July 23, 2025 • 30 mins
A legendary variety show blending witty monologues, comic sketches, and musical interludes, all anchored by the impeccable timing of its beloved host. It’s a masterclass in comedic timing.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:04):
The Jello Program starring Jack Benny with Mary Livingston and
Phil Harris and his orchestra. The orchestra opens a program
with Life Begins when You're in Love. Here's a letter
(00:29):
from Alberta, Canada, written by a young wife who asks
me not to mention her name, but who gives me
full permission to read you.
Speaker 2 (00:35):
This experience of hers.
Speaker 1 (00:37):
My husband came home the other day with a gelatin
dessert not manufactured by.
Speaker 2 (00:41):
The Jello company.
Speaker 1 (00:42):
Being a dutiful wife, I'm mumbling something about having just
purchased three packages of Jello and let the matter drop.
But I knew that this was my opportunity to prove
that I know food values and quality and purchasing. So
I made the gelatin desert my husband had brought home,
and I also made jello. Jello gave me a more
richly flavored ferma dessert that's set in half the time.
(01:05):
And now friend husband is thoroughly convinced that I know
my business well. We're grateful to you, young lady for
sending us that letter. It bears out what I have
so often said that Jello's fine fresh fruit flavor.
Speaker 2 (01:17):
Is tops and taste no.
Speaker 1 (01:19):
Other gelatin dessert can equal the famous extra rich fruit
flavor of genuine jello. But remember there is only one jello,
so always be sure to ask for it by name.
Look for the big red letters on the box. They
spell Jello. Thatwas Life Begins when You're in Love, played
(01:57):
by the orchestra. Now, ladies and gentlemen, bring you that
violinist with the accent on vile, Jack, Benny.
Speaker 2 (02:11):
I heard that was very funny, Don, very humorous. Evidently
you've been listening to Fred Allen again.
Speaker 1 (02:18):
Oh, yes, yes I have.
Speaker 2 (02:20):
Jack.
Speaker 1 (02:20):
Did you hear him last Wednesday?
Speaker 2 (02:21):
Yes, Don, but only with my ears. My heart wasn't
in it. Any man that can stand before a microphone
and say that I can't play a violin just isn't normal,
that's all.
Speaker 1 (02:34):
But Jack, he didn't say that you couldn't play the violin.
Speaker 2 (02:37):
No. Oh. He said was you shouldn't play it? Oh,
I say say, Jack, Yes, Mary.
Speaker 1 (02:44):
All I heard him say was you couldn't play the
violin at.
Speaker 2 (02:46):
The age of ten. I'm glad you brought that up, Mary,
because I've got a photograph of myself right here, taken
when I was ten years old playing the b on
my violin. A very difficult number here, Mary, Look hmm, yeah,
what do you think of that? I'm glad it's not
a town tacher. They didn't have them in those days.
Speaker 1 (03:06):
But Jack, now, how can we tell what number you're playing?
Speaker 2 (03:09):
Well, if you're a musician, you'd know say who you're
working for anyway, Fred Allen or me Jello? Oh well,
let me tell you something. I played violin in concert
halls long before I knew anything about strawberry, cherry, orange,
lemon and lime. You left don raspberry. I bet the
audience didn't. That's why I'd give Alan Moore ammunition to
(03:31):
work with. Let's see that picture a minute, will you marry? Yeah?
Look at it. Phil, you're a musician. That proved conclusively
that I'm an artist. Well, Jack, anybody can have a
picture taken with a violin, Yes, Phil, But look, can't
you tell them the way I'm holding it that I
can play? You're holding it upside down? Well, it's much
harder that way. Anyway. I had a small chin, and
(03:57):
I couldn't put the violin under it, and I put
a cello under it. That's so. Can I see the picture? Two? Jack? Why? Why?
Speaker 3 (04:08):
Two? Two's too?
Speaker 2 (04:25):
Why do you want to see the picture Teddy.
Speaker 1 (04:27):
Well, everybody else is getting lasted out of it.
Speaker 2 (04:29):
Yeah, you don't need it.
Speaker 3 (04:32):
I don't get cute Keeddy.
Speaker 2 (04:33):
And another thing, Fred Allen said, I only have two
strings on my fiddle. Imagine that's what he called my
Stratavaria's a fiddle?
Speaker 3 (04:40):
Is it a strata area?
Speaker 2 (04:41):
That's not the point anyway. You can't marry you connor.
How many strings do you see in this picture? A four?
Speaker 3 (04:48):
See a three on.
Speaker 2 (04:49):
The ball in the one around your way? Well, I
was to hold my trousers up. I was a poor
boy in those days. It burns me up alan picking
on a poor, defenseless boy. Anyway, I don't want to
discuss the any further. I should stoop to argue with
a toothpaste salesman.
Speaker 1 (05:12):
Glad you could use one, I.
Speaker 2 (05:14):
Said, toothpaste not too paid. Now let's forget it. Say, Kenny,
I want you to sing your song earlier tonight.
Speaker 3 (05:21):
It's very important, okay, Tex.
Speaker 2 (05:25):
Come in, Benny. Yes, I want to take this opportunity
of wishing you and your company a very very happy
new year. Say what is it? How long are you
going to keep coming here until I get paid? Goodbye?
Speaker 4 (05:40):
Is he gonna stick around all years?
Speaker 2 (05:42):
It looks like it's sings Kenny.
Speaker 3 (05:55):
That's a little old.
Speaker 1 (05:58):
That's hovered with mark, where I held your hands tenderly.
