March 10, 2025 • 22 mins
Trapped in an unfamiliar place, Emily confronts her captor. Meanwhile, Jess takes her investigation back to The Priory, making a shocking discovery.
Starring: Danni Shepherd as "Emily Hargreaves"
Michaela Longden as "Jess Wilder"
Ayvianna Snow as "Seraphina Blackthorne"
Sarah Jane Duncan as "The Black Haired Woman"
Written by S.L. Carey
Directed by Cal O'Connell
Executive Producer Julia Munder
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:00):
Welcome to the world of Tales from Davidstown.
Episode Nine (00:03):
In Deep
Originally released on Patreon
on December 10th, 2023.
Previously on Tales from Davidstown.
Jess (00:14):
Okay, Emily, I'm really worried about you right now.
First that attack and now this??
Emily (00:21):
This isn't my room.
Why does my arm feel so heavy?
Bandages.
I don't remember any injury.
No sign of Emily.
I have no idea where she is.
You don't understand!
You shouldn't be here!
**BONE CRUNCHNG SOUNDS**
(01:17):
Uh...
Uhhhhh...
Right...
This place.
Shhh-ffff!
Damn it!
I hope this doesn't get infected.
(01:41):
Hello?
Hello??
Let me out!
Let me out of here!
Let me out!
ARRRGGHHH!!
**THE DOOR UNLOCKS**
Hello?
(02:02):
How did it come to this?
That night with Jess
being here in this prison.
And now something offering me freedom.
Escape.
Who's there?
How many times can I lose everything?
(02:24):
How can I begin to trust even a seemingly
benevolent action?
How can I trust
this?
What choice do I have?
A dark stone corridor.
(02:46):
Straight. Old. Blocks covered in moss
right out of some shitty 80s horror movie.
And at the end, a faint light
gently illuminating a wooden staircase
leading up.
Hello?
(03:07):
Okay.
Come on. Emily.
Just move forward.
**STRANGE SINGING**
Hello?
(03:27):
Hello?
Who's there?
All right.
Up we go.
(04:02):
The lights of
the huge room,
blinding at first
fade as my eyes start to adjust.
The woman singing.
Almost calling to me.
I find myself in a placevery different to my cell.
Modern high ceilings, huge glass windows
(04:23):
revealing nothing but the darkness outside.
The walls
dressed in portraitsand little bookshelves.
Like something out of an Instagram reel.
A countryside manor, a barn conversion?
Beautiful.
(04:43):
And then I can see her. Facing her back
A young, slender woman with long,fine white hair.
Her body draped in a dark, thin robe,
faintly covering the outline of her body.
Who..? Ah, finally.
(05:06):
She's awake.
She turns to face me, her eyes
deep and blue, look over me, and I feel
like they’re piercing me,reaching into my soul.
Where am I?
Interesting.
Let me get a proper look at you.
(05:29):
Wait.
What’s..? Ah, yes.
Of course. Who are you?
So many questions.
Be still.
Listen, I-
Shhhhhh...
She circles me, studying me.
All the while,the air thick with the smell of incense.
(05:53):
It's not only her eyes that I can feel,
but almost all the huge paintings
watching me,
like I'm being judged.
All these portraits, ornaments,
books.
Are you rich or something?
(06:17):
Wealth, it's the ability
to fully experience life.
Is that a quote?
Something someone once told me
a long time ago.
Please tell me,
what is going on?
Where am I?
Where you areis wholly irrelevant at this point.
(06:39):
Who I am, however, you may know.
My name is Seraphina.
Where-?My dear,
you must surely realiseyou are in my home.
And that small piece of informationwill have to suffice.
How?
How did I get here?
Very simple.
(07:00):
A friend brought you here? Jess??
Oh, no. No, no.
I want to leave this place.
I'm afraidI can't allow that at the moment. Why?
Because I need to work out...
Work out?
What I'm going to do with you.
(07:22):
Come join me.
You're my...
Guest.
I don't feel like a guest.
Sit.
Good girl.
