August 2, 2025 • 29 mins
A legendary variety show blending witty monologues, comic sketches, and musical interludes, all anchored by the impeccable timing of its beloved host. It’s a masterclass in comedic timing.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
The Jello program, Birring Jack, Funny with Mary Livingston's Billharat
Dennis Day and Yours Truly, Don Will The Archetrope is
the program with Ma He's making.
Speaker 2 (00:09):
Eyes at me. How many housewives.
Speaker 3 (00:29):
Tomorrow are trying to be a very busy day, the
way month usually is, and.
Speaker 2 (00:33):
That's why tomorrow be an excellent time.
Speaker 1 (00:34):
Let Jello take care of the dessert a dinner for
One of the great things about jello, it's a quick
and easy to get ready, takes a little of your time,
and it's pretty swallow to know that any jello desert
you make will meet with your families enthusiastic approve it.
Speaker 3 (00:48):
Jello, you know, is extra good because it has an exciting,
extra rich flavor.
Speaker 1 (00:53):
And this extra rich flavor, this smooth, hanging goodness, is
really something swell, as grand and refreshing as the juicy
right fruit itself.
Speaker 3 (01:02):
He has the clear, shining mold of tempting.
Speaker 1 (01:04):
Jello easily and quickly prepared would make a mighty welcome
addition to your evening mainue tomorrow. So ortis I'm the
first thing in the morning, and while you're about it,
try those new jello pudding too.
Speaker 3 (01:15):
Already. They're the big dessert sensations of the nations.
Speaker 1 (01:17):
Rape streamy satin, smooth puddings yours to enjoy in the
three popular flavors chocolate, vanilla.
Speaker 3 (01:23):
And butters. Guys, ask your girls to tomorrow for jello
and those new delicious dessert ball Americas.
Speaker 1 (01:28):
Talking about jello pudding and would mind make an eye
(01:58):
to me? Played by the orchestra.
Speaker 3 (01:59):
Lady and gentlemen, this being the second week of Leafier,
we bring you a.
Speaker 1 (02:03):
Man who hasn't leaped in years, Jack Benny Galow again
is the Jack Benny talking and down? That was about
the silliest thing I've ever heard. I wish that during
this new year your introductions would make a little more stance.
Speaker 3 (02:22):
Well, I'm sorry, Jack, I was realy trying to tie
you in with Leafier, That's all. There must be other
ways I haven't leaped in years?
Speaker 1 (02:29):
Or am I supposed to be a gazelle or something?
Whether you laugh to admit Jack that you're not the
most agile person in the world. What if I'm not?
You should be the last one to mention it. Any
man who had to detour when he comes to an
ant hill, I'd be quiet if I were you. Hi, Jack, Hello, Marry,
(02:50):
let me clear.
Speaker 2 (02:50):
The sub Jack.
Speaker 1 (02:51):
All I met by my introduction was that you're not
the dicing athletics type like El flann or Mickey Rooney.
Nickey Rooney for having take down Mickey Rooney is at
least eight years younger than I.
Speaker 3 (03:01):
Have a fine comparison.
Speaker 4 (03:05):
Why Jackson, you mean to say Mickey woman's only eight
years younger.
Speaker 3 (03:09):
Than you are.
Speaker 1 (03:09):
I said he was at least age. He might be
nine or ten years younger, or eleven or twelve.
Speaker 4 (03:15):
You ain't gonna get any places.
Speaker 3 (03:16):
It's got to multiply, all.
Speaker 1 (03:22):
Right, Mary, I'm one hundred and eighty five years old.
I'm deaf as a post. I got hardening of the arteries,
and I walk with a cane. Have I overlooked anything.
Speaker 4 (03:30):
I can't understand? You put your teeth in?
Speaker 1 (03:38):
Well now I haven't got any teeth. It's a fine program,
Hi had Jackson. It's so furned up A boss who
wouldn't be I come in here full of paping between
Don and Mary. I'm ready for the ash cans.
Speaker 3 (03:47):
Oh what do you care? Jack? Your girlfriend's gladys thinks
you're wonderful. It's done, right, he does.
Speaker 1 (03:52):
Of course, he's not exactly a noop girl. Now listen, Phil,
there's nothing wrong with Gladys, but a pair of art
supporters won't fail. I'm getting her thumb for her birthday
next day.
Speaker 5 (04:06):
Though.
Speaker 4 (04:06):
Meanwhile, pok pok five.
Speaker 1 (04:11):
Mary, Why is it every time I get a girl
you have to run her down. I'll admit that Gladys
is no heavy lamar when it comes to look because he's.
Speaker 3 (04:18):
Got a lot of personality.
Speaker 1 (04:19):
He makes more tips than any other girl in Ginsburg's
seafood Rotto.
Speaker 4 (04:25):
Why not he dies for him in the fifth teen?
Speaker 3 (04:29):
He does not.
Speaker 1 (04:30):
And if you're so smartness living, so let me tell
you something about Gladys that.
Speaker 3 (04:33):
You don't know.
Speaker 1 (04:34):
If the votes keep coming in like they have been,
he's gonna be miss Vine Street this year.
Speaker 3 (04:43):
I think Gladys has got a chance of being elected
guy certainly. And that reminds me.
Speaker 1 (04:47):
Fellas here, fill out theseus, all of you, and you
know what named to put down Glass, not me. I'm
voting for Mamie's the new way for mister Ginsburg.
Speaker 3 (04:55):
Bill Harris, you'll vote for the one. I'll tell you something.
I'm voting for Maymie. That's a free country when.
Speaker 1 (05:00):
You're gonna see a lot of it if you don't
vote for.
Speaker 3 (05:08):
And right now. Okay, okay, give.
Speaker 4 (05:10):
Me a pen Jack, I'll hope for your girl friend.
Speaker 3 (05:12):
Thanks, Mary, me too, Clatters. Huh what's the last name?
Speaker 1 (05:16):
Jack?
Speaker 3 (05:17):
Is the bisco.
Speaker 1 (05:19):
Z y b y s k O gladys the discoll?
Speaker 3 (05:23):
Hey, how do you make a Z? How do you
make a here?
Speaker 1 (05:26):
Give me that pencil? Looks Bill, it's like an S
backward with no curve like that.
Speaker 3 (05:31):
See. Oh yeah, that's easy. Sure, Hey, Frankie, watch me
make a.
Speaker 5 (05:36):
C show off.
Speaker 3 (05:47):
Later, phil we haven't got time.
