August 6, 2025 • 27 mins
A legendary variety show blending witty monologues, comic sketches, and musical interludes, all anchored by the impeccable timing of its beloved host. It’s a masterclass in comedic timing.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
The Jello Program starring Jack Belly with Mary Livingston, Phil Harris,
Dennis Day, and Yours Truly Don Wilson. The Orchantrope's a
program with My Wonderful One.
Speaker 2 (00:11):
Let's dance. Here's a brief note on April styles. Spring
Fashion's decree that.
Speaker 1 (00:30):
The well dressed table should wear lots of bright colors
and especially smart, say experts, there is a game mold
of rich, shimmering Jello.
Speaker 2 (00:38):
Yes, sir, Jello is a mighty attractive dessert.
Speaker 1 (00:40):
It adds to any meal a final touch of distinctive
beauty and friendly charm.
Speaker 2 (00:44):
Whether you choose strawberry, red, lime, green, or any other.
Speaker 1 (00:47):
Of its six brightly colors, you'll be delighted with the
way Jello dresses up the table, tempts the appetite, and
leaves a feeling of grand refreshment.
Speaker 2 (00:55):
Jello is a truly delicious.
Speaker 1 (00:57):
Treat, outstanding for its full tangy flavor. Flavor is inviting
us fresh juicy, ripe fruit itself. So try some real
soon for rich, exciting goodness. There's nothing to compare with Jello,
America's favorite jelatin dessert now better than ever.
Speaker 2 (01:42):
That was My Wonderful One.
Speaker 1 (01:44):
Lets Dance played by the orchestra and now Ladies and Gentlemen.
As we announced last week, next Sunday, the Jello Program
will originate from New York City, where Paramount is holding
the premiere of its new picture Buck Benny rides against So,
without further ado, we whiske you to Jack Benny's home
in Beverly Hills, where Jack's in the throes of last
minute packing.
Speaker 2 (02:02):
Take it away.
Speaker 3 (02:06):
Cre old babies walk along with rhythm in their size,
rhythm in their seating, in the lifting in their eyes.
Where do high browse find that kind of little bit
satisfies underneath the hallm I'm getting that.
Speaker 2 (02:19):
Rochester.
Speaker 4 (02:20):
Come on, boys, join in.
Speaker 2 (02:22):
Never mind, there's no feal of cotton singing.
Speaker 4 (02:24):
Cotton is hip hoo. They don't live in Captain Rocket.
Speaker 2 (02:28):
We'll never get to New York the way you're moving.
Our train leaves in a couple of hours. My crunk
is a half packed.
Speaker 4 (02:33):
Yet well, boys only got two hams.
Speaker 2 (02:35):
Yes, but you got a cigar in one and a
sandwich in the other. I put them down and get
to work.
Speaker 4 (02:41):
My contract specifies one allful lunch.
Speaker 2 (02:45):
You can eat and work at the same time, Like
I do. Let's see where'd I put my hamburger.
Speaker 4 (02:49):
It's wearing right there on your dress shirts.
Speaker 2 (02:53):
Oh well, I can wear a vest with us. Now, Rochester,
take these socks here and put them in the top
drawer port.
Speaker 4 (02:59):
This trunk is so oh half the drawers won't open.
Speaker 2 (03:01):
You're just a weakling, that's all. Here. Hold my chocolate, declare,
I'll over there. Okay, there, that got it.
Speaker 4 (03:19):
Whoo look out for them back.
Speaker 2 (03:22):
Oh stop, Rocker. They're not bats, They're just large mass
cuqu and that reminds me. I thought I told you
to put moth balls in this trunk.
Speaker 4 (03:29):
I disney threw them back in.
Speaker 2 (03:36):
Now, don't get cued there. The sock's going here. Hey,
wait a minute, Rochester, what's the matter? I told you
to hold my chocolate. Declare, not eat it.
Speaker 4 (03:44):
It's right in my handbought. Look at him.
Speaker 2 (03:47):
Oh pardon, I didn't see it. Now take my underwear
and put them in this bottom. I'm must be miss Livingston.
Come in.
Speaker 4 (04:00):
I'm a man from the Express company.
Speaker 2 (04:02):
Did you have a trunk to go to the station yet?
But it's not ready yet, you'll have to come back right.
Nobody's ever ready? How do I stand it.
Speaker 5 (04:09):
How do I stand it?
Speaker 2 (04:15):
Rather temperamental fellows, say, Rochester, get my blue suit out
of the closet and pack it. I want to give
it to my cousin Marvin when we stopped in Chicago.
Speaker 3 (04:24):
Isn't that all?
Speaker 2 (04:26):
That suit's in good condition? It's hardly times at all.
Speaker 4 (04:28):
I wish by Field was as bright as it.
Speaker 2 (04:32):
Now. Rochester, I've had enough out of you. Come in, Hello, Mary?
Are you all set to go?
Speaker 4 (04:38):
Sure?
Speaker 6 (04:39):
See way, Jack, aren't you packed yet?
Speaker 2 (04:41):
Just about sit down and relax?
Speaker 4 (04:42):
Okay, boy, not you.
Speaker 2 (04:45):
Now. Let's see, I'll be in New York for two weeks.
How many shirts do you think I ought to take along? Mary?
Speaker 6 (04:51):
One blue or fourteen white?
Speaker 2 (04:53):
Mary wish would be serious. I want to get this done. Now,
what else? Now? Hear it's pretty cold in New York?
You think I ought to take along my spad?
Speaker 6 (05:00):
Yeah, and don't forget your coonskin.
Speaker 2 (05:01):
Calf, Mary. I have worn a coonskin cat since I
portrayed Daniel Boone in our high school play. I went
over very big. Nobody asked you, well, I did? Hear? Rochester?
Put these shirts away?
Speaker 4 (05:13):
Say boss, look at this old, fainted newspaper I found
in the bottom drawer. Head. Should I throw it away?
Speaker 2 (05:17):
No, let's see it. Hm, San Francisco Chronicle. I wonder
what I saved this for. Well, I'll be dog gone.
Look Mary, look here on the amusement page.
Speaker 6 (05:28):
Oh yeah, yes, any big hited orpheum this week?
Speaker 2 (05:31):
I sure was. And see that picture of me holding
my volume?
Speaker 7 (05:33):
Uh huh?
Speaker 6 (05:34):
What's that stuff on your head?
Speaker 2 (05:35):
That's hair? I had a pompidor on those days. Gosh,
the orphium San Francisco. See it seems like only.
Speaker 6 (05:47):
Yesterday, yesterday. Look at this front page. Gold discovered in Alaska.
Speaker 2 (05:52):
Let's see that. Oh yeah, I remember when the news
came in. They emptied the theater in two minutes. By
the time I got my makeup off. You couldn't buy
a shovel in the whole town. Just think. But for that,
I might have been known as nugget Jack the Klondyke kids. Mary.
Can't you just see me digging for gold?
Speaker 5 (06:08):
Now?
Speaker 6 (06:09):
I seem to see you burying us.