Speaker 4 (06:06):
I often caught there to gaze at the crop and
dream you are there with me.
Speaker 3 (06:26):
I'd love to hear your.
Speaker 4 (06:31):
In the chapel in the moon line while restalling Dummie
with your hand in my how I'd love to hear
you with.
Speaker 2 (06:51):
That you love me tenderly.
Speaker 4 (06:56):
And the love light in your arm. I's born, Ever,
would try till the rock fans toaster fill the organsra
(07:17):
If you never come, I still be there till the
moon rife fan to.
Speaker 2 (07:30):
Oh. I love to hear the f in the chapel
in the moon.
Speaker 4 (07:42):
As steen a promise me.
Speaker 3 (07:49):
F Ever.
Speaker 4 (07:57):
I'd love to hear the.
Speaker 2 (07:59):
Claw the truckle was tackle in the moonlight, sung by
(08:30):
Kenny Baker and very good too. And now, ladies and gentlemen,
at this moment, we have a great treatment store for
you and a real surprise a guest star who needs
no introductions.
Speaker 3 (08:41):
No doubt most of you.
Speaker 2 (08:42):
Have read about the recent Open golf tournament held right
here in Los Angeles at Griffith Park, this tournament was
won by mister Harry Cooper, whose sensational last minutes first
will go down in golf history. His playing throughout the
entire match was nothing short of phenomenal, and yet mister
Cooper remains Ada's unassuming fellow he has always been. And
(09:03):
so now, ladies and gentlemen, without further ado, it is
my pleasure to present to you the man who was
hitting the face with a dibbot dug up by the
club held in the hands of Harry Cooper, none other
then mister Oscar t for two. Mister, it is a
(09:34):
rare privilege to have you appear on our program. Thank you.
I know how you feel now as I understand it.
A week ago Saturday, you were hit with a dibbot
that is a clump of dirt thrown up by Harry
Cooper's club. Is that correct?
Speaker 4 (09:48):
Yes?
Speaker 2 (09:49):
Indeed yes. Now tell me, mister forotou, how how did
you happen to get hit in the faith with a dibbot?
Speaker 1 (09:55):
I forgot to pivot.
Speaker 2 (09:58):
I can hardly belive it. And would you mind telling
me exactly how and where you were hit? You'd be
so kindly? Yeah, Well, I was standing in the fairway
facing mister Cooper, I see, and when he stressed the ball,
he dug up some turf, which caught me per plunks
in the kisser. Oh oh yeah. In fact, some of
(10:19):
the dirt went in my nostrils and some of it
went in my mouth. Well, well, and what did you
say when that happens. I've got you under my skin.
Well you showed great presence of mind. Yes, indeed, mister
indeed goes to town. Yeah. Now tell me, mister Fort,
(10:39):
do you do anything else besides getting hits the phase?
Speaker 3 (10:43):
Oh very little, of course.
Speaker 2 (10:45):
Once in a while I like a good kick in
the pants. O you get one if can hang around
here quiet flipping. Well, sir, it's been a great honor
of having you with us, and I hope we'll see
you soon again with more dirt than ever on your face. Well,
thank you, and here's more. Yeah. Well, I'm a hurry now,
(11:06):
as I'm going to see a movie and it's starts
in a few minutes. Oh, what's the name of the picture?
The good Oh, goodbye, good bye? What other programming brings
you these highlights? And now, ladies and gentlemen, going from
the sub normals of a sublime. We will pick up
(11:26):
the eleventh chapter and we hope the final one of
our original Western serial, Buck Benny Rides again or the
horse the Jack bills once more. I will enact the
role of care of Buck Benny. This tough a nombree
has ever scratched his back with a wildcat. This will
go on immediately after the next number playfill that was
(13:40):
Lady Be Good from the production of the same name,
played by Phil Harrison his orchestra. Now, ladies and gathmine
for our play. Buck Benny Rides again. In the opening scene,
we find Buck on horseback approaching the home of Daisy Carton,
whose feats hurtin beauty. Yeah, yeah, ooh Parker whoo a
(14:15):
good heart even if he is ball at Hey, what
where pomp? We'd find you here, sir, Hello the fetis?
What's wrong? Two of our guests broke out of jail?
They did? Who were they? Let's face tomorrow and slim
Bloyd bat face and Slimmy you better get after him.
I'm on the trail of sadday. Now, Now where are
(14:37):
you going? Baker after the fin Man? Now I'll go ahead, boys,
glad you're leaving with a last come in well. Hello, geez, hello,
it's tauled I from Big Ears. Well, okay, you can't
exactly head into the wind yourself. Can I take you
(15:01):
a little breakfast? No things, but I am thirty? Mind
getting me a drink of water? Daisy?
Speaker 3 (15:05):
Sorry?
Speaker 2 (15:06):
Box? Was pappy till the way? I'll tell the brandy
mm just like it? Where is your pappy? And she
ain't in the well.
Speaker 1 (15:11):
He's down to night mam.
Speaker 3 (15:12):
He's drinking breakfast, Daisy.
Speaker 2 (15:15):
I'm glad I got a few minutes you alone. You
know mine Maugs didn't think the things over, and he
asked me to ask you to marry me. All about it? Well,
when you get home, tell your ma that you asked me,
and I told you to tell her that I said no.
Cuse mall you mighty disappointed. Wish I could say the
thing anyway, But I told you once before, but I
(15:38):
can't ever marry you.
Speaker 3 (15:39):
Little pappy passing gone.
Speaker 2 (15:40):
So pappy passes on, yes, and I don't mean out.
