March 17, 2025 • 31 mins
As tensions in Davidstown continue to rise, Julie Hobbs follows a lead to an isolated meeting place, but what she discovers challenges everything she thought she knew about Nexus. Secrets unravel in the dead of night, as Eric’s enigmatic agenda becomes clearer but at what cost? Meanwhile, unseen forces are pulling strings behind the scenes, setting events into motion that will change the balance of power forever.
Emily’s struggle with her werewolf transformation intensifies, pushing her closer to the edge of control. As a female werewolf, she faces the terrifying reality of what she is becoming. With the full moon approaching, the hunger grows stronger and the town may not be ready for what happens next.
Prepare for a night of revelations, shifting alliances, and dark decisions in Tales from Davidstown Episode 10: Convergence. Listen now to uncover the truth lurking beneath the surface of this eerie town.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:00):
Welcome to the world of Tales from Davidstown.
Episode Ten (00:03):
Convergence
Originally released on Patreon
on February 18th, 2024.
Previously on Tales from Davidstown.
Hobbs (00:14):
There's no way you can continue being part of this investigation.
Paul (00:18):
No, wait... You can't!
I need to know where she is!
Woman in the Priory (00:24):
Sorry. Jess
Just me rushing around, as always.
I work here.
Sometimes. Look, it's been a long day.
Oh, yeah. Sure. Thanks.
What's your hurry?
It's me.
I need to see Nexus now.
Emily (00:39):
Please.
Please let me go.
Seraphina (00:43):
You're staying right here.
Nooo!!!
(01:34):
This place.
Why does Nexus always choose spotsthat feel like they’re straight
out of a ghost story?
I hope that was mud.
Hello?
Eric?
(01:59):
Strange.
No one's here.
Hello?
Hello?
Owww... Stupid..!
All this old furniture.
Is this where you live now?
(02:24):
What?
Eric (02:26):
Julie, welcome.
I apologise for keeping you waiting.
I wanted to make sure you came alone.
Oh, Eric.
I've been calling out for you.
Why didn't you answer?
Is it just us?
I was expecting the others.
The others...
They have their reasonsfor not joining us tonight.
(02:48):
Please take a seat.
You know, Eric,every time we meet, it's always someplace
more unsettling than the last.
How do you find these places?
Let's just say
I have a knack for the unusual.
Comes with the territory.
I see that - this place has seen betterdays.
(03:13):
Are you going to sit down or
just hide in the shadows?
Oh my God, Eric!
It's all right.
I know I look different.
Does my appearance frighten you?
No. It's just...
It's been a while.
(03:33):
You look....
What happened to you?
Your body.
Your face.
The passage of timeand the nature of my duties.
They continue to leave their mark.
Change is inevitable,even for someone like me.
The energies of the Dark Wilds
(03:54):
have become more aggressivethese last years.
I don't understand.
I know you're using your own bodyto absorb it all.
What's it doing to you?
It is the collision of two worldsmade manifest.
Whatever form my work is leaving me to
(04:15):
I cannot say.
I have, however, beenstranded here in this place for some time.
Movement has become
very difficult.
Well, is there anything I can do?
I should think not, Julie.
This transformation
is outside of human control.
No. If you please,let us get down to business.
(04:39):
Very well.
The animal killings.
They're escalating.
It's not just livestock now.
Pets, wildlife.
It's all becoming chaotic.
People are talking.
Rumours are spreading.
I'm aware of the situation.
The balance is
shifting.
(04:59):
This isn't just about balance, Eric.
It’s fear.
Real fear.
What are we dealing with here?
People deserve to know. Julie.
You, of all people, should understand.
There are truthsthat the public can't handle.
The panic would be worse than the threatitself.
(05:22):
I'm not here to debate ethics, Eric.
I need facts.
I need to knowwhat's causing these attacks.
Detective Sergeant,what you're asking for-
It's a glimpse into a worldthat's best left in the shadows.
I've seen the fur on this thing, Eric.
The tracks.
This isn't just some wild dog.
(05:44):
What kind of creatureare we talking about here?
What if I tell you?
What will you do, Julie?
Hunt it down? Bring it to justice?
Not everything in this worldsubmits to human laws and ethics.
You know that just as well as I do.
Yeah, well, I'm not looking to starta witch hunt, Eric.
People's lives are at risk,and we can't just stand by
(06:06):
while this,whatever it is, roams our streets.
There has to bea line. Even in your world.
Does this have
something to do with Emily Hargreavesdisappearance?
It's connected, isn't it?
Her wrecked car was covered in fur.
Nails.
I honestly don't know.
My proxies are looking into it.
(06:28):
This fur found in Hargreaves car-
It has to be relatedto the creature attacks.
Tell me what you know.
Julie, I understand your concern, butI genuinely don't have all the answers.
You know how these things are.
Not everything is clear, even to me.
Oh, come on, don't give me that.
You've always know more than you let on.
Don't start holding back on me now.
(06:50):
You've trusted me before, Julie,and I've not led you astray.
I assure you, my ignorance in this matter
is as frustrating to me as it is to you.
So what?
We're supposed to waitwhile your proxies do their work?
How many more have to sufferin the meantime?
