August 9, 2025 • 28 mins
A legendary variety show blending witty monologues, comic sketches, and musical interludes, all anchored by the impeccable timing of its beloved host. It’s a masterclass in comedic timing.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
The Jello Program starring Jack Benny, with Mary Livingston, Phil Harris.
Speaker 2 (00:06):
Dead to Stay and Yours Truly. Don Wilson. The Orchestra
opens a program with Night after Night.
Speaker 1 (00:19):
Tomorrow Night, ladies and gentlemen, all over the country, thousands
of folks will be sitting down to dinner.
Speaker 2 (00:23):
With Jello for dessert.
Speaker 1 (00:24):
How few of these folks will be enjoying Jello for
the first time, So if you've never tried this brand
dessert yourself, why not join them. So many people like
Jello that we think you will too. For one thing,
you like the way it looks, because Jello cuts a
fancy figure on any table, then you'll go in a
big way for that well known extra rich flavor. That sunny,
satisfying goodness of Jello is downright and biting.
Speaker 2 (00:46):
As fresh, juicy, delicious fruit.
Speaker 1 (00:48):
So Tomorrow night, for a mighty extra special treat, serve Jello.
Speaker 2 (00:52):
It's great with tasty nuts and fruit molded in, or.
Speaker 1 (00:55):
You can serve it up in smooth, velvety Jello creams
and Jello whips.
Speaker 2 (00:58):
Easy directions for a.
Speaker 1 (00:59):
Variety of brand desserts are in each box, and also
on each box are those famous.
Speaker 2 (01:04):
Big red letters.
Speaker 1 (01:06):
Always look for them to be sure of getting your
favorite and America's favorite gelatin dessert, Jello Black Rise, night
(01:32):
after night, played by the orchestra. Now, ladies and gentlemen,
we bring you our genial master of ceremonies, a man
who each Sunday night at.
Speaker 2 (01:38):
This time of don hold it. Jack isn't here yet.
He isn't Where is he?
Speaker 3 (01:42):
He's out in the hall talking on the telephone. I'll
go get him.
Speaker 2 (01:44):
What for? Introduce me don I can give out with
that MC stuff.
Speaker 3 (01:48):
MC meaning much corn nothing doing fil I'm going out
and get Jack.
Speaker 2 (01:52):
Yes, Marry, tell me where on the air? Okay, operator,
that's the Bisco gladys, the biscuit z y b y
s k O. Yeah, she's visiting her folks in Azusa
A z u s a no operator a z usa
(02:14):
no no usada da do do do do do dom
dot do do do. That's it now, hurry, will you please?
Speaker 3 (02:22):
Well, fellas, there's no use waiting for Jack. He's trying
to get his girlfriend on the telephone.
Speaker 2 (02:27):
That's her boy. He's plenty stuck on that little waitress.
Isn't he sure he's sweet to her?
Speaker 3 (02:31):
Anything to get out of tipping.
Speaker 2 (02:37):
You said it.
Speaker 1 (02:38):
Now, wait a minute, Phil, Jack's pretty serious about that girl.
If you notice how he's spruced up lately.
Speaker 2 (02:42):
He's so neat and well groomed. Flower in his buttonhole and.
Speaker 3 (02:45):
That hair tonic pew.
Speaker 2 (02:48):
Ah.
Speaker 1 (02:48):
That's love all right. As the Greeks say, lamour tis
yours from berry Pie?
Speaker 2 (02:53):
How's that?
Speaker 3 (02:55):
I better go out and get Jack again.
Speaker 2 (02:57):
Hurry. Look, operator zabisco z y b y sko I
told you she's visiting her folks in Azusa. Hey, it's
in the directory. Her father's name z z Zabisco. He
(03:17):
works for the Zenith Zipper company. No, I'm not kidding.
Speaker 3 (03:22):
Hey, Jack, John is waiting to introduce you.
Speaker 2 (03:24):
Tell him I'll be there in a minute, but we're
on the air. Tell him the stall a little bit
of hello, Hello. What Well, where's the operator I was
talking to? She went to lunch? Well, look, miss, here's
the story I'm trying to get miss Gladys abisco z
y b. Why.
Speaker 3 (03:45):
Well, he's still out of sellas he can't even get
Gladys on the phone.
Speaker 2 (03:47):
But we've got to get the show started. Then go
ahead and introduce me, don I'll goole him, Okay, and.
Speaker 1 (03:53):
Now, ladies and gentlemen, without further ado, we bring you
that lo towered of the Jello program, Bill Harris.
Speaker 2 (04:04):
Hello again, this is smiling Phil Harris talking, and thanks
very much Don for that lovely introduction. You know, Don,
A funny thing happened to me on the way to
the studio this afternoon. A panhandler asked me for a
nickel for a cup of coffee. Nickel for a cup
of coffee. Huh yeah, So I gave him the nickel
and he gave me the coffee. Oh oh, how's that?
Speaker 3 (04:24):
Mary, I'd like to give you some coffee with a nicky.
Speaker 2 (04:26):
And that's the trouble with this gang. They don't appreciate
anything subtle.
Speaker 3 (04:30):
You're about it, settle as Olten and Johnson. I'm gonna
try and get Jack.
Speaker 2 (04:36):
Skos the fits ball for Heaven's face. Yes, she's visiting
her folks in Azusa.
Speaker 3 (04:44):
Hey, Jack, quiet marriage, but still is starting to tell joke.
Speaker 2 (04:47):
Oh my goodness, hurry operator, it's a matter of life
and death. Look, Mary, tell Donna do a commercial or
something and they'll like, Hello, Hello, Hello, gladys darling. Pardon me, sir,
wrong number. Operator. You gave me the wrong number. No,
I don't want to give up. I want to talk
(05:08):
to Gladys Abisco.
Speaker 3 (05:09):
Why didn't you send a carrier pigeon?
Speaker 2 (05:11):
I didn't she ate it? Now, look, operator, Look, you're
a lovely girl, and it's been fun knowing you. But
I've got a broadcast to do and i'd like to talk.
Of course, I know someone else, but she happens to
be my fiance. I'm her itsy bitsy lambie pie. So
(05:33):
deck me the number for trying out loud? Please operate, Jack,
what are we gonna do? Mary, don't bother me? He
has Phil play a number or something. Okay, here's another one, folks, say,
don how do you make a thin boy fat? I
don't know, Phil. How do you make a thin boy fat?
Throw him out of a window and he'll come down plump.
Speaker 3 (05:54):
Very good Phil. And now, folks, the next joke will
be a number by Phil Harris and his orchestra.
Speaker 2 (05:58):
What about Jack?
