's what
I say. Now listen, you guys, get away from me.
You'll catch my coal and our fault. If I may
be permitted to talk on my own program.
Speaker 6 (19:52):
I would like to announce that next Sunday night, we
will again attempt a stupendous and artistic dramatic clime where
I'm going to present none of Then they hold of Jack.
Speaker 7 (20:03):
Come in, Hey Jack, who's care well?
Speaker 4 (20:07):
Well? The mayor of maam I hire your boss? Some
shot well and he was sure glad as he is. Yeah,
I thought you forgot about us this year?
Speaker 2 (20:22):
What you Piley showed up?
Speaker 8 (20:23):
Yes, sir, and I sattery terrify.
Speaker 4 (20:27):
Well, ladies, I'm at home, Mandy, this is your hangout.
Speaker 3 (20:30):
I am man.
Speaker 7 (20:31):
Hello, Curly, how are all the girls?
Speaker 8 (20:33):
Are they still chasing you?
Speaker 2 (20:34):
They're sure ry and they well, let you get out
of breath.
Speaker 8 (20:36):
Let me know.
Speaker 4 (20:39):
Hey, handy, Look who's here?
Speaker 7 (20:40):
Oh you Honnie?
Speaker 4 (20:41):
Hello Mary.
Speaker 8 (20:43):
I'll give you a kiss advice.
Speaker 2 (20:44):
I thought you'd appreciate it.
Speaker 7 (20:46):
I won't, so I'm talking.
Speaker 4 (20:54):
The last said, we don't have to waste a sound
effect there.
Speaker 8 (20:58):
Hey, and there's Jenny.
Speaker 6 (20:59):
What are you?
Speaker 8 (21:00):
I've been doing shit.
Speaker 4 (21:01):
Oh, just singing and bending over they Haddie, you're not
going to forget your old friend Don Wilson, are you?
I should say that?
Speaker 6 (21:09):
Hello?
Speaker 4 (21:09):
Darn hello?
Speaker 6 (21:10):
Andy?
Speaker 8 (21:10):
You go wait, haven't you?
Speaker 3 (21:21):
Hey?
Speaker 4 (21:22):
One at a time?
Speaker 6 (21:22):
Fellas well?
Speaker 4 (21:23):
Andy? We're sure glad I have you with us again.
Tell me you have a good time this summer.
Speaker 8 (21:26):
I had a swell time, Buck.
Speaker 4 (21:28):
I went to Hanolulu and I took mon Paul the Honolula.
Say that wasn't been a real vacation. I could just
picture your Paul with those Hawaiian girls in their grass skirts.
They're wow.
Speaker 8 (21:39):
Oh he didn't hang around them much because the matter
was he bashball. I wasn't that buck man? Had he
want a Lei's.
Speaker 4 (21:48):
Oh you had him all the lease? Hey, how did
it work out?
Speaker 3 (21:50):
Well?
Speaker 8 (21:50):
I'm not so good. We had trouble getting them into restrooms.
Speaker 4 (21:54):
Oh well, anyway, Andy, I envy you. I should have
waited a little bit then. Anyway, Andy, I really I
envy you that trip.
Speaker 8 (22:04):
See.
Speaker 6 (22:04):
I remember when I was there and thought those beautiful
hula dancers, see they are gorgeous. But then that's nothing
compared with a marvelous scenery the palm tree, the tropical
flowers and the coloring of the sky against the blue Pacific.
Speaker 8 (22:17):
Yes, sir, they sure can't wiggle.
Speaker 6 (22:25):
Andy, I wish you'd keep up with the conversation. I
was talking about the flowers and scenery.
Speaker 8 (22:29):
Oh, I can enjoy that stuff when I'm on the
townshend plan.
Speaker 4 (22:35):
That's right, and say, Andy, how about the bull trip.
Speaker 6 (22:38):
Do you enjoy your boat trip?
Speaker 8 (22:39):
I sure did, but there was one day when it
was awful?
Speaker 3 (22:42):
Rough.
Speaker 8 (22:42):
Do you want to hear about it?
Speaker 7 (22:44):
Yeah, bend over, Andy, don't bother.
Speaker 4 (22:46):
We can hear about it later. What do you got
in that package?
Speaker 2 (22:48):
Andy?
Speaker 7 (22:49):
Oh?
Speaker 8 (22:49):
I nearly forgot here, bock, here's a little present.
Speaker 4 (22:52):
I brought you a present.
Speaker 6 (22:54):
Hell, nothing from Honolulu. Huh, go ahead and open see
that was sweedy Andy, he is, Oh, fellas, look, I says,
a real pineapple. See god, Jay, I've always wanted one
(23:19):
of these.
Speaker 7 (23:20):
Well, if I haven't take yacks and buy one at.
Speaker 4 (23:22):
Any grocer, not one like this.
Speaker 6 (23:24):
This is a real Hawaiian pineapple. I know because when
I was over.
Speaker 4 (23:27):
There, I used to look up and seat thousands don't
grow you on the trees, or Jack, You couldn't have
looked up because pineapples don't grow on trees, but plants.
They grow right out of the town. Well, this was
years ago. I was short, man. Don't tell me about
pineapple jack. You must be thinking a coconut. I'm not
thinking of coconuts. I'm telling you, fellas I used to
look up and see the pineapple.