I wish there was another way,but yes, we wait.
(07:13):
This isn’t a simple beast we're
dealing with. It's something more.
My proxies are doing what they can
to track it down, to understand its nature.
These proxies of yours.
You take over their bodies?
Body. I can inhabitonly one human at a time.
(07:35):
The toll it takes
is substantial.
And before you ask.
No, that's not information
I can disclose.
I trust you understandthe need for discretion.
It's unsettling, Eric.
You could be anyone.
I never know who you are,who I'm really talking to.
My true form is what you see before you.
(07:58):
This body-
As monstrous as it may look
is no disguise.
The ability to blend in, to operate unseenwhen necessary.
It's crucial for our cause.
My physical form has its limitations.By possessing a proxy
(08:19):
I can be in places where my trueappearance would cause complications.
I get why you do it,
but itdoesn't make it any less disturbing.
Do not concern yourselfwith what me and my proxy are doing.
We're on the same side.
Remember?
Your focus should be elsewhere.
Where then?
(08:40):
Jessica Wilder.
She's becoming a real problem.
I want you to arrest her.
What?
Wilder is a civilian.
She's innocent.
What do you expect me to do?
I can't lock a woman upfor no good reason.
Wilder is more involved than you realise.
She's become a variable we can't ignore.
(09:03):
I need you to take her into custody.
Based on what?
She's not involved in this.
She's just-Sometimes, Julie
we must make difficult choicesfor the greater good.
I'm sure you can find a creative solution.
A creative solution??
You're asking me to framean innocent woman.
(09:23):
I'm asking you to maintain order
to prevent further chaos.
How you achieve that
is your decision. Remember.
Remember, our goal is to
protect the town by any means necessary.
This isn't right, Eric.
I'm a police officer,not a puppet for your shadow games.
(09:45):
And I am a guardian of a balance
you can't fully comprehend.
Trust me when I say this action, however
unpalatable, is necessary.
You have your part to play in Nexus, Julie.
It's not always going to align
with the ideals of your badge.
Nexus isn't just about battlingthe darkness.
(10:08):
It's about maintaining the equilibriumbetween our worlds.
It's a heavy burden,
but one you agree to shoulder.
I know my duties to Nexus, Eric.
To this town.
But where does it end?
How far are we willing to go?
As far
as we must.
(10:29):
I need to think about this.
This goes against everything-
You know, what's at stake Julie,and we do what we must to keep balance.
Wilder was dug far too deep.
If she goes any further,she risks exposing us all.
This isn't right.
Goodbye, Hobbs.
(10:49):
I'll contact you again soon.
Remember, the balance must be preserved.
What have I got myself into?
You can come out now,
Seraphina.
(11:10):
How long have you known I was here?
I've known the whole time.
You might think your magic is strong,
but my senses are stronger.
Why stay hidden?
Why not join the meeting?
Sometimesit's better to observe, to listen.
I wanted to know what
Hobbs knows, what she suspects.
(11:35):
It's always wise to keep
your cards close to your chest.
Don't you think?
And what about you Seraphina?
What cards are you holding?
There's more to the situationthan you're letting on.
Oh, you know me, Eric.
I only reveal what's necessary.
But this situation,it's getting out of hand.
(11:58):
We need to act before itescalates further.
There are now two
Werewolves in Davidstown.
You mean the first has bitten someone?
Do you know who?
No.
But if we don't find them soon
there'll be a crisis, a contagion.
(12:19):
You know how quickly they spread.
Werewolves.
They’re abominations.
Uncontrolled savage beasts.
They can't contain their primal urges.
One bite and their virus spreads.
Seraphina.
Remember, they were once human too.
(12:41):
We all were.
Some more recently than others.
That's no excuse.
Once turned, they're nothing but a threat.
A danger to everyone around them.
We can't let them roam free.
Driven by their basest instincts.
They'll continue to bite. To infect.
(13:01):
To destroy everything in their path.
I understand your concern,
but we must approach this with a level head.
Not all creatures of the nightare beyond redemption.
Redemption.
There's no redemption for such creatures.
They're a blight upon this world.
And they must be dealt with harshlyand swiftly.
(13:26):
Eric, I need you to promise me
the momentyour proxies pick up on anything-
Any lead on these werewolves,
I want to be informed immediately.
You will beone of the first to know Seraphina.
Good.
Now, you'll have to excuse my short visit.
I have business to attend to elsewhere.
(13:47):
Be careful.
We're delving into deep
dark waters here.
Dark waters are where I thrive,
Eric.
Paul (14:03):
Julie thinks she can just push me out.
Sideline me.
I'm closer to this than anyone.
Jess.
She had to show up, didn't she?
Let it slip about me and Emily, now
Julie's got this bodypainted as some lovestruck fool.
(14:25):
I need
to focus on the task at hand.
The bigger picture.
This situation requires a perspective
beyond personal connection.
Jason Priest is the real threathere, not me.
The way he was with Emily, their past-
I'll prove it.
(14:47):
Even if I have to go it alone.
The number you have dialled is temporarilyunavailable.
Please leave your message after the tone.
Hello.
This is Detective Inspector Mark Reynolds,Davidstown police.