Speaker 3 (05:59):
Oh, he'll be out in a minute.
Speaker 2 (06:00):
Play Okay, And now, folks, we're going to play a
brand new number entitled You've worked hard enough for me,
dear mother, Now go out and work for yourself.
Speaker 3 (06:09):
Yeah, quick boy is a flip.
Speaker 2 (07:55):
Z y b y s a ow the biscos now, operator,
I've been standing here fifteen minutes trying to get to Hello. Hello, Gladys,
this is forty what oh missus Abisco, how do you do?
Speaker 3 (08:12):
Well?
Speaker 2 (08:12):
Look, missus abiscal, this is Jack. Is Gladys there? I
like to talk to her. Oh she's over at the
neighbors taking a bath. Good I mean it's uh, I
mean well, look as soon as she gets back, have
her give me a ring.
Speaker 3 (08:30):
Oh, Jack, come on, we're waiting for you.
Speaker 2 (08:31):
Just a minute, marry now I remember missus Biscoal be sure,
and how gladys to call me? By the way, how
is mister's abisco? Oh that's too bad. Well who did it?
Speaker 4 (08:42):
Oh?
Speaker 2 (08:42):
You did it? Oh? Tell I hope he gets better? Goodbye.
Well that's that.
Speaker 3 (08:50):
Period Jack John's having a fit.
Speaker 2 (08:52):
All right, all right, go ahead, I'll be there in
a minute. Hello. Oh, I'm sorry, operator. How much was
the call? Forty s? All right? Yes a second. Here's
a nickel, and here's a dime, and here's a quarter. Oops,
(09:26):
I'm sorry. Uh, here's a good one returned the other one? Operator,
Thank you? I wonder who gave me that bump quarter?
Speaker 1 (09:39):
Oh? Well to your neighborhood grosser, and ask him for
the package of Jello. It is economical, easy to make,
and come some six delicious flavors.
Speaker 2 (09:46):
Hello Fellas Sorry.
Speaker 1 (09:47):
Look for the big red letters on the box. They
spelled Jello, Hello Fellas Sorry, and Jello.
Speaker 2 (09:51):
Spells a tree. My goodness, Jack, Oh, excuse me, Don,
I'm sorry I kept you waiting, Fellas, but I was
trying to call Gladys. He wasn't home, Oh, stepping out
with someone else? He was not. She just went to
the neighbors to well. The lady next door was holding
a bridge party, and Gladys went over to.
Speaker 3 (10:07):
Make a fourth and while she was dummy, she took
a bath.
Speaker 2 (10:11):
Oh eavesdropping, eh, Mary. Well, at least Gladys was not
with another fella. There's one thing I can say about
that girl. She's only attached to one person at a time.
She's like a police doll. You said it. I mean
she's true to me.
Speaker 1 (10:22):
Well, perhaps I shouldn't say this, Jack, but I dropped
into Ginsburg's restaurant the other day and when Gladys brought
me my sandwich, she waked at me.
Speaker 2 (10:29):
Gladys winked at you, absolutely with her right eye or
left eye? Her left eye, Well, that's the one that twitches.
That's nerves done, not romance. Now let's forget about my
private life.
Speaker 3 (10:42):
Hey, Jack, telling what happened last Sunday night when you
took Gladys to the Traca. Daryl, you weren't with us, No,
but I saw you this Well, what about it?
Speaker 2 (10:49):
Very well?
Speaker 3 (10:50):
Last Sunday after the broadcast, Jack home, he was stepping
out with Gladdys. Oh, right after she got through working.
He picked her up and took her to the Chocadarol
for dinner.
Speaker 2 (11:00):
It's not so funny. So what happens?
Speaker 3 (11:01):
Jack or his fried chicken and Gladys went out in
the kitchen and got it.
Speaker 2 (11:10):
See, just a little laps in minded, that's all. Anyhow,
we had a marvelous time, Gladys and I won the
jitterbug contest. Didn't we care if a.
Speaker 3 (11:17):
Caddy drink a bottle at tobacco sauce to do it?
Speaker 2 (11:20):
Boy? Was I hot? Any How? We won the contest,
and I have the cuff. I bet you've got a
geranium in it already. I have not that cuff as
on the mantelpiece right next to my Academy Award statue,
Your Academy award. Yeah, hey, wait a minute, when did
you ever get an Academy Awards statue? Last Thursday night,
I won it from Spencer Tracy in a craft game.
(11:43):
He's got oodles of her. And let me tell you
another thing. Oh hello, Dennis, Hello, mister Benny. And let
me tell you another thing, Phil Harris, I got just
as good a chance of winning the Academy Award this
year as Jimmy Stewart. You're right, mister Benny. Thanks Dennis.
Speaker 3 (11:56):
Why Jack, what are you talking about?
Speaker 2 (11:57):
I'm talking about my chance of winning the Academy Award cinch.
Well it's no sinch, but I've got a pretty good chance.
Speaker 3 (12:03):
Wait a minute, Jack, Wait a minute. Did you see
Jimmy Stewart? Mister Smith goes to Washington?
Speaker 2 (12:07):
Sure, but did you see Jack Benny in Man About Town?
I suppose I gave a bad performance, don't admit it,
mister Benny. Dennis, whose side are you on? Sometimes I
wonder why I don't hire a tenor with brains. You'd
have to pay him. Dennis, here's a yo, yo, go
and have fun. Now, listen, fellas, if you'll cut out
(12:31):
this argument and settle down and act like human beings.
I've got something very important to tell you.
Speaker 3 (12:35):
What is it? Jack?
Speaker 2 (12:36):
Are you sure you're in a mood to listen?
Speaker 4 (12:38):
Yeah?
Speaker 2 (12:38):
What's on your mind? Jackson? Well I'll get this everybody.
Next Sunday night, we're gonna do our program from Oakland, California,
and it's for the benefit of President Roosevelt Infantile Paralysis Fund.
We're gonna broadcast from a big auditorium seating over nine
thousand people. I could pack that by myself. Oh sure, sure, Phill.
The only time you ever entertained over nine thousand people
(12:58):
at once was when you sang sweet adline at the
Rose Bowl game and for a noncore you were thrown out. Remember,
Oh yeah, what a game? Twenty two players on each side.
Speaker 3 (13:19):
Yeah.
Speaker 2 (13:21):
Anyway, kids, as I have friends in both Oakland and
San Francisco, I'm leaving very early tomorrow morning. We're driving
up in the Maxwell. Ay, Mary, not me, Ajack. Don't worry, Mary.
That car ought to run a little better now. I
had the carbon removed in the valves ground.