Speaker 1 (05:50):
And now uh and now, ladies and gentlemen. Oh, by
the way, Philip, you're running to Mamie. Don't tell us
you're fucking for gladders. I'm gonna as common her. Okay, Jack,
I won't mention the thing. And now, ladies and gentlemen,
I understand him. I haven't got anything against maybe, but
I've been seeing a lot of gladders since she's a
hot headed, jealous time. She's got a temper like a
wild cat.
Speaker 4 (06:09):
Yeah, take care, remember the nice to punch your meal ticket.
Speaker 3 (06:12):
In your nose.
Speaker 1 (06:14):
That's the line, Mary, Because gladdys never punches my meal ticket.
Speaker 3 (06:18):
You just make believes.
Speaker 1 (06:23):
And now, ladies and gentlemen, as I started to announce,
Dennis say, our young tenner is going to sing an
old paper which is still very popular, called down by
the River Dinners.
Speaker 3 (06:32):
Hey, where's dinners here? I am misspending under the piano.
Under the piano? What are you doing there? I'm counting
the drum. Oh oh, well, that's a nice way to
pass the time. But you've got a thing.
Speaker 1 (06:45):
Now go ahead, okay, give me those stuff fellas.
Speaker 3 (06:48):
I'll nail them in.
Speaker 5 (06:50):
Oh, once we walk over.
Speaker 6 (07:06):
Don by the river, war rm my hoiver nay be
hoy har oh will get more cool?
Speaker 1 (07:34):
Oh?
Speaker 2 (07:34):
I love you to.
Speaker 5 (07:38):
You on the river.
Speaker 7 (07:42):
Why ever for you? Why Mariever, you will read when you.
Speaker 6 (08:00):
Oh?
Speaker 5 (08:04):
Oh.
Speaker 6 (08:11):
In a farming moment, I love.
Speaker 7 (08:15):
You, you love you all half.
Speaker 8 (08:21):
A in a happy moment, I for God on my
path now what?
Speaker 7 (08:42):
Oh?
Speaker 5 (08:42):
I love you.
Speaker 6 (08:46):
You and Mariver, my heavy man?
Speaker 1 (08:52):
Are you.
Speaker 7 (08:55):
And mab.
Speaker 5 (08:58):
You well.
Speaker 3 (09:39):
Done by Dennis day? I was excellent. Dennis. You're in
very good voice tonight.
Speaker 1 (09:43):
Thank you.
Speaker 8 (09:44):
Oh.
Speaker 1 (09:44):
By the way, Dennis, you haven't voted for this fine
street yet, have you?
Speaker 7 (09:47):
No?
Speaker 1 (09:47):
But I wasn't planning to vote for Goldie the cashier
at the bowling Alley. Oh well, now, Dennis, I'm not
trying to influence.
Speaker 3 (09:54):
You one way or the other.
Speaker 1 (09:55):
But Goldie won it last year and the side he
han't got anywhere near the figure that Glant. It's well,
everybody says class looks like a horse. That's only because
she's got a very long face.
Speaker 4 (10:09):
And as all she cut in her half her hands.
Don't help Anny.
Speaker 1 (10:14):
Now you're just jealous because you're not in the context
now here, Dennis, take this out and put down glad
as tibisco z y d y. That's ko okay, ladies
and gentlemen. While Dennis is writing down sobisco z y
b y s k O, why don't you write down
jell O k E L l O. And it's economically
(10:35):
easy to make him comes an s i X delicious place. Class.
Speaker 3 (10:38):
So always in tept on genuine jello and look for
the big red letters on the b O.
Speaker 1 (10:42):
A very good job, Bill Harris will now sell tack
k A K hack. And now, ladies and gentlemen, going
from our selling bee to our feature attraction tonight that
Benny's glee and Dramatic Club will presents their.
Speaker 3 (11:02):
Version of David O.
Speaker 1 (11:03):
Selznick's great production, that emotional drama and tender love story
built with romance and music none others, and that supreme
achievement and cinematic plomphs in Hermetso thank you, dream Boat.
(11:23):
Now I will play the part of that internationally famous
constant violinist whose artistry and charm win the love of
his beautiful young accountant.
Speaker 3 (11:31):
This role was portrayed on.
Speaker 1 (11:32):
The screen by that distinguished actor, mister Leslie Howard. Now
they are you gonna play that part?
Speaker 2 (11:37):
Jackson?
Speaker 1 (11:37):
You heard me feel I'm gonna be Leslie Howard, a
concert violinist and a great lover.
Speaker 4 (11:42):
Listen to them dials turn.
Speaker 3 (11:48):
Don't worry. I'll handle it all right now.
Speaker 1 (11:50):
Mary, you're gonna be my wife. You remember the part
Edna Best had in the picture. Yes, and when this
other woman comes into my life.
Speaker 3 (11:56):
You fight the hole.
Speaker 1 (11:57):
You fight like a tigers to keep that part of
love burning between us. You're not gonna sacrifice the most
pressures of woman's possessions her, Hush, how are you laughing?
Speaker 3 (12:10):
That findon me? I thought I was Garbo.
Speaker 1 (12:14):
I wish you'd pay a little attention here anyway, marry
you're my wife and Dennis.
Speaker 3 (12:18):
Yes, please, you're gonna be our child.
Speaker 1 (12:21):
You have beautiful golden curls, soft blue eyes and a
complexion like Rose Tennant Ivory.
Speaker 3 (12:26):
See I like him better than I do me. I
don't blame you.
Speaker 8 (12:31):
Now.
Speaker 1 (12:32):
Let's see, Hey Jackson, what am I gonna be in
this tender and gripping love story? You feel you're gonna
be the manager of Leslie Denny this great concert?
Speaker 5 (12:39):
Violence?
Speaker 3 (12:40):
Are my eyes gonna be?
Speaker 1 (12:41):
Blowte?
Speaker 8 (12:41):
No?
Speaker 3 (12:41):
Phil, just under your eyes?
Speaker 6 (12:43):
I do do?
Speaker 3 (12:50):
Now let's see.
Speaker 1 (12:51):
Oh yes, the very important role of the young accompanists
so beautifully portrayed on the screen by that Swedish star,
miss ingrid Bergman will be an active the season by
this revery of our own, that very talented young actress,
Miss Olivia Devon. Oh, Miss Devon, Now, I you know
you're gonna be my accompany. And during our play you
pauled madly.
Speaker 3 (13:12):
In love with me?
Speaker 4 (13:12):
Say what'll behind you?
Speaker 1 (13:14):
Kids?
