August 6, 2025 • 63 mins
The creative journey of a dedicated music producer rarely follows a straight path, especially when guided by spiritual purpose rather than mainstream success. TsadiqqMuzik144 sits down with us to explore how his evolution from hobbyist to prolific beat-maker has been fundamentally shaped by his spiritual awakening.
With nearly a thousand beats in his catalog spanning everything from Latin rhythms to rock influences, Tsadiqq reveals the mysterious nature of his creative process: "When I'm making music, I don't have any thoughts at all. Music is just coming out of me." This intuitive approach has generated tracks that artists immediately connect with, often leading to powerful collaborations that serve what he calls "kingdom work."
The conversation takes a fascinating turn when Tsadiqq details how he narrowly avoided the music industry's notorious traps. He breaks down the mechanics of predatory 360 deals that leave artists owing "over a million dollars" while essentially becoming "slaves to the corporation." This insider knowledge has helped him maintain independence while creating authentic music that aligns with his values.
Beyond production techniques, we explore Tsadiqq's spiritual journey that began in 2013 when a book called "Fossilized Customs" transformed his understanding of faith and purpose. This awakening not only changed his personal trajectory but influenced his entire approach to music creation – prioritizing accessibility over profit by keeping his rates reasonable so more artists can create meaningful work.
Whether you're a music producer seeking to maintain integrity in your craft, an artist navigating industry pitfalls, or simply someone drawn to authentic stories of purpose-driven creativity, this conversation offers valuable insights into balancing artistic excellence with spiritual commitment. Connect with TsadiqqMuzik144 on TikTok to experience his unique sound and production style.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:06):
all praise to the most high y'all.
Hey, what's going on?
Y'all, man, it's anotherwednesday, another wednesday,
and it's your boy, a bna.
We are back with the speechyour truth podcast every
wednesday at 12 pm, easternstandard time.
Y'all know what it is.
So today I got I would say Iwould I would like to say my, my
(00:27):
, my in-house exclusive producer, because he's produced a lot of
my music and a lot of tracksfor us and you know, a couple
albums actually, like you know,um, but we gonna get into that.
But you know this, this one ofmy, my brothers, that's like
real near and dear and belovedto me.
I've been knowing him for awhile.
I actually met him throughanother brother.
(00:50):
We started doing business withthe songs and everything.
It's been a beautiful thing,man.
I'm just going to let himintroduce himself and let him
tell y'all what he came through.
Let him know who you is andwhat you came to do, bro yes,
sir, yes, sir, all praise thelord.
Speaker 2 (01:10):
first and foremost, my name is the deck music 144
and um, I'm a producer, I'm alyricist, I'm a writer, um, I, I
want to wear every hat that Ipossibly can in music and I want
to do all I can to make as muchkingdom work for Yisrael.
(01:33):
That's what I want to do.
I want to make as much kingdomwork as I possibly can.
Right right, that's my absolutegoal, for sure.
Well, my absolute goal is tohear y'all say you know you well
done.
But you know, while I'm here,right, you know, I want to earn
that crown and that's what it'sabout man.
Speaker 1 (01:56):
That's definitely what it's about man trying to,
you know, earn that favor andthat grace from the most high I
I know he was created to servehim and it's a huge chair.
I swear I'm in a new venue,y'all, so y'all got to bear with
me, you got to bear with me.
It ain't my normal setup butit's a bigger and better setup.
(02:19):
I'm at the Simon Studios.
All praise to the most high.
I had the JFK Hallelujah andthis chair is really I might
have to switch, swap it out, buty'all won't.
But yeah, it's definitely abeautiful thing to to know that
the Most High you know to try towork off in that that
righteousness.
Like you know, it's a goodthing that you, that you, you
(02:51):
know you, you, you learned fromour ancestors and you trying to
move better and do better.
All praise to the most high soright.
Speaker 2 (02:59):
So what got you started in this, bro, like the
truth music and making beats andstuff like that and producing
well, I've been pretty muchmaking music since I was 16, but
since before then I was makingmusic since I was like five,
really okay, you know, I don'twant to say I'm some type of
(03:20):
prodigy or nothing like that,but it's, it's in my family,
it's in my veins.
Speaker 1 (03:25):
Music I know for a fact, I was put here to do that,
you know, and uh, but theproduction side, I've been doing
it pretty much since I was 16,oh okay and the brother fire
y'all like I mean, hey, every hedone sent me, I done did
(03:47):
something with it and flipped itand made it a classic, like
hall praises, like uh yeah, andit'd be like man, how did he be
putting it together?
Sometimes, like some of them belike bro, like where did you
come up with this?
Speaker 2 (03:59):
like and believe it or not?
Believe it or not?
My mom it or not?
My mom, my brother?
A lot of people ask me thatquestion and the answer to that
is I couldn't tell you.
Because I really couldn't tellyou, because when I'm making the
music I don't have any thoughts, like I don't have any thoughts
(04:24):
at.
I don't have Any thoughts atall, it's just music is just
coming Out of me.
You know, and that's why Inever come back to Beats,
because I can't Go back to thattime, because I didn't have any
thoughts to connect To it.
You know what I'm saying.
So like it's completely led,like 100%, like I got beats that
(04:48):
things happen in the beat thatI didn't even account for, right
?
You know what I'm saying?
How some of these beats cametogether.
Speaker 1 (05:00):
I can't even tell you how it happened at all hey, and
the beat that was just playingin the intro, y'all that beat
was fire, wasn't it?
Though it was definitely fire.
When I heard it, I'm like what?
Like he want to want me to usethis for the podcast, like I
think I might want to cop thisand make something hot with it,
(05:20):
like hey look, I got.
Speaker 2 (05:25):
I got almost a thousand beats.
You know I'm pretty close to athousand at this point a
thousand shots.
Speaker 1 (05:36):
I better go shop with him, man, like, because he
definitely like got them hits,like definitely got them joints
for y'all, man, man, and it's atreasonable prices too.
Man.
Go ahead and shop with him, man, absolutely.
Speaker 2 (05:49):
Because that's the whole point.
You got to make it to whereIsrael can afford it because you
want to make as much kingdomwork as you possibly can.
You want to get it out and youdon't want to just charge your
own people an arm and a leg.
That's not fair?
Speaker 1 (06:08):
yeah, that ain't fair , right?
No, that's not fair at all andthat's that's right to see you,
bro, doing that like, because,like I, you know most producers
man, I came across a coupleproducers man, they try to take
you up top, like one dude triedto take me up top for a beat,
like he wanted, like, oh honey,like $0.00 for it.
I'm like, man, it ain't nothinglike what you done made me like
, and I'm like, bro, for real,and it's all good, like I pay
(06:33):
for your craft because I bewanting people to pay for my
craft and my talent.
You know my time.
Gotta say that.
You know when it, when it comesto, when it comes to, like you
say, a kingdom work, like itshouldn't be, it shouldn't be a
taxation on it, it shouldn't belike a, a super tax to where,
(06:54):
like man, motherfucking, can'tdeal with it or can't even
acquire it.
Because, like shit, if you hearthe beat, the beats that he
make, like you'd be like man,hold on, these is like a metro
booming type.
You know, pay like you pay 10,10 bands for these type beats
like.
But you know, the brotherbrother is reasonable and you
know, yeah, and yeah, and it's abeautiful thing.
(07:16):
So what was the first beat?
What was the name of the firstbeat you made?
Speaker 2 (07:21):
okay.
So I got an mpPC live too andall of my beats that I've made
you saying like overall yeah,like, no, like just the first
beat that you made.
Speaker 1 (07:33):
What was the name?
What is your name?
Speaker 2 (07:37):
okay.
So I used to have FL Studiosway back in the day when it was
called Fruity Loops.
A lot of people don't even knowthat.
You know what I'm saying.
They call it FL Fruity Loops,but I don't know what I named it
.
I probably just named itUntitled, but it wasn't good.
(07:59):
I'm not even going to lie toyou.
I really don't like to go backto old beats, first and foremost
because of the thought thing,but second of all, I don't like
to look at my old, my old work.
You know what I'm saying.
It's just a little cringy.
You know what I'm sayingBecause it's not the standard
that I have now.
Speaker 1 (08:20):
Okay, okay.
Speaker 2 (08:27):
He said it was cringy , though, but hey, I mean it is.
You think about it, becauseit's like you know for a fact
that you so much better thanthat you know what I'm saying.
Speaker 1 (08:32):
I'm like man, I really made this well, you know,
you gotta start from somewhere.
Grassroots bro, you know whatI'm saying?
Speaker 2 (08:38):
that that's true, that's true.
So yeah, the first one I go.
Speaker 1 (08:41):
My first.
My first rap was like I don'tknow, everybody said they liked
my first.
My first rap was like I don'tknow, everybody said they liked
my first.
My first song.
It was called gloves.
Well, it was called uh praise,uh praising, yeah, what was it
called?
Y'all's one.
And then I did gloves off but I, everybody said that gloves off
was I have and I'm like thatshit was kind of like to me, I
(09:01):
couldn't listen to it.
That shit was kind of like tome, I couldn't listen to it.
Like that my bars was trashed.
So I get what?
Speaker 2 (09:05):
you're saying, I mean , but you know what, if you
think about it because, see, Ihad the FL Studios and now when
I I'll never really go back tothat because I don't even have
it, no more I had a machine andI think my first beat on that
(09:29):
was called what was it called?
It was real smooth, real jazzy,and I thought it was okay.
Uh, somebody actually wanted topurchase it at one point but I
never finished it.
It's a long story about whathappened with that.
That was around the time I waslike 18 or so and I didn't
really know a whole lot.
You know what I'm saying.
I didn't know the most highestreal name or any of that, and
(09:53):
I'm thankful to y'all that Ididn't go down the path that you
know.
I was kind of sort of headingon I'm not even going to lie to
you because I got in touch withsome a and rs.
That was like wanting some workand it just didn't work out
(10:13):
because it wasn't supposed towork out.
You know what I'm saying.
I'm thankful, very thankful,because I know what the industry
is really all about.
You know what I'm saying.
So I'm thankful to y'all that Ididn't go down that path,
because that's a dark path.
That's when I want to avoid itall.
Speaker 1 (10:33):
And the end of the path is Diddy.
Speaker 2 (10:36):
Diddy and all the other ones, but especially Diddy
.
Speaker 1 (10:40):
Right, right, you got to give up that virgin butthole
, ain't?
Speaker 2 (10:44):
nobody on that.
You got to give up that.
That virgin butthole ain'tnobody.
Yeah, you gotta.
You gotta lay it down.
That's cold, cold, that's.
That's a path.
I'm just like yeah, yeah, yeahno bro real yeah, I ain't gonna
(11:06):
even front like I'm not the onlyone, like, like I said, uh,
music kind of runs in my family,especially on my dad's side or
whatnot.
My little brother, he's intomusic too and he also got an
offer, but it was.
You could tell it was um, itwas a 360.
You know what I'm?
Speaker 1 (11:25):
saying oh okay.
Speaker 2 (11:27):
Yeah, so he was like nah, I know what that's about.
He told him no, but yeah, youcould tell it was a 360.
Speaker 1 (11:36):
And that be the thing , man, like they be trying to
give you these good deals, like,and they don't ever know you
don't ever know until you lookat the contract if it's a 360 or
not.
And then, yeah, a lot of peopledon't know what a 360 is, so go
ahead, explain it to them 360deal is basically a terrible
(11:57):
contract in itself.
Speaker 2 (11:58):
I don't want to, you know, paraphrase or whatnot,
because I know there's a literaldefinition and then there's
what we all know.
But to kind of sort of keep itshort, the 360 deal is when you
basically owe the, theconglomerate, right?
(12:20):
You don't, you don't even, youdon't go nowhere at all, you
stay where you at 360.
You know what I'm saying.
Speaker 1 (12:28):
Like you start here and you end there because you're
in debt and it's cold, right,and it's cold man, like when you
over budget and your albumdropping.
It don't even go platinum, itbarely go gold.
Then they be like hey, you oweus like 200 bands and you only
(12:51):
made 200 bands off your album,not 200, not 200 bands.
Speaker 2 (12:56):
I can tell you how it go.
I can tell you exactly how itgo, all right.
So take an artist from Texas orwhatever.
He starting to get a littlebuzz or whatnot.
He gets shows or whatever.
They say, oh, this person hassome influence, so I want him to
(13:16):
join.
Right, they get him and theyoffer him this deal.
He's from the hood or whatnot,and they offer him this deal.
He's from the hood, or whatnot,so he's not really thinking
about the true ramifications ofsigning a contract without
actually reading it.
So he signed the contract noteven really thinking about it,
(13:37):
not getting a lawyer or any ofthat, and they give him his
advance.
