August 14, 2025 • 28 mins
Follows the exploits of a superhero as he battles evil and upholds justice, using his extraordinary powers to protect the innocent. The series combines action with moral lessons.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
That's set on. It's feeding bullets, more powerful than a locomotive,
able to leave Paul buildings at a single bounds. Up
on the sky, it's a bird. It's a plane. That's Superman.
(00:22):
Invent yourself Superman. When the planet Krypton, home of a
race of supermanic polling into dust, the whole survivor was
an instant boy who had been up to Earth in
a sealed rocket. Today had boy grown to man food.
It is known as Superman Foreign enemy of the forces
of Evil. To wade him and his never ending fight
for truth and justice, he masquerades as Park Kent, crime
(00:45):
reporter for a great metropolitan newspaper. His secret is carefully guarded.
No one is aware that Kent is Superman. No one's
but you going with us now on ABC as Superman's
faces and gravest of his entire career, the possible exposure
of his double identity, and an exciting transcribed adventure entitled
(01:07):
That Man Tell No Tale, the horrible realization that one
day someone will discover that Clark can't mild mannered, bespectacled
crime reporter is in reality Superman has hung over Superman's
head like the sword of damocles, for he realizes that
(01:28):
once his duel role is exposed, he will no longer
be able to work in secrecy, and now that day
has come. Returning to his apartment late one night after
covering a routine hold up story at police headquarters, Bart
can't discover that a secret closet in his bedroom had
(01:49):
been broken into, and the sparest Superman costume he kept
hidden there had been stolen. For a moment, he was dazed,
Then the full import of what had happened struck him
like a savage blow. Whoever had stolen the costume, unless
he was stupid beyond the belief, was now aware that
Clark Kent was Superman. For almost an hour, can't taste
(02:16):
the floor, unable to think there were six million people
in Metropolis and the sneak thief might be any one
of them. Finally, in desperation, he called in his friends,
the private detective Candy Myers. All right now, Clack, relax, relax,
not the end of the world, you know that might
be for me?
Speaker 2 (02:36):
A stop it.
Speaker 1 (02:37):
No matter what the guy stole, it can't be.
Speaker 2 (02:39):
That's fair.
Speaker 1 (02:40):
I let sabbath. From the beginning, I told you I
got back from headquarters. At eleven o'clock. I walked into
the bedroom and found the door of the closet opened.
Speaker 3 (02:46):
Okay, what was mess?
Speaker 1 (02:48):
Well that's not important, Candy the important.
Speaker 4 (02:51):
It's not important.
Speaker 1 (02:51):
I gotta know what the guy left it. Don I
assume he didn't take anything? So I left fat still
broke into my apartment.
Speaker 3 (02:59):
Look, you're not.
Speaker 1 (03:01):
Pulling any wool over Candy Meyer's eyes. In the first place,
it's a secret closet. In the second place, nobody has
a secret closet and leaves it empty. The third place,
if the guy knew how to get it open without
jimming the door, he must have had a pretty good
idea of what was in it. No, No, he couldn't
have known what was in it.
Speaker 3 (03:18):
So there was something in it?
Speaker 1 (03:20):
Yes, well, well what JIV give? What are they hides now? Candy,
believe me, it doesn't matter. All I want to do
is get the seat.
Speaker 3 (03:29):
Is that all?
Speaker 1 (03:29):
Well? You know what I mean. I don't know what
you mean, but I sure know what you need. You
neither swam me with a crystal ball, not a de
Tectic or Candy. Please you look pal, you know as
well as guy do. Whatever the guy took he's going
to try and sell a hawk. The only way to
put the finger on him is to check every fence
and hot shop in the study. We can't do that
unless we know what we're looking for, can we? But
(03:50):
he won't try to sell our hawk. This candy, it
has no value.
Speaker 3 (03:54):
And what are you are hot and bothered about?
Speaker 1 (03:56):
Well, it has value to me, in fact, it it's
every brother, Candy, just do one thing for me. Well,
you just check the closet door for thinker print. Have
you got your dustin kid with you?
Speaker 2 (04:06):
Yeah?
Speaker 1 (04:06):
I can please, Candy, Okay, but you sure like that
those things are hard way that's the only way in
this case. I wish I could tell you more, Candy, honestly,
I do mean more.
Speaker 4 (04:15):
Brother.
Speaker 3 (04:16):
You haven't told me anything just for fun, No, clerk.
If the guy didn't know what was in the closet.
Speaker 1 (04:21):
I mean, if he wasn't half how did he get.
Speaker 3 (04:22):
It open accidentally?
Speaker 1 (04:24):
I'm sure it's on an electric spring and its unlocked
when you pull out the top drawer of my desk. Well,
you sure went through a lot of trouble. I hide
something that doesn't have any value. Well, it's wait a minute,
if what guy took has no value. Why did he
take it? I don't know, can't you're lying in your teeth.
Speaker 3 (04:40):
There's no skin off my back.
Speaker 1 (04:42):
The prints on the door. I'll get him after that.
Tal you're on your own. Hello, Yes, this is Kenny.
Oh yes, my lord. Oh wait a minute, let me
(05:02):
jot that down with you. Yeah, that's n N A
N right, yes, yes, I see, yeah, Well thanks a
lot nobody right, okay, Candy, Okay, what that was my
lawyer identification? They tab the print left Noonan twenty one
(05:24):
arrests and three convictions in nineteen thirty eight.
Speaker 3 (05:26):
So what so he can be picked up, Candy?
Speaker 1 (05:29):
Sure, if the cops can find But if you think
I'm going to get mixed up in a caper where
you bring a guy in and you ask him if
you heist an unmentionable thing out of clock, can't seek
with closet.
Speaker 3 (05:39):
You're not on a lone. Kenny's tap past one.
Speaker 1 (05:43):
You'll handle this thing anyway you want, Candy, I need
your help. I can't call the police in on this.
I want you to find Noonan and bring him to me.
Speaker 3 (05:50):
Just like that.
Speaker 1 (05:51):
Well, you can do it if you want to.
Speaker 3 (05:53):
Sure, But well let's get you.
Speaker 1 (05:54):
Look, all I need is five minutes with him alone
in a room or alone anywhere with your faken hold
of home. Hello, yes, may what let's have that again?
Speaker 3 (06:07):
Yes?
Speaker 1 (06:09):
Uh huh at ten twenty five? Eh, I see no, no, no,
it's just a routine check. Yeah, sure will right, Candy. Yeah,
the cop on this beat caught noon and sneaking out
of the delivery entrance of this building at ten twenty
five tonight. Wow, that says it.
Speaker 3 (06:28):
It don't need me anymore?
Speaker 1 (06:30):
Wait three, oh, Candy, Wait he got away. He broke
loose before the prowl car showed up. The cop chased him,
shot at him twice and swears.
Speaker 3 (06:37):
He hit him, but he got away.
Speaker 1 (06:38):
Yes, but if he's wounded, you'll be easy to track down,
don't you think. Oh no, this is a big city
with a lot of people in it. I just want
me to bring him in. I'll try, Thanks, Candy. Let's
stay non and that that's right, I'll caught you.