Speaker 6 (23:47):
Why you couldn't have looked up and stints I could
to listen, A full grown pineapple plant is only three
feet high?
Speaker 4 (23:52):
How fold were you at the time? One foot stakes
and shut up anyway, it's mighty sweetie and he thanks
for the pineapple.
Speaker 7 (24:03):
You're welcome, rings and cottage cheese. Next Sunday we'll make
a salad.
Speaker 4 (24:07):
Oh no, no, this is mine. Stick around andy.
Speaker 6 (24:09):
Right after the program, I'll take you over to my
place for a real home cooked dinner.
Speaker 4 (24:13):
See I'm hungry.
Speaker 6 (24:14):
And now, ladies and gentlemen, as I started to announced
before next Sunday night, we're going to present us stupendous
and artistic, dramatic crims that.
Speaker 4 (24:20):
We feel well, I'll answered, Hello home.
Speaker 8 (24:24):
Mister Billy, this is Rochester.
Speaker 4 (24:26):
Oh you are what do you want?
Speaker 8 (24:28):
Are you planning to go home at dinner tonight?
Speaker 4 (24:30):
I certainly I am.
Speaker 8 (24:31):
Well, if you want some peas, you better bring that pineapple.
Speaker 4 (24:37):
What are you talking about?
Speaker 6 (24:38):
There was plenty of food in the ice box when
I left the house this morning. What happened to us
in the witch in the ice box? When I left
this morning, it was just bulging with pool.
Speaker 8 (24:45):
Well the swelling's gone down there, Rochester.
Speaker 4 (24:57):
Did you throw another party this afternoon? Well, come to
think over, a few of my friends dropped in for
some tea and donuts. Now listen, if you just heard
tea and jonuts, what happened all those lamb chops?
Speaker 8 (25:06):
Well I ran out of donuts.
Speaker 4 (25:07):
Yes, so we bought holes in the chops and duncan.
Speaker 8 (25:12):
That's fine.
Speaker 4 (25:13):
And what happened to that big roast turkey that was there? Oh?
Speaker 8 (25:16):
Yeah, that was first prize in the pingo game?
Speaker 4 (25:22):
Well that's the last draw. You got a lot of
nerve in biting people to the house without my permission.
Speaker 8 (25:26):
Well I went to college.
Speaker 4 (25:27):
Well I don't care where you went. See that you
have some pood in the house when I get there. Okay, goodbye?
Speaker 8 (25:33):
Say for why as long as you're coming home, will
you bring my fanmail?
Speaker 4 (25:45):
Yes, I'll bring it.
Speaker 6 (25:46):
Goodbye, and our ladies and gentlemen, as I started to
announce next Sunday night, we're going to present a stupendous
and artistic, dramatic prium.
Speaker 1 (25:53):
That we prive Mervin Willy throw.
Speaker 8 (25:55):
Let's take up this rug.
Speaker 4 (25:56):
Okay, get off, fuddy.
Speaker 6 (25:57):
Now, wait a minute, I thought you guys are gone.
Now you're not gonna this rot Untilbert through it our program.
I'm standing on it and I won't get off.
Speaker 8 (26:03):
Are you, Betty?
Speaker 1 (26:04):
You're too old to do a backflip?
Speaker 4 (26:06):
I am, Hey, well, I'm not budging off this raw.
I'm on Mervyn here for it. Okay, well that's the
last straw. Listen you, mam. I'm gonna take this up
with a head of NBC.
Speaker 8 (26:21):
What do you think I am?
Speaker 4 (26:23):
Oh, pardon me, missus Swallow.
Speaker 6 (26:24):
I didn't recognize you in those overalls playing for us,
ladies and gentlemen.
Speaker 4 (26:33):
It's not true. There's nothing new under the sun.
Speaker 6 (26:35):
There is.
Speaker 4 (26:36):
I know it's new, and it's delicious.
Speaker 1 (26:40):
It's the new Jellow butterscotch pudding, one of the grandest
desserts you ever dipped.
Speaker 8 (26:44):
A spoon in.
Speaker 1 (26:44):
It's mellow and it's creamy, smooth, It's rich and glossy
looking with a tempting toffee color. It's luscious with good
old fashioned brown sugar.
Speaker 4 (26:52):
In other words, it's a swell day.
Speaker 1 (26:55):
And the Jellow Butter Scotch Pudding is only one of
three new Jellow Pudding Vanilla Real Vanilla, a delicate, creamy
pudding dessert with a wonderful flavor. And the chocolate rich
and smooth and chocolate e and all free Jello puddings
are amazingly quick and easy to prepare with just a
few moments cooking simple directions are in every package.
Speaker 4 (27:15):
And take my word for it, for I've tried them all.
Speaker 1 (27:18):
You get real homemade pudding with a perfect satin smoothness
of texture and a rich, full flavor that can't be beat.
Speaker 4 (27:25):
So try all free and try them soon.
Speaker 1 (27:27):
The best way is to buy three packages of the
time Jello, Butterscott Vanilla and Chocolate pudding free prize winning
new dessert.
Speaker 4 (27:34):
Your family is going to go for it. We ran
over time, so good night, folks. Kenny Baker pays on
the Jello program, So here to say Martin Lauri Production.
Speaker 2 (27:57):
This is a Natra black Dassy cover
Speaker 6 (28:01):
On
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