We need to speak to you regardingan ongoing missing persons investigation.
It's imperativeyou call us back as soon as possible.
(15:16):
These headaches!
They’re getting worse.
The stress is too much.
I'm pushing myself too far.
(15:36):
The balance.
I have to maintain it.
I can't afford to lose control.
Not now.
Jess.
I don't have time for you.
I need to stay focused.
(15:58):
It's all about finding Emilyand bringing Priest
to justice.
**He hits himself around the face**
Get it together man.
You're supposed to be a doctor.
You’re rational.
I need to find Emily.
I have to make this right.
(16:23):
Hello?
Jason Priest (16:23):
Detective Reynolds, is it?
What do you want?
Yes. Yes.
Thank you for returning my call.
We need to discuss your relationshipwith Emily Hargraves.
It's crucialyou come to Davidstown for an interview.
My relationship with Emily?That’s ancient history.
Why the hell would I trekall the way to Davidstown for that?
(16:46):
It's a matter of urgency, Mr. Priest.
Your cooperation is necessaryfor our ongoing investigation.
Investigation?
What's that little psycho up to now?
Making up stories. I bet.
Always was a drama queen, that one.
This isn't about past grievances, Mr.
Priest.
It's a serious matter,and your perspective could be invaluable.
(17:09):
You're trying to pin something on me,aren't you?
I've done nothing wrong.
I already spoke to some Hobbswoman about all of this.
What more do you want?
Mr. Priest,this isn't about assigning blame.
It's a standard
procedure in our investigation,Detective Sergeant Hobbs
is part of the teamthat's working on this case.
Standard procedure. My arse!
(17:31):
You coppers are all the same.
Looking forsomeone to hang your accusations on.
Well, it won't be me.
I assure you. Our
only interest is in uncovering the truth.
Your assistance can help us move forwardin resolving this matter.
Fine.
I'll come to your damned interview.
But I'm telling you now,
if this is some sort of witchhunt against me, you'll regret it.
(17:55):
We appreciate your cooperation, Mr.
Priest.
Are you available to meet tomorrow
outside the Davidstownpolice station at 10 a.m.?
Oh, I'll be there.
And you better be readyto explain yourselves.
This ends tomorrow.
(18:18):
One way or another,
I'll bring Emily home.
The truth can't hide in the shadowsforever.
Jess (18:31):
Come on, Paul.
Pick up.
Pick up!
You've reached the voicemail of Paul.
Please leave your message after the tone.
Paul. It's urgent.
You need to see the Priory
CCTV footage.
I'll call again later.
(18:52):
Okay.
It's fine.
Deep breaths.
You can tell Paul later.
He doesn't have to know everything rightthis minute.
I’m headed to the whispering pagesto speak with Mei Ling.
If anyone knows about whatever that thing
was that attacked Em,
(19:14):
it's her.
All right.
Let's get some answers.
It's closed.
You've got to be kidding me.
Mei Ling?
Mei Ling?!
Are you there?
I need to talk to you.
Passer-by (19:34):
Oh, it's no good
love shop's been shut for a fortnight now.
A fortnight? Hang on...
You're that Jess Wilder, aren’t you?From YouTube.
That's me.
But now's not really a good time.
No, no worries love.
Good luck with your mystery.
Big fan of your work.
Great.
(19:55):
Can't wait to see that online later.
**Sigh**
I need to do something else.
Anything else.
I need to clear my head.
Maybe a run will help.
I'll go for a jogand burn off this energy.
(20:16):
**Distant thunder and rain**
Seriously?
Now??
Fuck!
**THE RAIN BECOMES INTENSE**
This is
ridiculous.
**Two figures run past, laughing in the rain**
Fine.
The gym it is.
I'll figure this out one way or another.
(20:40):
All right, Jess.
Time to let off some steam.
Straight to the punching bags.
**Jess vigorously punches and kicks the bag**
(21:07):
**Jess pants as someone approaches**
Woman (21:11):
Fancy seeing you again so soon.
Look, I've had a really bad day.
I don't really feel like having a chat.
Okay?Okay.
I'll leave you to it
I guess.Sorry.
That was rude of me.
I've had a bit of a bad day.
Have we met before?
We met last night at the Priory.
(21:32):
We spoke briefly.
It's okay if you don't remember me.
I'm Natalie, by the way.
My friends call me Nat.
Oh. Right. Yeah.
Sorry. I'm Jess. Yeah.
I know who you are.
I may have watched your YouTubechannel a few times.
Oh, a fan.
(21:53):
Thank you.
Well, if I'm honest, deep divesaren't really my thing.
It was my ex-girlfriendwho was into all that.
I just ended up watching because of
...you.
Oh, uh...
Thanks.
(22:13):
Wow.
Who would have thoughtthe famous Jess Wilder
could be struck
speechless?
You've got me there.
I'm usually never lost for words.
I go to the Priory quite a bit.
Not seen you there before?
(22:33):
I'm relatively new there.
I moved from Londona couple of months back.
That's quite a move.
Well,it wasn't the right fit for me in the end.
So I moved up here. Oh.
What brought you to Davidstown, then?
I guess I was looking for a change.