Speaker 3 (06:58):
No, no what the slug went through his back, low down,
it's in his belly. Water's there.
Speaker 1 (07:04):
I better go call it doctor.
Speaker 3 (07:05):
H It don't look so good. No sense getting lost
up with the saw bones if it don't mean that
you'll have him die? What do you I mean let him?
I didn't put this slug in him.
Speaker 1 (07:15):
I didn't tell him to come crawling up here at
one o'clock in the morning and pass out on my couch.
He's gonna die on that custome. Let you get a
doctor up here fast.
Speaker 3 (07:23):
Oh? What're all the same?
Speaker 1 (07:25):
All these two bits creep? Where do they come when
they're in trouble? So Nick Morelli? Sure, Nick Moreley can
fix anything.
Speaker 3 (07:36):
Not to that. I'm all through, stick on my neck
out for these coming to me. Sure they can't even croak? Quiet? Okay? Letting?
What what's water?
Speaker 1 (07:54):
Let's all Joe?
Speaker 3 (07:55):
All right? Give it too much specificence?
Speaker 1 (07:57):
You give it to my hols. Head up?
Speaker 3 (08:00):
If I left you there's water?
Speaker 2 (08:07):
Nice, nice bitch.
Speaker 3 (08:10):
Okay, boy, lay down, baby, it's just blood in snow. Yeah.
Who blogs? You lefty cop doing? I I sting, Yeah
to wish your paper bag some get up? Left you
laate sir?
Speaker 2 (08:28):
And I have the paper bag.
Speaker 3 (08:31):
What's he talking about?
Speaker 1 (08:32):
We're carrying a paper bag.
Speaker 3 (08:33):
It's something a whole get it same.
Speaker 2 (08:37):
I got an awful frame inside.
Speaker 3 (08:41):
Me shore but this passed away just don't move it on.
Speaker 1 (08:45):
Ruh, cop up for me in the fighting bag.
Speaker 3 (08:51):
That's what you want left me?
Speaker 2 (08:52):
Yeah?
Speaker 3 (08:54):
What what?
Speaker 1 (08:56):
What? What's in it? What is it? That kind of
a fancy costo? No Superman, right, Superman, Superman, Yeah that's right,
secret closet guy living there, Superman.
Speaker 3 (09:15):
I don't hear it?
Speaker 1 (09:16):
If you mean he found this in a secret closet, yes, yeah,
and whoever is living where he founded his Superman?
Speaker 2 (09:22):
Yes he's crazy.
Speaker 4 (09:23):
No, no, m's fee Superman nack.
Speaker 1 (09:28):
It looks like what Superman wears.
Speaker 3 (09:30):
Yeah, let's see.
Speaker 1 (09:32):
On a level, make a five min five, one sixty
Spandy street guy must be Superman.
Speaker 3 (09:42):
That's what you highsted from his place?
Speaker 1 (09:43):
Yes, secret closet, hold out, broad closet, closet open fait
wit but oh Superman, who is kidding?
Speaker 3 (09:58):
Let's have their's take and let's see that.
Speaker 2 (10:02):
I mean one sixty standish but.
Speaker 3 (10:09):
What yet?
Speaker 1 (10:11):
Five mm?
Speaker 3 (10:14):
Okay you you've gotta come in, Max h Shoot, that
sucked you in.
Speaker 2 (10:25):
Thanks, Nicky always do who who we do?
Speaker 1 (10:32):
Who?
Speaker 2 (10:33):
Mm hmm mhmm.
Speaker 1 (10:38):
Yees, yeah, too bad. You could have told us more.
Speaker 3 (10:46):
You don't believe that stuffs about Superman, do you, can't tell.
I can tell. You want to prove it?
Speaker 1 (10:54):
Lighter that you want to prove it, don't you golhead
light of that? Okay, yeah, try to burn this stuff.
Three Yeah, the match close?
Speaker 3 (11:09):
Don't burn you sure? Okay?
Speaker 1 (11:12):
You see write another one is no kind like I said,
like a match. Put it right up front of the
cloth back light, up against somebody. What is it? Nick?
Speaker 3 (11:23):
That's creep? It was right, This is too man's outfitted.
Speaker 1 (11:28):
Don't burn baby, this is how are you gonna handle me?
Speaker 3 (11:31):
Get me Lonzo on the phone. He's got to come
up here with the boys and get this.
Speaker 1 (11:33):
That's creep oyther here then, Baby, We figured out to
sigh up this superman's character. So from now on he
works for only one guy, Nick Morelly, Right, Baby, Nick Morelly.
(11:56):
M oh hello Wick? Yes, Candy, Yeah, I was just dozing.
Speaker 2 (12:04):
You get wide awake with the closeman. Go back to sleep.
No bother me again with any whacky capers like this one.
Speaker 1 (12:10):
Did you find him, Candy?
Speaker 2 (12:11):
Yeah? I find it.
Speaker 3 (12:12):
Where is he?
Speaker 1 (12:12):
I'll come right up, wax how he's on a slap
in the walk dead.
Speaker 2 (12:17):
No, he couldn't get a hotel room, so they rated
him a slap for the night. What do you mean dead?
And they reached them walk rather than saw.
Speaker 1 (12:25):
Oh, okay, Candy.
Speaker 2 (12:27):
We found a lefty lot on the south side, about
two miles in your place. One of the cops slugs
got him in the fact, and that was as far
as he could get.
Speaker 3 (12:34):
Well, that's that.
Speaker 1 (12:37):
Thanks the million, Candy, Thanks for what. You don't know
what this has done for me. Thanks, You'll never know.
I guess not.
Speaker 2 (12:45):
Nothing else.
Speaker 1 (12:46):
Ken, okay't think of anything, Candy, Sure, well, should there
be something?
Speaker 2 (12:52):
What about that stuff? Because of your closet? But you
want to know whether the cops been covered it?
Speaker 1 (12:56):
Did they Hello, Kendy, Hello.
Speaker 2 (12:58):
I'm still here. What are you not excited?
Speaker 1 (13:00):
Did the candy and I don't even know what it is?
Did they recover anything?
Speaker 2 (13:05):
Just what he had in his pocket?
Speaker 1 (13:07):
Five Sense of steal Jemmy Smith and Wess Revom No, no,
not his pockets?
Speaker 3 (13:12):
Candy?
Speaker 1 (13:13):
Was he what was he carrying? Anything? Well, like a
coat or a two clothes?
Speaker 2 (13:22):
Yes, can I'm coming up and having a talk with you,
fan five.
Speaker 1 (13:32):
Candy. If I said it once, I've said it a
dozen times. I can't tell you what Noonan took from
that plot. That I wish I could, but I can't.
Now that fine, okay, tell, okay, just one more thing
i'd like to say. That is, if I don't mind
skip the starkheads and Candy, I've known you for five years,
whether you took the words right out of my mouth,
right out of my mouth, the word he's known each
other for five years and all that time, I've never
(13:54):
seen you so jettery like that.
Speaker 3 (13:56):
Oh nonsense, nonsense.
