Two siblings go film by film through cinema history, from the blockbusters to the arthouse, with discussions on what these movies meant then and how we see them now. Using the BFI Sight and Sound list as a starting point, we’ve watched canonical films from the silent era up to the 60’s, and now we examine the decade when the cinema medium exploded. We don’t have film degrees or press passes, we like it unauthorized. Hosted by Zachary Domes and J Brooks Young.
Yasujirō Ozu could not have imagined the stature his films would take on some 60 plus years after his death in 1963. He lived in the present, in his process, making sure his japanese audience had a new film each year to go see in the theater. Wait, you could watch movies on tv by this point! I wonder if they put Ozu films on tv, and what did Ozu think if they did?
Anyway, we reflect on the mystique of one of cinema’s poet laurea...
At the Oscars in the spring of ‘63, host Frank Sinatra pleaded with hollywood to basically get out of an artist’s way, let them make their film, and the audience will come. He also threw shade at foreign films and implied they were eating hollywood’s lunch. Later that night, David Lean’s gargantuan epic won Best Picture, and seemed to prove Sinatra right. Or maybe it was the exception that could not be replicated. We talk about it.
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