Speaker 3 (13:16):
Let us thank you? Now.
Speaker 1 (13:18):
I understand you've had screen experience yourself, But what was
your last assignment? I was at Kaboos and Union Pacific.
Oh yes, I remember you with that red and green
(13:38):
light in your hair. Now here's your part over in
the corner and brush up on us?
Speaker 4 (13:43):
Thank you?
Speaker 5 (13:43):
And when do I get paid?
Speaker 3 (13:45):
Mister downstairs?
Speaker 1 (13:46):
Right after the broadcast on Saturday?
Speaker 3 (13:48):
Poor bye? I just want to pay off, that's all say.
Speaker 1 (13:57):
Now I play intermetal. We're going immediately after a number.
Speaker 3 (14:00):
By the orchis.
Speaker 1 (14:01):
Go ahead and sail play something hold of the minutes.
Answer the phone, marriage, okay, Hello? Who? Yes, he's here.
Speaker 4 (14:10):
It's for you Jack. It's Ginsbridge restaurant.
Speaker 1 (14:12):
I must see Gladys. Hello, Hello, Gladys.
Speaker 3 (14:16):
How are you?
Speaker 1 (14:18):
Oh?
Speaker 3 (14:18):
They do well? Why don't you ske'em when you get home? Uh?
Speaker 1 (14:36):
That'll help py daughter barking a marriage?
Speaker 3 (14:39):
He's on our feet all day. What do you call
me for gladders?
Speaker 1 (14:44):
Oh well, don't worry.
Speaker 3 (14:45):
I got five more.
Speaker 1 (14:46):
Votes for you today. Yes it's only five After all, Gladders,
you've got competition. It's no sin but but flatters. Now
wait a minute, gladder. If you don't like the way
I'm running your campaign, get Jim Parley. What Oh now, honey,
(15:06):
I didn't mean to be crying fellas. I'm sorry, Gladys.
I didn't mean to boil you out. But god, guys,
but Gladys darling, but Gladdy's baby, but Glady's honey. Quiet now, Gladys,
will you please stop snippling? You'll win the contest. You
don't get that trip to Boulder, damn. All right, honey,
(15:31):
I'll drop find a few minutes, see you later.
Speaker 3 (15:33):
Goodbye.
Speaker 1 (15:34):
Oh by the way, Gladys, will you put away a
piece of banana cream pie for me?
Speaker 3 (15:38):
Last Sunday? You were all out? Thanks?
Speaker 1 (15:41):
And if he goes to Leslie Howard.
Speaker 3 (15:43):
Okay, dere goodbye.
Speaker 2 (15:45):
What a sweet kid, but he's so.
Speaker 1 (15:47):
Sensitive playfield see I made her cry. Intermezzo were gone.
(17:22):
Intermezzo is an Italian word. It's from the Italian. It's
a musical term and it's uh, it's from the Italian.
Speaker 3 (17:32):
It said that marry, I'm.
Speaker 1 (17:34):
Kind of explainer. Inter Meto domans well. The word inter
means between Printon's. Interurban means between towns. So intermezzo means
between metto you see, oh yes, Jack, But what a metsico?
Speaker 3 (17:48):
Well, Metso is.
Speaker 1 (17:50):
A proper noun. It's hard to to find. It's a
name more than anything.
Speaker 4 (17:53):
Else, like men, Yeah.
Speaker 3 (17:59):
That that Mary, something like that? Now wait a minute.
Speaker 1 (18:01):
And in her metico was a musical term meaning an
interlude or course joining two parts of a major composition. Well,
come to think of it, Bill asked, exactly where'd you
get that definition?
Speaker 3 (18:13):
I found it for Chinese cookie.
Speaker 1 (18:21):
Well, I'm glad we've got it settled anyway, you won't
made pussy don Well, thank you. The scene of our play,
Ladies and Gentlemen is the New York apartment of mister
Leslie Benny, the internationally famous violinist, where he lives with
his wife Hevnah and their little son. Put the coatole,
that's him, Hitnicato, Benny. As the curtain rises, we flying
mister Benny practicing souvenir on his violin, curtains music. Oh daddy, daddy, quiet, Pittsy,
(19:13):
what is it?
Speaker 3 (19:13):
Can I have a pizza?
Speaker 7 (19:14):
Robins?
Speaker 1 (19:15):
Yes?
Speaker 3 (19:15):
Yes, yes, here you are, Pitty. What are you to
eat that?
Speaker 1 (19:32):
Robin for? I'm gonna eat a banana in a minute,
and I don't want.
Speaker 3 (19:34):
It to slip. Run along now, fifty, let daddy practice.
Speaker 1 (19:39):
I'm preparing to leave for my concert door.
Speaker 3 (19:41):
Okay, what a child? M oh, I don't like that.
Speaker 8 (20:01):
This is better than.
Speaker 1 (20:04):
Hello darling, Hello.
Speaker 3 (20:06):
Dear, where are you going?
Speaker 4 (20:07):
With that mill I'm taking into Tezi the cat.
Speaker 1 (20:09):
Well, don't bother I just played souvenir on her, Oh, Leslie,
would you never keep a cat around here? Why don't
you buy strings?
Speaker 3 (20:20):
Please don't annoy me, dear, I'm practicing for my concert tour.
Speaker 4 (20:23):
Oh yes, says he take me with you on this trip?
Speaker 6 (20:26):
Why can't I go along?
Speaker 9 (20:28):
Why?
Speaker 1 (20:28):
Little does she know that I'm in love with my
beautiful blond accompany? And he tell because, Darling, it's a
hard life, train, hotels, a constant russ purmoil. You couldn't
stand it, oh little Detino. But he don't know what
I know about you.
Speaker 4 (20:40):
Know, but if you'll prown it said, you take me
with you?
Speaker 1 (20:48):
Well other time, dear, and incident of ed and I
wish you keep our son out of the room. And
I'm practicing, He bothers me wrestfully.
Speaker 4 (20:53):
Oh, don't worry. He's going to tent a park with
his nurse.
Speaker 3 (20:56):
My goodness, he's still got that nerve.
Speaker 1 (20:58):
He's big enough now to hold her on here.
Speaker 4 (21:01):
And why they went to the park, I see, Oh Leslie,
won't you thank your mind about taking.
Speaker 1 (21:07):
Me with you? I'll think about it. M little does
she knows my girlfriend is waiting for me in Paris.
Speaker 4 (21:13):
Little does he knows that my boyfriend is out of
the Tulsa.
