Ep 27 From Fruity Loops to Kingdom Work: A Producer's Journey Pt 2: TsadiqqMuzik144

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Brotherhood, beats, and divine inspiration take center stage as Zadak Music returns for an intimate conversation about his journey deeper into truth music production. What begins as a casual catch-up between spiritual brothers quickly transforms into a profound exploration of creative purpose and supernatural encounters.

Zadak shares a remarkable testimony of unexplainable miracles that strengthened his faith, including water bottles that remained inexplicably cold despite sitting in scorching summer heat for a week. "The only way you can explain it is that it's the power of Yah," he reflects, revealing how these divine interventions shaped his spiritual journey alongside family members who discovered the truth around the same time, each accepting it at their own pace.

Music remains at the heart of his ministry, with Zadak offering unprecedented access to his creative process. From crafting original samples to his methodical beat-building approach—starting with textured melodics before layering counter melodies, baselines, and drums—we witness the meticulous craftsmanship behind his distinctive sound. The revelation that he produces approximately 15 beats weekly, amassing nearly 1,000 beats in recent years, speaks to his dedication. Most fascinating is his disclosure that some of his most powerful music originates directly from dreams where melodies and concepts are divinely imparted.

Currently working on a 13-song album he hopes to complete before summer, Zadak expresses his desire to collaborate with the entire truth music community. "I want to be the DJ Khaled of Israel," he shares, envisioning projects that bring together multiple artists on powerful tracks that honor the Most High. The conversation ultimately reveals how true brotherhood in music extends beyond business transactions to genuine support during difficult seasons—a testament to building genuine connections in a creative community united by faith and purpose.

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Episode Transcript

Speaker 1 (00:03):
and, like I said before y'all, we giving y'all
part two.
We right back, right, right,right, right back with part two.
Spit your truth podcast and mybeloved brother, our beloved
brother I don't know why Ialways say mine like that like
he ain't y'all brother too, mybad y'all.
But our beloved brother isZadak Music and I just had to do

(00:27):
a part two because it justdidn't seem like I.
You know, he had enough justice, he had enough to.
He ain't spittin' truth enoughy'all.
And you know me, I like to geteverybody's juice and
everybody's grit, everythingfrom everybody.
So we got to do it.
So, bro, we at part two two.

(00:48):
How was your day today, man?
Like you know we, it's a newday, all right, it's like about
a week or two later.
You know I'm saying like so youknow, we, we getting into part
two.
How was your day today?

Speaker 2 (00:59):
it's always a block.
You know it's always a block.
Right, I had a of life.
You know what I'm saying, right, right, it really is.
You know they say every day youabove ground, you got air in
your lungs.
It's a Barack.
That is real, yeah.

Speaker 1 (01:21):
And for those that don't know, he's Santa Claus,
barack, yeah, yeah, my bad, butno, most people should know.
And for those that don't know,he's Santa Claus, but nah, most
people should know.
Most of my listeners shouldknow already.
You know what I'm saying, soI'll pray, but uh.
So In part one we touchedbriefly on the musical

(01:43):
background and you know, likethe back, the musical background
and and you know, like thehumble beginnings and all that,
and then you're coming into thetruth.
So I want to talk about thethree years into the truth.
What was you like?
What was it like for you, likeafter you came into the truth
and like three years after that?

(02:04):
So what was on your mind?
What was you like for you afteryou came into the truth and
like three years after that?
So what was on your mind?
What was you studying and whatdo you remember Like was you
like collabing with a truthartist then?
Or like just give us the lowlow on three years in.

Speaker 2 (02:19):
Okay, three years in in the truth for me probably was
like I wasn't really doing themusic as strong as I am now.
So I never really stopped doingthe music, but like the
direction wasn't where it is at.

(02:40):
You know what I'm saying?
Because I didn't even knowthere was a, a I don't want to
say a niche but I didn't evenknow truth music even existed at
that point.
I just knew about thescriptures, I knew that I was
listening to Brother Jacob onthe Hebrew Israelite network.

(03:06):
That's what I was listening tofor the longest.
Right, I was listening to himand, um, yeah, when it comes to
the music, I didn't even knowthat there was like a true hook
up.
Now he would do Um, like, uh,new music Wednesdays and stuff

(03:26):
like that.
But like, at that point I waslike I ain't gonna say I was
Connected because you know, allof my equipment wasn't when it
is now.
I was moving and everything wastransitioning, you know what
I'm saying.
So it wasn't set like now, alsomoving and everything was
transitioning, you know what I'msaying.

(03:48):
So it wasn't set like now.
Also, at around that time, mosHayah was showing me a lot of
miracles, a lot of miracles,things that would just happen.
You know, like I'll give you anexample my mom, at one point
she was kind of under theweather or whatnot, and you know

(04:13):
we found out about around aboutthe same time.
So we in the walk together Keepin mind, it was like summertime
, like blazing hot outside orwhatever, and she was living in
this apartment, so we had towalk a certain distance and when

(04:33):
she got to the car it was hot,she was hot, the car was hot and
I had some bottles of water inthe back.
Now, these bottles of water wasin the back seat of my car for
about a week.
Right, it was like, do you havesome water?
I'm like so hot right now.
I was like, yeah, I do.

(04:53):
I got some waters in the back.
So I reached in the back.
When I tell you, when I gaveher that water, it was cold.
Like that's unexplainable.
The summertime has been in theback of the car for a week.
Like that's unexplainable.
Wow, it's been in the back ofthe car for a week yeah, that is

(05:15):
extraordinary bro, yeah that'sunexplainable yeah for it to be
like that.

Speaker 1 (05:25):
And then, uh, hold on for it to, for it to be that
hot.
You said it was real, real hot,so and then you had the waters
in the car and you pulled oneout and it was cold like man.
That wasn't nothing but thepower of y'all right there bro
absolutely.

Speaker 2 (05:43):
You know, like I say I was, I have witnessed a lot.
I've witnessed a lot.
You know, like a whole lot ofdifferent miracles, a lot of
different just things happenthat normal people would be like
oh, they would, they would tryto explain it with some type of

(06:05):
scientific.
You can't explain it like that,it's no way.

Speaker 1 (06:12):
The only way you can explain it is that it's the
power of Yah.
That's it.
You know what I'm saying?
That's great.

Speaker 2 (06:21):
But yeah, around that time Yah was just showing,
showing me who he was, you know,just showing me everyday,
showing my mom, showing anybodythat was truly calling up on his
name who he was for real that'sdeep, that he was showing

(06:49):
anybody.

Speaker 1 (06:50):
And you said in part one that showed that you know
your mother and a couple of yoursiblings like walked into the
truth with you, right yeah, likeit was pretty much we all found
out probably somewhat aroundthe same time.

Speaker 2 (07:04):
Yeah, like it was pretty much we all found out
probably somewhat around thesame time.
But the accepting of it wasdifferent.
You know what I'm saying.
Like I accepted it immediately.
It was like a light bulb cameoff in my head for real.
And my mom's, I believe sheaccepted close to immediately.

(07:27):
She was trying to.
You know, I ain't going to sayshe was trying to hold on, but
the scene was playing and it wasdoing what it was supposed to
do and she was extremely wisenow Okay to do.

(07:53):
And he, she was extremely wise,now okay.
Yeah, I wish you know my littlebrother.
He believes, but you know, Igotta see the plant.
The seed is planted and it'sgrowing and it's doing what it's
supposed to do.
You just gotta let y'all dowhat he does.
And my sister, on the otherhand, I'm not 100% sure about
her.
One way or the other, I can'tlie to you.

Speaker 1 (08:11):
You ain't 100% sure on that, huh.

Speaker 2 (08:15):
But I mean she knows the truth Right.

Speaker 1 (08:19):
Well, as long as y'all did y'all the due
diligence, just to tell her jobdone.
Yeah, yeah, yeah, you knowAfter that, what else can you do
?

Speaker 2 (08:32):
That's about it.
That's literally about it.