Speaker 2 (06:12):
Well, it's hot here, folks this week. That's why that
shop was bad. But for a guy that was involved
as long as I was, I would have my head
examined for giving you that opening here, Rochester, pace us
right up in my scrap book.
Speaker 4 (06:23):
Oh kid, should I indicate your hair.
Speaker 8 (06:25):
With an arrow?
Speaker 2 (06:25):
That won't be necessary. I just want to keep the paper.
Come in.
Speaker 4 (06:32):
Well, here I am again.
Speaker 2 (06:33):
It's the trunk ready yet not quite? Young man? Oh
for cran of loud, so impatient? Oh, Rochester, where's that
gray suit with the stripes I sent out to be clean?
Speaker 4 (06:43):
Here it is, but you're clean. It took the stripes
out of it.
Speaker 2 (06:46):
Took the stripes out of it.
Speaker 4 (06:48):
Horse. You could send a zebra to that outfit and
it would come back clean.
Speaker 2 (06:52):
Rochester. I'd just like to send a zebra to the
classy Clothy cleaners and show you how wrong you are.
As a rule, they're very good.
Speaker 6 (07:01):
I said him a sweater last week, and it came
back with Lana Turner at always a comedian.
Speaker 2 (07:05):
Amos Whittington, say, Rochester, I just happened to think, did
you collect the two weeks room rent from mister Billingsley
our border?
Speaker 4 (07:11):
Yes? I did, boys, but he took it back.
Speaker 2 (07:14):
What do you mean he took it back?
Speaker 4 (07:15):
Well, he didn't exactly take it.
Speaker 2 (07:17):
What do you mean he didn't exactly take it?
Speaker 8 (07:20):
How can a nice man like him, know so much
about African handbulls.
Speaker 2 (07:32):
Rochester, I won't have you gambling with my border. Now
help me close us trunk. Mary, you push on one side, Rochester,
you push the other, and I'll snap the lot all together. Now,
come on, puss there. Well that's that it's closed. Now, Mary,
I think we ought to run ahead and get it.
Speaker 6 (08:02):
H What were you saying?
Speaker 2 (08:03):
Yeah, never mind, Rochester, get a piece of rope and
tied around the trunk and Mary, let you and I
go on ahead. I want to stop at drug store
and get some things. We'll meet at the station. Rochester
phone for a taxi. Okay, boys, Oh hold on, mister Billingsley.
Good evening, mister Benny. All set for a little trip,
I see, yes, yes, we're going to New York for
a couple of weeks. I hope you won't be lonely
here all by yourself. No, no, I'm happy as long
(08:24):
as I have my pipe and good book to read.
That's fine. Well, mister billing Lee will be leaving in
a little while. I come down to the station to
see you off. But I have a splitting headache. Oh
that's too bad. There it goes again. Good night, Good night,
(08:48):
mister Billingsley. Isn't he a nice fellow? Mary?
Speaker 6 (08:51):
Yes? But why does he always pushed that wheelbar around?
Speaker 2 (08:54):
He claims it's a nash tray? Sweet guy, though, Come in, well,
is there trunk ready yet? Yes, young man, here it is.
Are you happy?
Speaker 4 (09:04):
Trunk?
Speaker 8 (09:05):
Trunk's Trunk's My whole life is doessn't what Trunck's do
us me if I'm happy?
Speaker 2 (09:10):
See, I guess asked? Never saw anybody so high strung?
Speaker 4 (09:13):
You care? See the boss?
Speaker 2 (09:14):
Okay, Now, don't forget Rochester. Shut off the milk, stop
the paper, water the flowers, put sheets all over the furniture.
Take Carmichael and Trudy to the pet shop and be
at the station in an hour.
Speaker 4 (09:23):
In an hour, yes, Boss, I couldn't do all that
if I was a hault Johnson.
Speaker 2 (09:27):
Quid I've arguing? You're losing time? Come on, Mary, saw
a guy like him always complaining?
Speaker 6 (09:35):
Look, Jack's Ronald Coleman out in his yard.
Speaker 2 (09:37):
Oh yes, I must say goodbye to him. Goodbye Ronnie,
goodbye Ronald. Goodbye mister Coleman. That's more like goodbye. He's
a little cold toward me. I wonder what's wrong it's not.
Speaker 6 (09:51):
A jealous of you're working pictures.
Speaker 2 (09:53):
Yes, I guess you're right. Mary. That's about it.
Speaker 6 (09:55):
You mind if I break your arm?
Speaker 2 (09:57):
Just Riet? That's all. Well? Here we are, Wear to
sweetheart a union station and don't drive too fair. Okay, sweetheart,
get in marry right?
Speaker 6 (10:08):
Wait? Yes, sweet high marry.
Speaker 5 (10:26):
I'm afraid of my cough. I'm fool room man, moonlight
and tar can make such a fool of me. You
know you're much too mey rand. I'm fool room man.
(10:48):
Wouldn't I be a high houn a bended me? I'm
tombled when you whisper, I'll run if you my mother,
be so careful, for I have this my heart. You
(11:12):
shouldn't let me dream cause i'm too a man. Won't
make me fall unless it would all come true. Afraid,
(11:36):
I'm afraid of nice, but i'm too rom man make
a fool of me. You know you're much too ney
and I'm too Roman. Wouldn't I be a thigh on
(12:03):
a bended me? I'm tall when wi her, I'll run
if you can by my mom, be not careful, for
I've hid my heart. You shouldn't let me dream, but
(12:29):
I'm too a man.
Speaker 2 (12:35):
Won't make me fall.
Speaker 5 (12:38):
Unless it could.
Speaker 6 (13:03):
Say yeah, I was gonna stop the studio and pick
off the rest of the game.
Speaker 2 (13:06):
No, Mary, they'll all meet us at the station. I
gotta stop at the drug store and get some things
I need.
Speaker 6 (13:10):
Here's one ride ahead.
Speaker 2 (13:11):
Oh yes, driver, stop at that drug store right there?
Will you see? I thought you wanted to go to
the union station. I do, but I want to stop
at the drug store first. Do you mind?
Speaker 4 (13:19):
I'm gonna leave the meet learning, sweet Hurt?
Speaker 2 (13:22):
Oh I had. That's not gonna worry me any.
Speaker 6 (13:23):
And I know why paramunt is paying for this trip?
Speaker 2 (13:26):
What if they are?
Speaker 6 (13:27):
Buck Benny rides again on the cuff?
Speaker 2 (13:30):
Marry if you don't stop here, driver, Okay, sweet Hurt,
I can't understand this. I don't even know the felt.
Wait here, we'll be right out. Let's see. I gotta
get some blades and oh yes, some shaving cream.
Speaker 6 (13:52):
Don't you make your own anymore?
Speaker 2 (13:54):
No? It lathered all right, but it made my skin
turn blue. Where's the slur? Oh there he is?
Speaker 4 (14:03):
Ah, good evenings. What can I do for you?
Speaker 6 (14:05):
The Klondike kids buying? I'm the lady known as low Larry.
Speaker 2 (14:09):
Yes, I have quite a few things I want to
get here. You see, I'm going to New York. Ah,
then you first will need the railroad tickets. I came
in here to buy some toilet articles.