I'd pure like to see that old set up. Hell,
he just tell Eliphant golf bud praise here time Pappy.
Now hello buck Ai your frank what you got in
that box. Well it stopped then at the drug stowing,
(16:02):
got myself from popside rockside. Don't tell me you're gonna
drink that.
Speaker 3 (16:06):
No, just thought of bleak my nose.
Speaker 2 (16:13):
Good idea, frank given stopping traffic on main street? Long enough?
Did Roy drop to yet?
Speaker 4 (16:19):
Poppy?
Speaker 2 (16:19):
Oh egg Daisy? You got any eggs? Now shy? But
we're all out of them? Just mad? My heart set
on a jim omelet. That's too bad. Go along, buff
where you.
Speaker 3 (16:31):
Going, Pappy?
Speaker 2 (16:32):
If you want me, I'll be in the well, God,
good old Pappy. There we go. Well, gotta be running along, Daisy.
You know I still haven't found tact to stay or
you're a pappy stolen cows. But it won't be long.
Now is the time you find our house. I'll be
(16:53):
giving ray milk. Don't worry, gall you gonna reconsider my
moils offer. No boss ways got arrival. Now I'm trying
of chucking somebody else. Oh yeah, I ain't jellous girl.
But if anybody sept in between your knees, well well
what just well that's all Josh playing? Well are you
(17:14):
calling things? Joe? Pappy jump back here? That'll be defful
and not well, rank.
Speaker 3 (17:23):
Don't worry about your twins.
Speaker 2 (17:25):
Like I said, school, Well that comes in, Hendy, come in, Hello, Daisy, Hello, Chabby.
Speaker 3 (17:34):
Cuts here days.
Speaker 2 (17:39):
I bought you a box the Chockler for me, Dan.
Speaker 3 (17:43):
That's today.
Speaker 2 (17:44):
Why Anny, these seats are all Mary together? Well may
breathe a pro chocolate barn shut up here too, and
I'd never get away with that. Stay Daisy mine more
asked me to ask you to marry me. What do
you say waiting at Andy? I'm more half pete half
easy put well, my mom like Daisy better than your
(18:04):
more dog. Oh yes, can your ma better.
Speaker 3 (18:07):
Be careful because my mom pants are wicked.
Speaker 2 (18:09):
Drive my moto drop wood for nothing, whind if I
have a beat of candy, help yourself burnt?
Speaker 3 (18:14):
Think Oh that's my card. You keep out of there.
Speaker 2 (18:20):
Now let me tell you something, Mandy. I'll answer that phone,
Daz and a sect him in the course of pauls Hello, Yes,
who why he buck fuck Joones?
Speaker 4 (18:33):
But June not got progressing movie side?
Speaker 2 (18:36):
Hell, you shall have my hair down?
Speaker 3 (18:38):
About time to bat my nails?
Speaker 2 (18:44):
Bardon me interrupted? Bruh what time your mind?
Speaker 3 (18:47):
Yes?
Speaker 2 (18:49):
Yes, well burn my britches and put me in spots
pinks buck to you later, Carl, what is it? Fuck?
Jones is down at the hotel fire it's not a
Texas and he couldn't just off Caxi Space walking into
the el borrows through. Yeah, we gotta get on our horses,
Andy and head friends Sanada. Don't waiting for us at
the hotel there the ride had to buy the ride, Tappy,
(19:24):
I sure will. Well, we're on our way to Mexico,
and this time we're gonna thing back caxle Paine when
he rides again, is Andy divine.
Speaker 1 (19:41):
Fucking and hear now on the way to win Sonata.
They may not find Cactus Space, but they will find Jello.
And that's all I care about, because whether you're in
the United States or Mexico, you can always get the
genuine Jello with the big red.
Speaker 2 (19:52):
Letters on the box. Don't use Russian. Andy.
Speaker 3 (19:56):
We got a long ride ahead of it, a long,
tough trailer, we sure have.
Speaker 2 (20:01):
But you want to hear some music? Wait, he's going
to get music? Why had a radio built my hoard.
Speaker 4 (20:10):
Where buner in?
Speaker 3 (20:12):
Indeed buner in.
Speaker 1 (21:37):
Three days of elapsed and now we find bucking Andy
in Mexico approaching the quaint little town of Ensnada, I
said Texas before Andy I met Mexico. I as well
clear that up with our listening audience. There has been
a long trip, Andy.
Speaker 2 (21:53):
Mighty lucky. We have that radio, Buck, youre is tuner
in again? Okay for not all? Andy, mm say Buck,
I'm worried. How are we going to get along down
here in Mexico. Don't worry, Andy, I can speak the
(22:13):
language like a native. They see those lights up ahead,
That might be the Ply and Sonata Hotel. Might is
that here comes a little Mexican girl down the road.
All a, oh oh yeah, Bonas Deer, Senorita Donze Stile
Hotel ply in Sonata Es. It's that large white building
(22:34):
right ahead of you, the wonder the Entile route. You
can't miss it, Grottia, Senorita.
Speaker 1 (22:39):
Glossia, You're welcome, Sash.
Speaker 2 (22:42):
Thank you. See Andy Lucky, I'm here with you. You
sure understand her. Buck, Let's get going. We don't want
to keep Buck Jones awaiting.
Speaker 4 (22:54):
Okay, get here.
Speaker 2 (22:55):
Come.
Speaker 3 (23:02):
Whoa, whoa barna, whoa.