Speaker 1 (08:37):
You know, like I used to tell my cousins and you know
people that that I felt likewas near and dear to me, and
some of them took it.
Some of them was like, yeah,man, I get what you're saying, I
get it.
I just kept on going.
And some of them was like Nikki, crazy, yeah, all the most I

(08:59):
told us to do is to say it once,all at once Right, we'll sit
back and be thinking that thatthe people that we talk to and
we go out in the highways andbyways and talk to people, that

(09:19):
people will go like listen to us, or you know, just because it's
coming out of the Bible orwhatever, people go listen to us
, but most high said man, theydon't even listen to us.
Or you know, just because thisbe coming out of the bible or
whatever, people go listen to us, but most I said man, they
don't even listen to me.
Bro, what you think you about?
Like that, all right, man, youknow I look at the bible man,

(09:43):
like our father man, he, whoever, whoever, wrote the bible and
canonized it.
They, they wrote the bible tomirror black folks in such a way
, like our mannerisms and things, that we would say how we would

(10:04):
come at each other or interact,and then they have our God.
Like that too.
You know what I'm saying.
Yeah, there'll be certainthings he'd be saying in the
Bible, like hold on, like, oh,that's something I will say it
like to a nigga, like you knowwhat I'm saying.
But he said let's, let us godown and make man in our image.

(10:31):
So, absolutely so.
Have you ever thought aboutdoing a project like an album?

Speaker 2 (10:36):
oh yeah, I got, um, I got an album in the works.
Really, I got 13 songs.
I got all of these for them.
Of course, I got about maybe35% done with the lyrics and I
mean I got a concept of what Iwant it to be but, like you know

(11:00):
, it's still in the works, okay,hmm, you know it's still in the
works, okay, hmm but so what'sthe title of it?
that's a good question, that's asuper good question.
I got a, I think I've got onetitle, but I'm not sure I ain't

(11:21):
gonna release it just yet.
You know what I'm saying.
I'm not one, but yeah it's, butI'm not sure I ain't going to
release it just yet.
You know what I'm saying.
I'm not wanting to, but yeah,I've been working on it for a
little bit, you know.
I tell you what.
This is one thing that, let mesee this.

(11:42):
This had to have been likemaybe earlier this year that
this happened.
When I tell you, like my musicand I'm so thankful to y'all, I
just want to put that out thereI'm thankful to y'all that I
could do it at the level thatI'm doing it, you know, because

(12:05):
I got like milestone beats, likethis beat changed the game for
me here.
And then, a little bit later,this beat changed the game Like
I'm growing and growing andgrowing every time I make music.
You know what I'm saying.
But, like, every so often I'llhave like a beat in my head or

(12:28):
something like that and I, youknow I'll make the beat.
But one time I got, I got adream and the music came through
in the dream, like, oh, let mesee how it went.
I don't exactly remember thedream.

(12:51):
I know it was me and my brother.
He was like at a school orsomething and it was like the
world was about to end orsomething like that, and
somebody, they dropped a bombsomewhere and it was about to
hit the school and nothinghappened or whatnot.

(13:12):
And I don't want to give youthe name of the song, but I did
say in the dream that the factthat nothing happened was
because it was all Yacht, and atthat moment, like I started to
hear the melody, I got the hookand everything.

(13:37):
It's one of the songs on myalbum and I got all of that in a
dream Dream.
Yes, sir, dream, and I got allof that in a dream dream.
Yes, sir.

Speaker 1 (13:50):
I think that's something.
Hey, what did the most highsaid man when he told, when he
cursed Miriam and turned her asswhite?
Right before that, he said hey,if there's a prophet or one of
my servants, I'll talk to themin dreams and visions.
Yes, sir, you know, and whenpeople be like man, I had a

(14:15):
dream.
I had a dream about this andabout that and it'd be like
something that's like fire andbrimstone type shit.
Like man, I don't.
I just don't be taking thattype stuff lightly, though you
know what I'm saying.
Yeah, man, you might not hearhis voice audible.

(14:35):
You'll hear it in a dream,absolutely.
I think, that's more scary.

Speaker 2 (14:47):
It is.
I'm telling myself, absolutely.
Yeah, I think that's morescarier.
It is, I tell myself, becausein your subconscious anything
can happen for real, yep crazyman, but that's crazy so.

Speaker 1 (14:59):
So a good portion of the album well, at least one or
two songs came frominspirational like visions and
dreams and stuff like that thatI'd be getting that too
Sometimes.
Yeah, so what?
What made you want to go ahead?
No, go ahead, go ahead, goahead.

Speaker 2 (15:19):
I was going to say honestly, um, that one song and
you know pretty much all of thesongs kind of just called to me
really to be real, you know whatI'm saying.
Like I was really connected tothe vast majority of right.

(15:39):
You know, like I just knew fora fact that I would do something
with it.

Speaker 1 (15:49):
That's what's up.
So now you said you got 14songs 13 13 songs and 30% done
on the lyrics yeah, just aboutlike that so I want to be done
before the summer.

Speaker 2 (16:03):
Just gonna finish it off right.
So about like that I want it tobe done before the summer.

Speaker 1 (16:07):
I'll just go and finish it off.
Should we be expecting anyfeatures now?
I'm not trying to plug myselfon your album, but I'm just
saying anybody that you've beenwanting to work with you're
trying to get them on an album.
Who could we expect to featureon the deck project?
I ain't going to lie, I want toget them on the album.
Who could we expect to featureon as a deck project?
I'm hey, I ain't gonna lie.

Speaker 2 (16:28):
I want to hear that shit bro I tell you what I would
love to have anybody that canbecause every song has its own
type of theme.
The songs like the structure ofit.
You know what I'm saying.
If you can fit with thestructure, then you can get on

(16:52):
the track.
And if you spit it, you knowwhat I'm saying, if you can spit
it.
Also, I don't really got nohooks.
I ain't gonna lie to you, Idon't really got no hooks.
I got some hooks, but you knowthey're not really there.
You know what I'm saying.

Speaker 1 (17:07):
I'm the hook master, bro.
That's one thing that I say Ican do.
Good, might not always be ableto write a hot 16, but a hot
hook, yeah, because most of thetime, man, you can dislike a
hook.
It just got to be catchy,that's it.
That's what I'm saying.
Gotta be catchy, like.

(17:31):
I think that.
I think I don't know.
I ain't heard you rap, bro, butif you made, if you rap like
you made Beast, and I know, likeyou, you on point that album
gonna be fire Right.
Yeah, point that album gonna befire right yeah, I hope it is.

Speaker 2 (17:52):
I answered man you praising the most highest gonna
be fire, bro you know, what I'msaying hallelujah.

Speaker 1 (17:55):
yeah, see a lot of people, people be so hung up on
the lyrics and hung up on, youknow, making a making a dope-ass
album and you know, like tryingto make the best album they can
and sometimes we can lose sightof who we really making this
album for.

(18:15):
You know what I'm saying,that's true, yeah.
So the biggest thing is like,man, hey, go do it, and you know
, praise y'all and just knowthat the most hired man, hey, go
do it.
Then you know, praise y'all andjust know that the most higher,
definitely, as long as he'spleased, hopefully we good, you
know what I'm saying.
Yeah, yeah.

(18:35):
So I don't, I don't try to.
I mean, I definitely put mybest, my best foot forward in
everything that I do, but Idon't, I try to make it to the
pleasing of the most high.
Because you know, man, we don't, honestly, we don't know.
Then again, we do know becauseif, think about this, if he
didn't like your shit, youwouldn't be doing it.

(18:59):
This is true If he didn't likeyour shit, you wouldn't be doing
it.
Your real shit it's a lot ofbrothers.
This is now here.

Speaker 2 (19:14):
Man is it was making music or a music and it just
went like where they just gaveup.
You know what I'm saying?
Yo, I give you it.
I don't want to catch you.
I give you a perfect example ofthat.
Oh yeah, they got this artistthat was.
He was featured on BrotherJacob's Hebrew-Israelite Nicker.
His name is GT and he had thissong called Going Back Home to

(19:35):
Jerusalem and I tell you thatwas like one of the most fire
songs that I heard.
You could tell he made it likewhen he was first coming in the
truth because you know certainwords got said or whatnot, but
it was good, it really was good.
The beat was on point.

(19:57):
How did the hook go?
I'm going back home toJerusalem.
That's how it went.
Look, I like that track a lot.

Speaker 1 (20:14):
It's just like he made that one song and
disappeared.
People get discouraged, man.
I mean, we just got to be real.
It ain't no movie, it ain't nomoney in this.
Yeah, you know, we, you canmake the little streams and
stuff like that.
But like, if you think you'reabout to come in and like,

(20:35):
change the game and nah, thereason why there ain't no money
in it is because we haven't madeour genre valuable.
Yeah, you know what I'm saying.
It's up to us to make itvaluable and then maybe we can
be, you know, combatting andreally getting at these secular

(20:56):
music you know what I'm sayingprojects like and shutting them
down, because I know it's a lotof our music that's way better
than the stuff that's out rightnow.
Way better.
Yeah, even the Wackus brothers,sisters that make truth music
and I don't believe anybody back, it's just, you know, you just
got to get your bars up, youknow, get your production up.