Speaker 4 (13:58):
Something's happened to Shot.
Speaker 1 (13:59):
Get a pace it. You're made help Clock, but you
can't get it unless you're willing to cooperate. And if
I could forget that I'm a private sex Well, i'm
your friend and I'm trying.
Speaker 3 (14:08):
It's at three o'clock in the morning. I don't know.
Speaker 2 (14:12):
Hello. Is this apartment side street?
Speaker 3 (14:17):
Yes? Who's it? Is this?
Speaker 2 (14:20):
Clock Camp?
Speaker 3 (14:21):
That's right? Who's calling?
Speaker 1 (14:22):
Where's the Who's calling?
Speaker 2 (14:25):
With something stolen from a closet near bedroom?
Speaker 1 (14:29):
Sorry, but I can't answer any questions unless I know
who's calling. This is a friend, Candy.
Speaker 2 (14:33):
If something was stolen you, I think I can get
it back.
Speaker 1 (14:37):
If you're a friend, why won't you tell me your name?
Speaker 2 (14:41):
If you want to get back what was stolen. You
better come to forty five Coak in a hurry and
come alone.
Speaker 1 (14:46):
Well, I I can't get out right now. I'm waiting
for some phone calls. Why don't you come here? All right?
A woman, she says, she's got to the stolen from
the classet.
Speaker 2 (14:57):
Be careful, I am, I'm skinned. Yes, okay, we'll be
down in twenty minutes. To make sure you're alone.
Speaker 1 (15:03):
I'll be alone. Well, she'll be here in twenty minutes.
Oh brother, this is right up my alley. Oh no, Candy,
no what you'll have to go. I've got to see
her alone.
Speaker 3 (15:13):
And that's how hiding the bedroom.
Speaker 1 (15:14):
No alone means alone. All right, I give up, I'm through,
I'm finished. Remember that I won't be able to help
you when you stretch out on a slab and I'm
more like left sty known it. We'll be back in
a moment for part two and the exciting conclusion of
Dead Men Tell No Tales. But Bert, here is your ABC.
Speaker 3 (15:34):
You now.
Speaker 4 (15:40):
It doesn't take much remembering to remember the forty two
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the number of victims was forty two thousand of whom
sixty percent were children under ten years old. Thousands of
those stricken youngsters are still thick, still under treatment, still
in need of help. The help you can lend by
(16:01):
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out research, stands as the greatest, single effective block against
this dread disease. It needs your help, needs it more
desperately than ever before. This is your responsibility, a responsibility
best met by giving your dimes and your dollar given
(16:24):
the name of your child. Give so that more children
can return to their roles as young, happy citizens. Give
and give again to combat polio. Keep those dimes and
dollars rolling to your local March of Dimes headquarters, and.
Speaker 1 (16:42):
How back till The Adventures of Superman and Part two
of That Man Tell No Tale. Unaware that the telephone
call he received was from mac Morelli's girl, and that
both the girl and the racketeer are aware of his
double identity, Dark can't waits nervously and impatiently for their arrivals.
(17:05):
But Candy Myers, suspicious of an attempted foul play, has not.
Speaker 4 (17:10):
Given up as he threatens to do.
Speaker 1 (17:12):
Although he left kent apartment, he is now waiting outside
the entrance to the building. It is almost three thirty
in the morning.
Speaker 2 (17:19):
The street is.
Speaker 1 (17:20):
Dark and silent. Suddenly, a car swings around the corner
and pulls up in front of the building. Candy Myers
steps back into the shadow of the doorway. He didn't
know that naked.
Speaker 3 (17:35):
He should one. That is never a step out of
the dark like that again, Sarah, but ain't healthy. I'm sorry.
I had been waiting for you, waiting for us. Yeah,
and Clark Kent.
Speaker 1 (17:54):
Oh.
Speaker 3 (17:55):
I thought they were supposed to come up to the
other bus. That's what. Yeah, I know, but to fight
somebody might come in, and you said I had to
be alarmed. If you've got people coming in at three
thirty in the morning while you're seeing my business here, you.
Speaker 1 (18:08):
Just can't tell, you know what it means?
Speaker 3 (18:10):
Sure? Okay, you want to go to my place. That's
even that any can show them the proof. Everybody asked
you a bat in your list. Okay, that's the kid.
That's cool.
Speaker 1 (18:34):
Makes self comfortable.
Speaker 3 (18:35):
Thanks, I've about a little drink, have a touch it?
Speaker 1 (18:39):
No?
Speaker 3 (18:39):
No thanks? Ree athletics time.
Speaker 1 (18:48):
It sure looks different sitting there, different than why, well
you're trying the kid get me I saw to day then, huh.
Speaker 3 (18:57):
Just because you don't drink, don't mean I don't have Now,
go right ahead. Okay. You must be wondering where I
fit into this. Huh yeah, in a way. Whatever it is,
I know the creep that busted into your past and
and cupped something out of your closet matter the fact.
Speaker 1 (19:20):
I got for the highst of you you have? Yeah,
when I get it back and said you better, I go, okay.
Speaker 3 (19:31):
What is it? Huh?
Speaker 1 (19:33):
He me?
Speaker 3 (19:35):
What does the creep cop out of your closet?
Speaker 1 (19:39):
You got it?
Speaker 3 (19:40):
You now? That ain't what I asked.
Speaker 1 (19:42):
If you don't nick, who dies?
Speaker 3 (19:46):
Huh? What was? It's like a code? Or see the clouds?
What's kind of a suit of clothes? Give it a name?
What do you mean? Give it a name?
Speaker 1 (20:01):
Get some front when the shade down, baby, don't move. Guys,
what are you pulling a gun on me for?
Speaker 3 (20:05):
Find out?
Speaker 1 (20:06):
Quick check the front door. Make sure it's lucky you
and me. You're gonna find out something can all right?
The angle is I think maybe this guy's a phony.
I don't like the smell of it what he's talking about.
Get up, Come on, get up. Sure, I'll make with
the talk. All you gotta do is listen. One thing
(20:30):
Nick Martley don't like is getting the double cross.
Speaker 3 (20:33):
You don't like it for nothing. So if Nick Mudey
thinks the.
Speaker 1 (20:36):
Guy who is slipping in the fingers right away quick.
Speaker 3 (20:38):
Takes care of me.
Speaker 1 (20:38):
See now I'm doing the talking. Remember, go ahead.
Speaker 3 (20:43):
Thanks. Sometimes maybe it's happened Nick Mardley makes a mistake.
It gives the business to the wrong guy, the guy
who ain't slipping the fingers. But with you, it don't matter.
If you're the guy who's supposed to be nothing is
gonna happen you way.
Speaker 1 (21:01):
Then you're trying to slip money is a finger and
you gotta come it. That's why I'm not allowed to thought.
Speaker 3 (21:09):
So say what you gotta say.
