July 24, 2025 • 29 mins
A legendary variety show blending witty monologues, comic sketches, and musical interludes, all anchored by the impeccable timing of its beloved host. It’s a masterclass in comedic timing.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Say the Jello program sowing Jack Benny with Mary Livingston
and Phil Harris and his orchestra. The orchestra opens a
program with cry, Baby Cry. This is the day of
(00:22):
the Easter Parade, and there's a cheerful feeling in the air.
Speaker 2 (00:25):
Perkin, new hats, gay flowers.
Speaker 1 (00:27):
Everything reflects the spirit of carefree spring.
Speaker 2 (00:30):
It's a day of color. And if you serve jello
for your east to dessert, you were right in the
spirit of things.
Speaker 1 (00:35):
For a shimmering mold of bright clear jello is mighty
gay and cheerful. The glowing reds of strawberry, raspberry or
cherry jello, shiny orange, golden lemon, or sea green lime.
Speaker 2 (00:46):
You have a regular.
Speaker 1 (00:47):
Rainbow to choose from, and no matter which flavor you select,
you're short of a masterpiece. For jello tastes as good
as it looks. It's crammed with delicious, extra rich fruit flavor,
the flavor from fresh ripe fruit.
Speaker 2 (01:00):
It's put there by a special process. It's sealed right
in so it can't get out. It's caught and health
for you to enjoy.
Speaker 1 (01:06):
The minute you taste a shimmering spoonful, a delight to
the eye and.
Speaker 2 (01:10):
The thrill to the taste. That's jello.
Speaker 1 (01:12):
But be absolutely sure you do get genuine jello with
that extra rich fruit flavor. Look for the big red
letters on the box. They spell jello. That was Cry,
(01:45):
Baby Cry, played by the orchestra. Now, ladies and gentlemen,
we bring you a man who is celebrating Easter with
a new suit, new shirt, new tie, and the new
shoes that squeak.
Speaker 3 (01:56):
Jack Penny, sir, nice, Hello again, it's a Jack Benny
who was also looking for a new announcer. And listen, Don,
it was nice of you to mention my Easter outfit.
But it so happens that my shoes do not squeak.
They might chirp a little because they're happy, but they
(02:20):
do not squeak. Or Jack, I heard you when he
came into the studio.
Speaker 2 (02:24):
You sounded like a rusty beer sign in the wind.
Speaker 3 (02:27):
Now, Don, every new shoe has a little something to say,
but I repeat, mine do not squeak.
Speaker 1 (02:32):
All right, then, just walk around the microphone and see
what happened.
Speaker 3 (02:35):
Okay, smarty, Well what do you think of your shoes?
Speaker 4 (02:45):
Now?
Speaker 3 (02:45):
Well, naturally they're a little nervous. It's the first time
they've ever been on the air. But say, don now
you're kind of doll up for Easter yourself. That's a
nice looking suit you're wearing.
Speaker 2 (02:55):
Well, thanks, Jack, I just bought it last week.
Speaker 3 (02:58):
It's very snappy. Where'd you get it? Well?
Speaker 2 (03:00):
Our Chafflin Marx made the parents.
Speaker 3 (03:02):
A hard chaffterin mark. I knew it wasn't a one
man job, did they? Uh? Did they make the colt
too well?
Speaker 4 (03:14):
Zactly?
Speaker 2 (03:14):
They put in a bit on it.
Speaker 1 (03:15):
But I finally awarded the contract to the Tri State
Construction Company.
Speaker 3 (03:20):
Oh yes, they also did the boulder, damn. And they
heard something big and say, don Kamira a minute. Look
at Phil standing over there. Isn't it disgraceful the way
he comes dressed on a holiday? Well, it isn't very
good taste, tamer Phil? What is it?
Speaker 4 (03:33):
Jack?
Speaker 3 (03:33):
You want to know a funny thing? Here, I bother
to get all dressed up for Easter with a new
suit and shoes, and spend hours faking myself up, and
you come to the studio with slacks, an old sport
coat and no necktie. Yeah, and you want to know
another funny thing? What I still look better than you? Do?
(03:55):
You do not, and I'll leave it to anyone here.
In fact, I'll leave it to the boys in your band.
Which of us is dressed better for Easter? Why do
they know they tried to buy firecrackers today. Well, that's
a nice organization you've got. Don't tell me they all
thought today was the fourth of July. Oh the drummer
held out for Saint Patrick's Day. Oh yes, I see
(04:17):
the shamrock on the symbol. Well, Phil, your boys might
be mixed up about holidays, but when it comes to music,
they're mixed up.
Speaker 5 (04:27):
Oh hello Mary, Hello Jack, Happy Eastern.
Speaker 3 (04:29):
Thanks same to you, kid.
Speaker 5 (04:30):
See you look so cute in the Eastern Parade this morning,
all dressed up in your new spring suit.
Speaker 3 (04:34):
Oh I wasn't out there to show off or anything.
I like to walk down the boulevard on Easter. Everybody does.
Speaker 2 (04:40):
So you were in the parade this morning, Jack, I
certainly was.
Speaker 5 (04:43):
You should have seen him Fellas satting along with a
cane on his hand and a flowering of his tail,
and he was wearing the swell of Derby hat. Oh,
Mary's way down over his ears.
Speaker 3 (04:55):
Well it was a little too big. I bought it
before I got my hair cut like a darn and.
Speaker 5 (05:01):
You should have seen that funny double breast of suit
he was wearing.
Speaker 3 (05:04):
What was wrong with it? That cold fit me like
a dummy in a window.
Speaker 5 (05:07):
You should have stayed there.
Speaker 3 (05:10):
After all, Mary, I don't have to spend a fortune
for a little easter outfit.
Speaker 5 (05:14):
You're right, Jack? Tell him what happened on the boulevard
this morning?
Speaker 3 (05:17):
Never mind that what was very well?
Speaker 5 (05:20):
Jack was strutting along in his new suit.
Speaker 4 (05:21):
Proud of the peacock.
Speaker 3 (05:22):
I was just walking ahead. May, Oh, you're silly.
Speaker 5 (05:27):
Well he was walking along and all of a sudden
a man behind him.
Speaker 3 (05:30):
Knees, he sneezed, and then what happened?
Speaker 5 (05:34):
Jack's coach drunk four inches?
Speaker 3 (05:40):
Oh? Well is that right?
Speaker 4 (05:41):
Jack?
Speaker 3 (05:42):
Yeah? Before I could say kazoom hide, I was nearly
stranged though. Anyway, what if I did shrink a little?
Who cares? Or Jay? Hello? Kenny? Come here a minute,
will you? What is it?
Speaker 4 (05:52):
Well, come over here, it's important.
Speaker 3 (05:54):
I can imagine. Okay, Oh don these shoes?
Speaker 2 (06:03):
Hey?
Speaker 4 (06:03):
What's that noise?
Speaker 5 (06:04):
A squeak at Oxford?
Speaker 3 (06:09):
All right? Now? What is it? Kenny?
Speaker 1 (06:11):
Well?
Speaker 3 (06:11):
I did something last week and I don't know whether
I ought to tell you. Well, you called me over here,
didn't you.
Speaker 4 (06:16):
Well, if I tell you, will you promise you won't
fire me for it?
Speaker 3 (06:18):
Yes, I promise. What did you do? Well?
Speaker 4 (06:21):
I listened to Fred all on Wednesday night?