(21:18):
But even those people arebetter than all these secular
people out here.
I'm saying, except for, likeyou know, like some, some
spitters like, uh, who else?
Uh, kendrick Lamar, no brotherslike that Like aim.
Aim you got to get your bars upand if your bars up then you

(21:40):
might be a top contender.
You know what I'm saying.

Speaker 2 (21:45):
I'm not even gonna hold you.
I'm gonna be real.
Mm-hmm, I don't think Kendrickis human, bro.
I'm gonna be real.
I don't think he's human.
Why you say that?
It's.
I don't know, like I don't.
It's hard to explain it.
You know, I know what theindustry is about.

(22:07):
You know what the industry isabout and it's just got too much
Stuff going on for me to justbelieve that he doesn't allow
some type of dark spirit toinhabit him.
Right, and like the, the barsare just too well put together

(22:30):
for it to just be a human.
I might be reaching a littlebit, but I don't know.

Speaker 1 (22:40):
You know what I'm saying oh man Bro, we live in a
world where now anything ispossible.
That's true, anything, man.
You know we, you see somethings out here like these
reptilian motherfuckers and youknow all type of crazy stuff.
Man, I wouldn't put it past it.

(23:01):
Like kendrick lavar, he has thebars and they'd be like like
certain songs, like that, uh, uh.
So I ain't gonna lie, man, Ireally me personally, like they,
not Like Us, really was.

(23:22):
It was an alright track, but itwasn't like.
I mean, it was a good disstrack but it shouldn't have been
played and got the airtime thatit got because it was just a
diss track.
You know what I'm saying?
And I always wondered like, whydid it get that?
They even let him perform thatat the damn Super Bowl.

(23:42):
They let him perform a disstrack at the Super Bowl, but
didn't let Lil Wayne New Orleansone of the top dogs perform
when it comes to Weezy.

Speaker 2 (24:01):
I think, personally, he should have just not even
opened his mouth.
I think he should have justbowed out gracefully, all right,
because I mean, his time haspassed.
You know what I'm saying.
And he was good.
Actually, if I'm, I'm going tobe honest, I don't really listen
to it.
I mean, if it comes on orwhatever, I'm unable to mess

(24:24):
with it and I can't mess with it.
But I tell you, the last time Iever heard anything from him
was probably the quarter four.
That was a while back.
And when I tell you that wasmediocre in my opinion it was

(24:46):
that was when I caught on to hisformula.
At that point he was just setup punchline, set up punchline,
set up punchline.
Nothing good about that hold on.

Speaker 1 (25:02):
But you said the carter ford was mediocre, the
one with megaman on it and shewheeled and was that one?
Yeah, was that the carter ford,john?
And what?
And uh, yeah, dreams of thebottom and all that album that
album was dope bro, but look, Ithink that was one of his best

(25:23):
ones for real Set Up Punchline.

Speaker 2 (25:28):
All he did was just do Set Up Punchline.

Speaker 1 (25:31):
Yeah, we was.
We by that time we was likeeverybody was like Weezy Fatigue
, like nigga, you on everythingeverybody's song, like we just
tired of hearing you.
Like that was summer.
He did like 90 songs.
I'm like who does 90 songs?
Yeah, a lot of songs.

(25:51):
But you gotta think about it.
Like look look what he did forcash money.
He kept cash money going, likecash money.
He, he kept cash money going.
I did yeah, he kept man, babywasn't gonna be able to do that,
baby can't right.
and he and the nigga ain't, heain't got no, like no kind of
sex appeal I'm just no homo,y'all like no homo for real, no

(26:12):
diggy but, he don't, he justhe's an ugly nigga like just for
real right.
It's ugly like ugly.
It has to be the money that whywomen are messing with him.
It has to be Because.
I don't see him having no typeof personality or nothing like
that.
He's probably gay, I don't know.

Speaker 2 (26:29):
But I just Look, we already know how them boys get
down for real Right.

Speaker 1 (26:34):
So yeah, wayne had to put the.
You know Wayne, little skinnynigga tatted up all that.
You know what I'm saying.
He's a little skinny dude, likeboxing his head, like he can
rap, he can talk about EatCoochie man.
He was man, little women waskilling.
It was loving that they hearLil Wayne that's some of their
Lil Wayne man.
He dropping all them songstalking about Eat Coochie and

(26:57):
everything.
Man was this going like now?

Speaker 2 (26:59):
it's like, yeah, like , uh, look, look to me
personally.
You know I'm saying I, when Iwas listening to the secular
music, really, really, reallyhard, or whatnot, I pretty much
gave everybody an opportunity.
You know I'm saying me beingthe musical person that I am, I
pretty much listen to anythingand everything.

(27:20):
You know what I'm saying.
I did and Wayne being one ofthose I gave him this
opportunity, I tell you theCarter III was way better than
the Carter IV.
You could tell he didn't have aspecific formula for the Carter
III, it was straight up rap.
But the Carter IV wasformulated.

(27:44):
It's like he didn't havenothing to really talk about and
he's like oh, I'm going to justdo a whole bunch of metaphors
and that's it, just a bunch ofmetaphors.

Speaker 1 (27:55):
He was hitting us with a lot of metaphors.
That album was like metaphor itout.
Now that I'm thinking about itand I'm playing some of the
songs in my head, I'm like yeah,he's hitting us with it, that's
it.

Speaker 2 (28:09):
That's all he's doing and, honestly, you know, when
Push, when Push hit him withthat Exodus, it is over with.
Really, he lost a lot of hisfan base when he did that.

Speaker 1 (28:25):
When he you said what now?

Speaker 2 (28:28):
Yeah, I remember Pusha T.

Speaker 1 (28:30):
Yeah, pusha T he hot the Clips, they hot they been
hot for years.

Speaker 2 (28:35):
Yeah, they like.
When he hit him with that disctruck it was pretty much over
because little.
When he came back it was floppy.
He said push a t's name, likeit was.
He shouldn't have done that.
So you know, I think personallyin this case he should have

(28:59):
bowed out.
He shouldn't have gotten madabout somebody else being picked
for the Super Bowl or any ofthat.
He should have justcongratulated him with Lamar and
went on about his time, andpeople would have respected him
more if he had done that.

Speaker 1 (29:14):
Right, right, but I mean honestly, can you blame him
, though?
Like I mean he could havehandled it differently.
But you know, when you done didso much in your career and
especially when you done gotyour flyers and everything but
them done be like, yeah, wegonna throw it in New Orleans,

(29:36):
we gonna throw this in your city, but you can't come.
Like what, Hold on, what, Ican't come Like man, nigga about
to turn up, yeah, you about toturn up, you throwing a party in
my city, but I can't come.
I'm not invited.
I am my city.
You know what I'm saying.

(29:57):
When you talk New Orleans, whothe first couple names to come
up?
Master P, cash, money and Wayne.
Yeah, you know what I'm sayingyeah, for sure.
Master P and everybody was there.
Lil Wayne didn't come.
They didn't let the nigga evencome.
He couldn't even buy tickets.
Like nigga, you can't come,period.

(30:17):
No, stay away.

Speaker 2 (30:22):
But I definitely could see how that's a problem.

Speaker 1 (30:24):
Yeah, I'm saying so, I, I mean, I, I don't blame him,
but he could have definitelyhandled it differently.
But I ain't gonna lie, waynedoes not have the lyrical, the
lyrical, the lyrical prowess toto do a diss track against
Pusher T, he don't, or anybodynot anymore.

(30:48):
Before he did Young Wayne yeah,he'll eat you.
But now Pusher T, he, pusher Tand Malice, they both done just
got better and better and better.
Every year.
Every time I hear somethingthey do, it's like damn, they
spitting.
And then Malice came back likehe, everybody's saying Malice

(31:12):
saved Pusha T's career.
But I'm like Pusha T still washot, yeah, he was still pumping,
like he still was relevant,like you know what I'm saying.
Like Pusha T still was hot,yeah, he was still pumping, he
still was relevant.
You know what I'm saying.
A lot of people don't know thatArby's that boom, boom, boom,
boom.
That song, the little clip,little eight seconds, that was a
Pusha T song.

Speaker 2 (31:31):
He sued the shit out of them, of course.
Did you know that they made?
I'm Loving it with McDonald'stoo.
Yeah, yeah.