Speaker 1 (21:12):
All I gotta say is I don't know why you
pull a gun on me, and I don't know what
you're shooting your mass after. Maybe I'm wrong, So we'll
find out quick find out. What if you're the right
guy the wrong guy, I'm gonna toss the couple I
thought he had plugged your way. You're the right guy, Okay,
if you're the wrong guy. That that pigeon calling the
(21:35):
blind crap, unaware that Morella is trying to determine whether
or not he is Superman, and the Myers faces the
steel black muzzle of a gangster's gun. An almost certain there. Meanwhile,
in his apartment, Lark Kent glances at his watch for
the tenth time.
Speaker 3 (21:53):
Five minutes to four.
Speaker 1 (21:54):
She calls the least for three, and she said twenty
minutes almost an hour. I'm not gonna wait any longer.
Speaker 3 (22:01):
Twenty five Carston Street. I'll pay her a visit.
Speaker 1 (22:04):
As Superman, removing his horn, rims, glasses, and stripping off
his business up the skies, Lark can't emerges in the
brilliant red and blue costume of Superman raising a window.
The only human being on earth who numbers among his
amazing powers the power of light, leaps out into the darkness,
(22:24):
hovering for a time moment in mid air. He gets
his bearings, and then like an arrow shot from a bowl,
feeds across the city and drops down on the sidewalk
in front of a stuccle house of forty five parts.
One glance and his X ray vision shows him the
scene inside the house. Great Scott tensing every muscle of
his powerful body, Superman crashes through one of the black
drawn windows and like a human projectile strike, Candy Myers
(22:46):
droops him on contact, almost at againstant the gun in
Nick Moreley's hands blasts outa it do that, gun Hurst,
I gotta make sure.
Speaker 2 (22:57):
All right?
Speaker 3 (22:58):
All right, drop, that's better we talk things.
Speaker 1 (23:04):
Oh, I've got nothing to talk over with you unless
it's a matter of attempted murder. If I'd been a
split second l like that bullet would have kill him.
So why did he have to try to slip me
the thinger telling me he was Ken? That's what he did? Sure,
ask her? Yeah, he was written, no scars where you live?
What do you mean where I live? One sixty sends
we know this scor Your name is Clark Ken, You
(23:24):
know too much?
Speaker 4 (23:25):
Could be what's your name?
Speaker 3 (23:27):
Nick Morelly?
Speaker 1 (23:28):
And yours?
Speaker 3 (23:29):
Never mind? Yeah? And I do know too much. Only
what I know pays off, does it? I think? So
what that means? The only one knows the stupid tree
buster into your joint. He's dead.
Speaker 1 (23:44):
So from here and then you do business with me,
Nick Morelly? Is that all.
Speaker 3 (23:49):
On a cond? If you don't, I'm gonna do it.
Speaker 1 (23:51):
I'll talking, and that's gonna put you out of the
superman racket. But quick, what if I see to it
that you can't do any talking? You know? Dead men
tell no tailor gonna knock us off. That ain't your
way right now?
Speaker 3 (24:02):
I wish it were relaxed, mister scarce. What would you
like for me to call you a superman?
Speaker 4 (24:08):
You don't have to call me anything.
Speaker 1 (24:10):
Where's the costume that was stolen from my closet? I'm
not at any mood, but talking here is it?
Speaker 3 (24:15):
Yelling ain't gonna get you nowhere?
Speaker 1 (24:17):
All right? Then? Maybe this well?
Speaker 2 (24:20):
Keep breaking my where is that?
Speaker 1 (24:22):
Where is it? One answer to this, I've got to
put both of you someplace where it won't matter how
much talking you do. You're gonna act like this. We
can make it to you. I don't make it, Sank
the shooter pilot. Accept you've made your bet, and I
are gonna sleep and I get your coats on. You
heard what I said, get your coats on, or a
little ride to your new home. How I'm warning you
(24:54):
this mountain top is four thousand feet high and there's
no way down you're murdering us for freez of b.
I'll be back with everything you need and pulling.
Speaker 2 (25:01):
Up far below.
Speaker 1 (25:02):
You won't freeze the star. Why don you saw this thought?
I saw you.
Speaker 2 (25:05):
I was willing to forget it.
Speaker 1 (25:06):
I even told you what you're telling me isn't worth much.
I'll sweater than a circum bible that's worth less from you. Oh,
this is how it's got to be, until I can
think of something else. You too are got to live
up here. Please please it break.
Speaker 4 (25:17):
You're getting up.
Speaker 1 (25:18):
Break I remember, don't fighter with cake. I'll be back.
Steeping into the still darkened sky, Superman hovers in curious
flight above the mountain top, watching the tiny figures of
the gangster and his girl, then Jess. As he is
about to turn in mid air and head four Metropolis,
he notices with horror that hand in hand they are
attempting to make their way down a.
Speaker 3 (25:38):
Steep slope the stupid pool.
Speaker 1 (25:41):
Arching his powerful body, Superman prepares to swoop down after them,
but he is too late. Loose sand and gravel rolls
under their feet, and losing their balance, they pitch forward headlong.
Their body is striking a ledge and bouncing off like
taw dust stummies falling to the valley four thousand feet below. Hello, Hello,
(26:10):
this is Candy. Mind Candy, what happened to you? You
sound terrible.
Speaker 2 (26:14):
That happened to me. Shouldn't happen to a dog. Somebody
hit me in the back of the head with a
telephone pool.
Speaker 1 (26:21):
Uh laughing, Candy, I just clearing my throat.
Speaker 2 (26:24):
Lest can I want to warn you you're in trouble.
Speaker 1 (26:27):
I'm in trouble.
Speaker 2 (26:28):
Yeah, nothing much but the name of Morelli, Scott whatever
was Cat in your classes?
Speaker 1 (26:32):
Oh, don't worry about it, Candy, I got it back.
Speaker 2 (26:35):
You got it back?
Speaker 1 (26:36):
Yes. And Morelli and the girl are dead. They fell
off a mountain.
Speaker 2 (26:41):
That doesn't I know. I should have had more brains
than to get mixed up.
Speaker 3 (26:45):
And it fell off a mountain, that's right.
Speaker 2 (26:48):
Sure, And I'm think Tracy, and you're a Superman.
Speaker 1 (26:51):
That's right, Candy.
Speaker 3 (26:52):
Good night Cat, Good night Caddy.
Speaker 1 (27:02):
And so and dead men tell no tales. The Adventures
of Superman which have come to you week week at
the same time, over many of these same ABC stations.
With tonight's broadcast, we end the current series of Superman Adventures.
Thank you for listening. We hope to be back with
you shortly, bringing you radio's most fabulous character in thrilling
(27:22):
stories of action, mystery and adventure. Oh be sure to
listen when next again you hear that familiar cry. I
stood on a speeding bullet more powerful than a locomotive.
Healy Paul buildings at a single bound up on the sky.
It's a bird, it's a plane, It's Hooperman. Cooperman is
(27:47):
a copyrighted Franscribe feature appearing in Superman DC comic magazines.
The role of Cooperman has been played by Budd Goyer.
Rick has been composed and played by John Guard. This
is Jackson Beck, saying goodbye for the present and hoping
to say hello again in the very near future. This
(28:10):
is ABC, the American Broadcasting Company.