The provincial life. The fresh air.
It's different here. In a good way.
(22:56):
I like it.
I get that. Davidstown has its charms,I guess.
Yeah.
And working at the Priory has been goodso far.
The Carristas’, they own the place-
They offered me a job.
So here I am.
The Carristas?
As in the “Carrista Company”?
Yeah. Do you know them?
(23:17):
I've... heard their name in passing.
It doesn't surprise me.
They own half the town.
I think? They must be minted.
Oh, yeah?
What else do they own?
Oh, I don't know.
You'd have to look at property recordsfor that information.
Let's not talk about work.I spend enough time there already.
(23:37):
Yeah.
Understandable.
You seem distracted.
I'm sorry.
You said you're having a bad day,and here I am, a stranger chatting away.
I'll let you get on. No, no, it's-
It's not that.
I just remembered something.
Something I have to do.
Okay.
(23:58):
Maybe I'll see you around?
Yeah. Of course.
I'm really sorry.
I have to go.
I just met someone called ‘Nat’ at the gym,
and we bumped into oneanother last night at the Priory.
Seems awfully convenientto see her two days in a row.
And I have literallynever seen her before.
(24:20):
According to her,
the Carrista family own the Priory,
the same place
Emily was attacked,and they're behind repairing her car and house.
There is no waythat this is all coincidence.
They're involved.
They have to be covering upwhatever happened to Emily. But why?
(24:42):
What are they hiding?
I need to dig deeper.
Unravel all of this.
The Carristas; they’re key to everything.
I can feel it.
Seraphina (25:09):
Home sweet home.
Oh, it's always so cold in here.
**Snaps her fingers and the fire lights up**
Oh. Much better.
So we have two werewolves now.
Oh, this is getting out of hand.
(25:32):
What on earth to do.
Oh, now what?
Mei Ling (25:38):
Seraphina.
I've discovered something you need to knowimmediately.
Mei Ling.
This had better be important.
It is.
I found a way to track one of thewerewolves.
It's a ritual,
but it's
unconventional.
And it's certainly nothing I canperform myself.
A ritual you say?
(25:59):
I'm listening.
It involves an ancient magic.
Something I stumbled upon in an old tome.
I very nearly missed it.
It's risky, though.
Risky. How?
This magic.
It's far more potent than spellsI've seen you cast before.
Are you implying my powers are inadequate?
(26:20):
I assure you, Mei Ling,I have dealt with more than you realise.
Oh, calm yourself.
It's just this spell.
It's ancient. Volatile.
Even for someone with your abilities,it will be challenging.
I've always appreciated a challenge.
And you believe that this will lead usto the other werewolf?
(26:42):
Yes.
It's designed to reveal their presence
and draw them outfrom wherever they're hiding.
And what's the cost of this ritual?
These things always come with a price.
The usual risks of tappinginto ancient forces.
Potential backlash.
Unpredictable effect on the caster.
(27:04):
But I believe
it's worth the risk.If I am the one to weave this spell
I'll be the judge of that.
However,if we can locate the other creature,
the risk may be justifiable.
Very well.
I'll assist you,but we proceed with caution.
(27:25):
Now explain to me exactly what we need.
Ahhh...
My fucking arm...
Hello?
What's going on?
Who's there?
(27:46):
Good.
You're awake.
We have much to discuss.
Why are you keeping me here?
I'm not a threat to you.
On the contrary.
Werewolves are a significant threat.
Especially oneswho don't yet understand their nature.
Maybe I understand my nature
if someone would tell mewhat the fuck is going on.
(28:07):
You've kidnapped me.
Locked me in a basement with a broken arm.
And you say thatI'm the one that's a threat.
**Emily gasps in shock**
Emily, please.
You must calm down.
Mei Ling?
Wait.
You’re in on this too?
I thought you were,
(28:28):
I don't know. On my side.
There are no sides, Emily.
My involvement here is to help you to-
Enough, Mei Ling.
We don't have time for coddling.
She needs to facethe reality of her situation.
You talk as if I'm some sort of monster.
That's because, Emily, in our world,
you are. A werewolf is no mere fairy tale.
(28:51):
You're a danger that needs to be managed.
Managed? Seraphina!
Perhaps we could approach this with a bit more-Mei Ling
Stop!
Emily,
you're going to take part in a ritual.
It is to track down the werewolfthat turned you.
A ritual?
Are you planning on
(29:13):
killing me?
Not intentionally,
but your participation is non-negotiable.
The ritual itself should poseno major harm to you.
However,
we would need some of
your bloodfrom when you're in werewolf full.
It is a key component.
My blood?
(29:35):
What exactlyare you planning on doing with it?
Your blood, being that of a newly turnedwerewolf, has a unique signature.
It will help us locate your sire.
The source of this infection.
And what happens when you find them?
There may be a waywe can reverse this. Cure you.
(29:56):
But that is a matter for another time.
Right now, we need to focus on the ritual.
And we don't have much time to prepare.
Time to-
I don't understand. See what I mean?
She's oblivious.
It means, dear child,that the blue moon is nearly upon us.
(30:16):
And we do not have the luxury ofwaiting until you're ready.