(07:49):
The Priory,
the venue where Emily was attacked.
It's a long shot, butthere's something here that can help me.
The security camera footagefrom that night.
Here goes nothing.
(08:10):
Oi, back of the line.
Don't I know you? I don't care if you do.
Back of the line.
Oh, wait.
Yeah.
Now, I remember you were there that nightthat girl was attacked.
Or rather, you weren't there to help her.
Girl in queue (08:27):
Oh my God.
You let a girl get attacked?
Doorman (08:30):
No. I wasn't outside when it happened.
That's right.
You abandoned your post.
Everyone needs to take a piss.
Even stuck up little shits like you.
Do you talk to all your customerslike this?
You're not going to be a customer.
You can fuck off.
You're not coming in.
I think you'll find I'm on the VIP list.
I don't care.
(08:51):
You need to leave. Now.Wait...
Oh my God.
I know you. You're Jess Wilder.
That's right.
Holy shit. I love you.
Your last video about the rainforest had me in tears.
Carrie, look.
It's fucking Jess Wilder.
(09:12):
Oh, can I get a selfie?
Oi! Stand back from the rope!
Please, Jess. Just one. My mum will flip.
Are you fucking deaf?
I said step back. Listen, pal.
Let me in.
And this lovely little rabblewill all calm down.
Look, here's my phone.
Just one. Jess, please.
I told you to stay- Oi!!
Don't touch me, you prick! Carrie.
(09:33):
This twat just grabbed me!Whoa, whoa.
No one touched anyone.Here.
Let me take that picture.
Oh my God. Yes.
Smile.
Ha ha! Yes.
Thank you so much.
My pleasure.
Thank you for your support.
**The women in the line cheer and chatter**
(09:56):
Now, are you letting me in,
or doI need to create more problems out here?
Fine. Piss off.
But if I find out you're causingshite in there, I'll throw you out myself.
Scout's honour.
See you inside, ladies.
Can't wait to see my mum's face when I show her this pic!
(10:22):
**SNORTING**Oh. Oh.
All right, love.
You want to join me for some?
Just here to have a drink.
Oh, let me get you something.
The bar's only over there.
I can manage myself. Thanks.
Right.
Yeah, well, I'll be here all night...
**JESS BUMPS INTO A WOMAN**
(10:43):
Sorry. Hey.
No, totally my fault.
Just me rushing around is always.
Yeah... yeah. Yeah.
No problem.
Sorry.
Look, I'm heading out. Oh?
So early?
You not liking the place?
I work here... sometimes.
Look, it's been a long day.Oh, yeah. Sure.
(11:04):
Don't let me keep you.
Thanks.
Bye.
Bye...
What's your hurry?
Oh, so...
You came from upstairs,and I bet that's where the office is.
Thanks for the help.
(11:29):
So this is where all the action happens.
Is it?
All I need is,
CCTV computers.
Jesus.
This coverage is insane.
You can see every nookand cranny of the place.
(11:50):
Which means- there you are.
The front door.
So if can see it now,then there has to be footage
from the night of the attack.
Here we are.
Archive.
So... Let’s see.
June 4th.
(12:11):
Shit!
It's here.
Well, I can see that dick of a doorman.
But where’s..?
Computer (12:20):
Forward.
There you are.
Doorman (12:26):
You alright there, miss?
Emily (12:28):
Yeah.
I just needed some air.
I can get someone for you, if you need help.
No. It's fine. Really.
It was just a bit overwhelming in there,you know?
All the people and...Whatever.
I'm taking a break. Wait. Hang on.
There's some guests still on the way.
Well, then I'm sure you can greet them.
(12:49):
Photographers like getting all in people'sfaces, don't they?
I'm not a paparazzi!
Prick.
You said it, Em.
No... further on than this.
Forward.
(13:10):
No no no.
Shit.
Why did you wander away from the door?
Now I can't see you.
Stay away.
Em?Get back!
**ROAR**
**EMILY SCREAMS**
No! Please! Help!!
(13:30):
Someone, please!!
