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December 29, 2024 4 mins

10 Minutes With Shantha

Chapter Summary 15 - Hasta Mudras

Hasta Mudras are the soul of Bharatanatyam, where every gesture tells a story, holds meaning, and evokes emotion. These gestures form a unique language, allowing dancers to communicate the unspoken.

They are categorized as Asamyuta Hastas (single-hand) and Samyuta Hastas (double-hand), symbolizing everything from gods and nature to human emotions. Shantha often says that using mudras feels like painting vivid pictures in the air, immersing the audience in the narrative.

Each mudra harmonizes with the eyes, breath, and expressions to create rasa, the emotional essence of the performance. Without them, Bharatanatyam would lose its voice, for mudras truly make the art divine.

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Episode Transcript

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(00:00):
Chapter 15 is about Hastamudras. This chapter delves into the significance and intricacies

(00:08):
of Hastamudras or hand gestures in Bhartanatham, emphasizing their role in enhancing the expressive
power of the dance. It starts with the quote from Immanuel Kant,
The hand is the visible part of the brain, to underscore the importance of hand gestures
in conveying complex emotions and narratives. Coming to the role of Mudras in Bhartanatham,

(00:35):
Expressive power. Mudras are essential in Bhartanatham, rooted in the ancient text Natya
Shastra and serve as a unique language for the dancer. They enable the portrayal of a
wide array of emotions, stories and spiritual concepts, creating a captivating visual symphony

(00:55):
when combined with facial expressions and body postures.
The different categories Mudras are classified into two main categories. Asamukta Haskas,
which are single hand gestures, these include 28 hand positions representing elements of
nature, objects or emotions. Examples include Pataka, which is flag,

(01:21):
Hamsaya, which is swan and Kattari Mukka, which is scissors.
Samyukta Hastas are double hand gestures. These include 24 postures used to communicate
narratives about Gods, Goddesses and mythological stories.

(01:44):
Significance and application. Spiritual concepts, Mudras like Anjali, signify
respect and humility while Ardhapataka embodies feminine beauty and grace.
Synchronization with music. The rhythmic patterns created by Mudras synchronize with accompanying
music enhancing the overall aesthetics of the performance.

(02:10):
Training and practice. Mastery of Mudras requires ears of dedicated
practice reflecting the dancers' discipline and skill.
Applications beyond dance. Classical Indian music, specific hand gestures known as Hastakas
complement vocal and instrumental renditions accentuating the lyrics and mood.

(02:37):
Yoga and meditation. Mudras are used to channel energy and influence the body's flow of prana.
Visual and cultural impact. Visual beauty. The fluidity and precision of Mudras add
a layer of visual beauty to Bhartanatim creating appealing patterns and lines.

(02:58):
Cultural significance. Mudras connect the dance to ancient texts and philosophies preserving
and transmitting cultural heritage. Symbolic representation. Fingers and hands.
Each finger has a specific nomenclature in Sanskrit and various Mudras are described

(03:19):
with their pictorial representations and associated Sanskrit shlokas.
Pictorial representation and descriptions. The chapter provides detailed description
and pictorial representation of each Asamyuta Hastaa and Samyuta Hastaa explaining their
meanings and uses in Bhartanatim. For instance, Pataka Haska depicts a flag and can be used

(03:47):
to portray blessings, air, sky, water etc. Pataka denotes a three-fold flag and can depict
a king, crown or draw a line. In conclusion, this chapter concludes by highlighting the
profound wisdom and creativity of the ancestors who developed these intricate hand gestures.

(04:12):
Mudras continue to captivate audiences worldwide serving as a testament of the beauty and the
depth of Indian classical dance and leaving an indelible mark on the cultural landscape
of humanity.
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