Speaker 4 (14:18):
That's maybe right, But you cannot go to New York.
Speaker 2 (14:20):
Who's out of tickets? I know I can't go to
New York without a ticket, but I've got one. You
don't think I come to a drug store to buy
a railroad ticket, do you WOHI not all fine? I look, mister,
we have much time. I just want to get some
shaving cream and some razor blade.
Speaker 4 (14:33):
Very good. Indeed, shaving cream reasonable and it is.
Speaker 2 (14:37):
I have a razor, let's see it. Believe me, I
own one, for goodness sake. You don't expect me to
carry my razor around in my pocket.
Speaker 6 (14:47):
You got your toothbrush?
Speaker 2 (14:48):
There? Not a toothbrush that's a small whisp room always
carry it when I travel.
Speaker 6 (14:52):
How might you gonna charge paramount for brushing itself off?
Speaker 2 (14:56):
Oh? Mary, to hear you talk, you think I was
the tightest guy in the world.
Speaker 6 (14:59):
I don't know whether it's when place as show, but
you're in the money.
Speaker 2 (15:02):
Mary. I'm trying to buy something. Hey, sweet, huh, tell
me it's still funny. Okay, who cares? Now, come on, mister,
give me a tube of shaving cream.
Speaker 4 (15:10):
Why don't you buy an electric razor?
Speaker 2 (15:12):
I don't want an electric raiser.
Speaker 4 (15:14):
Look, I was dement Street.
Speaker 2 (15:15):
You hold it in your heads like this, pick Hurst
around the feet. Oh look, that's not what I want.
Speaker 4 (15:22):
Doesn't note.
Speaker 2 (15:24):
I don't want that.
Speaker 4 (15:25):
I run the feace again.
Speaker 2 (15:27):
Yeah, that's very clear, and there you are. Well that's
pretty fast, all right, but look, I'll just take a
tube of plane shaving cream.
Speaker 4 (15:36):
Then you do not want an alarm clock?
Speaker 2 (15:39):
An alarm clock? Who act for an alarm clock with him?
You don't have ass Look, mister, I don't want an
alarm moment, I.
Speaker 4 (15:44):
Were demon Street instance, I'm home a sleep.
Speaker 2 (15:47):
Now, wait a minute, I'm not interested.
Speaker 4 (15:49):
Wake me up.
Speaker 2 (15:51):
Look master, I'm trying to catch a train suddenly. All right, now,
what happened?
Speaker 4 (15:58):
Nothing? I didn't hit yet.
Speaker 2 (15:59):
Oh, for heaven's sake, I mean it's again.
Speaker 4 (16:07):
I'm awake.
Speaker 2 (16:08):
I look, miss, it's all very interesting, but I'm trying
to get some.
Speaker 4 (16:11):
Shaving sweet hurt.
Speaker 6 (16:12):
It's up to dollars seventy.
Speaker 4 (16:14):
Let it click.
Speaker 2 (16:14):
I'm not through here. Yet over the last time. It's
or do I get my shaving cream or not? Thank
you to it for to radio a radio and look
I was down on street click and seventy. Oh come on, Mary,
let's go hang with the shaving cream. Let us go.
(16:43):
Oh boy, what a scrowey guy.
Speaker 6 (16:45):
Well, come on, you get what you need at the station.
They've got a drug store there.
Speaker 2 (16:48):
Oh that's right, okay, driver, union station.
Speaker 4 (16:51):
Hey, let meet. It was up to fourth twenty now, sweetheart.
Speaker 2 (16:54):
Four twenty. Why yes, a minute ago you told me
it was a dollar seventy.
Speaker 4 (16:57):
Six frost days a cubit shot.
Speaker 2 (16:59):
Oh well, if you haven't got a floor, so I'm
going to hit you right over the head. I'll drive
on all right, buddy, there's a union station. What do
(18:48):
you want to do? Drive right through it? Okay, okay,
I'll be five sixty. Here's six dollars, keep the change, Hey, songs,
sweet goodbye, sugar plum. Make a note of that, Mary
to paramount. Six dollars for taxicab.
Speaker 6 (19:06):
Don't forget it cost you nickels to call us.
Speaker 2 (19:08):
That's right, make it six oh five. I hope Rochester
got here with my trunk. I want to check on that.
The first thing here is certainly a big crowd here.
I don't see any of our gang arounds.
Speaker 6 (19:18):
Oh, don't worry, we still have plenty of time.
Speaker 2 (19:20):
All the pot pray leaving on track seven for Albuquerky,
God City, Kansas City, Chicago, and New York for Hey,
wait a minute, you that train doesn't leave for a
half hour yet. Well, I can practice cadadis. He must
(19:43):
be new here.
Speaker 5 (19:46):
Now? Uh?
Speaker 2 (19:46):
Now, where in the world is Rochester, Pa? Rochester? Don't
sneak up behind me? You know how nervous I am.
My trunk get here? All right?
Speaker 4 (19:55):
Part of it?
Speaker 2 (19:56):
Good? Part of it? What do you mean part of it?
Speaker 4 (20:00):
Well, we were driving down Wilship Boulevard when all of
a sudden the.
Speaker 2 (20:02):
Trunk bounced Do my trunk bounced off?
Speaker 4 (20:04):
Didn't fly open like my mouth at a chicken dinner.
Speaker 2 (20:09):
I'll let you're Paul Rochester. I bet my things are
a mess.
Speaker 4 (20:11):
You know that high silk hat you always wear with
the evening clothes. Yes, well, a trunk ran over it.
Speaker 2 (20:16):
Oh my goodness, my high silk hat.
Speaker 4 (20:18):
It's a bending now.
Speaker 2 (20:22):
Bonnet. Well, Mary, mark down fifteen dollars on my expense account.
For one high silk half.
Speaker 6 (20:29):
You can have a block for seventy five cents.
Speaker 2 (20:31):
What are you trying to do? Make a cheap skate
out of paramount? Smart down? What I tell you? All
aboard trade leaving on track seven for Albuquerque, Dude City,
Kansas City, Chicago, and Alaska, Alaska. I've given you another chance,
blond Ike. Oh, button your lips. I got a zipper there, quiet,
(20:59):
what a smart ally.
Speaker 5 (21:00):
Hello mister Bennie, Hello, Miss Livingston.
Speaker 6 (21:02):
Hello Dennis.
Speaker 2 (21:02):
Hello Dennis, and your mother is with you. How do
you do missus?
Speaker 6 (21:05):
Day?
Speaker 2 (21:05):
Good evening now, mister Benny, I am leaving Dennis in
your care, so I want you to see that he's
a good boy in New York and gets to bid
every night at ten o'clock. Ten o'clock.
Speaker 6 (21:14):
Better make that nice and Jack won't have to stay
up so late.
Speaker 2 (21:19):
Listen, Marry. When I get to New York, I'll be
stepping out plenty.
Speaker 4 (21:22):
Well.
Speaker 2 (21:22):
I'll be the life of the party. Oh you and
Georgie Jessel, don't worry about me.