Speaker 3 (13:35):
But that GILOPI needs is the mall the milk with
an egg in us.
Speaker 2 (13:39):
So well, just for that. You ride up on the train. Now, fellas,
I'm going home now and start packing because I want
to leave about five am. Well, i'll run along, Jack.
We can take care of the rest of the show. Okay,
thanks Don. Mary just didn't want to come along and
help me pack.
Speaker 3 (13:50):
Sure, but d Jack, you are out in the hall
for half the show and now you want to go home.
Speaker 2 (13:54):
What about it?
Speaker 3 (13:54):
Won't our sponsored Jack?
Speaker 2 (13:56):
Oh no, he never listens to our program. He thinks
the sun rises the sets with a phantom pilot. Well,
so long, fellas, Mary, get me a cab, will you? Okay? Oh,
mister Benny, mister Benny, what is it? There's a phone
call out here from Azusa. Oh yes, I've been expecting that.
Excuse me, Fellas. I see you all next week. See
(14:21):
I can hardly wait to talk to her. Hello, Hello,
hello gladders, Hello, hello operator? You cutting me off?
Speaker 3 (14:30):
Hey Jack, the cab is waiting.
Speaker 2 (14:32):
I'll be there in a minute. Look, operator, I was
getting a call. Hello, hello gladder, how are you, honey?
See what an awful time? Hello Hello, hello gladder, Hello
hello operator, operator. I was talking to Mr Bisco and Azusa,
the Biscos. See why b why?
Speaker 3 (14:53):
Oh?
Speaker 2 (14:53):
The heck with it, garn it. Oh my goodness, I
hit the got to go marry Mary. Look what happened.
Speaker 4 (15:16):
Love was a thing that you wanted. That's why we
answered lost ball. Now that you've got what you wanted,
you don't seem to.
Speaker 5 (15:28):
Volunt all hairly move that you've got me long, your careless,
careless in everything you do, and you break.
Speaker 2 (15:50):
Off ophn Ancy. You are small if you're not careful,
your break life careless. No that my pridgin is all lorver.
Speaker 5 (16:11):
You're careless, careless and things where I concern? Are you
just careless as you see?
Speaker 4 (16:27):
Why?
Speaker 2 (16:28):
You just hairless?
Speaker 5 (16:32):
Or no that you've got me long, your careless, careless
in everything you.
Speaker 2 (16:52):
Are?
Speaker 5 (16:52):
You just hairless as you came.
Speaker 2 (16:59):
All? Oh, Mary, I don't know why you always argue
(17:30):
with me. We can eat when we get to.
Speaker 3 (17:31):
My house and I'm hungry. We passed three driving stands.
Speaker 2 (17:34):
Mary, I don't like to eat a drive in stands
when I'm in a taxi. That click click click of
the meter gives me indigestion.
Speaker 3 (17:41):
See, I don't know how gladys can go out with a.
Speaker 2 (17:43):
Fellow like you. Is that so? Well? Let me tell
you something, Mary, Gladys understands me, and furthermore, she's not
a gold digger. She costs me plenty. I'm not talking
to you, driver, Just roll up that window and mind
your own business. Oh you want a neck? Huh No,
I don't want a neck. Hear that Marry That guy
just talk himself out of a quarter tip.
Speaker 3 (18:03):
He couldn't spend it anyway, not fat one.
Speaker 2 (18:06):
Well up here, driver, this is the house. Okay? What
do I owe you there? It is not a meter
a dollar ten? I mean a dollar twenty. Now wait
a minute. When you stopped it was only a dollar ten.
Didn't know, but it just clicked to a dollar's horny.
(18:27):
I don't care. I had one foot out.
Speaker 6 (18:28):
Of the cab, so don't tell me, old tan Jack.
Speaker 3 (18:33):
Here's Ronald Coleman looking out of his window.
Speaker 2 (18:35):
Not to Ronald Colman. Hey, yd driver, here's a dollar
ten and a ten cent tip. Take it anyway you
want 'em. Come on, Mary, the nerve of that guy.
Oh I must speak, commits a Coleman. Hello, Ronald, m close.
(19:01):
The window must be colder than.
Speaker 3 (19:02):
I thought, Yeah, something like that.
Speaker 2 (19:06):
Where's my key? Oh here it is, Let me have
your colt, Mary, I'll hang it up.
Speaker 6 (19:14):
Is that your cousin Lancelot.
Speaker 2 (19:21):
Cousin Lancelot, No, Rochester. This is mister Benny, no relation
my cousin Lancelot.
Speaker 3 (19:27):
Oh hello boss, Hold miss Limbsdon, Hello Rochester, Rochester.
Speaker 2 (19:30):
I told you a thousand times to keep your cousin
out of this house.
Speaker 6 (19:32):
We're riding the play together.
Speaker 2 (19:34):
I don't care if you are. I don't want them around.
What's the name of the play along with the Gin?
Speaker 3 (19:45):
Well write it on your own time, say, Jess, you
want me to help you with your packing, Let's get.
Speaker 2 (19:49):
Started, Okay, Mary, here, take this grip and put my
socks and shirts in it?
Speaker 3 (19:53):
All right? Oh Jack, Look at all the labels you
got pasted on this suitcase. Why don't you take some off?
Speaker 2 (19:58):
Why should I have travel all around?
Speaker 3 (20:00):
I want people to know it, I know, But she
look at Him's Boy Hotel London, Shepherd's Hotel Cairo, rich
Calton Terrace, Imperial Hotel Bombay, and Bluebell Auto Court Glendale.
Speaker 2 (20:17):
How did that get on there? I've never been there
in my life. Hey, Rochester, how did this auto Court
sticker get on my suitcase? With the rest of those labels?
Speaker 6 (20:23):
They all came in one package.
Speaker 2 (20:27):
Next time, read them first. Oh, Mary, put my pajamas
in there too.
Speaker 3 (20:31):
Okay, do you want to top to the bottom both?
Speaker 2 (20:33):
That may be chili in Oakland there. That's fine, thanks Mary.
Speaker 3 (20:37):
I'm hungry. I'm going out in the kitchen and get
something to eat.
Speaker 2 (20:40):
All right. You'll find some cold pot roast in the
ice spot. Oh oh, what are you owen about? After
dinner last night? There was four pounds and eight ounce
of a pot roast left exactly.
Speaker 3 (21:03):
How do you know?
Speaker 6 (21:04):
He waives it in and.
Speaker 2 (21:04):
Out like a job number. Well, it's about time I
started to keep track of things around here. I'm going
and help yourself.
Speaker 4 (21:17):
Mary.
Speaker 2 (21:17):
You'll find a great big piece of pot roast in
the ice spot.