Speaker 3 (06:25):
Oh you mean the guy that wears flour sacks candies. Well, Kenny,
I don't care who you listen to.
Speaker 2 (06:32):
I heard Fred Allen too, Jack, and the way he
ran you down. You ought to do something about it.
Speaker 3 (06:36):
I'll admit he is a bit of a nuisance. But
what can I do?
Speaker 4 (06:38):
Why don't you have him bumped off?
Speaker 3 (06:42):
Bumped off? You know?
Speaker 4 (06:43):
I take him for a drive?
Speaker 3 (06:52):
Drive? You mean ride? Take him for a drive?
Speaker 5 (06:55):
Well, you ought to do something about it. Alan keeps
saying your cheek all the time?
Speaker 3 (06:58):
Oh he does they Well, he's got a lot of
nerve to talk about me. Any man that'll open the
can of sar deans, eat them and then save the
tails for hash. Well, glad I didn't blow that line too.
Don't tell me about that guy. Yeah. Another thing, he
said your toupei didn't fit. Now that's a big lie
(07:21):
because I don't even wear one. Mary, Look at the
top of my head, what do you see there?
Speaker 5 (07:25):
A parking lot.
Speaker 3 (07:27):
Well, let's forget my head all and everything else. Go
ahead and sing your song, Kenny.
Speaker 5 (07:31):
Okay, oh Jack, wait a minute, I just thought of
something awful.
Speaker 3 (07:34):
What's that here?
Speaker 5 (07:35):
It is easter and I forgot to write a poem?
Speaker 3 (07:37):
Well, Mary, what will people think? Now? You go ahead
and write one while Kenny sings and work hard on it.
Speaker 4 (07:43):
Or her and her old poems?
Speaker 5 (07:44):
Oh yeah, you and your old songs.
Speaker 3 (07:46):
Well, my songs are better than your poem. Now, children,
children sing Kenny, owe me and my new shoes. I'm
sorry I tore off that guarantee.
Speaker 6 (08:10):
Oh there's a song in the air, but the fair
Senorita doesn't seem.
Speaker 2 (08:28):
To care for the song in.
Speaker 3 (08:31):
The sousing to the mule. If you're sure.
Speaker 7 (08:39):
She won't think that I am just a fool there,
nay ar mule.
Speaker 3 (08:52):
She listens carefully.
Speaker 7 (08:54):
To listen to I play La ba la Signorita. She
loves to see it, to reform the way.
Speaker 3 (09:05):
There's a lie in her eye.
Speaker 6 (09:09):
Though she may try to hide it, she cannot deny there's.
Speaker 2 (09:14):
A lie in her.
Speaker 3 (09:19):
Or the charm of her smile, for the guile.
Speaker 4 (09:26):
That he rode a.
Speaker 6 (09:27):
Mile, for the charm of us fall.
Speaker 4 (09:37):
Ami domio.
Speaker 7 (09:39):
Is she listening to my song?
Speaker 4 (09:42):
Lapel la signoca?
Speaker 3 (09:44):
She'd love to see you to reformino the way?
Speaker 7 (09:47):
But why she may in her voice a flaw and
on apple.
Speaker 3 (09:57):
Cancer?
Speaker 7 (10:09):
Sen you read that donkey sick, not mosquito, but so
sweet like my chicha.
Speaker 3 (10:14):
Yogo one for me. The Donkey Serenade from The Firefly,
sung by Kenny Baker Donkey Serenade. It's kind of a
silly title, isn't it? Kenny silly?
Speaker 4 (10:34):
Sure?
Speaker 3 (10:34):
After all, it would serenade a donkey jackass jack. Well, Hey,
that's right, come to think of it, Hey, Mary, are
you coming along with your poem?
Speaker 5 (10:49):
I need one more fer I'll be throwing a minute.
Speaker 3 (10:51):
We'll hurry it up. We haven't got anything to do here,
Oh we allie?
Speaker 2 (10:54):
Well, ladies and gentlemen.
Speaker 1 (10:55):
While you're waiting for miss Livingston's poem, why don't you
skip out in your kitchen and prepared dish of jello.
It's tempting, easy to make and thumbs in six delicious flavors.
Speaker 3 (11:03):
I'm all finished, John, Well, I'm not.
Speaker 1 (11:04):
Strawberry, raspberry, cherry, orange, lemon and lime. Look put the
big red letters on the box.
Speaker 5 (11:09):
Oh Happy Easter, your happy Easter.
Speaker 3 (11:11):
You are way Wait a minute, Marry, wait a minute,
take it easy. And what's the name of your poem?
Speaker 5 (11:15):
Easter Greetings? I'm Mary O livingsonce what's the old four?
Speaker 2 (11:19):
Oh?
Speaker 3 (11:19):
Happy East?
Speaker 5 (11:20):
You're happy? You are with us once again with your
Easter eggs, so tempting, summer candy, summer hens.
Speaker 3 (11:29):
Well, well that makes sense.
Speaker 5 (11:32):
Boys and girls, all dressed up pretty, parade the streets
in every city, and all show off their Easter stuff,
even though it's on the cuffs.
Speaker 3 (11:41):
Now that's a little too personal, I think, Mary.
Speaker 5 (11:43):
I like to smell your Easter lilies, your hot cross buns.
I love to tackle your rabbits. All lay eggs, they say,
But gee, I never heard one cackle.
Speaker 3 (11:52):
Cackle tackle, And that's just looney.
Speaker 5 (11:55):
Say Jack, did longfellow work with a stooge?
Speaker 7 (11:57):
No?
Speaker 4 (11:57):
And keep still.
Speaker 5 (12:05):
A lavert?
Speaker 3 (12:06):
That's good.
Speaker 5 (12:11):
So I have sir with why's your pipp and two hurrahs?
Until you come next year to greet us, I say,
farewell the end applause.
Speaker 3 (12:26):
Yeah you got a nighte hand there, Mary, But you
asked for it. Do you think that's ethical?
Speaker 5 (12:31):
But it's sure.
Speaker 3 (12:32):
Oh, when you got something there nothing like going after
it yourself. Hey Jack, Yes, Phil, what are we stalling for?
Why are we going to do something interesting? Well, Phil,
we're doing the best we can. If it's dull here,
why don't you pick up your orchestra and go home?
That's what I say, Thanks, Kenny, and mind your own business.
He always comes to with the wrong time.
Speaker 4 (12:54):
When I met Jack.
Speaker 3 (12:54):
Are we going to do a play tonight? No? Phil,
we don't have to do a play every Sunday night.
What is it? A stock company? What I just thought
we ought to Are putting on a play week after week?
Is no picnic?
Speaker 2 (13:03):
You know that people seem to like them.
Speaker 3 (13:05):
Yes, but gee, Whizzy, you think it's easy? Do you
think it's necessary?
Speaker 5 (13:08):
It's none of my business.
Speaker 3 (13:17):
I'm talking to Phil Kenneth. Anyway, Fellas, I'll tell you
what I planned to do, and it's a surprise. We're
gonna cut the program short tonight and I'm gonna creat
you all to the alg Barnes Sells Floto Circuits. Now
what do you think of that? And I remember, Fellas,
remember it's my tree. A man gave me five passes
(13:37):
for tonight's show. Passes. How'd you get them? Well, I've
got a friend with the circus, and besides, I let
him put posters up all over my new house. You
know I won't be moving in for quite a while,
you know, say Jack, you know I happened to drive
by your new house last night. It's coming along fine,
isn't it. Yeah? And you notice all those circus posters
with lines and snakes and zebras all over us? Yes, sir,
(13:58):
I threw my jug right out the windows. Oh you did.