Speaker 3 (21:17):
Well, see you later, darling. Okay, sweet, Now let's see what.
Speaker 1 (21:22):
Music should I take along? I don't know whether to
open with Chatowski's and Dante CANTATAI or you can call Rag.
Speaker 7 (21:32):
Now.
Speaker 3 (21:32):
If I open in Paris, I'll have.
Speaker 1 (21:34):
To play come in Telagram for left me Fanny. Right here, boy,
Wait a minute, here's a quarter for you. Oh gee, thanks,
little of your folks.
Speaker 2 (21:43):
Know this quarter?
Speaker 1 (21:44):
Does watch the cama growing? I wonder, I wonder who
could have sent me this telegram?
Speaker 3 (22:00):
Why it's from Anita. Anita, she's waiting for me in Paris, Kentucky.
I know I should have told her friends I'm m
fire immediate, need to meet me at the boat the
following days. Pierre sixty five, North Rivers, Well, goodbye, Kitty.
(22:21):
Now mind your mother and be a good little boy.
Are you going to Paris? Saddy?
Speaker 1 (22:24):
Yes, Pitsy, you'll be a good little boy too, Pitsy, Well, goodbye,
Edna to Don Edley, I'll miss you terribly. Lou does
she knows that Anita is we need to see on
the boat.
Speaker 4 (22:35):
I'll make you too, little latinos that I put a
ditch upon in it.
Speaker 1 (22:38):
Settle well, goodbye, sweetheart to darn Oh Leslie. Yes, mister Harrod,
we better get a board. There is much time I'm coming.
Did you prepare my itinerary?
Speaker 3 (22:50):
Yes, your routers.
Speaker 1 (22:51):
That's followed the Opera House in Paris, the Lascallon Rome,
the Grand Palace in Budapest, Albert Hall in London, Konnege
Hall in New York, and the Wiltshire Bowl, the wheelchair Bowl.
Speaker 3 (23:05):
What's that? That's the cultural center of southern California. No cover,
jar Oh, come to Harrison.
Speaker 1 (23:14):
Must hurry, goodbye Edna, goodbye, Pitty coddles by so Leslie
Benny the great Virtuo sol start fouling his concert tour.
First we find him at the Opera House in Paris.
Speaker 9 (23:40):
House with the tomato yet oh well, Rome, Italy House
tech comment, oh well, pull the.
Speaker 10 (23:58):
First Hungary, I gotta catch a train fall London, Elans,
(24:19):
my fair lady, how well I nearly made it walking
and the ny thank you, thank you, thank you, and
(24:41):
now ladies and gentlemen, Leslie. Then he finishes his concert
tow at Carnegie Hall.
Speaker 1 (24:45):
In New York City and refine him in the dressing
room of his accompany, getting ready for his final appearance
of the season. Anita, Anita, just think this is my
last conscience, and these have been the happiest month of
my life. And if you Anita, owning you?
Speaker 3 (25:06):
Who was late all? If possible? I love you, Anita
more than ever.
Speaker 4 (25:10):
You're your kid.
Speaker 3 (25:17):
Oh, Anissa, tell me that you love me too.
Speaker 4 (25:19):
I wish I could, but things have changed in the
last few weeks.
Speaker 1 (25:22):
And my house belongs to another another wish mister Harris,
your manager, Harris.
Speaker 3 (25:28):
My closest friends. Oh, I can't believe it. I can't
believe us.
Speaker 4 (25:33):
It's true.
Speaker 1 (25:33):
Kid, Then this is the end. I'm going out and
find Harris. And when I do, Heaven help them work my.
Speaker 3 (25:52):
Hat in the corset. Oh, I don't see it here.
Speaker 1 (25:56):
You are a kid, Harris. I should have known that
you turn out to be the rack you are. Goodbye, farewell, Anita.
Speaker 2 (26:04):
Tell I'm kid.
Speaker 1 (26:09):
To think that Anita would treat me like this In
five minutes, iime doodop here before my public.
Speaker 3 (26:14):
But I shall never play my violin again. Never never. Leslie,
Leslie Darling Esna my wife what are you doing here?
Speaker 4 (26:23):
Oh thought you needed me, Leslie.
Speaker 3 (26:24):
I just chanced if something was wrong.
Speaker 4 (26:26):
Oh, I love you, Leslie comes back to me.
Speaker 3 (26:29):
My little wife. I love you too, and I shall
never leave you again.
Speaker 1 (26:33):
Where's Pitticado, our son.
Speaker 3 (26:35):
In the hospital?
Speaker 4 (26:36):
He ate too much Rosen.
Speaker 3 (26:39):
Oh I knew it would get him well. And I'm
so glad you can you give me you life new spirits.
Speaker 1 (26:43):
And I'm going out on that seat and play my
violin as I've never played before.
Speaker 3 (26:48):
I know you well. Good luckhead than soh Leslie. And
they walked out on the stage of the vast Carnegie Hall,
fell over the audience. The light stems.
Speaker 1 (26:59):
Leslie raised his violin to his chin, and the orchestra
played the introduction to the meditation from Tay East by Methane.
(27:39):
A big favorite in thousands of poems these days is
yellow fruit car served either as an appetizer or deserve
custom matm.
Speaker 3 (27:46):
A shining Sherby glass.
Speaker 1 (27:48):
He's tied with bright, sunny orange jellows, tenderly molded.
Speaker 3 (27:52):
Around colorful cubes of juicy right fruit.
Speaker 1 (27:55):
Now there's something your family will surely enjoy and something
you will enjoy me. Or here's how easy it is.
First dissolved one packet of orange yellow in one final
on water jeloud, slightly thickened and pulled in two thirds
of a company of dice oranges, dice apples, and finally
cut stakes. Then moan, and there you have an entightening
(28:15):
combination of printing irons, yellow and delicious rice fruits. So
tomorrow night at dinner you like the whole family with
its tempting yellow creations, with its gay colors and rich.
Speaker 3 (28:25):
Tangy fruit flavor. Yellow Fruits Cuff.
Speaker 1 (28:45):
Is the last number of the fifteen program in the
current Yellow series, and we will be with you again
next Sunday night at the same time. Meanwhile, on behalf
of my cast, my office and myself, I want to
thank the radio editors of the United States and Canada for.
Speaker 2 (28:58):
The honors accorded us and lead in New.
Speaker 3 (29:00):
York World Telegram Post.
Speaker 1 (29:02):
Can you imagine, folks, Don Wilson was voted the best
announcer and I had to play my violin all through
his commercials.
Speaker 3 (29:08):
Oh well, good night.