What the hell?
**CRASHING BINS**
Holy shit!
Emily!
**THE WOLF GROWLS AND SNARLS**
(13:52):
Jesus!
Jesus Christ!
Woman (14:05):
Can I help you?
Oh my God.
Scared the shit out of me.
That'll happen when you work in the dark.
Looking for something?
I'm Jess. Jess Wilder.
I had my book launch herea couple of months ago.
I know who you are.
But why are you in my office?
(14:26):
Oh, in here?
Just, looking for footage of the event.
There's cameras everywhere,and I need some clips from a speech.
The videographerI hired was so useless and-
This is private propertyand off limits to our guests.
Oh, really?
I didn't see a sign.
(14:47):
Other than the one on the door, you mean?
Maybe I can help you find what you need.
Silly me.
I guess I couldn't see it in the dark and all.
Sorry, I didn't get your name.
I am the manager, and I'm going to ask youto leave the premises
before I call the police.
(15:08):
Now now. No need to be like that.
I just need-
I'm afraid I'm going to have to insist.
I warned you not to piss me off.
Problem?
She was causing a commotionin the line out front.
And naturally, you let her into the club.
(15:31):
So... breaking and entering.
And disturbing the peace.
You and I have very differentideas about
what peace is.
You heard her. Out now.
Alright.
Alright!
Hey.Now now.
I'm sureMiss Wilder can find her own way out.
(15:54):
You just can'thelp yourself. Can you? Move.
Hope you've enjoyed the show.
Don't let me catch you in here again.
Night, sweetie.
(16:19):
Shit!
Paul?
It's me.
We need to talk.
How long is this going to take?
(16:42):
Look, whoever you are, I can't be here.
I need to...
I need to get home.
Worried about someone?
I um...Perhaps, just maybe
your friend. Jess. Was it?
What do you know about her?
Where is she?
(17:03):
Oh, you poor thing.
You really don't remember, do you?
What?
What happened to her?
Such a beautiful thing.
The sturgeon moon, wouldn't you say?
What are you talking about?
Where is she?
Where's Jess?
(17:23):
You really did try, though, didn't you? Try?
All those miles awayto protect your friend.
And then she was there all the same.
Such a pity. I...
She... She followed me and...
(17:45):
Wait.
You..?Know? About your dilemma?
Dear child.
I can just about smell it on you.
What?
“You try running from your problems,
and eventually your problems will runafter you.”
(18:05):
Wait.
You’re saying... did...
Did I?
Hurt her?
And what did you expect?
Something peaceful?
A lovely moonlit night by the campfire.
Oh, my dear.
(18:27):
There was so much blood.
No, no...
I didn't.
I couldn't.
Such a sad ending to a life.
Though in the end, it'sonly in your nature.
(18:47):
I suppose.
No!!!
There, there.
It'll all be over soon enough.
One way or the other. No!!
Jess!
Jess, what have I done??
(19:10):
I told her to stay away.
I begged her!
Oh, God.
Did I or did I not tell you I was busy?
That's not my concern.
Oh, I beg to differ.
(19:32):
What do you mean
tonight? Now?
It can wait.
No, it's under control.
I said it's under control.
Don't patronise me.
I remember perfectly well.
Fine, fine.
(19:55):
I'll come as soon as I can.
I'm afraid our little session
has been cut short.
**STRANGE HUMMING**
What are you doing?
I don’t understand.
What do you want from me?
Oh, you'll find out soon enough.
(20:17):
Please.
Please
let me go.
You're staying right here.
**STRANGE MAGICAL SOUNDS**
**A SPELL STRIKES EMILY**
What is this? I...
I can't move!
(20:38):
Welcome to your new life,Emily Hargreaves.
Let me go.
But for now.
Back to your kennel.
Nooo!!!
**CELL DOOR SLAMS**
(21:10):
Thank you
for listening to this episode of Tales from Davidstown.
We hope you enjoyed your visit.Before you leave
we've got some extrasyou might want to get your teeth into.
Did you know that we have a Patreon page?