Speaker 6 (21:19):
It wasn't so big because last lot got it between
two slices of bread.
Speaker 2 (21:25):
He did. And I'll talk to you later about that. Rochester.
I know what you can have, Mary. There's some tunea
fish left over from lunch.
Speaker 3 (21:31):
Have a mine. Go ahead, now, just give me a
Nichol and I'll get an affle out of your machine.
Speaker 2 (21:46):
Okay, here you are, gee, I might as well give
him away now, Rochester, we're gonna be gone over a week,
so we ought to make some arrangements about Carmichael and Trudy.
Speaker 6 (21:56):
Already fishing for the polar bear and the Ostrich to
stay in the pit shop.
Speaker 2 (22:00):
That's good, and I guess our border mister Billingsley will
get along all right until we come back. I don't
forget Rochester. We gotta leave at five o'clock in the morning,
so we better get.
Speaker 6 (22:07):
Up at four four o'clock in the a.
Speaker 2 (22:09):
M Yes, just as the sun is peeping over the
mountain when it comes.
Speaker 6 (22:13):
Out in the open. Notify me.
Speaker 2 (22:20):
You'll get up at four o'clock the same as I do.
We've got about a ten hour ride ahead of us.
Speaker 6 (22:25):
Do you'd expect to make Old Wind in one day
with that car?
Speaker 2 (22:27):
Why? Certainly it's easy. Course this country needs that kind
of optimism, Rochester. Don't always be running down my car.
Last time we went to Palm Springs, you said it
would take us all day and we made it in
four hours.
Speaker 6 (22:43):
Yeah, but how often do you get a wind like the.
Speaker 2 (22:51):
All right, just packed my badge and let me do
the worry.
Speaker 6 (22:53):
Okay, what soos do you want to take along, mister Bennett.
Speaker 2 (22:56):
Let me see, I want my brown check my blue pins.
That's right, and the one you're wearing now, hurry up
with it. Oh, good evening, mister Billingslee. Good evening, mister Benning.
Are you getting all set for your trip? Yes, yes,
I'm leaving first thing in the morning. By the way,
mister Billingsley, I don't want to see himpertinent or anything,
but this is the first time I've seen you and
you weren't a bit under the weather. Well, I've been
(23:17):
on the wagon now for over two weeks. Congratulations, mister Billingslee.
Say what made you give up drinking? Well, to tell
the truth, mister Benny, I kept seeing a polar bear
and an Ostrich running around here. Oh I know when
I've had enough. Well, it's rather difficult to explain, mister Billingsley,
but I really have a polar bear in an Ostrich.
(23:37):
You have, yes, Well, then let's roll out the barrel
and now I've got to get up very early. Good night,
mister Billingsley. Good night. I wonder if I threw out
all my stern. No, he's an awfully nice fellow. What
(23:57):
are we charging him? Rochester? How I was a week
with a cotton little breakfast. Well cut it down to
five point fifty. The coffee is awfully weak here. Besides,
he's so charming. Hello, Mary, I see you made yourself
a sandwich. What kind is it?
Speaker 3 (24:11):
Caviat?
Speaker 4 (24:12):
Oh?
Speaker 2 (24:15):
Where'd you find that can of caviat?
Speaker 3 (24:17):
Right in the flower ben where you hit it?
Speaker 2 (24:20):
Oh? Yes, that was for my birthday party. I was
gonna have a treasure hunt of that of Rochester. Before
we go, be sure that all the windows are locked,
and leave a note for the milkman.
Speaker 6 (24:30):
He's been leaving us notes lately.
Speaker 1 (24:31):
I pay that.
Speaker 2 (24:39):
I'll be sure and take care of every favor. Oh, Mary,
sit on this suitcase with you until I snap it shut. Okay,
answer the phone. Rochester, put more weight on it? Mary?
Speaker 4 (24:50):
Oh? Who who?
Speaker 6 (24:55):
Wrong number? Goodbye?
Speaker 2 (24:57):
There? I guess that ought to hold it? What was
that right?
Speaker 6 (25:00):
Something about Azusa? We don't know nobody there?
Speaker 2 (25:08):
No, I don't think so. For heaven, think that was
my girl, Gladys give me that phone. Hello, Hello, operator,
A call just came from me from Azusa. I said, Azusa. No, no, honey,
they're calling me. Are you the same operator I've been
talking to all day?
Speaker 4 (25:26):
Well?
Speaker 2 (25:27):
Look, friend, look, look let me ask you something. Did
you ever see a picture called Alexander Graham Bell. Well,
if you remember how that great man struggled and toy
and put in his life blood into perfecting an invention
called the telephone, and in one day, look what you've
(25:48):
done to it? Now, aren't you ashamed of yourself? Look? Operator,
let's try once more. It's not tough, really it isn't.
Now the town, the town is a zus a z usk.
The name is the bisco glad as the bisco z
(26:09):
y b y s k oh No, no honey z
y b y sk.
Speaker 1 (26:23):
One big pob of every housewives is to keep meals good, resting,
And one swell way to do this is to serve
desserts that have a definite touch of novelly about them,
desserts like jellow lime and cherry cubes. This grand new
treat is just what its name indicates. Tiny brilliant red
and green cubes of delicious lime and cherry jello tumble
together in a masterpiece of rich, zestful flavor. To make it,
(26:44):
use one package each of lime and cherry jello. Does
all beach package in one pint of hot water, then
turn into shallow pans and chill when firm cut into cubes.
Speaker 2 (26:55):
Fill sherbet glasses half full with cherry cubes, add.
Speaker 1 (26:57):
A second layer of lime cubes, then go turnish with
snowy whipped cream, and the results a striking two tone
desserts alive with all the tart tempting flavor of fresh,
juicy sea green limes and ruby red cherries.
Speaker 2 (27:10):
So tomorrow for dinner, serve this marvelously new and different
dessert yellow lime and the cherry cubes. This is the
last number of the sixteenth program in the current Jello series,
and we will be with you again next Sunday night
at the same time with our friends in Oakland and
San Francisco.
Speaker 3 (27:28):
Oh, Mary, Jack, what, Here's a special delivery letter just
came for you. It's come Andy Devine.
Speaker 2 (27:33):
Oh you open today. Let's see that. Oh listen to this, fellas,
dear buck. I'm on the road now making personal appearances.
Right now I'm at the Colonial Theater, Dayton, Ohio, and
next week I'll be at the Chicago Theater in Chicago.
Yours truly, Andy Devine. PS. If you feel like reading
this over the air, it's okay with me. Well, well,
(27:54):
I wonder if we ran into Schlepperman on the road.