Speaker 6 (21:33):
Mary.
Speaker 4 (21:34):
Come along, Dennis.
Speaker 2 (21:35):
I'll buy you a Dick Tracy pos to read on
the tree.
Speaker 5 (21:37):
Oh boy, Dick Tracy Bank Bank Bank Bank take that left.
Speaker 2 (21:41):
Meet relaxed, Dennis hawcodbuye, missus, d I'll see you when
we get back.
Speaker 5 (21:51):
Good by.
Speaker 6 (21:52):
I'm thirsty, Jack. I'm going to over and get a
Coca cola.
Speaker 2 (21:54):
Okay, you can put that on my expense account. Mary,
I'll treat you. See you later.
Speaker 4 (22:01):
Your trunk's on the train, Boss.
Speaker 2 (22:03):
Everything is all set good. Now we arrive in New
York at Grand Central Station Tuesday morning. The minute we
get there, I want you to see that the trunk
has brought immediately to my hotel.
Speaker 4 (22:10):
I'm getting off at one hundred and twenty fifth Street.
Speaker 2 (22:12):
That's Breakfast Rochester. You don't have to get off at
Harlem the first thing in the morning.
Speaker 4 (22:16):
Oh yes I do, Boss, she's got the waffles on already.
Speaker 2 (22:20):
I'm all right, but you better be at my hotel
by noon the same day, Yes, the same day. And
I want you, Oh hey, don dom be move in
a minute of Jack, Or were you saying, mother?
Speaker 6 (22:30):
I said, I want you to be a good in
New York.
Speaker 2 (22:33):
I will, Mama.
Speaker 6 (22:34):
And if they killed Sir genuine Yellow in your hotel,
I want you to go right down to your neighborhood grocery.
Speaker 5 (22:39):
By I will I will what wavor mama?
Speaker 6 (22:43):
Any player?
Speaker 2 (22:43):
They're all delicious, all right, don come on, come on?
What's front of track? Is there anything else?
Speaker 1 (22:48):
Mama?
Speaker 6 (22:48):
Yes, always look for the big red letters on the bark.
Speaker 2 (22:52):
Good Bye, goodbye, mama. See he's a sweet little lady. Well,
don don, I'm just thrilled about going to New York. Oh,
I sure am, Jackson. I'll bet you are too, with
the world premiere of your picture on Broadway. Yes, sir,
there'll be plenty of excitement. He don. Hello Mary? Or
did you get your Coca Cola? Mary?
Speaker 6 (23:13):
Yes? I can't.
Speaker 2 (23:14):
You better put that down for stamps. It sounds more
business like. Well, we're all here, but Phil, I wonder
where he is.
Speaker 6 (23:19):
I just passed the Mary is talking to his mother.
Speaker 2 (23:22):
Well, everybody's mother is down here today. Hey Phil, you're
right with you Jackson. Well, mom, I'll be back in
a couple of weeks. Take care of yourself, I will.
Speaker 4 (23:29):
Son.
Speaker 6 (23:29):
Now, remember what I told you why you're in New York.
Stay in the groove and don't get off the bean.
Speaker 2 (23:40):
But mom, Mom, I got a jive, don't I Yes, but.
Speaker 6 (23:44):
Don't cut too many rugs. Your chops is beef.
Speaker 7 (23:46):
No, chops has been What kind of talk is that? Okay, Mom,
I'm half I'll watch myself.
Speaker 6 (24:01):
Nah, you're cooking with jag.
Speaker 2 (24:04):
Oh my goodness.
Speaker 4 (24:05):
Well I gotta run along now, goodbye, mom?
Speaker 2 (24:07):
Oh Bob, Bob, Well I'll be done. Hi you Jackson?
Are you all set?
Speaker 4 (24:14):
The hot set rattler for the big town?
Speaker 2 (24:16):
All set? Phil? Well, we better get going. All the
port pray leaving on Trek seven rail. But quirky Dot City,
Tansas City, Chicago.
Speaker 5 (24:25):
And uh and uh New York.
Speaker 2 (24:27):
What's the matter with me? All stop with those false alarms.
That's not a false alarm, Jacks.
Speaker 4 (24:36):
Look at all the people going through the game.
Speaker 2 (24:37):
Oh yeah, come on, everybody, Our crane's leaving. Okat are
y'all a jack?
Speaker 8 (24:45):
Jack?
Speaker 5 (24:45):
You know what?
Speaker 6 (24:46):
You forgot to get your shaving cream?
Speaker 2 (24:48):
Oh? That's right, I did, But I still got time.
Here's a drug counter right over there, see on the train. Fellow,
Hey buddy, I'm in a big hurry. Give me a
tube of shaving cream. Shaving crea. Yeah, shaving cream. You've
got it, haven't you. I don't know, Hey, any have
you got any shaving cream?
Speaker 5 (25:04):
I don't know?
Speaker 6 (25:04):
Hey, Phil, have we got any shaving cream.
Speaker 7 (25:06):
I don't know, Hey, never mind, where to go.
Speaker 2 (25:10):
I'll get it New York. Hey, wait for me, Wait
for me, hold the cream.
Speaker 1 (25:43):
Well, ladies and gentlemen, one good flavor certainly deserves another,
and that's why Jello's grand new dessert, Imperial Peach Mold,
combines two delightful flavors, rich tangy orange jello and delicious
sun ripened sliced peaches. What's more, you can have it
on the table and just a jiffy. Merely make up
a package of irons jello using a combination of hot
(26:03):
water and peach juice, chill until slightly thickened, and then
mix in a cupful of peaches.
Speaker 2 (26:08):
Themselves and mold.
Speaker 1 (26:10):
Even though it's still months ahead of the season, you
can enjoy peaches that are actually arched fresh by making
a swell dessert with bird's eye quick frozen sliced peaches, or,
if bird's Eye sliced peaches are not readily available, use.
Speaker 2 (26:22):
Canned slice peaches instead.
Speaker 1 (26:23):
Either way, you'll find Imperial Peach Mold one of the
most delectable desserts you ever tasted. Because there's no doubt
about it. It's a wonderful treat when these two meet.
Juicy yellow golden peaches and bright brilliant orange.
Speaker 2 (26:37):
Jello is the last number of the twenty eighth program
(27:06):
in the current Yellow series. And We'll be with you
again next Sunday night at the same time, broadcasting from
New York City. Well, Mary, we're on our way. Are
you excited?
Speaker 5 (27:14):
Yeah?
Speaker 6 (27:14):
You know, Jack, I was just wondering it's gonna be
cool in New York. You think Paramount would mind if
I bought a mink coat?
Speaker 2 (27:19):
Nobody would kill me. Good night, posts.
Speaker 4 (27:26):
Jack Oh.
Speaker 2 (27:32):
The part of the drug Clark on the Night Program
was played by mister Fritz Fell.
Speaker 1 (27:35):
And here's more fun and enjoyment Coil June and every
Tuesday night for another twelve half hour Jellow Entertainments.
Speaker 2 (27:41):
The famous Laldridge family.
Speaker 1 (27:43):
See your local paper or a movie and radio guide
for timing station.
