Episode Transcript
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Speaker 1 (00:00):
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Speaker 2 (00:25):
Sam say, Detective Agency.
Speaker 1 (00:27):
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Wind, oh Samui?
Speaker 1 (00:43):
Oh?
Speaker 2 (00:44):
Who I see? And how windy?
Speaker 1 (00:46):
Was psyclonic? Evy, we had to close every window in
the house. If you will just contain your natural feminine
curiosity for a few moments, I'll be right down to
dictate my report on the bow window Caper. Nashell Hammond,
(01:07):
America's leading detective fiction writer and creator of Sam Spade,
The Heart Boiled Private Eye, and William Spear Radio with
outstanding producer director of mystery and crime Drama, join their
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Speaker 3 (02:24):
Bam.
Speaker 2 (02:25):
What's the window window?
Speaker 1 (02:29):
Uh? Bow window is a bay window that you look
into instead of out it. Oh oh, get your book,
panther girl and slink on in.
Speaker 2 (02:43):
What was he trying to see through the bow windows?
I mean? Whose house?
Speaker 1 (02:48):
Was it her own?
Speaker 2 (02:50):
If it was her own house?
Speaker 1 (02:51):
And it just goes to show you, darling, what some
women will stoop to. Yeah, there was a low window.
Speaker 2 (02:58):
Oh well, whenever you ready.
Speaker 1 (03:01):
Sam Date November ten, nine nine correct, nineteen forty seven
two doctor Helmut Reese. Right, Yeah, from Samuel Spade, license
number one three seven five nine six, subject the bow
Window Caper, did doctor Reese. I know that this report
(03:22):
will not make pleasant reading for you, but you've paid
for it. So here it is. As far as I
was concerned, it all started on Thursday morning when you
called it my office. From your story, I gathered it
had been going on for some time. You you will
say these are merely the actions of a jealous woman,
(03:42):
mister Spade, But I assure you there's more to it
than that. It is. It must be a carefully thought
out plan to ruin my career, my whole life. In
what way, doctor Rees? She spies on my private consultations,
in tults, my women patience, I can no longer even
keep a nurse for more than a week at a time,
seems hysterics, she outbursts of violence. I cannot continue my
(04:05):
work under such conditions. So why don't you give her
a divorce? No, No, this is not her desire. If
it were, it would be it would be simple. No,
she wants to bring me to ruin. She wants to
see me on my knees in front of the pocket.
Why that is what I want to find out. Why, Doctor,
I think you ought to take this case to her head. Doctor,
I have consulted a psychiatrist examiner. She's perfectly competent mentally.
(04:29):
But you'll see there's here already some mystery for which
one comes to a detective. How long has this been
going on? Factor raise since three months only? But in
this time she has reduced me to utter destination. Doctor
Race was a very good divorce lawyer, right down a
half of my no no no. I discussed the matter
of a divorce with her a few days back. This
was her answer. You see a receipt for the purchase
(04:55):
of a gun and this note in her handwriting, I
hope you will not force me use this esther? Yes,
what do you think she has in mind? Murder or suicide?
She refused to discuss it. But one thing I have
not since she has bought this gun a new development.
A strange man watches my house several times I have
caught him following she might have hired a detective to
(05:17):
check on whether you visit a lawyer? Perhaps, perhaps, perhaps
it is very simple, but it is all too strange
to be hotness. I half heartedly agreed that it might
be doctor Rayson when you had checked for one hundred bucks.
Didn't bounce. I went to work wholeheartedly. I reached your
house on Pacific Avenue just as the street lights were
(05:39):
going on. It's a quiet neighborhood, so I could hear
it before I got close enough to read the number
on the door.
Speaker 2 (05:47):
Get out.
Speaker 1 (05:55):
They seem to be slugging her way toward the back
of the house, so I decided the risk con entrance.
I found the door and I was about to punch
it when I caught sight of your mystery man. He
was crossing a clump of shrubbery that grew under the
whole window at the corner of the house. He was
still there with his eyes glued to the window when
I walked up behind him.
Speaker 4 (06:12):
Look on me.
Speaker 1 (06:14):
I'm come on, you're going inside, and I'm not just
a stupor. I might didn't say you were. I'm just
in fighting you inside for a better look. I'm warning
if you don't let go me, I'm up squirming with you.