Speaker 2 (23:05):
Woo woo. We nearly had a photographic finished, beautiful play
many Let's go inside and talk to the clerk. You'll
have to do the talking, Buck, okay, Oh yeah, come
a stir, Senor, you gotta make portiphyvoris ess the dodo
juaque have senior book John?
Speaker 3 (23:25):
Oh yes, he's in room two hundred and one.
Speaker 2 (23:27):
I'll send for him immediately, Glassy, Senorita or Senior glattiall
you sure get along? Swell down here, Buck yep. I
never have any trouble talking to what need is? I
only wish I could find one? Well, here come Buck
Jones knock sure enough you, Oh boy, Hello, Buck, glad
(23:58):
to see you.
Speaker 1 (23:59):
You're glad to see you?
Speaker 2 (24:00):
You too, Buck? You don't Sheriff Andy divine?
Speaker 1 (24:02):
Why sure?
Speaker 2 (24:02):
We made a picture together now quite a while ago,
remember that, Andy, yep. And we had a lot of
fun making it, didn't we? You know? Buck? I made
a couple of pictures myself. Leave me for Paramount, the
big broadcast and college holiday? Did you see you? I
don't know where the Western No I stepped out a
character for those. Tell me, Buck, when you called me
(24:25):
on the phone, where you're positive? Use haw cactus payte
telling her the outcohol. No, I wasn't What did you
call me for? Or I just wanted to get on
your program. Well, I need a fellow like you to
help me catch that vomit. Let's go into the bar
and have a drink. Find out where the bar is, Andy,
I can't speak the language here. Oh that's right, I'll
find out. Oh yeah, porteretro. Don't they a saw el
(24:47):
cafe right down the hall? First stort, you're right, I
said to bar Rom on second thought him. Hello, boys,
let's go in. Well you're having a good time down
here in en Sonada. Buck, you're around, Buck? How about you?
Speaker 3 (25:05):
Well?
Speaker 2 (25:05):
I had a rough drift buck. No fuck up?
Speaker 3 (25:07):
Buck?
Speaker 2 (25:08):
Oh Buck, my name is Andy, says, you can squeeze
out him. Well, here we are fellows. Have a drink
on me now, boy, ye bottle of gee. I'll have
a gin buck. What do you have, Buck, I'll have
a buck cardy. How about you, Sheriff, I'll have a
(25:29):
Tom and Andy. That's Tom and Jerry. Well, let Jerry
look out for himself. Hey, fellas, come here a minute.
At bartender looks kind of amidious. See he does might
beat the skies. Wait a minute, I've got a hunt. Andy,
you keep them covered while I talked to him. Okay,
sheriff and joan. He was circling around the other side
and keeping covered from there. Don't tell me what to do.
(25:50):
I'm a real cowboy. Oh well, come on and play.
I got a speak an idea. That is Cata Space
a fellow who sold Carson's call. Hey bartender, Yes, gentlemen,
what did you do before you cannant bard? I was
in the milk business, in the milk business day, Yes,
(26:13):
said from KOs to kalktail. Now listen, fellas. If this
guy can't speak Spanish, we got our man, Hey bartender,
heyakonos who said the sr who got delay? Your fellow's
a vistance in turns ah fanto tim Potian rabahango Aqui
(26:35):
is that rs verse yours of your castle? I'm afraid
around the wrong trail, boy appliant once more. If that's
a Kurak he made me say love it is that
they who said they in the kink cop and Verga
Harget pooks hope it's Cataphace.
Speaker 3 (26:54):
Crab a boy.
Speaker 1 (27:00):
Like you're off watch that door by gutty fellow.
Speaker 2 (27:02):
Hi, gutty, wait a minute, who's stepping on my hat?
Speaker 4 (27:05):
Set off with me?
Speaker 2 (27:06):
You're on my side, can't help it and he Buck
Jones's on mine? Then who's on me?
Speaker 4 (27:11):
Ring in that spot?
Speaker 1 (27:14):
This floor show will not be continued next Sunday night.
We'll fuck get off, Buck, We'll lend me get off
the floor. Will our sponsor tell im where to get off?
Cune in next Sunday night and find out play boy.
(28:07):
This is the time of the year when it's usually
difficult to get something new and different into your menus.
So here's one suggestion that is found to give you
that welcome touch of variety. Serve Salad Supreme.
Speaker 2 (28:18):
It's a delicious jello salad.
Speaker 1 (28:20):
Here's how you make it. Dissolve a package of lime
jello in one find of hot water and the children's
slightly thickened then pulled in one cup of dice tarn apples,
one cup of chopped cabbage, and four finely chopped stuff olives.
After that, simply more this brand combination and serve it
on crisp lettuce with some real mayonnaise. It makes a
(28:40):
wonderful salad, one that will add variety to any meal.
But just be sure you make this salad with genuine jello,
for only jello brings you that mellow, extra rich fruit flavor.
Remember to ask for the real thing. Insist on the
one and only genuine Jello, the.
Speaker 2 (29:23):
Last number of the sixteen program in the New Jello Series,
and we'll be with you again next Sunday night. Meanwhile,
I want to thank all of our guests this evening.
Hope we had as many listeners Bub Jones of Universal,
Andy Devine of Likewise, Patty Flick of Warner Brothers and
Jau You went as notch as folks.
Speaker 1 (30:05):
They selection life, the kids when they're in love, as home.
The picture of the music goes Round and Rob. The
Jello Program starring Jack Benney with Mary Livingston comes to.
Speaker 2 (30:13):
Use LANDYC Studios in Hollywood.
Speaker 1 (30:16):
Listen to the rect network of the National Broadcasting Company.