Good Night folks, they helt out, Oh, this is the
National Broadcasting Company.
The Jello Program starring Jack Benny, with Mary Livingston, Phil Harris.
Speaker 2 (00:06):
Dead to Stay and Yours Truly. Don Wilson. The Orchestra
opens a program with Night after Night.
Speaker 1 (00:19):
Tomorrow Night, ladies and gentlemen, all over the country, thousands
of folks will be sitting down to dinner.
Speaker 2 (00:23):
With Jello for dessert.
Speaker 1 (00:24):
How few of these folks will be enjoying Jello for
the first time, So if you've never tried this brand
dessert yourself, why not join them. So many people like
Jello that we think you will too. For one thing,
you like the way it looks, because Jello cuts a
fancy figure on any table, then you'll go in a
big way for that well known extra rich flavor. That sunny,
satisfying goodness of Jello is downright and biting.
Speaker 2 (00:46):
As fresh, juicy, delicious fruit.
Speaker 1 (00:48):
So Tomorrow night, for a mighty extra special treat, serve Jello.
Speaker 2 (00:52):
It's great with tasty nuts and fruit molded in, or.
Speaker 1 (00:55):
You can serve it up in smooth, velvety Jello creams
and Jello whips.
Speaker 2 (00:58):
Easy directions for a.
Speaker 1 (00:59):
Variety of brand desserts are in each box, and also
on each box are those famous.
Speaker 2 (01:04):
Big red letters.
Speaker 1 (01:06):
Always look for them to be sure of getting your
favorite and America's favorite gelatin dessert, Jello Black Rise, night
(01:32):
after night, played by the orchestra. Now, ladies and gentlemen,
we bring you our genial master of ceremonies, a man
who each Sunday night at.
Speaker 2 (01:38):
This time of don hold it. Jack isn't here yet.
He isn't Where is he?
Speaker 3 (01:42):
He's out in the hall talking on the telephone. I'll
go get him.
Speaker 2 (01:44):
What for? Introduce me don I can give out with
that MC stuff.
Speaker 3 (01:48):
MC meaning much corn nothing doing fil I'm going out
and get Jack.
Speaker 2 (01:52):
Yes, Marry, tell me where on the air? Okay, operator,
that's the Bisco gladys, the biscuit z y b y
s k O. Yeah, she's visiting her folks in Azusa
A z u s a no operator a z usa
(02:14):
no no usada da do do do do do dom
dot do do do. That's it now, hurry, will you please?
Speaker 3 (02:22):
Well, fellas, there's no use waiting for Jack. He's trying
to get his girlfriend on the telephone.
Speaker 2 (02:27):
That's her boy. He's plenty stuck on that little waitress.
Isn't he sure he's sweet to her?
Speaker 3 (02:31):
Anything to get out of tipping.
Speaker 2 (02:37):
You said it.
Speaker 1 (02:38):
Now, wait a minute, Phil, Jack's pretty serious about that girl.
If you notice how he's spruced up lately.
Speaker 2 (02:42):
He's so neat and well groomed. Flower in his buttonhole and.
Speaker 3 (02:45):
That hair tonic pew.
Speaker 2 (02:48):
Ah.
Speaker 1 (02:48):
That's love all right. As the Greeks say, lamour tis
yours from berry Pie?
Speaker 2 (02:53):
How's that?
Speaker 3 (02:55):
I better go out and get Jack again.
Speaker 2 (02:57):
Hurry. Look, operator zabisco z y b y sko I
told you she's visiting her folks in Azusa. Hey, it's
in the directory. Her father's name z z Zabisco. He
(03:17):
works for the Zenith Zipper company. No, I'm not kidding.
Speaker 3 (03:22):
Hey, Jack, John is waiting to introduce you.
Speaker 2 (03:24):
Tell him I'll be there in a minute, but we're
on the air. Tell him the stall a little bit
of hello, Hello. What Well, where's the operator I was
talking to? She went to lunch? Well, look, miss, here's
the story I'm trying to get miss Gladys abisco z
y b. Why.
Speaker 3 (03:45):
Well, he's still out of sellas he can't even get
Gladys on the phone.
Speaker 2 (03:47):
But we've got to get the show started. Then go
ahead and introduce me, don I'll goole him, Okay, and.
Speaker 1 (03:53):
Now, ladies and gentlemen, without further ado, we bring you
that lo towered of the Jello program, Bill Harris.
Speaker 2 (04:04):
Hello again, this is smiling Phil Harris talking, and thanks
very much Don for that lovely introduction. You know, Don,
A funny thing happened to me on the way to
the studio this afternoon. A panhandler asked me for a
nickel for a cup of coffee. Nickel for a cup
of coffee. Huh yeah, So I gave him the nickel
and he gave me the coffee. Oh oh, how's that?
Speaker 3 (04:24):
Mary, I'd like to give you some coffee with a nicky.
Speaker 2 (04:26):
And that's the trouble with this gang. They don't appreciate
anything subtle.
Speaker 3 (04:30):
You're about it, settle as Olten and Johnson. I'm gonna
try and get Jack.
Speaker 2 (04:36):
Skos the fits ball for Heaven's face. Yes, she's visiting
her folks in Azusa.
Speaker 3 (04:44):
Hey, Jack, quiet marriage, but still is starting to tell joke.
Speaker 2 (04:47):
Oh my goodness, hurry operator, it's a matter of life
and death. Look, Mary, tell Donna do a commercial or
something and they'll like, Hello, Hello, Hello, gladys darling. Pardon me, sir,
wrong number. Operator. You gave me the wrong number. No,
I don't want to give up. I want to talk
(05:08):
to Gladys Abisco.
Speaker 3 (05:09):
Why didn't you send a carrier pigeon?
Speaker 2 (05:11):
I didn't she ate it? Now, look, operator, Look, you're
a lovely girl, and it's been fun knowing you. But
I've got a broadcast to do and i'd like to talk.
Of course, I know someone else, but she happens to
be my fiance. I'm her itsy bitsy lambie pie. So
(05:33):
deck me the number for trying out loud? Please operate, Jack,
what are we gonna do? Mary, don't bother me? He
has Phil play a number or something. Okay, here's another one, folks, say,
don how do you make a thin boy fat? I
don't know, Phil. How do you make a thin boy fat?
Throw him out of a window and he'll come down plump.
Speaker 3 (05:54):
Very good Phil. And now, folks, the next joke will
be a number by Phil Harris and his orchestra.
Speaker 2 (05:58):
What about Jack?
Speaker 3 (05:59):
Oh, he'll be out in a minute.
