November 12, 2025 • 25 mins
Nick Carter, Master Detective was a radio crime drama based on tales of the fictional private detective Nick Carter, first seen in 1886, from Street & Smith's dime novels and pulp magazines. Lon Clark played Nick Carter and Charlotte Manson played his assistant, Patsy Bowen. Nick Carter ran from 1943 to 1955.
Hope you enjoy this episode of Nick Carter! Find more classic radio series at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group. - All Podcasts @ Spreaker | Apple | YouTube | Spotify | iHeart | Amazon
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Hope you enjoy this episode of Nick Carter! Find more classic radio series at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group. - All Podcasts @ Spreaker | Apple | YouTube | Spotify | iHeart | Amazon
Enjoy all six of our commercial-free OTR internet radio stations at theaterofthemind-otr.com - Subscribe or Download Free @ Spreaker | Apple | YouTube | Spotify | iHeart | Amazon
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
New post war Old Dutch Cleanser, famous for chasing Dirk,
presents Nick Carter, famous for chasing crime.
Speaker 2 (00:13):
Every week.
Speaker 1 (00:14):
At this time, two great names are joined as New
post war Old Dutch Cleanser brings you one of the
most resourceful and daring characters in all detective fiction, Nick Carter,
Master detective.
Speaker 2 (00:31):
Quickness.
Speaker 3 (00:31):
I'm on the floor, Come back here, Come, I fack deliberately.
Speaker 2 (00:40):
I saw them.
Speaker 3 (00:40):
Crazy fools that kind of killed us.
Speaker 4 (00:42):
You're not kidding, Grammar. Look at those windows, hey, Dozy,
Yes they are bullet hose.
Speaker 1 (00:55):
And now the case of the great impersonation. Today's adventure
starring Longclow as Nick Cutter. Walk to You by New
post war Old Dutch Cleanser. When Jack Blaney was police
reporter on the Morning Blade, he and Nick saw a
lot of each other, but they lost touch when Jack
moved to Center City as city editor of the Daily
Crusader there, and then late one night, Nick received a
long distance call, Hey, where.
Speaker 4 (01:17):
Are you calling from? Jack? Center City?
Speaker 3 (01:19):
Yes, I'm still at the newspaper office. Everybody else went
home hours ago, but I'll be here until morning, except
that I'll probably have to run out the cigarettes.
Speaker 4 (01:26):
In a little while, big story coming up.
Speaker 3 (01:28):
I'll plenty bag. I'm going through the Morgue checking every
crime story here for the past ten years. What's the
big idea, Mate, There's a gang in this town that
the local cops haven't been able to touch. They don't
even know who's at the head of it.
Speaker 4 (01:39):
But I know anybody I ever heard of.
Speaker 3 (01:41):
I don't want to mention names over the phone, but
they're mixed up in everything, gambling, stolen cars, black market
building materials, and now counterfeiting.
Speaker 4 (01:50):
I look, Jack, you better get in touch with the
Treasury Department. Then counterfeiting's their job.
Speaker 3 (01:54):
No, No, I want to get the evidence myself first.
This is really big stuff, Nick, and if I swing it,
it'll give me a national rip mutation as a newspaper man.
Speaker 4 (02:01):
Jack, if you know so much about their operations and plans,
and you know who's at the head of the outfit.
Speaker 3 (02:05):
You're I haven't any proof, Nick. I just happened to
overhear a scrap of conversation between a couple of drunken
mobsters in one of our local gin mills. They mentioned
their boss's name, and then I heard something about Arlie Grinner.
Speaker 4 (02:16):
And then Arli grinner.
Speaker 3 (02:17):
Yeah, he's going to supply the counterfeit money, and the
mob here will distribute it.
Speaker 4 (02:21):
Look, Jack, take my advice. Will you call the Treasury Department.
Speaker 3 (02:24):
I'll make a bargain with you, Nick, if you'll come
out here for a few days and help me get
proof to back up what I know. I will call
him before I take any action.
Speaker 4 (02:30):
No.
Speaker 3 (02:31):
Wait, oh, it means a lot to me. Nick, breaking
this story. You'll put me ahead ten years in the
newspaper game. I'll have offers.
Speaker 4 (02:36):
Okay, okay, Patsy, and I'll catch the next trade.
Speaker 3 (02:39):
Oh swell well, now I'll get back to work. So long, Nick, goodbye,
see you tomorrow. Right.
Speaker 4 (02:44):
Shut off the record of Benny. That's all there is.
They hung up.
Speaker 3 (02:47):
That's sneaking Red Blaney hiring a private eye from the
big town. A boss, here's this record. He'll blow his top.
Speaker 4 (02:54):
A boss must have figured something was up where he
wouldn't have had his tap Blanie's phone while.
Speaker 3 (02:58):
Hey, I hope he thinks some way to keep this
cut of guy from coming here. Hey, I heard about.
Speaker 4 (03:03):
Himillary above CLA. When his train pulls in tomorrow, we'll
be ready for him. But the night we're gonna take
care of mister Blaine. Come on, Patsy, here's a cab.
(03:25):
Say Nick. That city is quite a place, isn't it? Sure?
Almost one hundred thousand populations? Golley get in?
Speaker 3 (03:32):
Yeah, what's up?
Speaker 4 (03:33):
Better? I'm onning Crusader officer checked.
Speaker 3 (03:38):
Hey, there's another cap around him. Where you get the hotel? Bedford?
Be all right with you all fight?
Speaker 5 (03:42):
Oh?
Speaker 6 (03:43):
Hell, that's all right.
Speaker 4 (03:43):
We don't mind sharing the way. Never mind, I think
I see another cab coming out. Then if she can
see a cab coming, she has better eyes than I have.
Thinks she changed her mind when she saw that Pty.
What's the matter that we have lepardsy or something?
Speaker 5 (03:56):
You know who that was?
Speaker 4 (03:57):
You know who? Harley Grenner's girl. Her name's Connie Mills.
Oh ah, no, wonder she didn't want to ride with us.
Speaker 3 (04:04):
If she recognized you?
Speaker 4 (04:05):
She probably did. I've run into her several times around
New York. I wonder what was in that bag she
was carrying?
Speaker 3 (04:12):
Hey, buddy, you know many people in New York?
Speaker 4 (04:14):
Yes, quite a few. Why any theatrical produces? Oh yes, couple,
how I give me a letter at production? I? Well,
I don't know.
Speaker 3 (04:22):
I'm talent. See, I'm discovered talent, one of them spies
of tomorrow.
Speaker 4 (04:26):
Yeah, listen, am I mortified, Am. I pointed out, I'm
standing on a street collar wait on, Priya gonna buy me?
Side and Bison wanna come to this? The studiest individual.
He stucks up on my toes, puts a penny in
my mouth and priest away. I'm sid I got a
mission of him.
Speaker 5 (04:44):
I could.
Speaker 3 (04:45):
I was Jimmy Doddy sing, oh uh, yes, yes, we see.
How about this? Now you listen to me and doctor
kill Joy. I'm an old man.
Speaker 4 (04:56):
Maybe I'm not the surgeon I used to be.
Speaker 5 (05:00):
But it's the same time.
Speaker 4 (05:01):
Hey, watch up in the truck.
Speaker 3 (05:05):
Shut up, and I was little Burmer driving the truck.
You mean no, that's the impersonation I was doing. I
gotta personate anybody.
Speaker 5 (05:13):
Maybe you like to hear Edward G.
Speaker 4 (05:14):
Robinson, I'm not while you're in this heavy traffic. I
can drive this hack with my eyes closed.
Speaker 3 (05:19):
I don't argue with him.
Speaker 4 (05:20):
You'll try to prove it to you from now on.
I'm running a spot sie. Yeah, I made little squeezer.
You're taking all this from me. See five to put
a hold on somebody's head.
Speaker 3 (05:29):
Wait much out of the war, come out here, come
on back, wish it to the curve deliberately. I saw
the like crazy fools. I could have killed us.