I'm afraid.
Good.
Thank you
for listening to this episode of Tales from Davidstown.
We hope you enjoyed your visit.Before you leave
(30:38):
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(30:59):
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Until next time, residents.
Welcome to the world of Tales from Davidstown.
Episode Ten (00:03):
Convergence
Originally released on Patreon
on February 18th, 2024.
Previously on Tales from Davidstown.
Hobbs (00:14):
There's no way you can continue being part of this investigation.
Paul (00:18):
No, wait... You can't!
I need to know where she is!
Woman in the Priory (00:24):
Sorry. Jess
Just me rushing around, as always.
I work here.
Sometimes. Look, it's been a long day.
Oh, yeah. Sure. Thanks.
What's your hurry?
It's me.
I need to see Nexus now.
Emily (00:39):
Please.
Please let me go.
Seraphina (00:43):
You're staying right here.
Nooo!!!
(01:34):
This place.
Why does Nexus always choose spotsthat feel like they’re straight
out of a ghost story?
I hope that was mud.
Hello?
Eric?
(01:59):
Strange.
No one's here.
Hello?
Hello?
Owww... Stupid..!
All this old furniture.
Is this where you live now?
(02:24):
What?
Eric (02:26):
Julie, welcome.
I apologise for keeping you waiting.
I wanted to make sure you came alone.
Oh, Eric.
I've been calling out for you.
Why didn't you answer?
Is it just us?
I was expecting the others.
The others...
They have their reasonsfor not joining us tonight.
(02:48):
Please take a seat.
You know, Eric,every time we meet, it's always someplace
more unsettling than the last.
How do you find these places?
Let's just say
I have a knack for the unusual.
Comes with the territory.
I see that - this place has seen betterdays.
(03:13):
Are you going to sit down or
just hide in the shadows?
Oh my God, Eric!
It's all right.
I know I look different.
Does my appearance frighten you?
No. It's just...
It's been a while.
(03:33):
You look....
What happened to you?
Your body.
Your face.
The passage of timeand the nature of my duties.
They continue to leave their mark.
Change is inevitable,even for someone like me.
The energies of the Dark Wilds
(03:54):
have become more aggressivethese last years.
I don't understand.
I know you're using your own bodyto absorb it all.
What's it doing to you?
It is the collision of two worldsmade manifest.
Whatever form my work is leaving me to
(04:15):
I cannot say.
I have, however, beenstranded here in this place for some time.
Movement has become
very difficult.
Well, is there anything I can do?
I should think not, Julie.
This transformation
is outside of human control.
No. If you please,let us get down to business.
(04:39):
Very well.
The animal killings.
They're escalating.
It's not just livestock now.
Pets, wildlife.
It's all becoming chaotic.
People are talking.
Rumours are spreading.
I'm aware of the situation.
The balance is
shifting.
(04:59):
This isn't just about balance, Eric.
It’s fear.
Real fear.
What are we dealing with here?
People deserve to know. Julie.
You, of all people, should understand.
There are truthsthat the public can't handle.
The panic would be worse than the threatitself.
(05:22):
I'm not here to debate ethics, Eric.
I need facts.
I need to knowwhat's causing these attacks.
Detective Sergeant,what you're asking for-
It's a glimpse into a worldthat's best left in the shadows.
I've seen the fur on this thing, Eric.
The tracks.
This isn't just some wild dog.
(05:44):
What kind of creatureare we talking about here?
What if I tell you?
What will you do, Julie?
Hunt it down? Bring it to justice?
Not everything in this worldsubmits to human laws and ethics.
You know that just as well as I do.
Yeah, well, I'm not looking to starta witch hunt, Eric.
People's lives are at risk,and we can't just stand by
(06:06):
while this,whatever it is, roams our streets.
There has to bea line. Even in your world.
Does this have
something to do with Emily Hargreavesdisappearance?
It's connected, isn't it?
Her wrecked car was covered in fur.
Nails.
I honestly don't know.
My proxies are looking into it.
(06:28):
This fur found in Hargreaves car-
It has to be relatedto the creature attacks.
Tell me what you know.
Julie, I understand your concern, butI genuinely don't have all the answers.
You know how these things are.
Not everything is clear, even to me.
Oh, come on, don't give me that.
You've always know more than you let on.
Don't start holding back on me now.
(06:50):
You've trusted me before, Julie,and I've not led you astray.
I assure you, my ignorance in this matter
is as frustrating to me as it is to you.
So what?
We're supposed to waitwhile your proxies do their work?
How many more have to sufferin the meantime?
I wish there was another way,but yes, we wait.
(07:13):
This isn’t a simple beast we're
dealing with. It's something more.
My proxies are doing what they can
to track it down, to understand its nature.
These proxies of yours.
You take over their bodies?
Body. I can inhabitonly one human at a time.
(07:35):
The toll it takes
is substantial.
And before you ask.
No, that's not information
I can disclose.
I trust you understandthe need for discretion.
It's unsettling, Eric.
You could be anyone.
I never know who you are,who I'm really talking to.
My true form is what you see before you.
(07:58):
This body-
As monstrous as it may look
is no disguise.