Speaker 2 (06:00):
Play Okay, And now, folks, we're going to play a
brand new number entitled You've worked hard enough for me,
dear mother, Now go out and work for yourself.
Speaker 3 (06:09):
Yeah, quick boy is a flip.
Speaker 2 (07:55):
Z y b y s a ow the biscos now, operator,
I've been standing here fifteen minutes trying to get to Hello. Hello, Gladys,
this is forty what oh missus Abisco, how do you do?
Speaker 3 (08:12):
Well?
Speaker 2 (08:12):
Look, missus abiscal, this is Jack. Is Gladys there? I
like to talk to her. Oh she's over at the
neighbors taking a bath. Good I mean it's uh, I
mean well, look as soon as she gets back, have
her give me a ring.
Speaker 3 (08:30):
Oh, Jack, come on, we're waiting for you.
Speaker 2 (08:31):
Just a minute, marry now I remember missus Biscoal be sure,
and how gladys to call me? By the way, how
is mister's abisco? Oh that's too bad. Well who did it?
Speaker 4 (08:42):
Oh?
Speaker 2 (08:42):
You did it? Oh? Tell I hope he gets better? Goodbye.
Well that's that.
Speaker 3 (08:50):
Period Jack John's having a fit.
Speaker 2 (08:52):
All right, all right, go ahead, I'll be there in
a minute. Hello. Oh, I'm sorry, operator. How much was
the call? Forty s? All right? Yes a second. Here's
a nickel, and here's a dime, and here's a quarter. Oops,
(09:26):
I'm sorry. Uh, here's a good one returned the other one? Operator,
Thank you? I wonder who gave me that bump quarter?
Speaker 1 (09:39):
Oh? Well to your neighborhood grosser, and ask him for
the package of Jello. It is economical, easy to make,
and come some six delicious flavors.
Speaker 2 (09:46):
Hello Fellas Sorry.
Speaker 1 (09:47):
Look for the big red letters on the box. They
spelled Jello, Hello Fellas Sorry, and Jello.
Speaker 2 (09:51):
Spells a tree. My goodness, Jack, Oh, excuse me, Don,
I'm sorry I kept you waiting, Fellas, but I was
trying to call Gladys. He wasn't home, Oh, stepping out
with someone else? He was not. She just went to
the neighbors to well. The lady next door was holding
a bridge party, and Gladys went over to.
Speaker 3 (10:07):
Make a fourth and while she was dummy, she took
a bath.
Speaker 2 (10:11):
Oh eavesdropping, eh, Mary. Well, at least Gladys was not
with another fella. There's one thing I can say about
that girl. She's only attached to one person at a time.
She's like a police doll. You said it. I mean
she's true to me.
Speaker 1 (10:22):
Well, perhaps I shouldn't say this, Jack, but I dropped
into Ginsburg's restaurant the other day and when Gladys brought
me my sandwich, she waked at me.
Speaker 2 (10:29):
Gladys winked at you, absolutely with her right eye or
left eye? Her left eye, Well, that's the one that twitches.
That's nerves done, not romance. Now let's forget about my
private life.
Speaker 3 (10:42):
Hey, Jack, telling what happened last Sunday night when you
took Gladys to the Traca. Daryl, you weren't with us, No,
but I saw you this Well, what about it?
Speaker 2 (10:49):
Very well?
Speaker 3 (10:50):
Last Sunday after the broadcast, Jack home, he was stepping
out with Gladdys. Oh, right after she got through working.
He picked her up and took her to the Chocadarol
for dinner.
Speaker 2 (11:00):
It's not so funny. So what happens?
Speaker 3 (11:01):
Jack or his fried chicken and Gladys went out in
the kitchen and got it.
Speaker 2 (11:10):
See, just a little laps in minded, that's all. Anyhow,
we had a marvelous time, Gladys and I won the
jitterbug contest. Didn't we care if a.
Speaker 3 (11:17):
Caddy drink a bottle at tobacco sauce to do it?
Speaker 2 (11:20):
Boy? Was I hot? Any How? We won the contest,
and I have the cuff. I bet you've got a
geranium in it already. I have not that cuff as
on the mantelpiece right next to my Academy Award statue,
Your Academy award. Yeah, hey, wait a minute, when did
you ever get an Academy Awards statue? Last Thursday night,
I won it from Spencer Tracy in a craft game.
(11:43):
He's got oodles of her. And let me tell you
another thing. Oh hello, Dennis, Hello, mister Benny. And let
me tell you another thing, Phil Harris, I got just
as good a chance of winning the Academy Award this
year as Jimmy Stewart. You're right, mister Benny. Thanks Dennis.
Speaker 3 (11:56):
Why Jack, what are you talking about?
Speaker 2 (11:57):
I'm talking about my chance of winning the Academy Award cinch.
Well it's no sinch, but I've got a pretty good chance.
Speaker 3 (12:03):
Wait a minute, Jack, Wait a minute. Did you see
Jimmy Stewart? Mister Smith goes to Washington?
Speaker 2 (12:07):
Sure, but did you see Jack Benny in Man About Town?
I suppose I gave a bad performance, don't admit it,
mister Benny. Dennis, whose side are you on? Sometimes I
wonder why I don't hire a tenor with brains. You'd
have to pay him. Dennis, here's a yo, yo, go
and have fun. Now, listen, fellas, if you'll cut out
(12:31):
this argument and settle down and act like human beings.
I've got something very important to tell you.
Speaker 3 (12:35):
What is it? Jack?
Speaker 2 (12:36):
Are you sure you're in a mood to listen?
Speaker 4 (12:38):
Yeah?
Speaker 2 (12:38):
What's on your mind? Jackson? Well I'll get this everybody.
Next Sunday night, we're gonna do our program from Oakland, California,
and it's for the benefit of President Roosevelt Infantile Paralysis Fund.
We're gonna broadcast from a big auditorium seating over nine
thousand people. I could pack that by myself. Oh sure, sure, Phill.
The only time you ever entertained over nine thousand people
(12:58):
at once was when you sang sweet adline at the
Rose Bowl game and for a noncore you were thrown out. Remember,
Oh yeah, what a game? Twenty two players on each side.
Speaker 3 (13:19):
Yeah.
Speaker 2 (13:21):
Anyway, kids, as I have friends in both Oakland and
San Francisco, I'm leaving very early tomorrow morning. We're driving
up in the Maxwell. Ay, Mary, not me, Ajack. Don't worry, Mary.
That car ought to run a little better now. I
had the carbon removed in the valves ground.
Speaker 3 (13:35):
But that GILOPI needs is the mall the milk with
an egg in us.
