Pablo E.M.G. Podcast - The Triumph of Forgetting S01E04

If we dare—even for a moment—to step into the protagonist's shoes, I sometimes find myself convinced that certain cognitive ailments aren't a curse, but a sophisticated prize that evolution, in its obscure wisdom, bestows upon us.

A keen memory, once one reaches a certain stage in life, can become a rather elegant trap. For memories never arrive alone: they're bound by thick threads to emotions, and those aren't always sweet. Some memories burst open like rusty tins; others fester with unbidden nostalgia. Thus, almost without warning, we become prisoners in a time that no longer exists. We cling to a fashion, a rhythm, an ideology like castaways from our own history, unable to release that floating piece of driftwood, even when it's utterly riddled with termites.

And that, you see, is where forgetting appears not as an adversary, but as an emergency exit. A sort of merciful amnesia, a slow anaesthetic for the soul. The only non-surgical door out of the labyrinth of perpetual resignation.

I believe the secret, then, is to live as well as possible with what we're given, to give thanks even through gritted teeth, and to look forward… and upward. For on the day we must depart—as I understand is the case—death will arrive like someone who's been waiting for us for a long time. It will take us from one state to another without us barely noticing. Without a sound. Without any prior warning.

The pain or the relief, in any case, will linger for a while—just for a brief moment—in the memories of the few who are still alive... and happen to remember us.

My name is Pablo Mera . I love Metallica and Oasis, I'm a rugby player, A+ blood type and a stutterer, and none of that is ever going to change.

mailto:tromp@[e-mail]

* Pablo E.M.G is the artistic name of Pablo Mera ,a man who has lived many lives in one. Born in Montevideo and shaped in Asunción, he has been an entrepreneur, cultural curator, soul DJ, keen observer of human nature, and emotional architect of language. Today, he writes, reflects, and creates from the threshold between memory and desire.

His work — be it in words, music, or thought — delves into the subtleties of human behaviour, the unseen forces that shape the tangible world, and the quiet beauty found in contradiction. With an urban sensitivity and a cosmopolitan spirit, Pablo E-M weaves past, future, and the miraculous into each phrase he pens and every idea he sets free.

He believes in what cannot be seen, but can be felt.

And in that which goes unspoken, yet moves the world.