The ability to blend in, to operate unseenwhen necessary.
It's crucial for our cause.
My physical form has its limitations.By possessing a proxy
(08:19):
I can be in places where my trueappearance would cause complications.
I get why you do it,
but itdoesn't make it any less disturbing.
Do not concern yourselfwith what me and my proxy are doing.
We're on the same side.
Remember?
Your focus should be elsewhere.
Where then?
(08:40):
Jessica Wilder.
She's becoming a real problem.
I want you to arrest her.
What?
Wilder is a civilian.
She's innocent.
What do you expect me to do?
I can't lock a woman upfor no good reason.
Wilder is more involved than you realise.
She's become a variable we can't ignore.
(09:03):
I need you to take her into custody.
Based on what?
She's not involved in this.
She's just-Sometimes, Julie
we must make difficult choicesfor the greater good.
I'm sure you can find a creative solution.
A creative solution??
You're asking me to framean innocent woman.
(09:23):
I'm asking you to maintain order
to prevent further chaos.
How you achieve that
is your decision. Remember.
Remember, our goal is to
protect the town by any means necessary.
This isn't right, Eric.
I'm a police officer,not a puppet for your shadow games.
(09:45):
And I am a guardian of a balance
you can't fully comprehend.
Trust me when I say this action, however
unpalatable, is necessary.
You have your part to play in Nexus, Julie.
It's not always going to align
with the ideals of your badge.
Nexus isn't just about battlingthe darkness.
(10:08):
It's about maintaining the equilibriumbetween our worlds.
It's a heavy burden,
but one you agree to shoulder.
I know my duties to Nexus, Eric.
To this town.
But where does it end?
How far are we willing to go?
As far
as we must.
(10:29):
I need to think about this.
This goes against everything-
You know, what's at stake Julie,and we do what we must to keep balance.
Wilder was dug far too deep.
If she goes any further,she risks exposing us all.
This isn't right.
Goodbye, Hobbs.
(10:49):
I'll contact you again soon.
Remember, the balance must be preserved.
What have I got myself into?
You can come out now,
Seraphina.
(11:10):
How long have you known I was here?
I've known the whole time.
You might think your magic is strong,
but my senses are stronger.
Why stay hidden?
Why not join the meeting?
Sometimesit's better to observe, to listen.
I wanted to know what
Hobbs knows, what she suspects.
(11:35):
It's always wise to keep
your cards close to your chest.
Don't you think?
And what about you Seraphina?
What cards are you holding?
There's more to the situationthan you're letting on.
Oh, you know me, Eric.
I only reveal what's necessary.
But this situation,it's getting out of hand.
(11:58):
We need to act before itescalates further.
There are now two
Werewolves in Davidstown.
You mean the first has bitten someone?
Do you know who?
No.
But if we don't find them soon
there'll be a crisis, a contagion.
(12:19):
You know how quickly they spread.
Werewolves.
They’re abominations.
Uncontrolled savage beasts.
They can't contain their primal urges.
One bite and their virus spreads.
Seraphina.
Remember, they were once human too.
(12:41):
We all were.
Some more recently than others.
That's no excuse.
Once turned, they're nothing but a threat.
A danger to everyone around them.
We can't let them roam free.
Driven by their basest instincts.
They'll continue to bite. To infect.
(13:01):
To destroy everything in their path.
I understand your concern,
but we must approach this with a level head.
Not all creatures of the nightare beyond redemption.
Redemption.
There's no redemption for such creatures.
They're a blight upon this world.
And they must be dealt with harshlyand swiftly.
(13:26):
Eric, I need you to promise me
the momentyour proxies pick up on anything-
Any lead on these werewolves,
I want to be informed immediately.
You will beone of the first to know Seraphina.
Good.
Now, you'll have to excuse my short visit.
I have business to attend to elsewhere.
(13:47):
Be careful.
We're delving into deep
dark waters here.
Dark waters are where I thrive,
Eric.
Paul (14:03):
Julie thinks she can just push me out.
Sideline me.
I'm closer to this than anyone.
Jess.
She had to show up, didn't she?
Let it slip about me and Emily, now
Julie's got this bodypainted as some lovestruck fool.
(14:25):
I need
to focus on the task at hand.
The bigger picture.
This situation requires a perspective
beyond personal connection.
Jason Priest is the real threathere, not me.
The way he was with Emily, their past-
I'll prove it.
(14:47):
Even if I have to go it alone.
The number you have dialled is temporarilyunavailable.
Please leave your message after the tone.
Hello.
This is Detective Inspector Mark Reynolds,Davidstown police.
We need to speak to you regardingan ongoing missing persons investigation.
It's imperativeyou call us back as soon as possible.
(15:16):
These headaches!
They’re getting worse.
The stress is too much.
I'm pushing myself too far.
(15:36):
The balance.
I have to maintain it.
I can't afford to lose control.
Not now.
Jess.
I don't have time for you.
I need to stay focused.
(15:58):
It's all about finding Emilyand bringing Priest
to justice.
**He hits himself around the face**
Get it together man.
You're supposed to be a doctor.
You’re rational.
I need to find Emily.
I have to make this right.
(16:23):
Hello?
