July 31, 2025 • 27 mins
A legendary variety show blending witty monologues, comic sketches, and musical interludes, all anchored by the impeccable timing of its beloved host. It’s a masterclass in comedic timing.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
All the Jello Program starring Jack Fenny, with Mary Livingston,
Phil Harris, Kenny Baker, and Yours Truly Don Wilson.
Speaker 2 (00:10):
The orchestra opens the program.
Speaker 3 (00:12):
With if you have any football fans in the family,
you know the Saturday afternoon means a rousing game and
Saturday night means a rousing, big appetite.
Speaker 2 (00:28):
Well, here's one swell way to celebrate the victory turf.
Speaker 1 (00:31):
A grand dinner and pop it off with a grand dessert.
Speaker 4 (00:34):
Jello.
Speaker 5 (00:35):
Why everybody likes jello.
Speaker 1 (00:36):
So that delicious, extra rich fruit flavor is so tempting
and good you just can't resist it. All six yellow
flavors are chuck full of this extra rich fruit taste, Strawberry, raspberry, cherry, oraings,
lemon and lime, and all six of price and gay
with color to fit the autumn football season. So no
matter which flavor of Jello you choose, you're sure of
a success. A dessert that's delightful to look at, delicious
(00:59):
to eat, but be sure to get genuine Jello when
you buy, and don't accept any substitute. Look for the
big red letters on the box.
Speaker 5 (01:07):
They spell Jello, and the Jello spells the tree.
Speaker 1 (01:34):
As well as from Alfa to Omega played by Phil
Harris and his orchestra. And now, ladies and gentlemen, well
the first time, from the new NBC building in Hollywood,
with its new studios, its new facilities, and its new equipment,
we bring you that old foot Jack Fenny, Oh, thank.
Speaker 2 (02:01):
You, Jel again. This is Jack Benny talking and Don.
I may be an old foot, but in these luxurious surroundings,
I feel ten years younger. What are places? Is it?
Every seems such a gorgeous building? Oh, I haven't jacked.
It certainly is magnificent, magnificent. Why Donna? I tell you
this building makes that new filling station across the street
look like a nickel.
Speaker 1 (02:21):
Ah, you're right, Jack, this place is absolutely the quintessence
and phenolpienate of architectural symmetry.
Speaker 6 (02:28):
What is that done?
Speaker 1 (02:29):
I said this place is a nut?
Speaker 2 (02:31):
Oh oh oh, But he didn't have to make a
pool out of me to do it. But you're right, Don,
it is the nut. Did you notice all that beautiful
woodwork in the front lobby?
Speaker 5 (02:41):
Did I say that's what I call ritzy?
Speaker 2 (02:42):
Rizzy? Why? I saw three termites working on it, and
they were in evening clothes.
Speaker 1 (02:51):
No kidding, Oh you know, Jack, I was just thinking
what a contrast this is to the old studio.
Speaker 2 (02:56):
It certainly is. Don The chandeliers are so luxurious, and
the grapes are so costly.
Speaker 1 (03:01):
Yes, sir, And the chairs for the audience are so
soft and comfortable.
Speaker 2 (03:04):
Well, when it comes to those chairs down, I think
they're a little too comfortable. There's a man sitting in
a third role that's got a date with a dream.
I don't mind people sleeping through our program, but that
guy's wearing a night gown. I'll take care of that
their pardon me, madam? Would you mind shaking your husband?
I don't know, he'll fall a heart my wiggle. Phil
(03:26):
starts his next number. Will he jump? Ollo?
Speaker 6 (03:29):
Phil?
Speaker 2 (03:29):
I adjackt some swell joint, And it's the joint. Say
you never work in a place as squanky as this
in your life. But this building has improved the whole neighborhood.
It sure has you better has When I walked in
here tonight, a panhandler stopped me and gave me fifty cents. Well,
I'm glad they're finally declaring dividends, and Phil, I want
(03:51):
to congratulate you on the appearance of your orchestra. They're
so neat and they're even wearing shoes tonight. How'd you
get him to do it?
Speaker 5 (03:58):
I told him it was a publicity star.
Speaker 2 (04:00):
Oh well, they looked very nice. But I wish you'd
tell your guitar player that the socks go inside the
hues unless he's trying to sneak up on someone. Anyway,
I'm glad the boys did dress up for this occasion, Field,
(04:22):
because these surroundings are simply divine. Come in, Hello, Maddy,
Hello Jack, Welcome to our new homes. See given your life,
do your play go modern and in the latest style.
Speaker 7 (04:41):
I'll say it to the latest styles.
Speaker 8 (04:42):
You know that John Mann that stands in the fun
ass Yeah, well he's wearing his.
Speaker 4 (04:46):
Hair up.
Speaker 2 (04:50):
There, ye are? And you know Mary, as I was
saying to Don just a few minutes ago, I said, Don,
this building is absolutely the quintessence and pronouncement of architectural symmetry.
Speaker 7 (05:00):
Well, Don was right.
Speaker 2 (05:01):
Oh did you say that, Don? I knew it was
one of us.
Speaker 1 (05:05):
I didn't know.
Speaker 7 (05:06):
Yes, I can't understand one ching.
Speaker 2 (05:07):
What's that? Mary?
Speaker 7 (05:08):
Why did they open this building so soon? See the
elevators aren't even working yet.
Speaker 2 (05:12):
Why they must be working. I saw an elevator boy downstairs.
What was he for?
Speaker 7 (05:16):
Well, he passed his nose and he takes your piggy back.
Speaker 2 (05:18):
Oh, now that's silly.
Speaker 7 (05:21):
It's fun too, Yeah.
Speaker 2 (05:23):
But then it takes time to finish a building like this.
Why the cement fourn the lobby isn't even dry yet?
Speaker 7 (05:28):
The man I thought that rug was kind of wet.
Speaker 2 (05:31):
Well, there was no excuse for that, Mary. Imagine walking
through fresh cement. There was a sign right in front
of us.
Speaker 7 (05:36):
Yeah, that's what I kissed over.
Speaker 2 (05:37):
Oh well, Mary, let me ask you something. If you
walk through a corridor of wet cement, how come you
haven't got any of it on your shoes or your stockings.
Speaker 7 (05:44):
I don't know. I don't write this junk.
Speaker 2 (05:51):
Now you killed the hole illusioned. Well, anyway, now that
we're all here, that is all but Tenny, he probably
went to the old buildings. How about having a good
snappy band number, Phil, you know, with a lot of
stuff that I just pay folks. Follow me, everybody, This
is a studio b from a bunch of sight seers
right in the middle of a program. Now't folks, let
me call your at time to do this beautiful auditorium.