Speaker 1 (29:09):
Polsers a nine KMO broadcasting company
The Jello program, Birring Jack, Funny with Mary Livingston's Billharat
Dennis Day and Yours Truly, Don Will The Archetrope is
the program with Ma He's making.
Speaker 2 (00:09):
Eyes at me. How many housewives.
Speaker 3 (00:29):
Tomorrow are trying to be a very busy day, the
way month usually is, and.
Speaker 2 (00:33):
That's why tomorrow be an excellent time.
Speaker 1 (00:34):
Let Jello take care of the dessert a dinner for
One of the great things about jello, it's a quick
and easy to get ready, takes a little of your time,
and it's pretty swallow to know that any jello desert
you make will meet with your families enthusiastic approve it.
Speaker 3 (00:48):
Jello, you know, is extra good because it has an exciting,
extra rich flavor.
Speaker 1 (00:53):
And this extra rich flavor, this smooth, hanging goodness, is
really something swell, as grand and refreshing as the juicy
right fruit itself.
Speaker 3 (01:02):
He has the clear, shining mold of tempting.
Speaker 1 (01:04):
Jello easily and quickly prepared would make a mighty welcome
addition to your evening mainue tomorrow. So ortis I'm the
first thing in the morning, and while you're about it,
try those new jello pudding too.
Speaker 3 (01:15):
Already. They're the big dessert sensations of the nations.
Speaker 1 (01:17):
Rape streamy satin, smooth puddings yours to enjoy in the
three popular flavors chocolate, vanilla.
Speaker 3 (01:23):
And butters. Guys, ask your girls to tomorrow for jello
and those new delicious dessert ball Americas.
Speaker 1 (01:28):
Talking about jello pudding and would mind make an eye
(01:58):
to me? Played by the orchestra.
Speaker 3 (01:59):
Lady and gentlemen, this being the second week of Leafier,
we bring you a.
Speaker 1 (02:03):
Man who hasn't leaped in years, Jack Benny Galow again
is the Jack Benny talking and down? That was about
the silliest thing I've ever heard. I wish that during
this new year your introductions would make a little more stance.
Speaker 3 (02:22):
Well, I'm sorry, Jack, I was realy trying to tie
you in with Leafier, That's all. There must be other
ways I haven't leaped in years?
Speaker 1 (02:29):
Or am I supposed to be a gazelle or something?
Whether you laugh to admit Jack that you're not the
most agile person in the world. What if I'm not?
You should be the last one to mention it. Any
man who had to detour when he comes to an
ant hill, I'd be quiet if I were you. Hi, Jack, Hello, Marry,
(02:50):
let me clear.
Speaker 2 (02:50):
The sub Jack.
Speaker 1 (02:51):
All I met by my introduction was that you're not
the dicing athletics type like El flann or Mickey Rooney.
Nickey Rooney for having take down Mickey Rooney is at
least eight years younger than I.
Speaker 3 (03:01):
Have a fine comparison.
Speaker 4 (03:05):
Why Jackson, you mean to say Mickey woman's only eight
years younger.
Speaker 3 (03:09):
Than you are.
Speaker 1 (03:09):
I said he was at least age. He might be
nine or ten years younger, or eleven or twelve.
Speaker 4 (03:15):
You ain't gonna get any places.
Speaker 3 (03:16):
It's got to multiply, all.
Speaker 1 (03:22):
Right, Mary, I'm one hundred and eighty five years old.
I'm deaf as a post. I got hardening of the arteries,
and I walk with a cane. Have I overlooked anything.
Speaker 4 (03:30):
I can't understand? You put your teeth in?
Speaker 1 (03:38):
Well now I haven't got any teeth. It's a fine program,
Hi had Jackson. It's so furned up A boss who
wouldn't be I come in here full of paping between
Don and Mary. I'm ready for the ash cans.
Speaker 3 (03:47):
Oh what do you care? Jack? Your girlfriend's gladys thinks
you're wonderful. It's done, right, he does.
Speaker 1 (03:52):
Of course, he's not exactly a noop girl. Now listen, Phil,
there's nothing wrong with Gladys, but a pair of art
supporters won't fail. I'm getting her thumb for her birthday
next day.
Speaker 5 (04:06):
Though.
Speaker 4 (04:06):
Meanwhile, pok pok five.
Speaker 1 (04:11):
Mary, Why is it every time I get a girl
you have to run her down. I'll admit that Gladys
is no heavy lamar when it comes to look because he's.
Speaker 3 (04:18):
Got a lot of personality.
Speaker 1 (04:19):
He makes more tips than any other girl in Ginsburg's
seafood Rotto.
Speaker 4 (04:25):
Why not he dies for him in the fifth teen?
Speaker 3 (04:29):
He does not.
Speaker 1 (04:30):
And if you're so smartness living, so let me tell
you something about Gladys that.
Speaker 3 (04:33):
You don't know.
Speaker 1 (04:34):
If the votes keep coming in like they have been,
he's gonna be miss Vine Street this year.
Speaker 3 (04:43):
I think Gladys has got a chance of being elected
guy certainly. And that reminds me.
Speaker 1 (04:47):
Fellas here, fill out theseus, all of you, and you
know what named to put down Glass, not me. I'm
voting for Mamie's the new way for mister Ginsburg.
Speaker 3 (04:55):
Bill Harris, you'll vote for the one. I'll tell you something.
I'm voting for Maymie. That's a free country when.
Speaker 1 (05:00):
You're gonna see a lot of it if you don't
vote for.
Speaker 3 (05:08):
And right now. Okay, okay, give.
Speaker 4 (05:10):
Me a pen Jack, I'll hope for your girl friend.
Speaker 3 (05:12):
Thanks, Mary, me too, Clatters. Huh what's the last name?
Speaker 1 (05:16):
Jack?
Speaker 3 (05:17):
Is the bisco.
Speaker 1 (05:19):
Z y b y s k O gladys the discoll?
Speaker 3 (05:23):
Hey, how do you make a Z? How do you
make a here?
Speaker 1 (05:26):
Give me that pencil? Looks Bill, it's like an S
backward with no curve like that.
Speaker 3 (05:31):
See. Oh yeah, that's easy. Sure, Hey, Frankie, watch me
make a.
Speaker 5 (05:36):
C show off.
Speaker 3 (05:47):
Later, phil we haven't got time.
