July 22, 2025 • 30 mins
A legendary variety show blending witty monologues, comic sketches, and musical interludes, all anchored by the impeccable timing of its beloved host. It’s a masterclass in comedic timing.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:04):
The Jello Program starring Jack Benny with Mary Livingston and
Phil Harrison his orchestra. The Orchestra has a program with
I Love to Whistle from Mad About Music. All of
(00:46):
us are running a race with the clock. A hundred
things to do in so a few hours in which
to do them.
Speaker 2 (00:51):
Well, here's one.
Speaker 1 (00:52):
Good way to save time and save money too, and
that's to serve jello often. Or Jello is delightfully simple
to protect. It takes only a moment to dissolve, and
it's quick setting. You can put a mold of jello
in the refrigerator before you go out shopping in the
morning and take out a delicious dessert at lunch time.
And jello is one of the most inexpensive desserts you
(01:14):
can serve. For a package costs only a few cents.
No matter which flavor you choose, you can be sure
of an easy, economical, and detractive dessert every time. Porgello
brings you that delicious, extra rich fruit flavor that rivals
the fresh fruit itself. So be sure to insist on
genuine jello when you buy, and buy it often, serve
(01:36):
it often. Forgello is a grand dessert that was I
(02:17):
love to Whistle played by Phil Harrison his Orchestra, And
now ladies and gentlemen, we bring you.
Speaker 3 (02:22):
All of them in a Don, how about letting me
introduce myself tonight, just for a change, you know, something different?
Speaker 1 (02:27):
Oh?
Speaker 2 (02:27):
Sure, Jack, but what's the idea?
Speaker 3 (02:29):
Well done? Every week you always say some ridiculous thing
that starts me off with a handicap. Now, I think
there ought to be a little more dignity to these introductions.
Speaker 2 (02:38):
All right, Jack, all right, you take it.
Speaker 3 (02:41):
That was I love to Whistle played by Phil Harrison
his Orchestra. And now, ladies and gentlemen, we bring you
one of the sweetest guys in the world, that sparkling
personality and all around good fella, Jack Benn. Thanks Jack,
(03:05):
It's all right kid, you deserve it, you see down
an introduction like that gives me the right kind of
a build up so that I can carry on with
a feeling of confidence.
Speaker 2 (03:14):
Yes, but Jack, I could have introduced you the same way.
Speaker 3 (03:17):
I know, Don, but I sound more sincere. You know
it rings true, Yes.
Speaker 2 (03:22):
But it also sounds a little egotistical, doesn't it.
Speaker 4 (03:25):
Oh?
Speaker 3 (03:25):
I don't know. I think Don's right, Jack, it sounded
pretty conceited to me. You don't say, Phil, Yes, bragging
like that is in very bad taste. Now, my orchestra
just finished the number. I personally would never turn around
and say it was great. No, Phil, neither would anyone
else with that gang of cadenza butchers. You ought to
(03:50):
be glad to be working at all. Listen, Jack at
your own fault. When I was hired for this job,
you said you wanted me in seventeen men. You didn't
specify musicians. I know, Phil, but you told me you
were a leader of a band. Well so was Robin Hood,
but he didn't have to worry about music anyway. It's
(04:12):
a fine bunch of boys you've got. I accidentally dropped
my cigar a few minutes ago, and I had to
fight off your whole orchestra to get it back. Well,
they thought you were through with it. I nearly kill
that for you. Oh well, and incidentally, now that we're
discussing my job, I'm getting pretty tired of matching you
(04:33):
double a nothing for my salary every week. Don't blame me, Phil,
if you're unlucky matching coins. Well, it's been going on
for eight weeks. There's something funny about it. Oh no,
there is, and you stand just as much chance as
I do. So let's forget it. Oh, hello Mary, Hello Jack?
Speaker 5 (04:49):
What's the trouble now?
Speaker 3 (04:50):
All the same thing. Phil's beating as usual. I never
saw such guy, and.
Speaker 5 (04:54):
It's the truth. Yeah, say Jack, what is it? Can
I borrow that half dollar of yours?
Speaker 3 (05:00):
Half dollar?
Speaker 5 (05:00):
You know the woman the two heads on it, marry.
Speaker 3 (05:06):
Oh, I get it a crooked half dollar? All right,
wise guy, you cheated me out of eight weeks salary.
Now listen, Phil, don't get hasty. Why now, wait a minute.
This may sound fishy, but if you want to know something,
I've been saving that money.
Speaker 5 (05:19):
For you, Jack building a new house too.
Speaker 3 (05:22):
Quiet, of course, I'm building a house, but it is
my own money. You ought to see it. I've got
two beautiful coconut palm trees right in front, and it's
all mine, not philed, just the same.
Speaker 5 (05:35):
I'll bet the coconuts have wavy hair.
Speaker 3 (05:42):
Now you're just trying to be funny. Well that's fine,
the house that my Jack built. Now wait a minute, jail, Yeah,
I didn't know I was gonna get the your laugh there,
I'll fail. Look, let me ask you something you've known
me a long time, haven't you? Yes, I have, Jack, Well,
do you think for one minute I would ever stoop
as low as to cheat you out of your hard
(06:04):
earned money? Definitely? Now that's gratitude for you. Gratitude. Why
should you want to save my money for me because
you're always throwing it away? What are you gonna have
when you get old rheumatism? The same as you? The
smart answer, Phil, But I haven't got rheumatism.
Speaker 5 (06:23):
Katie always grown when you walk.
Speaker 3 (06:27):
Listen, Mary, the only time you ever heard me grown
was yesterday when I had my shoes on the wrong feet.
Speaker 2 (06:33):
Why'd you have to do that? Jack?
Speaker 3 (06:35):
Oh? I don't know. I must have had my legs
crossed when I put them on, not meaning to not
meaning to change the subject, Jack, But what about that
dough you owe me? Well? Phil, I don't want to
have to prove my honesty. But as long as you're
so suspicious, here's a bank book with your name on it. Here,
take it and keep it. The last time I'll ever
try to help anybody. Well, Gee, how did I know
(06:57):
you don't apologize? Go ahead and play a number. We'll
forget about it, Okay, Can you imagine that. Mary, that's
appreciation for you. Well, Jack, let me ask you something.
Do you save your money?
Speaker 2 (07:07):
Yes?
Speaker 5 (07:07):
I do, say this Jack even carries it around with him.
Speaker 3 (07:10):
Oh Mary, I do not.
Speaker 5 (07:12):
And what's that big lump in your sock?
Speaker 3 (07:14):
That's my long underwear.
Speaker 5 (07:17):
Well, it's got Lincoln's picture on it.
Speaker 3 (07:25):
It's the fine thing Mary giving away my hiding place.
I'll have to get a burglar alarm from my garter.