That's set on. It's feeding bullets, more powerful than a locomotive,
able to leave Paul buildings at a single bounds. Up
on the sky, it's a bird. It's a plane. That's Superman.
(00:22):
Invent yourself Superman. When the planet Krypton, home of a
race of supermanic polling into dust, the whole survivor was
an instant boy who had been up to Earth in
a sealed rocket. Today had boy grown to man food.
It is known as Superman Foreign enemy of the forces
of Evil. To wade him and his never ending fight
for truth and justice, he masquerades as Park Kent, crime
(00:45):
reporter for a great metropolitan newspaper. His secret is carefully guarded.
No one is aware that Kent is Superman. No one's
but you going with us now on ABC as Superman's
faces and gravest of his entire career, the possible exposure
of his double identity, and an exciting transcribed adventure entitled
(01:07):
That Man Tell No Tale, the horrible realization that one
day someone will discover that Clark can't mild mannered, bespectacled
crime reporter is in reality Superman has hung over Superman's
head like the sword of damocles, for he realizes that
(01:28):
once his duel role is exposed, he will no longer
be able to work in secrecy, and now that day
has come. Returning to his apartment late one night after
covering a routine hold up story at police headquarters, Bart
can't discover that a secret closet in his bedroom had
(01:49):
been broken into, and the sparest Superman costume he kept
hidden there had been stolen. For a moment, he was dazed,
Then the full import of what had happened struck him
like a savage blow. Whoever had stolen the costume, unless
he was stupid beyond the belief, was now aware that
Clark Kent was Superman. For almost an hour, can't taste
(02:16):
the floor, unable to think there were six million people
in Metropolis and the sneak thief might be any one
of them. Finally, in desperation, he called in his friends,
the private detective Candy Myers. All right now, Clack, relax, relax,
not the end of the world, you know that might
be for me?
Speaker 2 (02:36):
A stop it.
Speaker 1 (02:37):
No matter what the guy stole, it can't be.
Speaker 2 (02:39):
That's fair.
Speaker 1 (02:40):
I let sabbath. From the beginning, I told you I
got back from headquarters. At eleven o'clock. I walked into
the bedroom and found the door of the closet opened.
Speaker 3 (02:46):
Okay, what was mess?
Speaker 1 (02:48):
Well that's not important, Candy the important.
Speaker 4 (02:51):
It's not important.
Speaker 1 (02:51):
I gotta know what the guy left it. Don I
assume he didn't take anything? So I left fat still
broke into my apartment.
Speaker 3 (02:59):
Look, you're not.
Speaker 1 (03:01):
Pulling any wool over Candy Meyer's eyes. In the first place,
it's a secret closet. In the second place, nobody has
a secret closet and leaves it empty. The third place,
if the guy knew how to get it open without
jimming the door, he must have had a pretty good
idea of what was in it. No, No, he couldn't
have known what was in it.
Speaker 3 (03:18):
So there was something in it?
Speaker 1 (03:20):
Yes, well, well what JIV give? What are they hides now? Candy,
believe me, it doesn't matter. All I want to do
is get the seat.
Speaker 3 (03:29):
Is that all?
Speaker 1 (03:29):
Well? You know what I mean. I don't know what
you mean, but I sure know what you need. You
neither swam me with a crystal ball, not a de
Tectic or Candy. Please you look pal, you know as
well as guy do. Whatever the guy took he's going
to try and sell a hawk. The only way to
put the finger on him is to check every fence
and hot shop in the study. We can't do that
unless we know what we're looking for, can we? But
(03:50):
he won't try to sell our hawk. This candy, it
has no value.
Speaker 3 (03:54):
And what are you are hot and bothered about?
Speaker 1 (03:56):
Well, it has value to me, in fact, it it's
every brother, Candy, just do one thing for me. Well,
you just check the closet door for thinker print. Have
you got your dustin kid with you?
Speaker 2 (04:06):
Yeah?
Speaker 1 (04:06):
I can please, Candy, Okay, but you sure like that
those things are hard way that's the only way in
this case. I wish I could tell you more, Candy, honestly,
I do mean more.
Speaker 4 (04:15):
Brother.
Speaker 3 (04:16):
You haven't told me anything just for fun, No, clerk.
If the guy didn't know what was in the closet.
Speaker 1 (04:21):
I mean, if he wasn't half how did he get.
Speaker 3 (04:22):
It open accidentally?
Speaker 1 (04:24):
I'm sure it's on an electric spring and its unlocked
when you pull out the top drawer of my desk. Well,
you sure went through a lot of trouble. I hide
something that doesn't have any value. Well, it's wait a minute,
if what guy took has no value. Why did he
take it? I don't know, can't you're lying in your teeth.
Speaker 3 (04:40):
There's no skin off my back.
Speaker 1 (04:42):
The prints on the door. I'll get him after that.
Tal you're on your own. Hello, Yes, this is Kenny.
Oh yes, my lord. Oh wait a minute, let me
(05:02):
jot that down with you. Yeah, that's n N A
N right, yes, yes, I see, yeah, Well thanks a
lot nobody right, okay, Candy, Okay, what that was my
lawyer identification? They tab the print left Noonan twenty one
(05:24):
arrests and three convictions in nineteen thirty eight.
Speaker 3 (05:26):
So what so he can be picked up, Candy?
Speaker 1 (05:29):
Sure, if the cops can find But if you think
I'm going to get mixed up in a caper where
you bring a guy in and you ask him if
you heist an unmentionable thing out of clock, can't seek
with closet.
Speaker 3 (05:39):
You're not on a lone. Kenny's tap past one.
Speaker 1 (05:43):
You'll handle this thing anyway you want, Candy, I need
your help. I can't call the police in on this.
I want you to find Noonan and bring him to me.
Speaker 3 (05:50):
Just like that.
Speaker 1 (05:51):
Well, you can do it if you want to.
Speaker 3 (05:53):
Sure, But well let's get you.
Speaker 1 (05:54):
Look, all I need is five minutes with him alone
in a room or alone anywhere with your faken hold
of home. Hello, yes, may what let's have that again?
Speaker 3 (06:07):
Yes?
Speaker 1 (06:09):
Uh huh at ten twenty five? Eh, I see no, no, no,
it's just a routine check. Yeah, sure will right, Candy. Yeah,
the cop on this beat caught noon and sneaking out
of the delivery entrance of this building at ten twenty
five tonight. Wow, that says it.
Speaker 3 (06:28):
It don't need me anymore?
Speaker 1 (06:30):
Wait three, oh, Candy, Wait he got away. He broke
loose before the prowl car showed up. The cop chased him,
shot at him twice and swears.
Speaker 3 (06:37):
He hit him, but he got away.
Speaker 1 (06:38):
Yes, but if he's wounded, you'll be easy to track down,
don't you think. Oh no, this is a big city
with a lot of people in it. I just want
me to bring him in. I'll try, Thanks, Candy. Let's
stay non and that that's right, I'll caught you.
Speaker 3 (06:58):
No, no what the slug went through his back, low down,
it's in his belly. Water's there.