Speaker 2 (30:22):
K FI Los Angeles.
Speaker 3 (30:24):
Earl Stanthony Incorporated,
The Jello Program starring Jack Benny with Mary Livingston and
Phil Harris and his orchestra. The orchestra opens a program
with Life Begins when You're in Love. Here's a letter
(00:29):
from Alberta, Canada, written by a young wife who asks
me not to mention her name, but who gives me
full permission to read you.
Speaker 2 (00:35):
This experience of hers.
Speaker 1 (00:37):
My husband came home the other day with a gelatin
dessert not manufactured by.
Speaker 2 (00:41):
The Jello company.
Speaker 1 (00:42):
Being a dutiful wife, I'm mumbling something about having just
purchased three packages of Jello and let the matter drop.
But I knew that this was my opportunity to prove
that I know food values and quality and purchasing. So
I made the gelatin desert my husband had brought home,
and I also made jello. Jello gave me a more
richly flavored ferma dessert that's set in half the time.
(01:05):
And now friend husband is thoroughly convinced that I know
my business well. We're grateful to you, young lady for
sending us that letter. It bears out what I have
so often said that Jello's fine fresh fruit flavor.
Speaker 2 (01:17):
Is tops and taste no.
Speaker 1 (01:19):
Other gelatin dessert can equal the famous extra rich fruit
flavor of genuine jello. But remember there is only one jello,
so always be sure to ask for it by name.
Look for the big red letters on the box. They
spell Jello. Thatwas Life Begins when You're in Love, played
(01:57):
by the orchestra. Now, ladies and gentlemen, bring you that
violinist with the accent on vile, Jack, Benny.
Speaker 2 (02:11):
I heard that was very funny, Don, very humorous. Evidently
you've been listening to Fred Allen again.
Speaker 1 (02:18):
Oh, yes, yes I have.
Speaker 2 (02:20):
Jack.
Speaker 1 (02:20):
Did you hear him last Wednesday?
Speaker 2 (02:21):
Yes, Don, but only with my ears. My heart wasn't
in it. Any man that can stand before a microphone
and say that I can't play a violin just isn't normal,
that's all.
Speaker 1 (02:34):
But Jack, he didn't say that you couldn't play the violin.
Speaker 2 (02:37):
No. Oh. He said was you shouldn't play it? Oh,
I say say, Jack, Yes, Mary.
Speaker 1 (02:44):
All I heard him say was you couldn't play the
violin at.
Speaker 2 (02:46):
The age of ten. I'm glad you brought that up, Mary,
because I've got a photograph of myself right here, taken
when I was ten years old playing the b on
my violin. A very difficult number here, Mary, Look hmm, yeah,
what do you think of that? I'm glad it's not
a town tacher. They didn't have them in those days.
Speaker 1 (03:06):
But Jack, now, how can we tell what number you're playing?
Speaker 2 (03:09):
Well, if you're a musician, you'd know say who you're
working for anyway, Fred Allen or me Jello? Oh well,
let me tell you something. I played violin in concert
halls long before I knew anything about strawberry, cherry, orange,
lemon and lime. You left don raspberry. I bet the
audience didn't. That's why I'd give Alan Moore ammunition to
(03:31):
work with. Let's see that picture a minute, will you marry? Yeah?
Look at it. Phil, you're a musician. That proved conclusively
that I'm an artist. Well, Jack, anybody can have a
picture taken with a violin, Yes, Phil, But look, can't
you tell them the way I'm holding it that I
can play? You're holding it upside down? Well, it's much
harder that way. Anyway. I had a small chin, and
(03:57):
I couldn't put the violin under it, and I put
a cello under it. That's so. Can I see the picture? Two? Jack? Why? Why?
Speaker 3 (04:08):
Two? Two's too?
Speaker 2 (04:25):
Why do you want to see the picture Teddy.
Speaker 1 (04:27):
Well, everybody else is getting lasted out of it.
Speaker 2 (04:29):
Yeah, you don't need it.
Speaker 3 (04:32):
I don't get cute Keeddy.
Speaker 2 (04:33):
And another thing, Fred Allen said, I only have two
strings on my fiddle. Imagine that's what he called my
Stratavaria's a fiddle?
Speaker 3 (04:40):
Is it a strata area?
Speaker 2 (04:41):
That's not the point anyway. You can't marry you connor.
How many strings do you see in this picture? A four?
Speaker 3 (04:48):
See a three on.
Speaker 2 (04:49):
The ball in the one around your way? Well, I
was to hold my trousers up. I was a poor
boy in those days. It burns me up alan picking
on a poor, defenseless boy. Anyway, I don't want to
discuss the any further. I should stoop to argue with
a toothpaste salesman.
Speaker 1 (05:12):
Glad you could use one, I.
Speaker 2 (05:14):
Said, toothpaste not too paid. Now let's forget it. Say, Kenny,
I want you to sing your song earlier tonight.
Speaker 3 (05:21):
It's very important, okay, Tex.
Speaker 2 (05:25):
Come in, Benny. Yes, I want to take this opportunity
of wishing you and your company a very very happy
new year. Say what is it? How long are you
going to keep coming here until I get paid? Goodbye?
Speaker 4 (05:40):
Is he gonna stick around all years?
Speaker 2 (05:42):
It looks like it's sings Kenny.
Speaker 3 (05:55):
That's a little old.
Speaker 1 (05:58):
That's hovered with mark, where I held your hands tenderly.
Speaker 4 (06:06):
I often caught there to gaze at the crop and
dream you are there with me.
Speaker 3 (06:26):
I'd love to hear your.