Speaker 4 (05:40):
You're not kidding, Grabber. Look at those windows, hey dosing, Yes,
they are bullet holes from a machine gun.
Speaker 3 (05:56):
This is the office next see on the door.
Speaker 4 (05:58):
Jack Ladey said he edit girls said to walked right in,
but didn't notice how oddly she said it. If she
were frightened her son, well, maybe Jack can explain.
Speaker 3 (06:06):
Yeah, Hi Jack, Hi, mister Connor, miss Bourne. I'm Chief
Ramsay in the Center City Police Department, the police. When
the reception has phoned to say that you were here
to see mister Blaney. I recognized your name, so I
asked her to send you in without saying anything.
Speaker 4 (06:21):
Anything about what cheap, about the fact that Blaney was
murdered at three o'clock this morning?
Speaker 3 (06:26):
What murded?
Speaker 4 (06:27):
Well, that was only a couple of hours after rephone me.
How did it happen?
Speaker 3 (06:31):
A couple of hoodlums waited in front of this building
with a machine guns.
Speaker 4 (06:34):
Your local boy seem to like machine guns. Chief. They
used one to welcome Miss Bowne and me that a
few minutes ago.
Speaker 5 (06:39):
Huh they did?
Speaker 3 (06:40):
Why not?
Speaker 4 (06:40):
In the same hillman had demanded my city editor has
been shut down on the street like a dog.
Speaker 3 (06:46):
Like a dog man't you, mister Hanford. These are some
friends of Blanie's from out of town, mister Carter and
miss Bourn. Mister Hanford is the publisher of The Daily Crusader.
Speaker 4 (06:54):
Hello, see, sorry to have to meet under such tragic circumstances,
but I'm throwing every resort of this paper behind the
hunt for these mad.
Speaker 5 (07:01):
Dogs, every resource.
Speaker 4 (07:03):
Any idea why Blane was murdered, mister Hanford, of course
I have, of course I have. The Crusader's a newspaper
with a mission, a mission. That mission is to stamp
out crime and center city.
Speaker 3 (07:11):
And you think Jack was killed simply because he was
your city edit, well, absolutely absolutely.
Speaker 4 (07:16):
We have a well organized criminal element, well organized not.
Speaker 3 (07:19):
They're afraid of the Daily Crusader, afraid of.
Speaker 5 (07:21):
Us and know we'll get them someday.
Speaker 3 (07:22):
The Daily Crusader and the police department worked pretty close,
mister Carter. A matter of fact, mister Hanford here was
directly responsible for making me chief for police.
Speaker 4 (07:30):
You better I was.
Speaker 3 (07:31):
I have influenced in this town, influence. I wanted the
police chief.
Speaker 4 (07:34):
Who was honest, even if he isn't smart. Now, mister Handford,
that's the truth, Ramsey. Everybody knows it. Everybody, but by
the eternal, if you don't clean this.
Speaker 5 (07:42):
Time up, now clean it up.
Speaker 4 (07:44):
I saw.
Speaker 3 (07:44):
I'm trying, mister Hanford, you know that. And if mister
Carter will help out.
Speaker 4 (07:48):
Far as Jack Blaney's murders concerns, you bet, I'll help out.
And I think I know Jeff where to start.
Speaker 3 (08:04):
I'm sorry, sir, there's no Connie Mills registered at this hotel.
Speaker 4 (08:08):
But Nick, she certainly said the Bradford Hotel. Maybe she's
using another name Passie. Oh yeah, uh, look, clerk, the
young lady I mean, probably came in about an hour ago.
She has red hair, Hannah'd red hair, was wearing a
green dress, a green and white hat, and oh I
remember her. But she checked in under the name of Turner. Wait,
do I look at the car?
Speaker 3 (08:29):
Oh using an alias?
Speaker 4 (08:30):
Huh, I hear it is missus Jean Turner, New York City.
That's probably the one.
Speaker 6 (08:35):
You'll find her in room ten eighteen. Thanks, come on, chief, Yeah, hello, Kenny,
what's the idea.
Speaker 3 (08:52):
What is this a pinch?
Speaker 4 (08:53):
Is it?
Speaker 3 (08:53):
Mister Carter?
Speaker 4 (08:54):
Hello, Kennie, We just like to look around and ask
you a few questions. Well, Love, just a minute, he
gives you what that?
Speaker 5 (09:01):
Don't you want to get it locked?
Speaker 3 (09:03):
I love conn She trying to get a gun out
of that suitcase. No, no, it's a package of something.
Speaker 5 (09:08):
You didn't heard that, window, Chief, I'll head.
Speaker 7 (09:09):
Her on this one, got Conny, Let's see what you're
so anxious to throw up the window?
Speaker 3 (09:17):
If I ever thought it, you don't proposal labor?
Speaker 4 (09:20):
Yeah, Betsy, see what inside this package? Right?
Speaker 5 (09:22):
Nick?
Speaker 4 (09:23):
Oh, I'll steal Conny be good girl.
Speaker 3 (09:26):
Good Craigy it's money?
Speaker 4 (09:27):
Why they must see a couple of hundred thousand dollars here?
Now that I have a dollar of it's conifit. Connie
here is associated with a Connifeter named Dolly Glennard, Chief Treasury. Remember,
been trying to prove something on him for months, and
Grennar had a deal along with the head of a
gang here in Center City. Jack Lenny told Nick about
it not two hours before.
Speaker 3 (09:43):
He was killed.
Speaker 4 (09:44):
Boy, I figured with this gang leader. Found out that
Jack knew about him, and that's why Jack was killed.
Speaker 3 (09:48):
Come on, sister, who are you bringing this stuff to?
I don't know, you don't know how could you deliver
it if you didn't know who it was going to?
Out saying on the wood, I see my lawyer.
Speaker 4 (09:59):
Okay, Conne, lock her up, chief and keep her arrest
quiet as long as you can see up sister.
Speaker 3 (10:06):
Mister Carter, I'd appreciate it if you'd come along to
headquarters with us and bring that phony money.
Speaker 4 (10:10):
Sure, glad to Chief Patsy. You better stay here, and
if there's a phone call, pretend you're Connie and stall
until I get back, right, I don't let anyone in
but me. I'll be back in thirty minutes.
Speaker 6 (10:34):
St most thirty minutes, and Snake Left'll be here any
minute now.
Speaker 4 (10:37):
Nothing's happened. Oh there he is coming there, Oh Jean Turner.
Well yeah, uh yes, yes, I'm Jean Turner. Were from divorce?
Speaker 3 (10:50):
Well, Well who do you mean?
Speaker 4 (10:52):
Never mind who we mean? You got this stuff? The stuff?
Oh oh you money money baby, that's funny money ready
to pay off in real though.
Speaker 3 (11:02):
Yeah, fifty green sures loom.
Speaker 4 (11:05):
Yeah that conventure that you're talking to the right guys?
Speaker 3 (11:10):
Well, I I you see, boys, there's been a little hitch.
Have you got this stirfle ranger?
Speaker 5 (11:14):
Well, well not right now, but if you come back
in half an hour.
Speaker 4 (11:18):
What kind of a run around is? As you knew
he'd be here for it at nine o'clock the night. Oh, yes, yes, yes,
but look, come back in half an hour and I'll explain.
Speaker 5 (11:26):
Explain.
Speaker 4 (11:27):
Show that baby gets your hat but my hat.
Speaker 5 (11:30):
Yeah, you're going to explain to the boss in person.
Speaker 1 (11:40):
Afraid to resist and hoping she can continue to carry
out the bluff, Patsy has no choice but to leave
the hotel with the two gangsters. We'll see what happens
in just a moment. Now back to the case of
the Great Impersonation. Today's adventure with Nick Carter brought to
you by new post war old Dutch Cleanser. After sending
(12:02):
a telegram to the nearest office of the Treasury Department
informing them of the counterfeit money found in Connie Mill's luggage,
Nick returns to the Hotel Bradford, expecting to find Patsy
waiting in Connie's room.