His advance is around $250,000.
This is the most money he everseen in his life.
So he blow that advance.
It's gone.
He buys all types of stupidstuff that don't make any sense
and anything he's ever thoughtabout.
(13:58):
He'd do a whole lot with$250,000, but he just blew it,
so that's $250,000.
I keep that in mind To makethis album.
But he just blew it, so that's250.
I keep that in mind To makethis album that he just signed,
for it costs, say, about I don'tknow $150,000.
That's more.
Okay, then they gotta promoteit, then they gotta do the
(14:22):
little tour.
They got all types of expensesat his expense Because he has to
recoup all of that.
He has to recoup.
That's his contractualobligation.
At the end of the day, whenit's time for him to get paid,
he going to look at the guyslike hey, so I just went such
(14:46):
and such, where's my check at?
They're going to be like well,you know we gave you your
$250,000 advance, right, and youknow we got costs.
We got this cost, we got thatcost.
At the end of the day, he goingto be in debt over a million
dollars, not $250,000, not$300,000.
In debt over a million dollars,not $250,000, not $300,000.
He's going to be in debt over amillion dollars and basically a
(15:08):
slave to the corporation, 100%.
Speaker 1 (15:12):
That's how they get you, man.
They first get you in there.
That's how they get you.
They first get you in there.
And then now your first album.
You're still trying to make it.
You're still trying to make themoney off off your second album
, your second album.
You just now breaking even withyour first one.
So that's why, after these guysbe dropping a music and having
(15:37):
all these albums and then after,like, after they done did like
80, 60, some songs, three, four,three or four albums, they
selling a discography becausethey had to work off from the
first two albums.
You know what I'm saying.
They be getting stroked man.
Speaker 2 (15:56):
It's pretty sad, it really is sad.
And then, not only that, though.
Not only that, but you got tothink about the esoteric portion
of that.
You know I'm saying they signthat contract and it comes with
so many different clauses.
You know I'm saying you gottado all of these rituals, and you
(16:21):
know I'm saying things that youwould never do on your own.
You know humiliations and alltypes of things that you just
would not do, and it's justthat's why the word is that you
know the most high will give youriches, but the enemy has
(16:45):
sorrow with it.
I don't want to paraphrase, buthe asked sorrow.
You know what I'm saying?
Uh-huh, and I mean it's just,that's just what it is.
You got to understand.
I understood at a certain point, because when I was around 16,
17, 18, I was doing a whole lotof different research or whatnot
, right, but at the same time, Ididn't know the truth, and I
(17:16):
just I mean I was I was findingout a whole bunch of stuff and,
like you, just got to know whoruns the industry, right?
You know what I'm saying.
Speaker 1 (17:24):
So how old were you when you came into the truth and
what was like that turningpoint for you?
Like you came from whatever youwas before to into the truth,
like what was that, what was theturning point, what was the
story to it?
Because everybody got a story,so what's yours?
Speaker 2 (17:40):
yeah, everybody do.
I absolutely have story.
So I've been in the truth sinceprobably 2013.
Ok, and yeah, yeah, and it'swild how it happened.
It really is.
I was at work, I was working atFedEx, and I was a security
(18:04):
guard at that time.
And you know a little backstory my pops he passed when I
was 11.
So the father figure thingwasn't there.
You know what I'm saying.
Yeah, so when I got to FedEx orwhatnot, and I was a security
(18:26):
guard, there was a lot of guysthere that were older than me,
that were influential, you know,and, uh, every last one of them
had a different belief, right.
So it was like four of them allfour of them had a different
belief.
This is one guy.
(18:47):
He was a security guard, justlike I was.
He believed in like Egyptology,right.
Another guy named Mr Ron, hewas cool, he was like the
manager of the FedEx.
He was cool, cool and hebelieved in the universe, right,
I had this other guy that washe was a regular, you know,
(19:11):
Baptist or whatnot.
He believed in that.
So, you know, we was kind ofsort of on the same path at that
time.
And then there was my mom'sex-husband.
Like well, he's an ex-husbandnow, but back then they was
married or whatnot.
He was the one who originallygave me this book called
(19:36):
Fossilized Customs.
I'm here to that and in yeah,in that book they literally had
it spelled it out, everythingabout Saturnalia, Christmas,
just the whole nine.
And I promise, bro, it was likea light bulb just went off in
(19:56):
my head, like this is what it'ssupposed to be.
You know, I learned that theMost High's real name is
Yahushua HaMashiach.
I learned that you know themost high.
I learned a lot just by readingthat book.
You know what I'm saying and Ijust think about it sometimes
(20:17):
because it was for influentialmen that like was in.
You know my path.
I'm like I could have went anyway.
I could have went any one ofthose ways, but y'all chose to
give me that book and read itfor myself.
Speaker 1 (20:40):
All praises, hallelujah, hallelujah.
That's good that he was alwaysa definite good.
That's a blessing that hebrought you through.
So where were you before?
Speaker 2 (20:56):
Oh, to be real.
You know, just like everybodyelse, I don't know really what
it was.
I don't want to say Baptist, Idon't want to say any of that
other stuff.
I really don't know what it was.
I don't want to say Baptist, Idon't want to say any of that
other stuff.
I really don't know what it wasto be real.
But I knew we went to churchevery so often and we was saying
the J name, Okay.
(21:16):
So I don't really know what itis to be real.
Yeah so that right there justlets you know how much we
actually did go to church.
You know what I'm saying?
Speaker 1 (21:30):
yeah, I don't know.
I was my mother.
She had us in the church.
We were AMV African MethodistEpiscopal and it, I ain't gonna
lie, man, I had, I had somecrazy times at church.
I remember one time, man, wewas this lady well, this bitch
(21:56):
is true this lady named MissCash.
She was like the usher and theywas taking the tithes for that
day, right, I think it was likea New Year's Eve.
You know how they come in earlymorning or late night for the
(22:16):
New Year's and be in the churchand all that good stuff like
that.
So I think, it was one of thosewe was.
We was passing around anoffering plate and she and she
like basically just took somemoney out the plate, put in her
bra and act like, like it waslike didn't nobody see her, like
, and I'm like we seen you, butyou know we ain't gonna say
(22:39):
nothing.
But man, it was just so muchgoing on at church, man right,
and you would think thatchristians were better.
Speaker 2 (22:49):
But they really right , they really right, I'm saying
but man, when I was going tochurch I was going to church,
you know it was.
I don't say people was justjacking like that they probably
was, we just see but like it wasa lot of little underhanded
(23:10):
things going on.
You know, I'm saying a lot ofunderhanded things like, um, the
preacher was messing aroundwith the, some of the ladies or
whatever, and I was even like Iwas young, but I was old enough
to know the difference.
You know what I'm saying.
Right, you clearly tell.
I mean they they showingfavoritism or whatnot.
(23:33):
You can clearly see who hefavors over everybody else.
Yeah, definitely yeah, you know,I'm just like man.
And then his true color startedto show and and with that, so
many people was dropping out.
Like every week you would seefive people drop out two people
(23:55):
here, three people here.
Before long it was my family,the family that he was messing
with, and that was it really.
And then we left and he wasplaying with, and that was it
really.
And then we left and he wasplaying the drums like the
drummer left.
Speaker 1 (24:12):
He had to play the drums and he couldn't even do it
you say he, he had to play thedrums and he couldn't do it yeah
, he couldn't do it.
Speaker 2 (24:21):
it was fast.
I'm like man, you really messedover the.
So now we ain't got an adequatedrummer Right, you got to get
up there and do it.
Speaker 1 (24:31):
Hey, that's what happened when you be doing too
much in the church.
You know what I'm saying.
Speaker 2 (24:35):
Yeah.
Speaker 1 (24:36):
That's what be happening, man.
Our pastor was cheating on hiswife with a sister from Africa
and the sister from Africa,africa.
She came over here and she waslike preaching and stuff like
that in different classes, butshe went back to Africa.
I mean, this lady was, I say,she was beautiful.
(24:57):
She was a beautiful, light skin, long hair, beautiful African.
She was from Kenya, but hiswife she wasn't, even though she
was older.
She was not.
She was from Kenya.
His wife she wasn't a, eventhough she was older.
She was not a bad-looking woman.
Miss Walker was that thing.
(25:17):
She was light-skinned too.
This motherfucker would sit inthe.
He would come to the church andsit in his office and call her
collect on the church.
And sit in his office and callher collect on the church phone
and ran up 10 bands, 10 bands.
So they was like the phoneplace was like nah bro, how they
(25:40):
found out what was going on.
They cut the phone off and theysent them a bill for 10,000.
They like what?
10,000?
They looking at where the callcome from.
They cut the phone off.
They sent them a bill for$10,000.
They're like what $10,000?
They're looking at where thecall come from.
It came out that his wife foundout.
It was crazy Ten bands, you canonly call the church, they
(26:00):
couldn't call out.
That's a lot of money though.
Yeah, you know what I'm saying.
His wife left him at the church, we left, we ended up not going
to that church no more.
And uh he then one day we seenhim on public, me and my mother,
we was watching tv.
We was, uh, yeah, we waswatching tv and seen him on
(26:24):
public access, public accesschannel at a church preaching
with the African lady.
I said this mother, and then,like three years later, he died.
Speaker 2 (26:35):
Oh well, you know what?
Now that you say that the guywho was the preacher for that
church we used to go to I don'tknow what happened to him, but
before whatever happened to him,he was looking extra, extra
crunchy.
Speaker 1 (26:52):
You know what I'm saying?
Extra crunchy.
Speaker 2 (26:55):
Yeah, he was looking extra crunchy.
You know what I'm saying.
He looked like he had beenthrough some things.
He lost his little truck andall that, oh, wow, and he was
absolutely humble.
You know what I'm saying.
Speaker 1 (27:09):
you can't be doing that to the lost sheep yeah,
yeah, you can't, can't, youcan't do that to y'all's people.
Like you said, man, he touchesthe israel, touches the apple of
his eye.
You know, absolutely, yeah, youthink you'll do something to
the, to israel, even if you isisrael, you think you're'll do
something to Israel, even if youis Israel.
You think you'll do somethingto Israel and he go, not let you
have it.
Yeah, he coming.
(27:30):
Yeah, absolutely, that be thething man like.
So so do you do you where youstay at, and you don't have to
say where you stay at if youdon't want to, but where you
stay at.
Is it any classes or camps thatyou go to down there that you
attend?
Speaker 2 (27:49):
So there is one, I think it's IUIC, okay, but I
don't really be seeing them alot.
You know, I really don't seethem at all.
I honestly wanted to go in acouple of times times, but every
time I get a chance to do itain't not there.
(28:10):
Hey, that's crazy.
You know what I'm saying, butlike, I'll be just going.
I know, uh, swords gotta stopeach other.
You know, iron sharpens iron.
But I try as much as I can tostay in the word.
You know what I'm saying.
I, I do.
I'm not gonna even hold you.
I'm not gonna lie, I'll beslipping.
(28:31):
I'll be slipping, but I do, bro, you know, I try as much as I
can to stay in the word, becauseyou gotta keep the old, you
gotta keep going.
Right, you know what I'm saying.
You got to.
Speaker 1 (28:45):
I don't want the light to go out at all, yeah
definitely, definitely andbasically, all you're doing is
this you know, just, it's like amuscle.
You know, just exercising thatmuscle, making it stronger, you
know what I'm saying.
And once it gets real strong,then you'll be able to, you know
(29:07):
, fight everything that comeyour way like.
So, hey, bro, don't, don't,don't, don't feel bad, because I
, you know, I slip up too.
Man, we all slip.
It'd be hard, like, andsometimes some of us fall pretty
hard and pretty low.
I'm saying, yeah, and and andwe have to, we have to.
That's when, really, you reallyreally need to lean on y'all.
(29:32):
No, absolutely, just know that.
He got you.
Yeah, so you said, you got howmany brothers and sisters you
got, bro, I got a youngerbrother and an older sister,
okay, okay, so you're the middlechild?
Okay, what's up?
What's up?
And do you have any nieces andnephews?
Speaker 2 (29:55):
Yeah, I got eight older.
Speaker 1 (30:01):
That was a surprise.
Speaker 2 (30:03):
My little brother got five feet.
My older sister she is a baby.
Speaker 1 (30:15):
I think he's 30.
He's 30.
He's fruitful and modified too.
Yeah, he is.
Speaker 2 (30:23):
So, yeah, I got eight of them.
I got, I think, four pieces andthree messages.
Oh, okay, so that's seven.
All right, tom, I'm inSomething like that.
All right, it ain't day out yet.
I think I got eight up.
Okay, no, seven, I have seven.
I'm so sorry.