Speaker 5 (07:32):
Why don't keep your money in the bank.
Speaker 3 (07:34):
Because it's none of your business. See, I've had just
about enough from you, Mary Livingston of all the meddling
busy bodies.
Speaker 1 (07:40):
Oh Jack, Jack, please remember this is my anniversary.
Speaker 3 (07:44):
That was last week. Way Phil to wonder I'm not
in a sanitary term. That was dipsy doodle played by
(09:36):
Phil Harrison his artists. Right now, ladies and gentlemen, as
we have a long play tonight, without further ada, Jack,
I was just looking over this bank book. Are you
sure there's eight week salary here? Yes? There is? Well
one deposits fifteen cents short. All right, So I had
an ice cream soda. It doesn't hurt you to feature
business manager once in a while. Here here's your fifteen cents.
(09:59):
That's all right, I just thought i'd mentioned. Oh no, no,
here's your fifteen cents. Take it now, Jack, you keep it?
Nothing doing fill here? Take it. Don't be silly. Keep it.
Speaker 5 (10:07):
Jack's gonna win.
Speaker 3 (10:08):
Folk. Stay out of this, Mary, You've caused enough trouble
for one night.
Speaker 2 (10:14):
Oh Jack, look at Kenny over there. What's the matter
with him?
Speaker 3 (10:16):
Where? Oh? Hello, Kenny? Hello Jack? What's wrong?
Speaker 4 (10:21):
Oh?
Speaker 3 (10:22):
Nothing? Don't stand there like a pall bearer. What's the
matter with you?
Speaker 1 (10:27):
Well?
Speaker 6 (10:27):
Last Thursday night they gave out the Academy Award for
the Best Movie Actor, and I didn't get it.
Speaker 3 (10:34):
Now there's a shock. Who did get the award? Kenny
or some guy named Tracy Tracy. Well at Spencer Tracy,
and he deserves it. You've only been in pictures a
short time, Kenny, what do you expect? Well, well, I've
been in pictures for years. I didn't win the award.
Speaker 5 (10:49):
You couldn't win it. It was on a punchboard.
Speaker 3 (10:55):
I'm not talking to you anyway, Kenny. Don't worryorry about it.
Your time will come. It better. You know, I'm the
one who should really be upset about the award. I
just missed it by a hair Gosh, I missed it
buy a Hare last year too.
Speaker 5 (11:11):
You'll have to miss it by something else pretty soon.
Speaker 3 (11:21):
Oh, I don't know. Let me tell you something, Kenny.
You have to have a great dramatic part to be
eligible for such a high honor. Well, what about that
great scene I had in a Goldan folly, the Golan Folly? Yes,
you know, had big scene in the lunch wagon where
I was eating all those hamburgers. Kenny. You can't get
an Academy Award for eating hamburgers. You can't. No, Well,
this is a fine country. No, I don't know why
(11:46):
I waste my time explaining anything here.
Speaker 1 (11:48):
You know, Jack, I always thought you did a swell
job in pictures. How come you've never been honored with
them Academy award?
Speaker 3 (11:54):
Well, don there's a lot in the part you play. Now.
If I'd have been cast in Captain's Courageous like Spencer Tracy,
I'd have had a good chance. You know, A story
of the sea gives you a great opportunity for dramatic acting.
Speaker 2 (12:06):
Well, if you're so confident, why didn't you go over
to MGM and try to get the part?
Speaker 3 (12:10):
I did try. I walked up and down in front
of that studio for a month with a sailor suit on.
See if they can't take a hint, what can I do?
You must look silly for aiding up and down the
sailor suit. Silly. It was embarrassing. The restaurant next door
thought I was picketing their navy bean soup. Oh well,
(12:35):
all we can do is try. We must never be discouraged.
And now folks come in de Benny. Yes, I want
to take this opportunity of congratulating you and winning the
Academy Award. Thank you very much, But I didn't win. Gee,
you want to get a new jockey. Goodbye that guy.
(12:57):
If he comes in here once more, I'll put sneeze
pot in his bubble gum, whatever that'll do. And now,
ladies and gentlemen, for our feature attraction tonight, the Benny
Little Theater Movement will present an original courtroom melodrama entitled
Death in the Nightclub or Sally Irene and Murder.
Speaker 5 (13:19):
I've got that picture with Sally Irene and Mary.
Speaker 3 (13:22):
Don't forget Fred Allen's in it now, Bred wasn't listening
in I'll scream now on the night of February sixteenth,
mister Hamilton J. Vance, a Wall Street broker, was murdered
in the Hatsitasi nightclub. Mister Vance was just about to
finish his dinner when somebody served him a lead. DEMI task.
Speaker 5 (13:45):
Who killed him?
Speaker 3 (13:46):
I'm coming to that. A notorious gangster known as three
Tonsul Divine alias Scar Voice. Andy was suspected and immediately
placed under arrest. Denied any connection with the crime.
Speaker 4 (14:02):
I didn't do what I told you.
Speaker 2 (14:03):
I didn't do it.
Speaker 3 (14:04):
That remains to be seen, Andy, And hello, Hi your park.
I will play the part of fearless John Benny, a
district attorney who has just sent more people up the
river than the Albany night Book. Kenny Baker will be
(14:27):
my assistant, which is at least two strikes, and Don
Wilson will be the attorney for the defense. Say Jackie A,
I going to be in this? Oh sure, Phil, you
can play the part of the orchestra leader of the
Hasiitasi Club. Why can't I be the victim so I
can lay down what a lazy guy. You'll be the
orchestra leader, and I'll get your windshield wiper for a
baton so you won't have to wave it all right.
(14:49):
The first number will be singing in the rain? Oh shush,
what am I going to be? Jack? Well, Mary, you're
gonna play a double role. First, my sweet little secretary
Millicent Livingstone.
Speaker 5 (14:59):
Ready, would you like to time these letters?
Speaker 3 (15:01):
Mister Bennie, that's very good? And second that of a
hard boiled nightclub dancer Gertie lost Strip. Try that one way.
Speaker 5 (15:13):
Off me a third degree in rudd or let you
have it, sae.
Speaker 3 (15:16):
My, you're a regular Edna g Robinson. Mary, don't play
it quite so tough, you know, be a little sweeter.
I want something between Shirley Temple and a lady cab driver.
And now Volks for our courtroom murder drama will go
on immediately after Kenny Baker's song what are you gonna sing? Kenny?
Speaker 5 (15:36):
Sweet as a song?
Speaker 4 (15:36):
And I dedicated to the women of America, all of them.
Speaker 3 (15:39):
Well, you, little masher, Mary helped me stack up these
law books when he kid n pressing you, pressing you
(16:03):
close to my.
Speaker 7 (16:05):
Heart, garding yours grands very few. It is Heaven's hong
near to you.