(06:12):
Hey buddy, we're in the middle of a broadcast.
Speaker 9 (06:13):
Quiet please, This room has a seating capacity of three
hundred and twenty five and you will note.
Speaker 2 (06:20):
How the care is kilted back to allow for shaving.
Hey buddy, had any questions?
Speaker 5 (06:27):
Please?
Speaker 1 (06:28):
Yes?
Speaker 2 (06:28):
Who was that lady I seen you with last night?
Why is he a lulu? Any other question?
Speaker 1 (06:33):
Flease?
Speaker 4 (06:33):
Now?
Speaker 2 (06:34):
Look buddy, now you don't follow me, folks, or proceeds
to the studio. See this ray clee?
Speaker 4 (06:38):
He mean me?
Speaker 7 (06:38):
That's Jack Danny? He am I disillusion.
Speaker 2 (06:45):
You know, folks? A woman that said that is as
homely as a mud fin?
Speaker 7 (06:48):
Yes, and why did you wink at me?
Speaker 4 (06:50):
Why deny that?
Speaker 2 (06:53):
And a fine time to bring visitors to a studio.
Oh well, if you got a good snappy number ready, Phil, Yeah,
but you won't like it, we'll play it anyway. Disillusion
miss Pasidena herself. Sure that was a yeah played by
(08:50):
Phil Harris and his Vine Streets West as will. I
must say, you got off to a swell start in
our new studio. Kind of liked it?
Speaker 4 (08:58):
Huh?
Speaker 1 (08:58):
Yes?
Speaker 2 (08:59):
I did? To play Phil, Who's that chinaman sitting there
in your brass section? Is he a new member in
your band? Now he's waiting for our laundry? Oh, your laundry.
I didn't know you ever had any. How do you
like that? Mary? Phil had to have his laundry man
up at the program. Isn't that awful?
Speaker 7 (09:15):
Well, at least he doesn't do his own like guess who.
Speaker 2 (09:21):
Now, wait a minute, Mary, if you're referring to me,
you've never seen me do my own laundry, so don't
start that.
Speaker 7 (09:26):
Well what about last Monday morning when I was over
to your house?
Speaker 5 (09:28):
Well, what about it?
Speaker 7 (09:29):
Why were you bending over that wash tub to me?
Speaker 2 (09:32):
Yes? You I could have been bobbing for apples. You know,
I was practicing for Halloween. And now, folks, I would
like to say, Jack, why don't you ever admit anything
when you're caught. Listen, Phil, it's whole happens that there
were apples and that washed up apples.
Speaker 7 (09:48):
Yes, well they were under a lot of BBDs.
Speaker 2 (09:52):
And now, folks, I'll sue you someday. Mary. And now folks,
we are going out bet and you look shoot with
a mouthful of clothes pins. All right, Phil, let's drop it.
An appo is going from wash stage. It's a night's program.
We are going to present one of the greatest plays
that we have ever attempted, our version of Walter Wingers
famous Green of Success.
Speaker 1 (10:12):
The like this wave.
Speaker 2 (10:13):
Folks, follow me, everybody the studio awful, us getting to
be awful.
Speaker 9 (10:19):
I said, it's room to be three hundred and twenty
five people or six hundred and fifty if they know each.
Speaker 2 (10:24):
Other well enough. Well of all there any christ please
a young man?
Speaker 7 (10:29):
Is that gentleman standing over there.
Speaker 6 (10:30):
John Wilson?
Speaker 2 (10:31):
Yes, madam, won't you say something? Mister Wilson a glassie.
Ladies and gentlemen, I've did all of you. Welcome to
our new NBC studio.
Speaker 1 (10:37):
I think you will agree that it is the eighth
wonder of the world. Thank you.
Speaker 2 (10:41):
Can you name the other seven?
Speaker 1 (10:42):
Mister Wilson. Yes, there's strawberry, raspberry, cherry for hanging bottoms
of Babylon, orange lemonon lies.
Speaker 2 (10:48):
Don please, that was Dohn Wilson, Folks. He has six flavors,
four chins and flat feet. Yes, and if your precious
nose he'll say, yello. Something that's certainly mixed up tonight.
All right, this way, folks, follow me and please stay
in line. Hey, where are we going? Now, Kenny?
Speaker 1 (11:03):
What are you doing?
Speaker 2 (11:07):
Oh? Hello Jack, I'll be back in a little while.
You're gonna stay right here?
Speaker 5 (11:11):
Oh darn it?
Speaker 2 (11:12):
All right, folks, this way, lady toplock Kenny. Now, Kenny,
what's the idea walking all around this building with a
bunch of sights here? Well, I tried it by myself
and I couldn't get out of the basement at the basement.
What are you doing in the basement? I think I
fell through a ventilator. When you find out, let me know. Okay,
see you later, Jack, Kenny. You gotta stay right here
and sing your poem.
Speaker 5 (11:31):
Well, I want to see the building.
Speaker 2 (11:33):
But you can't sing while you're rolling all around the studios.
What are you an artists or a tourist?
Speaker 1 (11:37):
I'm a scrolling proof of door?
Speaker 10 (11:38):
And shut up?
Speaker 5 (11:41):
What what did you say? Why?
Speaker 2 (11:43):
Kenny?
Speaker 10 (11:44):
Gosh?
Speaker 2 (11:45):
Was that me? Kenny? I'm really amazed you of all people. Well,
let's forget it now, ladies and gentlemen. As I've been
trying to announce all evenings. Tonight, we are going to
present our version. See I'm sorry, Jack, never mind our
version of water Ranger's current film success, that emotional grammar
(12:05):
of blazing passion, lov and jealousy Algiers, Thank you. This
picture starred Charles Boyer and Hetty Lamar. I will play
(12:28):
the part of Peppy Lamofo, that notorious Parisian jewel thief
at portray on the screen by mister Boyer. Mary Livingston
will play the part of Amez my sweetheart, Jack.
Speaker 7 (12:37):
Are you really gonna try and follow Charles Boye in
this part?
Speaker 2 (12:40):
Why? Certainly you don't think I lived in the French
quarter of Waukegan for nothing. I did try very hard, folks,
to get miss Hetty Lamar for our play tonight, to
enact her original role, but unfortunately she happens to be
in Honolulu, hy Jack. I saw this afternoon at the
brown derby Hetty Lamar. You saw Hetty, yes Heady, and
(13:00):
she was all there. Oh well, anyway, we couldn't get
Heady to play this part, but we did get a
young lady who goes to the same beauty parlor that
miss Lamar does. In fact, she works there. Now this
drama will go on immediately after the next number. Go
ahead with your song, Kenny g Jack, I'm sorry I
(13:22):
was rude before and hurt your feeling. That's all right, Kenny,
I'll take it out of your salary. Thanks a few
much lighter now, all right.