(30:43):
Yes, no, it's 7.
I have 7.
I'm close up, yes, and the onlyreason why it could happen like
this is because I ain't seen mylittle nephews and nieces in a
minute.
You know what I'm saying, right?
Yeah, I be listening to them.
Speaker 1 (31:00):
I ain't seen them in a minute.
Hey, hey, that's what's up.
That's what's up, and familyand having pieces of that and
this family around, and you knowjust being able.
So, when you came into thetruth, how did your family take
it?
Speaker 2 (31:18):
To be honest with you , we kind of all filed out at
the same time but not everybodywas sticking with it.
Hey, you know, there's a songby uh john boy.
He was like uh, when we firstcame in, it everybody was with
(31:39):
us.
Now we, now we uh around andit's.
I don't know the words, butbasically what he said is and
it's.
I don't know the words, butbasically what he said is
everybody was with us when wefirst came in.
Now it's just a couple of us.
Be honest with you, I found outand my mom found out and then
(32:04):
pretty much everybody else in myAD search found out Right, and
it took a little minute for someof like my little brother and
my sister for them to graspthese concepts or whatnot.
But I think my brother hasstarted to truly grasp and I
don't know what's going on withmy sister.
But uh, yeah, if I could justsay technically, it's just me
(32:29):
and my moms.
That's really, really in it.
Speaker 1 (32:33):
Right, well, you know , as long as it's with you and
somebody else, you know, I cameto truth, it was just me.
So yeah, it was just me.
Truth, it was just me.
So yeah, it was just me.
My mother was a devoutChristian preacher and she used
to try to make me work on theSabbath and all type of crazy
(32:54):
stuff like.
You know what I'm saying.
So, yeah, that's when you gottabe strong, especially like when
you come into the truth and itbe like against your family,
like, and you have to like,really like, tell them like, and
you have to like, really like,tell them like hey, nah, I can't
do this or I can't be on that,and they be feeling some type of
way yeah, man, it be deep, bro,like for real.
So I get it, man, you, you waskind of through it.
Speaker 2 (33:30):
I'm saying, yeah, I think about that sometimes, like
how that that wasn't a struggle, that one, right there wasn't a
struggle, right, because wepretty much all was on the same
path.
At one point, you know, I'msaying and I guess you know
things just happen or whatnot.
You know, not everybody wasreally trying to learn and
really trying to stick in there.
I don't want to say, fall away,because you know they still got
(33:52):
a chance, because they stillgot breath in their lungs, right
, you know what I'm saying right, that's what it be about, man,
right, you just gotta just, youknow, just plant some seeds, man
, and let the most high water toplant.
Speaker 1 (34:06):
You know what I'm saying yeah, he'll get them
together, you know.
So you said you a lyricist.
This is why I love talking topeople and getting to you know,
really know.
I didn't never know you was alyricist, bro, like you never
told me that I would have didn'thad you on a track oh, okay,
(34:27):
alright, now I want.
Speaker 2 (34:27):
Right now I won't say I ain't never been recorded
before.
You know what I'm saying, butI'm a writer for sure.
That's the thing I produceforever.
You know I can produce and Ican also write forever, but when
it comes to the you knowspitting or whatever, I ain't
(34:50):
never really been on recorddoing that one.
But that's not to say that Ican't do it because I believe it
or not, you know y'all willing.
I have tracks that I have beenwriting to.
I ain't writing to Uh-huh.
I ain't want to say like I'mtrying to save all the good
(35:12):
beats for myself, but I do knowwhat I like or whatnot.
You probably would be like man,that beat is really top notch,
it kind of is.
But it's just because you knowI started writing to it.
So I do have beats that Iprobably won't sell to anybody.
(35:34):
But yeah, I've been writinglyrics for a little minute.
I just don't have a whole lotof practice rapping.
Speaker 1 (35:42):
You know what I'm saying, ah, okay, okay, and it
be like that.
But we gonna definitely get youon something.
Like we pressing the issue onthat one, like cause I didn't
know how did I know I got a lotof work.
Like we be in the lab everySaturday, like getting it like
(36:02):
you know what I'm saying everySaturday night in there, like
doing something like makingsomething up, like, and just
trying to you know what I'msaying every Saturday night.
We in there, like doingsomething like making something
up, like, and just trying to youknow, do the trying to put the
work in?
Definitely, man, I'll pray tothe most high.
Yes, indeed.
Speaker 2 (36:16):
Hallelujah.
Yes, sir.
Hey, I don't mind, you knowwhat I'm saying.
Okay, I don't mind writinghooks, I don't mind writing
verses.
Speaker 1 (36:23):
Right right, write verses, right right.
That's what's up.
Man, I remember you sent methat celebration.
We unfinished it.
I had my bro Bass get on it.
I sent that track around to fivedifferent people.
Man, people were like man, Iain't got nothing for it.
I ain't got nothing for it, Ican't write to it.
I'm like all right, cool, Ididn't say write to that man.
(36:47):
I don't know.
Man, that beat was dope.
Man bass wrote something andthen I wrote something and then
I got my, uh, my sister, sheraised the capacity.
She say she got a couple barsread to it.
So she's a professor, she's aprofound, uh, a proficient
writer, so she'll get it.
She'll come in the studio andwrite that night and have it
done.
Like i's how I be working myartists, like I used to send
(37:12):
them tracks and let them writeover, but now I put the pressure
on them.
Now we writing in the studiobecause we ain't got to do it.
I'm about to put the pressureon y'all because, hey, we got to
get things Every time we comein the studio.
We got to get three songs done.
So I'm saying, hey, we gottaget things.
(37:37):
Every time we come in thestudio, we gotta get three songs
done.
So I'm sorry, yeah, like, so wewe be pushing the issue, all
praises.
So, yeah, tell me one thing,bro, like, because I I always
wanted to know this man and and,and I remember you had remade a
song for me, right, and it wasthat that before the song, and
it was I guess it was called aB-O-1 or something like that.
I sent it to you and you did itand I'm like, so what, like,
(37:57):
what's your workflow Like whenyou do samples?
Like, how do you like, what isyour workflow with that?
Speaker 2 (38:04):
Let me see.
So when I I I be real with youif I were to use a sample which
is already I really don't usesamples I honestly like to make
my own sample, right.
You know what I'm saying.
But when I do use samples, Ijust I don't know.
I mean, I use the usual process, you know topping up the sample
(38:27):
, trying to find a good focalpoint or whatnot, and then just
going from there you know whatI'm saying Pretty much using the
groove of the sample to makewhatever the rest of the beat is
going to sound like, right.
Speaker 1 (38:44):
Right, okay, I dig that man Like, because I see it,
man Like, like I was listeningto it and I'm like man, how do
you make this like?
And I, uh, I make beats too,but not on the level of like
like you and my nephew like Idon't like I I can make a beat,
but not like elaborate and it'sdope as y'all make them.
(39:07):
So I just stay in my damn lane,right.
But uh yeah, I just stay in mylane, cause I already know that
if I try to do too much, it'sjust going to be too much, and
then now I'm about to be likereally messing some shit up, so
I just ain't about to do that.
But, uh, if I could have put toput music on here, that's dope.
(39:30):
But uh, I do make beats everyonce in a while, but you know
the stuff that you be making.
It's like like one of myfavorite beats you made for me
was that, uh, that, uh, what wasit called?
Rapid fire?
And me and rager compassionslam dunk that we did a video to
it too.
And it was like, uh, yeah, that, uh, it was called what do we
(39:53):
call this one?
I never I never get tired ofsaying that before the sauna.
Yeah, we did a video to that.
I think it was called rapidfire.
I know it was called fire orsomething.
I know it was called fire orsomething.
But, oh, yeah, I know.
And the crazy part, man, isthat I didn't, I didn't hear
that Like, you sent it to me andI might've like overlooked it
(40:14):
and it's like, oh, okay,whatever, but as I was create,
like create my album, I'm like,yeah, let me go ahead and, uh,
use this man.
When I was rapping to it,writing to it, rage and
Compassion, was in the studio.
She, like man, let's just goback and forth on this joint.
It's just one of those types.
It was only like two minutesand 40-something seconds long.
(40:35):
I'm like let's kill it.
Then we killed it.
I'm like man, I'm going to sendthat to you.
A lot of the beats that yousend me when I do songs to him,
like I just send these to him,like and let him hear them.
Like you know what I'm saying.
But everything on Spotify, butI know you just be like wanting
to hear it like personal, like,oh okay, that was pretty dope.
Like you know what I'm saying.
(40:55):
Yeah, so what you over thereusing now you said that you
using a, you got a Mac.
I mean the.
Speaker 2 (41:04):
MPC yeah, I got.
I made all of the beats thatrecently, you know, I think,
from like 2022 to now.
Okay on the MPC live, okay,yeah okay, and then now is this.
Speaker 1 (41:24):
All MPC did so you was using Fruity Loops.
Speaker 2 (41:26):
First you said I was, yeah, I was using Fruity Loops
first, okay, and then I got amachine which is a native
instrument.
Yeah, I got a machine and thenI graduated to that MPC and I
just never looked back afterthat MPC and I just never looked
back after that.
Okay, mpc is that workflow.
(41:47):
It's just too great.
Speaker 1 (41:49):
Everybody, everybody be praising the MPC, though, man
, you ain't the only person thatsay that.
Speaker 2 (41:56):
It's the truth, it's beautiful, like, like I said,
I've made almost a thousandbeats and they all like I ain't
going to say they sound superdifferent, right, because it's
coming from one person right butthey all are different beats.
You know, I'm saying uh-huh, Itry to make as many different,
(42:20):
like varieties, and I want tosay I could make any genre of
music Okay, like any genre ofmusic that anybody in Israel
needs.
I can make that Okay.
Hey, I've made so manydifferent types of beats.
(42:42):
I've made rock and roll beats.
What I've made black beats,different types of beats, I've
made rock and roll beats.
Speaker 1 (42:47):
What I've made.
Speaker 2 (42:48):
Latin beats.
Okay, I've made so manydifferent types of beats I
produced for what's that dude'sname?
It's JP, jp, but he goes byJames.
Speaker 1 (43:03):
Yeah, james, yeah, that's my bro and I produced for
him.
Speaker 2 (43:07):
He asked for a bunch of Latin beats.
One time he asked for some rockand roll stuff.
Yeah, you know, lucek, he askedfor different stuff.
Speaker 1 (43:15):
Yeah yeah, those shout out to my brothers.
They definitely make good music.
Like I said, that's how I metyou from Lucehek.
Uh, he's like, yeah, man, hegot this producer.
Man, he know he meet new people.
They got you know goodresources.
He be like geeked.
I'm like man, let me hear someof his beats like, because I was
(43:38):
like I ain't gonna lie, I beapprehensive about people for
real.
For real, like what I heard,I'm like the first beat I heard
was that, uh, I heard it wasthat hempy, hempy.
I'm like okay, this sound allright.
So then, when I bought theimpact from you and I heard
there no trap, so on there, I'mlike, but hold on, like, yeah, I
(44:01):
definitely gotta have this beat, like definitely, and it ever
since then.
That brings back memories.
Speaker 2 (44:07):
Yeah, that brings back memories.
Speaker 1 (44:09):
Say it brings back memories and no, traps up, man,
it do.
I recorded that song likealmost three years ago and
finally put it out like what?
Last year, this year, yeah,this year, I put it on part five
.
That's just a testament on howyou know.
Like you say, you got athousand beats stacked up and we
(44:30):
be having a thousand songsstacked up waiting to go like
type of shit.
You know what I'm saying yeah,absolutely, I 100% know that,
yeah, man.
So let's get into some.
Let's get into some some, someother other type of
conversations.
So how do you feel about what'sgoing on politically with this
(44:52):
orange man and Democrats and allthese tariffs and all these
cutbacks and fraud and all that?
Like, what's your take on it?
Speaker 2 (45:01):
Believe it or not.
You know, I hear about it and Ijust know this is humongous
distractions.
They good at trying to distract, right?
You know what I'm saying?
It's got a lot of differentunderhanded things going on at
the same time.
It's just like misdirection, awhole gang of misdirection, you
(45:22):
know.
But I just been wonderinghopefullyction, you know, but I
just been wondering hopefully,you know.
Hopefully it gets revealed soon.
You ever wonder about the, theone that's gonna be revealed.
You ever wonder about that yeah,I do all the time bro yeah,
(45:43):
it's just, you know, that's beenlike a mystery in everybody's
mind.
Everybody speculates who'sgonna be and all this other
stuff, but it's probablysomething we can never even
imagine really right, but itdefinitely like uh, has you
wondering?
Speaker 1 (46:00):
you know it definitely has.
Has you wondering about?