The kick he landed on me wasn't according to the
Wrestling Association's rules, but I let him get away with it,
mainly because they couldn't move for three or four minutes,
(06:35):
and by that time he disappeared down the street. When
I recovered my faculties and staggered back to the door,
I didn't bother ringing the bell. I just walked in
the hen fight was still going on somewhere in the
upper reaches of the house. Then a door burst open
on the upper landing, and a curl in a nurse's
uniform ran down the stairs towards me, pursued by a
(06:55):
pale little woman with a pinched face who was brandishing
a pair of brass fires on you brushed past me,
doctor race and headed off the pursure perfect one. Have
you gone crapy? Give me a fire pus give to me.
Speaker 2 (07:08):
That's a matter of helmless afraid. I'm your life of
love beauty.
Speaker 1 (07:12):
What started it?
Speaker 4 (07:13):
I caught her creeping about the she's going to poison
my food things?
Speaker 1 (07:17):
You missus? Doctor, Oh don't don't, don't bother explaining, Miss Swabbins.
He's more but handsome.
Speaker 4 (07:23):
You don't think I don't know what goes on in
that office. That office when I'm not allowed anymore.
Speaker 1 (07:28):
That's only because you make the patience so nervous.
Speaker 4 (07:30):
I know what goes on you and those women that's
will do es go your room very well. I won't
have that woman and it has another day. Helmelets Is
that understood, roommate.
Speaker 2 (07:40):
I'm going, I'm going. Remember what I said, I warned
you both.
Speaker 1 (07:45):
Yeah, missus Swabbins, Now don't I can't anymore. Doctor, I
tell you, it's making a doctor. Eh, oh you saw
your herd? Yeah, come into my office, we'll talk. I
think we'd better doctor. There's still one more patient. Wait,
see you doctor, Well you have a wait a little longer.
(08:09):
Uh this this way? Yeah? How much?
Speaker 5 (08:17):
You just as soon as you.
Speaker 1 (08:25):
Sit down. Thanks. But I can say what I have
to say is standing. Your wife's a very tragic woman. Doctor.
I wish I could help her. I wish I could
help you, too, but I can't. You heard her against
miss Robbins. Was that a joke? There's nothing funny about jealous.
But there's this man who watches the house. The gun
(08:45):
she bought. I'd call him outside just now. Oh what
did you get in to talk? Now? But I wouldn't
worry about him if I were you, and about that gun.
The Constitution says every citizen shall have the right to
bare arms even panel Thomas can't be missus Spade, I've
not yet told you all. If doctor.
Speaker 5 (09:05):
This patient she's been waiting for more than an hour?
Well who is she, missus Kavanaugh.
Speaker 1 (09:11):
I don't know who. Well has she been here before?
Of course?
Speaker 5 (09:14):
Week here here's her cause mhm.
Speaker 1 (09:18):
Oh yes, yes, i'd better get it over a century.
Speaker 5 (09:22):
Yes, doctor, and and doctor I'm resigning.
Speaker 1 (09:26):
I'll finished the day, of.
Speaker 5 (09:27):
Course, and and then I'm through.
Speaker 1 (09:28):
I'm sorry, yes, yes, well, very well, Miss Robbins. I
can't say that I blame you. Good luck, goodbye? Doctor.
Well have you going along myself? No? No, no, no,
you must hear me out, missus Spade, I have not
yet told all. Now if you just wait until I
have seen this patient, please, mister Spade, please okay, I'll
(09:49):
wait outside.
Speaker 2 (09:51):
Oh I beg your pardon, Come on in.
Speaker 1 (09:59):
So I you're leaving the doctor's ampler nurse, I.
Speaker 5 (10:02):
Am, I am well, mister Staden. How does it look
from grandsons?
Speaker 1 (10:08):
Messy m you.
Speaker 5 (10:10):
Don't mind if I finish cleaning.
Speaker 1 (10:11):
Out his desk right ahead? Thanks you? What's the matter
with esther anyway? Huh?
Speaker 5 (10:16):
I could sum the whole thing up in a single
five letter word, shall I you have? Are you going
to walk out on him?