Speaker 8 (13:30):
Sing, I say, yeah, yes, Mary has that beauty operator
just called up said she wouldn't be able to make
the program.
Speaker 7 (13:35):
She can't no, and she said you forget about the
crocodio too.
Speaker 2 (13:38):
Oh Donald, and I've been rehearsing the Lambeth Walk all afternoon.
We got to get somebody to play Heady's Park. Give
me that phone, Mary, Sing Kenny, Hello, hello operator?
Speaker 10 (14:00):
Are how the cigarette holding hands an yari look collated gas?
Three the people by dawn elini and too much enough
to say good night? I guess we've hadn't got a
(14:25):
send of responsibility. Our young old man owing can with
low too impiscility. We are how the cigarettes holding hands
(14:55):
an yari look holliated gas cool sleepy people I don't
early life and who muskin loves to say good night?
We are in buckleby chairs, picking on a wish phone
from the fidgetier too sleepy people with nothing to say,
(15:22):
and fool Muskin loves to break away? Do you remember
why a nice we used to sleeping her in the hall,
how I didn't like at all? Do you remember?
Speaker 2 (15:43):
Love?
Speaker 4 (15:44):
And why? We live?
Speaker 2 (15:45):
In the fall.
Speaker 10 (15:48):
Ran with Little Mess and.
Speaker 1 (15:53):
Him.
Speaker 10 (15:59):
We are just come off the scene Loggy Little fell
off all today lead people by John and Cool marchin.
Speaker 4 (16:21):
Oh good night, dear, I was two.
Speaker 2 (16:33):
Sleepy people, sung by Kenny Baker.
Speaker 4 (16:36):
Hell old ladies.
Speaker 2 (16:37):
Though as our play tonight happens to be very long,
we will guys check. I'm awful, sorry, I was so
fast before. Can you ever forgive me? Yes, yes, Kenny,
I forgive you. I've forgotten the whole thing.
Speaker 10 (16:49):
I'll bet you're lying.
Speaker 5 (16:51):
I'll bet you're right.
Speaker 2 (16:53):
And our ladies and gentlemen, without further ado, we bring
you our virgins of water ranges, dramatic spectacles. Elgiers el Geers,
a game modern city teaming with commerce from all the
seven scenes, while above the city grim silence, mysterious by
the tangled buildings and twisted streets of the native border
(17:16):
known as the Kasba. The scene is the hideout of
the notorious jewel piece Pepi Lomoso. As the curtain rises,
we find two members of his gang, three fingered Harris
and bubble Bakers. They are waiting for their leader's returns. Curtains, yousy, hey, three.
Speaker 5 (17:43):
Fingers, What is it, bubbles? I'm worried about Peppy.
Speaker 2 (17:45):
He said he'd be here at seven o'clock and it's
five thirty already you're still got an hour and a half.
Speaker 5 (17:50):
What are you starting to worry now?
Speaker 1 (17:51):
For well, it takes me a little.
Speaker 4 (17:52):
Time to get rolling.
Speaker 8 (17:53):
Oh it's Peppy's out with that girl in that yesterday
I'll still I'm so full of hole it'll sound.
Speaker 2 (17:59):
Like a pipe organ in a win A big jealous
time has Peppy love? Jee's crazy about you?
Speaker 10 (18:04):
Yeah?
Speaker 7 (18:04):
I was working on slave and what do I gets?
A broken down boye?
Speaker 2 (18:17):
Jeezu's funny? Burn up? Ain't she? Yeah? What is she
seeing that old foot?
Speaker 1 (18:22):
Here comes Peppy?
Speaker 2 (18:23):
Now, Hello Peppy, Hello three teen years.
Speaker 5 (18:33):
Hello, mister Lomoco.
Speaker 2 (18:35):
Oh it's he's you boo boos. Well, gentlemen, let us
get down to be see. I'm sorry, how hard at
you before?
Speaker 5 (18:41):
Peppy?
Speaker 2 (18:42):
Oh forget forget well, gentlemen, I have brought the pearls
which we store last night. Here they are, Oh boy,
but nothing tomorrow night. I am sending you to the
Grand Ball at the Beverly Algiers. Hotel, the pebroly al chairs. Oh,
I know the place right across the street from the
(19:03):
Browns Fairs. Yeah, just the block west of Cheeks Fifth Avenues.
They will be beautiful ladies there and even more beautiful
jewel I remember safting air.
Speaker 1 (19:19):
What is it?
Speaker 10 (19:20):
Chief?
Speaker 2 (19:20):
This time? When you bring back the jewels, you will
first remove the ladies. Now here's what you must do
tomorrow night. You will go both.
Speaker 5 (19:32):
Maybe the police.
Speaker 2 (19:33):
Hi the jewels, Queen, I'll put them in the cookie jar.
It's a cookie guy who they will never ask the
stat to me. Oh you tease you inspect? There are
the soul good evening, Peppe, You're bad boy? What brings
you to the katz bar?
Speaker 1 (19:48):
Pepe? You have come to tell you that the police
are trying to get in touch with you. They're looking
for you.
Speaker 2 (19:52):
Pepper that wants you. Oh I am in no mood
to play a bana fee. Why don't you get had?
He can call?
Speaker 5 (20:02):
This is not a fellows at Peppy. There was some
jews stolen last night.
Speaker 2 (20:05):
Oh where are they? You? What your be down? My friend?
Make you up at home? Will you have a cookie infector?
Speaker 4 (20:13):
Who was.
Speaker 2 (20:21):
These are room?
Speaker 10 (20:22):
See?
Speaker 2 (20:22):
I nearly spilled the peens, didn't I beans and a
cookie jar he made Joe someday I laughed till he dies.
Have some tea, my friend.
Speaker 1 (20:35):
I'm a coll Peppy, but I'm warning you stay out
of the city. You're wanted in six delicious countries.
Speaker 2 (20:40):
Don't be careful. Thank you inspect though, I will look
for the deg red noses on the gendar. Goodbye?
Speaker 1 (20:47):
Are you scared?
Speaker 5 (20:48):
Boss?
Speaker 2 (20:48):
Do not worried creeping yet? Hey, we'll have gonna get
Peppy Lomo. I am master of the tad bar. Oh
it's you.
Speaker 7 (21:04):
Hello, I need hello, Pappy.
Speaker 2 (21:07):
That's Peppy. I had ye for breakfast, but you are trembling.
I name, what is the matter, my little dog?
Speaker 7 (21:16):
Don't love me?
Speaker 2 (21:17):
You too?
Speaker 7 (21:17):
Time and crook me?
Speaker 1 (21:19):
Peppy?