Speaker 3 (16:19):
I'm in lot and I'm making it.
Speaker 8 (16:21):
Near to you.
Speaker 7 (16:24):
One't you please believe me when I say that.
Speaker 8 (16:30):
You sweet has a sworn.
Speaker 7 (16:38):
Your sweet has a song for you, possessor of one tenderness.
Speaker 8 (16:46):
Of all language. Sweet serena to the moon.
Speaker 7 (17:00):
You'll always be like a plain commony of sweet had long,
Sweet has a song.
Speaker 2 (17:15):
You're as sweet has a song. You're a chorus a tree.
You're a lovely.
Speaker 8 (17:22):
Reprieze har kiss me again when you're in my longing
to have her call, as long as you remain a
(17:48):
fauntingly frain. You're sweet has horse.
Speaker 3 (18:08):
Where that was sweet as a song sung by Kenny Baker.
And now, ladies and gentlemen, Hey, wait a minute, how
was that? Very good Kenny? And now, ladies and gentlemen,
thanks quiet, we will present our dramatic highlight death in
the nightclub. The scene opens in the office of the
District Attorney, fearless John Benny. It is the last day
(18:30):
of the big trial of three Tonsul Divine, and Benny
is making last minute preparation before entering the courtroom. Curtain
me use it, well, it's Livingston. I think I'm ready.
Now let's see. Here's the gun. That's Exhibit A. There's
(18:52):
the bullet, Exhibit B. What's this awful looking.
Speaker 5 (18:55):
Thing here, that's your line's Exhibit C.
Speaker 3 (19:00):
There's a phone, da, Well, get off my lap and
answer it.
Speaker 5 (19:05):
Okay, hello, yes, yes, all right, I'll tell him goodbye.
Speaker 3 (19:11):
Who was that?
Speaker 5 (19:12):
Your wife?
Speaker 3 (19:12):
Oh? My wife?
Speaker 2 (19:13):
Hey?
Speaker 3 (19:13):
What does she want?
Speaker 5 (19:14):
He says, If you don't get rid of me, she's
gonna black your exhibit eye.
Speaker 3 (19:19):
Well, I can't worry about her. I got this trial
on my mind. Have you got those notes that you
took at the coroner's inquest?
Speaker 5 (19:24):
Yes, we'll read him to me, it says it, since
the corpus delecta, I was found in a state of
rigor mortars. It's a clear case of non compassments. It's
so fast though, and two whit.
Speaker 3 (19:33):
Oh, two whit eh, that'll hang him. Who's there, Henny Baker?
Speaker 4 (19:44):
Exhibit me?
Speaker 3 (19:46):
Oh? Come in, well Baker, did you get those fingerprints?
Speaker 2 (19:50):
I sent you out for no?
Speaker 3 (19:51):
But, oh boy, if I got a clue, what'd you
find out? Well?
Speaker 6 (19:54):
I was up the Hatty Totti club snooping around, and
the head waiter come over and give me a kick
in the pants.
Speaker 3 (19:59):
Gave you a kick in the pant ants? What does
that to do with this case? Well, at least we
got footprints. That's fine evidence A comme on, Baker, you
got work to do, and in less than three hours
that jury will bring in a verdict of guilty or
many me fearless.
Speaker 4 (20:16):
John Well ain't not popcorns and hot dog can't enjoy
the fire without.
Speaker 3 (20:27):
A hot dog.
Speaker 4 (20:29):
Here, ye hear ye. This quarter is now in session.
Judge Slippermann presiding.
Speaker 2 (20:33):
Everybody rides.
Speaker 5 (20:36):
Ill, I have it by that, Sit down and be quiet.
Speaker 4 (20:39):
Please.
Speaker 3 (20:39):
We will now continue with the case of the state
versus the wine. Shall we perceive? Gentlemen, The defense is
ready your honor, The state is ready your honor. That's fine.
Now go to your corners, gentleman, and come out tiping.
Now is my first witness. I like to call the archs,
the leader of the Hatsi Tatzi Club to the stam
(21:00):
mister Corny Harris, swear, mister Harris in.
Speaker 4 (21:07):
Do you swear to tell the truth, the whole truth
and nothing but the truth?
Speaker 3 (21:10):
Yeah? Man, Now, mister Harris, how long have you and
your orchestra have been playing at the Hatzi Toosi Club?
Twelve years? But for the last six we've been wanting
to leave? Well, why didn't we can't get the bass
drum through the door twelve years in one place. Hey,
what's the name of your orchestra? Corney Harris and his
stationary gypsies? I see Alice and Corny. You and the
(21:42):
defendant three tonsil Divine are very very good friend, are
you not?
Speaker 4 (21:46):
I have Jack.
Speaker 3 (21:47):
The objection is Kusha. All right, then I'll put it
this way, Harris. How long have you known the defendant
three tonsil Divine? I have Jack, Kenny, You're on my side.
He objects objection on the look. I'll answer this. How
(22:07):
long have you known the defendant three tonsiled divine? Stop
yelling or give me back my fifteen cents. Oh, your witness,
mister Wilson.
Speaker 2 (22:17):
Uh, mister Harris, I'd like to ask you just one question.
Speaker 3 (22:19):
Yes, sir, where do you have your hair done? Peefee's
Beauty Shopping? I object, your honor. Pee's Beauty Shop is irrelevant,
immaterial and advertising.
Speaker 4 (22:30):
Quiet time, Peefee.
Speaker 3 (22:40):
Oh, I see a sideline.
Speaker 9 (22:42):
No more questions, got quarantinuts and programs can't tell the
District Attorney from Acrook without a program, your.
Speaker 3 (22:53):
Honor, the state would now like to call on the
dancer at the Hatsiitatzi club, Miss Gurdi lost Strip new
they're getting pa take the stand, Miss Stripp.
Speaker 4 (23:02):
You're swear to tell the truth, the whole truth, by
nothing but the truth.
Speaker 5 (23:05):
What do you think, big boy?
Speaker 3 (23:09):
I was a hospitalday. Now, Missless Strip, you're a dancer
at the hoty Taxi club?
Speaker 4 (23:14):
Is that right?
Speaker 3 (23:15):
Yes?
Speaker 5 (23:15):
He might have to take off my hat.
Speaker 3 (23:17):
No, And on the night of the murder, you have
to take off my coad. No. And on the night
of the murder you were dancing, weren't you might take off?
Speaker 4 (23:23):
Yes? I do? Please let her alone?
Speaker 3 (23:26):
Is warming? Here's a fine judge. Now, Missless Strip, where
do you live? Mar what's the address?
Speaker 5 (23:41):
Thirty three? We sifty second?
Speaker 3 (23:43):
What's your apartment? Well, Heaven's sake, get to the phone number?