Speaker 4 (06:31):
In the chapel in the moon line while restalling Dummie
with your hand in my how I'd love to hear
you with.
Speaker 2 (06:51):
That you love me tenderly.
Speaker 4 (06:56):
And the love light in your arm. I's born, Ever,
would try till the rock fans toaster fill the organsra
(07:17):
If you never come, I still be there till the
moon rife fan to.
Speaker 2 (07:30):
Oh. I love to hear the f in the chapel
in the moon.
Speaker 4 (07:42):
As steen a promise me.
Speaker 3 (07:49):
F Ever.
Speaker 4 (07:57):
I'd love to hear the.
Speaker 2 (07:59):
Claw the truckle was tackle in the moonlight, sung by
(08:30):
Kenny Baker and very good too. And now, ladies and gentlemen,
at this moment, we have a great treatment store for
you and a real surprise a guest star who needs
no introductions.
Speaker 3 (08:41):
No doubt most of you.
Speaker 2 (08:42):
Have read about the recent Open golf tournament held right
here in Los Angeles at Griffith Park, this tournament was
won by mister Harry Cooper, whose sensational last minutes first
will go down in golf history. His playing throughout the
entire match was nothing short of phenomenal, and yet mister
Cooper remains Ada's unassuming fellow he has always been. And
(09:03):
so now, ladies and gentlemen, without further ado, it is
my pleasure to present to you the man who was
hitting the face with a dibbot dug up by the
club held in the hands of Harry Cooper, none other
then mister Oscar t for two. Mister, it is a
(09:34):
rare privilege to have you appear on our program. Thank you.
I know how you feel now as I understand it.
A week ago Saturday, you were hit with a dibbot
that is a clump of dirt thrown up by Harry
Cooper's club. Is that correct?
Speaker 4 (09:48):
Yes?
Speaker 2 (09:49):
Indeed yes. Now tell me, mister forotou, how how did
you happen to get hit in the faith with a dibbot?
Speaker 1 (09:55):
I forgot to pivot.
Speaker 2 (09:58):
I can hardly belive it. And would you mind telling
me exactly how and where you were hit? You'd be
so kindly? Yeah, Well, I was standing in the fairway
facing mister Cooper, I see, and when he stressed the ball,
he dug up some turf, which caught me per plunks
in the kisser. Oh oh yeah. In fact, some of
(10:19):
the dirt went in my nostrils and some of it
went in my mouth. Well, well, and what did you
say when that happens. I've got you under my skin.
Well you showed great presence of mind. Yes, indeed, mister
indeed goes to town. Yeah. Now tell me, mister Fort,
(10:39):
do you do anything else besides getting hits the phase?
Speaker 3 (10:43):
Oh very little, of course.
Speaker 2 (10:45):
Once in a while I like a good kick in
the pants. O you get one if can hang around
here quiet flipping. Well, sir, it's been a great honor
of having you with us, and I hope we'll see
you soon again with more dirt than ever on your face. Well,
thank you, and here's more. Yeah. Well, I'm a hurry now,
(11:06):
as I'm going to see a movie and it's starts
in a few minutes. Oh, what's the name of the picture?
The good Oh, goodbye, good bye? What other programming brings
you these highlights? And now, ladies and gentlemen, going from
the sub normals of a sublime. We will pick up
(11:26):
the eleventh chapter and we hope the final one of
our original Western serial, Buck Benny Rides again or the
horse the Jack bills once more. I will enact the
role of care of Buck Benny. This tough a nombree
has ever scratched his back with a wildcat. This will
go on immediately after the next number playfill that was
(13:40):
Lady Be Good from the production of the same name,
played by Phil Harrison his orchestra. Now, ladies and gathmine
for our play. Buck Benny Rides again. In the opening scene,
we find Buck on horseback approaching the home of Daisy Carton,
whose feats hurtin beauty. Yeah, yeah, ooh Parker whoo a
(14:15):
good heart even if he is ball at Hey, what
where pomp? We'd find you here, sir, Hello the fetis?
What's wrong? Two of our guests broke out of jail?
They did? Who were they? Let's face tomorrow and slim
Bloyd bat face and Slimmy you better get after him.
I'm on the trail of sadday. Now, Now where are
(14:37):
you going? Baker after the fin Man? Now I'll go ahead, boys,
glad you're leaving with a last come in well. Hello, geez, hello,
it's tauled I from Big Ears. Well, okay, you can't
exactly head into the wind yourself. Can I take you
(15:01):
a little breakfast? No things, but I am thirty? Mind
getting me a drink of water? Daisy?
Speaker 3 (15:05):
Sorry?
Speaker 2 (15:06):
Box? Was pappy till the way? I'll tell the brandy
mm just like it? Where is your pappy? And she
ain't in the well.
Speaker 1 (15:11):
He's down to night mam.
Speaker 3 (15:12):
He's drinking breakfast, Daisy.
Speaker 2 (15:15):
I'm glad I got a few minutes you alone. You
know mine Maugs didn't think the things over, and he
asked me to ask you to marry me. All about it? Well,
when you get home, tell your ma that you asked me,
and I told you to tell her that I said no.
Cuse mall you mighty disappointed. Wish I could say the
thing anyway, But I told you once before, but I
(15:38):
can't ever marry you.
Speaker 3 (15:39):
Little pappy passing gone.
Speaker 2 (15:40):
So pappy passes on, yes, and I don't mean out.
I'd pure like to see that old set up. Hell,
he just tell Eliphant golf bud praise here time Pappy.