Speaker 1 (31:41):
I heard about that, I'm like yeah, them boys, they
hot man, I ain't gonna lie.
This new album they got, I'mlistening to it like the first
couple songs.
My favorite song is that.
What is it called?
Ace of something.
Oh yeah, I know what you'retalking about.

(32:02):
They did a video to it, man,that song, that is true, like
true clips type of music, likethem type of beats, they like
real boom bap rappers.
You know what I'm saying.

Speaker 6 (32:14):
Because that's what for real he was a boom bap
producer.

Speaker 1 (32:17):
You know what I'm saying.

Speaker 2 (32:19):
Yeah, Like yeah, he could produce other stuff, but
uh for real produce the livingdaylights out of that album.
Man, I'm beyond.

Speaker 1 (32:28):
He really did yeah he did and they first album was he
produced that album and thatshit was fire too.
Like, yeah, it's called.
Uh, the first album was called.
Lord Willing had that songgrinding on it.
Yeah, that shit.

(32:49):
I was listening to it earlierlike I ain't gonna lie, the
clips is hot, man.
Like it is like things they besaying like bro, like, like what
you be having to bro, like whatyou be having to rewind it back
.
I ain't nut-riding, I just likegood lyricism.
You know what I'm sayingBecause I'm not a lyricist, I'm
a rapper.
So you know I love goodlyricism.

(33:11):
When I hear it like, ooh, I bekeying in, like a lot of people,
a lot of truth music artists.
Be like, I don't be listeningto secular music, I do.
I still listen to secular music.

Speaker 2 (33:22):
Like right, right, yeah, like I try not to, I ain't
gonna lie to you, I do, but Itry not to.
I ain't gonna hold you right.

Speaker 1 (33:30):
I'm saying I mostly just listen to beats yeah, I
listen to like secular music ofour time, like artists that made
music when we was coming up,like growing up like I don't
listen to.
Like secular music of our time,like artists that made music
when we was coming up, likegrowing up like I don't listen
to none of this new shit, uh, uh, but like I ain't gonna lie,
like it's like a couple artistsright now that I can say that I

(33:53):
like I rock if they sound, comeon, that's uh, I like uh, like
that's uh, I like, uh.
Like Offset man, I like notOffset but Takeoff, I like
Takeoff.
Like he was the best one out ofthe Migos.
Every time I heard him on a songI was I listened like and I
think he had the best verse onBad and Bougie.
You know what I'm saying?

(34:13):
Uh, huh.

Speaker 2 (34:18):
I ain't gonna lie to you.
I can't even tell thedifference between any of them,
dudes man take off.

Speaker 1 (34:23):
His flow was a lot.
He was the one that was.
He was the one came out withthat and was doing it first
before everybody.
Yeah, yeah, he was the one ofthe first ones I heard and then
after that everybody elsestarted like trying to memorize
that like.

(34:44):
But I'll say it in the otherone they trash like it's real
shit.
I don't even know how themniggas it's rich right now for
real, like well, we know howI'll say rich because he, you
know, he got that money off ofcardi b dumb ass and shit.
Cardi b is another rapper that Ican't say like.
I like her delivery, I like theway she has certain beats.

(35:07):
I want to listen to all hershit.
Certain songs.
I like when she's popping thatshit, I don't know, I just I
like when motherfuckers don'tknow how I can be popping that
shit.
You know what I'm saying.
And he'd be like, hey, okay, heate that, like you know.
But uh, yeah, but I don'tlisten.
Like I said, I listen.
I listen to a lot of differentgenres.

(35:28):
So I just don't listen tohip-hop, but uh, I still listen
to a sector for inspiration.

Speaker 2 (35:35):
You know, I'm saying like I hear something like dope
and I might steal that bar andjust change it into something,
you know, raising the most high,exactly I feel that too,
because when it comes to themusic, when it comes to the
beats or whatnot, I getinspiration every so often too,

(35:57):
and you know, where else is itgoing to come from, if it don't
come from something that'salready made Right?
That's the best thing about asample that shit right here.

Speaker 1 (36:08):
I don't care about that, though.
And so you said you wanted totry to get it done for the
summer out.
Yeah, I want to go out andfinish for the summer out.

(36:31):
Hey, y'all, we gotta, we gotta,we go do a petition for him to
get this album done asap so wecan hear it, because I'm
interested in the hearing.
You know your bars.
Like you know, I'm sayingmachete never told me that you
rapped.
I was like this is somethingnew to me.
I'm like, yeah, I need to hearsomething.
I might just put you on blastand turn on a beat and let you.
You know, freestyle.
No, don't do it like that,don't do it like that.

(36:53):
Hey, I thought about doing thatto one brother that was on here
one time, because he said hecould freestyle.
I'm like I'm going to just puthim on spot.
I don't know.
I don't know about freestyle,right, right, how long does it

(37:14):
usually take you to write a song?

Speaker 2 (37:17):
That's a very good question too.
I guess it varies, you know,I'm saying, depending on if I
got that inspiration, like if I,if I made a beat and once I
start making the beat, I startit, let me see how can I explain

(37:40):
it it starts to come to me likethe beat starts to resonate
with me and then, like every sooften, you know, I hear a lyric,
I hear a bar, here and there, Ihear something like that, and
then I write a title that I gowith it and I'm like, ok, I'm

(38:03):
going to keep that because I'vealready started writing to it,
right?
So, yeah, it's got to resonatewith me.
You know what I'm saying.
Come up with some type of bar.

Speaker 1 (38:15):
Right, I get it.
I get it.
It be like that sometimes, man,like, like certain beats you
done sent me like, and it'd takeme a while to write to them,
and then certain ones I get,it'd be like, yeah, I already
know what I'm about to say andit just when that rule, I'll
catch you, like and it tell youwhat to do after that.

(38:36):
Like, you know absolutelywhat's up, man, you know we, I
know that that you said in partone that you, you know you
really focus on, you know, theproduction and making the best
quality beat that you can make.

(38:56):
You know, so, how many timeshave you made a beat and it was
like this shit trash.

Speaker 2 (39:04):
Okay.
So in the process of makingmusic a lot of times, the first
beat I ain't gonna lie to you.
I'm probably gonna erase it.
I'm probably not gonna keep itFor real.
It's probably gonna be goingstraight into the dumpster it

(39:25):
has to warm up and then afterthat usually it's done.
After that.
Sometimes I don't even erasethem, sometimes I just just keep
them, but the majority of them,if it's the first one, nine
times out of ten, I ain'tkeeping it, damn.
Yeah, my first one's gotta goLike the first pancake.

(39:48):
Right, it's the test pancake.
Yeah, it's gotta go.

Speaker 1 (39:53):
I used to get that to my little niece.
Like here you go, like youalways get that test pancake
away, like it did the other mylittle niece.
Like here you go, you alwaysget that test pancake away.
The other one's like, yeah,make sure you put enough butter
on there so it can have the burnmarks on the other side, type
of shit.
That's crazy.
I get that, though.
Man, what's your creativeprocess?

(40:17):
What do you start with first?
Do you start with the 808, thedrums, the synth?
What's the first element to thebeat that ties everything in?

Speaker 2 (40:32):
Well, for me, I always start with the melodics.
You know what I'm saying.
So with that, I pick a soundthat is attractive.
You know what I'm saying.
So with that, I pick a soundthat is attractive you know what
I'm saying Something that Ihaven't used as a recently or
whatever, something that has amovement to it, something that

(40:53):
is interesting to the ear, right, that's got some texture to it,
right, and then from there Ilayer interesting to the ear,
right, that's got some textureto it, right, and then from
there I layer sounds.
You know what I'm saying.
If I use a progression, I dothe progression like maybe three
times and layer the sound.

Speaker 3 (41:13):
Yeah.

Speaker 2 (41:13):
And then after that, I find something that has some
movement to it.
After that I find likesomething that has some movement
to it.
After that I find likesomething that's uh, what's the
what's the term?
It's gonna be the countermelody.
And then I find somethingthat's the baseline and then I

(41:36):
do the drums.
Okay, Okay.
And then after that it's justdone, yeah, pretty much.
Well, I put what it is, thelittle bells and whistles on it.
Then you know what I'm saying,right.

Speaker 1 (41:55):
You know Right, right , hey, and Right, you know all
types of stuff like that, right,Right, hey, and and, like I
said, y'all, like if y'all doneheard my music, I'm sure y'all
have a lot, of, a lot of the,the, the, the beats that I've
done, A lot of the songs thatI've done, like in the last, I
would say, like the last two,three years I've known, we done

(42:17):
known each other for like what,two or three years now, yeah,
yeah, cause I, I did that beforedishonor part three, like two,
two years ago, two years ago,and that's when I met you.
I met you like a little bitbefore that.
So, yeah, it's been about three, three years.
My praise to the most high man.