You know what's really going onand what's really up?
Yeah, because this shit iscrazy, man.
I don't know if y'all reallysee what's going on.
I try not to pay attention toit because the most I've told is
don't worry about theConfederacy People are supposed
to fear and dread him.
(46:21):
So I try not to focus on it, butI definitely definitely are
catching it.
I mean, I are catching my badjob background.
I definitely am.
That's even worse.
I definitely have caught a lot,of, a lot of the stuff that's
(46:42):
going on.
You know what people are sayingand he doing and this and this
and that, and I'm like like ifeverybody just worried and
focused on the Most High and andthat Torah, we'll be alright.
The Most High will heal theearth.
You know, key break thought isthat if Israel, the whole of
(47:07):
Israel as a nation and this islike an ancient Hebraic thought
is that like if the whole ofIsrael just for one Sabbath kept
the Sabbath, the very next day,the Messiah will come and it
will be peace on earth.
Kept the Sabbath, the very nextday, the Messiah will come and
(47:32):
it will be peace on earth.
Yes, indeed.
Speaker 2 (47:34):
And I truly do believe that.
Yeah, I remember my mom waswatching this documentary and
they were talking about how ourancestors would pray and pray,
and pray, and pray and pray forlike I don't know how many hours
straight.
They would pray in rotationRight, and they would do that,
(47:58):
and then they would be OK, theywould be I won't say free, but
basically free.
And you could see it in anumber of times where it
happened, or whatnot, likeAbraham Lincoln, his whole deal.
You know what I'm saying.
Right, he got popped orwhatever, but before then he got
(48:21):
his heart softened because theygot down and prayed and prayed,
and prayed, and prayed, andthen the captivity got turned
again.
You know what I'm saying.
So you're right, if Israelwould just really just turn back
, you know what I'm saying We'llbe okay, we would definitely
(48:45):
see a difference.
We'll definitely see adifference.
We'll definitely see adifference, right.
Speaker 1 (48:51):
So what do you feel like?
How do you feel about theimmigration and all that?
Do you feel like you knowthey're getting treated unfairly
?
Well, I'm going to say how Ifeel after you say how you feel.
But do you feel like they'regetting treated unfairly and
like they should be doing itdifferently?
(49:11):
You're talking about the Latinfolks.
I'm just saying period.
Like, how do you feel about,how do you feel that you know
United States is handling theimmigrants right now?
Do you feel like it's a goodjob or what Like?
What do you feel?
Speaker 2 (49:27):
To be honest with you , uh, I kind of sort of I don't
know.
I don't know, I don't reallyfeel strongly one way or the
other, simply because it's beenso much worse for us.
You know what I'm saying, right, it's been so much worse for us
(49:53):
and we got to live with it.
You know what I'm saying, right.
But, like, I'm not knockinganybody's struggle at all, I
would never want to do that.
It's just we got our own littlepaths, we got our own battles
or whatnot, and, right, theyhaven't stood in the same space
(50:16):
as us.
Right, and it's just.
It's just like if y'all havenever stood in the same space as
us and don't want to stand inthe same space as us, then we
can't stand in the same space asy'all.
We can't.
That's just what it is.
(50:37):
And there's a lot of them.
That's cool.
There's a lot of them, that'scool.
And there's a lot of them thatunderstand the truth of what's
really going on.
But there's so many more.
That's just ignorant, right.
Speaker 1 (50:52):
And you know, I think it's because of and I'm just
going to be real it's the whiteman.
The white man has told them alot about African-Americans.
Speaker 2 (51:03):
Yes, absolutely, and they did that Everybody.
Yup, they told everybody thelies about us, everybody.
Speaker 1 (51:12):
And the crazy part about it is that a lot of and
this is my issue with immigrantsLike is that they come over
here, they work, they productive.
Yes, thank you.
They are added to America, y'allhelping us out, y'all helping
the country to be, you know, tothrive, and you know y'all
taking jobs and stuff like that.
But you know it is what it is.
(51:33):
But be grateful, don't be,don't, don't act like y'all
better than us, cause y'all not,y'all not.
It's only because of us.
The reason why y'all not, y'allnot.
It's only because of us.
The reason why y'all are overhere.
Facts Our ancestors paved theway not only for us but for
(51:54):
y'all to come over here andenjoy what America has and what
we have built to now it's likewe done built it, and they ain't
even giving us a chunk.
They giving it to theimmigrants.
You know, yeah, slapping theface, and they come over,
especially the Mexicans, man,they come over here and they act
(52:15):
like they.
Just the best thing sincesliced bread, they better.
I live around a bunch ofMexicans, so I know that they
just they act like they just somuch better.
And I had to tell the one likebro, when, when, when our people
were going through Jim Crow andwhere were y'all at, where were
y'all at?
So so now, when Trump isgetting y'all goofy asses out of
(52:37):
here, yeah, now y'all want totalk about some black and brown.
Nah, it's only black and brown.
when it suits y'all, it's onlyblack and anything else.
When it suits the other nation,they add us, because they know
that we are caring and we goride for people.
That's just us.
That's how we do.
You know what I'm saying.
(52:59):
So they use our strength and usbeing us to their advantage.
Yeah, benevolence, yeah totheir advantage.
And you know it's a lot of themthat are cool, that handle the
business.
Come over here and you know,show love and yeah those are the
(53:22):
ones I rock with.
But like the ones that come overhere and act like they better
than us and oh know, show loveand yeah, those are the ones I
rock with.
But like the ones that comeover here and act like they
better than us, and oh, we lazy,and like the Africans, how dare
you come over here?
Speaker 2 (53:31):
You was just living in a grass fucking hut walking
around with sandals on and yourfeet rusty and you come over
here and act like you, betterthan me, exactly, exactly Yo do
you and you come over and actlike you're better than me
exactly.
Yo do you know, and I don't wantto change the subject, but I
want to get on that because it'slike, yeah, definitely, let's
(53:53):
talk about it.
It's like it's ridiculous to meyou know what I'm saying like I
was talking to this sister onetime.
She was an African.
I don't know if she was anafrican, she was african, right.
I don't know if she's fromnigeria or whatnot, but I don't
think she ever told me.
But how she looked at herselfand her hair and everything like
(54:16):
that, like she literally saidit was uncivilized for her to
come out with her natural hair.
If that's not colonization, Idon't know what is, but you got
to think they got ramsacked justlike.
Speaker 1 (54:35):
Let's just be real.
We just go for context purposes.
We the true Indians.
Speaker 2 (54:45):
Absolutely, and this is facts for context purposes.
We, the true Indians, but, uh,absolutely 100%.
Look my and this is facts, thisis 100% facts.
Yeah, my grandmother, greatgrandmother and great great
grandmother were Cherokee mm-hmmpurebred man, pureblood
Cherokee, 100% mm-hmm.
Speaker 1 (55:04):
You see they got the papers to prove it and those $5
Indians still trying to claimour heritage?
Yep, they have the papers toprove it.
Check this out Over in Africa.
You know those little teepeehuts that they be saying that
they people, those are in Ghanaand Africa and stuff like that.
(55:27):
Our people were living in those.
First, see, they came fromSiberia, where the Asian they
call it the river of the yellow,no, the river of gold or the
river of yellow or somethinglike that.
Where the yellow people comefrom, which is the Asiatic
(55:48):
people, the Chinese, japanese,you know, korean, all them.
And then you got the Eskimosand the Indians and the Mexicans
.
They all come from over there.
They just migrated and cameover to Barron Strait and then
came down in here.
And then now they talk aboutsome, oh, where the white man
was trying to get land.
(56:09):
No, that wasn't the white mangetting it, because the white
man knew he wasn't no Indian.
Exactly, it was the I don'teven know what to call their
asses man, because they ain'tIndians.
No, I don't know what they mean.
What I was asses man, theyain't idiots, but you know it
(56:29):
was no, I don't know, yeah, andyou know they.
So so what I was about to say isso you know, like we, we were
here already.
You know I'm saying absolutelyand and they got ravaged, just
like you know, africa gotravaged, just like how america
got ravaged and the white mancame over here and we were
prisoners of war.
Just like over there.
Now, ethiopia was the onlycountry in Africa that was not
(56:52):
All the way up until like 19,like even with, like Haile
Selassie, and I remember theytried to drop an atomic bomb on
Haile Selassie.
That was crazy.
They tried to drop a bomb onhim but he was like man, y'all
do it, it's going down.
But they were ravaged, justlike us.
So you know, they have thatsame colonization mentality as
(57:15):
we do, because you know thewhite man, we gotta give it to
him.
The white man was crafty, withthe help of the most high.
He was crafty, and you know.
But his time is coming to anend, he know it.
That's why he acting up rightnow.
Because, look, you know, theywere the white people.
(57:36):
A lot of people think that theywere.
Like they went up there like abunch of Africans, went up to
Cossack's Caves and was up there.
They all, like a bunch ofAfricans, went up to, you know,
cossack's caves and was up thereand they mutated.
It ain't happened like that.
It was selective breeding.
They didn't want, they onlywanted blonde hair and blue eyes
(57:59):
in their nation.
So anything, any child thatcame out like that, they killed
it or discarded it and they madesure that they kept that blonde
hair and blue eyes.
You know what I'm saying?
And that's where you get thesekakazoids.
I don't call them kakazoids,hey, I ain't gonna lie to you,
you know.
Speaker 2 (58:18):
hey, y'all call them what it is.
Yeah, they hate that shit.
Speaker 1 (58:22):
Even like when you call them what it is.
Yeah, I call them what it is.
They hate that shit.
Even like when you call thempilgrims.
They hate that shit too.
But Akakazoids do you know,Neanderthals, right, and see,
they know that too, because theyyou know, the scientists talk
about something.
Man, yeah, they, yeah we.
It's three different types ofhuman beings.
I said, no, it's only one humanbeing.
Y'all something else.
(58:45):
Like y'all niggas mutated tosomething totally different than
what we are.
Like you know what I'm saying,they don't even have the same
type of blood flowing throughtheir body.
Like you know what I'm saying?
They a byproduct of us but theyjust ain't us no more.
Like so many years of selectivebreeding and and mutation.
It's like now they like youknow what they.
(59:09):
It's at the end of it Like soyeah, man, it's, it's, it's
crazy, man, but so let let leteverybody know where you, where
they can hear your music and ifthey want to go buy music, if
you've got a website, all yourlinks, your social media, how
can people get plugged in withZadekMusic144?
Speaker 2 (59:30):
You can go on my TikTok.
It's the same name,zadekmusic144.
I try to upload as much as Ipossibly can.
Right, I did have a website inthe works but for whatever
reason, it just didn't go theway it was supposed to.
Honestly looking for somebodywho could, you know, do me a
(59:53):
good website.
You know what I'm saying.
I've been trying to get awebsite for a minute.
Speaker 1 (01:00:02):
We could talk about that.
Yeah, I know how to make awebsite.
I made both my websites, soyeah, we'll talk about that.
Yeah, I know how to make awebsite.
I made both my websites, soyeah, we'll talk about that.
Speaker 2 (01:00:10):
So I've been trying.
I ain't a lot, but uh, yeah, sodeck music, one 44, uh, tick
tock, and you could message methrough there or whatnot.
And if you, you know, got somesome music inquiries, message me
through there or whatnot.
And if you, you know, got somesome music inquiries, we can
just, you know, go from there.
Speaker 1 (01:00:27):
You know what I'm saying, okay, yeah, I'll check
it out, man, cause, uh, abrother, like I said, the
brother's fire man, and and wedefinitely, we definitely man,
good music man, y'all definitelyneed to check him out.
Like I said, man, like I alwayssay, man, y'all don't go check
(01:00:48):
his stuff out, don't like, share, comment and enjoy his stuff.
Y'all some fucking haters Justbottom line, because he's doing
work for the most high.
You know, when you do work forthe most high, you can't be
biased and be like, oh, it needsto be better than what it is.
If the most high is happy withit, then why?
(01:01:09):
See, men ain't never happy.
But we ain't gotta please, youniggas.
That's why y'all you know whatI'm saying.
Still go check his music out,though, Y'all niggas go check
his music out, though, but Idon't praise man like man.
We definitely got to do it.
Yeah, we'll definitely have todo a part two, man, because I,
(01:01:30):
uh, you know, I just want to Idon't think that you know that
uh, that that that this buildwas.
It was a beautiful build, but Idefinitely want to expand a
little bit more and, uh, but Itry to keep my, uh, my, I try to
keep them to an hour so theywon't be so long.
People get tired.
But we definitely have to do apart two, definitely.
(01:01:51):
Yeah definitely, man, Iappreciate you coming on and
doing your thing and speakingyour truth man, and Just really,
like you know, let this buildit with a brother man, like for
real.