Now hello buck Ai your frank what you got in
that box. Well it stopped then at the drug stowing,
(16:02):
got myself from popside rockside. Don't tell me you're gonna
drink that.
Speaker 3 (16:06):
No, just thought of bleak my nose.
Speaker 2 (16:13):
Good idea, frank given stopping traffic on main street? Long enough?
Did Roy drop to yet?
Speaker 4 (16:19):
Poppy?
Speaker 2 (16:19):
Oh egg Daisy? You got any eggs? Now shy? But
we're all out of them? Just mad? My heart set
on a jim omelet. That's too bad. Go along, buff
where you.
Speaker 3 (16:31):
Going, Pappy?
Speaker 2 (16:32):
If you want me, I'll be in the well, God,
good old Pappy. There we go. Well, gotta be running along, Daisy.
You know I still haven't found tact to stay or
you're a pappy stolen cows. But it won't be long.
Now is the time you find our house. I'll be
(16:53):
giving ray milk. Don't worry, gall you gonna reconsider my
moils offer. No boss ways got arrival. Now I'm trying
of chucking somebody else. Oh yeah, I ain't jellous girl.
But if anybody sept in between your knees, well well
what just well that's all Josh playing? Well are you
(17:14):
calling things? Joe? Pappy jump back here? That'll be defful
and not well, rank.
Speaker 3 (17:23):
Don't worry about your twins.
Speaker 2 (17:25):
Like I said, school, Well that comes in, Hendy, come in, Hello, Daisy, Hello, Chabby.
Speaker 3 (17:34):
Cuts here days.
Speaker 2 (17:39):
I bought you a box the Chockler for me, Dan.
Speaker 3 (17:43):
That's today.
Speaker 2 (17:44):
Why Anny, these seats are all Mary together? Well may
breathe a pro chocolate barn shut up here too, and
I'd never get away with that. Stay Daisy mine more
asked me to ask you to marry me. What do
you say waiting at Andy? I'm more half pete half
easy put well, my mom like Daisy better than your
(18:04):
more dog. Oh yes, can your ma better.
Speaker 3 (18:07):
Be careful because my mom pants are wicked.
Speaker 2 (18:09):
Drive my moto drop wood for nothing, whind if I
have a beat of candy, help yourself burnt?
Speaker 3 (18:14):
Think Oh that's my card. You keep out of there.
Speaker 2 (18:20):
Now let me tell you something, Mandy. I'll answer that phone,
Daz and a sect him in the course of pauls Hello, Yes,
who why he buck fuck Joones?
Speaker 4 (18:33):
But June not got progressing movie side?
Speaker 2 (18:36):
Hell, you shall have my hair down?
Speaker 3 (18:38):
About time to bat my nails?
Speaker 2 (18:44):
Bardon me interrupted? Bruh what time your mind?
Speaker 3 (18:47):
Yes?
Speaker 2 (18:49):
Yes, well burn my britches and put me in spots
pinks buck to you later, Carl, what is it? Fuck?
Jones is down at the hotel fire it's not a
Texas and he couldn't just off Caxi Space walking into
the el borrows through. Yeah, we gotta get on our horses,
Andy and head friends Sanada. Don't waiting for us at
the hotel there the ride had to buy the ride, Tappy,
(19:24):
I sure will. Well, we're on our way to Mexico,
and this time we're gonna thing back caxle Paine when
he rides again, is Andy divine.
Speaker 1 (19:41):
Fucking and hear now on the way to win Sonata.
They may not find Cactus Space, but they will find Jello.
And that's all I care about, because whether you're in
the United States or Mexico, you can always get the
genuine Jello with the big red.
Speaker 2 (19:52):
Letters on the box. Don't use Russian. Andy.
Speaker 3 (19:56):
We got a long ride ahead of it, a long,
tough trailer, we sure have.
Speaker 2 (20:01):
But you want to hear some music? Wait, he's going
to get music? Why had a radio built my hoard.
Speaker 4 (20:10):
Where buner in?
Speaker 3 (20:12):
Indeed buner in.
Speaker 1 (21:37):
Three days of elapsed and now we find bucking Andy
in Mexico approaching the quaint little town of Ensnada, I
said Texas before Andy I met Mexico. I as well
clear that up with our listening audience. There has been
a long trip, Andy.
Speaker 2 (21:53):
Mighty lucky. We have that radio, Buck, youre is tuner
in again? Okay for not all? Andy, mm say Buck,
I'm worried. How are we going to get along down
here in Mexico. Don't worry, Andy, I can speak the
(22:13):
language like a native. They see those lights up ahead,
That might be the Ply and Sonata Hotel. Might is
that here comes a little Mexican girl down the road.
All a, oh oh yeah, Bonas Deer, Senorita Donze Stile
Hotel ply in Sonata Es. It's that large white building
(22:34):
right ahead of you, the wonder the Entile route. You
can't miss it, Grottia, Senorita.
Speaker 1 (22:39):
Glossia, You're welcome, Sash.
Speaker 2 (22:42):
Thank you. See Andy Lucky, I'm here with you. You
sure understand her. Buck, Let's get going. We don't want
to keep Buck Jones awaiting.
Speaker 4 (22:54):
Okay, get here.
Speaker 2 (22:55):
Come.
Speaker 3 (23:02):
Whoa, whoa barna, whoa.
Speaker 2 (23:05):
Woo woo. We nearly had a photographic finished, beautiful play
many Let's go inside and talk to the clerk. You'll
have to do the talking, Buck, okay, Oh yeah, come
a stir, Senor, you gotta make portiphyvoris ess the dodo
juaque have senior book John?