Speaker 1 (07:04):
I better go call it doctor.
Speaker 3 (07:05):
H It don't look so good. No sense getting lost
up with the saw bones if it don't mean that
you'll have him die? What do you I mean let him?
I didn't put this slug in him.
Speaker 1 (07:15):
I didn't tell him to come crawling up here at
one o'clock in the morning and pass out on my couch.
He's gonna die on that custome. Let you get a
doctor up here fast.
Speaker 3 (07:23):
Oh? What're all the same?
Speaker 1 (07:25):
All these two bits creep? Where do they come when
they're in trouble? So Nick Morelli? Sure, Nick Moreley can
fix anything.
Speaker 3 (07:36):
Not to that. I'm all through, stick on my neck
out for these coming to me. Sure they can't even croak? Quiet? Okay? Letting?
What what's water?
Speaker 1 (07:54):
Let's all Joe?
Speaker 3 (07:55):
All right? Give it too much specificence?
Speaker 1 (07:57):
You give it to my hols. Head up?
Speaker 3 (08:00):
If I left you there's water?
Speaker 2 (08:07):
Nice, nice bitch.
Speaker 3 (08:10):
Okay, boy, lay down, baby, it's just blood in snow. Yeah.
Who blogs? You lefty cop doing? I I sting, Yeah
to wish your paper bag some get up? Left you
laate sir?
Speaker 2 (08:28):
And I have the paper bag.
Speaker 3 (08:31):
What's he talking about?
Speaker 1 (08:32):
We're carrying a paper bag.
Speaker 3 (08:33):
It's something a whole get it same.
Speaker 2 (08:37):
I got an awful frame inside.
Speaker 3 (08:41):
Me shore but this passed away just don't move it on.
Speaker 1 (08:45):
Ruh, cop up for me in the fighting bag.
Speaker 3 (08:51):
That's what you want left me?
Speaker 2 (08:52):
Yeah?
Speaker 3 (08:54):
What what?
Speaker 1 (08:56):
What? What's in it? What is it? That kind of
a fancy costo? No Superman, right, Superman, Superman, Yeah that's right,
secret closet guy living there, Superman.
Speaker 3 (09:15):
I don't hear it?
Speaker 1 (09:16):
If you mean he found this in a secret closet, yes, yeah,
and whoever is living where he founded his Superman?
Speaker 2 (09:22):
Yes he's crazy.
Speaker 4 (09:23):
No, no, m's fee Superman nack.
Speaker 1 (09:28):
It looks like what Superman wears.
Speaker 3 (09:30):
Yeah, let's see.
Speaker 1 (09:32):
On a level, make a five min five, one sixty
Spandy street guy must be Superman.
Speaker 3 (09:42):
That's what you highsted from his place?
Speaker 1 (09:43):
Yes, secret closet, hold out, broad closet, closet open fait
wit but oh Superman, who is kidding?
Speaker 3 (09:58):
Let's have their's take and let's see that.
Speaker 2 (10:02):
I mean one sixty standish but.
Speaker 3 (10:09):
What yet?
Speaker 1 (10:11):
Five mm?
Speaker 3 (10:14):
Okay you you've gotta come in, Max h Shoot, that
sucked you in.
Speaker 2 (10:25):
Thanks, Nicky always do who who we do?
Speaker 1 (10:32):
Who?
Speaker 2 (10:33):
Mm hmm mhmm.
Speaker 1 (10:38):
Yees, yeah, too bad. You could have told us more.
Speaker 3 (10:46):
You don't believe that stuffs about Superman, do you, can't tell.
I can tell. You want to prove it?
Speaker 1 (10:54):
Lighter that you want to prove it, don't you golhead
light of that? Okay, yeah, try to burn this stuff.
Three Yeah, the match close?
Speaker 3 (11:09):
Don't burn you sure? Okay?
Speaker 1 (11:12):
You see write another one is no kind like I said,
like a match. Put it right up front of the
cloth back light, up against somebody. What is it? Nick?
Speaker 3 (11:23):
That's creep? It was right, This is too man's outfitted.
Speaker 1 (11:28):
Don't burn baby, this is how are you gonna handle me?
Speaker 3 (11:31):
Get me Lonzo on the phone. He's got to come
up here with the boys and get this.
Speaker 1 (11:33):
That's creep oyther here then, Baby, We figured out to
sigh up this superman's character. So from now on he
works for only one guy, Nick Morelly, Right, Baby, Nick Morelly.
(11:56):
M oh hello Wick? Yes, Candy, Yeah, I was just dozing.
Speaker 2 (12:04):
You get wide awake with the closeman. Go back to sleep.
No bother me again with any whacky capers like this one.
Speaker 1 (12:10):
Did you find him, Candy?
Speaker 2 (12:11):
Yeah? I find it.
Speaker 3 (12:12):
Where is he?
Speaker 1 (12:12):
I'll come right up, wax how he's on a slap
in the walk dead.
Speaker 2 (12:17):
No, he couldn't get a hotel room, so they rated
him a slap for the night. What do you mean dead?
And they reached them walk rather than saw.
Speaker 1 (12:25):
Oh, okay, Candy.
Speaker 2 (12:27):
We found a lefty lot on the south side, about
two miles in your place. One of the cops slugs
got him in the fact, and that was as far
as he could get.
Speaker 3 (12:34):
Well, that's that.
Speaker 1 (12:37):
Thanks the million, Candy, Thanks for what. You don't know
what this has done for me. Thanks, You'll never know.
I guess not.
Speaker 2 (12:45):
Nothing else.
Speaker 1 (12:46):
Ken, okay't think of anything, Candy, Sure, well, should there
be something?
Speaker 2 (12:52):
What about that stuff? Because of your closet? But you
want to know whether the cops been covered it?
Speaker 1 (12:56):
Did they Hello, Kendy, Hello.
Speaker 2 (12:58):
I'm still here. What are you not excited?
Speaker 1 (13:00):
Did the candy and I don't even know what it is?
Did they recover anything?
Speaker 2 (13:05):
Just what he had in his pocket?
Speaker 1 (13:07):
Five Sense of steal Jemmy Smith and Wess Revom No, no,
not his pockets?
Speaker 3 (13:12):
Candy?
Speaker 1 (13:13):
Was he what was he carrying? Anything? Well, like a
coat or a two clothes?
Speaker 2 (13:22):
Yes, can I'm coming up and having a talk with you,
fan five.
Speaker 1 (13:32):
Candy. If I said it once, I've said it a
dozen times. I can't tell you what Noonan took from
that plot. That I wish I could, but I can't.
Now that fine, okay, tell, okay, just one more thing
i'd like to say. That is, if I don't mind
skip the starkheads and Candy, I've known you for five years,
whether you took the words right out of my mouth,
right out of my mouth, the word he's known each
other for five years and all that time, I've never
(13:54):
seen you so jettery like that.
Speaker 3 (13:56):
Oh nonsense, nonsense.
Speaker 4 (13:58):
Something's happened to Shot.