Speaker 4 (12:11):
Finding the room empty, he goes to the hotel desk,
Miss Bourne, Yes, Miss Bourn. Oh, the young lady who
came in with you. Yes, yes, have you seen her?
Why she just this minute left with two men? With
two men, they must have been coming down the elevators.
Speaker 2 (12:23):
You wind up, mister Catt.
Speaker 4 (12:24):
What do they look like? Well, they were rather hard looking.
Speaker 3 (12:28):
Flashing through the street.
Speaker 4 (12:30):
Door once you can still catch them.
Speaker 5 (12:32):
It hasn't been more than a minute since they left.
Speaker 3 (12:38):
You look at the chat.
Speaker 4 (12:39):
Yeah, the girl was with me when you picked us
up at the station. You see her just come out
of the hotel.
Speaker 5 (12:43):
But two men? Sure, I got into a plaque. Sit down,
that's it.
Speaker 4 (12:45):
Up at the car waiting with a red light.
Speaker 5 (12:47):
How there I go the night's change.
Speaker 4 (12:49):
Catch up with them now that I get away.
Speaker 5 (12:51):
Hey, you ready.
Speaker 7 (12:55):
Go out to those minute summer them for nurses? Yes,
that car like produce you to every producer. Here you are, honey,
made a dem Hey you know what I forgot the
doopie before carry grant.
Speaker 4 (13:04):
Listen, never mind the impersonations.
Speaker 5 (13:05):
Now catch that car. We're doing them before I catch him.
Plus the moment to the car.
Speaker 4 (13:09):
Look, I'll get in trouble with the car.
Speaker 5 (13:11):
Want to tell you whether this is a matter of
life or death?
Speaker 3 (13:13):
Okay? The room, Okay, chump.
Speaker 4 (13:16):
Now yeah, hum over that' stop un up so they
can't get away? Height he comes. You were alone in
this car and the dopey gun helps house. Great for
the bee, okay, driver, I thought you said Patsy and
those two men were in this car, fella.
Speaker 3 (13:33):
I thought it was this when all these big black
sidets look alike.
Speaker 4 (13:36):
I'm sorry, tell me about it later. Sorry, madam, it
was all a mistake.
Speaker 5 (13:39):
Righter.
Speaker 3 (13:40):
Take me to the police.
Speaker 4 (13:41):
Headquart it right away. See if you can impersonate a
cab driver in a hurry.
Speaker 5 (13:54):
He move for this is.
Speaker 4 (13:56):
Gonna be mighty interested in why you ain't got that?
Speaker 5 (13:58):
Do and whatever you want and news it had better
be good.
Speaker 4 (14:01):
But I told you for the boss, all right, for
this story a boss.
Speaker 3 (14:07):
I brought him.
Speaker 4 (14:08):
I told you and Venny never come into my home.
I told you that sister hand, what's she doing here?
This is the girl or the girl and said, with
her stuff? Boss, But she ain't got it. Character is
so funny about her. We thought you were fools, fools,
both of you.
Speaker 3 (14:22):
Great performing the man who fights. He's something wrong, boys.
Speaker 4 (14:27):
This isn't the girl's renaissance.
Speaker 3 (14:28):
She's Nick Carter's assistant.
Speaker 5 (14:30):
His assistant to him.
Speaker 4 (14:31):
But we went to wrong ten eighteen at the bread
would like a tourists and she said her name was
Gie charanel George.
Speaker 3 (14:37):
She said, say you're the gang leader.
Speaker 4 (14:38):
Jack Blanny found out about you, and.
Speaker 5 (14:40):
It was you killed him.
Speaker 4 (14:41):
You dear regretted a necessity. Now I'm afraid we must
take the same measures with you. What the same measures?
We gotta bump the dame north to boss. They says,
so good. If she's not girdle as I tell you,
exactly as I tell you, perhaps we can make it
up here an accident.
Speaker 3 (14:56):
He's not of an accident.
Speaker 4 (14:58):
I don't know yet. I'll have to think it over.
Speaker 3 (14:59):
I have to think it.
Speaker 4 (15:00):
You would take go.
Speaker 5 (15:00):
Out to the orderty.
Speaker 4 (15:01):
Please wait for a call for me when I make
up my mind.
Speaker 3 (15:04):
Okay, boys, come on, baby, we're going right me go.
Speaker 4 (15:10):
You your sister now you won't get no chance to scream.
Speaker 2 (15:17):
Ever, Huh they've got taxing. How do you know?
Speaker 3 (15:32):
That's?
Speaker 4 (15:32):
Clark said? She left the hotel the two hard looking characters.
She wouldn't have stirred out of that room until I
got back unless you than force to. Maybe we'd better
go see mister Han who's chief of police in this town?
Speaker 5 (15:41):
You were, Henford?
Speaker 3 (15:42):
Well, I am, but him and me always work together,
and I kind of depend on the m I.
Speaker 4 (15:46):
Lest depend on the police force. I want to talk
to the men who know the districts, but this gang
might have a hideout'.
Speaker 3 (15:50):
Sure, mister Carter, anything you say, I will be send
Myerson and Dumphy in here on the double.
Speaker 4 (15:56):
Sorry if I seem impatient, Chief, but anything happens.
Speaker 3 (15:59):
To Pat, I know how you feel, but I still
think we ought to talk to mister Hanford. I was
just reading the editorial he wrote in tonight's paper, all
about the Blainey killing.
Speaker 4 (16:07):
Yes, yes, I'm sure it's a fine editorial.
Speaker 3 (16:09):
Oh you bet a real tear jerker too, about how
Blainie was working late and when he stepped out to
get a pack of cigarettes. See o huh, let me
see that editorial. Sure here, yes, Chief, you're right, I
think we should go see mister Hanford.
Speaker 5 (16:24):
Good, I'll get a squire.
Speaker 4 (16:25):
I have a taxi waiting outside.
Speaker 5 (16:27):
Come on, see what's the moaning of breaking what there?
Speaker 4 (16:39):
Handford. I'm gonna give you just two minutes to tell
me where your thugs are taking this bone and if
you don't tell me, I'll.
Speaker 5 (16:43):
Ring your scuall your neck one.
Speaker 3 (16:44):
Now, look, mister Carter, I know you're excited, excited.
Speaker 4 (16:48):
I've gone way past that chap. The gang water you
weren't able to find is a man who's been your
own official advice. Mister Cyrus Hanford, out of your mind,
Out of your mind? You listen to not Blainey's phone
called me last night. Hanford, you heard him tell me
you knew who was behind the game, so you had
him killed before I could get That's all right, I
didn't even know him.
Speaker 5 (17:03):
It's such a call.
Speaker 4 (17:03):
Take a look at this editorial you wrote him Tonight's
Daily Crusader. It says that Blenny was leading the building
to get a pack of cigarettes when he was murdered.
There wasn't anybody else in the building he could have
told that too, So how did you know his reason
for going out at that time? I was only guessing,
only guess, mighty good guessing, mister Hanford, because Jack told
me of the phone that he was going out for
cigarette soon. What about listening in on that phone conversation
(17:24):
was the only way you could have known about those cigarettes?
And when you wrote the editorial. You unconsciously proved your
own guilt. Hey, I never even.
Speaker 3 (17:32):
Thought of, mister Hanford. But it is kind of funny
that every time we'd plan a raid on one of
the mob's gambling horses, they seem to know about it
ahead of time.
Speaker 4 (17:40):
You think you can go into court with any such
ridiculous trump of evidence.
Speaker 5 (17:43):
They're off in your face, off in your face.
Speaker 4 (17:45):
You're two minutes are up, Hanford. You're gonna tell me
where Patsy is?
Speaker 5 (17:48):
Why hand on me?
Speaker 3 (17:50):
He said he was gonna break your nack, and I
hope he died.
Speaker 2 (17:55):
I don't know.
Speaker 3 (17:58):
He keep swelled by me.