Speaker 2 (13:39):
So well, just for that. You ride up on the train. Now, fellas,
I'm going home now and start packing because I want
to leave about five am. Well, i'll run along, Jack.
We can take care of the rest of the show. Okay,
thanks Don. Mary just didn't want to come along and
help me pack.
Speaker 3 (13:50):
Sure, but d Jack, you are out in the hall
for half the show and now you want to go home.
Speaker 2 (13:54):
What about it?
Speaker 3 (13:54):
Won't our sponsored Jack?
Speaker 2 (13:56):
Oh no, he never listens to our program. He thinks
the sun rises the sets with a phantom pilot. Well,
so long, fellas, Mary, get me a cab, will you? Okay? Oh,
mister Benny, mister Benny, what is it? There's a phone
call out here from Azusa. Oh yes, I've been expecting that.
Excuse me, Fellas. I see you all next week. See
(14:21):
I can hardly wait to talk to her. Hello, Hello,
hello gladders, Hello, hello operator? You cutting me off?
Speaker 3 (14:30):
Hey Jack, the cab is waiting.
Speaker 2 (14:32):
I'll be there in a minute. Look, operator, I was
getting a call. Hello, hello gladder, how are you, honey?
See what an awful time? Hello Hello, hello gladder, Hello
hello operator, operator. I was talking to Mr Bisco and Azusa,
the Biscos. See why b why?
Speaker 3 (14:53):
Oh?
Speaker 2 (14:53):
The heck with it, garn it. Oh my goodness, I
hit the got to go marry Mary. Look what happened.
Speaker 4 (15:16):
Love was a thing that you wanted. That's why we
answered lost ball. Now that you've got what you wanted,
you don't seem to.
Speaker 5 (15:28):
Volunt all hairly move that you've got me long, your careless,
careless in everything you do, and you break.
Speaker 2 (15:50):
Off ophn Ancy. You are small if you're not careful,
your break life careless. No that my pridgin is all lorver.
Speaker 5 (16:11):
You're careless, careless and things where I concern? Are you
just careless as you see?
Speaker 4 (16:27):
Why?
Speaker 2 (16:28):
You just hairless?
Speaker 5 (16:32):
Or no that you've got me long, your careless, careless
in everything you.
Speaker 2 (16:52):
Are?
Speaker 5 (16:52):
You just hairless as you came.
Speaker 2 (16:59):
All? Oh, Mary, I don't know why you always argue
(17:30):
with me. We can eat when we get to.
Speaker 3 (17:31):
My house and I'm hungry. We passed three driving stands.
Speaker 2 (17:34):
Mary, I don't like to eat a drive in stands
when I'm in a taxi. That click click click of
the meter gives me indigestion.
Speaker 3 (17:41):
See, I don't know how gladys can go out with a.
Speaker 2 (17:43):
Fellow like you. Is that so? Well? Let me tell
you something, Mary, Gladys understands me, and furthermore, she's not
a gold digger. She costs me plenty. I'm not talking
to you, driver, Just roll up that window and mind
your own business. Oh you want a neck? Huh No,
I don't want a neck. Hear that Marry That guy
just talk himself out of a quarter tip.
Speaker 3 (18:03):
He couldn't spend it anyway, not fat one.
Speaker 2 (18:06):
Well up here, driver, this is the house. Okay? What
do I owe you there? It is not a meter
a dollar ten? I mean a dollar twenty. Now wait
a minute. When you stopped it was only a dollar ten.
Didn't know, but it just clicked to a dollar's horny.
(18:27):
I don't care. I had one foot out.
Speaker 6 (18:28):
Of the cab, so don't tell me, old tan Jack.
Speaker 3 (18:33):
Here's Ronald Coleman looking out of his window.
Speaker 2 (18:35):
Not to Ronald Colman. Hey, yd driver, here's a dollar
ten and a ten cent tip. Take it anyway you
want 'em. Come on, Mary, the nerve of that guy.
Oh I must speak, commits a Coleman. Hello, Ronald, m close.
(19:01):
The window must be colder than.
Speaker 3 (19:02):
I thought, Yeah, something like that.
Speaker 2 (19:06):
Where's my key? Oh here it is, Let me have
your colt, Mary, I'll hang it up.
Speaker 6 (19:14):
Is that your cousin Lancelot.
Speaker 2 (19:21):
Cousin Lancelot, No, Rochester. This is mister Benny, no relation
my cousin Lancelot.
Speaker 3 (19:27):
Oh hello boss, Hold miss Limbsdon, Hello Rochester, Rochester.
Speaker 2 (19:30):
I told you a thousand times to keep your cousin
out of this house.
Speaker 6 (19:32):
We're riding the play together.
Speaker 2 (19:34):
I don't care if you are. I don't want them around.
What's the name of the play along with the Gin?
Speaker 3 (19:45):
Well write it on your own time, say, Jess, you
want me to help you with your packing, Let's get.
Speaker 2 (19:49):
Started, Okay, Mary, here, take this grip and put my
socks and shirts in it?
Speaker 3 (19:53):
All right? Oh Jack, Look at all the labels you
got pasted on this suitcase. Why don't you take some off?
Speaker 2 (19:58):
Why should I have travel all around?
Speaker 3 (20:00):
I want people to know it, I know, But she
look at Him's Boy Hotel London, Shepherd's Hotel Cairo, rich
Calton Terrace, Imperial Hotel Bombay, and Bluebell Auto Court Glendale.
Speaker 2 (20:17):
How did that get on there? I've never been there
in my life. Hey, Rochester, how did this auto Court
sticker get on my suitcase? With the rest of those labels?
Speaker 6 (20:23):
They all came in one package.
Speaker 2 (20:27):
Next time, read them first. Oh, Mary, put my pajamas
in there too.
Speaker 3 (20:31):
Okay, do you want to top to the bottom both?
Speaker 2 (20:33):
That may be chili in Oakland there. That's fine, thanks Mary.
Speaker 3 (20:37):
I'm hungry. I'm going out in the kitchen and get
something to eat.
Speaker 2 (20:40):
All right. You'll find some cold pot roast in the
ice spot. Oh oh, what are you owen about? After
dinner last night? There was four pounds and eight ounce
of a pot roast left exactly.
Speaker 3 (21:03):
How do you know?
Speaker 6 (21:04):
He waives it in and.
Speaker 2 (21:04):
Out like a job number. Well, it's about time I
started to keep track of things around here. I'm going
and help yourself.
Speaker 4 (21:17):
Mary.
Speaker 2 (21:17):
You'll find a great big piece of pot roast in
the ice spot.
Speaker 6 (21:19):
It wasn't so big because last lot got it between
two slices of bread.