Speaker 1 (05:50):
And now uh and now, ladies and gentlemen. Oh, by
the way, Philip, you're running to Mamie. Don't tell us
you're fucking for gladders. I'm gonna as common her. Okay, Jack,
I won't mention the thing. And now, ladies and gentlemen,
I understand him. I haven't got anything against maybe, but
I've been seeing a lot of gladders since she's a
hot headed, jealous time. She's got a temper like a
wild cat.
Speaker 4 (06:09):
Yeah, take care, remember the nice to punch your meal ticket.
Speaker 3 (06:12):
In your nose.
Speaker 1 (06:14):
That's the line, Mary, Because gladdys never punches my meal ticket.
Speaker 3 (06:18):
You just make believes.
Speaker 1 (06:23):
And now, ladies and gentlemen, as I started to announce,
Dennis say, our young tenner is going to sing an
old paper which is still very popular, called down by
the River Dinners.
Speaker 3 (06:32):
Hey, where's dinners here? I am misspending under the piano.
Under the piano? What are you doing there? I'm counting
the drum. Oh oh, well, that's a nice way to
pass the time. But you've got a thing.
Speaker 1 (06:45):
Now go ahead, okay, give me those stuff fellas.
Speaker 3 (06:48):
I'll nail them in.
Speaker 5 (06:50):
Oh, once we walk over.
Speaker 6 (07:06):
Don by the river, war rm my hoiver nay be
hoy har oh will get more cool?
Speaker 1 (07:34):
Oh?
Speaker 2 (07:34):
I love you to.
Speaker 5 (07:38):
You on the river.
Speaker 7 (07:42):
Why ever for you? Why Mariever, you will read when you.
Speaker 6 (08:00):
Oh?
Speaker 5 (08:04):
Oh.
Speaker 6 (08:11):
In a farming moment, I love.
Speaker 7 (08:15):
You, you love you all half.
Speaker 8 (08:21):
A in a happy moment, I for God on my
path now what?
Speaker 7 (08:42):
Oh?
Speaker 5 (08:42):
I love you.
Speaker 6 (08:46):
You and Mariver, my heavy man?
Speaker 1 (08:52):
Are you.
Speaker 7 (08:55):
And mab.
Speaker 5 (08:58):
You well.
Speaker 3 (09:39):
Done by Dennis day? I was excellent. Dennis. You're in
very good voice tonight.
Speaker 1 (09:43):
Thank you.
Speaker 8 (09:44):
Oh.
Speaker 1 (09:44):
By the way, Dennis, you haven't voted for this fine
street yet, have you?
Speaker 7 (09:47):
No?
Speaker 1 (09:47):
But I wasn't planning to vote for Goldie the cashier
at the bowling Alley. Oh well, now, Dennis, I'm not
trying to influence.
Speaker 3 (09:54):
You one way or the other.
Speaker 1 (09:55):
But Goldie won it last year and the side he
han't got anywhere near the figure that Glant. It's well,
everybody says class looks like a horse. That's only because
she's got a very long face.
Speaker 4 (10:09):
And as all she cut in her half her hands.
Don't help Anny.
Speaker 1 (10:14):
Now you're just jealous because you're not in the context
now here, Dennis, take this out and put down glad
as tibisco z y d y. That's ko okay, ladies
and gentlemen. While Dennis is writing down sobisco z y
b y s k O, why don't you write down
jell O k E L l O. And it's economically
(10:35):
easy to make him comes an s i X delicious place. Class.
Speaker 3 (10:38):
So always in tept on genuine jello and look for
the big red letters on the b O.
Speaker 1 (10:42):
A very good job, Bill Harris will now sell tack
k A K hack. And now, ladies and gentlemen, going
from our selling bee to our feature attraction tonight that
Benny's glee and Dramatic Club will presents their.
Speaker 3 (11:02):
Version of David O.
Speaker 1 (11:03):
Selznick's great production, that emotional drama and tender love story
built with romance and music none others, and that supreme
achievement and cinematic plomphs in Hermetso thank you, dream Boat.
(11:23):
Now I will play the part of that internationally famous
constant violinist whose artistry and charm win the love of
his beautiful young accountant.
Speaker 3 (11:31):
This role was portrayed on.
Speaker 1 (11:32):
The screen by that distinguished actor, mister Leslie Howard. Now
they are you gonna play that part?
Speaker 2 (11:37):
Jackson?
Speaker 1 (11:37):
You heard me feel I'm gonna be Leslie Howard, a
concert violinist and a great lover.
Speaker 4 (11:42):
Listen to them dials turn.
Speaker 3 (11:48):
Don't worry. I'll handle it all right now.
Speaker 1 (11:50):
Mary, you're gonna be my wife. You remember the part
Edna Best had in the picture. Yes, and when this
other woman comes into my life.
Speaker 3 (11:56):
You fight the hole.
Speaker 1 (11:57):
You fight like a tigers to keep that part of
love burning between us. You're not gonna sacrifice the most
pressures of woman's possessions her, Hush, how are you laughing?
Speaker 3 (12:10):
That findon me? I thought I was Garbo.
Speaker 1 (12:14):
I wish you'd pay a little attention here anyway, marry
you're my wife and Dennis.
Speaker 3 (12:18):
Yes, please, you're gonna be our child.
Speaker 1 (12:21):
You have beautiful golden curls, soft blue eyes and a
complexion like Rose Tennant Ivory.
Speaker 3 (12:26):
See I like him better than I do me. I
don't blame you.
Speaker 8 (12:31):
Now.
Speaker 1 (12:32):
Let's see, Hey Jackson, what am I gonna be in
this tender and gripping love story? You feel you're gonna
be the manager of Leslie Denny this great concert?
Speaker 5 (12:39):
Violence?
Speaker 3 (12:40):
Are my eyes gonna be?
Speaker 1 (12:41):
Blowte?
Speaker 8 (12:41):
No?
Speaker 3 (12:41):
Phil, just under your eyes?
Speaker 6 (12:43):
I do do?
Speaker 3 (12:50):
Now let's see.
Speaker 1 (12:51):
Oh yes, the very important role of the young accompanists
so beautifully portrayed on the screen by that Swedish star,
miss ingrid Bergman will be an active the season by
this revery of our own, that very talented young actress,
Miss Olivia Devon. Oh, Miss Devon, Now, I you know
you're gonna be my accompany. And during our play you
pauled madly.
Speaker 3 (13:12):
In love with me?
Speaker 4 (13:12):
Say what'll behind you?
Speaker 1 (13:14):
Kids?
Speaker 3 (13:16):
Let us thank you? Now.