Speaker 7 (21:20):
The finance company hadn't taken away my camel. I'd go
home to mother.
Speaker 2 (21:26):
Oh I do not stuk like that. I love you?
Speaker 10 (21:29):
Oh you do?
Speaker 2 (21:30):
Eh?
Speaker 7 (21:30):
Well, what about that other girl?
Speaker 2 (21:32):
What other girl?
Speaker 7 (21:33):
When I saw you drinking tea with yesterday in.
Speaker 11 (21:35):
The cafe, that's Terry Lamar.
Speaker 2 (21:37):
You did not see us.
Speaker 7 (21:38):
I did too. I was watching you from the kitchen.
Speaker 2 (21:40):
Oh, so there's how I got that meeky thing. But
do not worry. I ned it was merely a little
take today. It was just an afternoon's flotation on. It
was nothing beneath me.
Speaker 8 (21:58):
Well, if I see you with her again, I'll take
you've just gone and make paramount happy.
Speaker 2 (22:06):
My little cobra, you are too excised. Come here, close
your eyes and tease Patty or else?
Speaker 7 (22:13):
Do you think I can do it?
Speaker 2 (22:19):
Now? Listen to me. I nam, hey, Peppy, Peppy, what
you know that beautiful girl you had seat with yesterday?
Lean heavy lamar, Yeah, she has come to the kaspar
She wants to see you. Oh then she did come
back like she promised.
Speaker 8 (22:31):
My head, Aha, I knew you were lying to me,
you dog, you puppy. I'm peppy, you're to say, but
you'll never let see her again, Peppy, because I'm gonna
carry you.
Speaker 2 (22:42):
Put on that guy.
Speaker 7 (22:43):
I won't, I won't put it down.
Speaker 2 (22:44):
I say, right this way, folks, that's fellow.
Speaker 4 (22:51):
Like.
Speaker 9 (22:51):
This room has a seating capacity of three hundred and
twenty five left as hour here last.
Speaker 2 (22:55):
Hey, she cheep, look at that table over there with
those big damon leave it alone. She is a two
lead whyetle now, folks, you will know.
Speaker 9 (23:03):
That's the beautiful decorations on the wall. The new head
on Miss Lennington and allows the acting. Hmm, now are
there any questions?
Speaker 2 (23:10):
Please?
Speaker 4 (23:10):
Yeah?
Speaker 2 (23:11):
How does this building differ from Radio City in New York? Well,
in the first place, this one is much smaller.
Speaker 4 (23:16):
I know that.
Speaker 11 (23:17):
But has this one got the same kind of cell
of parbacy that you have in the rs to sit?
Or is the Chester Settle farbisas you have on the marcis.
Speaker 5 (23:22):
South Raila's lesson?
Speaker 2 (23:24):
Oh yes, but ours is the more advanced type, Betty,
I am going to kill you. Any other questions please?
Any other questions please? Just one more? How that switchball
over there?
Speaker 11 (23:34):
If that appends welcome from Posidon?
Speaker 2 (23:36):
Or is it a Belgian?
Speaker 9 (23:37):
Gain?
Speaker 4 (23:37):
Did it?
Speaker 11 (23:37):
I beg your pardon, I said, if that a Belgian
can did it it? I still don't get it, he said,
is it a Belgian?
Speaker 2 (23:44):
Not? Did it? At this? No? It isn't all right?
Folks following me to studio, see Jenny come back here?
Oh shut all right, Danie.
Speaker 7 (23:55):
So you're in love with that other day, eh? But
you'll never live this year again, Tippy, because I'm gonna.
Speaker 2 (24:00):
Put down that gun.
Speaker 1 (24:02):
I give me.
Speaker 2 (24:04):
I'm talking. Hey, cheep, cheez, here comes Hetty Lamon Now wait,
I know I will prove my love for you and
send her away. I mean, heady, heady, my dog. Hi
you Peppy, Hey, you kept your promise and came back
(24:27):
to me. Poor darling, come into my eye. Excuse me, pappy,
jeez me, my sweet god, God, I forgot to put
my lipstick on.
Speaker 7 (24:37):
Oh so this is a dangers throw me over afore.
Speaker 10 (24:40):
Yeah.
Speaker 7 (24:41):
Stuff, Well, I'll take advite of Peppy because you'll never
leave the stair again.
Speaker 2 (24:47):
Oh I'm what did you do it?
Speaker 7 (24:53):
Oh Patty, I'm so sorry I shot you.
Speaker 4 (24:57):
It was not.
Speaker 6 (25:01):
Everything is getting I feel goodbye, goodbye, goodbye, heavy back
play feel.
Speaker 1 (25:40):
If you want something swell to eat, it's quick and
easy and inexpensive.
Speaker 2 (25:45):
We have the answer. It's the new Jello Vanilla pudding.
Speaker 1 (25:49):
A rich, delicious, creamy, smooth dessert that's the grandest discovery
in years.
Speaker 2 (25:54):
Jello Vanilla pudding has a.
Speaker 1 (25:55):
Wonderful flavor, tempting and delicate, but it's made from real vanilla,
no imitation flavoring, and that's why it tastes so good.
It's easy as can be to make and with only
a few minutes cooking. Simple directions are on every package,
And Jello Vanilla pudding is just one of three new
jello pudding. There's Butterscotch pudding.
Speaker 2 (26:12):
Mellow and smooth and tempting with that real old.
Speaker 1 (26:15):
Fashioned butterscotch flavor. And there's yellow chocolate pudding, an all
time favorite made a new and better way. All three
jello puddings have a beautifully creamy texture, a rich, full flavor,
and an old fashioned homemade goodness.
Speaker 2 (26:28):
So pryor these swell new pudding desserts.
Speaker 1 (26:30):
The best way to get acquainted is to buy three
packages at the time Jello, Vanilla, Butterscotch and chocolate pudding.
Speaker 2 (26:36):
Ask your grocer for them tomorrows. This is the last
(27:02):
number of the fourth program in a new Yellow series,
and we'll be with you again next Sunday night at
the same time. Meanwhile, I hope you all enjoyed our
version of Algiers. All right, Mary, let's go just a minute.
Come in, mister Benny. Yeah, I'm mad at you. Why
don't you use me? And you're play tonight? Why who
are you? Mister ball heady Lamar goodbye Sunday. I will
teal him good night, though.
Speaker 5 (27:29):
Thank you.
Speaker 1 (27:37):
The last presentation of Algiers was very possible through the
cooperation of Walter Ranger and the author, Detective Ifelbe the
tunes from Alpha, Due'll Make Us from You'll Never Know
and two Sleepy People from Thanks for the Memory. Kenny
Baker appears on the Jello program for Curtaser Murmer a
Lawyer Productions. Let's the national broadcasting Company.