Speaker 5 (14:06):
Well.
Speaker 3 (14:07):
Tonight you're invited to see the real thing. We'll have
a lot of fun too. I'm terribly sorry, Jack. I'd
love to go, but I got a blind date tonight.
Oh you and your blind dates? Well, I guess you're stuck. Bill.
How about going now?
Speaker 2 (14:17):
Fellas well?
Speaker 3 (14:17):
Just about make it? Oh wait a minute, come in?
Speaker 4 (14:23):
Well hi you fuck?
Speaker 3 (14:25):
Well? Hello, Andy, Hey, you're just in time. We're all
going to the circus, and I got a pass for
you too. You want to come along?
Speaker 5 (14:32):
Sure, Buck, I got an ant with that show.
Speaker 4 (14:34):
She's the bearded lady, your aunt.
Speaker 3 (14:36):
How did she happen to become a bearded lady?
Speaker 8 (14:38):
Oh she just got tired of shaven one day.
Speaker 3 (14:47):
Oh well, come on, let me go. Oh, by the way, Andy,
I meant to ask you did your pall by that
aeroplane you were telling me about.
Speaker 8 (14:53):
Oh sure, he's been flying around in it all week already.
Speaker 3 (14:57):
Say he's learning fast, isn't he? Yeah?
Speaker 4 (14:59):
Two Shepterday was backers in a loop the loop and
he fell out.
Speaker 3 (15:03):
Oh that's terrible.
Speaker 4 (15:05):
Yeah, lucky thing he had on a parachute.
Speaker 3 (15:07):
Well, i'll say it was lucky.
Speaker 4 (15:09):
Too bad he forgot the wop and.
Speaker 3 (15:13):
What my goodness he felt right down to the ground age.
He must have hit it pretty hard.
Speaker 4 (15:17):
I'll say he did. He swallowed his shoe in the back.
Speaker 3 (15:20):
Well, I'm glad it was nothing more serious. Come on, Jack,
let's go all right. Wait, let's see if I've got
the passes. Yeah, we're all set. Come on, fellow, Oh boy, John, Hey,
fel hey, Phil, take care of the show from now on. Okay, Well, fellas,
let's play the next number and go home.
Speaker 4 (15:35):
What do we play?
Speaker 3 (15:36):
Oh? Anything? Squeaky shoes won't know the difference? You ready? Boys?
Wait a minute, hold everything, come in, mister Harris. Yes,
have you got a blind day tonight? Yes?
Speaker 4 (15:46):
I have.
Speaker 3 (15:46):
Don't keep mama out late? Goodbye? All right, all right,
all right, boys, play slow, I'm gonna know her st Wow, follos,
(18:00):
here we are. There's a big cloud, so everybody stick
close to me.
Speaker 1 (18:02):
We've got a little time to kill before the big
show goes on.
Speaker 3 (18:05):
But what do we do first?
Speaker 4 (18:06):
I want to see the elephant.
Speaker 3 (18:07):
I want to get my girl's name tattooed on my chest.
What's her name? Kenny, Genevieve, Krutzenborg and Pepper. You better
get another girl or a bigger chest. It's a fine name.
Speaker 2 (18:20):
Where's the fat lady? I'd like to see her.
Speaker 3 (18:22):
She'd like to see you too, Hey, she'd go for you.
Speaker 7 (18:31):
Yeah.
Speaker 5 (18:31):
Look at the India rubber man over there.
Speaker 3 (18:33):
Oh yes, say that is the India rubber man. You
must have a call a call.
Speaker 5 (18:37):
Why he gets tied his nose in a knot.
Speaker 3 (18:40):
Say I must try that sometime. It'll save handkerchiefs. Hey, fellas,
get him old of the wild Man of Borneo.
Speaker 2 (18:45):
Look at him there in that cage.
Speaker 3 (18:46):
He's a tough looking mud. Let's go over and talk
to him.
Speaker 4 (18:49):
Cool cool, cool, cool.
Speaker 3 (18:51):
God, Oh boy, he is ferocious. Hello, wild man, tell
me tell me what makes you so wild?
Speaker 4 (19:01):
It's town hall tonight.
Speaker 3 (19:10):
Well, I can understand that balloon balloon.
Speaker 1 (19:13):
Get them out there, blown up balloon balloon.
Speaker 5 (19:17):
Oh jack finny balloon.
Speaker 3 (19:18):
Yeah, I want one too. They are pretty big. One
say at is pretty? Do you want a balloon Kenny? Nah,
that's for children.
Speaker 4 (19:24):
I want a Tom Collins.
Speaker 3 (19:28):
Kenny, you don't even know what a Tom Collins is.
Speaker 4 (19:30):
I do too.
Speaker 5 (19:31):
It's a heart boiled lemonade.
Speaker 3 (19:34):
All right, stop showing off, Paul, mister Benning. Why Rochester?
Speaker 4 (19:38):
I thought you was at NBC Broadcasting.
Speaker 3 (19:40):
Yeah, and I thought you were home where you should
be working. Well, you are started to hit it. Well,
now that you're here, you can stay. But don't let
it happen again.
Speaker 4 (19:51):
Yes, save ball.
Speaker 8 (19:52):
Well, are you in the mood for a little conference
in the field of finance?
Speaker 3 (20:02):
Oh? So you're broke again? Hey, what happened that five
dollars I gave you last night? What I gave you
five dollars last night? Now, what did you do with it?
Speaker 4 (20:11):
I sent that out to fight the recession?
Speaker 3 (20:15):
Now tell me the truth, Rochester, What did you do
with that money?
Speaker 4 (20:18):
I went to the barber shop.
Speaker 3 (20:19):
Now that's ridiculous. How could you spend five dollars in
a barber shop.
Speaker 4 (20:22):
The barber Suu was seven.
Speaker 3 (20:28):
Well here's a dollar, that's all you're gonna get. I
run along, thanks, boy.
Speaker 4 (20:32):
Yeah, come, Josephine.
Speaker 3 (20:36):
That boy can't hold on to a dime.
Speaker 5 (20:38):
Yay, I'm hungry. I'm going over to get a hot dog.
Speaker 3 (20:40):
Yeah, me too.
Speaker 4 (20:41):
I could go for one myself.
Speaker 3 (20:42):
Hot dog. Get your hot dogs here, get them all
of their red hot Hey, I thought you were selling balloons.
Where'd you take the hot dog? I see, well we
don't want any, hey jack.
Speaker 1 (20:56):
Look look they're lighting up the breaks for the side show.
Speaker 8 (21:00):
Right this way, ladies and channlem am our side shows
about to begin. We have with us the greatest, the
most stupendous aggregation of the peak se jurlry honsity use
this world is ever seed.
Speaker 3 (21:12):
Come on, fellas, let's get aload of that. Right?
Speaker 4 (21:16):
No, right over here, am I right? We have Elmar
the living skeleton.
Speaker 3 (21:19):
Why this man the soul film.
Speaker 8 (21:21):
We can't weigh him.
Speaker 4 (21:23):
He's blowing off the scale.
Speaker 3 (21:26):
A living skeleton, now that he weighed one hundred and
fifty pounds.