Speaker 1 (13:18):
I understand you've had screen experience yourself, But what was
your last assignment? I was at Kaboos and Union Pacific.
Oh yes, I remember you with that red and green
(13:38):
light in your hair. Now here's your part over in
the corner and brush up on us?
Speaker 4 (13:43):
Thank you?
Speaker 5 (13:43):
And when do I get paid?
Speaker 3 (13:45):
Mister downstairs?
Speaker 1 (13:46):
Right after the broadcast on Saturday?
Speaker 3 (13:48):
Poor bye? I just want to pay off, that's all say.
Speaker 1 (13:57):
Now I play intermetal. We're going immediately after a number.
Speaker 3 (14:00):
By the orchis.
Speaker 1 (14:01):
Go ahead and sail play something hold of the minutes.
Answer the phone, marriage, okay, Hello? Who? Yes, he's here.
Speaker 4 (14:10):
It's for you Jack. It's Ginsbridge restaurant.
Speaker 1 (14:12):
I must see Gladys. Hello, Hello, Gladys.
Speaker 3 (14:16):
How are you?
Speaker 1 (14:18):
Oh?
Speaker 3 (14:18):
They do well? Why don't you ske'em when you get home? Uh?
Speaker 1 (14:36):
That'll help py daughter barking a marriage?
Speaker 3 (14:39):
He's on our feet all day. What do you call
me for gladders?
Speaker 1 (14:44):
Oh well, don't worry.
Speaker 3 (14:45):
I got five more.
Speaker 1 (14:46):
Votes for you today. Yes it's only five After all, Gladders,
you've got competition. It's no sin but but flatters. Now
wait a minute, gladder. If you don't like the way
I'm running your campaign, get Jim Parley. What Oh now, honey,
(15:06):
I didn't mean to be crying fellas. I'm sorry, Gladys.
I didn't mean to boil you out. But god, guys,
but Gladys darling, but Gladdy's baby, but Glady's honey. Quiet now, Gladys,
will you please stop snippling? You'll win the contest. You
don't get that trip to Boulder, damn. All right, honey,
(15:31):
I'll drop find a few minutes, see you later.
Speaker 3 (15:33):
Goodbye.
Speaker 1 (15:34):
Oh by the way, Gladys, will you put away a
piece of banana cream pie for me?
Speaker 3 (15:38):
Last Sunday? You were all out? Thanks?
Speaker 1 (15:41):
And if he goes to Leslie Howard.
Speaker 3 (15:43):
Okay, dere goodbye.
Speaker 2 (15:45):
What a sweet kid, but he's so.
Speaker 1 (15:47):
Sensitive playfield see I made her cry. Intermezzo were gone.
(17:22):
Intermezzo is an Italian word. It's from the Italian. It's
a musical term and it's uh, it's from the Italian.
Speaker 3 (17:32):
It said that marry, I'm.
Speaker 1 (17:34):
Kind of explainer. Inter Meto domans well. The word inter
means between Printon's. Interurban means between towns. So intermezzo means
between metto you see, oh yes, Jack, But what a metsico?
Speaker 3 (17:48):
Well, Metso is.
Speaker 1 (17:50):
A proper noun. It's hard to to find. It's a
name more than anything.
Speaker 4 (17:53):
Else, like men, Yeah.
Speaker 3 (17:59):
That that Mary, something like that? Now wait a minute.
Speaker 1 (18:01):
And in her metico was a musical term meaning an
interlude or course joining two parts of a major composition. Well,
come to think of it, Bill asked, exactly where'd you
get that definition?
Speaker 3 (18:13):
I found it for Chinese cookie.
Speaker 1 (18:21):
Well, I'm glad we've got it settled anyway, you won't
made pussy don Well, thank you. The scene of our play,
Ladies and Gentlemen is the New York apartment of mister
Leslie Benny, the internationally famous violinist, where he lives with
his wife Hevnah and their little son. Put the coatole,
that's him, Hitnicato, Benny. As the curtain rises, we flying
mister Benny practicing souvenir on his violin, curtains music. Oh daddy, daddy, quiet, Pittsy,
(19:13):
what is it?
Speaker 3 (19:13):
Can I have a pizza?
Speaker 7 (19:14):
Robins?
Speaker 1 (19:15):
Yes?
Speaker 3 (19:15):
Yes, yes, here you are, Pitty. What are you to
eat that?
Speaker 1 (19:32):
Robin for? I'm gonna eat a banana in a minute,
and I don't want.
Speaker 3 (19:34):
It to slip. Run along now, fifty, let daddy practice.
Speaker 1 (19:39):
I'm preparing to leave for my concert door.
Speaker 3 (19:41):
Okay, what a child? M oh, I don't like that.
Speaker 8 (20:01):
This is better than.
Speaker 1 (20:04):
Hello darling, Hello.
Speaker 3 (20:06):
Dear, where are you going?
Speaker 4 (20:07):
With that mill I'm taking into Tezi the cat.
Speaker 1 (20:09):
Well, don't bother I just played souvenir on her, Oh, Leslie,
would you never keep a cat around here? Why don't
you buy strings?
Speaker 3 (20:20):
Please don't annoy me, dear, I'm practicing for my concert tour.
Speaker 4 (20:23):
Oh yes, says he take me with you on this trip?
Speaker 6 (20:26):
Why can't I go along?
Speaker 9 (20:28):
Why?
Speaker 1 (20:28):
Little does she know that I'm in love with my
beautiful blond accompany? And he tell because, Darling, it's a
hard life, train, hotels, a constant russ purmoil. You couldn't
stand it, oh little Detino. But he don't know what
I know about you.
Speaker 4 (20:40):
Know, but if you'll prown it said, you take me
with you?
Speaker 1 (20:48):
Well other time, dear, and incident of ed and I
wish you keep our son out of the room. And
I'm practicing, He bothers me wrestfully.
Speaker 4 (20:53):
Oh, don't worry. He's going to tent a park with
his nurse.
Speaker 3 (20:56):
My goodness, he's still got that nerve.
Speaker 1 (20:58):
He's big enough now to hold her on here.
Speaker 4 (21:01):
And why they went to the park, I see, Oh Leslie,
won't you thank your mind about taking.
Speaker 1 (21:07):
Me with you? I'll think about it. M little does
she knows my girlfriend is waiting for me in Paris.
Speaker 4 (21:13):
Little does he knows that my boyfriend is out of
the Tulsa.
Speaker 3 (21:17):
Well, see you later, darling. Okay, sweet, Now let's see what.