Speaker 4 (18:00):
Don't hit me, Carter, don't don't talk, has tender, she
hasn't been heard it all, not hurt it all. Let
me here's the phone. I'll have it here in a
few minutes. Okay, go away and think battle presence is
making a.
Speaker 3 (18:19):
Hello Hello.
Speaker 4 (18:20):
So this is the vorse the you know what I
said about the girl, about you own Benny putting the
girl out of the way.
Speaker 7 (18:31):
Well do it now?
Speaker 3 (18:33):
Do it? First?
Speaker 4 (18:34):
Kill her?
Speaker 5 (18:34):
Chill up.
Speaker 1 (18:38):
As Hanford shreaks the order for Patsy's death, make him
Chief Ramsey grab pointed with to the phone, but too
Wait we'll.
Speaker 2 (18:43):
See what happens in just a moment.
Speaker 1 (18:50):
Now for the conclusion of the case of the Great impersonation,
Today's adventure with Nick Carter, walk to you by new
post war old Dutch cleanser pretending he is phoning his
to bring Patsy back on hond silas Hanford.
Speaker 4 (19:02):
Gives orders but heard him be culled.
Speaker 5 (19:03):
Kill up, kill, say honours.
Speaker 4 (19:06):
You can no murder, how devil right? And maybe you
can prove I give the orders to kill brainy Connor,
then you can and they can only hang me once
and I have the satisfaction Royot paid you for your
medlic com cash, mister Connor.
Speaker 3 (19:16):
If we only know where they are, I could call
out the radio cars.
Speaker 4 (19:18):
I hang out of a firm fifteen miles out of tim.
At the time your radio cars get there, it'll be
two lights. I had to tell out your man set
probably right back.
Speaker 5 (19:25):
Where are you gone?
Speaker 4 (19:25):
I want to see a taxi about a man.
Speaker 3 (19:39):
Don't do go good. The prices just say you keep
twisting around right that it might take to a twelve.
Speaker 4 (19:46):
Get to do it yours one.
Speaker 5 (19:48):
Bullet right between the No, that's the phone, swim so
nobody be calling on here, but the bars would be no.
Speaker 4 (20:00):
Okay, I'll get it, hang on to it, Benny.
Speaker 3 (20:05):
Out.
Speaker 4 (20:10):
Yeah, hello a swim, This is the boss. This is
the Boss again. Yeah. Boys, is the girl still all right?
She is?
Speaker 5 (20:17):
She all right?
Speaker 4 (20:18):
We'll just getting to that little manner now, Boss. Well,
everything's changed. It's all changed. Carter has found out about us.
He's found out.
Speaker 2 (20:25):
We've got to get out.
Speaker 4 (20:26):
We've got to get out fast. Okay, but what about
the dame.
Speaker 5 (20:29):
Bring her with you.
Speaker 4 (20:30):
We take her along as a hostage CARDA won't dare
try to stop us if we have her in the.
Speaker 5 (20:34):
Car, you won't there.
Speaker 4 (20:35):
It's a smart idea, Boss. I'll wait for you at
the corner of ninth in Livermore in a green and
white taxi.
Speaker 5 (20:41):
Green and white, bring the girl pick me up there
in twenty minutes. There's the green and white.
Speaker 4 (20:55):
Cat Benny bull and stop okay, making you get away?
Speaker 5 (21:01):
Why don't let me go?
Speaker 3 (21:02):
Quiet you that you let you slew?
Speaker 5 (21:05):
Yeah, Boss, and we got the girl with us. You'll
have to get off and help me, have to help me.
Speaker 4 (21:10):
Come on for me.
Speaker 5 (21:10):
Something's wrong with the borse swiaming wrong? He hope I
don't know, but.
Speaker 4 (21:15):
A course, keep your hands work and see what the cops. Yeah,
and we're going to make a room for it.
Speaker 3 (21:24):
We'll show you that cops can use machine Gunstow.
Speaker 4 (21:37):
Better drive a little poster, Chris with one of us
I train.
Speaker 7 (21:39):
I'll get you that.
Speaker 3 (21:40):
Uya, Hanton had an almost perfect set out. To me,
that's because no.
Speaker 4 (21:46):
One ever suspected the city's house fanatic or a human.
Not only that, Hanford actually helped land the campaigns against
himself so that they knew every move the police would
make before they made it. But there were semi rats
and some gambling houses were closed, but never any of Hampred's.
He used the police to worry about his competitors only.
Speaker 1 (22:03):
Uh well, I guess he knew what he was talking
about when he paid cheap lambs.
Speaker 4 (22:06):
He wasn't very smart. Uh uh, it was ideal for
Hanfrit's purpose. Yeah, everyone knew the chief was strictly honest,
and yeah, it was easy for Handfred to make a
fool of him.
Speaker 6 (22:15):
Tell me here, how did you ever induced Hanford to
put through that second phone call, the one.
Speaker 4 (22:20):
That made slim and then he bring me to the
place where you and the offices were waiting or stuff
like that. I couldn't make him do that, Bessy.
Speaker 5 (22:26):
But he did it.
Speaker 4 (22:27):
Oh no, I didn't he that was Chris our impersonating
Charac Driver.
Speaker 5 (22:31):
Here he Why, yes, that was me in the flesh.
Speaker 4 (22:35):
But if it was Chris, how did you know what
number of the call? I listened very carefully to hampress
dially when he made his phone call. Oh, when you
counted the click, so you knew what.
Speaker 5 (22:43):
The number was. Right.
Speaker 4 (22:44):
So while the chief called out his men, I dashed
down and got Chris, who was waiting in his cab
at the entrance to the building. I told him what
number to call, and he made the call in Hanford's voice.
Speaker 7 (22:53):
Well, uh, they dined, and don't don't forget the producers
time called Chris. Okay, they'll listen to you if I
have to tie him down.
Speaker 4 (23:01):
And that's a promise.
Speaker 2 (23:03):
Thanks.
Speaker 5 (23:04):
I'll go to Sofio sometime.
Speaker 4 (23:06):
To Sofi when he sounds a lot like Candred over
the phone. That was close enough. It is the only
thing I could think of. They'll be past enough, and
believe me, Chris gave a star performance.
Speaker 5 (23:14):
It was a silch.
Speaker 7 (23:16):
Everybody in sun of City knows that funny way old
man had the talks. I told you I can have
firsonate anybody.
Speaker 5 (23:21):
It's your wonderfulone.
Speaker 3 (23:22):
Hey, I got another one.
Speaker 5 (23:23):
I want you to hear my little prayer.
Speaker 1 (23:26):
Oh, Nick, what about the adventure new post war old
Dutch cleanser has for us next week? Well, Mike, is
the story of a girl who looks as if she'd
never get her husband, and then when she did get one,
she shot him.
Speaker 4 (23:47):
Nick. I'll be sorry for her.
Speaker 3 (23:48):
So we tried to send someone else up for the murder.
Speaker 1 (23:50):
You mean to say that Nick frayed an innocent person
for murder.
Speaker 4 (23:52):
Well, it's a long story, Mike. I'm afraid it'll have
to wait till next Sunday. All right, But what do
you call this adventure?
Speaker 5 (23:58):
Nick?
Speaker 4 (23:58):
I call it the Case of the Homely Bride.
Speaker 1 (24:13):
Nick Carter Master Detective is presented each week at this
time by the Cutter Heat Packing Company. It is produced
and directed by Jock McGregor and is copyrighted by Street
and Smith Publications Incorporated. Charlotte Manson is featured as Pepsy.
Today's script was written by Jim Parsons. Original music is
played by Henry Silvern. This program is fictional and any
resemblance to actual persons living or dead is purely coincidental.
(24:37):
With millions of additional children entering our schools during the
next few years, the nation faces serious educational handicaps.
Speaker 4 (24:44):
Inferior education for.
Speaker 1 (24:45):
Our boys and girls may damage our prosperity, our traditions
of freedom, our security.
Speaker 4 (24:51):
That's why we urge every adult to work with local.