Speaker 1 (13:59):
Get a pace it. You're made help Clock, but you
can't get it unless you're willing to cooperate. And if
I could forget that I'm a private sex Well, i'm
your friend and I'm trying.
Speaker 3 (14:08):
It's at three o'clock in the morning. I don't know.
Speaker 2 (14:12):
Hello. Is this apartment side street?
Speaker 3 (14:17):
Yes? Who's it? Is this?
Speaker 2 (14:20):
Clock Camp?
Speaker 3 (14:21):
That's right? Who's calling?
Speaker 1 (14:22):
Where's the Who's calling?
Speaker 2 (14:25):
With something stolen from a closet near bedroom?
Speaker 1 (14:29):
Sorry, but I can't answer any questions unless I know
who's calling. This is a friend, Candy.
Speaker 2 (14:33):
If something was stolen you, I think I can get
it back.
Speaker 1 (14:37):
If you're a friend, why won't you tell me your name?
Speaker 2 (14:41):
If you want to get back what was stolen. You
better come to forty five Coak in a hurry and
come alone.
Speaker 1 (14:46):
Well, I I can't get out right now. I'm waiting
for some phone calls. Why don't you come here? All right?
A woman, she says, she's got to the stolen from
the classet.
Speaker 2 (14:57):
Be careful, I am, I'm skinned. Yes, okay, we'll be
down in twenty minutes. To make sure you're alone.
Speaker 1 (15:03):
I'll be alone. Well, she'll be here in twenty minutes.
Oh brother, this is right up my alley. Oh no, Candy,
no what you'll have to go. I've got to see
her alone.
Speaker 3 (15:13):
And that's how hiding the bedroom.
Speaker 1 (15:14):
No alone means alone. All right, I give up, I'm through,
I'm finished. Remember that I won't be able to help
you when you stretch out on a slab and I'm
more like left sty known it. We'll be back in
a moment for part two and the exciting conclusion of
Dead Men Tell No Tales. But Bert, here is your ABC.
Speaker 3 (15:34):
You now.
Speaker 4 (15:40):
It doesn't take much remembering to remember the forty two
thousand victims in last year's record breaking polio epidemic. That's right,
the number of victims was forty two thousand of whom
sixty percent were children under ten years old. Thousands of
those stricken youngsters are still thick, still under treatment, still
in need of help. The help you can lend by
(16:01):
giving to the March of Dimes. The National Foundation for
Infantile Paralysis, cares for every one who needs it, carries
out research, stands as the greatest, single effective block against
this dread disease. It needs your help, needs it more
desperately than ever before. This is your responsibility, a responsibility
best met by giving your dimes and your dollar given
(16:24):
the name of your child. Give so that more children
can return to their roles as young, happy citizens. Give
and give again to combat polio. Keep those dimes and
dollars rolling to your local March of Dimes headquarters, and.
Speaker 1 (16:42):
How back till The Adventures of Superman and Part two
of That Man Tell No Tale. Unaware that the telephone
call he received was from mac Morelli's girl, and that
both the girl and the racketeer are aware of his
double identity, Dark can't waits nervously and impatiently for their arrivals.
(17:05):
But Candy Myers, suspicious of an attempted foul play, has not.
Speaker 4 (17:10):
Given up as he threatens to do.
Speaker 1 (17:12):
Although he left kent apartment, he is now waiting outside
the entrance to the building. It is almost three thirty
in the morning.
Speaker 2 (17:19):
The street is.
Speaker 1 (17:20):
Dark and silent. Suddenly, a car swings around the corner
and pulls up in front of the building. Candy Myers
steps back into the shadow of the doorway. He didn't
know that naked.
Speaker 3 (17:35):
He should one. That is never a step out of
the dark like that again, Sarah, but ain't healthy. I'm sorry.
I had been waiting for you, waiting for us. Yeah,
and Clark Kent.
Speaker 1 (17:54):
Oh.
Speaker 3 (17:55):
I thought they were supposed to come up to the
other bus. That's what. Yeah, I know, but to fight
somebody might come in, and you said I had to
be alarmed. If you've got people coming in at three
thirty in the morning while you're seeing my business here, you.
Speaker 1 (18:08):
Just can't tell, you know what it means?
Speaker 3 (18:10):
Sure? Okay, you want to go to my place. That's
even that any can show them the proof. Everybody asked
you a bat in your list. Okay, that's the kid.
That's cool.
Speaker 1 (18:34):
Makes self comfortable.
Speaker 3 (18:35):
Thanks, I've about a little drink, have a touch it?
Speaker 1 (18:39):
No?
Speaker 3 (18:39):
No thanks? Ree athletics time.
Speaker 1 (18:48):
It sure looks different sitting there, different than why, well
you're trying the kid get me I saw to day then, huh.
Speaker 3 (18:57):
Just because you don't drink, don't mean I don't have Now,
go right ahead. Okay. You must be wondering where I
fit into this. Huh yeah, in a way. Whatever it is,
I know the creep that busted into your past and
and cupped something out of your closet matter the fact.
Speaker 1 (19:20):
I got for the highst of you you have? Yeah,
when I get it back and said you better, I go, okay.
Speaker 3 (19:31):
What is it? Huh?
Speaker 1 (19:33):
He me?
Speaker 3 (19:35):
What does the creep cop out of your closet?
Speaker 1 (19:39):
You got it?
Speaker 3 (19:40):
You now? That ain't what I asked.
Speaker 1 (19:42):
If you don't nick, who dies?
Speaker 3 (19:46):
Huh? What was? It's like a code? Or see the clouds?
What's kind of a suit of clothes? Give it a name?
What do you mean? Give it a name?
Speaker 1 (20:01):
Get some front when the shade down, baby, don't move. Guys,
what are you pulling a gun on me for?
Speaker 3 (20:05):
Find out?
Speaker 1 (20:06):
Quick check the front door. Make sure it's lucky you
and me. You're gonna find out something can all right?
The angle is I think maybe this guy's a phony.
I don't like the smell of it what he's talking about.
Get up, Come on, get up. Sure, I'll make with
the talk. All you gotta do is listen. One thing
(20:30):
Nick Martley don't like is getting the double cross.
Speaker 3 (20:33):
You don't like it for nothing. So if Nick Mudey
thinks the.
Speaker 1 (20:36):
Guy who is slipping in the fingers right away quick.
Speaker 3 (20:38):
Takes care of me.
Speaker 1 (20:38):
See now I'm doing the talking. Remember, go ahead.
Speaker 3 (20:43):
Thanks. Sometimes maybe it's happened Nick Mardley makes a mistake.
It gives the business to the wrong guy, the guy
who ain't slipping the fingers. But with you, it don't matter.
If you're the guy who's supposed to be nothing is
gonna happen you way.
Speaker 1 (21:01):
Then you're trying to slip money is a finger and
you gotta come it. That's why I'm not allowed to thought.
Speaker 3 (21:09):
So say what you gotta say.