Speaker 1 (10:24):
Aren't you?
Speaker 5 (10:24):
Yes?
Speaker 1 (10:25):
So I am.
Speaker 5 (10:26):
Oh, but Esther isn't jealous of your time?
Speaker 1 (10:29):
If you don't mind my mentioning it, I feel hardened
to think that you noticed I was devil.
Speaker 5 (10:34):
Oh I did, mister Stade, I really did.
Speaker 1 (10:38):
You're not the same, uh, particularly nursing to me. You
know I'm not mind you have a five polse. Uh. Yes,
I've uh been feeling very weak the last few minutes.
I uh need care.
Speaker 5 (10:52):
Oh you know you don't need enough apples stave?
Speaker 1 (10:57):
Well, I yes, I've finished. There's a old contact. I
wondered this, PEP.
Speaker 5 (11:03):
Will you tell a doctor I've left.
Speaker 1 (11:04):
And thank him for me again? Aren't you going to
see him before you go? No? No, I'm not.
Speaker 5 (11:09):
It only begged me to stay in it. Well, it
thinks me out of the question, out of poor guy.
I just don't know what I'd do if I were
in his place for you, mister Stade, I did, and
I told.
Speaker 1 (11:26):
Her, and she told me I was a victim of
hypertension and left me with my mouth open and no
phenometer in it. Five minutes after she'd gone out to
the front entrance. Your wife came down the stairs, looking
knowingly at me in the door of the doctor's office,
and left by the same route. Ten minutes after that,
I was halfway through a nineteen thirty seven National geographic
that was the latest edition on the waiting room table,
(11:47):
and it rased the third paragraph on the natural beauties
of Lenona County, Minnesota. But I never finished what. The
first thing I saw when I entered the room is
missus Kavanaugh. You're a patient, patient? Why why did you
(12:07):
do it? You? Doctor, were standing over nervously, twitching off
the rubber glove from your right hand. He tested her
throat for pulse, then listened to a stethoscope. Was purely
a formality. One of the thirty eighth caliber slugs that
entered the right timber. The other had torn through the
base of the skull. How did it happen? I don't know.
I had completed the examination and walked over there to
(12:29):
put my instruments away when I turned. When I turned back,
she had the gun in my hand. But why I
could stop her? She pulled the trigger suicide of course?
Why well, I just told her the truth that there
was nothing I or any other doctor could do for her,
but she had perhaps someone, perhaps less. She had suffered
great pain, of course, for some time. Uh huh, you
saw her shoot herself, he said, yes, Yes, the gun.
(12:51):
She took it out of my desk door. I'd removed
it from my wife's earlier. Today. I see, well, doctor,
this is the neatest suicide I ever saw. No powder burns,
and from the way she's lying, she must have shot
herself in the direction of that window, at least ten
feet away. She screamed before the shots were fired, and
had time to fire a second bullet into her head
and throw the gun across the room before she fell.
Speaker 4 (13:13):
Well, Helmeth, at last it happened esther leave this room.
I told Helmet one of the husbands would catch up
with him.
Speaker 1 (13:24):
Pretty, wasn't she. I don't remember this one. The expression
on your face might have been horror or fear, or both,
doctor ways, but your wife was smiling, and my eyes
left her face. I noticed the leaf clinging to the
hem of her coat. It might have come from the
(13:46):
shrub that grew up against the house, and her shoes
were splashed with mud that should have and probably did,
come from the cultivated flower bed just outside the full window.
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And now back to the ball window caper Tonight's adventure
with Sam Spade. Obviously, there were two equally good suspects
in the cavan on murder. Either your wife had killed
her in a jealous rage, or you killed her with
your wife's gun to frame her for the murder. I
(15:53):
decided to let the police worry it out and went
on to bed. The morning headlines were a bit of
a surprise, Nurse saw it and shooting a mystery woman,
item the concert brown, Celeste Robin's fingerprints all over, the
murdered guy, and the item Missus Cavanaugh. The murdered woman
had given a vacant lot as her address, and her
body was lying uncleaned at the morgue. I decided to
(16:15):
pay her a visit. Maxy, Hey, Maxy, what oh Sam?