All the Jello Program starring Jack Fenny, with Mary Livingston,
Phil Harris, Kenny Baker, and Yours Truly Don Wilson.
Speaker 2 (00:10):
The orchestra opens the program.
Speaker 3 (00:12):
With if you have any football fans in the family,
you know the Saturday afternoon means a rousing game and
Saturday night means a rousing, big appetite.
Speaker 2 (00:28):
Well, here's one swell way to celebrate the victory turf.
Speaker 1 (00:31):
A grand dinner and pop it off with a grand dessert.
Speaker 4 (00:34):
Jello.
Speaker 5 (00:35):
Why everybody likes jello.
Speaker 1 (00:36):
So that delicious, extra rich fruit flavor is so tempting
and good you just can't resist it. All six yellow
flavors are chuck full of this extra rich fruit taste, Strawberry, raspberry, cherry, oraings,
lemon and lime, and all six of price and gay
with color to fit the autumn football season. So no
matter which flavor of Jello you choose, you're sure of
a success. A dessert that's delightful to look at, delicious
(00:59):
to eat, but be sure to get genuine Jello when
you buy, and don't accept any substitute. Look for the
big red letters on the box.
Speaker 5 (01:07):
They spell Jello, and the Jello spells the tree.
Speaker 1 (01:34):
As well as from Alfa to Omega played by Phil
Harris and his orchestra. And now, ladies and gentlemen, well
the first time, from the new NBC building in Hollywood,
with its new studios, its new facilities, and its new equipment,
we bring you that old foot Jack Fenny, Oh, thank.
Speaker 2 (02:01):
You, Jel again. This is Jack Benny talking and Don.
I may be an old foot, but in these luxurious surroundings,
I feel ten years younger. What are places? Is it?
Every seems such a gorgeous building? Oh, I haven't jacked.
It certainly is magnificent, magnificent. Why Donna? I tell you
this building makes that new filling station across the street
look like a nickel.
Speaker 1 (02:21):
Ah, you're right, Jack, this place is absolutely the quintessence
and phenolpienate of architectural symmetry.
Speaker 6 (02:28):
What is that done?
Speaker 1 (02:29):
I said this place is a nut?
Speaker 2 (02:31):
Oh oh oh, But he didn't have to make a
pool out of me to do it. But you're right, Don,
it is the nut. Did you notice all that beautiful
woodwork in the front lobby?
Speaker 5 (02:41):
Did I say that's what I call ritzy?
Speaker 2 (02:42):
Rizzy? Why? I saw three termites working on it, and
they were in evening clothes.
Speaker 1 (02:51):
No kidding, Oh you know, Jack, I was just thinking
what a contrast this is to the old studio.
Speaker 2 (02:56):
It certainly is. Don The chandeliers are so luxurious, and
the grapes are so costly.
Speaker 1 (03:01):
Yes, sir, And the chairs for the audience are so
soft and comfortable.
Speaker 2 (03:04):
Well, when it comes to those chairs down, I think
they're a little too comfortable. There's a man sitting in
a third role that's got a date with a dream.
I don't mind people sleeping through our program, but that
guy's wearing a night gown. I'll take care of that
their pardon me, madam? Would you mind shaking your husband?
I don't know, he'll fall a heart my wiggle. Phil
(03:26):
starts his next number. Will he jump? Ollo?
Speaker 6 (03:29):
Phil?
Speaker 2 (03:29):
I adjackt some swell joint, And it's the joint. Say
you never work in a place as squanky as this
in your life. But this building has improved the whole neighborhood.
It sure has you better has When I walked in
here tonight, a panhandler stopped me and gave me fifty cents. Well,
I'm glad they're finally declaring dividends, and Phil, I want
(03:51):
to congratulate you on the appearance of your orchestra. They're
so neat and they're even wearing shoes tonight. How'd you
get him to do it?
Speaker 5 (03:58):
I told him it was a publicity star.
Speaker 2 (04:00):
Oh well, they looked very nice. But I wish you'd
tell your guitar player that the socks go inside the
hues unless he's trying to sneak up on someone. Anyway,
I'm glad the boys did dress up for this occasion, Field,
(04:22):
because these surroundings are simply divine. Come in, Hello, Maddy,
Hello Jack, Welcome to our new homes. See given your life,
do your play go modern and in the latest style.
Speaker 7 (04:41):
I'll say it to the latest styles.
Speaker 8 (04:42):
You know that John Mann that stands in the fun
ass Yeah, well he's wearing his.
Speaker 4 (04:46):
Hair up.
Speaker 2 (04:50):
There, ye are? And you know Mary, as I was
saying to Don just a few minutes ago, I said, Don,
this building is absolutely the quintessence and pronouncement of architectural symmetry.
Speaker 7 (05:00):
Well, Don was right.
Speaker 2 (05:01):
Oh did you say that, Don? I knew it was
one of us.
Speaker 1 (05:05):
I didn't know.
Speaker 7 (05:06):
Yes, I can't understand one ching.
Speaker 2 (05:07):
What's that? Mary?
Speaker 7 (05:08):
Why did they open this building so soon? See the
elevators aren't even working yet.
Speaker 2 (05:12):
Why they must be working. I saw an elevator boy downstairs.
What was he for?
Speaker 7 (05:16):
Well, he passed his nose and he takes your piggy back.
Speaker 2 (05:18):
Oh, now that's silly.
Speaker 7 (05:21):
It's fun too, Yeah.
Speaker 2 (05:23):
But then it takes time to finish a building like this.
Why the cement fourn the lobby isn't even dry yet?
Speaker 7 (05:28):
The man I thought that rug was kind of wet.
Speaker 2 (05:31):
Well, there was no excuse for that, Mary. Imagine walking
through fresh cement. There was a sign right in front
of us.
Speaker 7 (05:36):
Yeah, that's what I kissed over.
Speaker 2 (05:37):
Oh well, Mary, let me ask you something. If you
walk through a corridor of wet cement, how come you
haven't got any of it on your shoes or your stockings.
Speaker 7 (05:44):
I don't know. I don't write this junk.
Speaker 2 (05:51):
Now you killed the hole illusioned. Well, anyway, now that
we're all here, that is all but Tenny, he probably
went to the old buildings. How about having a good
snappy band number, Phil, you know, with a lot of
stuff that I just pay folks. Follow me, everybody, This
is a studio b from a bunch of sight seers
right in the middle of a program. Now't folks, let
me call your at time to do this beautiful auditorium.
(06:12):
Hey buddy, we're in the middle of a broadcast.
Speaker 9 (06:13):
Quiet please, This room has a seating capacity of three
hundred and twenty five and you will note.