Jason Priest (16:23):
Detective Reynolds, is it?
What do you want?
Yes. Yes.
Thank you for returning my call.
We need to discuss your relationshipwith Emily Hargraves.
It's crucialyou come to Davidstown for an interview.
My relationship with Emily?That’s ancient history.
Why the hell would I trekall the way to Davidstown for that?
(16:46):
It's a matter of urgency, Mr. Priest.
Your cooperation is necessaryfor our ongoing investigation.
Investigation?
What's that little psycho up to now?
Making up stories. I bet.
Always was a drama queen, that one.
This isn't about past grievances, Mr.
Priest.
It's a serious matter,and your perspective could be invaluable.
(17:09):
You're trying to pin something on me,aren't you?
I've done nothing wrong.
I already spoke to some Hobbswoman about all of this.
What more do you want?
Mr. Priest,this isn't about assigning blame.
It's a standard
procedure in our investigation,Detective Sergeant Hobbs
is part of the teamthat's working on this case.
Standard procedure. My arse!
(17:31):
You coppers are all the same.
Looking forsomeone to hang your accusations on.
Well, it won't be me.
I assure you. Our
only interest is in uncovering the truth.
Your assistance can help us move forwardin resolving this matter.
Fine.
I'll come to your damned interview.
But I'm telling you now,
if this is some sort of witchhunt against me, you'll regret it.
(17:55):
We appreciate your cooperation, Mr.
Priest.
Are you available to meet tomorrow
outside the Davidstownpolice station at 10 a.m.?
Oh, I'll be there.
And you better be readyto explain yourselves.
This ends tomorrow.
(18:18):
One way or another,
I'll bring Emily home.
The truth can't hide in the shadowsforever.
Jess (18:31):
Come on, Paul.
Pick up.
Pick up!
You've reached the voicemail of Paul.
Please leave your message after the tone.
Paul. It's urgent.
You need to see the Priory
CCTV footage.
I'll call again later.
(18:52):
Okay.
It's fine.
Deep breaths.
You can tell Paul later.
He doesn't have to know everything rightthis minute.
I’m headed to the whispering pagesto speak with Mei Ling.
If anyone knows about whatever that thing
was that attacked Em,
(19:14):
it's her.
All right.
Let's get some answers.
It's closed.
You've got to be kidding me.
Mei Ling?
Mei Ling?!
Are you there?
I need to talk to you.
Passer-by (19:34):
Oh, it's no good
love shop's been shut for a fortnight now.
A fortnight? Hang on...
You're that Jess Wilder, aren’t you?From YouTube.
That's me.
But now's not really a good time.
No, no worries love.
Good luck with your mystery.
Big fan of your work.
Great.
(19:55):
Can't wait to see that online later.
**Sigh**
I need to do something else.
Anything else.
I need to clear my head.
Maybe a run will help.
I'll go for a jogand burn off this energy.
(20:16):
**Distant thunder and rain**
Seriously?
Now??
Fuck!
**THE RAIN BECOMES INTENSE**
This is
ridiculous.
**Two figures run past, laughing in the rain**
Fine.
The gym it is.
I'll figure this out one way or another.
(20:40):
All right, Jess.
Time to let off some steam.
Straight to the punching bags.
**Jess vigorously punches and kicks the bag**
(21:07):
**Jess pants as someone approaches**
Woman (21:11):
Fancy seeing you again so soon.
Look, I've had a really bad day.
I don't really feel like having a chat.
Okay?Okay.
I'll leave you to it
I guess.Sorry.
That was rude of me.
I've had a bit of a bad day.
Have we met before?
We met last night at the Priory.
(21:32):
We spoke briefly.
It's okay if you don't remember me.
I'm Natalie, by the way.
My friends call me Nat.
Oh. Right. Yeah.
Sorry. I'm Jess. Yeah.
I know who you are.
I may have watched your YouTubechannel a few times.
Oh, a fan.
(21:53):
Thank you.
Well, if I'm honest, deep divesaren't really my thing.
It was my ex-girlfriendwho was into all that.
I just ended up watching because of
...you.
Oh, uh...
Thanks.
(22:13):
Wow.
Who would have thoughtthe famous Jess Wilder
could be struck
speechless?
You've got me there.
I'm usually never lost for words.
I go to the Priory quite a bit.
Not seen you there before?
(22:33):
I'm relatively new there.
I moved from Londona couple of months back.
That's quite a move.
Well,it wasn't the right fit for me in the end.
So I moved up here. Oh.
What brought you to Davidstown, then?
I guess I was looking for a change.
The provincial life. The fresh air.
It's different here. In a good way.
(22:56):
I like it.
I get that. Davidstown has its charms,I guess.
Yeah.
And working at the Priory has been goodso far.
The Carristas’, they own the place-
They offered me a job.
So here I am.
The Carristas?
As in the “Carrista Company”?
Yeah. Do you know them?
(23:17):
I've... heard their name in passing.
It doesn't surprise me.
They own half the town.
I think? They must be minted.
Oh, yeah?
What else do they own?
Oh, I don't know.
You'd have to look at property recordsfor that information.
Let's not talk about work.I spend enough time there already.