Speaker 1 (24:54):
Civic groups and school boards to help improve educational conditions.
Show by your interest and friendliness that you appreciate the
importance of your children's teachers.
Speaker 4 (25:03):
They mold our nation's future.
Speaker 1 (25:05):
This is Michael Fitzmorris saying, when minutes count, use new
post war old Dutch plenders.
Speaker 2 (25:18):
Position.
Speaker 4 (25:25):
This is the mutual broadcasting system.
New post war Old Dutch Cleanser, famous for chasing Dirk,
presents Nick Carter, famous for chasing crime.
Speaker 2 (00:13):
Every week.
Speaker 1 (00:14):
At this time, two great names are joined as New
post war Old Dutch Cleanser brings you one of the
most resourceful and daring characters in all detective fiction, Nick Carter,
Master detective.
Speaker 2 (00:31):
Quickness.
Speaker 3 (00:31):
I'm on the floor, Come back here, Come, I fack deliberately.
Speaker 2 (00:40):
I saw them.
Speaker 3 (00:40):
Crazy fools that kind of killed us.
Speaker 4 (00:42):
You're not kidding, Grammar. Look at those windows, hey, Dozy,
Yes they are bullet hose.
Speaker 1 (00:55):
And now the case of the great impersonation. Today's adventure
starring Longclow as Nick Cutter. Walk to You by New
post war Old Dutch Cleanser. When Jack Blaney was police
reporter on the Morning Blade, he and Nick saw a
lot of each other, but they lost touch when Jack
moved to Center City as city editor of the Daily
Crusader there, and then late one night, Nick received a
long distance call, Hey, where.
Speaker 4 (01:17):
Are you calling from? Jack? Center City?
Speaker 3 (01:19):
Yes, I'm still at the newspaper office. Everybody else went
home hours ago, but I'll be here until morning, except
that I'll probably have to run out the cigarettes.
Speaker 4 (01:26):
In a little while, big story coming up.
Speaker 3 (01:28):
I'll plenty bag. I'm going through the Morgue checking every
crime story here for the past ten years. What's the
big idea, Mate, There's a gang in this town that
the local cops haven't been able to touch. They don't
even know who's at the head of it.
Speaker 4 (01:39):
But I know anybody I ever heard of.
Speaker 3 (01:41):
I don't want to mention names over the phone, but
they're mixed up in everything, gambling, stolen cars, black market
building materials, and now counterfeiting.
Speaker 4 (01:50):
I look, Jack, you better get in touch with the
Treasury Department. Then counterfeiting's their job.
Speaker 3 (01:54):
No, No, I want to get the evidence myself first.
This is really big stuff, Nick, and if I swing it,
it'll give me a national rip mutation as a newspaper man.
Speaker 4 (02:01):
Jack, if you know so much about their operations and plans,
and you know who's at the head of the outfit.
Speaker 3 (02:05):
You're I haven't any proof, Nick. I just happened to
overhear a scrap of conversation between a couple of drunken
mobsters in one of our local gin mills. They mentioned
their boss's name, and then I heard something about Arlie Grinner.
Speaker 4 (02:16):
And then Arli grinner.
Speaker 3 (02:17):
Yeah, he's going to supply the counterfeit money, and the
mob here will distribute it.
Speaker 4 (02:21):
Look, Jack, take my advice. Will you call the Treasury Department.
Speaker 3 (02:24):
I'll make a bargain with you, Nick, if you'll come
out here for a few days and help me get
proof to back up what I know. I will call
him before I take any action.
Speaker 4 (02:30):
No.
Speaker 3 (02:31):
Wait, oh, it means a lot to me. Nick, breaking
this story. You'll put me ahead ten years in the
newspaper game. I'll have offers.
Speaker 4 (02:36):
Okay, okay, Patsy, and I'll catch the next trade.
Speaker 3 (02:39):
Oh swell well, now I'll get back to work. So long, Nick, goodbye,
see you tomorrow. Right.
Speaker 4 (02:44):
Shut off the record of Benny. That's all there is.
They hung up.
Speaker 3 (02:47):
That's sneaking Red Blaney hiring a private eye from the
big town. A boss, here's this record. He'll blow his top.
Speaker 4 (02:54):
A boss must have figured something was up where he
wouldn't have had his tap Blanie's phone while.
Speaker 3 (02:58):
Hey, I hope he thinks some way to keep this
cut of guy from coming here. Hey, I heard about.
Speaker 4 (03:03):
Himillary above CLA. When his train pulls in tomorrow, we'll
be ready for him. But the night we're gonna take
care of mister Blaine. Come on, Patsy, here's a cab.
(03:25):
Say Nick. That city is quite a place, isn't it? Sure?
Almost one hundred thousand populations? Golley get in?
Speaker 3 (03:32):
Yeah, what's up?
Speaker 4 (03:33):
Better? I'm onning Crusader officer checked.
Speaker 3 (03:38):
Hey, there's another cap around him. Where you get the hotel? Bedford?
Be all right with you all fight?
Speaker 5 (03:42):
Oh?
Speaker 6 (03:43):
Hell, that's all right.
Speaker 4 (03:43):
We don't mind sharing the way. Never mind, I think
I see another cab coming out. Then if she can
see a cab coming, she has better eyes than I have.
Thinks she changed her mind when she saw that Pty.
What's the matter that we have lepardsy or something?
Speaker 5 (03:56):
You know who that was?
Speaker 4 (03:57):
You know who? Harley Grenner's girl. Her name's Connie Mills.
Oh ah, no, wonder she didn't want to ride with us.
Speaker 3 (04:04):
If she recognized you?
Speaker 4 (04:05):
She probably did. I've run into her several times around
New York. I wonder what was in that bag she
was carrying?
Speaker 3 (04:12):
Hey, buddy, you know many people in New York?
Speaker 4 (04:14):
Yes, quite a few. Why any theatrical produces? Oh yes, couple,
how I give me a letter at production? I? Well,
I don't know.
Speaker 3 (04:22):
I'm talent. See, I'm discovered talent, one of them spies
of tomorrow.
Speaker 4 (04:26):
Yeah, listen, am I mortified, Am. I pointed out, I'm
standing on a street collar wait on, Priya gonna buy me?
Side and Bison wanna come to this? The studiest individual.
He stucks up on my toes, puts a penny in
my mouth and priest away. I'm sid I got a
mission of him.
Speaker 5 (04:44):
I could.
Speaker 3 (04:45):
I was Jimmy Doddy sing, oh uh, yes, yes, we see.
How about this? Now you listen to me and doctor
kill Joy. I'm an old man.
Speaker 4 (04:56):
Maybe I'm not the surgeon I used to be.
Speaker 5 (05:00):
But it's the same time.
Speaker 4 (05:01):
Hey, watch up in the truck.
Speaker 3 (05:05):
Shut up, and I was little Burmer driving the truck.
You mean no, that's the impersonation I was doing. I
gotta personate anybody.
Speaker 5 (05:13):
Maybe you like to hear Edward G.
Speaker 4 (05:14):
Robinson, I'm not while you're in this heavy traffic. I
can drive this hack with my eyes closed.
Speaker 3 (05:19):
I don't argue with him.
Speaker 4 (05:20):
You'll try to prove it to you from now on.
I'm running a spot sie. Yeah, I made little squeezer.
You're taking all this from me. See five to put
a hold on somebody's head.
Speaker 3 (05:29):
Wait much out of the war, come out here, come
on back, wish it to the curve deliberately. I saw
the like crazy fools. I could have killed us.
Speaker 4 (05:40):
You're not kidding, Grabber. Look at those windows, hey dosing, Yes,
they are bullet holes from a machine gun.
Speaker 3 (05:56):
This is the office next see on the door.
Speaker 4 (05:58):
Jack Ladey said he edit girls said to walked right in,
but didn't notice how oddly she said it. If she
were frightened her son, well, maybe Jack can explain.