Sign up for free today to listento our Behind the Scenes podcast.
Join us as a residentto support the creation of our show.
(21:34):
Gain exclusive perks such as our graphicnovel, never before seen behind the scenes
content, and get super early accessto new episodes and more.
Follow us on Instagram and Facebook
for more updates on all things Tales from Davidstown, as well as our website.
Talesfromdavidstown.com
(21:56):
Until next time, residents.
Welcome to the world of Tales from Davidstown.
Episode Nine (00:03):
In Deep
Originally released on Patreon
on December 10th, 2023.
Previously on Tales from Davidstown.
Jess (00:14):
Okay, Emily, I'm really worried about you right now.
First that attack and now this??
Emily (00:21):
This isn't my room.
Why does my arm feel so heavy?
Bandages.
I don't remember any injury.
No sign of Emily.
I have no idea where she is.
You don't understand!
You shouldn't be here!
**BONE CRUNCHNG SOUNDS**
(01:17):
Uh...
Uhhhhh...
Right...
This place.
Shhh-ffff!
Damn it!
I hope this doesn't get infected.
(01:41):
Hello?
Hello??
Let me out!
Let me out of here!
Let me out!
ARRRGGHHH!!
**THE DOOR UNLOCKS**
Hello?
(02:02):
How did it come to this?
That night with Jess
being here in this prison.
And now something offering me freedom.
Escape.
Who's there?
How many times can I lose everything?
(02:24):
How can I begin to trust even a seemingly
benevolent action?
How can I trust
this?
What choice do I have?
A dark stone corridor.
(02:46):
Straight. Old. Blocks covered in moss
right out of some shitty 80s horror movie.
And at the end, a faint light
gently illuminating a wooden staircase
leading up.
Hello?
(03:07):
Okay.
Come on. Emily.
Just move forward.
**STRANGE SINGING**
Hello?
(03:27):
Hello?
Who's there?
All right.
Up we go.
(04:02):
The lights of
the huge room,
blinding at first
fade as my eyes start to adjust.
The woman singing.
Almost calling to me.
I find myself in a placevery different to my cell.
Modern high ceilings, huge glass windows
(04:23):
revealing nothing but the darkness outside.
The walls
dressed in portraitsand little bookshelves.
Like something out of an Instagram reel.
A countryside manor, a barn conversion?
Beautiful.
(04:43):
And then I can see her. Facing her back
A young, slender woman with long,fine white hair.
Her body draped in a dark, thin robe,
faintly covering the outline of her body.
Who..? Ah, finally.
(05:06):
She's awake.
She turns to face me, her eyes
deep and blue, look over me, and I feel
like they’re piercing me,reaching into my soul.
Where am I?
Interesting.
Let me get a proper look at you.
(05:29):
Wait.
What’s..? Ah, yes.
Of course. Who are you?
So many questions.
Be still.
Listen, I-
Shhhhhh...
She circles me, studying me.
All the while,the air thick with the smell of incense.
(05:53):
It's not only her eyes that I can feel,
but almost all the huge paintings
watching me,
like I'm being judged.
All these portraits, ornaments,
books.
Are you rich or something?
(06:17):
Wealth, it's the ability
to fully experience life.
Is that a quote?
Something someone once told me
a long time ago.
Please tell me,
what is going on?
Where am I?
Where you areis wholly irrelevant at this point.
(06:39):
Who I am, however, you may know.
My name is Seraphina.
Where-?My dear,
you must surely realiseyou are in my home.
And that small piece of informationwill have to suffice.
How?
How did I get here?
Very simple.
(07:00):
A friend brought you here? Jess??
Oh, no. No, no.
I want to leave this place.
I'm afraidI can't allow that at the moment. Why?
Because I need to work out...
Work out?
What I'm going to do with you.
(07:22):
Come join me.
You're my...
Guest.
I don't feel like a guest.
Sit.
Good girl.
(07:49):
The Priory,
the venue where Emily was attacked.
It's a long shot, butthere's something here that can help me.