Speaker 1 (21:12):
All I gotta say is I don't know why you
pull a gun on me, and I don't know what
you're shooting your mass after. Maybe I'm wrong, So we'll
find out quick find out. What if you're the right
guy the wrong guy, I'm gonna toss the couple I
thought he had plugged your way. You're the right guy, Okay,
if you're the wrong guy. That that pigeon calling the
(21:35):
blind crap, unaware that Morella is trying to determine whether
or not he is Superman, and the Myers faces the
steel black muzzle of a gangster's gun. An almost certain there. Meanwhile,
in his apartment, Lark Kent glances at his watch for
the tenth time.
Speaker 3 (21:53):
Five minutes to four.
Speaker 1 (21:54):
She calls the least for three, and she said twenty
minutes almost an hour. I'm not gonna wait any longer.
Speaker 3 (22:01):
Twenty five Carston Street. I'll pay her a visit.
Speaker 1 (22:04):
As Superman, removing his horn, rims, glasses, and stripping off
his business up the skies, Lark can't emerges in the
brilliant red and blue costume of Superman raising a window.
The only human being on earth who numbers among his
amazing powers the power of light, leaps out into the darkness,
(22:24):
hovering for a time moment in mid air. He gets
his bearings, and then like an arrow shot from a bowl,
feeds across the city and drops down on the sidewalk
in front of a stuccle house of forty five parts.
One glance and his X ray vision shows him the
scene inside the house. Great Scott tensing every muscle of
his powerful body, Superman crashes through one of the black
drawn windows and like a human projectile strike, Candy Myers
(22:46):
droops him on contact, almost at againstant the gun in
Nick Moreley's hands blasts outa it do that, gun Hurst,
I gotta make sure.
Speaker 2 (22:57):
All right?
Speaker 3 (22:58):
All right, drop, that's better we talk things.
Speaker 1 (23:04):
Oh, I've got nothing to talk over with you unless
it's a matter of attempted murder. If I'd been a
split second l like that bullet would have kill him.
So why did he have to try to slip me
the thinger telling me he was Ken? That's what he did? Sure,
ask her? Yeah, he was written, no scars where you live?
What do you mean where I live? One sixty sends
we know this scor Your name is Clark Ken, You
(23:24):
know too much?
Speaker 4 (23:25):
Could be what's your name?
Speaker 3 (23:27):
Nick Morelly?
Speaker 1 (23:28):
And yours?
Speaker 3 (23:29):
Never mind? Yeah? And I do know too much. Only
what I know pays off, does it? I think? So
what that means? The only one knows the stupid tree
buster into your joint. He's dead.
Speaker 1 (23:44):
So from here and then you do business with me,
Nick Morelly? Is that all.
Speaker 3 (23:49):
On a cond? If you don't, I'm gonna do it.
Speaker 1 (23:51):
I'll talking, and that's gonna put you out of the
superman racket. But quick, what if I see to it
that you can't do any talking? You know? Dead men
tell no tailor gonna knock us off. That ain't your
way right now?
Speaker 3 (24:02):
I wish it were relaxed, mister scarce. What would you
like for me to call you a superman?
Speaker 4 (24:08):
You don't have to call me anything.
Speaker 1 (24:10):
Where's the costume that was stolen from my closet? I'm
not at any mood, but talking here is it?
Speaker 3 (24:15):
Yelling ain't gonna get you nowhere?
Speaker 1 (24:17):
All right? Then? Maybe this well?
Speaker 2 (24:20):
Keep breaking my where is that?
Speaker 1 (24:22):
Where is it? One answer to this, I've got to
put both of you someplace where it won't matter how
much talking you do. You're gonna act like this. We
can make it to you. I don't make it, Sank
the shooter pilot. Accept you've made your bet, and I
are gonna sleep and I get your coats on. You
heard what I said, get your coats on, or a
little ride to your new home. How I'm warning you
(24:54):
this mountain top is four thousand feet high and there's
no way down you're murdering us for freez of b.
I'll be back with everything you need and pulling.
Speaker 2 (25:01):
Up far below.
Speaker 1 (25:02):
You won't freeze the star. Why don you saw this thought?
I saw you.
Speaker 2 (25:05):
I was willing to forget it.
Speaker 1 (25:06):
I even told you what you're telling me isn't worth much.
I'll sweater than a circum bible that's worth less from you. Oh,
this is how it's got to be, until I can
think of something else. You too are got to live
up here. Please please it break.
Speaker 4 (25:17):
You're getting up.
Speaker 1 (25:18):
Break I remember, don't fighter with cake. I'll be back.
Steeping into the still darkened sky, Superman hovers in curious
flight above the mountain top, watching the tiny figures of
the gangster and his girl, then Jess. As he is
about to turn in mid air and head four Metropolis,
he notices with horror that hand in hand they are
attempting to make their way down a.
Speaker 3 (25:38):
Steep slope the stupid pool.
Speaker 1 (25:41):
Arching his powerful body, Superman prepares to swoop down after them,
but he is too late. Loose sand and gravel rolls
under their feet, and losing their balance, they pitch forward headlong.
Their body is striking a ledge and bouncing off like
taw dust stummies falling to the valley four thousand feet below. Hello, Hello,
(26:10):
this is Candy. Mind Candy, what happened to you? You
sound terrible.
Speaker 2 (26:14):
That happened to me. Shouldn't happen to a dog. Somebody
hit me in the back of the head with a
telephone pool.
Speaker 1 (26:21):
Uh laughing, Candy, I just clearing my throat.
Speaker 2 (26:24):
Lest can I want to warn you you're in trouble.
Speaker 1 (26:27):
I'm in trouble.
Speaker 2 (26:28):
Yeah, nothing much but the name of Morelli, Scott whatever
was Cat in your classes?
Speaker 1 (26:32):
Oh, don't worry about it, Candy, I got it back.
Speaker 2 (26:35):
You got it back?
Speaker 1 (26:36):
Yes. And Morelli and the girl are dead. They fell
off a mountain.
Speaker 2 (26:41):
That doesn't I know. I should have had more brains
than to get mixed up.
Speaker 3 (26:45):
And it fell off a mountain, that's right.
Speaker 2 (26:48):
Sure, And I'm think Tracy, and you're a Superman.
Speaker 1 (26:51):
That's right, Candy.
Speaker 3 (26:52):
Good night Cat, Good night Caddy.
Speaker 1 (27:02):
And so and dead men tell no tales. The Adventures
of Superman which have come to you week week at
the same time, over many of these same ABC stations.
With tonight's broadcast, we end the current series of Superman Adventures.
Thank you for listening. We hope to be back with
you shortly, bringing you radio's most fabulous character in thrilling
(27:22):
stories of action, mystery and adventure. Oh be sure to
listen when next again you hear that familiar cry. I
stood on a speeding bullet more powerful than a locomotive.
Healy Paul buildings at a single bound up on the sky.
It's a bird, it's a plane, It's Hooperman. Cooperman is
(27:47):
a copyrighted Franscribe feature appearing in Superman DC comic magazines.
The role of Cooperman has been played by Budd Goyer.
Rick has been composed and played by John Guard. This
is Jackson Beck, saying goodbye for the present and hoping
to say hello again in the very near future. This
(28:10):
is ABC, the American Broadcasting Company.
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