Speaker 2 (21:25):
He did. And I'll talk to you later about that. Rochester.
I know what you can have, Mary. There's some tunea
fish left over from lunch.
Speaker 3 (21:31):
Have a mine. Go ahead, now, just give me a
Nichol and I'll get an affle out of your machine.
Speaker 2 (21:46):
Okay, here you are, gee, I might as well give
him away now, Rochester, we're gonna be gone over a week,
so we ought to make some arrangements about Carmichael and Trudy.
Speaker 6 (21:56):
Already fishing for the polar bear and the Ostrich to
stay in the pit shop.
Speaker 2 (22:00):
That's good, and I guess our border mister Billingsley will
get along all right until we come back. I don't
forget Rochester. We gotta leave at five o'clock in the morning,
so we better get.
Speaker 6 (22:07):
Up at four four o'clock in the a.
Speaker 2 (22:09):
M Yes, just as the sun is peeping over the
mountain when it comes.
Speaker 6 (22:13):
Out in the open. Notify me.
Speaker 2 (22:20):
You'll get up at four o'clock the same as I do.
We've got about a ten hour ride ahead of us.
Speaker 6 (22:25):
Do you'd expect to make Old Wind in one day
with that car?
Speaker 2 (22:27):
Why? Certainly it's easy. Course this country needs that kind
of optimism, Rochester. Don't always be running down my car.
Last time we went to Palm Springs, you said it
would take us all day and we made it in
four hours.
Speaker 6 (22:43):
Yeah, but how often do you get a wind like the.
Speaker 2 (22:51):
All right, just packed my badge and let me do
the worry.
Speaker 6 (22:53):
Okay, what soos do you want to take along, mister Bennett.
Speaker 2 (22:56):
Let me see, I want my brown check my blue pins.
That's right, and the one you're wearing now, hurry up
with it. Oh, good evening, mister Billingslee. Good evening, mister Benning.
Are you getting all set for your trip? Yes, yes,
I'm leaving first thing in the morning. By the way,
mister Billingsley, I don't want to see himpertinent or anything,
but this is the first time I've seen you and
you weren't a bit under the weather. Well, I've been
(23:17):
on the wagon now for over two weeks. Congratulations, mister Billingslee.
Say what made you give up drinking? Well, to tell
the truth, mister Benny, I kept seeing a polar bear
and an Ostrich running around here. Oh I know when
I've had enough. Well, it's rather difficult to explain, mister Billingsley,
but I really have a polar bear in an Ostrich.
(23:37):
You have, yes, Well, then let's roll out the barrel
and now I've got to get up very early. Good night,
mister Billingsley. Good night. I wonder if I threw out
all my stern. No, he's an awfully nice fellow. What
(23:57):
are we charging him? Rochester? How I was a week
with a cotton little breakfast. Well cut it down to
five point fifty. The coffee is awfully weak here. Besides,
he's so charming. Hello, Mary, I see you made yourself
a sandwich. What kind is it?
Speaker 3 (24:11):
Caviat?
Speaker 4 (24:12):
Oh?
Speaker 2 (24:15):
Where'd you find that can of caviat?
Speaker 3 (24:17):
Right in the flower ben where you hit it?
Speaker 2 (24:20):
Oh? Yes, that was for my birthday party. I was
gonna have a treasure hunt of that of Rochester. Before
we go, be sure that all the windows are locked,
and leave a note for the milkman.
Speaker 6 (24:30):
He's been leaving us notes lately.
Speaker 1 (24:31):
I pay that.
Speaker 2 (24:39):
I'll be sure and take care of every favor. Oh, Mary,
sit on this suitcase with you until I snap it shut. Okay,
answer the phone. Rochester, put more weight on it? Mary?
Speaker 4 (24:50):
Oh? Who who?
Speaker 6 (24:55):
Wrong number? Goodbye?
Speaker 2 (24:57):
There? I guess that ought to hold it? What was
that right?
Speaker 6 (25:00):
Something about Azusa? We don't know nobody there?
Speaker 2 (25:08):
No, I don't think so. For heaven, think that was
my girl, Gladys give me that phone. Hello, Hello, operator,
A call just came from me from Azusa. I said, Azusa. No, no, honey,
they're calling me. Are you the same operator I've been
talking to all day?
Speaker 4 (25:26):
Well?
Speaker 2 (25:27):
Look, friend, look, look let me ask you something. Did
you ever see a picture called Alexander Graham Bell. Well,
if you remember how that great man struggled and toy
and put in his life blood into perfecting an invention
called the telephone, and in one day, look what you've
(25:48):
done to it? Now, aren't you ashamed of yourself? Look? Operator,
let's try once more. It's not tough, really it isn't.
Now the town, the town is a zus a z usk.
The name is the bisco glad as the bisco z
(26:09):
y b y s k oh No, no honey z
y b y sk.
Speaker 1 (26:23):
One big pob of every housewives is to keep meals good, resting,
And one swell way to do this is to serve
desserts that have a definite touch of novelly about them,
desserts like jellow lime and cherry cubes. This grand new
treat is just what its name indicates. Tiny brilliant red
and green cubes of delicious lime and cherry jello tumble
together in a masterpiece of rich, zestful flavor. To make it,
(26:44):
use one package each of lime and cherry jello. Does
all beach package in one pint of hot water, then
turn into shallow pans and chill when firm cut into cubes.
Speaker 2 (26:55):
Fill sherbet glasses half full with cherry cubes, add.
Speaker 1 (26:57):
A second layer of lime cubes, then go turnish with
snowy whipped cream, and the results a striking two tone
desserts alive with all the tart tempting flavor of fresh,
juicy sea green limes and ruby red cherries.
Speaker 2 (27:10):
So tomorrow for dinner, serve this marvelously new and different
dessert yellow lime and the cherry cubes. This is the
last number of the sixteenth program in the current Jello series,
and we will be with you again next Sunday night
at the same time with our friends in Oakland and
San Francisco.
Speaker 3 (27:28):
Oh, Mary, Jack, what, Here's a special delivery letter just
came for you. It's come Andy Devine.
Speaker 2 (27:33):
Oh you open today. Let's see that. Oh listen to this, fellas,
dear buck. I'm on the road now making personal appearances.
Right now I'm at the Colonial Theater, Dayton, Ohio, and
next week I'll be at the Chicago Theater in Chicago.
Yours truly, Andy Devine. PS. If you feel like reading
this over the air, it's okay with me. Well, well,
(27:54):
I wonder if we ran into Schlepperman on the road.
Good Night folks, they helt out, Oh, this is the
National Broadcasting Company.
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