It's a beautiful thing.
So, yeah, man, hey, this isyour boy a beer.
Hold on, I'm not even gonna,because we gonna do a part two.
(01:02:13):
So, yeah, yeah, and it's gonnabe a, it's gonna be a immediate
like.
So it, after you hear my voiceon this one, we go hear part two
.
I ain't even go put part oneout until I get finished, until
I record part two, and then wego put part part one and two out
, so y'all can just totallyenjoy it.
But I, I, you know, I I justdefinitely want to, you know,
(01:02:34):
make sure that my brother getshis, just deserves it just
highlight, and I want todefinitely, uh, want to
definitely play some of hisbeats the next time on part two.
So y'all stay tuned, man, staytuned, and part two coming, part
two is coming, definitely.
All praises, hallelujah you.
all praise to the most high y'all.
Hey, what's going on?
Y'all, man, it's anotherwednesday, another wednesday,
and it's your boy, a bna.
We are back with the speechyour truth podcast every
wednesday at 12 pm, easternstandard time.
Y'all know what it is.
So today I got I would say Iwould I would like to say my, my
(00:27):
, my in-house exclusive producer, because he's produced a lot of
my music and a lot of tracksfor us and you know, a couple
albums actually, like you know,um, but we gonna get into that.
But you know this, this one ofmy, my brothers, that's like
real near and dear and belovedto me.
I've been knowing him for awhile.
I actually met him throughanother brother.
(00:50):
We started doing business withthe songs and everything.
It's been a beautiful thing,man.
I'm just going to let himintroduce himself and let him
tell y'all what he came through.
Let him know who you is andwhat you came to do, bro yes,
sir, yes, sir, all praise thelord.
Speaker 2 (01:10):
first and foremost, my name is the deck music 144
and um, I'm a producer, I'm alyricist, I'm a writer, um, I, I
want to wear every hat that Ipossibly can in music and I want
to do all I can to make as muchkingdom work for Yisrael.
(01:33):
That's what I want to do.
I want to make as much kingdomwork as I possibly can.
Right right, that's my absolutegoal, for sure.
Well, my absolute goal is tohear y'all say you know you well
done.
But you know, while I'm here,right, you know, I want to earn
that crown and that's what it'sabout man.
Speaker 1 (01:56):
That's definitely what it's about man trying to,
you know, earn that favor andthat grace from the most high I
I know he was created to servehim and it's a huge chair.
I swear I'm in a new venue,y'all, so y'all got to bear with
me, you got to bear with me.
It ain't my normal setup butit's a bigger and better setup.
(02:19):
I'm at the Simon Studios.
All praise to the most high.
I had the JFK Hallelujah andthis chair is really I might
have to switch, swap it out, buty'all won't.
But yeah, it's definitely abeautiful thing to to know that
the Most High you know to try towork off in that that
righteousness.
Like you know, it's a goodthing that you, that you, you
(02:51):
know you, you, you learned fromour ancestors and you trying to
move better and do better.
All praise to the most high soright.
Speaker 2 (02:59):
So what got you started in this, bro, like the
truth music and making beats andstuff like that and producing
well, I've been pretty muchmaking music since I was 16, but
since before then I was makingmusic since I was like five,
really okay, you know, I don'twant to say I'm some type of
(03:20):
prodigy or nothing like that,but it's, it's in my family,
it's in my veins.
Speaker 1 (03:25):
Music I know for a fact, I was put here to do that,
you know, and uh, but theproduction side, I've been doing
it pretty much since I was 16,oh okay and the brother fire
y'all like I mean, hey, every hedone sent me, I done did
(03:47):
something with it and flipped itand made it a classic, like
hall praises, like uh yeah, andit'd be like man, how did he be
putting it together?
Sometimes, like some of them belike bro, like where did you
come up with this?
Speaker 2 (03:59):
like and believe it or not?
Believe it or not?
My mom it or not?
My mom, my brother?
A lot of people ask me thatquestion and the answer to that
is I couldn't tell you.
Because I really couldn't tellyou, because when I'm making the
music I don't have any thoughts, like I don't have any thoughts
(04:24):
at.
I don't have Any thoughts atall, it's just music is just
coming Out of me.
You know, and that's why Inever come back to Beats,
because I can't Go back to thattime, because I didn't have any
thoughts to connect To it.
You know what I'm saying.
So like it's completely led,like 100%, like I got beats that
(04:48):
things happen in the beat thatI didn't even account for, right
?
You know what I'm saying?
How some of these beats cametogether.
Speaker 1 (05:00):
I can't even tell you how it happened at all hey, and
the beat that was just playingin the intro, y'all that beat
was fire, wasn't it?
Though it was definitely fire.
When I heard it, I'm like what?
Like he want to want me to usethis for the podcast, like I
think I might want to cop thisand make something hot with it,
(05:20):
like hey look, I got.
Speaker 2 (05:25):
I got almost a thousand beats.
You know I'm pretty close to athousand at this point a
thousand shots.
Speaker 1 (05:36):
I better go shop with him, man, like, because he
definitely like got them hits,like definitely got them joints
for y'all, man, man, and it's atreasonable prices too.
Man.
Go ahead and shop with him, man, absolutely.
Speaker 2 (05:49):
Because that's the whole point.
You got to make it to whereIsrael can afford it because you
want to make as much kingdomwork as you possibly can.
You want to get it out and youdon't want to just charge your
own people an arm and a leg.
That's not fair?
Speaker 1 (06:08):
yeah, that ain't fair , right?
No, that's not fair at all andthat's that's right to see you,
bro, doing that like, because,like I, you know most producers
man, I came across a coupleproducers man, they try to take
you up top, like one dude triedto take me up top for a beat,
like he wanted, like, oh honey,like $0.00 for it.
I'm like, man, it ain't nothinglike what you done made me like
, and I'm like, bro, for real,and it's all good, like I pay
(06:33):
for your craft because I bewanting people to pay for my
craft and my talent.
You know my time.
Gotta say that.
You know when it, when it comesto, when it comes to, like you
say, a kingdom work, like itshouldn't be, it shouldn't be a
taxation on it, it shouldn't belike a, a super tax to where,
(06:54):
like man, motherfucking, can'tdeal with it or can't even
acquire it.
Because, like shit, if you hearthe beat, the beats that he
make, like you'd be like man,hold on, these is like a metro
booming type.
You know, pay like you pay 10,10 bands for these type beats
like.
But you know, the brotherbrother is reasonable and you
know, yeah, and yeah, and it's abeautiful thing.
(07:16):
So what was the first beat?
What was the name of the firstbeat you made?
Speaker 2 (07:21):
okay.
So I got an mpPC live too andall of my beats that I've made
you saying like overall yeah,like, no, like just the first
beat that you made.
Speaker 1 (07:33):
What was the name?
What is your name?
Speaker 2 (07:37):
okay.
So I used to have FL Studiosway back in the day when it was
called Fruity Loops.
A lot of people don't even knowthat.
You know what I'm saying.
They call it FL Fruity Loops,but I don't know what I named it
.
I probably just named itUntitled, but it wasn't good.
(07:59):
I'm not even going to lie toyou.
I really don't like to go backto old beats, first and foremost
because of the thought thing,but second of all, I don't like
to look at my old, my old work.
You know what I'm saying.
It's just a little cringy.
You know what I'm sayingBecause it's not the standard
that I have now.
Speaker 1 (08:20):
Okay, okay.
Speaker 2 (08:27):
He said it was cringy , though, but hey, I mean it is.
You think about it, becauseit's like you know for a fact
that you so much better thanthat you know what I'm saying.
Speaker 1 (08:32):
I'm like man, I really made this well, you know,
you gotta start from somewhere.
Grassroots bro, you know whatI'm saying?
Speaker 2 (08:38):
that that's true, that's true.
So yeah, the first one I go.
Speaker 1 (08:41):
My first.
My first rap was like I don'tknow, everybody said they liked
my first.
My first rap was like I don'tknow, everybody said they liked
my first.
My first song.
It was called gloves.
Well, it was called uh praise,uh praising, yeah, what was it
called?
Y'all's one.
And then I did gloves off but I, everybody said that gloves off
was I have and I'm like thatshit was kind of like to me, I
(09:01):
couldn't listen to it.
That shit was kind of like tome, I couldn't listen to it.
Like that my bars was trashed.
So I get what?
Speaker 2 (09:05):
you're saying, I mean , but you know what, if you
think about it because, see, Ihad the FL Studios and now when
I I'll never really go back tothat because I don't even have
it, no more I had a machine andI think my first beat on that
(09:29):
was called what was it called?
It was real smooth, real jazzy,and I thought it was okay.
Uh, somebody actually wanted topurchase it at one point but I
never finished it.
It's a long story about whathappened with that.
That was around the time I waslike 18 or so and I didn't
really know a whole lot.
You know what I'm saying.
I didn't know the most highestreal name or any of that, and
(09:53):
I'm thankful to y'all that Ididn't go down the path that you
know.
I was kind of sort of headingon I'm not even going to lie to
you because I got in touch withsome a and rs.
That was like wanting some workand it just didn't work out
(10:13):
because it wasn't supposed towork out.
You know what I'm saying.
I'm thankful, very thankful,because I know what the industry
is really all about.
You know what I'm saying.
So I'm thankful to y'all that Ididn't go down that path,
because that's a dark path.
That's when I want to avoid itall.
Speaker 1 (10:33):
And the end of the path is Diddy.
Speaker 2 (10:36):
Diddy and all the other ones, but especially Diddy
.
Speaker 1 (10:40):
Right, right, you got to give up that virgin butthole
, ain't?
Speaker 2 (10:44):
nobody on that.
You got to give up that.
That virgin butthole ain'tnobody.
Yeah, you gotta.
You gotta lay it down.
That's cold, cold, that's.
That's a path.
I'm just like yeah, yeah, yeahno bro real yeah, I ain't gonna
(11:06):
even front like I'm not the onlyone, like, like I said, uh,
music kind of runs in my family,especially on my dad's side or
whatnot.
My little brother, he's intomusic too and he also got an
offer, but it was.
You could tell it was um, itwas a 360.
You know what I'm?
Speaker 1 (11:25):
saying oh okay.
Speaker 2 (11:27):
Yeah, so he was like nah, I know what that's about.
He told him no, but yeah, youcould tell it was a 360.
Speaker 1 (11:36):
And that be the thing , man, like they be trying to
give you these good deals, like,and they don't ever know you
don't ever know until you lookat the contract if it's a 360 or
not.
And then, yeah, a lot of peopledon't know what a 360 is, so go
ahead, explain it to them 360deal is basically a terrible
(11:57):
contract in itself.
Speaker 2 (11:58):
I don't want to, you know, paraphrase or whatnot,
because I know there's a literaldefinition and then there's
what we all know.
But to kind of sort of keep itshort, the 360 deal is when you
basically owe the, theconglomerate, right?
(12:20):
You don't, you don't even, youdon't go nowhere at all, you
stay where you at 360.
You know what I'm saying.
Speaker 1 (12:28):
Like you start here and you end there because you're
in debt and it's cold, right,and it's cold man, like when you
over budget and your albumdropping.
It don't even go platinum, itbarely go gold.
Then they be like hey, you oweus like 200 bands and you only
(12:51):
made 200 bands off your album,not 200, not 200 bands.
Speaker 2 (12:56):
I can tell you how it go.
I can tell you exactly how itgo, all right.
So take an artist from Texas orwhatever.
He starting to get a littlebuzz or whatnot.
He gets shows or whatever.
They say, oh, this person hassome influence, so I want him to
(13:16):
join.
Right, they get him and theyoffer him this deal.
He's from the hood or whatnot,and they offer him this deal.
He's from the hood, or whatnot,so he's not really thinking
about the true ramifications ofsigning a contract without
actually reading it.
So he signed the contract noteven really thinking about it,
(13:37):
not getting a lawyer or any ofthat, and they give him his
advance.
His advance is around $250,000.
This is the most money he everseen in his life.
So he blow that advance.
It's gone.
He buys all types of stupidstuff that don't make any sense
and anything he's ever thoughtabout.
(13:58):
He'd do a whole lot with$250,000, but he just blew it,
so that's $250,000.
I keep that in mind To makethis album.
But he just blew it, so that's250.
I keep that in mind To makethis album that he just signed,
for it costs, say, about I don'tknow $150,000.
That's more.
Okay, then they gotta promoteit, then they gotta do the
(14:22):
little tour.
They got all types of expensesat his expense Because he has to
recoup all of that.
He has to recoup.
That's his contractualobligation.
At the end of the day, whenit's time for him to get paid,
he going to look at the guyslike hey, so I just went such
(14:46):
and such, where's my check at?