Speaker 1 (21:22):
Music should I take along? I don't know whether to
open with Chatowski's and Dante CANTATAI or you can call Rag.
Speaker 7 (21:32):
Now.
Speaker 3 (21:32):
If I open in Paris, I'll have.
Speaker 1 (21:34):
To play come in Telagram for left me Fanny. Right here, boy,
Wait a minute, here's a quarter for you. Oh gee, thanks,
little of your folks.
Speaker 2 (21:43):
Know this quarter?
Speaker 1 (21:44):
Does watch the cama growing? I wonder, I wonder who
could have sent me this telegram?
Speaker 3 (22:00):
Why it's from Anita. Anita, she's waiting for me in Paris, Kentucky.
I know I should have told her friends I'm m
fire immediate, need to meet me at the boat the
following days. Pierre sixty five, North Rivers, Well, goodbye, Kitty.
(22:21):
Now mind your mother and be a good little boy.
Are you going to Paris? Saddy?
Speaker 1 (22:24):
Yes, Pitsy, you'll be a good little boy too, Pitsy, Well, goodbye,
Edna to Don Edley, I'll miss you terribly. Lou does
she knows that Anita is we need to see on
the boat.
Speaker 4 (22:35):
I'll make you too, little latinos that I put a
ditch upon in it.
Speaker 1 (22:38):
Settle well, goodbye, sweetheart to darn Oh Leslie. Yes, mister Harrod,
we better get a board. There is much time I'm coming.
Did you prepare my itinerary?
Speaker 3 (22:50):
Yes, your routers.
Speaker 1 (22:51):
That's followed the Opera House in Paris, the Lascallon Rome,
the Grand Palace in Budapest, Albert Hall in London, Konnege
Hall in New York, and the Wiltshire Bowl, the wheelchair Bowl.
Speaker 3 (23:05):
What's that? That's the cultural center of southern California. No cover,
jar Oh, come to Harrison.
Speaker 1 (23:14):
Must hurry, goodbye Edna, goodbye, Pitty coddles by so Leslie
Benny the great Virtuo sol start fouling his concert tour.
First we find him at the Opera House in Paris.
Speaker 9 (23:40):
House with the tomato yet oh well, Rome, Italy House
tech comment, oh well, pull the.
Speaker 10 (23:58):
First Hungary, I gotta catch a train fall London, Elans,
(24:19):
my fair lady, how well I nearly made it walking
and the ny thank you, thank you, thank you, and
(24:41):
now ladies and gentlemen, Leslie. Then he finishes his concert
tow at Carnegie Hall.
Speaker 1 (24:45):
In New York City and refine him in the dressing
room of his accompany, getting ready for his final appearance
of the season. Anita, Anita, just think this is my
last conscience, and these have been the happiest month of
my life. And if you Anita, owning you?
Speaker 3 (25:06):
Who was late all? If possible? I love you, Anita
more than ever.
Speaker 4 (25:10):
You're your kid.
Speaker 3 (25:17):
Oh, Anissa, tell me that you love me too.
Speaker 4 (25:19):
I wish I could, but things have changed in the
last few weeks.
Speaker 1 (25:22):
And my house belongs to another another wish mister Harris,
your manager, Harris.
Speaker 3 (25:28):
My closest friends. Oh, I can't believe it. I can't
believe us.
Speaker 4 (25:33):
It's true.
Speaker 1 (25:33):
Kid, Then this is the end. I'm going out and
find Harris. And when I do, Heaven help them work my.
Speaker 3 (25:52):
Hat in the corset. Oh, I don't see it here.
Speaker 1 (25:56):
You are a kid, Harris. I should have known that
you turn out to be the rack you are. Goodbye, farewell, Anita.
Speaker 2 (26:04):
Tell I'm kid.
Speaker 1 (26:09):
To think that Anita would treat me like this In
five minutes, iime doodop here before my public.
Speaker 3 (26:14):
But I shall never play my violin again. Never never. Leslie,
Leslie Darling Esna my wife what are you doing here?
Speaker 4 (26:23):
Oh thought you needed me, Leslie.
Speaker 3 (26:24):
I just chanced if something was wrong.
Speaker 4 (26:26):
Oh, I love you, Leslie comes back to me.
Speaker 3 (26:29):
My little wife. I love you too, and I shall
never leave you again.
Speaker 1 (26:33):
Where's Pitticado, our son.
Speaker 3 (26:35):
In the hospital?
Speaker 4 (26:36):
He ate too much Rosen.
Speaker 3 (26:39):
Oh I knew it would get him well. And I'm
so glad you can you give me you life new spirits.
Speaker 1 (26:43):
And I'm going out on that seat and play my
violin as I've never played before.
Speaker 3 (26:48):
I know you well. Good luckhead than soh Leslie. And
they walked out on the stage of the vast Carnegie Hall,
fell over the audience. The light stems.
Speaker 1 (26:59):
Leslie raised his violin to his chin, and the orchestra
played the introduction to the meditation from Tay East by Methane.
(27:39):
A big favorite in thousands of poems these days is
yellow fruit car served either as an appetizer or deserve
custom matm.
Speaker 3 (27:46):
A shining Sherby glass.
Speaker 1 (27:48):
He's tied with bright, sunny orange jellows, tenderly molded.
Speaker 3 (27:52):
Around colorful cubes of juicy right fruit.
Speaker 1 (27:55):
Now there's something your family will surely enjoy and something
you will enjoy me. Or here's how easy it is.
First dissolved one packet of orange yellow in one final
on water jeloud, slightly thickened and pulled in two thirds
of a company of dice oranges, dice apples, and finally
cut stakes. Then moan, and there you have an entightening
(28:15):
combination of printing irons, yellow and delicious rice fruits. So
tomorrow night at dinner you like the whole family with
its tempting yellow creations, with its gay colors and rich.
Speaker 3 (28:25):
Tangy fruit flavor. Yellow Fruits Cuff.
Speaker 1 (28:45):
Is the last number of the fifteen program in the
current Yellow series, and we will be with you again
next Sunday night at the same time. Meanwhile, on behalf
of my cast, my office and myself, I want to
thank the radio editors of the United States and Canada for.
Speaker 2 (28:58):
The honors accorded us and lead in New.
Speaker 3 (29:00):
York World Telegram Post.
Speaker 1 (29:02):
Can you imagine, folks, Don Wilson was voted the best
announcer and I had to play my violin all through
his commercials.
Speaker 3 (29:08):
Oh well, good night.
Speaker 1 (29:09):
Polsers a nine KMO broadcasting company
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