The security camera footagefrom that night.
Here goes nothing.
(08:10):
Oi, back of the line.
Don't I know you? I don't care if you do.
Back of the line.
Oh, wait.
Yeah.
Now, I remember you were there that nightthat girl was attacked.
Or rather, you weren't there to help her.
Girl in queue (08:27):
Oh my God.
You let a girl get attacked?
Doorman (08:30):
No. I wasn't outside when it happened.
That's right.
You abandoned your post.
Everyone needs to take a piss.
Even stuck up little shits like you.
Do you talk to all your customerslike this?
You're not going to be a customer.
You can fuck off.
You're not coming in.
I think you'll find I'm on the VIP list.
I don't care.
(08:51):
You need to leave. Now.Wait...
Oh my God.
I know you. You're Jess Wilder.
That's right.
Holy shit. I love you.
Your last video about the rainforest had me in tears.
Carrie, look.
It's fucking Jess Wilder.
(09:12):
Oh, can I get a selfie?
Oi! Stand back from the rope!
Please, Jess. Just one. My mum will flip.
Are you fucking deaf?
I said step back. Listen, pal.
Let me in.
And this lovely little rabblewill all calm down.
Look, here's my phone.
Just one. Jess, please.
I told you to stay- Oi!!
Don't touch me, you prick! Carrie.
(09:33):
This twat just grabbed me!Whoa, whoa.
No one touched anyone.Here.
Let me take that picture.
Oh my God. Yes.
Smile.
Ha ha! Yes.
Thank you so much.
My pleasure.
Thank you for your support.
**The women in the line cheer and chatter**
(09:56):
Now, are you letting me in,
or doI need to create more problems out here?
Fine. Piss off.
But if I find out you're causingshite in there, I'll throw you out myself.
Scout's honour.
See you inside, ladies.
Can't wait to see my mum's face when I show her this pic!
(10:22):
**SNORTING**Oh. Oh.
All right, love.
You want to join me for some?
Just here to have a drink.
Oh, let me get you something.
The bar's only over there.
I can manage myself. Thanks.
Right.
Yeah, well, I'll be here all night...
**JESS BUMPS INTO A WOMAN**
(10:43):
Sorry. Hey.
No, totally my fault.
Just me rushing around is always.
Yeah... yeah. Yeah.
No problem.
Sorry.
Look, I'm heading out. Oh?
So early?
You not liking the place?
I work here... sometimes.
Look, it's been a long day.Oh, yeah. Sure.
(11:04):
Don't let me keep you.
Thanks.
Bye.
Bye...
What's your hurry?
Oh, so...
You came from upstairs,and I bet that's where the office is.
Thanks for the help.
(11:29):
So this is where all the action happens.
Is it?
All I need is,
CCTV computers.
Jesus.
This coverage is insane.
You can see every nookand cranny of the place.
(11:50):
Which means- there you are.
The front door.
So if can see it now,then there has to be footage
from the night of the attack.
Here we are.
Archive.
So... Let’s see.
June 4th.
(12:11):
Shit!
It's here.
Well, I can see that dick of a doorman.
But where’s..?
Computer (12:20):
Forward.
There you are.
Doorman (12:26):
You alright there, miss?
Emily (12:28):
Yeah.
I just needed some air.
I can get someone for you, if you need help.
No. It's fine. Really.
It was just a bit overwhelming in there,you know?
All the people and...Whatever.
I'm taking a break. Wait. Hang on.
There's some guests still on the way.
Well, then I'm sure you can greet them.
(12:49):
Photographers like getting all in people'sfaces, don't they?
I'm not a paparazzi!
Prick.
You said it, Em.
No... further on than this.
Forward.
(13:10):
No no no.
Shit.
Why did you wander away from the door?
Now I can't see you.
Stay away.
Em?Get back!
**ROAR**
**EMILY SCREAMS**
No! Please! Help!!
(13:30):
Someone, please!!
What the hell?
**CRASHING BINS**
Holy shit!
Emily!