Speaker 4 (21:29):
Come line your shoes, squeak.
Speaker 3 (21:33):
How does he know?
Speaker 8 (21:33):
All over here on my lamp we have Mademoiselle Lulu,
the greatest snake charmer that ever made a cobra.
Speaker 5 (21:39):
Say Uncle, well, well hello luluh Andy?
Speaker 3 (21:44):
Why Andy, do you know the snake charmmer?
Speaker 4 (21:45):
Sure? I used to Nora when she played with worms.
Speaker 3 (21:52):
Oh way back when. Eh.
Speaker 8 (21:55):
And right over here we have one of the greatest
novelties on the face of the Globe sailors.
Speaker 4 (22:00):
The tattooed ma'am pictures from head.
Speaker 3 (22:02):
To toe, tattooed man when there's hardly a mark on
his body.
Speaker 4 (22:06):
We set him too the laundry and shut up, cut up.
Speaker 3 (22:10):
Your south, you old wind bag.
Speaker 4 (22:11):
And right over here, ladies and gentle man, we have
a new attraction, the man with the pin head.
Speaker 2 (22:17):
Where I'm looking at you?
Speaker 5 (22:21):
Oh, why don't you keep quiet?
Speaker 3 (22:23):
Yet? Nerve of that guy saying I had a head
like a pin Yeah, how can you cow with your
hat on? Wise guy?
Speaker 8 (22:31):
And now hopes lamps, but not least Paul, the real
Sansa Shan. The evening we have with us no other
than that famous old yet Prodanci Prince san Salza direct
from Cairo Regi.
Speaker 4 (22:46):
She shake sand, she quivered.
Speaker 3 (22:48):
Oh boy, that's mighty handy.
Speaker 8 (22:50):
Right inside, folks, Princess Arza goes on immediate, man.
Speaker 5 (22:54):
Mon fellas, let's go in Yeah for you later, you
little Tina.
Speaker 2 (22:57):
Wait a minute, Jack, me on, time to go in here.
The big show starts right away.
Speaker 3 (23:00):
Yeah, we gotta go over there, Jarnath, have you got
your passes? Jack? Here? They are got to exchange him
at the box office. Well, here we are, fellows, Yes, sir,
how many I'd like to exchange these for tickets? I've
got five passes here you are. Listen, buddy, These passes
are good all right, but not for tonight's Caesar for
(23:22):
the day matinee. The man that gave him to me
said they were for tonight.
Speaker 4 (23:28):
I can't help what he said.
Speaker 3 (23:29):
Theeer for thee mac and ay or no map to me?
It's the fine, howdy. I'm going right home and rip
those posters off my house. Go ahead, we're leaving town tonight. Anyway. Well,
this is the dirtiest trick that I've come over along, buddy,
we're holding up the liner. I've never heard of such
a rotten thing in all my life.
Speaker 5 (23:47):
Oh Jack, why haggle about it? Why did you buy tickets?
Speaker 4 (23:50):
Sure back a couple.
Speaker 3 (23:51):
Of dollars on now listen fellas. It's not the money,
it's the principle of the thing.
Speaker 2 (23:55):
Oh come on, Jack, come on. If you feel that
way about it, I'll buy the ticket.
Speaker 3 (23:58):
Oh no, don you can take us out to supper later.
But we're going to get into this circus for nothing.
Now follow me, Hey, the main interest is over that way.
I know what I'm doing. They're not gonna put anything
over on me. Come on around to the back now,
quiet everybody. I'll show those guys now look nonchalant, fellas.
Speaker 5 (24:18):
I know what's coming.
Speaker 3 (24:20):
Now wait, I wait, here's a good place. Lift the ten, Kenny,
we'll all crawl under.
Speaker 4 (24:24):
Oh gee, will.
Speaker 3 (24:27):
Don't be afraid. Now come on now listen, fellas, Mary,
Kenny and I will go in first, and don you
and and he can watch until I give you the
signal to come in. Now, come on, follow me under
the ten whoa Kenny, don't push.
Speaker 2 (24:48):
Now?
Speaker 4 (24:48):
Quiet, quiet, everybody.
Speaker 5 (24:50):
See this is like going to the circus with Harry laughter.
Speaker 3 (24:53):
All right, here we are up on your feet. Well
here we are on the inside. What's wrong with this? Hey, Jack?
Speaker 4 (24:58):
Look at these bars over here. That's a cage.
Speaker 3 (25:01):
Ken either are lions on the other side.
Speaker 5 (25:03):
Oh yeah, turn around jack, Oh for goodness, say oh.
Speaker 1 (25:10):
Why Holly praying, bom Holly cry, something new, something different,
(26:11):
something swell to eat.
Speaker 2 (26:12):
And here it is and you'll all want to try it.
Speaker 1 (26:17):
It's called golden apricot pie, a most unusual dessert you've
served in a long time, made with delicious irons jello
combined with apricots.
Speaker 2 (26:25):
And it's easy to make. And here's what you do.
Speaker 1 (26:28):
First, dissolve one package of irons, jello and hot water
and chill until thickened. Then combine half a pound of
cooked dried apricots with a quarter cup of sugar. Pull
the apricots into the thickened jello and turn into a
cold baked pie shell. Chill until ferm cover with whipped cream,
and give your family a grand n'de treat for Golden
apricot pie is really swell, fragrant fruit, rich irons jellow
(26:51):
molded with apricots under a blanket of fluffy whipped cream.
A beautiful combination to look at, a delicious one to taste.
Just be sure to make your apricot pie with genuine jello,
or only jello brings you Jello's extra fruit flavor, So
try this delicious new pie for desserts. Order jello from
your grocer tomorrow.
Speaker 3 (27:49):
This is the last number of the twenty ninth program
in the New Yellow Theory. I'll be with you again
next Sunday night at the same time. Both, folks, I'm
all out of breath, but I got away from that line,
and our ladies and gentlemen, I would like to announce
that next Sunday night, we are going to present the
highlight of our entire season. We're are going to offer
our version of Walt Disney's greatest film success, Snow White
(28:11):
and the Seven Dwarfs. So be sure and listen in.
Speaker 5 (28:14):
Say Jack, have you seen the picture yet?
Speaker 3 (28:16):
No, Mary, but I'm going to see it tonight. I've
got passes. Do you want to come along?
Speaker 5 (28:22):
No, I'm not going to sneak under the car circle.
Speaker 3 (28:26):
Good night, folks.
Speaker 2 (28:40):
There's been parton announcing spotting. This week, Robert L.
Speaker 1 (28:43):
Ripley's Believe It or Not program will be hurt Tuesday.
Speaker 2 (28:45):
Night instead of Saturday over most of these same stations.
Be sure to see your.
Speaker 1 (28:48):
Local newspaper for the new time daylight savings get in
some parts of the crupper.
Speaker 2 (28:53):
Next Sunday was to bring a change in time.
Speaker 1 (28:55):
For the Juno Program on some of these stations. Consult
your local newspaper for schedule of your stag Canny Baker
affairs on the Juno Program.
Speaker 2 (29:03):
Conturnacy Marvel Right Production. This is the national broadcasting company
Say the Jello program sowing Jack Benny with Mary Livingston
and Phil Harris and his orchestra. The orchestra opens a
program with cry, Baby Cry. This is the day of
(00:22):
the Easter Parade, and there's a cheerful feeling in the air.