They're going to be like well,you know we gave you your
$250,000 advance, right, and youknow we got costs.
We got this cost, we got thatcost.
At the end of the day, he goingto be in debt over a million
dollars, not $250,000, not$300,000.
In debt over a million dollars,not $250,000, not $300,000.
He's going to be in debt over amillion dollars and basically a
(15:08):
slave to the corporation, 100%.
Speaker 1 (15:12):
That's how they get you, man.
They first get you in there.
That's how they get you.
They first get you in there.
And then now your first album.
You're still trying to make it.
You're still trying to make themoney off off your second album
, your second album.
You just now breaking even withyour first one.
So that's why, after these guysbe dropping a music and having
(15:37):
all these albums and then after,like, after they done did like
80, 60, some songs, three, four,three or four albums, they
selling a discography becausethey had to work off from the
first two albums.
You know what I'm saying.
They be getting stroked man.
Speaker 2 (15:56):
It's pretty sad, it really is sad.
And then, not only that, though.
Not only that, but you got tothink about the esoteric portion
of that.
You know I'm saying they signthat contract and it comes with
so many different clauses.
You know I'm saying you gottado all of these rituals, and you
(16:21):
know I'm saying things that youwould never do on your own.
You know humiliations and alltypes of things that you just
would not do, and it's justthat's why the word is that you
know the most high will give youriches, but the enemy has
(16:45):
sorrow with it.
I don't want to paraphrase, buthe asked sorrow.
You know what I'm saying?
Uh-huh, and I mean it's just,that's just what it is.
You got to understand.
I understood at a certain point, because when I was around 16,
17, 18, I was doing a whole lotof different research or whatnot
, right, but at the same time, Ididn't know the truth, and I
(17:16):
just I mean I was I was findingout a whole bunch of stuff and,
like you, just got to know whoruns the industry, right?
You know what I'm saying.
Speaker 1 (17:24):
So how old were you when you came into the truth and
what was like that turningpoint for you?
Like you came from whatever youwas before to into the truth,
like what was that, what was theturning point, what was the
story to it?
Because everybody got a story,so what's yours?
Speaker 2 (17:40):
yeah, everybody do.
I absolutely have story.
So I've been in the truth sinceprobably 2013.
Ok, and yeah, yeah, and it'swild how it happened.
It really is.
I was at work, I was working atFedEx, and I was a security
(18:04):
guard at that time.
And you know a little backstory my pops he passed when I
was 11.
So the father figure thingwasn't there.
You know what I'm saying.
Yeah, so when I got to FedEx orwhatnot, and I was a security
(18:26):
guard, there was a lot of guysthere that were older than me,
that were influential, you know,and, uh, every last one of them
had a different belief, right.
So it was like four of them allfour of them had a different
belief.
This is one guy.
(18:47):
He was a security guard, justlike I was.
He believed in like Egyptology,right.
Another guy named Mr Ron, hewas cool, he was like the
manager of the FedEx.
He was cool, cool and hebelieved in the universe, right,
I had this other guy that washe was a regular, you know,
(19:11):
Baptist or whatnot.
He believed in that.
So, you know, we was kind ofsort of on the same path at that
time.
And then there was my mom'sex-husband.
Like well, he's an ex-husbandnow, but back then they was
married or whatnot.
He was the one who originallygave me this book called
(19:36):
Fossilized Customs.
I'm here to that and in yeah,in that book they literally had
it spelled it out, everythingabout Saturnalia, Christmas,
just the whole nine.
And I promise, bro, it was likea light bulb just went off in
(19:56):
my head, like this is what it'ssupposed to be.
You know, I learned that theMost High's real name is
Yahushua HaMashiach.
I learned that you know themost high.
I learned a lot just by readingthat book.
You know what I'm saying and Ijust think about it sometimes
(20:17):
because it was for influentialmen that like was in.
You know my path.
I'm like I could have went anyway.
I could have went any one ofthose ways, but y'all chose to
give me that book and read itfor myself.
Speaker 1 (20:40):
All praises, hallelujah, hallelujah.
That's good that he was alwaysa definite good.
That's a blessing that hebrought you through.
So where were you before?
Speaker 2 (20:56):
Oh, to be real.
You know, just like everybodyelse, I don't know really what
it was.
I don't want to say Baptist, Idon't want to say any of that
other stuff.
I really don't know what it was.
I don't want to say Baptist, Idon't want to say any of that
other stuff.
I really don't know what it wasto be real.
But I knew we went to churchevery so often and we was saying
the J name, Okay.
(21:16):
So I don't really know what itis to be real.
Yeah so that right there justlets you know how much we
actually did go to church.
You know what I'm saying?
Speaker 1 (21:30):
yeah, I don't know.
I was my mother.
She had us in the church.
We were AMV African MethodistEpiscopal and it, I ain't gonna
lie, man, I had, I had somecrazy times at church.
I remember one time, man, wewas this lady well, this bitch
(21:56):
is true this lady named MissCash.
She was like the usher and theywas taking the tithes for that
day, right, I think it was likea New Year's Eve.
You know how they come in earlymorning or late night for the
(22:16):
New Year's and be in the churchand all that good stuff like
that.
So I think, it was one of thosewe was.
We was passing around anoffering plate and she and she
like basically just took somemoney out the plate, put in her
bra and act like, like it waslike didn't nobody see her, like
, and I'm like we seen you, butyou know we ain't gonna say
(22:39):
nothing.
But man, it was just so muchgoing on at church, man right,
and you would think thatchristians were better.
Speaker 2 (22:49):
But they really right , they really right, I'm saying
but man, when I was going tochurch I was going to church,
you know it was.
I don't say people was justjacking like that they probably
was, we just see but like it wasa lot of little underhanded
(23:10):
things going on.
You know, I'm saying a lot ofunderhanded things like, um, the
preacher was messing aroundwith the, some of the ladies or
whatever, and I was even like Iwas young, but I was old enough
to know the difference.
You know what I'm saying.
Right, you clearly tell.
I mean they they showingfavoritism or whatnot.
(23:33):
You can clearly see who hefavors over everybody else.
Yeah, definitely yeah, you know,I'm just like man.
And then his true color startedto show and and with that, so
many people was dropping out.
Like every week you would seefive people drop out two people
(23:55):
here, three people here.
Before long it was my family,the family that he was messing
with, and that was it really.
And then we left and he wasplaying with, and that was it
really.
And then we left and he wasplaying the drums like the
drummer left.
Speaker 1 (24:12):
He had to play the drums and he couldn't even do it
you say he, he had to play thedrums and he couldn't do it yeah
, he couldn't do it.
Speaker 2 (24:21):
it was fast.
I'm like man, you really messedover the.
So now we ain't got an adequatedrummer Right, you got to get
up there and do it.
Speaker 1 (24:31):
Hey, that's what happened when you be doing too
much in the church.
You know what I'm saying.
Speaker 2 (24:35):
Yeah.
Speaker 1 (24:36):
That's what be happening, man.
Our pastor was cheating on hiswife with a sister from Africa
and the sister from Africa,africa.
She came over here and she waslike preaching and stuff like
that in different classes, butshe went back to Africa.
I mean, this lady was, I say,she was beautiful.
(24:57):
She was a beautiful, light skin, long hair, beautiful African.
She was from Kenya, but hiswife she wasn't, even though she
was older.
She was not.
She was from Kenya.
His wife she wasn't a, eventhough she was older.
She was not a bad-looking woman.
Miss Walker was that thing.
(25:17):
She was light-skinned too.
This motherfucker would sit inthe.
He would come to the church andsit in his office and call her
collect on the church.
And sit in his office and callher collect on the church phone
and ran up 10 bands, 10 bands.
So they was like the phoneplace was like nah bro, how they
(25:40):
found out what was going on.
They cut the phone off and theysent them a bill for 10,000.
They like what?
10,000?
They looking at where the callcome from.
They cut the phone off.
They sent them a bill for$10,000.
They're like what $10,000?
They're looking at where thecall come from.
It came out that his wife foundout.
It was crazy Ten bands, you canonly call the church, they
(26:00):
couldn't call out.
That's a lot of money though.
Yeah, you know what I'm saying.
His wife left him at the church, we left, we ended up not going
to that church no more.
And uh he then one day we seenhim on public, me and my mother,
we was watching tv.
We was, uh, yeah, we waswatching tv and seen him on
(26:24):
public access, public accesschannel at a church preaching
with the African lady.
I said this mother, and then,like three years later, he died.
Speaker 2 (26:35):
Oh well, you know what?
Now that you say that the guywho was the preacher for that
church we used to go to I don'tknow what happened to him, but
before whatever happened to him,he was looking extra, extra
crunchy.
Speaker 1 (26:52):
You know what I'm saying?
Extra crunchy.
Speaker 2 (26:55):
Yeah, he was looking extra crunchy.
You know what I'm saying.
He looked like he had beenthrough some things.
He lost his little truck andall that, oh, wow, and he was
absolutely humble.
You know what I'm saying.
Speaker 1 (27:09):
you can't be doing that to the lost sheep yeah,
yeah, you can't, can't, youcan't do that to y'all's people.
Like you said, man, he touchesthe israel, touches the apple of
his eye.
You know, absolutely, yeah, youthink you'll do something to
the, to israel, even if you isisrael, you think you're'll do
something to Israel, even if youis Israel.
You think you'll do somethingto Israel and he go, not let you
have it.
Yeah, he coming.
(27:30):
Yeah, absolutely, that be thething man like.
So so do you do you where youstay at, and you don't have to
say where you stay at if youdon't want to, but where you
stay at.
Is it any classes or camps thatyou go to down there that you
attend?
Speaker 2 (27:49):
So there is one, I think it's IUIC, okay, but I
don't really be seeing them alot.
You know, I really don't seethem at all.
I honestly wanted to go in acouple of times times, but every
time I get a chance to do itain't not there.
(28:10):
Hey, that's crazy.
You know what I'm saying, butlike, I'll be just going.
I know, uh, swords gotta stopeach other.
You know, iron sharpens iron.
But I try as much as I can tostay in the word.
You know what I'm saying.
I, I do.
I'm not gonna even hold you.
I'm not gonna lie, I'll beslipping.
(28:31):
I'll be slipping, but I do, bro, you know, I try as much as I
can to stay in the word, becauseyou gotta keep the old, you
gotta keep going.
Right, you know what I'm saying.
You got to.
Speaker 1 (28:45):
I don't want the light to go out at all, yeah
definitely, definitely andbasically, all you're doing is
this you know, just, it's like amuscle.
You know, just exercising thatmuscle, making it stronger, you
know what I'm saying.
And once it gets real strong,then you'll be able to, you know
(29:07):
, fight everything that comeyour way like.
So, hey, bro, don't, don't,don't, don't feel bad, because I
, you know, I slip up too.
Man, we all slip.
It'd be hard, like, andsometimes some of us fall pretty
hard and pretty low.
I'm saying, yeah, and and andwe have to, we have to.
That's when, really, you reallyreally need to lean on y'all.
(29:32):
No, absolutely, just know that.
He got you.
Yeah, so you said, you got howmany brothers and sisters you
got, bro, I got a youngerbrother and an older sister,
okay, okay, so you're the middlechild?
Okay, what's up?
What's up?
And do you have any nieces andnephews?
Speaker 2 (29:55):
Yeah, I got eight older.
Speaker 1 (30:01):
That was a surprise.
Speaker 2 (30:03):
My little brother got five feet.
My older sister she is a baby.
Speaker 1 (30:15):
I think he's 30.
He's 30.
He's fruitful and modified too.
Yeah, he is.
Speaker 2 (30:23):
So, yeah, I got eight of them.
I got, I think, four pieces andthree messages.
Oh, okay, so that's seven.
All right, tom, I'm inSomething like that.
All right, it ain't day out yet.
I think I got eight up.
Okay, no, seven, I have seven.
I'm so sorry.
(30:43):
Yes, no, it's 7.
I have 7.
I'm close up, yes, and the onlyreason why it could happen like
this is because I ain't seen mylittle nephews and nieces in a
minute.
You know what I'm saying, right?
Yeah, I be listening to them.
Speaker 1 (31:00):
I ain't seen them in a minute.
Hey, hey, that's what's up.
That's what's up, and familyand having pieces of that and
this family around, and you knowjust being able.
So, when you came into thetruth, how did your family take
it?
Speaker 2 (31:18):
To be honest with you , we kind of all filed out at
the same time but not everybodywas sticking with it.
Hey, you know, there's a songby uh john boy.
He was like uh, when we firstcame in, it everybody was with
(31:39):
us.
Now we, now we uh around andit's.
I don't know the words, butbasically what he said is and
it's.