**THE WOLF GROWLS AND SNARLS**
(13:52):
Jesus!
Jesus Christ!
Woman (14:05):
Can I help you?
Oh my God.
Scared the shit out of me.
That'll happen when you work in the dark.
Looking for something?
I'm Jess. Jess Wilder.
I had my book launch herea couple of months ago.
I know who you are.
But why are you in my office?
(14:26):
Oh, in here?
Just, looking for footage of the event.
There's cameras everywhere,and I need some clips from a speech.
The videographerI hired was so useless and-
This is private propertyand off limits to our guests.
Oh, really?
I didn't see a sign.
(14:47):
Other than the one on the door, you mean?
Maybe I can help you find what you need.
Silly me.
I guess I couldn't see it in the dark and all.
Sorry, I didn't get your name.
I am the manager, and I'm going to ask youto leave the premises
before I call the police.
(15:08):
Now now. No need to be like that.
I just need-
I'm afraid I'm going to have to insist.
I warned you not to piss me off.
Problem?
She was causing a commotionin the line out front.
And naturally, you let her into the club.
(15:31):
So... breaking and entering.
And disturbing the peace.
You and I have very differentideas about
what peace is.
You heard her. Out now.
Alright.
Alright!
Hey.Now now.
I'm sureMiss Wilder can find her own way out.
(15:54):
You just can'thelp yourself. Can you? Move.
Hope you've enjoyed the show.
Don't let me catch you in here again.
Night, sweetie.
(16:19):
Shit!
Paul?
It's me.
We need to talk.
How long is this going to take?
(16:42):
Look, whoever you are, I can't be here.
I need to...
I need to get home.
Worried about someone?
I um...Perhaps, just maybe
your friend. Jess. Was it?
What do you know about her?
Where is she?
(17:03):
Oh, you poor thing.
You really don't remember, do you?
What?
What happened to her?
Such a beautiful thing.
The sturgeon moon, wouldn't you say?
What are you talking about?
Where is she?
Where's Jess?
(17:23):
You really did try, though, didn't you? Try?
All those miles awayto protect your friend.
And then she was there all the same.
Such a pity. I...
She... She followed me and...
(17:45):
Wait.
You..?Know? About your dilemma?
Dear child.
I can just about smell it on you.
What?
“You try running from your problems,
and eventually your problems will runafter you.”
(18:05):
Wait.
You’re saying... did...
Did I?
Hurt her?
And what did you expect?
Something peaceful?
A lovely moonlit night by the campfire.
Oh, my dear.
(18:27):
There was so much blood.
No, no...
I didn't.
I couldn't.
Such a sad ending to a life.
Though in the end, it'sonly in your nature.
(18:47):
I suppose.
No!!!
There, there.
It'll all be over soon enough.
One way or the other. No!!
Jess!
Jess, what have I done??
(19:10):
I told her to stay away.
I begged her!
Oh, God.
Did I or did I not tell you I was busy?
That's not my concern.
Oh, I beg to differ.
(19:32):
What do you mean
tonight? Now?
It can wait.
No, it's under control.
I said it's under control.
Don't patronise me.
I remember perfectly well.
Fine, fine.
(19:55):
I'll come as soon as I can.
I'm afraid our little session
has been cut short.
**STRANGE HUMMING**
What are you doing?
I don’t understand.
What do you want from me?
Oh, you'll find out soon enough.
(20:17):
Please.
Please
let me go.
You're staying right here.
**STRANGE MAGICAL SOUNDS**
**A SPELL STRIKES EMILY**
What is this? I...
I can't move!
(20:38):
Welcome to your new life,Emily Hargreaves.
Let me go.
But for now.
Back to your kennel.
Nooo!!!
**CELL DOOR SLAMS**
(21:10):
Thank you
for listening to this episode of Tales from Davidstown.
We hope you enjoyed your visit.Before you leave
we've got some extrasyou might want to get your teeth into.
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(21:34):
Gain exclusive perks such as our graphicnovel, never before seen behind the scenes
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(21:56):
Until next time, residents.
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