Speaker 3 (23:25):
Oh yes, he's in room two hundred and one.
Speaker 2 (23:27):
I'll send for him immediately, Glassy, Senorita or Senior glattiall
you sure get along? Swell down here, Buck yep. I
never have any trouble talking to what need is? I
only wish I could find one? Well, here come Buck
Jones knock sure enough you, Oh boy, Hello, Buck, glad
(23:58):
to see you.
Speaker 1 (23:59):
You're glad to see you?
Speaker 2 (24:00):
You too, Buck? You don't Sheriff Andy divine?
Speaker 1 (24:02):
Why sure?
Speaker 2 (24:02):
We made a picture together now quite a while ago,
remember that, Andy, yep. And we had a lot of
fun making it, didn't we? You know? Buck? I made
a couple of pictures myself. Leave me for Paramount, the
big broadcast and college holiday? Did you see you? I
don't know where the Western No I stepped out a
character for those. Tell me, Buck, when you called me
(24:25):
on the phone, where you're positive? Use haw cactus payte
telling her the outcohol. No, I wasn't What did you
call me for? Or I just wanted to get on
your program. Well, I need a fellow like you to
help me catch that vomit. Let's go into the bar
and have a drink. Find out where the bar is, Andy,
I can't speak the language here. Oh that's right, I'll
find out. Oh yeah, porteretro. Don't they a saw el
(24:47):
cafe right down the hall? First stort, you're right, I
said to bar Rom on second thought him. Hello, boys,
let's go in. Well you're having a good time down
here in en Sonada. Buck, you're around, Buck? How about you?
Speaker 3 (25:05):
Well?
Speaker 2 (25:05):
I had a rough drift buck. No fuck up?
Speaker 3 (25:07):
Buck?
Speaker 2 (25:08):
Oh Buck, my name is Andy, says, you can squeeze
out him. Well, here we are fellows. Have a drink
on me now, boy, ye bottle of gee. I'll have
a gin buck. What do you have, Buck, I'll have
a buck cardy. How about you, Sheriff, I'll have a
(25:29):
Tom and Andy. That's Tom and Jerry. Well, let Jerry
look out for himself. Hey, fellas, come here a minute.
At bartender looks kind of amidious. See he does might
beat the skies. Wait a minute, I've got a hunt. Andy,
you keep them covered while I talked to him. Okay,
sheriff and joan. He was circling around the other side
and keeping covered from there. Don't tell me what to do.
(25:50):
I'm a real cowboy. Oh well, come on and play.
I got a speak an idea. That is Cata Space
a fellow who sold Carson's call. Hey bartender, Yes, gentlemen,
what did you do before you cannant bard? I was
in the milk business, in the milk business day, Yes,
(26:13):
said from KOs to kalktail. Now listen, fellas. If this
guy can't speak Spanish, we got our man, Hey bartender,
heyakonos who said the sr who got delay? Your fellow's
a vistance in turns ah fanto tim Potian rabahango Aqui
(26:35):
is that rs verse yours of your castle? I'm afraid
around the wrong trail, boy appliant once more. If that's
a Kurak he made me say love it is that
they who said they in the kink cop and Verga
Harget pooks hope it's Cataphace.
Speaker 3 (26:54):
Crab a boy.
Speaker 1 (27:00):
Like you're off watch that door by gutty fellow.
Speaker 2 (27:02):
Hi, gutty, wait a minute, who's stepping on my hat?
Speaker 4 (27:05):
Set off with me?
Speaker 2 (27:06):
You're on my side, can't help it and he Buck
Jones's on mine? Then who's on me?
Speaker 4 (27:11):
Ring in that spot?
Speaker 1 (27:14):
This floor show will not be continued next Sunday night.
We'll fuck get off, Buck, We'll lend me get off
the floor. Will our sponsor tell im where to get off?
Cune in next Sunday night and find out play boy.
(28:07):
This is the time of the year when it's usually
difficult to get something new and different into your menus.
So here's one suggestion that is found to give you
that welcome touch of variety. Serve Salad Supreme.
Speaker 2 (28:18):
It's a delicious jello salad.
Speaker 1 (28:20):
Here's how you make it. Dissolve a package of lime
jello in one find of hot water and the children's
slightly thickened then pulled in one cup of dice tarn apples,
one cup of chopped cabbage, and four finely chopped stuff olives.
After that, simply more this brand combination and serve it
on crisp lettuce with some real mayonnaise. It makes a
(28:40):
wonderful salad, one that will add variety to any meal.
But just be sure you make this salad with genuine jello,
for only jello brings you that mellow, extra rich fruit flavor.
Remember to ask for the real thing. Insist on the
one and only genuine Jello, the.
Speaker 2 (29:23):
Last number of the sixteen program in the New Jello Series,
and we'll be with you again next Sunday night. Meanwhile,
I want to thank all of our guests this evening.
Hope we had as many listeners Bub Jones of Universal,
Andy Devine of Likewise, Patty Flick of Warner Brothers and
Jau You went as notch as folks.
Speaker 1 (30:05):
They selection life, the kids when they're in love, as home.
The picture of the music goes Round and Rob. The
Jello Program starring Jack Benney with Mary Livingston comes to.
Speaker 2 (30:13):
Use LANDYC Studios in Hollywood.
Speaker 1 (30:16):
Listen to the rect network of the National Broadcasting Company.
Speaker 2 (30:22):
K FI Los Angeles.
Speaker 3 (30:24):
Earl Stanthony Incorporated,
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