(42:38):
Like no, it's, it's good toknow that you know we got, even
though we don't talk all thetime, like you know, it's still
that love.
And I hit him up like bro, Ineed you to, you should freak
this beat for me.
Like you're freaking andsending it back, and I'm like,
oh, every time he done freakedthe beat, it's like yeah, like

(42:58):
yeah, you just made this shitbetter, bro, like we always make
a like that Death BeforeDishonor, one that you sent me,
man, that I sent you and you didit.
It sounded super like.
It sounded like a Chopped andScrewed DJ Screwed type of beat

(43:19):
like it sounded like a choppedand screwed DJ screwed type of
beat.
Like when he sent it back I'mlike, okay, like I know he's
from the South, but sheesh, like, so I just put beat chops on it
and just gave it that choppedand screwed type feel to it Like
and it, man, that was one ofthe best beats that I done got
from you, that you done choppedup.
For me that's pretty good.

(43:39):
Uh, oh, yeah, that that jointwas fire.
That, uh, what else?
That dirty game, man, wait,when you hear that dirty game,
well, yeah, we, I, it's five ofus.
I got two sisters and me andtwo other brothers.
Uh, I finished it and my artistwas like I don't like the way it

(44:00):
sounds.
I don't like the way I sound.
So you know, we just did itagain.
If she listening, like, don'tbe mad at me, but that's how you
know, that's how I just said itlike that, because I was
irritated.
You told me you wanted torecord it again, but it sounded
dope to me.
But yeah, man, when we getfinished with it, it's going to

(44:21):
be flame man.
So, on average, how many beatsdo you make a week?
On average?
On average, let's see.

Speaker 2 (44:39):
Probably about, probably about if it's just the
average, probably about maybe 15.
Sheesh, see how you got it,because I be making like three a
day, wow.
And I tell you, in like 2023,2023, I had to have made overall

(45:05):
like 500 beats.
I was kicking them out left andright in 2023.
2024, I probably made like 250.
2024, I probably made like 250.
And then, like in this year, Iprobably made around 250.

(45:26):
So, overall, I almost got athousand beats.

Speaker 1 (45:32):
Yeah, Y'all need it, man.
I'm going to personally see tothe development and creation of
your website, man, because athousand beats man, you supposed
to have a website.
Man, you have a website gettingpaid off of that.

Speaker 2 (45:51):
I'm going to be real.

Speaker 1 (45:52):
What's up?

Speaker 2 (45:53):
Look, this is how the website thing didn't happen the
last time.
So I got with JP and this isnot a knock on JP in any way.

Speaker 1 (46:04):
Right.

Speaker 2 (46:04):
He did exactly what he was supposed to do.
He is stand up dude.
So he put me in touch with thisguy.
And the first red flag I shouldhave noticed he's not in this
country.
That was the first red flag.
Should have noticed he's not inthis country.
That was the first red flag.
Oh shit.
But being that it's JP, I'm likeall right, cool, I'm going to

(46:27):
see what your man got, let's doit.
So he was like I can make yourwebsite and this and that.
And he came through with adesign that I asked for and that
was cool.
And he made my I asked for andthat was cool.
And he made my new um, my newtag, and that was cool.
He had asked for 200.
I'm like all right, william,that's not that bad, that's not.

(46:49):
I can do two, you know I'msaying so.
He gave me the tag, he gave methat design.
I sent him the money and he wasworking on it for probably I
ain't like how hold you?
I don't know how long, probablya month maybe, and I'm like you
told me it was gonna be donelast week and then you told me

(47:13):
it was gonna be done the weekbefore that and then you told me
it was gonna be done thistuesday.
What's the deal, you know I'msaying.
He told me something.
Long story short.
He said it was done.
I looked at it and it's justlike, in order for me to use the
website, I need you the accessto the website.

(47:38):
I thought that once it's done Iwill be able to do whatever I
need to do it.
Yeah, but that ain't how ithappened.
So I told JP about it.
Jp got on him and he was finna,pay me back.
Jp was finna, pay me back themoney that he didn't give,

(47:59):
because I was like man, give memy money back.
You know what I'm saying, right?
But um, I'm like you know what,it's all good, I ain't gonna
I'm not even gonna trip on that.
I didn't want jp to pay mebecause it was not his fault,
right, right.
So I'm like you know I what I'msaying.
It's all good.

Speaker 1 (48:22):
I'm going to just leave it where it is.
Man, bro got you, I got you, Idid.
So we'll talk about it.
We ain't going to talk about iton the podcast because it's
business.
But yeah, bro, I got you.
Man, don't even worry, youain't even got a baby.
Like we'll get it done.
Yeah, we'll get it done.
Man like, all right, because Ihad asked about that, I had

(48:43):
asked my check about that.
Like man did you, like y'all,y'all got him a website going
and all that.

Speaker 2 (48:48):
Like I'm trying to, I'm trying like huh, let me be
honest with you.
You know, I don't really knowif you rock with me, sheck.
Still, I'm going to be real.
There's just certain aspectsabout me, sheck, that it rubs me

(49:10):
the wrong way.
You know what I'm saying.
And he's probably a cool dude,and I know he's a cool dude.
It's just like, when it comes tothe work, there's no
understanding of work and life.
And I know you got the juicesis flowing and you, you, you got

(49:32):
your lyrics and you want to doit when you want to do it, but
like I don't work for you.
You know what I'm saying.
This is the producer that I'm.
I'm like a single entity.
You know what I'm saying, right, I don't work for anybody and I
don't appreciate being talkedto like I work for you.

(49:55):
That, to me, was the wholereason why I just just blowed up
on that.
I'm just like.
I don't want to bedisrespectful, I don't even want
the conflict, right?
I just I'm gonna just leave youalone, to be honest hmm,

(50:16):
interesting, you know that'sinteresting.

Speaker 1 (50:21):
I mean I love my bro and you know, Hmm, Interesting,
that's interesting.
I mean I love my bro.
You know we have ourdifferences at times and that's
just it.
But I understand that.
You know, at times, you know,people have a certain sense of
urgency that you may not alwayshave.

(50:41):
You know what I'm saying, so Iget it and that's where you know
, sometimes you just gotta meetpeople where they at.
You know what I'm saying.
They don't mean step down tothey level and I'm not saying
that the brothers or anythinglike that.
I'm just saying like sometimesyou just gotta, I don't know,
understanding goes or brother'sbelief or anything like that.
I'm just saying like sometimesyou just gotta, you know, like I

(51:02):
don't know Understanding goesboth ways.
You know what I'm saying.
Yeah, yeah, yeah, I definitelyunderstand.
Yeah, so I mean not to say thatyou was wrong or anybody wrong.
I'm just saying like you know,we, we, uh, definitely, man,
Okay.

Speaker 2 (51:18):
Another thing.
Another thing when you haveOkay.
Before I even say that, I'mgoing to say I've always been
going back and forth about theprice of my music.
Yeah, At one point it was $60.
Then, you know, for Mesh point,it was 60.

(51:39):
Then, you know, for Meshack,because he was about to, you
know, do my whole website, I waslike yo, I'll give you a
discount because you're about todo my website, right, Mm?
And I'm just like, in myopinion, I dropped everything to
a singular price that madesense for me and made sense for

(52:01):
Yisrael.
At the same time, I was like 35is super easy.
You know what I'm saying?
it's very that's what I said.
I just was like it is what itis.
I want people to make as muchmusic for the most high as
possible, and that's a good wayto do it right there.

(52:24):
And I don't like when yourcraft is not respected.
You know what I'm saying.
You know what I'm saying.
Like, if you set a price forsomething, if anybody set a
price for something that I knowthat I want, if I don't know

(52:48):
anybody else that can do that,then I'm definitely gonna mess
with you, right?
You know I don't like thedisrespect of my craft because I
ain't going to hold you.
I used to do the sample thing.
Now I make my own samples.
You know what I'm saying.
So, like, I can tell you I makea one-on-one.

(53:10):
I can't tell you nobody elsethat sound like that, and I'm
not really trying to brag, Ijust know what I can do, right,
I'm not really trying to brag, Ijust know what I can do Right.
And to say that I'm likesitting at price and you're like
, nah, I can't do that, okay,well, if you can't do that, then

(53:34):
I guess I can't really rockwith you then well, I'm gonna
say that's for a reason yeah, goahead, go ahead.
No, that's it.
That's all I want to say, mybad so I definitely feel you, I
definitely.