Speaker 2 (16:28):
Sammy my boy?
Speaker 1 (16:29):
Hey, it's good to look on you. Oh I am exel,
Oh fine, fine, what brings you here? Sam?
Speaker 6 (16:34):
The Kavanaugh woman, the Cavanaugh Let's see who's.
Speaker 1 (16:39):
With us today?
Speaker 6 (16:40):
And stiff Fuld Milton Schwartz, Kelly I knew him. Nice
guy fie gay Ah Cavanaugh, Rose.
Speaker 1 (16:53):
Hello Rose? Hey Sam, don't you want to look at Rose? No,
I've seen her. Ah yeah, just check it back again,
Autopsy say you do collect queer ones? Sam? Now you
take her?
Speaker 6 (17:05):
Why would anybody in the world knock her off?
Speaker 1 (17:08):
In her condition? All he needed to do was wait
a month, a couple of weeks. That is that worse
anybody claiming a head, well.
Speaker 3 (17:16):
That.
Speaker 1 (17:18):
Hollow. Something we can do for you. My name is Kevinaugh.
I come for my wife. He was standing with his
back to me, and I didn't get a good look
at his face until he walked over to the desk
with masking, and the voice tipped me even before I
saw the face the man I'd caught outside your office
window less than half an hour before the murder. He
(17:40):
recognized me, he didn't let it show. I waited while
he went with MAXI. When he came out, there were
tears streaming down his face. I'd been waiting for two reasons.
I had had some questions to ask him, and I
had wanted to pay back that Jody'd given me the
night before. I left without doing either.
Speaker 5 (18:02):
Oh d of homicide.
Speaker 2 (18:06):
Uh, Doctor Ree and there's a girl waiting inside.
Speaker 1 (18:10):
Wouldn't give any name, so you let her wait in
my private office.
Speaker 2 (18:13):
I don't think you'll mind when you've seen it. She's
that way of being a knock out.
Speaker 1 (18:17):
Well, thank you, Effie. That was very thoughtful. You're welcome.
Speaker 5 (18:23):
Please please don't be angry with me for coming here.
I had to talk to somebody.
Speaker 1 (18:27):
But you there's a good criminal liar, this raber.
Speaker 5 (18:31):
Oh no, do you think I chilled that one?
Speaker 1 (18:33):
Did your friends get on that gun? And don't tell
me she threatened you with it and you grab it
out of her hand?
Speaker 2 (18:37):
Oh no, I did.
Speaker 3 (18:38):
I did.
Speaker 1 (18:40):
It easy? Would you like a drink or something?
Speaker 5 (18:42):
No, thank you anyway, I'll be all right. Well, she
came in from shopping three days ago, just as nice
as pie.
Speaker 1 (18:50):
When she came.
Speaker 5 (18:51):
Creeping alund you know how she is, and she said,
I bought something today. It's lonely and with actually hold
this gun out of bra hand bags, and.
Speaker 3 (18:59):
So do you.
Speaker 5 (19:00):
I drunk it and I looked at it. That was foolish,
and certainly Nickel played it. I deal fingerprints, and I
remember she was wearing doves. Struck me peculiar at the time,
But I'm so stupid. I didn't think of this until
just now.
Speaker 1 (19:15):
Everything's a little bit killier about this caper. A woman
who was dying anyway gets shot. Nobody even seems to
know who she was. Doesn't make sense.
Speaker 5 (19:22):
No, no, it doesn't make much sense.
Speaker 2 (19:25):
What did I do?
Speaker 1 (19:26):
Sam? Give myself up? I think you should.
Speaker 5 (19:30):
Yes, I thought you'd say that.
Speaker 1 (19:34):
All right, you got a lot of courage. Sure you
don't want to drink? No, no, thank you.
Speaker 5 (19:41):
I'll be all right.
Speaker 1 (19:42):
I'll be all right. M homicide, Dundee, Dundee, Sam Spade.
I got the Robin's girl here in my office. She
wants to check in. Oh, oh, well tell her. I
forget it. Sam Reese's wife just made a full confession
(20:02):
that tore it. I anxiety. To see how you were
bearing up under the shock, Doctor, I'd blow a buck
and a half of your money and a taxi all
the way out of your address on Pacific Avenue. To
my astonishment, you were wearing a look of real distress.