Speaker 3 (06:06):
Yeah, Hi Jack, Hi, mister Connor, miss Bourne. I'm Chief
Ramsay in the Center City Police Department, the police. When
the reception has phoned to say that you were here
to see mister Blaney. I recognized your name, so I
asked her to send you in without saying anything.
Speaker 4 (06:21):
Anything about what cheap, about the fact that Blaney was
murdered at three o'clock this morning?
Speaker 3 (06:26):
What murded?
Speaker 4 (06:27):
Well, that was only a couple of hours after rephone me.
How did it happen?
Speaker 3 (06:31):
A couple of hoodlums waited in front of this building
with a machine guns.
Speaker 4 (06:34):
Your local boy seem to like machine guns. Chief. They
used one to welcome Miss Bowne and me that a
few minutes ago.
Speaker 5 (06:39):
Huh they did?
Speaker 3 (06:40):
Why not?
Speaker 4 (06:40):
In the same hillman had demanded my city editor has
been shut down on the street like a dog.
Speaker 3 (06:46):
Like a dog man't you, mister Hanford. These are some
friends of Blanie's from out of town, mister Carter and
miss Bourn. Mister Hanford is the publisher of The Daily Crusader.
Speaker 4 (06:54):
Hello, see, sorry to have to meet under such tragic circumstances,
but I'm throwing every resort of this paper behind the
hunt for these mad.
Speaker 5 (07:01):
Dogs, every resource.
Speaker 4 (07:03):
Any idea why Blane was murdered, mister Hanford, of course
I have, of course I have. The Crusader's a newspaper
with a mission, a mission. That mission is to stamp
out crime and center city.
Speaker 3 (07:11):
And you think Jack was killed simply because he was
your city edit, well, absolutely absolutely.
Speaker 4 (07:16):
We have a well organized criminal element, well organized not.
Speaker 3 (07:19):
They're afraid of the Daily Crusader, afraid of.
Speaker 5 (07:21):
Us and know we'll get them someday.
Speaker 3 (07:22):
The Daily Crusader and the police department worked pretty close,
mister Carter. A matter of fact, mister Hanford here was
directly responsible for making me chief for police.
Speaker 4 (07:30):
You better I was.
Speaker 3 (07:31):
I have influenced in this town, influence. I wanted the
police chief.
Speaker 4 (07:34):
Who was honest, even if he isn't smart. Now, mister Handford,
that's the truth, Ramsey. Everybody knows it. Everybody, but by
the eternal, if you don't clean this.
Speaker 5 (07:42):
Time up, now clean it up.
Speaker 4 (07:44):
I saw.
Speaker 3 (07:44):
I'm trying, mister Hanford, you know that. And if mister
Carter will help out.
Speaker 4 (07:48):
Far as Jack Blaney's murders concerns, you bet, I'll help out.
And I think I know Jeff where to start.
Speaker 3 (08:04):
I'm sorry, sir, there's no Connie Mills registered at this hotel.
Speaker 4 (08:08):
But Nick, she certainly said the Bradford Hotel. Maybe she's
using another name Passie. Oh yeah, uh, look, clerk, the
young lady I mean, probably came in about an hour ago.
She has red hair, Hannah'd red hair, was wearing a
green dress, a green and white hat, and oh I
remember her. But she checked in under the name of Turner. Wait,
do I look at the car?
Speaker 3 (08:29):
Oh using an alias?
Speaker 4 (08:30):
Huh, I hear it is missus Jean Turner, New York City.
That's probably the one.
Speaker 6 (08:35):
You'll find her in room ten eighteen. Thanks, come on, chief, Yeah, hello, Kenny,
what's the idea.
Speaker 3 (08:52):
What is this a pinch?
Speaker 4 (08:53):
Is it?
Speaker 3 (08:53):
Mister Carter?
Speaker 4 (08:54):
Hello, Kennie, We just like to look around and ask
you a few questions. Well, Love, just a minute, he
gives you what that?
Speaker 5 (09:01):
Don't you want to get it locked?
Speaker 3 (09:03):
I love conn She trying to get a gun out
of that suitcase. No, no, it's a package of something.
Speaker 5 (09:08):
You didn't heard that, window, Chief, I'll head.
Speaker 7 (09:09):
Her on this one, got Conny, Let's see what you're
so anxious to throw up the window?
Speaker 3 (09:17):
If I ever thought it, you don't proposal labor?
Speaker 4 (09:20):
Yeah, Betsy, see what inside this package? Right?
Speaker 5 (09:22):
Nick?
Speaker 4 (09:23):
Oh, I'll steal Conny be good girl.
Speaker 3 (09:26):
Good Craigy it's money?
Speaker 4 (09:27):
Why they must see a couple of hundred thousand dollars here?
Now that I have a dollar of it's conifit. Connie
here is associated with a Connifeter named Dolly Glennard, Chief Treasury. Remember,
been trying to prove something on him for months, and
Grennar had a deal along with the head of a
gang here in Center City. Jack Lenny told Nick about
it not two hours before.
Speaker 3 (09:43):
He was killed.
Speaker 4 (09:44):
Boy, I figured with this gang leader. Found out that
Jack knew about him, and that's why Jack was killed.
Speaker 3 (09:48):
Come on, sister, who are you bringing this stuff to?
I don't know, you don't know how could you deliver
it if you didn't know who it was going to?
Out saying on the wood, I see my lawyer.
Speaker 4 (09:59):
Okay, Conne, lock her up, chief and keep her arrest
quiet as long as you can see up sister.
Speaker 3 (10:06):
Mister Carter, I'd appreciate it if you'd come along to
headquarters with us and bring that phony money.
Speaker 4 (10:10):
Sure, glad to Chief Patsy. You better stay here, and
if there's a phone call, pretend you're Connie and stall
until I get back, right, I don't let anyone in
but me. I'll be back in thirty minutes.
Speaker 6 (10:34):
St most thirty minutes, and Snake Left'll be here any
minute now.
Speaker 4 (10:37):
Nothing's happened. Oh there he is coming there, Oh Jean Turner.
Well yeah, uh yes, yes, I'm Jean Turner. Were from divorce?
Speaker 3 (10:50):
Well, Well who do you mean?
Speaker 4 (10:52):
Never mind who we mean? You got this stuff? The stuff?
Oh oh you money money baby, that's funny money ready
to pay off in real though.
Speaker 3 (11:02):
Yeah, fifty green sures loom.
Speaker 4 (11:05):
Yeah that conventure that you're talking to the right guys?
Speaker 3 (11:10):
Well, I I you see, boys, there's been a little hitch.
Have you got this stirfle ranger?
Speaker 5 (11:14):
Well, well not right now, but if you come back
in half an hour.
Speaker 4 (11:18):
What kind of a run around is? As you knew
he'd be here for it at nine o'clock the night. Oh, yes, yes, yes,
but look, come back in half an hour and I'll explain.
Speaker 5 (11:26):
Explain.
Speaker 4 (11:27):
Show that baby gets your hat but my hat.
Speaker 5 (11:30):
Yeah, you're going to explain to the boss in person.
Speaker 1 (11:40):
Afraid to resist and hoping she can continue to carry
out the bluff, Patsy has no choice but to leave
the hotel with the two gangsters. We'll see what happens
in just a moment. Now back to the case of
the Great Impersonation. Today's adventure with Nick Carter brought to
you by new post war old Dutch Cleanser. After sending
(12:02):
a telegram to the nearest office of the Treasury Department
informing them of the counterfeit money found in Connie Mill's luggage,
Nick returns to the Hotel Bradford, expecting to find Patsy
waiting in Connie's room.
Speaker 4 (12:11):
Finding the room empty, he goes to the hotel desk,
Miss Bourne, Yes, Miss Bourn. Oh, the young lady who
came in with you. Yes, yes, have you seen her?
Why she just this minute left with two men? With
two men, they must have been coming down the elevators.
Speaker 2 (12:23):
You wind up, mister Catt.
Speaker 4 (12:24):
What do they look like? Well, they were rather hard looking.