Speaker 1 (53:47):
And that's why, when you, when you told me and I'm
just speaking from my experiencewith you and how I deal with
you, you know I, when, when Ifirst met you you was, you know
you said you had the beat packsand I'm like, why are they
selling beat packs for?
Like he should be sellingstraight and me the brother had

(54:08):
conversation, I'm like he shouldbe, you know, selling exclusive
beats, like you know, insteadof beat packs and stuff like
that.
It's shit hot, like that's.
When I, and that's why I cameto you like that, like bro, like
I, yeah, I just want this beat,I don't want the whole pack,
just but what you want for thisbeat, and you know, and that's

(54:30):
why I broke bread, like hey,okay, you want x, y and z, I'll
give it to you.
And since you giving it to meon, because exclusive beats,
what you were selling them forwas still cheap, still very
reasonable.
60 bucks is very reasonable forexclusive beat, let me say it

(54:52):
again.
So, so the people can hear itfor a exclusive beat, the
brother was selling them for6060, right, and on the back end
I would give him 34% on theroyalties, because I'm just,
that's just me.
I'm real.
Like you know, if I eat,everybody in my circle go eat.

(55:14):
You know what I'm saying.
That's just what it is, and notto say nothing about anybody
else.
This is this.
I'm speaking on my experienceand how I dealt with the brother
and how I deal with it, becauseI understand that when you,
when you charge, when you Offera, a pay, a normally paid

(55:36):
service for free, people tend todevalue it when it's time to
pay for real.
So I think that me personallyand this is how I am I'm big on
ownership.
So that's why I came to youlike, bro, I want an exclusive
on me, one-on-one type of shit.
You know what I'm saying and Ihad you do it the way that you

(55:59):
did it, that you sent them to me, because that's my master.
You know what I'm saying?
Yeah, so, like I said, I'm bigon ownership and I definitely am
big on, you know, like,respecting somebody's craft,
because I want somebody torespect my shit.
I was mixing and masteringpeople's stuff like 25 a song,

(56:19):
bro, 25 a song.
Like you can't go nowhere andget somebody to mix, your mix
and master and use they lander.
Like, yeah, I paid more.
I paid more for lander than Iwas charging people a month.
You know what I'm saying.
So I get it.

(56:41):
I don't disrespect my craft,because I put work into this and
it ain't like.
It ain't like this shit cameovernight.
Like this is years and years ofme practicing, trying, trying,
failing, getting it growing.
I get it.
I get the struggle and that'swhy I had to come at you and ask
one brother to another hey,look, I know, when you said 60,

(57:08):
I said I looked at my cash app,like okay, so what's this nigga
cash app?
Like 60, like I'm about to buytwo of these motherfuckers like
what.
You know what I'm saying.
Like it blew my mind and that'swhy I was buying so many of
them from you.
Like that, because it was adeal like and then I know that
you know you had and the brotherwould.

(57:30):
I hit him up like man, hey, Ineed this, this and this.
And that he be like alright,then he'll send me like three or
four videos what you thinkabout this, what you think about
that, what you know, I don'tlike that, I don't like that, I
don't like that.
Then he just sent me an emailwith a bunch of songs like man,
what, what you think?
Oh, I like this one.
All right, cool, let me, let mego ahead and mix it up and this
and that a couple days I get itback in my email master cash

(57:54):
app.
You know what I'm saying and Ijust feel like I definitely feel
you on that, bro, like Idefinitely feel you on that, and
people will.
People will disrespect yourcraft if they feel like when I
say it Fuck it, this is thetruth.

(58:15):
People will yeah, people willdisrespect your craft because
they think that it ain't as goodor it's menial to them.
It's menial to them because youjust made a beat like, okay,
whatever, you got a bunch ofbeats you just sent me.
You just sold me a beat packfor this and this and that wooty
woo, but not knowing that thatbeat pack is you still in there.

(58:39):
You done sold that part of 15other motherfuckers.
That's why I didn't want thebeat pack.
No, I don't want shit.
You done sold somebody else.
No, you was like, yeah and when,when I first came into this and
I and I look, I'm going to havea label, I'm going to start a

(58:59):
label I knew what it was goingto take.
It was going to take money, itwas going to take sacrifice, it
was going to take planning, itwas going to take for me to have
certain things in order.
That's why one of the timeswhen I came to you like, bro,
would you, you know, think aboutexclusively making beats For me
, you know, think about, youknow, exclusively making beats

(59:22):
for me?
You know, when you was like,yeah, yeah, definitely.
But I got a producer, I got mylittle nephew I make.
I had to understand that I hadto have these things and I have
to have certain like lander, mymixing equipment, my, my mixing,
uh, like, uh, like, all my likewaves.
I got waves.
And then I got the lander, Igot all these other things like

(59:42):
native instruments and stufflike that.
All that stuff costs.
If I wanted to do this, you gotto pay the cost to be the boss.
You know what I'm saying?
I just understand that shit.
I done bought beats for $100.

(01:00:03):
That wasn't nowhere near what Idone got from you for $60 so
yeah, so, and definitely whenyou was like man, I make my own
samples.
I'm like, let me hear one.
And you sent me that.
What was it?
It's called perfect walk.
That was a song.
Oh yeah, you made that beat.

(01:00:24):
And I'm like, damn, that's asample on there.
I know what he is, but I can't,I can't, I don't know what
sample it is.
And you was like nah, hit theflow, like what, yeah, that's.
Then the next week I came backto you was like, bro, yeah, we,

(01:00:46):
we need to be exclusive, likeyou know what I'm saying.

Speaker 2 (01:00:47):
Oh, I get it, bro.
Not even, not even to mentionthat.
Man, look the stuff that I wasasked to make.
It's not easy.
Yeah, you know what I'm saying.
It's not easy.
You know what I'm saying.
It's not easy and I'm like, bro, you asking me to make things
that are completely out of myelement.

(01:01:08):
You know what I'm saying andI'm doing it, and you can't pay
that.

Speaker 1 (01:01:18):
Okay, like they say, a man makes time and he pays and
he makes a way for what he wantto make a way for bro.
Sure, you know I'm saying solike you can't be mad because
one person don't don't value itthe way that that other people
value it.
Bro, I'm saying yeah becauseyou just got to focus on the
ones that value it like and rockwith them.

(01:01:40):
Like I get it, like you knowwhat I'm saying.
And like I said, I love my bro,like I love him, like, like we
done had our ups and downs, butyou know it, it is what it is
Like.
I just I just understand thateverybody move differently and
sometimes my reality ain't yourreality, because I don't, and

(01:02:02):
that's why I don't understandwhy people do what they do,
because that's not my reality.
you know what I'm saying so yeah, and it's not your reality, it
ain't your reality.
Understand what the brother,why he was on there.
You just, your reality is thisto okay whatever you know what
I'm saying.

Speaker 2 (01:02:17):
I ain't got no problem with him.
You know what I'm saying.
Yeah, you know, I ain't got noproblem with him.
You know what I'm saying.
I know he was wondering why Ihaven't said nothing.
Well, handling it in my owntime.

Speaker 1 (01:02:28):
Right right.
And it's all love.
Yeah, you know, and even if hehear this, it's all love, it's
still all love.
He just just understand it.
Yeah, just understand that it.
You know you gotta, you gotta,we gotta start learning how to
support one another in the rightmanner.
You know what I'm saying yeah,and and don't support, don't
support me the way you want tosupport me.

(01:02:50):
No Support, support looks likeyou helping me up.
If somebody want to want you towin, bro, they gonna help you
to win.
Yeah, want to want you to win,bro, they gonna help you to win.
Yeah, they gonna help you towin.
And if they, even, if they,even if I'm just say this, man,

(01:03:12):
you, you can see how people movewith with time like, and see
how people are with time like,and let you go through a
situation, let you go through asituation and see, see how many
people reach out and see youknow, see what's really going on
.
Or you know, even, you know,keep your mind, help you keep

(01:03:34):
your mind sane.
Like, like I went through, Iwent through some, I've been
going through some shit thisyear, bro, like my, my job ain't
my job situation ain't been thestrongest either.
Like so no, and there's been acouple brothers that has just
been like that sensed it in me,like, hey, bro, what's up with
you.
Like you know I'm saying andthere's been something that

(01:03:55):
sensed it in me and saidsomething and just left it at
that, like like.
But to the other ones that youknow reached it in me and say
something and just left it atthat, like like.
But to the other ones that youknow reached out to me and hey,
bro, you all right, you good,you all right, bro, you good.
Yeah, so often like I'll talkto a brother, and a lot of you
might.
It's unlikely, brother, itain't unlikely, but you wouldn't

(01:04:21):
think that me and him wouldconverse as much as we do.
But we do like, and you know Icheck up on him, he check up on
me, and it's love, like I get itlike.
You know I'm saying it's love,man, you know just like how I
hit you up, like, bro, how youdoing.
You know I'm saying I just tryto make sure that I, that y'all
know I love y'all and that I'mhere If you want to talk or
whatever, I'm here.
You know what I'm saying.
We ain't even got to recordthis shit.