Speaker 2 (27:46):
This is a national broad jesting jumpnor
The Jello Program starring Jack Belly with Mary Livingston, Phil Harris,
Dennis Day, and Yours Truly Don Wilson. The Orchantrope's a
program with My Wonderful One.
Speaker 2 (00:11):
Let's dance. Here's a brief note on April styles. Spring
Fashion's decree that.
Speaker 1 (00:30):
The well dressed table should wear lots of bright colors
and especially smart, say experts, there is a game mold
of rich, shimmering Jello.
Speaker 2 (00:38):
Yes, sir, Jello is a mighty attractive dessert.
Speaker 1 (00:40):
It adds to any meal a final touch of distinctive
beauty and friendly charm.
Speaker 2 (00:44):
Whether you choose strawberry, red, lime, green, or any other.
Speaker 1 (00:47):
Of its six brightly colors, you'll be delighted with the
way Jello dresses up the table, tempts the appetite, and
leaves a feeling of grand refreshment.
Speaker 2 (00:55):
Jello is a truly delicious.
Speaker 1 (00:57):
Treat, outstanding for its full tangy flavor. Flavor is inviting
us fresh juicy, ripe fruit itself. So try some real
soon for rich, exciting goodness. There's nothing to compare with Jello,
America's favorite jelatin dessert now better than ever.
Speaker 2 (01:42):
That was My Wonderful One.
Speaker 1 (01:44):
Lets Dance played by the orchestra and now Ladies and Gentlemen.
As we announced last week, next Sunday, the Jello Program
will originate from New York City, where Paramount is holding
the premiere of its new picture Buck Benny rides against So,
without further ado, we whiske you to Jack Benny's home
in Beverly Hills, where Jack's in the throes of last
minute packing.
Speaker 2 (02:02):
Take it away.
Speaker 3 (02:06):
Cre old babies walk along with rhythm in their size,
rhythm in their seating, in the lifting in their eyes.
Where do high browse find that kind of little bit
satisfies underneath the hallm I'm getting that.
Speaker 2 (02:19):
Rochester.
Speaker 4 (02:20):
Come on, boys, join in.
Speaker 2 (02:22):
Never mind, there's no feal of cotton singing.
Speaker 4 (02:24):
Cotton is hip hoo. They don't live in Captain Rocket.
Speaker 2 (02:28):
We'll never get to New York the way you're moving.
Our train leaves in a couple of hours. My crunk
is a half packed.
Speaker 4 (02:33):
Yet well, boys only got two hams.
Speaker 2 (02:35):
Yes, but you got a cigar in one and a
sandwich in the other. I put them down and get
to work.
Speaker 4 (02:41):
My contract specifies one allful lunch.
Speaker 2 (02:45):
You can eat and work at the same time, Like
I do. Let's see where'd I put my hamburger.
Speaker 4 (02:49):
It's wearing right there on your dress shirts.
Speaker 2 (02:53):
Oh well, I can wear a vest with us. Now, Rochester,
take these socks here and put them in the top
drawer port.
Speaker 4 (02:59):
This trunk is so oh half the drawers won't open.
Speaker 2 (03:01):
You're just a weakling, that's all. Here. Hold my chocolate, declare,
I'll over there. Okay, there, that got it.
Speaker 4 (03:19):
Whoo look out for them back.
Speaker 2 (03:22):
Oh stop, Rocker. They're not bats, They're just large mass
cuqu and that reminds me. I thought I told you
to put moth balls in this trunk.
Speaker 4 (03:29):
I disney threw them back in.
Speaker 2 (03:36):
Now, don't get cued there. The sock's going here. Hey,
wait a minute, Rochester, what's the matter? I told you
to hold my chocolate. Declare, not eat it.
Speaker 4 (03:44):
It's right in my handbought. Look at him.
Speaker 2 (03:47):
Oh pardon, I didn't see it. Now take my underwear
and put them in this bottom. I'm must be miss Livingston.
Come in.
Speaker 4 (04:00):
I'm a man from the Express company.
Speaker 2 (04:02):
Did you have a trunk to go to the station yet?
But it's not ready yet, you'll have to come back right.
Nobody's ever ready? How do I stand it.
Speaker 5 (04:09):
How do I stand it?
Speaker 2 (04:15):
Rather temperamental fellows, say, Rochester, get my blue suit out
of the closet and pack it. I want to give
it to my cousin Marvin when we stopped in Chicago.
Speaker 3 (04:24):
Isn't that all?
Speaker 2 (04:26):
That suit's in good condition? It's hardly times at all.
Speaker 4 (04:28):
I wish by Field was as bright as it.
Speaker 2 (04:32):
Now. Rochester, I've had enough out of you. Come in, Hello, Mary?
Are you all set to go?
Speaker 4 (04:38):
Sure?
Speaker 6 (04:39):
See way, Jack, aren't you packed yet?
Speaker 2 (04:41):
Just about sit down and relax?
Speaker 4 (04:42):
Okay, boy, not you.
Speaker 2 (04:45):
Now. Let's see, I'll be in New York for two weeks.
How many shirts do you think I ought to take along? Mary?
Speaker 6 (04:51):
One blue or fourteen white?
Speaker 2 (04:53):
Mary wish would be serious. I want to get this done. Now,
what else? Now? Hear it's pretty cold in New York?
You think I ought to take along my spad?
Speaker 6 (05:00):
Yeah, and don't forget your coonskin.
Speaker 2 (05:01):
Calf, Mary. I have worn a coonskin cat since I
portrayed Daniel Boone in our high school play. I went
over very big. Nobody asked you, well, I did? Hear? Rochester?
Put these shirts away?
Speaker 4 (05:13):
Say boss, look at this old, fainted newspaper I found
in the bottom drawer. Head. Should I throw it away?
Speaker 2 (05:17):
No, let's see it. Hm, San Francisco Chronicle. I wonder
what I saved this for. Well, I'll be dog gone.
Look Mary, look here on the amusement page.
Speaker 6 (05:28):
Oh yeah, yes, any big hited orpheum this week?
Speaker 2 (05:31):
I sure was. And see that picture of me holding
my volume?
Speaker 7 (05:33):
Uh huh?
Speaker 6 (05:34):
What's that stuff on your head?
Speaker 2 (05:35):
That's hair? I had a pompidor on those days. Gosh,
the orphium San Francisco. See it seems like only.
Speaker 6 (05:47):
Yesterday, yesterday. Look at this front page. Gold discovered in Alaska.
Speaker 2 (05:52):
Let's see that. Oh yeah, I remember when the news
came in. They emptied the theater in two minutes. By
the time I got my makeup off. You couldn't buy
a shovel in the whole town. Just think. But for that,
I might have been known as nugget Jack the Klondyke kids. Mary.
Can't you just see me digging for gold?
Speaker 5 (06:08):
Now?
Speaker 6 (06:09):
I seem to see you burying us.
Speaker 2 (06:12):
Well, it's hot here, folks this week. That's why that
shop was bad. But for a guy that was involved
as long as I was, I would have my head
examined for giving you that opening here, Rochester, pace us
right up in my scrap book.