All right? What's your phone number? Missless Strip?
Speaker 4 (23:50):
Gladstone two eight seven part?
Speaker 3 (23:52):
Where'd you get that number? Baker? I wanted in a
raffle anymous with Strip. Tell us in your own words
what happened on the night of the murder?
Speaker 5 (24:02):
Well, I was right in the middle of my bubble
dance when a fad came in with a gun had
fired a shot at mister Van well, I could have died.
Mister van did.
Speaker 3 (24:13):
Oh you saw the murder? How many times was Van
shot jes Bond? Bond? Say? And where was he shot?
Speaker 5 (24:19):
In the pond?
Speaker 3 (24:19):
I see Vansley shot Bonds in the ponds. That'll be all,
missless strip your bitness, mister Wilson Hagar, now uh, missless strip.
On the night of the murder, you had dinner at
the Hotsy Toxic Club, didn't you?
Speaker 5 (24:34):
Yes?
Speaker 2 (24:35):
And you had a dessert, didn't you? Come clean?
Speaker 1 (24:38):
Now?
Speaker 2 (24:39):
What did you have for dessert?
Speaker 4 (24:40):
Yellow?
Speaker 5 (24:41):
Because it's the most delicious dessert in America today?
Speaker 3 (24:43):
Why thought so? Now?
Speaker 2 (24:45):
What flavor did you have that night?
Speaker 5 (24:47):
I had strawberry? No, no, it was rasberry. No, no,
wait a minute, I think it was cherry.
Speaker 2 (24:52):
Are you sure it wasn't orange or lemon?
Speaker 4 (24:54):
No?
Speaker 3 (24:54):
I remember it was lyme fine, knew you'd cracked. It's
lucky we haven't got a jury of sliced bananas.
Speaker 2 (25:04):
All more questions, mister Stripp, thank you.
Speaker 5 (25:07):
To buy on it.
Speaker 4 (25:07):
Goodbye nothing.
Speaker 3 (25:09):
I'll be the thing. And now, your honor, I'd like
to call the defendant three tonsil divine to the stamp.
We're going to see something well in the defensive.
Speaker 4 (25:18):
Please do you swear to tell the truth, the whole truth,
and nothing but the truth?
Speaker 3 (25:22):
No, ser me, I don't. Oh, come on, no, sir,
or do it for me? Will you? And Andy? Oh no?
Speaker 2 (25:34):
If I tell the truth, you'll hang me.
Speaker 3 (25:37):
Don't be stilly, Andy. There's an electric chair in this state,
Well you better put rockers on it. I'm old fashioned.
I'll have to question you anyway. Na listen, three tonsils.
You're in the hot Tazi club on the night of
the murder, weren't you.
Speaker 4 (25:49):
Yes, sir, I went up to see mas.
Speaker 2 (25:51):
She's a chorus girl. There, you're ma chorus girl. Yes,
naked's divine?
Speaker 3 (25:59):
All right? And tell me this and pull down your
pants leg That won't sway the jury. I don't tell
me you hated Hamilton Vance, didn't you?
Speaker 2 (26:12):
No?
Speaker 3 (26:12):
I did? You were seen leaving the Hotey Totty Club
with a gun in your hand. So what are you
stalling for? You kill Vans and you're gonna fry. You're
gonna burn, You're gonna sizzle, gorsh You haven't got a
chance to bind, so you might as well confess you
murdered Hammiltroon Jay Van.
Speaker 4 (26:28):
I didn't do it. I tell you I didn't do it.
Speaker 3 (26:39):
Oh stop crying. Here take my handkerchief. But I can't
get anywhere with this guy. I only had some new evidence. Hey,
d A, d A, what is a baker?
Speaker 6 (26:57):
I was just out in the hall and I met
the bartender from the Hotey Tots you did. Yeah, he
saw everything and he wants to talk last our key witness.
Speaker 3 (27:04):
Nice word baker. Right this way, mister Nazarro. At last
file sinks this piece. Take the stand, mister Nazzaro. Now
you're the bartender at the Hopsikotzi Club, is that right, Yes, sir,
I am, And tell us exactly what you saw on
the night of the murder. Well, I was mixing a
scotch and soda and a shot rang out. Yes, yes,
So I looked up and when he said pete and
part sub bending and went riding to get myself a
(27:24):
safe man outside the mini Corse. I have seen her
in the ardest stated day.
Speaker 5 (27:27):
And if they had so far and he's.
Speaker 3 (27:29):
Seen the final sittler, what sentence it?
Speaker 5 (27:30):
Oh?
Speaker 3 (27:31):
It was awful?
Speaker 4 (27:34):
What was awful?
Speaker 3 (27:36):
I'm telling you that, mister Durham seat big bight.
Speaker 5 (27:38):
They don't see your fighting stations right of it.
Speaker 4 (27:40):
But it's fun when you talk English. What did you see?
Speaker 3 (27:44):
I told you the famous Seaton pare for Satan the
Lord pat And when mind in his seat to meet
his selling what what was that? Somebody just shot the job.
Speaker 4 (27:55):
Hooray we've got a new case.
Speaker 3 (27:57):
Playfield Glance was probably a rat.
Speaker 1 (27:59):
Anyway, there is something new under the sun, and this
time it's something new and delicious to eat.
Speaker 2 (28:18):
It's a special idea for Saint.
Speaker 3 (28:19):
Patrick's Day and the gayest dish you'd seen in a
long time.
Speaker 1 (28:23):
Saint Patrick's Jellow molds made with shimmering green lime jello
with delicious fruit inside. And here's all you have to do.
Dissolve a package of lime jello.
Speaker 2 (28:32):
And hot water and chill until slightly thickened. Then fold
in two cups of.
Speaker 1 (28:36):
Dice grapefruit, half a cup of diced oranges, and half
a cup of canned crushed pineapple. Chill until firm, turn
out on a platter and view with pride a beautiful
sea green mold of lime jello with grapefruit, oranges and
pineapple firmly molded inside and its tangy taste combination that's
delicious and refreshing because there's extra rich fruit flavor in jello.
(29:00):
Believe me, your family will go for this brand Saint
Patrick's Day dessert. So get ready for the seventeen water
some Lime Jello tomorrow.
Speaker 3 (29:22):
This is the last number of the twenty fourth program
in the New Jello series, and we'll be with you
again next Sunday night at the same time. Well, Marry,
you were very good tonight. I thought you played that
double role beautifully and just for that, you're going to
get two checks this week.
Speaker 5 (29:36):
You mean I get double taling.
Speaker 3 (29:38):
No, I'm just splitting it. Good night, folks.
Speaker 1 (29:52):
Kenny Baker appears on the Yellow Programs for Purnacer of
Merlin Lawai production. The films Meet of the songs from
Sally Irene and Marry First while who works from So
Wide on the seven Blars.