(01:04:44):
Yeah, definitely, yeah, y'allyou return the same favor and
that's why I still rock with you.
You know what I'm saying.
Regardless of the music stuff,you a good brother with some
integrity and you strong iny'all, regardless of the music
stuff.
You a good brother with someintegrity and you strong than
y'all, and that right there is.

(01:05:06):
That make you my bro bro offtop.
You know what I'm saying.
We rocking like that.
You know what I'm saying.
You rock with y'all.
Anybody that don't rock withy'all, I ain't we on some Tupac
shit.
Now, that's the only time I geton some Tupac shit.
Hey, you don't rock with myfather, I don't rock with you.

(01:05:26):
His enemies, my enemies yes,sir, you know what I'm saying.
But other than that man, I'mjust trying to show love man,
and it's been a beautiful thingthat you know that the most has
brought you into this and andand kept you strong and kept you
going like you know I'm sayingbecause I'm sure you done, went
through some things that waslike man whoa, that that was

(01:05:48):
some bullshit like, but youstill here, you still, you still
rocking with y'all.
So all praise, so praise,hallelujah, oh yeah, hallelujah.
Oh praise, so Praise,hallelujah, oh yeah, hallelujah.
So when do you, when do you thealbum coming out?
Hopefully it come out this,this, uh, this summer, most high
willing before the summer overwith?

(01:06:09):
And who do you?
What, what, what brothers orsisters?
In the truth music genre wouldyou like to work with?
Everybody, everybody.
I get that.
I get that.

Speaker 2 (01:06:26):
Literally everybody, humble, the Rock, everybody,
everybody.
No name servant Everybody, okay, everybody.

Speaker 1 (01:06:39):
Okay, hey, Okay, hey, we hey.
It's nothing but a Facebookmessage away, bro.
You know what I'm saying.
Like you can hit a bunch ofpeople up.
But my thing is like I told saywhat now, jeremiah, yeah.

Speaker 3 (01:07:00):
Yeah.

Speaker 2 (01:07:02):
Yeah, I told him I want to be the DJ Khaled of
Israel.
Dj Khaled of Israel.
Yeah, just like you know, not,I mean he good, but like in the
aspect of putting people ontracks like that, that's what I

(01:07:23):
want to do, yeah you got to havea distinctive ear, I do, I do.
That's the thing.
But like that's what I want todo, I want to go and put several
brothers and sisters on onetrack.
You know what?

Speaker 1 (01:07:42):
I'm saying Like a cypher type of thing.

Speaker 2 (01:07:45):
Like how he did it.
You know what I'm saying.
Albums with so many differentpeople.
I want to do that for the truthmusic.
You know what I'm saying, right?

Speaker 1 (01:08:00):
Hey, that would be dope, bro, that would be dope.
I did a couple of albums likethat where I got a bunch of
people on them, like most of mydeath before the sonnets was
like that, except for part four.
Part four was was like mostlyme and just my artist that was
on the label with me at thattime.
And part five was a compilation.
Part three was a that was, thatwas.

(01:08:22):
I had a couple of features onthere.
Uh, part two was featured out.
Part one that was like my firstalbum, right, right, but that's
dope.
Man, like, uh, the brother YoelYehuda, he does the same thing
to put together like, likecompilations and stuff like that

(01:08:43):
, and that's, that's a goodthing and that's a good way to
show unity.
No, absolutely, mm.
Hmm, so how I man, I don't knowman, I don't think I done asked
you a lot.
Man, we just sitting heretalking like I ain't even really
you know, I get it.
I'm pretty much out ofquestions, y'all I'm reaching

(01:09:07):
right now, like, cause theconversation is so good man,
like we don't get to talk a lot,so I'm just, you know, just
enjoying the build, like youknow what I'm saying.
It's a beautiful thing that youknow that most have brought us
together and it was.
You know what I'm saying.
It's a beautiful thing that youknow that most have brought us
together and it was.
You know, for part two, likepart one was fire, y'all Like,

(01:09:27):
and you know we, we, it was morequestions and you know him
telling us everything that youknow we wanted to know.
And part two is just like morelike, yeah, we chill, lay back.
You know we had, you know it'sbeen a long work week for both
of us and like, shit, you justsitting here chilling, just
enjoy the build and if you don't, then get off the pot, like, no
, don't get off the podcast,y'all don't get off the podcast.

(01:09:48):
But all praise to the most highman is like man I definitely and
I know y'all hear that beat inthe background playing man it,
it, that's one of his like he.
He sent me some beats, man, andthe first one he I listened to
like in the beginning of partone.
I played it as an intro and no,you can't have it because I

(01:10:10):
already I got dibs on like, Igot dibs on that one.
But I don't praise man, my bro,man I'm, he's a, he's a
definite talented producer and Idone heard his beats on a
couple people lips, like I doneheard his beats on a couple

(01:10:31):
people albums.
I'm like, man, this brother islike really like producing,
producing, producing in thekingdom.
Man, I love it, bro, likethat's why I gotta help, like I
gotta help you win, bro.
Like you know, I'm sayingbecause I want to see you win.
So let's talk about thatwebsite, bro, definitely, like,
uh, yeah, I'll start working onit, like, because I uh, I just

(01:10:56):
gotta, I just gotta it's justanother piece of code and that I
got to learn, uh, like how toembed, like, uh, certain things,
like I know how to put themusic on there, but like to
embed it and so they can.
Like, you know, we'll talk aboutit though, bro.
But yeah, man, all praise tothe most high man.
We, uh, we really have, youknow, set and and and and and

(01:11:24):
and just talked and spit ourtruth man and you know, and I I
wanted to get kind of personal,but I don't, you know, like I'm
just going to be real, Y'alldon't know him like that he to
be asked super personalquestions and shit Like.
But you know me, I don't becaring for real, for real man,
I'm an asshole, but no, youwasn't supposed to agree with

(01:11:48):
that one, bro.

Speaker 2 (01:11:50):
Like you, agree too quick.

Speaker 1 (01:11:56):
But all praise, man.
This has been a beautiful build, bro, I don't want to hold you
too much longer.
We got part two done, man, andit's been.
I just can't say just howbeautiful it was, man.
I'm really.
I feel edified, like you know,in a sense of like brotherhood.

(01:12:17):
You know what I'm saying, justto know that, you know, just to
reassure me that the brotherhoodbetween us is still strong and
we good, and you know you stillgood with other people and you
just ain't got no beef.
You just trying to work in thekingdom.
My all praises, man, like so,yeah, all praises Hallelujah.

Speaker 2 (01:12:35):
Yes, sir, I have no problem with anybody at all.

Speaker 1 (01:12:44):
In general, right, but especially in israel.
I have no problems with anybody, right, right, and if and if
y'all got problems with him,then you got problems with me.
So I know I'm playing, but uh,yeah, man.
So go ahead and hit them withyour links, man, tell them where
they can find your music.
We, we work on them, we go.
Y'all just heard me broker todeal with the website.
So y'all don't ask about hiswebsite or where it's at, just
you know, get on his.

(01:13:05):
So just go ahead and hit onwhat that your links and tell
them where you know they canthey can find you get in touch
with you if they want to buybeats or whatever.
Like you know, I'm saying okay.

Speaker 2 (01:13:14):
So I got an Instagram it's SedeqMusic144.
I got a TikTok it's also thesame name SedeqMusic144.
And whatever that website, I'mgoing to have the links up in
the description of the TikTok.