Speaker 4 (06:23):
Oh kid, should I indicate your hair.
Speaker 8 (06:25):
With an arrow?
Speaker 2 (06:25):
That won't be necessary. I just want to keep the paper.
Come in.
Speaker 4 (06:32):
Well, here I am again.
Speaker 2 (06:33):
It's the trunk ready yet not quite? Young man? Oh
for cran of loud, so impatient? Oh, Rochester, where's that
gray suit with the stripes I sent out to be clean?
Speaker 4 (06:43):
Here it is, but you're clean. It took the stripes
out of it.
Speaker 2 (06:46):
Took the stripes out of it.
Speaker 4 (06:48):
Horse. You could send a zebra to that outfit and
it would come back clean.
Speaker 2 (06:52):
Rochester. I'd just like to send a zebra to the
classy Clothy cleaners and show you how wrong you are.
As a rule, they're very good.
Speaker 6 (07:01):
I said him a sweater last week, and it came
back with Lana Turner at always a comedian.
Speaker 2 (07:05):
Amos Whittington, say, Rochester, I just happened to think, did
you collect the two weeks room rent from mister Billingsley
our border?
Speaker 4 (07:11):
Yes? I did, boys, but he took it back.
Speaker 2 (07:14):
What do you mean he took it back?
Speaker 4 (07:15):
Well, he didn't exactly take it.
Speaker 2 (07:17):
What do you mean he didn't exactly take it?
Speaker 8 (07:20):
How can a nice man like him, know so much
about African handbulls.
Speaker 2 (07:32):
Rochester, I won't have you gambling with my border. Now
help me close us trunk. Mary, you push on one side, Rochester,
you push the other, and I'll snap the lot all together. Now,
come on, puss there. Well that's that it's closed. Now, Mary,
I think we ought to run ahead and get it.
Speaker 6 (08:02):
H What were you saying?
Speaker 2 (08:03):
Yeah, never mind, Rochester, get a piece of rope and
tied around the trunk and Mary, let you and I
go on ahead. I want to stop at drug store
and get some things. We'll meet at the station. Rochester
phone for a taxi. Okay, boys, Oh hold on, mister Billingsley.
Good evening, mister Benny. All set for a little trip,
I see, yes, yes, we're going to New York for
a couple of weeks. I hope you won't be lonely
here all by yourself. No, no, I'm happy as long
(08:24):
as I have my pipe and good book to read.
That's fine. Well, mister billing Lee will be leaving in
a little while. I come down to the station to
see you off. But I have a splitting headache. Oh
that's too bad. There it goes again. Good night, Good night,
(08:48):
mister Billingsley. Isn't he a nice fellow? Mary?
Speaker 6 (08:51):
Yes? But why does he always pushed that wheelbar around?
Speaker 2 (08:54):
He claims it's a nash tray? Sweet guy, though, Come in, well,
is there trunk ready yet? Yes, young man, here it is.
Are you happy?
Speaker 4 (09:04):
Trunk?
Speaker 8 (09:05):
Trunk's Trunk's My whole life is doessn't what Trunck's do
us me if I'm happy?
Speaker 2 (09:10):
See, I guess asked? Never saw anybody so high strung?
Speaker 4 (09:13):
You care? See the boss?
Speaker 2 (09:14):
Okay, Now, don't forget Rochester. Shut off the milk, stop
the paper, water the flowers, put sheets all over the furniture.
Take Carmichael and Trudy to the pet shop and be
at the station in an hour.
Speaker 4 (09:23):
In an hour, yes, Boss, I couldn't do all that
if I was a hault Johnson.
Speaker 2 (09:27):
Quid I've arguing? You're losing time? Come on, Mary, saw
a guy like him always complaining?
Speaker 6 (09:35):
Look, Jack's Ronald Coleman out in his yard.
Speaker 2 (09:37):
Oh yes, I must say goodbye to him. Goodbye Ronnie,
goodbye Ronald. Goodbye mister Coleman. That's more like goodbye. He's
a little cold toward me. I wonder what's wrong it's not.
Speaker 6 (09:51):
A jealous of you're working pictures.
Speaker 2 (09:53):
Yes, I guess you're right. Mary. That's about it.
Speaker 6 (09:55):
You mind if I break your arm?
Speaker 2 (09:57):
Just Riet? That's all. Well? Here we are, Wear to
sweetheart a union station and don't drive too fair. Okay, sweetheart,
get in marry right?
Speaker 6 (10:08):
Wait? Yes, sweet high marry.
Speaker 5 (10:26):
I'm afraid of my cough. I'm fool room man, moonlight
and tar can make such a fool of me. You
know you're much too mey rand. I'm fool room man.
(10:48):
Wouldn't I be a high houn a bended me? I'm
tombled when you whisper, I'll run if you my mother,
be so careful, for I have this my heart. You
(11:12):
shouldn't let me dream cause i'm too a man. Won't
make me fall unless it would all come true. Afraid,
(11:36):
I'm afraid of nice, but i'm too rom man make
a fool of me. You know you're much too ney
and I'm too Roman. Wouldn't I be a thigh on
(12:03):
a bended me? I'm tall when wi her, I'll run
if you can by my mom, be not careful, for
I've hid my heart. You shouldn't let me dream, but
(12:29):
I'm too a man.
Speaker 2 (12:35):
Won't make me fall.
Speaker 5 (12:38):
Unless it could.
Speaker 6 (13:03):
Say yeah, I was gonna stop the studio and pick
off the rest of the game.
Speaker 2 (13:06):
No, Mary, they'll all meet us at the station. I
gotta stop at the drug store and get some things
I need.
Speaker 6 (13:10):
Here's one ride ahead.
Speaker 2 (13:11):
Oh yes, driver, stop at that drug store right there?
Will you see? I thought you wanted to go to
the union station. I do, but I want to stop
at the drug store first. Do you mind?
Speaker 4 (13:19):
I'm gonna leave the meet learning, sweet Hurt?
Speaker 2 (13:22):
Oh I had. That's not gonna worry me any.
Speaker 6 (13:23):
And I know why paramunt is paying for this trip?
Speaker 2 (13:26):
What if they are?
Speaker 6 (13:27):
Buck Benny rides again on the cuff?
Speaker 2 (13:30):
Marry if you don't stop here, driver, Okay, sweet Hurt,
I can't understand this. I don't even know the felt.
Wait here, we'll be right out. Let's see. I gotta
get some blades and oh yes, some shaving cream.
Speaker 6 (13:52):
Don't you make your own anymore?
Speaker 2 (13:54):
No? It lathered all right, but it made my skin
turn blue. Where's the slur? Oh there he is?
Speaker 4 (14:03):
Ah, good evenings. What can I do for you?
Speaker 6 (14:05):
The Klondike kids buying? I'm the lady known as low Larry.
Speaker 2 (14:09):
Yes, I have quite a few things I want to
get here. You see, I'm going to New York. Ah,
then you first will need the railroad tickets. I came
in here to buy some toilet articles.
Speaker 4 (14:18):
That's maybe right, But you cannot go to New York.