(23:37):
Yeah.
Understandable.
You seem distracted.
I'm sorry.
You said you're having a bad day,and here I am, a stranger chatting away.
I'll let you get on. No, no, it's-
It's not that.
I just remembered something.
Something I have to do.
Okay.
(23:58):
Maybe I'll see you around?
Yeah. Of course.
I'm really sorry.
I have to go.
I just met someone called ‘Nat’ at the gym,
and we bumped into oneanother last night at the Priory.
Seems awfully convenientto see her two days in a row.
And I have literallynever seen her before.
(24:20):
According to her,
the Carrista family own the Priory,
the same place
Emily was attacked,and they're behind repairing her car and house.
There is no waythat this is all coincidence.
They're involved.
They have to be covering upwhatever happened to Emily. But why?
(24:42):
What are they hiding?
I need to dig deeper.
Unravel all of this.
The Carristas; they’re key to everything.
I can feel it.
Seraphina (25:09):
Home sweet home.
Oh, it's always so cold in here.
**Snaps her fingers and the fire lights up**
Oh. Much better.
So we have two werewolves now.
Oh, this is getting out of hand.
(25:32):
What on earth to do.
Oh, now what?
Mei Ling (25:38):
Seraphina.
I've discovered something you need to knowimmediately.
Mei Ling.
This had better be important.
It is.
I found a way to track one of thewerewolves.
It's a ritual,
but it's
unconventional.
And it's certainly nothing I canperform myself.
A ritual you say?
(25:59):
I'm listening.
It involves an ancient magic.
Something I stumbled upon in an old tome.
I very nearly missed it.
It's risky, though.
Risky. How?
This magic.
It's far more potent than spellsI've seen you cast before.
Are you implying my powers are inadequate?
(26:20):
I assure you, Mei Ling,I have dealt with more than you realise.
Oh, calm yourself.
It's just this spell.
It's ancient. Volatile.
Even for someone with your abilities,it will be challenging.
I've always appreciated a challenge.
And you believe that this will lead usto the other werewolf?
(26:42):
Yes.
It's designed to reveal their presence
and draw them outfrom wherever they're hiding.
And what's the cost of this ritual?
These things always come with a price.
The usual risks of tappinginto ancient forces.
Potential backlash.
Unpredictable effect on the caster.
(27:04):
But I believe
it's worth the risk.If I am the one to weave this spell
I'll be the judge of that.
However,if we can locate the other creature,
the risk may be justifiable.
Very well.
I'll assist you,but we proceed with caution.
(27:25):
Now explain to me exactly what we need.
Ahhh...
My fucking arm...
Hello?
What's going on?
Who's there?
(27:46):
Good.
You're awake.
We have much to discuss.
Why are you keeping me here?
I'm not a threat to you.
On the contrary.
Werewolves are a significant threat.
Especially oneswho don't yet understand their nature.
Maybe I understand my nature
if someone would tell mewhat the fuck is going on.
(28:07):
You've kidnapped me.
Locked me in a basement with a broken arm.
And you say thatI'm the one that's a threat.
**Emily gasps in shock**
Emily, please.
You must calm down.
Mei Ling?
Wait.
You’re in on this too?
I thought you were,
(28:28):
I don't know. On my side.
There are no sides, Emily.
My involvement here is to help you to-
Enough, Mei Ling.
We don't have time for coddling.
She needs to facethe reality of her situation.
You talk as if I'm some sort of monster.
That's because, Emily, in our world,
you are. A werewolf is no mere fairy tale.
(28:51):
You're a danger that needs to be managed.
Managed? Seraphina!
Perhaps we could approach this with a bit more-Mei Ling
Stop!
Emily,
you're going to take part in a ritual.
It is to track down the werewolfthat turned you.
A ritual?
Are you planning on
(29:13):
killing me?
Not intentionally,
but your participation is non-negotiable.
The ritual itself should poseno major harm to you.
However,
we would need some of
your bloodfrom when you're in werewolf full.
It is a key component.
My blood?
(29:35):
What exactlyare you planning on doing with it?
Your blood, being that of a newly turnedwerewolf, has a unique signature.
It will help us locate your sire.
The source of this infection.
And what happens when you find them?
There may be a waywe can reverse this. Cure you.
(29:56):
But that is a matter for another time.
Right now, we need to focus on the ritual.
And we don't have much time to prepare.
Time to-
I don't understand. See what I mean?
She's oblivious.
It means, dear child,that the blue moon is nearly upon us.
(30:16):
And we do not have the luxury ofwaiting until you're ready.
I'm afraid.
Good.
Thank you
for listening to this episode of Tales from Davidstown.
We hope you enjoyed your visit.Before you leave
(30:38):
we've got some extrasyou might want to get your teeth into.
Did you know that we have a Patreon page?
Sign up for free today to listento our Behind the Scenes podcast.
Join us as a residentto support the creation of our show.
Gain exclusive perks such as our graphicnovel, never before seen behind the scenes
(30:59):
content, and get super early accessto new episodes and more.
Follow us on Instagram and Facebook
for more updates on all things Tales from Davidstown, as well as our website.
Talesfromdavidstown.com
Until next time, residents.
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