Speaker 2 (06:20):
How the care is kilted back to allow for shaving.
Hey buddy, had any questions?
Speaker 5 (06:27):
Please?
Speaker 1 (06:28):
Yes?
Speaker 2 (06:28):
Who was that lady I seen you with last night?
Why is he a lulu? Any other question?
Speaker 1 (06:33):
Flease?
Speaker 4 (06:33):
Now?
Speaker 2 (06:34):
Look buddy, now you don't follow me, folks, or proceeds
to the studio. See this ray clee?
Speaker 4 (06:38):
He mean me?
Speaker 7 (06:38):
That's Jack Danny? He am I disillusion.
Speaker 2 (06:45):
You know, folks? A woman that said that is as
homely as a mud fin?
Speaker 7 (06:48):
Yes, and why did you wink at me?
Speaker 4 (06:50):
Why deny that?
Speaker 2 (06:53):
And a fine time to bring visitors to a studio.
Oh well, if you got a good snappy number ready, Phil, Yeah,
but you won't like it, we'll play it anyway. Disillusion
miss Pasidena herself. Sure that was a yeah played by
(08:50):
Phil Harris and his Vine Streets West as will. I
must say, you got off to a swell start in
our new studio. Kind of liked it?
Speaker 4 (08:58):
Huh?
Speaker 1 (08:58):
Yes?
Speaker 2 (08:59):
I did? To play Phil, Who's that chinaman sitting there
in your brass section? Is he a new member in
your band? Now he's waiting for our laundry? Oh, your laundry.
I didn't know you ever had any. How do you
like that? Mary? Phil had to have his laundry man
up at the program. Isn't that awful?
Speaker 7 (09:15):
Well, at least he doesn't do his own like guess who.
Speaker 2 (09:21):
Now, wait a minute, Mary, if you're referring to me,
you've never seen me do my own laundry, so don't
start that.
Speaker 7 (09:26):
Well what about last Monday morning when I was over
to your house?
Speaker 5 (09:28):
Well, what about it?
Speaker 7 (09:29):
Why were you bending over that wash tub to me?
Speaker 2 (09:32):
Yes? You I could have been bobbing for apples. You know,
I was practicing for Halloween. And now, folks, I would
like to say, Jack, why don't you ever admit anything
when you're caught. Listen, Phil, it's whole happens that there
were apples and that washed up apples.
Speaker 7 (09:48):
Yes, well they were under a lot of BBDs.
Speaker 2 (09:52):
And now, folks, I'll sue you someday. Mary. And now folks,
we are going out bet and you look shoot with
a mouthful of clothes pins. All right, Phil, let's drop it.
An appo is going from wash stage. It's a night's program.
We are going to present one of the greatest plays
that we have ever attempted, our version of Walter Wingers
famous Green of Success.
Speaker 1 (10:12):
The like this wave.
Speaker 2 (10:13):
Folks, follow me, everybody the studio awful, us getting to
be awful.
Speaker 9 (10:19):
I said, it's room to be three hundred and twenty
five people or six hundred and fifty if they know each.
Speaker 2 (10:24):
Other well enough. Well of all there any christ please
a young man?
Speaker 7 (10:29):
Is that gentleman standing over there.
Speaker 6 (10:30):
John Wilson?
Speaker 2 (10:31):
Yes, madam, won't you say something? Mister Wilson a glassie.
Ladies and gentlemen, I've did all of you. Welcome to
our new NBC studio.
Speaker 1 (10:37):
I think you will agree that it is the eighth
wonder of the world. Thank you.
Speaker 2 (10:41):
Can you name the other seven?
Speaker 1 (10:42):
Mister Wilson. Yes, there's strawberry, raspberry, cherry for hanging bottoms
of Babylon, orange lemonon lies.
Speaker 2 (10:48):
Don please, that was Dohn Wilson, Folks. He has six flavors,
four chins and flat feet. Yes, and if your precious
nose he'll say, yello. Something that's certainly mixed up tonight.
All right, this way, folks, follow me and please stay
in line. Hey, where are we going? Now, Kenny?
Speaker 1 (11:03):
What are you doing?
Speaker 2 (11:07):
Oh? Hello Jack, I'll be back in a little while.
You're gonna stay right here?
Speaker 5 (11:11):
Oh darn it?
Speaker 2 (11:12):
All right, folks, this way, lady toplock Kenny. Now, Kenny,
what's the idea walking all around this building with a
bunch of sights here? Well, I tried it by myself
and I couldn't get out of the basement at the basement.
What are you doing in the basement? I think I
fell through a ventilator. When you find out, let me know. Okay,
see you later, Jack, Kenny. You gotta stay right here
and sing your poem.
Speaker 5 (11:31):
Well, I want to see the building.
Speaker 2 (11:33):
But you can't sing while you're rolling all around the studios.
What are you an artists or a tourist?
Speaker 1 (11:37):
I'm a scrolling proof of door?
Speaker 10 (11:38):
And shut up?
Speaker 5 (11:41):
What what did you say? Why?
Speaker 2 (11:43):
Kenny?
Speaker 10 (11:44):
Gosh?
Speaker 2 (11:45):
Was that me? Kenny? I'm really amazed you of all people. Well,
let's forget it now, ladies and gentlemen. As I've been
trying to announce all evenings. Tonight, we are going to
present our version. See I'm sorry, Jack, never mind our
version of water Ranger's current film success, that emotional grammar
(12:05):
of blazing passion, lov and jealousy Algiers, Thank you. This
picture starred Charles Boyer and Hetty Lamar. I will play
(12:28):
the part of Peppy Lamofo, that notorious Parisian jewel thief
at portray on the screen by mister Boyer. Mary Livingston
will play the part of Amez my sweetheart, Jack.
Speaker 7 (12:37):
Are you really gonna try and follow Charles Boye in
this part?
Speaker 2 (12:40):
Why? Certainly you don't think I lived in the French
quarter of Waukegan for nothing. I did try very hard, folks,
to get miss Hetty Lamar for our play tonight, to
enact her original role, but unfortunately she happens to be
in Honolulu, hy Jack. I saw this afternoon at the
brown derby Hetty Lamar. You saw Hetty, yes Heady, and
(13:00):
she was all there. Oh well, anyway, we couldn't get
Heady to play this part, but we did get a
young lady who goes to the same beauty parlor that
miss Lamar does. In fact, she works there. Now this
drama will go on immediately after the next number. Go
ahead with your song, Kenny g Jack, I'm sorry I
(13:22):
was rude before and hurt your feeling. That's all right, Kenny,
I'll take it out of your salary. Thanks a few
much lighter now, all right.