Speaker 2 (14:20):
Who's out of tickets? I know I can't go to
New York without a ticket, but I've got one. You
don't think I come to a drug store to buy
a railroad ticket, do you WOHI not all fine? I look, mister,
we have much time. I just want to get some
shaving cream and some razor blade.
Speaker 4 (14:33):
Very good. Indeed, shaving cream reasonable and it is.
Speaker 2 (14:37):
I have a razor, let's see it. Believe me, I
own one, for goodness sake. You don't expect me to
carry my razor around in my pocket.
Speaker 6 (14:47):
You got your toothbrush?
Speaker 2 (14:48):
There? Not a toothbrush that's a small whisp room always
carry it when I travel.
Speaker 6 (14:52):
How might you gonna charge paramount for brushing itself off?
Speaker 2 (14:56):
Oh? Mary, to hear you talk, you think I was
the tightest guy in the world.
Speaker 6 (14:59):
I don't know whether it's when place as show, but
you're in the money.
Speaker 2 (15:02):
Mary. I'm trying to buy something. Hey, sweet, huh, tell
me it's still funny. Okay, who cares? Now, come on, mister,
give me a tube of shaving cream.
Speaker 4 (15:10):
Why don't you buy an electric razor?
Speaker 2 (15:12):
I don't want an electric raiser.
Speaker 4 (15:14):
Look, I was dement Street.
Speaker 2 (15:15):
You hold it in your heads like this, pick Hurst
around the feet. Oh look, that's not what I want.
Speaker 4 (15:22):
Doesn't note.
Speaker 2 (15:24):
I don't want that.
Speaker 4 (15:25):
I run the feace again.
Speaker 2 (15:27):
Yeah, that's very clear, and there you are. Well that's
pretty fast, all right, but look, I'll just take a
tube of plane shaving cream.
Speaker 4 (15:36):
Then you do not want an alarm clock?
Speaker 2 (15:39):
An alarm clock? Who act for an alarm clock with him?
You don't have ass Look, mister, I don't want an
alarm moment, I.
Speaker 4 (15:44):
Were demon Street instance, I'm home a sleep.
Speaker 2 (15:47):
Now, wait a minute, I'm not interested.
Speaker 4 (15:49):
Wake me up.
Speaker 2 (15:51):
Look master, I'm trying to catch a train suddenly. All right, now,
what happened?
Speaker 4 (15:58):
Nothing? I didn't hit yet.
Speaker 2 (15:59):
Oh, for heaven's sake, I mean it's again.
Speaker 4 (16:07):
I'm awake.
Speaker 2 (16:08):
I look, miss, it's all very interesting, but I'm trying
to get some.
Speaker 4 (16:11):
Shaving sweet hurt.
Speaker 6 (16:12):
It's up to dollars seventy.
Speaker 4 (16:14):
Let it click.
Speaker 2 (16:14):
I'm not through here. Yet over the last time. It's
or do I get my shaving cream or not? Thank
you to it for to radio a radio and look
I was down on street click and seventy. Oh come on, Mary,
let's go hang with the shaving cream. Let us go.
(16:43):
Oh boy, what a scrowey guy.
Speaker 6 (16:45):
Well, come on, you get what you need at the station.
They've got a drug store there.
Speaker 2 (16:48):
Oh that's right, okay, driver, union station.
Speaker 4 (16:51):
Hey, let meet. It was up to fourth twenty now, sweetheart.
Speaker 2 (16:54):
Four twenty. Why yes, a minute ago you told me
it was a dollar seventy.
Speaker 4 (16:57):
Six frost days a cubit shot.
Speaker 2 (16:59):
Oh well, if you haven't got a floor, so I'm
going to hit you right over the head. I'll drive
on all right, buddy, there's a union station. What do
(18:48):
you want to do? Drive right through it? Okay, okay,
I'll be five sixty. Here's six dollars, keep the change, Hey, songs,
sweet goodbye, sugar plum. Make a note of that, Mary
to paramount. Six dollars for taxicab.
Speaker 6 (19:06):
Don't forget it cost you nickels to call us.
Speaker 2 (19:08):
That's right, make it six oh five. I hope Rochester
got here with my trunk. I want to check on that.
The first thing here is certainly a big crowd here.
I don't see any of our gang arounds.
Speaker 6 (19:18):
Oh, don't worry, we still have plenty of time.
Speaker 2 (19:20):
All the pot pray leaving on track seven for Albuquerky,
God City, Kansas City, Chicago, and New York for Hey,
wait a minute, you that train doesn't leave for a
half hour yet. Well, I can practice cadadis. He must
(19:43):
be new here.
Speaker 5 (19:46):
Now? Uh?
Speaker 2 (19:46):
Now, where in the world is Rochester, Pa? Rochester? Don't
sneak up behind me? You know how nervous I am.
My trunk get here? All right?
Speaker 4 (19:55):
Part of it?
Speaker 2 (19:56):
Good? Part of it? What do you mean part of it?
Speaker 4 (20:00):
Well, we were driving down Wilship Boulevard when all of
a sudden the.
Speaker 2 (20:02):
Trunk bounced Do my trunk bounced off?
Speaker 4 (20:04):
Didn't fly open like my mouth at a chicken dinner.
Speaker 2 (20:09):
I'll let you're Paul Rochester. I bet my things are
a mess.
Speaker 4 (20:11):
You know that high silk hat you always wear with
the evening clothes. Yes, well, a trunk ran over it.
Speaker 2 (20:16):
Oh my goodness, my high silk hat.
Speaker 4 (20:18):
It's a bending now.
Speaker 2 (20:22):
Bonnet. Well, Mary, mark down fifteen dollars on my expense account.
For one high silk half.
Speaker 6 (20:29):
You can have a block for seventy five cents.
Speaker 2 (20:31):
What are you trying to do? Make a cheap skate
out of paramount? Smart down? What I tell you? All
aboard trade leaving on track seven for Albuquerque, Dude City,
Kansas City, Chicago, and Alaska, Alaska. I've given you another chance,
blond Ike. Oh, button your lips. I got a zipper there, quiet,
(20:59):
what a smart ally.
Speaker 5 (21:00):
Hello mister Bennie, Hello, Miss Livingston.
Speaker 6 (21:02):
Hello Dennis.
Speaker 2 (21:02):
Hello Dennis, and your mother is with you. How do
you do missus?
Speaker 6 (21:05):
Day?
Speaker 2 (21:05):
Good evening now, mister Benny, I am leaving Dennis in
your care, so I want you to see that he's
a good boy in New York and gets to bid
every night at ten o'clock. Ten o'clock.
Speaker 6 (21:14):
Better make that nice and Jack won't have to stay
up so late.
Speaker 2 (21:19):
Listen, Marry. When I get to New York, I'll be
stepping out plenty.
Speaker 4 (21:22):
Well.
Speaker 2 (21:22):
I'll be the life of the party. Oh you and
Georgie Jessel, don't worry about me.
Speaker 6 (21:33):
Mary.
Speaker 4 (21:34):
Come along, Dennis.