I don't know the words, butbasically what he said is
everybody was with us when wefirst came in.
Now it's just a couple of us.
Be honest with you, I found outand my mom found out and then
(32:04):
pretty much everybody else in myAD search found out Right, and
it took a little minute for someof like my little brother and
my sister for them to graspthese concepts or whatnot.
But I think my brother hasstarted to truly grasp and I
don't know what's going on withmy sister.
But uh, yeah, if I could justsay technically, it's just me
(32:29):
and my moms.
That's really, really in it.
Speaker 1 (32:33):
Right, well, you know , as long as it's with you and
somebody else, you know, I cameto truth, it was just me.
So yeah, it was just me.
Truth, it was just me.
So yeah, it was just me.
My mother was a devoutChristian preacher and she used
to try to make me work on theSabbath and all type of crazy
(32:54):
stuff like.
You know what I'm saying.
So, yeah, that's when you gottabe strong, especially like when
you come into the truth and itbe like against your family,
like, and you have to like,really like, tell them like, and
you have to like, really like,tell them like hey, nah, I can't
do this or I can't be on that,and they be feeling some type of
way yeah, man, it be deep, bro,like for real.
So I get it, man, you, you waskind of through it.
Speaker 2 (33:30):
I'm saying, yeah, I think about that sometimes, like
how that that wasn't a struggle, that one, right there wasn't a
struggle, right, because wepretty much all was on the same
path.
At one point, you know, I'msaying and I guess you know
things just happen or whatnot.
You know, not everybody wasreally trying to learn and
really trying to stick in there.
I don't want to say, fall away,because you know they still got
(33:52):
a chance, because they stillgot breath in their lungs, right
, you know what I'm saying right, that's what it be about, man,
right, you just gotta just, youknow, just plant some seeds, man
, and let the most high water toplant.
Speaker 1 (34:06):
You know what I'm saying yeah, he'll get them
together, you know.
So you said you a lyricist.
This is why I love talking topeople and getting to you know,
really know.
I didn't never know you was alyricist, bro, like you never
told me that I would have didn'thad you on a track oh, okay,
(34:27):
alright, now I want.
Speaker 2 (34:27):
Right now I won't say I ain't never been recorded
before.
You know what I'm saying, butI'm a writer for sure.
That's the thing I produceforever.
You know I can produce and Ican also write forever, but when
it comes to the you knowspitting or whatever, I ain't
(34:50):
never really been on recorddoing that one.
But that's not to say that Ican't do it because I believe it
or not, you know y'all willing.
I have tracks that I have beenwriting to.
I ain't writing to Uh-huh.
I ain't want to say like I'mtrying to save all the good
(35:12):
beats for myself, but I do knowwhat I like or whatnot.
You probably would be like man,that beat is really top notch,
it kind of is.
But it's just because you knowI started writing to it.
So I do have beats that Iprobably won't sell to anybody.
(35:34):
But yeah, I've been writinglyrics for a little minute.
I just don't have a whole lotof practice rapping.
Speaker 1 (35:42):
You know what I'm saying, ah, okay, okay, and it
be like that.
But we gonna definitely get youon something.
Like we pressing the issue onthat one, like cause I didn't
know how did I know I got a lotof work.
Like we be in the lab everySaturday, like getting it like
(36:02):
you know what I'm saying everySaturday night in there, like
doing something like makingsomething up, like, and just
trying to you know what I'msaying every Saturday night.
We in there, like doingsomething like making something
up, like, and just trying to youknow, do the trying to put the
work in?
Definitely, man, I'll pray tothe most high.
Yes, indeed.
Speaker 2 (36:16):
Hallelujah.
Yes, sir.
Hey, I don't mind, you knowwhat I'm saying.
Okay, I don't mind writinghooks, I don't mind writing
verses.
Speaker 1 (36:23):
Right right, write verses, right right.
That's what's up.
Man, I remember you sent methat celebration.
We unfinished it.
I had my bro Bass get on it.
I sent that track around to fivedifferent people.
Man, people were like man, Iain't got nothing for it.
I ain't got nothing for it, Ican't write to it.
I'm like all right, cool, Ididn't say write to that man.
(36:47):
I don't know.
Man, that beat was dope.
Man bass wrote something andthen I wrote something and then
I got my, uh, my sister, sheraised the capacity.
She say she got a couple barsread to it.
So she's a professor, she's aprofound, uh, a proficient
writer, so she'll get it.
She'll come in the studio andwrite that night and have it
done.
Like i's how I be working myartists, like I used to send
(37:12):
them tracks and let them writeover, but now I put the pressure
on them.
Now we writing in the studiobecause we ain't got to do it.
I'm about to put the pressureon y'all because, hey, we got to
get things Every time we comein the studio.
We got to get three songs done.
So I'm saying, hey, we gottaget things.
(37:37):
Every time we come in thestudio, we gotta get three songs
done.
So I'm sorry, yeah, like, so wewe be pushing the issue, all
praises.
So, yeah, tell me one thing,bro, like, because I I always
wanted to know this man and and,and I remember you had remade a
song for me, right, and it wasthat that before the song, and
it was I guess it was called aB-O-1 or something like that.
I sent it to you and you did itand I'm like, so what, like,
(37:57):
what's your workflow Like whenyou do samples?
Like, how do you like, what isyour workflow with that?
Speaker 2 (38:04):
Let me see.
So when I I I be real with youif I were to use a sample which
is already I really don't usesamples I honestly like to make
my own sample, right.
You know what I'm saying.
But when I do use samples, Ijust I don't know.
I mean, I use the usual process, you know topping up the sample
(38:27):
, trying to find a good focalpoint or whatnot, and then just
going from there you know whatI'm saying Pretty much using the
groove of the sample to makewhatever the rest of the beat is
going to sound like, right.
Speaker 1 (38:44):
Right, okay, I dig that man Like, because I see it,
man Like, like I was listeningto it and I'm like man, how do
you make this like?
And I, uh, I make beats too,but not on the level of like
like you and my nephew like Idon't like I I can make a beat,
but not like elaborate and it'sdope as y'all make them.
(39:07):
So I just stay in my damn lane,right.
But uh yeah, I just stay in mylane, cause I already know that
if I try to do too much, it'sjust going to be too much, and
then now I'm about to be likereally messing some shit up, so
I just ain't about to do that.
But, uh, if I could have put toput music on here, that's dope.
(39:30):
But uh, I do make beats everyonce in a while, but you know
the stuff that you be making.
It's like like one of myfavorite beats you made for me
was that, uh, that, uh, what wasit called?
Rapid fire?
And me and rager compassionslam dunk that we did a video to
it too.
And it was like, uh, yeah, that, uh, it was called what do we
(39:53):
call this one?
I never I never get tired ofsaying that before the sauna.
Yeah, we did a video to that.
I think it was called rapidfire.
I know it was called fire orsomething.
I know it was called fire orsomething.
But, oh, yeah, I know.
And the crazy part, man, isthat I didn't, I didn't hear
that Like, you sent it to me andI might've like overlooked it
(40:14):
and it's like, oh, okay,whatever, but as I was create,
like create my album, I'm like,yeah, let me go ahead and, uh,
use this man.
When I was rapping to it,writing to it, rage and
Compassion, was in the studio.
She, like man, let's just goback and forth on this joint.
It's just one of those types.
It was only like two minutesand 40-something seconds long.
(40:35):
I'm like let's kill it.
Then we killed it.
I'm like man, I'm going to sendthat to you.
A lot of the beats that yousend me when I do songs to him,
like I just send these to him,like and let him hear them.
Like you know what I'm saying.
But everything on Spotify, butI know you just be like wanting
to hear it like personal, like,oh okay, that was pretty dope.
Like you know what I'm saying.
(40:55):
Yeah, so what you over thereusing now you said that you
using a, you got a Mac.
I mean the.
Speaker 2 (41:04):
MPC yeah, I got.
I made all of the beats thatrecently, you know, I think,
from like 2022 to now.
Okay on the MPC live, okay,yeah okay, and then now is this.
Speaker 1 (41:24):
All MPC did so you was using Fruity Loops.
Speaker 2 (41:26):
First you said I was, yeah, I was using Fruity Loops
first, okay, and then I got amachine which is a native
instrument.
Yeah, I got a machine and thenI graduated to that MPC and I
just never looked back afterthat MPC and I just never looked
back after that.
Okay, mpc is that workflow.
(41:47):
It's just too great.
Speaker 1 (41:49):
Everybody, everybody be praising the MPC, though, man
, you ain't the only person thatsay that.
Speaker 2 (41:56):
It's the truth, it's beautiful, like, like I said,
I've made almost a thousandbeats and they all like I ain't
going to say they sound superdifferent, right, because it's
coming from one person right butthey all are different beats.
You know, I'm saying uh-huh, Itry to make as many different,
(42:20):
like varieties, and I want tosay I could make any genre of
music Okay, like any genre ofmusic that anybody in Israel
needs.
I can make that Okay.
Hey, I've made so manydifferent types of beats.
(42:42):
I've made rock and roll beats.
What I've made black beats,different types of beats, I've
made rock and roll beats.
Speaker 1 (42:47):
What I've made.
Speaker 2 (42:48):
Latin beats.
Okay, I've made so manydifferent types of beats I
produced for what's that dude'sname?
It's JP, jp, but he goes byJames.
Speaker 1 (43:03):
Yeah, james, yeah, that's my bro and I produced for
him.
Speaker 2 (43:07):
He asked for a bunch of Latin beats.
One time he asked for some rockand roll stuff.
Yeah, you know, lucek, he askedfor different stuff.
Speaker 1 (43:15):
Yeah yeah, those shout out to my brothers.
They definitely make good music.
Like I said, that's how I metyou from Lucehek.
Uh, he's like, yeah, man, hegot this producer.
Man, he know he meet new people.
They got you know goodresources.
He be like geeked.
I'm like man, let me hear someof his beats like, because I was
(43:38):
like I ain't gonna lie, I beapprehensive about people for
real.
For real, like what I heard,I'm like the first beat I heard
was that, uh, I heard it wasthat hempy, hempy.
I'm like okay, this sound allright.
So then, when I bought theimpact from you and I heard
there no trap, so on there, I'mlike, but hold on, like, yeah, I
(44:01):
definitely gotta have this beat, like definitely, and it ever
since then.
That brings back memories.
Speaker 2 (44:07):
Yeah, that brings back memories.
Speaker 1 (44:09):
Say it brings back memories and no, traps up, man,
it do.
I recorded that song likealmost three years ago and
finally put it out like what?
Last year, this year, yeah,this year, I put it on part five
.
That's just a testament on howyou know.
Like you say, you got athousand beats stacked up and we
(44:30):
be having a thousand songsstacked up waiting to go like
type of shit.
You know what I'm saying yeah,absolutely, I 100% know that,
yeah, man.
So let's get into some.
Let's get into some some, someother other type of
conversations.
So how do you feel about what'sgoing on politically with this
(44:52):
orange man and Democrats and allthese tariffs and all these
cutbacks and fraud and all that?
Like, what's your take on it?
Speaker 2 (45:01):
Believe it or not.
You know, I hear about it and Ijust know this is humongous
distractions.
They good at trying to distract, right?
You know what I'm saying?
It's got a lot of differentunderhanded things going on at
the same time.
It's just like misdirection, awhole gang of misdirection, you
(45:22):
know.
But I just been wonderinghopefullyction, you know, but I
just been wondering hopefully,you know.
Hopefully it gets revealed soon.
You ever wonder about the, theone that's gonna be revealed.
You ever wonder about that yeah,I do all the time bro yeah,
(45:43):
it's just, you know, that's beenlike a mystery in everybody's
mind.
Everybody speculates who'sgonna be and all this other
stuff, but it's probablysomething we can never even
imagine really right, but itdefinitely like uh, has you
wondering?
Speaker 1 (46:00):
you know it definitely has.
Has you wondering about?
You know what's really going onand what's really up?
Yeah, because this shit iscrazy, man.
I don't know if y'all reallysee what's going on.
I try not to pay attention toit because the most I've told is
don't worry about theConfederacy People are supposed
to fear and dread him.
(46:21):
So I try not to focus on it, butI definitely definitely are
catching it.
I mean, I are catching my badjob background.
I definitely am.
That's even worse.
I definitely have caught a lot,of, a lot of the stuff that's
(46:42):
going on.
You know what people are sayingand he doing and this and this
and that, and I'm like like ifeverybody just worried and
focused on the Most High and andthat Torah, we'll be alright.
The Most High will heal theearth.
You know, key break thought isthat if Israel, the whole of
(47:07):
Israel as a nation and this islike an ancient Hebraic thought
is that like if the whole ofIsrael just for one Sabbath kept
the Sabbath, the very next day,the Messiah will come and it
will be peace on earth.