Speaker 3 (12:28):
Flashing through the street.
Speaker 4 (12:30):
Door once you can still catch them.
Speaker 5 (12:32):
It hasn't been more than a minute since they left.
Speaker 3 (12:38):
You look at the chat.
Speaker 4 (12:39):
Yeah, the girl was with me when you picked us
up at the station. You see her just come out
of the hotel.
Speaker 5 (12:43):
But two men? Sure, I got into a plaque. Sit down,
that's it.
Speaker 4 (12:45):
Up at the car waiting with a red light.
Speaker 5 (12:47):
How there I go the night's change.
Speaker 4 (12:49):
Catch up with them now that I get away.
Speaker 5 (12:51):
Hey, you ready.
Speaker 7 (12:55):
Go out to those minute summer them for nurses? Yes,
that car like produce you to every producer. Here you are, honey,
made a dem Hey you know what I forgot the
doopie before carry grant.
Speaker 4 (13:04):
Listen, never mind the impersonations.
Speaker 5 (13:05):
Now catch that car. We're doing them before I catch him.
Plus the moment to the car.
Speaker 4 (13:09):
Look, I'll get in trouble with the car.
Speaker 5 (13:11):
Want to tell you whether this is a matter of
life or death?
Speaker 3 (13:13):
Okay? The room, Okay, chump.
Speaker 4 (13:16):
Now yeah, hum over that' stop un up so they
can't get away? Height he comes. You were alone in
this car and the dopey gun helps house. Great for
the bee, okay, driver, I thought you said Patsy and
those two men were in this car, fella.
Speaker 3 (13:33):
I thought it was this when all these big black
sidets look alike.
Speaker 4 (13:36):
I'm sorry, tell me about it later. Sorry, madam, it
was all a mistake.
Speaker 5 (13:39):
Righter.
Speaker 3 (13:40):
Take me to the police.
Speaker 4 (13:41):
Headquart it right away. See if you can impersonate a
cab driver in a hurry.
Speaker 5 (13:54):
He move for this is.
Speaker 4 (13:56):
Gonna be mighty interested in why you ain't got that?
Speaker 5 (13:58):
Do and whatever you want and news it had better
be good.
Speaker 4 (14:01):
But I told you for the boss, all right, for
this story a boss.
Speaker 3 (14:07):
I brought him.
Speaker 4 (14:08):
I told you and Venny never come into my home.
I told you that sister hand, what's she doing here?
This is the girl or the girl and said, with
her stuff? Boss, But she ain't got it. Character is
so funny about her. We thought you were fools, fools,
both of you.
Speaker 3 (14:22):
Great performing the man who fights. He's something wrong, boys.
Speaker 4 (14:27):
This isn't the girl's renaissance.
Speaker 3 (14:28):
She's Nick Carter's assistant.
Speaker 5 (14:30):
His assistant to him.
Speaker 4 (14:31):
But we went to wrong ten eighteen at the bread
would like a tourists and she said her name was
Gie charanel George.
Speaker 3 (14:37):
She said, say you're the gang leader.
Speaker 4 (14:38):
Jack Blanny found out about you, and.
Speaker 5 (14:40):
It was you killed him.
Speaker 4 (14:41):
You dear regretted a necessity. Now I'm afraid we must
take the same measures with you. What the same measures?
We gotta bump the dame north to boss. They says,
so good. If she's not girdle as I tell you,
exactly as I tell you, perhaps we can make it
up here an accident.
Speaker 3 (14:56):
He's not of an accident.
Speaker 4 (14:58):
I don't know yet. I'll have to think it over.
Speaker 3 (14:59):
I have to think it.
Speaker 4 (15:00):
You would take go.
Speaker 5 (15:00):
Out to the orderty.
Speaker 4 (15:01):
Please wait for a call for me when I make
up my mind.
Speaker 3 (15:04):
Okay, boys, come on, baby, we're going right me go.
Speaker 4 (15:10):
You your sister now you won't get no chance to scream.
Speaker 2 (15:17):
Ever, Huh they've got taxing. How do you know?
Speaker 3 (15:32):
That's?
Speaker 4 (15:32):
Clark said? She left the hotel the two hard looking characters.
She wouldn't have stirred out of that room until I
got back unless you than force to. Maybe we'd better
go see mister Han who's chief of police in this town?
Speaker 5 (15:41):
You were, Henford?
Speaker 3 (15:42):
Well, I am, but him and me always work together,
and I kind of depend on the m I.
Speaker 4 (15:46):
Lest depend on the police force. I want to talk
to the men who know the districts, but this gang
might have a hideout'.
Speaker 3 (15:50):
Sure, mister Carter, anything you say, I will be send
Myerson and Dumphy in here on the double.
Speaker 4 (15:56):
Sorry if I seem impatient, Chief, but anything happens.
Speaker 3 (15:59):
To Pat, I know how you feel, but I still
think we ought to talk to mister Hanford. I was
just reading the editorial he wrote in tonight's paper, all
about the Blainey killing.
Speaker 4 (16:07):
Yes, yes, I'm sure it's a fine editorial.
Speaker 3 (16:09):
Oh you bet a real tear jerker too, about how
Blainie was working late and when he stepped out to
get a pack of cigarettes. See o huh, let me
see that editorial. Sure here, yes, Chief, you're right, I
think we should go see mister Hanford.
Speaker 5 (16:24):
Good, I'll get a squire.
Speaker 4 (16:25):
I have a taxi waiting outside.
Speaker 5 (16:27):
Come on, see what's the moaning of breaking what there?
Speaker 4 (16:39):
Handford. I'm gonna give you just two minutes to tell
me where your thugs are taking this bone and if
you don't tell me, I'll.
Speaker 5 (16:43):
Ring your scuall your neck one.
Speaker 3 (16:44):
Now, look, mister Carter, I know you're excited, excited.
Speaker 4 (16:48):
I've gone way past that chap. The gang water you
weren't able to find is a man who's been your
own official advice. Mister Cyrus Hanford, out of your mind,
Out of your mind? You listen to not Blainey's phone
called me last night. Hanford, you heard him tell me
you knew who was behind the game, so you had
him killed before I could get That's all right, I
didn't even know him.
Speaker 5 (17:03):
It's such a call.
Speaker 4 (17:03):
Take a look at this editorial you wrote him Tonight's
Daily Crusader. It says that Blenny was leading the building
to get a pack of cigarettes when he was murdered.
There wasn't anybody else in the building he could have
told that too, So how did you know his reason
for going out at that time? I was only guessing,
only guess, mighty good guessing, mister Hanford, because Jack told
me of the phone that he was going out for
cigarette soon. What about listening in on that phone conversation
(17:24):
was the only way you could have known about those cigarettes?
And when you wrote the editorial. You unconsciously proved your
own guilt. Hey, I never even.
Speaker 3 (17:32):
Thought of, mister Hanford. But it is kind of funny
that every time we'd plan a raid on one of
the mob's gambling horses, they seem to know about it
ahead of time.
Speaker 4 (17:40):
You think you can go into court with any such
ridiculous trump of evidence.
Speaker 5 (17:43):
They're off in your face, off in your face.
Speaker 4 (17:45):
You're two minutes are up, Hanford. You're gonna tell me
where Patsy is?
Speaker 5 (17:48):
Why hand on me?
Speaker 3 (17:50):
He said he was gonna break your nack, and I
hope he died.
Speaker 2 (17:55):
I don't know.
Speaker 3 (17:58):
He keep swelled by me.
Speaker 4 (18:00):
Don't hit me, Carter, don't don't talk, has tender, she
hasn't been heard it all, not hurt it all. Let
me here's the phone. I'll have it here in a
few minutes. Okay, go away and think battle presence is
making a.
Speaker 3 (18:19):
Hello Hello.
Speaker 4 (18:20):
So this is the vorse the you know what I
said about the girl, about you own Benny putting the
girl out of the way.
Speaker 7 (18:31):
Well do it now?