Speaker 2 (21:35):
I'll buy you a Dick Tracy pos to read on
the tree.
Speaker 5 (21:37):
Oh boy, Dick Tracy Bank Bank Bank Bank take that left.
Speaker 2 (21:41):
Meet relaxed, Dennis hawcodbuye, missus, d I'll see you when
we get back.
Speaker 5 (21:51):
Good by.
Speaker 6 (21:52):
I'm thirsty, Jack. I'm going to over and get a
Coca cola.
Speaker 2 (21:54):
Okay, you can put that on my expense account. Mary,
I'll treat you. See you later.
Speaker 4 (22:01):
Your trunk's on the train, Boss.
Speaker 2 (22:03):
Everything is all set good. Now we arrive in New
York at Grand Central Station Tuesday morning. The minute we
get there, I want you to see that the trunk
has brought immediately to my hotel.
Speaker 4 (22:10):
I'm getting off at one hundred and twenty fifth Street.
Speaker 2 (22:12):
That's Breakfast Rochester. You don't have to get off at
Harlem the first thing in the morning.
Speaker 4 (22:16):
Oh yes I do, Boss, she's got the waffles on already.
Speaker 2 (22:20):
I'm all right, but you better be at my hotel
by noon the same day, Yes, the same day. And
I want you, Oh hey, don dom be move in
a minute of Jack, Or were you saying, mother?
Speaker 6 (22:30):
I said, I want you to be a good in
New York.
Speaker 2 (22:33):
I will, Mama.
Speaker 6 (22:34):
And if they killed Sir genuine Yellow in your hotel,
I want you to go right down to your neighborhood grocery.
Speaker 5 (22:39):
By I will I will what wavor mama?
Speaker 6 (22:43):
Any player?
Speaker 2 (22:43):
They're all delicious, all right, don come on, come on?
What's front of track? Is there anything else?
Speaker 1 (22:48):
Mama?
Speaker 6 (22:48):
Yes, always look for the big red letters on the bark.
Speaker 2 (22:52):
Good Bye, goodbye, mama. See he's a sweet little lady. Well,
don don, I'm just thrilled about going to New York. Oh,
I sure am, Jackson. I'll bet you are too, with
the world premiere of your picture on Broadway. Yes, sir,
there'll be plenty of excitement. He don. Hello Mary? Or
did you get your Coca Cola? Mary?
Speaker 6 (23:13):
Yes? I can't.
Speaker 2 (23:14):
You better put that down for stamps. It sounds more
business like. Well, we're all here, but Phil, I wonder
where he is.
Speaker 6 (23:19):
I just passed the Mary is talking to his mother.
Speaker 2 (23:22):
Well, everybody's mother is down here today. Hey Phil, you're
right with you Jackson. Well, mom, I'll be back in
a couple of weeks. Take care of yourself, I will.
Speaker 4 (23:29):
Son.
Speaker 6 (23:29):
Now, remember what I told you why you're in New York.
Stay in the groove and don't get off the bean.
Speaker 2 (23:40):
But mom, Mom, I got a jive, don't I Yes, but.
Speaker 6 (23:44):
Don't cut too many rugs. Your chops is beef.
Speaker 7 (23:46):
No, chops has been What kind of talk is that? Okay, Mom,
I'm half I'll watch myself.
Speaker 6 (24:01):
Nah, you're cooking with jag.
Speaker 2 (24:04):
Oh my goodness.
Speaker 4 (24:05):
Well I gotta run along now, goodbye, mom?
Speaker 2 (24:07):
Oh Bob, Bob, Well I'll be done. Hi you Jackson?
Are you all set?
Speaker 4 (24:14):
The hot set rattler for the big town?
Speaker 2 (24:16):
All set? Phil? Well, we better get going. All the
port pray leaving on Trek seven rail. But quirky Dot City,
Tansas City, Chicago.
Speaker 5 (24:25):
And uh and uh New York.
Speaker 2 (24:27):
What's the matter with me? All stop with those false alarms.
That's not a false alarm, Jacks.
Speaker 4 (24:36):
Look at all the people going through the game.
Speaker 2 (24:37):
Oh yeah, come on, everybody, Our crane's leaving. Okat are
y'all a jack?
Speaker 8 (24:45):
Jack?
Speaker 5 (24:45):
You know what?
Speaker 6 (24:46):
You forgot to get your shaving cream?
Speaker 2 (24:48):
Oh? That's right, I did, But I still got time.
Here's a drug counter right over there, see on the train. Fellow,
Hey buddy, I'm in a big hurry. Give me a
tube of shaving cream. Shaving crea. Yeah, shaving cream. You've
got it, haven't you. I don't know, Hey, any have
you got any shaving cream?
Speaker 5 (25:04):
I don't know?
Speaker 6 (25:04):
Hey, Phil, have we got any shaving cream.
Speaker 7 (25:06):
I don't know, Hey, never mind, where to go.
Speaker 2 (25:10):
I'll get it New York. Hey, wait for me, Wait
for me, hold the cream.
Speaker 1 (25:43):
Well, ladies and gentlemen, one good flavor certainly deserves another,
and that's why Jello's grand new dessert, Imperial Peach Mold,
combines two delightful flavors, rich tangy orange jello and delicious
sun ripened sliced peaches. What's more, you can have it
on the table and just a jiffy. Merely make up
a package of irons jello using a combination of hot
(26:03):
water and peach juice, chill until slightly thickened, and then
mix in a cupful of peaches.
Speaker 2 (26:08):
Themselves and mold.
Speaker 1 (26:10):
Even though it's still months ahead of the season, you
can enjoy peaches that are actually arched fresh by making
a swell dessert with bird's eye quick frozen sliced peaches, or,
if bird's Eye sliced peaches are not readily available, use.
Speaker 2 (26:22):
Canned slice peaches instead.
Speaker 1 (26:23):
Either way, you'll find Imperial Peach Mold one of the
most delectable desserts you ever tasted. Because there's no doubt
about it. It's a wonderful treat when these two meet.
Juicy yellow golden peaches and bright brilliant orange.
Speaker 2 (26:37):
Jello is the last number of the twenty eighth program
(27:06):
in the current Yellow series. And We'll be with you
again next Sunday night at the same time, broadcasting from
New York City. Well, Mary, we're on our way. Are
you excited?
Speaker 5 (27:14):
Yeah?
Speaker 6 (27:14):
You know, Jack, I was just wondering it's gonna be
cool in New York. You think Paramount would mind if
I bought a mink coat?
Speaker 2 (27:19):
Nobody would kill me. Good night, posts.
Speaker 4 (27:26):
Jack Oh.
Speaker 2 (27:32):
The part of the drug Clark on the Night Program
was played by mister Fritz Fell.
Speaker 1 (27:35):
And here's more fun and enjoyment Coil June and every
Tuesday night for another twelve half hour Jellow Entertainments.
Speaker 2 (27:41):
The famous Laldridge family.
Speaker 1 (27:43):
See your local paper or a movie and radio guide
for timing station.
Speaker 2 (27:46):
This is a national broad jesting jumpnor
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