Speaker 2 (30:03):
This is an I show Broadcasting Company m
The Jello Program starring Jack Benny with Mary Livingston and
Phil Harrison his orchestra. The Orchestra has a program with
I Love to Whistle from Mad About Music. All of
(00:46):
us are running a race with the clock. A hundred
things to do in so a few hours in which
to do them.
Speaker 2 (00:51):
Well, here's one.
Speaker 1 (00:52):
Good way to save time and save money too, and
that's to serve jello often. Or Jello is delightfully simple
to protect. It takes only a moment to dissolve, and
it's quick setting. You can put a mold of jello
in the refrigerator before you go out shopping in the
morning and take out a delicious dessert at lunch time.
And jello is one of the most inexpensive desserts you
(01:14):
can serve. For a package costs only a few cents.
No matter which flavor you choose, you can be sure
of an easy, economical, and detractive dessert every time. Porgello
brings you that delicious, extra rich fruit flavor that rivals
the fresh fruit itself. So be sure to insist on
genuine jello when you buy, and buy it often, serve
(01:36):
it often. Forgello is a grand dessert that was I
(02:17):
love to Whistle played by Phil Harrison his Orchestra, And
now ladies and gentlemen, we bring you.
Speaker 3 (02:22):
All of them in a Don, how about letting me
introduce myself tonight, just for a change, you know, something different?
Speaker 1 (02:27):
Oh?
Speaker 2 (02:27):
Sure, Jack, but what's the idea?
Speaker 3 (02:29):
Well done? Every week you always say some ridiculous thing
that starts me off with a handicap. Now, I think
there ought to be a little more dignity to these introductions.
Speaker 2 (02:38):
All right, Jack, all right, you take it.
Speaker 3 (02:41):
That was I love to Whistle played by Phil Harrison
his Orchestra. And now, ladies and gentlemen, we bring you
one of the sweetest guys in the world, that sparkling
personality and all around good fella, Jack Benn. Thanks Jack,
(03:05):
It's all right kid, you deserve it, you see down
an introduction like that gives me the right kind of
a build up so that I can carry on with
a feeling of confidence.
Speaker 2 (03:14):
Yes, but Jack, I could have introduced you the same way.
Speaker 3 (03:17):
I know, Don, but I sound more sincere. You know
it rings true, Yes.
Speaker 2 (03:22):
But it also sounds a little egotistical, doesn't it.
Speaker 4 (03:25):
Oh?
Speaker 3 (03:25):
I don't know. I think Don's right, Jack, it sounded
pretty conceited to me. You don't say, Phil, Yes, bragging
like that is in very bad taste. Now, my orchestra
just finished the number. I personally would never turn around
and say it was great. No, Phil, neither would anyone
else with that gang of cadenza butchers. You ought to
(03:50):
be glad to be working at all. Listen, Jack at
your own fault. When I was hired for this job,
you said you wanted me in seventeen men. You didn't
specify musicians. I know, Phil, but you told me you
were a leader of a band. Well so was Robin Hood,
but he didn't have to worry about music anyway. It's
(04:12):
a fine bunch of boys you've got. I accidentally dropped
my cigar a few minutes ago, and I had to
fight off your whole orchestra to get it back. Well,
they thought you were through with it. I nearly kill
that for you. Oh well, and incidentally, now that we're
discussing my job, I'm getting pretty tired of matching you
(04:33):
double a nothing for my salary every week. Don't blame me, Phil,
if you're unlucky matching coins. Well, it's been going on
for eight weeks. There's something funny about it. Oh no,
there is, and you stand just as much chance as
I do. So let's forget it. Oh, hello Mary, Hello Jack?
Speaker 5 (04:49):
What's the trouble now?
Speaker 3 (04:50):
All the same thing. Phil's beating as usual. I never
saw such guy, and.
Speaker 5 (04:54):
It's the truth. Yeah, say Jack, what is it? Can
I borrow that half dollar of yours?
Speaker 3 (05:00):
Half dollar?
Speaker 5 (05:00):
You know the woman the two heads on it, marry.
Speaker 3 (05:06):
Oh, I get it a crooked half dollar? All right,
wise guy, you cheated me out of eight weeks salary.
Now listen, Phil, don't get hasty. Why now, wait a minute.
This may sound fishy, but if you want to know something,
I've been saving that money.
Speaker 5 (05:19):
For you, Jack building a new house too.
Speaker 3 (05:22):
Quiet, of course, I'm building a house, but it is
my own money. You ought to see it. I've got
two beautiful coconut palm trees right in front, and it's
all mine, not philed, just the same.
Speaker 5 (05:35):
I'll bet the coconuts have wavy hair.
Speaker 3 (05:42):
Now you're just trying to be funny. Well that's fine,
the house that my Jack built. Now wait a minute, jail, Yeah,
I didn't know I was gonna get the your laugh there,
I'll fail. Look, let me ask you something you've known
me a long time, haven't you? Yes, I have, Jack, Well,
do you think for one minute I would ever stoop
as low as to cheat you out of your hard
(06:04):
earned money? Definitely? Now that's gratitude for you. Gratitude. Why
should you want to save my money for me because
you're always throwing it away? What are you gonna have
when you get old rheumatism? The same as you? The
smart answer, Phil, But I haven't got rheumatism.
Speaker 5 (06:23):
Katie always grown when you walk.
Speaker 3 (06:27):
Listen, Mary, the only time you ever heard me grown
was yesterday when I had my shoes on the wrong feet.
Speaker 2 (06:33):
Why'd you have to do that? Jack?
Speaker 3 (06:35):
Oh? I don't know. I must have had my legs
crossed when I put them on, not meaning to not
meaning to change the subject, Jack, But what about that
dough you owe me? Well? Phil, I don't want to
have to prove my honesty. But as long as you're
so suspicious, here's a bank book with your name on it. Here,
take it and keep it. The last time I'll ever
try to help anybody. Well, Gee, how did I know
(06:57):
you don't apologize? Go ahead and play a number. We'll
forget about it, Okay, Can you imagine that. Mary, that's
appreciation for you. Well, Jack, let me ask you something.
Do you save your money?
Speaker 2 (07:07):
Yes?
Speaker 5 (07:07):
I do, say this Jack even carries it around with him.
Speaker 3 (07:10):
Oh Mary, I do not.
Speaker 5 (07:12):
And what's that big lump in your sock?
Speaker 3 (07:14):
That's my long underwear.
Speaker 5 (07:17):
Well, it's got Lincoln's picture on it.
Speaker 3 (07:25):
It's the fine thing Mary giving away my hiding place.
I'll have to get a burglar alarm from my garter.
Speaker 5 (07:32):
Why don't keep your money in the bank.