Speaker 8 (13:30):
Sing, I say, yeah, yes, Mary has that beauty operator
just called up said she wouldn't be able to make
the program.
Speaker 7 (13:35):
She can't no, and she said you forget about the
crocodio too.
Speaker 2 (13:38):
Oh Donald, and I've been rehearsing the Lambeth Walk all afternoon.
We got to get somebody to play Heady's Park. Give
me that phone, Mary, Sing Kenny, Hello, hello operator?
Speaker 10 (14:00):
Are how the cigarette holding hands an yari look collated gas?
Three the people by dawn elini and too much enough
to say good night? I guess we've hadn't got a
(14:25):
send of responsibility. Our young old man owing can with
low too impiscility. We are how the cigarettes holding hands
(14:55):
an yari look holliated gas cool sleepy people I don't
early life and who muskin loves to say good night?
We are in buckleby chairs, picking on a wish phone
from the fidgetier too sleepy people with nothing to say,
(15:22):
and fool Muskin loves to break away? Do you remember
why a nice we used to sleeping her in the hall,
how I didn't like at all? Do you remember?
Speaker 2 (15:43):
Love?
Speaker 4 (15:44):
And why? We live?
Speaker 2 (15:45):
In the fall.
Speaker 10 (15:48):
Ran with Little Mess and.
Speaker 1 (15:53):
Him.
Speaker 10 (15:59):
We are just come off the scene Loggy Little fell
off all today lead people by John and Cool marchin.
Speaker 4 (16:21):
Oh good night, dear, I was two.
Speaker 2 (16:33):
Sleepy people, sung by Kenny Baker.
Speaker 4 (16:36):
Hell old ladies.
Speaker 2 (16:37):
Though as our play tonight happens to be very long,
we will guys check. I'm awful, sorry, I was so
fast before. Can you ever forgive me? Yes, yes, Kenny,
I forgive you. I've forgotten the whole thing.
Speaker 10 (16:49):
I'll bet you're lying.
Speaker 5 (16:51):
I'll bet you're right.
Speaker 2 (16:53):
And our ladies and gentlemen, without further ado, we bring
you our virgins of water ranges, dramatic spectacles. Elgiers el Geers,
a game modern city teaming with commerce from all the
seven scenes, while above the city grim silence, mysterious by
the tangled buildings and twisted streets of the native border
(17:16):
known as the Kasba. The scene is the hideout of
the notorious jewel piece Pepi Lomoso. As the curtain rises,
we find two members of his gang, three fingered Harris
and bubble Bakers. They are waiting for their leader's returns. Curtains, yousy, hey, three.
Speaker 5 (17:43):
Fingers, What is it, bubbles? I'm worried about Peppy.
Speaker 2 (17:45):
He said he'd be here at seven o'clock and it's
five thirty already you're still got an hour and a half.
Speaker 5 (17:50):
What are you starting to worry now?
Speaker 1 (17:51):
For well, it takes me a little.
Speaker 4 (17:52):
Time to get rolling.
Speaker 8 (17:53):
Oh it's Peppy's out with that girl in that yesterday
I'll still I'm so full of hole it'll sound.
Speaker 2 (17:59):
Like a pipe organ in a win A big jealous
time has Peppy love? Jee's crazy about you?
Speaker 10 (18:04):
Yeah?
Speaker 7 (18:04):
I was working on slave and what do I gets?
A broken down boye?
Speaker 2 (18:17):
Jeezu's funny? Burn up? Ain't she? Yeah? What is she
seeing that old foot?
Speaker 1 (18:22):
Here comes Peppy?
Speaker 2 (18:23):
Now, Hello Peppy, Hello three teen years.
Speaker 5 (18:33):
Hello, mister Lomoco.
Speaker 2 (18:35):
Oh it's he's you boo boos. Well, gentlemen, let us
get down to be see. I'm sorry, how hard at
you before?
Speaker 5 (18:41):
Peppy?
Speaker 2 (18:42):
Oh forget forget well, gentlemen, I have brought the pearls
which we store last night. Here they are, Oh boy,
but nothing tomorrow night. I am sending you to the
Grand Ball at the Beverly Algiers. Hotel, the pebroly al chairs. Oh,
I know the place right across the street from the
(19:03):
Browns Fairs. Yeah, just the block west of Cheeks Fifth Avenues.
They will be beautiful ladies there and even more beautiful
jewel I remember safting air.
Speaker 1 (19:19):
What is it?
Speaker 10 (19:20):
Chief?
Speaker 2 (19:20):
This time? When you bring back the jewels, you will
first remove the ladies. Now here's what you must do
tomorrow night. You will go both.
Speaker 5 (19:32):
Maybe the police.
Speaker 2 (19:33):
Hi the jewels, Queen, I'll put them in the cookie jar.
It's a cookie guy who they will never ask the
stat to me. Oh you tease you inspect? There are
the soul good evening, Peppe, You're bad boy? What brings
you to the katz bar?
Speaker 1 (19:48):
Pepe? You have come to tell you that the police
are trying to get in touch with you. They're looking
for you.
Speaker 2 (19:52):
Pepper that wants you. Oh I am in no mood
to play a bana fee. Why don't you get had?
He can call?
Speaker 5 (20:02):
This is not a fellows at Peppy. There was some
jews stolen last night.
Speaker 2 (20:05):
Oh where are they? You? What your be down? My friend?
Make you up at home? Will you have a cookie infector?
Speaker 4 (20:13):
Who was.
Speaker 2 (20:21):
These are room?
Speaker 10 (20:22):
See?
Speaker 2 (20:22):
I nearly spilled the peens, didn't I beans and a
cookie jar he made Joe someday I laughed till he dies.
Have some tea, my friend.
Speaker 1 (20:35):
I'm a coll Peppy, but I'm warning you stay out
of the city. You're wanted in six delicious countries.
Speaker 2 (20:40):
Don't be careful. Thank you inspect though, I will look
for the deg red noses on the gendar. Goodbye?
Speaker 1 (20:47):
Are you scared?
Speaker 5 (20:48):
Boss?
Speaker 2 (20:48):
Do not worried creeping yet? Hey, we'll have gonna get
Peppy Lomo. I am master of the tad bar. Oh
it's you.
Speaker 7 (21:04):
Hello, I need hello, Pappy.
Speaker 2 (21:07):
That's Peppy. I had ye for breakfast, but you are trembling.
I name, what is the matter, my little dog?
Speaker 7 (21:16):
Don't love me?
Speaker 2 (21:17):
You too?
Speaker 7 (21:17):
Time and crook me?
Speaker 1 (21:19):
Peppy?
Speaker 7 (21:20):
The finance company hadn't taken away my camel. I'd go
home to mother.