Kept the Sabbath, the very nextday, the Messiah will come and
(47:32):
it will be peace on earth.
Yes, indeed.
Speaker 2 (47:34):
And I truly do believe that.
Yeah, I remember my mom waswatching this documentary and
they were talking about how ourancestors would pray and pray,
and pray, and pray and pray forlike I don't know how many hours
straight.
They would pray in rotationRight, and they would do that,
(47:58):
and then they would be OK, theywould be I won't say free, but
basically free.
And you could see it in anumber of times where it
happened, or whatnot, likeAbraham Lincoln, his whole deal.
You know what I'm saying.
Right, he got popped orwhatever, but before then he got
(48:21):
his heart softened because theygot down and prayed and prayed,
and prayed, and prayed, andthen the captivity got turned
again.
You know what I'm saying.
So you're right, if Israelwould just really just turn back
, you know what I'm saying We'llbe okay, we would definitely
(48:45):
see a difference.
We'll definitely see adifference.
We'll definitely see adifference, right.
Speaker 1 (48:51):
So what do you feel like?
How do you feel about theimmigration and all that?
Do you feel like you knowthey're getting treated unfairly
?
Well, I'm going to say how Ifeel after you say how you feel.
But do you feel like they'regetting treated unfairly and
like they should be doing itdifferently?
(49:11):
You're talking about the Latinfolks.
I'm just saying period.
Like, how do you feel about,how do you feel that you know
United States is handling theimmigrants right now?
Do you feel like it's a goodjob or what Like?
What do you feel?
Speaker 2 (49:27):
To be honest with you , uh, I kind of sort of I don't
know.
I don't know, I don't reallyfeel strongly one way or the
other, simply because it's beenso much worse for us.
You know what I'm saying, right, it's been so much worse for us
(49:53):
and we got to live with it.
You know what I'm saying, right.
But, like, I'm not knockinganybody's struggle at all, I
would never want to do that.
It's just we got our own littlepaths, we got our own battles
or whatnot, and, right, theyhaven't stood in the same space
(50:16):
as us.
Right, and it's just.
It's just like if y'all havenever stood in the same space as
us and don't want to stand inthe same space as us, then we
can't stand in the same space asy'all.
We can't.
That's just what it is.
(50:37):
And there's a lot of them.
That's cool.
There's a lot of them, that'scool.
And there's a lot of them thatunderstand the truth of what's
really going on.
But there's so many more.
That's just ignorant, right.
Speaker 1 (50:52):
And you know, I think it's because of and I'm just
going to be real it's the whiteman.
The white man has told them alot about African-Americans.
Speaker 2 (51:03):
Yes, absolutely, and they did that Everybody.
Yup, they told everybody thelies about us, everybody.
Speaker 1 (51:12):
And the crazy part about it is that a lot of and
this is my issue with immigrantsLike is that they come over
here, they work, they productive.
Yes, thank you.
They are added to America, y'allhelping us out, y'all helping
the country to be, you know, tothrive, and you know y'all
taking jobs and stuff like that.
But you know it is what it is.
(51:33):
But be grateful, don't be,don't, don't act like y'all
better than us, cause y'all not,y'all not.
It's only because of us.
The reason why y'all not, y'allnot.
It's only because of us.
The reason why y'all are overhere.
Facts Our ancestors paved theway not only for us but for
(51:54):
y'all to come over here andenjoy what America has and what
we have built to now it's likewe done built it, and they ain't
even giving us a chunk.
They giving it to theimmigrants.
You know, yeah, slapping theface, and they come over,
especially the Mexicans, man,they come over here and they act
(52:15):
like they.
Just the best thing sincesliced bread, they better.
I live around a bunch ofMexicans, so I know that they
just they act like they just somuch better.
And I had to tell the one likebro, when, when, when our people
were going through Jim Crow andwhere were y'all at, where were
y'all at?
So so now, when Trump isgetting y'all goofy asses out of
(52:37):
here, yeah, now y'all want totalk about some black and brown.
Nah, it's only black and brown.
when it suits y'all, it's onlyblack and anything else.
When it suits the other nation,they add us, because they know
that we are caring and we goride for people.
That's just us.
That's how we do.
You know what I'm saying.
(52:59):
So they use our strength and usbeing us to their advantage.
Yeah, benevolence, yeah totheir advantage.
And you know it's a lot of themthat are cool, that handle the
business.
Come over here and you know,show love and yeah those are the
(53:22):
ones I rock with.
But like the ones that come overhere and act like they better
than us and oh know, show loveand yeah, those are the ones I
rock with.
But like the ones that comeover here and act like they
better than us, and oh, we lazy,and like the Africans, how dare
you come over here?
Speaker 2 (53:31):
You was just living in a grass fucking hut walking
around with sandals on and yourfeet rusty and you come over
here and act like you, betterthan me, exactly, exactly Yo do
you and you come over and actlike you're better than me
exactly.
Yo do you know, and I don't wantto change the subject, but I
want to get on that because it'slike, yeah, definitely, let's
(53:53):
talk about it.
It's like it's ridiculous to meyou know what I'm saying like I
was talking to this sister onetime.
She was an African.
I don't know if she was anafrican, she was african, right.
I don't know if she's fromnigeria or whatnot, but I don't
think she ever told me.
But how she looked at herselfand her hair and everything like
(54:16):
that, like she literally saidit was uncivilized for her to
come out with her natural hair.
If that's not colonization, Idon't know what is, but you got
to think they got ramsacked justlike.
Speaker 1 (54:35):
Let's just be real.
We just go for context purposes.
We the true Indians.
Speaker 2 (54:45):
Absolutely, and this is facts for context purposes.
We, the true Indians, but, uh,absolutely 100%.
Look my and this is facts, thisis 100% facts.
Yeah, my grandmother, greatgrandmother and great great
grandmother were Cherokee mm-hmmpurebred man, pureblood
Cherokee, 100% mm-hmm.
Speaker 1 (55:04):
You see they got the papers to prove it and those $5
Indians still trying to claimour heritage?
Yep, they have the papers toprove it.
Check this out Over in Africa.
You know those little teepeehuts that they be saying that
they people, those are in Ghanaand Africa and stuff like that.
(55:27):
Our people were living in those.
First, see, they came fromSiberia, where the Asian they
call it the river of the yellow,no, the river of gold or the
river of yellow or somethinglike that.
Where the yellow people comefrom, which is the Asiatic
(55:48):
people, the Chinese, japanese,you know, korean, all them.
And then you got the Eskimosand the Indians and the Mexicans
.
They all come from over there.
They just migrated and cameover to Barron Strait and then
came down in here.
And then now they talk aboutsome, oh, where the white man
was trying to get land.
(56:09):
No, that wasn't the white mangetting it, because the white
man knew he wasn't no Indian.
Exactly, it was the I don'teven know what to call their
asses man, because they ain'tIndians.
No, I don't know what they mean.
What I was asses man, theyain't idiots, but you know it
(56:29):
was no, I don't know, yeah, andyou know they.
So so what I was about to say isso you know, like we, we were
here already.
You know I'm saying absolutelyand and they got ravaged, just
like you know, africa gotravaged, just like how america
got ravaged and the white mancame over here and we were
prisoners of war.
Just like over there.
Now, ethiopia was the onlycountry in Africa that was not
(56:52):
All the way up until like 19,like even with, like Haile
Selassie, and I remember theytried to drop an atomic bomb on
Haile Selassie.
That was crazy.
They tried to drop a bomb onhim but he was like man, y'all
do it, it's going down.
But they were ravaged, justlike us.
So you know, they have thatsame colonization mentality as
(57:15):
we do, because you know thewhite man, we gotta give it to
him.
The white man was crafty, withthe help of the most high.
He was crafty, and you know.
But his time is coming to anend, he know it.
That's why he acting up rightnow.
Because, look, you know, theywere the white people.
(57:36):
A lot of people think that theywere.
Like they went up there like abunch of Africans, went up to
Cossack's Caves and was up there.
They all, like a bunch ofAfricans, went up to, you know,
cossack's caves and was up thereand they mutated.
It ain't happened like that.
It was selective breeding.
They didn't want, they onlywanted blonde hair and blue eyes
(57:59):
in their nation.
So anything, any child thatcame out like that, they killed
it or discarded it and they madesure that they kept that blonde
hair and blue eyes.
You know what I'm saying?
And that's where you get thesekakazoids.
I don't call them kakazoids,hey, I ain't gonna lie to you,
you know.
Speaker 2 (58:18):
hey, y'all call them what it is.
Yeah, they hate that shit.
Speaker 1 (58:22):
Even like when you call them what it is.
Yeah, I call them what it is.
They hate that shit.
Even like when you call thempilgrims.
They hate that shit too.
But Akakazoids do you know,Neanderthals, right, and see,
they know that too, because theyyou know, the scientists talk
about something.
Man, yeah, they, yeah we.
It's three different types ofhuman beings.
I said, no, it's only one humanbeing.
Y'all something else.
(58:45):
Like y'all niggas mutated tosomething totally different than
what we are.
Like you know what I'm saying,they don't even have the same
type of blood flowing throughtheir body.
Like you know what I'm saying?
They a byproduct of us but theyjust ain't us no more.
Like so many years of selectivebreeding and and mutation.
It's like now they like youknow what they.
(59:09):
It's at the end of it Like soyeah, man, it's, it's, it's
crazy, man, but so let let leteverybody know where you, where
they can hear your music and ifthey want to go buy music, if
you've got a website, all yourlinks, your social media, how
can people get plugged in withZadekMusic144?
Speaker 2 (59:30):
You can go on my TikTok.
It's the same name,zadekmusic144.
I try to upload as much as Ipossibly can.
Right, I did have a website inthe works but for whatever
reason, it just didn't go theway it was supposed to.
Honestly looking for somebodywho could, you know, do me a
(59:53):
good website.
You know what I'm saying.
I've been trying to get awebsite for a minute.
Speaker 1 (01:00:02):
We could talk about that.
Yeah, I know how to make awebsite.
I made both my websites, soyeah, we'll talk about that.
Yeah, I know how to make awebsite.
I made both my websites, soyeah, we'll talk about that.
Speaker 2 (01:00:10):
So I've been trying.
I ain't a lot, but uh, yeah, sodeck music, one 44, uh, tick
tock, and you could message methrough there or whatnot.
And if you, you know, got somesome music inquiries, message me
through there or whatnot.
And if you, you know, got somesome music inquiries, we can
just, you know, go from there.
Speaker 1 (01:00:27):
You know what I'm saying, okay, yeah, I'll check
it out, man, cause, uh, abrother, like I said, the
brother's fire man, and and wedefinitely, we definitely man,
good music man, y'all definitelyneed to check him out.
Like I said, man, like I alwayssay, man, y'all don't go check
(01:00:48):
his stuff out, don't like, share, comment and enjoy his stuff.
Y'all some fucking haters Justbottom line, because he's doing
work for the most high.
You know, when you do work forthe most high, you can't be
biased and be like, oh, it needsto be better than what it is.
If the most high is happy withit, then why?
(01:01:09):
See, men ain't never happy.
But we ain't gotta please, youniggas.
That's why y'all you know whatI'm saying.
Still go check his music out,though, Y'all niggas go check
his music out, though, but Idon't praise man like man.
We definitely got to do it.
Yeah, we'll definitely have todo a part two, man, because I,
(01:01:30):
uh, you know, I just want to Idon't think that you know that
uh, that that that this buildwas.
It was a beautiful build, but Idefinitely want to expand a
little bit more and, uh, but Itry to keep my, uh, my, I try to
keep them to an hour so theywon't be so long.
People get tired.
But we definitely have to do apart two, definitely.
(01:01:51):
Yeah definitely, man, Iappreciate you coming on and
doing your thing and speakingyour truth man, and Just really,
like you know, let this buildit with a brother man, like for
real.
It's a beautiful thing.
So, yeah, man, hey, this isyour boy a beer.
Hold on, I'm not even gonna,because we gonna do a part two.
(01:02:13):
So, yeah, yeah, and it's gonnabe a, it's gonna be a immediate
like.
So it, after you hear my voiceon this one, we go hear part two
.
I ain't even go put part oneout until I get finished, until
I record part two, and then wego put part part one and two out
, so y'all can just totallyenjoy it.
But I, I, you know, I I justdefinitely want to, you know,
(01:02:34):
make sure that my brother getshis, just deserves it just
highlight, and I want todefinitely, uh, want to
definitely play some of hisbeats the next time on part two.
So y'all stay tuned, man, staytuned, and part two coming, part
two is coming, definitely.
All praises, hallelujah you.
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