Speaker 3 (07:34):
Because it's none of your business. See, I've had just
about enough from you, Mary Livingston of all the meddling
busy bodies.
Speaker 1 (07:40):
Oh Jack, Jack, please remember this is my anniversary.
Speaker 3 (07:44):
That was last week. Way Phil to wonder I'm not
in a sanitary term. That was dipsy doodle played by
(09:36):
Phil Harrison his artists. Right now, ladies and gentlemen, as
we have a long play tonight, without further ada, Jack,
I was just looking over this bank book. Are you
sure there's eight week salary here? Yes? There is? Well
one deposits fifteen cents short. All right, So I had
an ice cream soda. It doesn't hurt you to feature
business manager once in a while. Here here's your fifteen cents.
(09:59):
That's all right, I just thought i'd mentioned. Oh no, no,
here's your fifteen cents. Take it now, Jack, you keep it?
Nothing doing fill here? Take it. Don't be silly. Keep it.
Speaker 5 (10:07):
Jack's gonna win.
Speaker 3 (10:08):
Folk. Stay out of this, Mary, You've caused enough trouble
for one night.
Speaker 2 (10:14):
Oh Jack, look at Kenny over there. What's the matter
with him?
Speaker 3 (10:16):
Where? Oh? Hello, Kenny? Hello Jack? What's wrong?
Speaker 4 (10:21):
Oh?
Speaker 3 (10:22):
Nothing? Don't stand there like a pall bearer. What's the
matter with you?
Speaker 1 (10:27):
Well?
Speaker 6 (10:27):
Last Thursday night they gave out the Academy Award for
the Best Movie Actor, and I didn't get it.
Speaker 3 (10:34):
Now there's a shock. Who did get the award? Kenny
or some guy named Tracy Tracy. Well at Spencer Tracy,
and he deserves it. You've only been in pictures a
short time, Kenny, what do you expect? Well, well, I've
been in pictures for years. I didn't win the award.
Speaker 5 (10:49):
You couldn't win it. It was on a punchboard.
Speaker 3 (10:55):
I'm not talking to you anyway, Kenny. Don't worryorry about it.
Your time will come. It better. You know, I'm the
one who should really be upset about the award. I
just missed it by a hair Gosh, I missed it
buy a Hare last year too.
Speaker 5 (11:11):
You'll have to miss it by something else pretty soon.
Speaker 3 (11:21):
Oh, I don't know. Let me tell you something, Kenny.
You have to have a great dramatic part to be
eligible for such a high honor. Well, what about that
great scene I had in a Goldan folly, the Golan Folly? Yes,
you know, had big scene in the lunch wagon where
I was eating all those hamburgers. Kenny. You can't get
an Academy Award for eating hamburgers. You can't. No, Well,
this is a fine country. No, I don't know why
(11:46):
I waste my time explaining anything here.
Speaker 1 (11:48):
You know, Jack, I always thought you did a swell
job in pictures. How come you've never been honored with
them Academy award?
Speaker 3 (11:54):
Well, don there's a lot in the part you play. Now.
If I'd have been cast in Captain's Courageous like Spencer Tracy,
I'd have had a good chance. You know, A story
of the sea gives you a great opportunity for dramatic acting.
Speaker 2 (12:06):
Well, if you're so confident, why didn't you go over
to MGM and try to get the part?
Speaker 3 (12:10):
I did try. I walked up and down in front
of that studio for a month with a sailor suit on.
See if they can't take a hint, what can I do?
You must look silly for aiding up and down the
sailor suit. Silly. It was embarrassing. The restaurant next door
thought I was picketing their navy bean soup. Oh well,
(12:35):
all we can do is try. We must never be discouraged.
And now folks come in de Benny. Yes, I want
to take this opportunity of congratulating you and winning the
Academy Award. Thank you very much, But I didn't win. Gee,
you want to get a new jockey. Goodbye that guy.
(12:57):
If he comes in here once more, I'll put sneeze
pot in his bubble gum, whatever that'll do. And now,
ladies and gentlemen, for our feature attraction tonight, the Benny
Little Theater Movement will present an original courtroom melodrama entitled
Death in the Nightclub or Sally Irene and Murder.
Speaker 5 (13:19):
I've got that picture with Sally Irene and Mary.
Speaker 3 (13:22):
Don't forget Fred Allen's in it now, Bred wasn't listening
in I'll scream now on the night of February sixteenth,
mister Hamilton J. Vance, a Wall Street broker, was murdered
in the Hatsitasi nightclub. Mister Vance was just about to
finish his dinner when somebody served him a lead. DEMI task.
Speaker 5 (13:45):
Who killed him?
Speaker 3 (13:46):
I'm coming to that. A notorious gangster known as three
Tonsul Divine alias Scar Voice. Andy was suspected and immediately
placed under arrest. Denied any connection with the crime.
Speaker 4 (14:02):
I didn't do what I told you.
Speaker 2 (14:03):
I didn't do it.
Speaker 3 (14:04):
That remains to be seen, Andy, And hello, Hi your park.
I will play the part of fearless John Benny, a
district attorney who has just sent more people up the
river than the Albany night Book. Kenny Baker will be
(14:27):
my assistant, which is at least two strikes, and Don
Wilson will be the attorney for the defense. Say Jackie A,
I going to be in this? Oh sure, Phil, you
can play the part of the orchestra leader of the
Hasiitasi Club. Why can't I be the victim so I
can lay down what a lazy guy. You'll be the
orchestra leader, and I'll get your windshield wiper for a
baton so you won't have to wave it all right.
(14:49):
The first number will be singing in the rain? Oh shush,
what am I going to be? Jack? Well, Mary, you're
gonna play a double role. First, my sweet little secretary
Millicent Livingstone.
Speaker 5 (14:59):
Ready, would you like to time these letters?
Speaker 3 (15:01):
Mister Bennie, that's very good? And second that of a
hard boiled nightclub dancer Gertie lost Strip. Try that one way.
Speaker 5 (15:13):
Off me a third degree in rudd or let you
have it, sae.
Speaker 3 (15:16):
My, you're a regular Edna g Robinson. Mary, don't play
it quite so tough, you know, be a little sweeter.
I want something between Shirley Temple and a lady cab driver.
And now Volks for our courtroom murder drama will go
on immediately after Kenny Baker's song what are you gonna sing? Kenny?
Speaker 5 (15:36):
Sweet as a song?
Speaker 4 (15:36):
And I dedicated to the women of America, all of them.
Speaker 3 (15:39):
Well, you, little masher, Mary helped me stack up these
law books when he kid n pressing you, pressing you
(16:03):
close to my.
Speaker 7 (16:05):
Heart, garding yours grands very few. It is Heaven's hong
near to you.
Speaker 3 (16:19):
I'm in lot and I'm making it.