Speaker 2 (00:25):
Perkin, new hats, gay flowers.
Speaker 1 (00:27):
Everything reflects the spirit of carefree spring.
Speaker 2 (00:30):
It's a day of color. And if you serve jello
for your east to dessert, you were right in the
spirit of things.
Speaker 1 (00:35):
For a shimmering mold of bright clear jello is mighty
gay and cheerful. The glowing reds of strawberry, raspberry or
cherry jello, shiny orange, golden lemon, or sea green lime.
Speaker 2 (00:46):
You have a regular.
Speaker 1 (00:47):
Rainbow to choose from, and no matter which flavor you select,
you're short of a masterpiece. For jello tastes as good
as it looks. It's crammed with delicious, extra rich fruit flavor,
the flavor from fresh ripe fruit.
Speaker 2 (01:00):
It's put there by a special process. It's sealed right
in so it can't get out. It's caught and health
for you to enjoy.
Speaker 1 (01:06):
The minute you taste a shimmering spoonful, a delight to
the eye and.
Speaker 2 (01:10):
The thrill to the taste. That's jello.
Speaker 1 (01:12):
But be absolutely sure you do get genuine jello with
that extra rich fruit flavor. Look for the big red
letters on the box. They spell jello. That was Cry,
(01:45):
Baby Cry, played by the orchestra. Now, ladies and gentlemen,
we bring you a man who is celebrating Easter with
a new suit, new shirt, new tie, and the new
shoes that squeak.
Speaker 3 (01:56):
Jack Penny, sir, nice, Hello again, it's a Jack Benny
who was also looking for a new announcer. And listen, Don,
it was nice of you to mention my Easter outfit.
But it so happens that my shoes do not squeak.
They might chirp a little because they're happy, but they
(02:20):
do not squeak. Or Jack, I heard you when he
came into the studio.
Speaker 2 (02:24):
You sounded like a rusty beer sign in the wind.
Speaker 3 (02:27):
Now, Don, every new shoe has a little something to say,
but I repeat, mine do not squeak.
Speaker 1 (02:32):
All right, then, just walk around the microphone and see
what happened.
Speaker 3 (02:35):
Okay, smarty, Well what do you think of your shoes?
Speaker 4 (02:45):
Now?
Speaker 3 (02:45):
Well, naturally they're a little nervous. It's the first time
they've ever been on the air. But say, don now
you're kind of doll up for Easter yourself. That's a
nice looking suit you're wearing.
Speaker 2 (02:55):
Well, thanks, Jack, I just bought it last week.
Speaker 3 (02:58):
It's very snappy. Where'd you get it? Well?
Speaker 2 (03:00):
Our Chafflin Marx made the parents.
Speaker 3 (03:02):
A hard chaffterin mark. I knew it wasn't a one
man job, did they? Uh? Did they make the colt
too well?
Speaker 4 (03:14):
Zactly?
Speaker 2 (03:14):
They put in a bit on it.
Speaker 1 (03:15):
But I finally awarded the contract to the Tri State
Construction Company.
Speaker 3 (03:20):
Oh yes, they also did the boulder, damn. And they
heard something big and say, don Kamira a minute. Look
at Phil standing over there. Isn't it disgraceful the way
he comes dressed on a holiday? Well, it isn't very
good taste, tamer Phil? What is it?
Speaker 4 (03:33):
Jack?
Speaker 3 (03:33):
You want to know a funny thing? Here, I bother
to get all dressed up for Easter with a new
suit and shoes, and spend hours faking myself up, and
you come to the studio with slacks, an old sport
coat and no necktie. Yeah, and you want to know
another funny thing? What I still look better than you? Do?
(03:55):
You do not, and I'll leave it to anyone here.
In fact, I'll leave it to the boys in your band.
Which of us is dressed better for Easter? Why do
they know they tried to buy firecrackers today. Well, that's
a nice organization you've got. Don't tell me they all
thought today was the fourth of July. Oh the drummer
held out for Saint Patrick's Day. Oh yes, I see
(04:17):
the shamrock on the symbol. Well, Phil, your boys might
be mixed up about holidays, but when it comes to music,
they're mixed up.
Speaker 5 (04:27):
Oh hello Mary, Hello Jack, Happy Eastern.
Speaker 3 (04:29):
Thanks same to you, kid.
Speaker 5 (04:30):
See you look so cute in the Eastern Parade this morning,
all dressed up in your new spring suit.
Speaker 3 (04:34):
Oh I wasn't out there to show off or anything.
I like to walk down the boulevard on Easter. Everybody does.
Speaker 2 (04:40):
So you were in the parade this morning, Jack, I
certainly was.
Speaker 5 (04:43):
You should have seen him Fellas satting along with a
cane on his hand and a flowering of his tail,
and he was wearing the swell of Derby hat. Oh,
Mary's way down over his ears.
Speaker 3 (04:55):
Well it was a little too big. I bought it
before I got my hair cut like a darn and.
Speaker 5 (05:01):
You should have seen that funny double breast of suit
he was wearing.
Speaker 3 (05:04):
What was wrong with it? That cold fit me like
a dummy in a window.
Speaker 5 (05:07):
You should have stayed there.
Speaker 3 (05:10):
After all, Mary, I don't have to spend a fortune
for a little easter outfit.
Speaker 5 (05:14):
You're right, Jack? Tell him what happened on the boulevard
this morning?
Speaker 3 (05:17):
Never mind that what was very well?
Speaker 5 (05:20):
Jack was strutting along in his new suit.
Speaker 4 (05:21):
Proud of the peacock.
Speaker 3 (05:22):
I was just walking ahead. May, Oh, you're silly.
Speaker 5 (05:27):
Well he was walking along and all of a sudden
a man behind him.
Speaker 3 (05:30):
Knees, he sneezed, and then what happened?
Speaker 5 (05:34):
Jack's coach drunk four inches?
Speaker 3 (05:40):
Oh? Well is that right?
Speaker 4 (05:41):
Jack?
Speaker 3 (05:42):
Yeah? Before I could say kazoom hide, I was nearly
stranged though. Anyway, what if I did shrink a little?
Who cares? Or Jay? Hello? Kenny? Come here a minute,
will you? What is it?
Speaker 4 (05:52):
Well, come over here, it's important.
Speaker 3 (05:54):
I can imagine. Okay, Oh don these shoes?
Speaker 2 (06:03):
Hey?
Speaker 4 (06:03):
What's that noise?
Speaker 5 (06:04):
A squeak at Oxford?
Speaker 3 (06:09):
All right? Now? What is it? Kenny?
Speaker 1 (06:11):
Well?
Speaker 3 (06:11):
I did something last week and I don't know whether
I ought to tell you. Well, you called me over here,
didn't you.
Speaker 4 (06:16):
Well, if I tell you, will you promise you won't
fire me for it?
Speaker 3 (06:18):
Yes, I promise. What did you do? Well?
Speaker 4 (06:21):
I listened to Fred all on Wednesday night?
Speaker 3 (06:25):
Oh you mean the guy that wears flour sacks candies. Well, Kenny,
I don't care who you listen to.
Speaker 2 (06:32):
I heard Fred Allen too, Jack, and the way he
ran you down. You ought to do something about it.
Speaker 3 (06:36):
I'll admit he is a bit of a nuisance. But
what can I do?
Speaker 4 (06:38):
Why don't you have him bumped off?