Speaker 2 (21:26):
Oh I do not stuk like that. I love you?
Speaker 10 (21:29):
Oh you do?
Speaker 2 (21:30):
Eh?
Speaker 7 (21:30):
Well, what about that other girl?
Speaker 2 (21:32):
What other girl?
Speaker 7 (21:33):
When I saw you drinking tea with yesterday in.
Speaker 11 (21:35):
The cafe, that's Terry Lamar.
Speaker 2 (21:37):
You did not see us.
Speaker 7 (21:38):
I did too. I was watching you from the kitchen.
Speaker 2 (21:40):
Oh, so there's how I got that meeky thing. But
do not worry. I ned it was merely a little
take today. It was just an afternoon's flotation on. It
was nothing beneath me.
Speaker 8 (21:58):
Well, if I see you with her again, I'll take
you've just gone and make paramount happy.
Speaker 2 (22:06):
My little cobra, you are too excised. Come here, close
your eyes and tease Patty or else?
Speaker 7 (22:13):
Do you think I can do it?
Speaker 2 (22:19):
Now? Listen to me. I nam, hey, Peppy, Peppy, what
you know that beautiful girl you had seat with yesterday?
Lean heavy lamar, Yeah, she has come to the kaspar
She wants to see you. Oh then she did come
back like she promised.
Speaker 8 (22:31):
My head, Aha, I knew you were lying to me,
you dog, you puppy. I'm peppy, you're to say, but
you'll never let see her again, Peppy, because I'm gonna
carry you.
Speaker 2 (22:42):
Put on that guy.
Speaker 7 (22:43):
I won't, I won't put it down.
Speaker 2 (22:44):
I say, right this way, folks, that's fellow.
Speaker 4 (22:51):
Like.
Speaker 9 (22:51):
This room has a seating capacity of three hundred and
twenty five left as hour here last.
Speaker 2 (22:55):
Hey, she cheep, look at that table over there with
those big damon leave it alone. She is a two
lead whyetle now, folks, you will know.
Speaker 9 (23:03):
That's the beautiful decorations on the wall. The new head
on Miss Lennington and allows the acting. Hmm, now are
there any questions?
Speaker 2 (23:10):
Please?
Speaker 4 (23:10):
Yeah?
Speaker 2 (23:11):
How does this building differ from Radio City in New York? Well,
in the first place, this one is much smaller.
Speaker 4 (23:16):
I know that.
Speaker 11 (23:17):
But has this one got the same kind of cell
of parbacy that you have in the rs to sit?
Or is the Chester Settle farbisas you have on the marcis.
Speaker 5 (23:22):
South Raila's lesson?
Speaker 2 (23:24):
Oh yes, but ours is the more advanced type, Betty,
I am going to kill you. Any other questions please?
Any other questions please? Just one more? How that switchball
over there?
Speaker 11 (23:34):
If that appends welcome from Posidon?
Speaker 2 (23:36):
Or is it a Belgian?
Speaker 9 (23:37):
Gain?
Speaker 4 (23:37):
Did it?
Speaker 11 (23:37):
I beg your pardon, I said, if that a Belgian
can did it it? I still don't get it, he said,
is it a Belgian?
Speaker 2 (23:44):
Not? Did it? At this? No? It isn't all right?
Folks following me to studio, see Jenny come back here?
Oh shut all right, Danie.
Speaker 7 (23:55):
So you're in love with that other day, eh? But
you'll never live this year again, Tippy, because I'm gonna.
Speaker 2 (24:00):
Put down that gun.
Speaker 1 (24:02):
I give me.
Speaker 2 (24:04):
I'm talking. Hey, cheep, cheez, here comes Hetty Lamon Now wait,
I know I will prove my love for you and
send her away. I mean, heady, heady, my dog. Hi
you Peppy, Hey, you kept your promise and came back
(24:27):
to me. Poor darling, come into my eye. Excuse me, pappy,
jeez me, my sweet god, God, I forgot to put
my lipstick on.
Speaker 7 (24:37):
Oh so this is a dangers throw me over afore.
Speaker 10 (24:40):
Yeah.
Speaker 7 (24:41):
Stuff, Well, I'll take advite of Peppy because you'll never
leave the stair again.
Speaker 2 (24:47):
Oh I'm what did you do it?
Speaker 7 (24:53):
Oh Patty, I'm so sorry I shot you.
Speaker 4 (24:57):
It was not.
Speaker 6 (25:01):
Everything is getting I feel goodbye, goodbye, goodbye, heavy back
play feel.
Speaker 1 (25:40):
If you want something swell to eat, it's quick and
easy and inexpensive.
Speaker 2 (25:45):
We have the answer. It's the new Jello Vanilla pudding.
Speaker 1 (25:49):
A rich, delicious, creamy, smooth dessert that's the grandest discovery
in years.
Speaker 2 (25:54):
Jello Vanilla pudding has a.
Speaker 1 (25:55):
Wonderful flavor, tempting and delicate, but it's made from real vanilla,
no imitation flavoring, and that's why it tastes so good.
It's easy as can be to make and with only
a few minutes cooking. Simple directions are on every package,
And Jello Vanilla pudding is just one of three new
jello pudding. There's Butterscotch pudding.
Speaker 2 (26:12):
Mellow and smooth and tempting with that real old.
Speaker 1 (26:15):
Fashioned butterscotch flavor. And there's yellow chocolate pudding, an all
time favorite made a new and better way. All three
jello puddings have a beautifully creamy texture, a rich, full flavor,
and an old fashioned homemade goodness.
Speaker 2 (26:28):
So pryor these swell new pudding desserts.
Speaker 1 (26:30):
The best way to get acquainted is to buy three
packages at the time Jello, Vanilla, Butterscotch and chocolate pudding.
Speaker 2 (26:36):
Ask your grocer for them tomorrows. This is the last
(27:02):
number of the fourth program in a new Yellow series,
and we'll be with you again next Sunday night at
the same time. Meanwhile, I hope you all enjoyed our
version of Algiers. All right, Mary, let's go just a minute.
Come in, mister Benny. Yeah, I'm mad at you. Why
don't you use me? And you're play tonight? Why who
are you? Mister ball heady Lamar goodbye Sunday. I will
teal him good night, though.
Speaker 5 (27:29):
Thank you.
Speaker 1 (27:37):
The last presentation of Algiers was very possible through the
cooperation of Walter Ranger and the author, Detective Ifelbe the
tunes from Alpha, Due'll Make Us from You'll Never Know
and two Sleepy People from Thanks for the Memory. Kenny
Baker appears on the Jello program for Curtaser Murmer a
Lawyer Productions. Let's the national broadcasting Company.
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