Speaker 8 (16:21):
Near to you.
Speaker 7 (16:24):
One't you please believe me when I say that.
Speaker 8 (16:30):
You sweet has a sworn.
Speaker 7 (16:38):
Your sweet has a song for you, possessor of one tenderness.
Speaker 8 (16:46):
Of all language. Sweet serena to the moon.
Speaker 7 (17:00):
You'll always be like a plain commony of sweet had long,
Sweet has a song.
Speaker 2 (17:15):
You're as sweet has a song. You're a chorus a tree.
You're a lovely.
Speaker 8 (17:22):
Reprieze har kiss me again when you're in my longing
to have her call, as long as you remain a
(17:48):
fauntingly frain. You're sweet has horse.
Speaker 3 (18:08):
Where that was sweet as a song sung by Kenny Baker.
And now, ladies and gentlemen, Hey, wait a minute, how
was that? Very good Kenny? And now, ladies and gentlemen,
thanks quiet, we will present our dramatic highlight death in
the nightclub. The scene opens in the office of the
District Attorney, fearless John Benny. It is the last day
(18:30):
of the big trial of three Tonsul Divine, and Benny
is making last minute preparation before entering the courtroom. Curtain
me use it, well, it's Livingston. I think I'm ready.
Now let's see. Here's the gun. That's Exhibit A. There's
(18:52):
the bullet, Exhibit B. What's this awful looking.
Speaker 5 (18:55):
Thing here, that's your line's Exhibit C.
Speaker 3 (19:00):
There's a phone, da, Well, get off my lap and
answer it.
Speaker 5 (19:05):
Okay, hello, yes, yes, all right, I'll tell him goodbye.
Speaker 3 (19:11):
Who was that?
Speaker 5 (19:12):
Your wife?
Speaker 3 (19:12):
Oh? My wife?
Speaker 2 (19:13):
Hey?
Speaker 3 (19:13):
What does she want?
Speaker 5 (19:14):
He says, If you don't get rid of me, she's
gonna black your exhibit eye.
Speaker 3 (19:19):
Well, I can't worry about her. I got this trial
on my mind. Have you got those notes that you
took at the coroner's inquest?
Speaker 5 (19:24):
Yes, we'll read him to me, it says it, since
the corpus delecta, I was found in a state of
rigor mortars. It's a clear case of non compassments. It's
so fast though, and two whit.
Speaker 3 (19:33):
Oh, two whit eh, that'll hang him. Who's there, Henny Baker?
Speaker 4 (19:44):
Exhibit me?
Speaker 3 (19:46):
Oh? Come in, well Baker, did you get those fingerprints?
Speaker 2 (19:50):
I sent you out for no?
Speaker 3 (19:51):
But, oh boy, if I got a clue, what'd you
find out? Well?
Speaker 6 (19:54):
I was up the Hatty Totti club snooping around, and
the head waiter come over and give me a kick
in the pants.
Speaker 3 (19:59):
Gave you a kick in the pant ants? What does
that to do with this case? Well, at least we
got footprints. That's fine evidence A comme on, Baker, you
got work to do, and in less than three hours
that jury will bring in a verdict of guilty or
many me fearless.
Speaker 4 (20:16):
John Well ain't not popcorns and hot dog can't enjoy
the fire without.
Speaker 3 (20:27):
A hot dog.
Speaker 4 (20:29):
Here, ye hear ye. This quarter is now in session.
Judge Slippermann presiding.
Speaker 2 (20:33):
Everybody rides.
Speaker 5 (20:36):
Ill, I have it by that, Sit down and be quiet.
Speaker 4 (20:39):
Please.
Speaker 3 (20:39):
We will now continue with the case of the state
versus the wine. Shall we perceive? Gentlemen, The defense is
ready your honor, The state is ready your honor. That's fine.
Now go to your corners, gentleman, and come out tiping.
Now is my first witness. I like to call the archs,
the leader of the Hatsi Tatzi Club to the stam
(21:00):
mister Corny Harris, swear, mister Harris in.
Speaker 4 (21:07):
Do you swear to tell the truth, the whole truth
and nothing but the truth?
Speaker 3 (21:10):
Yeah? Man, Now, mister Harris, how long have you and
your orchestra have been playing at the Hatzi Toosi Club?
Twelve years? But for the last six we've been wanting
to leave? Well, why didn't we can't get the bass
drum through the door twelve years in one place. Hey,
what's the name of your orchestra? Corney Harris and his
stationary gypsies? I see Alice and Corny. You and the
(21:42):
defendant three tonsil Divine are very very good friend, are
you not?
Speaker 4 (21:46):
I have Jack.
Speaker 3 (21:47):
The objection is Kusha. All right, then I'll put it
this way, Harris. How long have you known the defendant
three tonsil Divine? I have Jack, Kenny, You're on my side.
He objects objection on the look. I'll answer this. How
(22:07):
long have you known the defendant three tonsiled divine? Stop
yelling or give me back my fifteen cents. Oh, your witness,
mister Wilson.
Speaker 2 (22:17):
Uh, mister Harris, I'd like to ask you just one question.
Speaker 3 (22:19):
Yes, sir, where do you have your hair done? Peefee's
Beauty Shopping? I object, your honor. Pee's Beauty Shop is irrelevant,
immaterial and advertising.
Speaker 4 (22:30):
Quiet time, Peefee.
Speaker 3 (22:40):
Oh, I see a sideline.
Speaker 9 (22:42):
No more questions, got quarantinuts and programs can't tell the
District Attorney from Acrook without a program, your.
Speaker 3 (22:53):
Honor, the state would now like to call on the
dancer at the Hatsiitatzi club, Miss Gurdi lost Strip new
they're getting pa take the stand, Miss Stripp.
Speaker 4 (23:02):
You're swear to tell the truth, the whole truth, by
nothing but the truth.
Speaker 5 (23:05):
What do you think, big boy?
Speaker 3 (23:09):
I was a hospitalday. Now, Missless Strip, you're a dancer
at the hoty Taxi club?
Speaker 4 (23:14):
Is that right?
Speaker 3 (23:15):
Yes?
Speaker 5 (23:15):
He might have to take off my hat.
Speaker 3 (23:17):
No, And on the night of the murder, you have
to take off my coad. No. And on the night
of the murder you were dancing, weren't you might take off?
Speaker 4 (23:23):
Yes? I do? Please let her alone?
Speaker 3 (23:26):
Is warming? Here's a fine judge. Now, Missless Strip, where
do you live? Mar what's the address?
Speaker 5 (23:41):
Thirty three? We sifty second?
Speaker 3 (23:43):
What's your apartment? Well, Heaven's sake, get to the phone number?
All right? What's your phone number? Missless Strip?
Speaker 4 (23:50):
Gladstone two eight seven part?