Speaker 3 (06:42):
Bumped off? You know?
Speaker 4 (06:43):
I take him for a drive?
Speaker 3 (06:52):
Drive? You mean ride? Take him for a drive?
Speaker 5 (06:55):
Well, you ought to do something about it. Alan keeps
saying your cheek all the time?
Speaker 3 (06:58):
Oh he does they Well, he's got a lot of
nerve to talk about me. Any man that'll open the
can of sar deans, eat them and then save the
tails for hash. Well, glad I didn't blow that line too.
Don't tell me about that guy. Yeah. Another thing, he
said your toupei didn't fit. Now that's a big lie
(07:21):
because I don't even wear one. Mary, Look at the
top of my head, what do you see there?
Speaker 5 (07:25):
A parking lot.
Speaker 3 (07:27):
Well, let's forget my head all and everything else. Go
ahead and sing your song, Kenny.
Speaker 5 (07:31):
Okay, oh Jack, wait a minute, I just thought of
something awful.
Speaker 3 (07:34):
What's that here?
Speaker 5 (07:35):
It is easter and I forgot to write a poem?
Speaker 3 (07:37):
Well, Mary, what will people think? Now? You go ahead
and write one while Kenny sings and work hard on it.
Speaker 4 (07:43):
Or her and her old poems?
Speaker 5 (07:44):
Oh yeah, you and your old songs.
Speaker 3 (07:46):
Well, my songs are better than your poem. Now, children,
children sing Kenny, owe me and my new shoes. I'm
sorry I tore off that guarantee.
Speaker 6 (08:10):
Oh there's a song in the air, but the fair
Senorita doesn't seem.
Speaker 2 (08:28):
To care for the song in.
Speaker 3 (08:31):
The sousing to the mule. If you're sure.
Speaker 7 (08:39):
She won't think that I am just a fool there,
nay ar mule.
Speaker 3 (08:52):
She listens carefully.
Speaker 7 (08:54):
To listen to I play La ba la Signorita. She
loves to see it, to reform the way.
Speaker 3 (09:05):
There's a lie in her eye.
Speaker 6 (09:09):
Though she may try to hide it, she cannot deny there's.
Speaker 2 (09:14):
A lie in her.
Speaker 3 (09:19):
Or the charm of her smile, for the guile.
Speaker 4 (09:26):
That he rode a.
Speaker 6 (09:27):
Mile, for the charm of us fall.
Speaker 4 (09:37):
Ami domio.
Speaker 7 (09:39):
Is she listening to my song?
Speaker 4 (09:42):
Lapel la signoca?
Speaker 3 (09:44):
She'd love to see you to reformino the way?
Speaker 7 (09:47):
But why she may in her voice a flaw and
on apple.
Speaker 3 (09:57):
Cancer?
Speaker 7 (10:09):
Sen you read that donkey sick, not mosquito, but so
sweet like my chicha.
Speaker 3 (10:14):
Yogo one for me. The Donkey Serenade from The Firefly,
sung by Kenny Baker Donkey Serenade. It's kind of a
silly title, isn't it? Kenny silly?
Speaker 4 (10:34):
Sure?
Speaker 3 (10:34):
After all, it would serenade a donkey jackass jack. Well, Hey,
that's right, come to think of it, Hey, Mary, are
you coming along with your poem?
Speaker 5 (10:49):
I need one more fer I'll be throwing a minute.
Speaker 3 (10:51):
We'll hurry it up. We haven't got anything to do here,
Oh we allie?
Speaker 2 (10:54):
Well, ladies and gentlemen.
Speaker 1 (10:55):
While you're waiting for miss Livingston's poem, why don't you
skip out in your kitchen and prepared dish of jello.
It's tempting, easy to make and thumbs in six delicious flavors.
Speaker 3 (11:03):
I'm all finished, John, Well, I'm not.
Speaker 1 (11:04):
Strawberry, raspberry, cherry, orange, lemon and lime. Look put the
big red letters on the box.
Speaker 5 (11:09):
Oh Happy Easter, your happy Easter.
Speaker 3 (11:11):
You are way Wait a minute, Marry, wait a minute,
take it easy. And what's the name of your poem?
Speaker 5 (11:15):
Easter Greetings? I'm Mary O livingsonce what's the old four?
Speaker 2 (11:19):
Oh?
Speaker 3 (11:19):
Happy East?
Speaker 5 (11:20):
You're happy? You are with us once again with your
Easter eggs, so tempting, summer candy, summer hens.
Speaker 3 (11:29):
Well, well that makes sense.
Speaker 5 (11:32):
Boys and girls, all dressed up pretty, parade the streets
in every city, and all show off their Easter stuff,
even though it's on the cuffs.
Speaker 3 (11:41):
Now that's a little too personal, I think, Mary.
Speaker 5 (11:43):
I like to smell your Easter lilies, your hot cross buns.
I love to tackle your rabbits. All lay eggs, they say,
But gee, I never heard one cackle.
Speaker 3 (11:52):
Cackle tackle, And that's just looney.
Speaker 5 (11:55):
Say Jack, did longfellow work with a stooge?
Speaker 7 (11:57):
No?
Speaker 4 (11:57):
And keep still.
Speaker 5 (12:05):
A lavert?
Speaker 3 (12:06):
That's good.
Speaker 5 (12:11):
So I have sir with why's your pipp and two hurrahs?
Until you come next year to greet us, I say,
farewell the end applause.
Speaker 3 (12:26):
Yeah you got a nighte hand there, Mary, But you
asked for it. Do you think that's ethical?
Speaker 5 (12:31):
But it's sure.
Speaker 3 (12:32):
Oh, when you got something there nothing like going after
it yourself. Hey Jack, Yes, Phil, what are we stalling for?
Why are we going to do something interesting? Well, Phil,
we're doing the best we can. If it's dull here,
why don't you pick up your orchestra and go home?
That's what I say, Thanks, Kenny, and mind your own business.
He always comes to with the wrong time.
Speaker 4 (12:54):
When I met Jack.
Speaker 3 (12:54):
Are we going to do a play tonight? No? Phil,
we don't have to do a play every Sunday night.
What is it? A stock company? What I just thought
we ought to Are putting on a play week after week?
Is no picnic?
Speaker 2 (13:03):
You know that people seem to like them.
Speaker 3 (13:05):
Yes, but gee, Whizzy, you think it's easy? Do you
think it's necessary?
Speaker 5 (13:08):
It's none of my business.
Speaker 3 (13:17):
I'm talking to Phil Kenneth. Anyway, Fellas, I'll tell you
what I planned to do, and it's a surprise. We're
gonna cut the program short tonight and I'm gonna creat
you all to the alg Barnes Sells Floto Circuits. Now
what do you think of that? And I remember, Fellas,
remember it's my tree. A man gave me five passes
(13:37):
for tonight's show. Passes. How'd you get them? Well, I've
got a friend with the circus, and besides, I let
him put posters up all over my new house. You
know I won't be moving in for quite a while,
you know, say Jack, you know I happened to drive
by your new house last night. It's coming along fine,
isn't it. Yeah? And you notice all those circus posters
with lines and snakes and zebras all over us? Yes, sir,
(13:58):
I threw my jug right out the windows. Oh you did.
Speaker 5 (14:06):
Well.