Speaker 3 (18:33):
Do it? First?
Speaker 4 (18:34):
Kill her?
Speaker 5 (18:34):
Chill up.
Speaker 1 (18:38):
As Hanford shreaks the order for Patsy's death, make him
Chief Ramsey grab pointed with to the phone, but too
Wait we'll.
Speaker 2 (18:43):
See what happens in just a moment.
Speaker 1 (18:50):
Now for the conclusion of the case of the Great impersonation,
Today's adventure with Nick Carter, walk to you by new
post war old Dutch cleanser pretending he is phoning his
to bring Patsy back on hond silas Hanford.
Speaker 4 (19:02):
Gives orders but heard him be culled.
Speaker 5 (19:03):
Kill up, kill, say honours.
Speaker 4 (19:06):
You can no murder, how devil right? And maybe you
can prove I give the orders to kill brainy Connor,
then you can and they can only hang me once
and I have the satisfaction Royot paid you for your
medlic com cash, mister Connor.
Speaker 3 (19:16):
If we only know where they are, I could call
out the radio cars.
Speaker 4 (19:18):
I hang out of a firm fifteen miles out of tim.
At the time your radio cars get there, it'll be
two lights. I had to tell out your man set
probably right back.
Speaker 5 (19:25):
Where are you gone?
Speaker 4 (19:25):
I want to see a taxi about a man.
Speaker 3 (19:39):
Don't do go good. The prices just say you keep
twisting around right that it might take to a twelve.
Speaker 4 (19:46):
Get to do it yours one.
Speaker 5 (19:48):
Bullet right between the No, that's the phone, swim so
nobody be calling on here, but the bars would be no.
Speaker 4 (20:00):
Okay, I'll get it, hang on to it, Benny.
Speaker 3 (20:05):
Out.
Speaker 4 (20:10):
Yeah, hello a swim, This is the boss. This is
the Boss again. Yeah. Boys, is the girl still all right?
She is?
Speaker 5 (20:17):
She all right?
Speaker 4 (20:18):
We'll just getting to that little manner now, Boss. Well,
everything's changed. It's all changed. Carter has found out about us.
He's found out.
Speaker 2 (20:25):
We've got to get out.
Speaker 4 (20:26):
We've got to get out fast. Okay, but what about
the dame.
Speaker 5 (20:29):
Bring her with you.
Speaker 4 (20:30):
We take her along as a hostage CARDA won't dare
try to stop us if we have her in the.
Speaker 5 (20:34):
Car, you won't there.
Speaker 4 (20:35):
It's a smart idea, Boss. I'll wait for you at
the corner of ninth in Livermore in a green and
white taxi.
Speaker 5 (20:41):
Green and white, bring the girl pick me up there
in twenty minutes. There's the green and white.
Speaker 4 (20:55):
Cat Benny bull and stop okay, making you get away?
Speaker 5 (21:01):
Why don't let me go?
Speaker 3 (21:02):
Quiet you that you let you slew?
Speaker 5 (21:05):
Yeah, Boss, and we got the girl with us. You'll
have to get off and help me, have to help me.
Speaker 4 (21:10):
Come on for me.
Speaker 5 (21:10):
Something's wrong with the borse swiaming wrong? He hope I
don't know, but.
Speaker 4 (21:15):
A course, keep your hands work and see what the cops. Yeah,
and we're going to make a room for it.
Speaker 3 (21:24):
We'll show you that cops can use machine Gunstow.
Speaker 4 (21:37):
Better drive a little poster, Chris with one of us
I train.
Speaker 7 (21:39):
I'll get you that.
Speaker 3 (21:40):
Uya, Hanton had an almost perfect set out. To me,
that's because no.
Speaker 4 (21:46):
One ever suspected the city's house fanatic or a human.
Not only that, Hanford actually helped land the campaigns against
himself so that they knew every move the police would
make before they made it. But there were semi rats
and some gambling houses were closed, but never any of Hampred's.
He used the police to worry about his competitors only.
Speaker 1 (22:03):
Uh well, I guess he knew what he was talking
about when he paid cheap lambs.
Speaker 4 (22:06):
He wasn't very smart. Uh uh, it was ideal for
Hanfrit's purpose. Yeah, everyone knew the chief was strictly honest,
and yeah, it was easy for Handfred to make a
fool of him.
Speaker 6 (22:15):
Tell me here, how did you ever induced Hanford to
put through that second phone call, the one.
Speaker 4 (22:20):
That made slim and then he bring me to the
place where you and the offices were waiting or stuff
like that. I couldn't make him do that, Bessy.
Speaker 5 (22:26):
But he did it.
Speaker 4 (22:27):
Oh no, I didn't he that was Chris our impersonating
Charac Driver.
Speaker 5 (22:31):
Here he Why, yes, that was me in the flesh.
Speaker 4 (22:35):
But if it was Chris, how did you know what
number of the call? I listened very carefully to hampress
dially when he made his phone call. Oh, when you
counted the click, so you knew what.
Speaker 5 (22:43):
The number was. Right.
Speaker 4 (22:44):
So while the chief called out his men, I dashed
down and got Chris, who was waiting in his cab
at the entrance to the building. I told him what
number to call, and he made the call in Hanford's voice.
Speaker 7 (22:53):
Well, uh, they dined, and don't don't forget the producers
time called Chris. Okay, they'll listen to you if I
have to tie him down.
Speaker 4 (23:01):
And that's a promise.
Speaker 2 (23:03):
Thanks.
Speaker 5 (23:04):
I'll go to Sofio sometime.
Speaker 4 (23:06):
To Sofi when he sounds a lot like Candred over
the phone. That was close enough. It is the only
thing I could think of. They'll be past enough, and
believe me, Chris gave a star performance.
Speaker 5 (23:14):
It was a silch.
Speaker 7 (23:16):
Everybody in sun of City knows that funny way old
man had the talks. I told you I can have
firsonate anybody.
Speaker 5 (23:21):
It's your wonderfulone.
Speaker 3 (23:22):
Hey, I got another one.
Speaker 5 (23:23):
I want you to hear my little prayer.
Speaker 1 (23:26):
Oh, Nick, what about the adventure new post war old
Dutch cleanser has for us next week? Well, Mike, is
the story of a girl who looks as if she'd
never get her husband, and then when she did get one,
she shot him.
Speaker 4 (23:47):
Nick. I'll be sorry for her.
Speaker 3 (23:48):
So we tried to send someone else up for the murder.
Speaker 1 (23:50):
You mean to say that Nick frayed an innocent person
for murder.
Speaker 4 (23:52):
Well, it's a long story, Mike. I'm afraid it'll have
to wait till next Sunday. All right, But what do
you call this adventure?
Speaker 5 (23:58):
Nick?
Speaker 4 (23:58):
I call it the Case of the Homely Bride.
Speaker 1 (24:13):
Nick Carter Master Detective is presented each week at this
time by the Cutter Heat Packing Company. It is produced
and directed by Jock McGregor and is copyrighted by Street
and Smith Publications Incorporated. Charlotte Manson is featured as Pepsy.
Today's script was written by Jim Parsons. Original music is
played by Henry Silvern. This program is fictional and any
resemblance to actual persons living or dead is purely coincidental.
(24:37):
With millions of additional children entering our schools during the
next few years, the nation faces serious educational handicaps.
Speaker 4 (24:44):
Inferior education for.
Speaker 1 (24:45):
Our boys and girls may damage our prosperity, our traditions
of freedom, our security.
Speaker 4 (24:51):
That's why we urge every adult to work with local.
Speaker 1 (24:54):
Civic groups and school boards to help improve educational conditions.
Show by your interest and friendliness that you appreciate the
importance of your children's teachers.
Speaker 4 (25:03):
They mold our nation's future.
Speaker 1 (25:05):
This is Michael Fitzmorris saying, when minutes count, use new
post war old Dutch plenders.
Speaker 2 (25:18):
Position.
Speaker 4 (25:25):
This is the mutual broadcasting system.
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