Speaker 1 (01:13:36):
And I'm going to have it on my Instagram as well, and
that's how we do it, like mybro Dave saying already already.
So, bro, I thank you forgetting on the podcast with me.
Part two, I think might have tocall, I'm gonna call, I'm gonna
call.
Uh, music and rhythm and beat,rhythm, rhythm and 808s and 808s

(01:14:00):
and Bible Scripts yeah, thatmight be the title to your
episode, I don't know.
But part two, we got it done.
Y'all, I'll praise.
This is your boy Abiyah theSpit, your Truth Podcast.
We are streaming.
I'm back, streaming y'all, like.
I'm back with it everyWednesday 12 pm.
I'm sorry y'all, I'm back withit every Wednesday 12 pm.

(01:14:21):
I'm sorry y'all, I didn't getthe last two weeks in.
We just moved from, basically,my closet in my house.
We just moved from the closetin my house to the Simons Radio
Simons Studios and we bigger andbetter.
We done JFK and we bigger andbetter.
We done JFK and we doing it big.

(01:14:42):
So just give us some time, man,so we can work out all the
kinks and get things done.
We still working.
Y'all's wanting entertainmentit's the deck music.
We still working, man, andgetting it done, man, just be
patient with us, man.
So Wednesdays, we back at it.
Wednesdays at 12 pm EasternStandard Time.

(01:15:02):
I don't have to tell you all thetime breakdown.
You know where you live at.
So just be real, like, let'sjust be real, like, have common
sense, y'all.
Like.
You know where you live at, Idon't have to break it down for
you.
But if I do have to break itdown for you, I'm not, I'm not,
I'm just not like for real.
But all praise to the most highman.

(01:15:23):
I thank y'all for tuning in,man.
I thank y'all for this beingrocking with us.
Man, spit, your true podcastepisode 26.
No, this episode 27, I thinkhold on, hold on, you know it's
episode 26 y'all.
So no, this will be 27 becausethe first will be 26.
So, yeah, man, I said man, I Ijust really enjoyed the

(01:15:48):
conversation, bro, and I thankyou for giving us a little bit
of your time and uh and and yourand your heart and your mind,
and you know your insight andyour truth.
Thank you, bro.
uh, yes it's all love man, loveand respect man, and you know,
till it, till we do part three,because I think I might make him

(01:16:08):
uh originally yeah, I mighthave to make you, uh, we might
have to get on stream yard man,and get on the video, though,
man.
So you have to get that lineupgoing, bro.
So we can.
You know I'm saying we can, wecan get on there, like, yeah, I
definitely want to.
You know I'm saying we can, wecan get on there, like, yeah, I
definitely want to.
You know, I'm saying I put youon the video like and like how
you make a beat live, likethat'll be dope I definitely,

(01:16:29):
definitely, yeah, that'll bedope.
Yeah, mate, have a.
Have a how you make a beat livetime with us, like, and we just
sit and rock out to it and thenwe can do a live show, have
people in the chat you know whatI'm saying and bring somebody
up and then see if they canfreestyle to it.
Damn, I just got an idea y'all.

(01:16:49):
Hey, if y'all steal my idea man,I'm telling y'all I'm coming to
your house and I'm taking allyour equipment and I'm going to
smash it.
I ain't even going to steal it,I'm just going to smash it in
your house and leave.

Speaker 2 (01:17:05):
I don't pray.

Speaker 1 (01:17:06):
Right, man, I do that shit because I'm crazy and I'm
an asshole, so I will do thatshit y'all.
So don't fucking play with me,but I don't pray this man, let's
get to it man.
We love you bro.
Stay safe, man, let's get to it.
Man, we love you bro.
Stay safe, man, go with y'all.
Love you too, bro.
Oh yeah, definitely, man, and Ifeel it.
I feel it because you show it.

(01:17:27):
And definitely, man, go withy'all.
Man, keep your faith in themost high man and walk with
uprightness and integrity, manand righteousness, man, and
you'll be alright, bro.
Yeah, so go ahead and tell themwhat you want to I've been
talking about.
So you go ahead and tell thefans what you want them to know.

Speaker 2 (01:17:46):
We go close on now, bro yes, you know, and yeah, and
the word keep your lamp lit.
And you know, make as muchkingdom work as you possibly can
.

Speaker 1 (01:18:00):
For sure, all praises to Boya Beer and your beloved
brothers of deck music 1-0-4 onSpit.
The Truth Podcast, hosted atSimons Studios, doing it big.
All praise to the most high.
To the next Wednesday.

Speaker 3 (01:19:20):
No-transcript in your life and ask hard questions.

Speaker 1 (01:19:24):
Gain the knowledge from your elders, gird yourself
and get the rep in thisrighteous kingdom on the rise,
but first we gotta get our mindright.

Speaker 6 (01:19:31):
Meditate on.

Speaker 1 (01:19:32):
Torah, teach our season, lead our life Spending
corners with my.
Aki's trying to wake up dead.
Jake, we cooking food up onthis track for all you Jets,
come get a plate, make thatstatement.
Blues unite and teaching Torahon the Sabbath.
Going hard for our creator,disrespect, we'll let you have
it.
Yeah, it's tragic how he cookedit.
Got that kick hitting your back, that 808 cracking your ears.

(01:19:53):
Watch me ride this hat.
We praising and serving ourfather.

Speaker 6 (01:20:00):
Praise, praise and serving our Father we praising
and serving our Father Praisepraise and serving our Father.
Blessed be his name, yahweh.
He reigns supreme, guided mysteps like a light In every
dream, through the trials andstorms.
His mercy is sustained, afountain of hope.
He washed away my shame,creator of all the heaven scenes
, and proclaimed.
His glory is revealed, buteternal is his flame.

(01:20:22):
I'm walking in his truth.
His word is my delight againstthese haters.
He shields, turning that darkto light every heartbreak scene.
His love is my peace from theburdens.
Relief in him the joy won'tcease.
His presence is is ominous.
It's contagious.
Forever remains.
He blesses.
It's gracious.

Speaker 3 (01:20:46):
King Dayawi, hello Yahuwah, peace our almighty
Aluwah, these might be wordsthat you're not used to, so
young, you just pull up yourbooster, listen close, so you
can increase your evil now andreceive as you rock.
So, my brother, you won't die.

(01:21:08):
Keep it lit to the apple ofyour eye, read it daily and pray
.
We will unify, cause we need toworship him in truth and spirit
.
This sermon exposes cap him.
When you hear it, theseprophecies, we gonna have to
share it.
Yahushua Hamashiach, it's allthe merit.

(01:21:28):
We need to blare it, I am nothere for the back and forth.

Speaker 4 (01:21:31):
I'ma leave that up to y'all, cause I got 66 on my
bezel.
That's the type of time I'm on.
I ain't talking all tomorrow.
What side are you on?
Are you a Christian or anIsraelite?
There's two sides of the coin.
Well, y'all miss the trees forthe forest.
Y'all treat my kind like atourist.
Y'all been traveling with thatbull ish Might as well.
Call you all lit.
Well, did y'all forget themission?
Cause at times it seems likey'all did, cause you keep if you

(01:21:55):
are you a foe or a friend,cause I ain't trying to fit in.
Have you checked the balance?
Cause it's a tight rope thatyou're walking on with the goat,
not the lamb.
Well, crisis king, I said thatin front of anyone.
I'm just trying to break youout of it.
Slam it like Harriet Tubb.
Well, they looking forsomething.
Now you better book it and cutit out.

(01:22:17):
This is the Spit.

Speaker 3 (01:22:19):
Your Truth Podcast.

Speaker 4 (01:22:23):
Well, Christ is king.
I said that in front of anyone.
I'm just trying to break youout of it.
Slam it like Harriet Tubman.

Speaker 7 (01:22:30):
They say they swinging all they swords, but
fools they can't afford.
They can't listen to the Lord.
But he is the main source.
He's tearing up the storm Liketornadoes in the storm and it's
trying to make it easy.
This ain't the final form andniggas think it's sweeter than
syrup from out the corn.
I'm waiting for their death,cause it's greater than when
they born.

(01:22:50):
So shut it like a drawer.
We don't wanna hear no more.
But I'ma cry it loud with mysoul and my vocal cords.
Yeah, i'ma tell the crowd weclosing up all they doors.
And I'ma cry it loud with mysoul and my vocal cords.
Yeah, i'ma tell the crowd weclosing up all they doors.
And I'ma say it loud mydaughter won't be no whore.
And I'ma put my foot in theyass.
Like Ganondorf.
I'm always bringing heat when Ispaz like I'm a torch Bass.

Speaker 5 (01:23:14):
Let's get it.
I know it.
I hold my hands high to y'allwho we raining down the mountain

(01:24:00):
.
Let's get it.
We'll see you next time.
This is the Spit, your Truth.

Speaker 6 (01:24:04):
Podcast.