Speaker 3 (14:07):
Tonight you're invited to see the real thing. We'll have
a lot of fun too. I'm terribly sorry, Jack. I'd
love to go, but I got a blind date tonight.
Oh you and your blind dates? Well, I guess you're stuck. Bill.
How about going now?
Speaker 2 (14:17):
Fellas well?
Speaker 3 (14:17):
Just about make it? Oh wait a minute, come in?
Speaker 4 (14:23):
Well hi you fuck?
Speaker 3 (14:25):
Well? Hello, Andy, Hey, you're just in time. We're all
going to the circus, and I got a pass for
you too. You want to come along?
Speaker 5 (14:32):
Sure, Buck, I got an ant with that show.
Speaker 4 (14:34):
She's the bearded lady, your aunt.
Speaker 3 (14:36):
How did she happen to become a bearded lady?
Speaker 8 (14:38):
Oh she just got tired of shaven one day.
Speaker 3 (14:47):
Oh well, come on, let me go. Oh, by the way, Andy,
I meant to ask you did your pall by that
aeroplane you were telling me about.
Speaker 8 (14:53):
Oh sure, he's been flying around in it all week already.
Speaker 3 (14:57):
Say he's learning fast, isn't he? Yeah?
Speaker 4 (14:59):
Two Shepterday was backers in a loop the loop and
he fell out.
Speaker 3 (15:03):
Oh that's terrible.
Speaker 4 (15:05):
Yeah, lucky thing he had on a parachute.
Speaker 3 (15:07):
Well, i'll say it was lucky.
Speaker 4 (15:09):
Too bad he forgot the wop and.
Speaker 3 (15:13):
What my goodness he felt right down to the ground age.
He must have hit it pretty hard.
Speaker 4 (15:17):
I'll say he did. He swallowed his shoe in the back.
Speaker 3 (15:20):
Well, I'm glad it was nothing more serious. Come on, Jack,
let's go all right. Wait, let's see if I've got
the passes. Yeah, we're all set. Come on, fellow, Oh boy, John, Hey,
fel hey, Phil, take care of the show from now on. Okay, Well, fellas,
let's play the next number and go home.
Speaker 4 (15:35):
What do we play?
Speaker 3 (15:36):
Oh? Anything? Squeaky shoes won't know the difference? You ready? Boys?
Wait a minute, hold everything, come in, mister Harris. Yes,
have you got a blind day tonight? Yes?
Speaker 4 (15:46):
I have.
Speaker 3 (15:46):
Don't keep mama out late? Goodbye? All right, all right,
all right, boys, play slow, I'm gonna know her st Wow, follos,
(18:00):
here we are. There's a big cloud, so everybody stick
close to me.
Speaker 1 (18:02):
We've got a little time to kill before the big
show goes on.
Speaker 3 (18:05):
But what do we do first?
Speaker 4 (18:06):
I want to see the elephant.
Speaker 3 (18:07):
I want to get my girl's name tattooed on my chest.
What's her name? Kenny, Genevieve, Krutzenborg and Pepper. You better
get another girl or a bigger chest. It's a fine name.
Speaker 2 (18:20):
Where's the fat lady? I'd like to see her.
Speaker 3 (18:22):
She'd like to see you too, Hey, she'd go for you.
Speaker 7 (18:31):
Yeah.
Speaker 5 (18:31):
Look at the India rubber man over there.
Speaker 3 (18:33):
Oh yes, say that is the India rubber man. You
must have a call a call.
Speaker 5 (18:37):
Why he gets tied his nose in a knot.
Speaker 3 (18:40):
Say I must try that sometime. It'll save handkerchiefs. Hey, fellas,
get him old of the wild Man of Borneo.
Speaker 2 (18:45):
Look at him there in that cage.
Speaker 3 (18:46):
He's a tough looking mud. Let's go over and talk
to him.
Speaker 4 (18:49):
Cool cool, cool, cool.
Speaker 3 (18:51):
God, Oh boy, he is ferocious. Hello, wild man, tell
me tell me what makes you so wild?
Speaker 4 (19:01):
It's town hall tonight.
Speaker 3 (19:10):
Well, I can understand that balloon balloon.
Speaker 1 (19:13):
Get them out there, blown up balloon balloon.
Speaker 5 (19:17):
Oh jack finny balloon.
Speaker 3 (19:18):
Yeah, I want one too. They are pretty big. One
say at is pretty? Do you want a balloon Kenny? Nah,
that's for children.
Speaker 4 (19:24):
I want a Tom Collins.
Speaker 3 (19:28):
Kenny, you don't even know what a Tom Collins is.
Speaker 4 (19:30):
I do too.
Speaker 5 (19:31):
It's a heart boiled lemonade.
Speaker 3 (19:34):
All right, stop showing off, Paul, mister Benning. Why Rochester?
Speaker 4 (19:38):
I thought you was at NBC Broadcasting.
Speaker 3 (19:40):
Yeah, and I thought you were home where you should
be working. Well, you are started to hit it. Well,
now that you're here, you can stay. But don't let
it happen again.
Speaker 4 (19:51):
Yes, save ball.
Speaker 8 (19:52):
Well, are you in the mood for a little conference
in the field of finance?
Speaker 3 (20:02):
Oh? So you're broke again? Hey, what happened that five
dollars I gave you last night? What I gave you
five dollars last night? Now, what did you do with it?
Speaker 4 (20:11):
I sent that out to fight the recession?
Speaker 3 (20:15):
Now tell me the truth, Rochester, What did you do
with that money?
Speaker 4 (20:18):
I went to the barber shop.
Speaker 3 (20:19):
Now that's ridiculous. How could you spend five dollars in
a barber shop.
Speaker 4 (20:22):
The barber Suu was seven.
Speaker 3 (20:28):
Well here's a dollar, that's all you're gonna get. I
run along, thanks, boy.
Speaker 4 (20:32):
Yeah, come, Josephine.
Speaker 3 (20:36):
That boy can't hold on to a dime.
Speaker 5 (20:38):
Yay, I'm hungry. I'm going over to get a hot dog.
Speaker 3 (20:40):
Yeah, me too.
Speaker 4 (20:41):
I could go for one myself.
Speaker 3 (20:42):
Hot dog. Get your hot dogs here, get them all
of their red hot Hey, I thought you were selling balloons.
Where'd you take the hot dog? I see, well we
don't want any, hey jack.
Speaker 1 (20:56):
Look look they're lighting up the breaks for the side show.
Speaker 8 (21:00):
Right this way, ladies and channlem am our side shows
about to begin. We have with us the greatest, the
most stupendous aggregation of the peak se jurlry honsity use
this world is ever seed.
Speaker 3 (21:12):
Come on, fellas, let's get aload of that. Right?
Speaker 4 (21:16):
No, right over here, am I right? We have Elmar
the living skeleton.
Speaker 3 (21:19):
Why this man the soul film.
Speaker 8 (21:21):
We can't weigh him.
Speaker 4 (21:23):
He's blowing off the scale.
Speaker 3 (21:26):
A living skeleton, now that he weighed one hundred and
fifty pounds.
Speaker 4 (21:29):
Come line your shoes, squeak.
Speaker 3 (21:33):
How does he know?
Speaker 8 (21:33):
All over here on my lamp we have Mademoiselle Lulu,
the greatest snake charmer that ever made a cobra.
Speaker 5 (21:39):
Say Uncle, well, well hello luluh Andy?
Speaker 3 (21:44):
Why Andy, do you know the snake charmmer?