Speaker 3 (23:52):
Where'd you get that number? Baker? I wanted in a
raffle anymous with Strip. Tell us in your own words
what happened on the night of the murder?
Speaker 5 (24:02):
Well, I was right in the middle of my bubble
dance when a fad came in with a gun had
fired a shot at mister Van well, I could have died.
Mister van did.
Speaker 3 (24:13):
Oh you saw the murder? How many times was Van
shot jes Bond? Bond? Say? And where was he shot?
Speaker 5 (24:19):
In the pond?
Speaker 3 (24:19):
I see Vansley shot Bonds in the ponds. That'll be all,
missless strip your bitness, mister Wilson Hagar, now uh, missless strip.
On the night of the murder, you had dinner at
the Hotsy Toxic Club, didn't you?
Speaker 5 (24:34):
Yes?
Speaker 2 (24:35):
And you had a dessert, didn't you? Come clean?
Speaker 1 (24:38):
Now?
Speaker 2 (24:39):
What did you have for dessert?
Speaker 4 (24:40):
Yellow?
Speaker 5 (24:41):
Because it's the most delicious dessert in America today?
Speaker 3 (24:43):
Why thought so? Now?
Speaker 2 (24:45):
What flavor did you have that night?
Speaker 5 (24:47):
I had strawberry? No, no, it was rasberry. No, no,
wait a minute, I think it was cherry.
Speaker 2 (24:52):
Are you sure it wasn't orange or lemon?
Speaker 4 (24:54):
No?
Speaker 3 (24:54):
I remember it was lyme fine, knew you'd cracked. It's
lucky we haven't got a jury of sliced bananas.
Speaker 2 (25:04):
All more questions, mister Stripp, thank you.
Speaker 5 (25:07):
To buy on it.
Speaker 4 (25:07):
Goodbye nothing.
Speaker 3 (25:09):
I'll be the thing. And now, your honor, I'd like
to call the defendant three tonsil divine to the stamp.
We're going to see something well in the defensive.
Speaker 4 (25:18):
Please do you swear to tell the truth, the whole truth,
and nothing but the truth?
Speaker 3 (25:22):
No, ser me, I don't. Oh, come on, no, sir,
or do it for me? Will you? And Andy? Oh no?
Speaker 2 (25:34):
If I tell the truth, you'll hang me.
Speaker 3 (25:37):
Don't be stilly, Andy. There's an electric chair in this state,
Well you better put rockers on it. I'm old fashioned.
I'll have to question you anyway. Na listen, three tonsils.
You're in the hot Tazi club on the night of
the murder, weren't you.
Speaker 4 (25:49):
Yes, sir, I went up to see mas.
Speaker 2 (25:51):
She's a chorus girl. There, you're ma chorus girl. Yes,
naked's divine?
Speaker 3 (25:59):
All right? And tell me this and pull down your
pants leg That won't sway the jury. I don't tell
me you hated Hamilton Vance, didn't you?
Speaker 2 (26:12):
No?
Speaker 3 (26:12):
I did? You were seen leaving the Hotey Totty Club
with a gun in your hand. So what are you
stalling for? You kill Vans and you're gonna fry. You're
gonna burn, You're gonna sizzle, gorsh You haven't got a
chance to bind, so you might as well confess you
murdered Hammiltroon Jay Van.
Speaker 4 (26:28):
I didn't do it. I tell you I didn't do it.
Speaker 3 (26:39):
Oh stop crying. Here take my handkerchief. But I can't
get anywhere with this guy. I only had some new evidence. Hey,
d A, d A, what is a baker?
Speaker 6 (26:57):
I was just out in the hall and I met
the bartender from the Hotey Tots you did. Yeah, he
saw everything and he wants to talk last our key witness.
Speaker 3 (27:04):
Nice word baker. Right this way, mister Nazarro. At last
file sinks this piece. Take the stand, mister Nazzaro. Now
you're the bartender at the Hopsikotzi Club, is that right, Yes, sir,
I am, And tell us exactly what you saw on
the night of the murder. Well, I was mixing a
scotch and soda and a shot rang out. Yes, yes,
So I looked up and when he said pete and
part sub bending and went riding to get myself a
(27:24):
safe man outside the mini Corse. I have seen her
in the ardest stated day.
Speaker 5 (27:27):
And if they had so far and he's.
Speaker 3 (27:29):
Seen the final sittler, what sentence it?
Speaker 5 (27:30):
Oh?
Speaker 3 (27:31):
It was awful?
Speaker 4 (27:34):
What was awful?
Speaker 3 (27:36):
I'm telling you that, mister Durham seat big bight.
Speaker 5 (27:38):
They don't see your fighting stations right of it.
Speaker 4 (27:40):
But it's fun when you talk English. What did you see?
Speaker 3 (27:44):
I told you the famous Seaton pare for Satan the
Lord pat And when mind in his seat to meet
his selling what what was that? Somebody just shot the job.
Speaker 4 (27:55):
Hooray we've got a new case.
Speaker 3 (27:57):
Playfield Glance was probably a rat.
Speaker 1 (27:59):
Anyway, there is something new under the sun, and this
time it's something new and delicious to eat.
Speaker 2 (28:18):
It's a special idea for Saint.
Speaker 3 (28:19):
Patrick's Day and the gayest dish you'd seen in a
long time.
Speaker 1 (28:23):
Saint Patrick's Jellow molds made with shimmering green lime jello
with delicious fruit inside. And here's all you have to do.
Dissolve a package of lime jello.
Speaker 2 (28:32):
And hot water and chill until slightly thickened. Then fold
in two cups of.
Speaker 1 (28:36):
Dice grapefruit, half a cup of diced oranges, and half
a cup of canned crushed pineapple. Chill until firm, turn
out on a platter and view with pride a beautiful
sea green mold of lime jello with grapefruit, oranges and
pineapple firmly molded inside and its tangy taste combination that's
delicious and refreshing because there's extra rich fruit flavor in jello.
(29:00):
Believe me, your family will go for this brand Saint
Patrick's Day dessert. So get ready for the seventeen water
some Lime Jello tomorrow.
Speaker 3 (29:22):
This is the last number of the twenty fourth program
in the New Jello series, and we'll be with you
again next Sunday night at the same time. Well, Marry,
you were very good tonight. I thought you played that
double role beautifully and just for that, you're going to
get two checks this week.
Speaker 5 (29:36):
You mean I get double taling.
Speaker 3 (29:38):
No, I'm just splitting it. Good night, folks.
Speaker 1 (29:52):
Kenny Baker appears on the Yellow Programs for Purnacer of
Merlin Lawai production. The films Meet of the songs from
Sally Irene and Marry First while who works from So
Wide on the seven Blars.
Speaker 2 (30:03):
This is an I show Broadcasting Company m
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