Speaker 4 (21:45):
Sure? I used to Nora when she played with worms.
Speaker 3 (21:52):
Oh way back when. Eh.
Speaker 8 (21:55):
And right over here we have one of the greatest
novelties on the face of the Globe sailors.
Speaker 4 (22:00):
The tattooed ma'am pictures from head.
Speaker 3 (22:02):
To toe, tattooed man when there's hardly a mark on
his body.
Speaker 4 (22:06):
We set him too the laundry and shut up, cut up.
Speaker 3 (22:10):
Your south, you old wind bag.
Speaker 4 (22:11):
And right over here, ladies and gentle man, we have
a new attraction, the man with the pin head.
Speaker 2 (22:17):
Where I'm looking at you?
Speaker 5 (22:21):
Oh, why don't you keep quiet?
Speaker 3 (22:23):
Yet? Nerve of that guy saying I had a head
like a pin Yeah, how can you cow with your
hat on? Wise guy?
Speaker 8 (22:31):
And now hopes lamps, but not least Paul, the real
Sansa Shan. The evening we have with us no other
than that famous old yet Prodanci Prince san Salza direct
from Cairo Regi.
Speaker 4 (22:46):
She shake sand, she quivered.
Speaker 3 (22:48):
Oh boy, that's mighty handy.
Speaker 8 (22:50):
Right inside, folks, Princess Arza goes on immediate, man.
Speaker 5 (22:54):
Mon fellas, let's go in Yeah for you later, you
little Tina.
Speaker 2 (22:57):
Wait a minute, Jack, me on, time to go in here.
The big show starts right away.
Speaker 3 (23:00):
Yeah, we gotta go over there, Jarnath, have you got
your passes? Jack? Here? They are got to exchange him
at the box office. Well, here we are, fellows, Yes, sir,
how many I'd like to exchange these for tickets? I've
got five passes here you are. Listen, buddy, These passes
are good all right, but not for tonight's Caesar for
(23:22):
the day matinee. The man that gave him to me
said they were for tonight.
Speaker 4 (23:28):
I can't help what he said.
Speaker 3 (23:29):
Theeer for thee mac and ay or no map to me?
It's the fine, howdy. I'm going right home and rip
those posters off my house. Go ahead, we're leaving town tonight. Anyway. Well,
this is the dirtiest trick that I've come over along, buddy,
we're holding up the liner. I've never heard of such
a rotten thing in all my life.
Speaker 5 (23:47):
Oh Jack, why haggle about it? Why did you buy tickets?
Speaker 4 (23:50):
Sure back a couple.
Speaker 3 (23:51):
Of dollars on now listen fellas. It's not the money,
it's the principle of the thing.
Speaker 2 (23:55):
Oh come on, Jack, come on. If you feel that
way about it, I'll buy the ticket.
Speaker 3 (23:58):
Oh no, don you can take us out to supper later.
But we're going to get into this circus for nothing.
Now follow me, Hey, the main interest is over that way.
I know what I'm doing. They're not gonna put anything
over on me. Come on around to the back now,
quiet everybody. I'll show those guys now look nonchalant, fellas.
Speaker 5 (24:18):
I know what's coming.
Speaker 3 (24:20):
Now wait, I wait, here's a good place. Lift the ten, Kenny,
we'll all crawl under.
Speaker 4 (24:24):
Oh gee, will.
Speaker 3 (24:27):
Don't be afraid. Now come on now listen, fellas, Mary,
Kenny and I will go in first, and don you
and and he can watch until I give you the
signal to come in. Now, come on, follow me under
the ten whoa Kenny, don't push.
Speaker 2 (24:48):
Now?
Speaker 4 (24:48):
Quiet, quiet, everybody.
Speaker 5 (24:50):
See this is like going to the circus with Harry laughter.
Speaker 3 (24:53):
All right, here we are up on your feet. Well
here we are on the inside. What's wrong with this? Hey, Jack?
Speaker 4 (24:58):
Look at these bars over here. That's a cage.
Speaker 3 (25:01):
Ken either are lions on the other side.
Speaker 5 (25:03):
Oh yeah, turn around jack, Oh for goodness, say oh.
Speaker 1 (25:10):
Why Holly praying, bom Holly cry, something new, something different,
(26:11):
something swell to eat.
Speaker 2 (26:12):
And here it is and you'll all want to try it.
Speaker 1 (26:17):
It's called golden apricot pie, a most unusual dessert you've
served in a long time, made with delicious irons jello
combined with apricots.
Speaker 2 (26:25):
And it's easy to make. And here's what you do.
Speaker 1 (26:28):
First, dissolve one package of irons, jello and hot water
and chill until thickened. Then combine half a pound of
cooked dried apricots with a quarter cup of sugar. Pull
the apricots into the thickened jello and turn into a
cold baked pie shell. Chill until ferm cover with whipped cream,
and give your family a grand n'de treat for Golden
apricot pie is really swell, fragrant fruit, rich irons jellow
(26:51):
molded with apricots under a blanket of fluffy whipped cream.
A beautiful combination to look at, a delicious one to taste.
Just be sure to make your apricot pie with genuine jello,
or only jello brings you Jello's extra fruit flavor, So
try this delicious new pie for desserts. Order jello from
your grocer tomorrow.
Speaker 3 (27:49):
This is the last number of the twenty ninth program
in the New Yellow Theory. I'll be with you again
next Sunday night at the same time. Both, folks, I'm
all out of breath, but I got away from that line,
and our ladies and gentlemen, I would like to announce
that next Sunday night, we are going to present the
highlight of our entire season. We're are going to offer
our version of Walt Disney's greatest film success, Snow White
(28:11):
and the Seven Dwarfs. So be sure and listen in.
Speaker 5 (28:14):
Say Jack, have you seen the picture yet?
Speaker 3 (28:16):
No, Mary, but I'm going to see it tonight. I've
got passes. Do you want to come along?
Speaker 5 (28:22):
No, I'm not going to sneak under the car circle.
Speaker 3 (28:26):
Good night, folks.
Speaker 2 (28:40):
There's been parton announcing spotting. This week, Robert L.
Speaker 1 (28:43):
Ripley's Believe It or Not program will be hurt Tuesday.
Speaker 2 (28:45):
Night instead of Saturday over most of these same stations.
Be sure to see your.
Speaker 1 (28:48):
Local newspaper for the new time daylight savings get in
some parts of the crupper.
Speaker 2 (28:53):
Next Sunday was to bring a change in time.
Speaker 1 (28:55):
For the Juno Program on some of these stations. Consult
your local newspaper for schedule of your stag Canny Baker
affairs on the Juno Program.
Speaker 2 (29:03):
Conturnacy Marvel Right Production. This is the national broadcasting company
Popular Podcasts
On Purpose with Jay Shetty
I’m Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and I’m so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood you’re able to deal with relationship struggles, work challenges and life’s ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them we’ve never seen before. New episodes every Monday and Friday. Your support means the world to me and I don’t take it for granted — click the follow button and leave a review to help us spread the love with On Purpose. I can’t wait for you to listen to your first or 500th episode!
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Special Summer Offer: Exclusively on Apple Podcasts, try our Dateline Premium subscription completely free for one month! With Dateline Premium, you get every episode ad-free plus exclusive bonus content.
24/7 News: The Latest
The latest news in 4 minutes updated every hour, every day.