I don't understand it, missus space this confessing. It's not
like her. It's all too strange to be hobbles.
Speaker 4 (20:23):
Doctor.
Speaker 1 (20:24):
I'd like to talk to you alone. Do you mind,
mister Stade, get right ahead. I strained my ears outside
your consulting room, but all I could hear was a
few vague murmurs. And for no good reason, I decided
to have a look at your wife's bedroom upstairs. The
comps had been there before me, so I didn't expect
to find much, and I didn't. I was tapping the
(20:46):
woodwork with secret panels or something when I heard a
heavy tread on the stairway. I wheeled around, my hands
inside my coat. A jolly looking character and coveralls was
standing in the doorway. I beg your pardon, Dagon. I'm like,
dronis I come to take the equipment? What equipment? And
addicted graph? She don't need it no more?
Speaker 3 (21:05):
Ask me?
Speaker 1 (21:05):
She hide too much? Missus Race had a dicted graph installed. Yeah,
I metal type installation. This. Here's a speaker.
Speaker 6 (21:12):
Yeah, my own design looks like a portable radio.
Speaker 1 (21:14):
Don't now where's the other one? Where's the microphone?
Speaker 6 (21:17):
It's in the dock's private office interest today?
Speaker 1 (21:20):
Yeah? I turn around. Oh sure, and.
Speaker 6 (21:24):
We'll get it to him in a minute.
Speaker 3 (21:25):
There and.
Speaker 1 (21:29):
I'll feedback. Wait a minue, I'll fix it. What kind
of I don't know every word. That's because of the dictography.
Shut up carewe Oh boy.
Speaker 3 (21:52):
That's a nice an.
Speaker 1 (21:54):
I just don't please please help it, don't please don't.
Speaker 4 (22:01):
What is it best?
Speaker 1 (22:03):
What has happened? Shape?
Speaker 2 (22:05):
What it happened?
Speaker 1 (22:06):
You?
Speaker 5 (22:07):
When I'm being attacked by a math woman and accused
of murder, allmans to take them twelve hour O.
Speaker 1 (22:10):
It's all over now, just so killed? Yes, well un
left a little more ardly. Oh sure that was sober.
But I'm very, very ashamed.
Speaker 5 (22:23):
I thought it was my usual thing.
Speaker 1 (22:25):
I always get sorry for a poor weak man and
get involved.
Speaker 5 (22:30):
But this time I'm sorry for her.
Speaker 1 (22:33):
People.
Speaker 3 (22:33):
When I was a kid, I liked used to make
me feel powerful.
Speaker 1 (22:36):
And oh to watch them sperm.
Speaker 5 (22:39):
That's no fun anymore watching another woman in the agonies
of jealousy.
Speaker 1 (22:43):
And you I thought you were just weak. You're a brutal,
unscrupulous murder. What are you saying? You've killed missus Kavanaugh?
What that's impossible?
Speaker 5 (22:55):
Used deliberately in that window when you fire two shots right.
Speaker 1 (22:58):
At it gives you were wearing your rubber car doctor anymore?
Speaker 5 (23:18):
Here, help me, help me get his shirt off with
the spain.
Speaker 1 (23:20):
You've been shot who shot him? You through the window,
the same man, the one watched the house hold His
turn tight nothing, placu. His aim was bad, Yeah, too bad, Havana.
He's still out there. You got nothing to worry about.
He's still alive.
Speaker 2 (23:39):
I missed him.
Speaker 1 (23:41):
Give me your hand, Come on, wisdom, I was lucky.
You're taking a rap. Your wife's murder too, if you're
a better shot. And he did it, he killed my wife.
I was at the window.
Speaker 3 (23:50):
I saw him, but I don't understand his Why his
wife confessed.
Speaker 5 (23:53):
You loved him, Kavanaugh, you should understand that.
Speaker 1 (23:55):
I guess that's what happens to love when it gets
crossed up. Why didn't you tell the police what you're saw?
Speaker 3 (24:00):
They'd have hung it on me. She she was a
stranger at everyone else, typed and calling with a suspicious
acting like a maniac.
Speaker 1 (24:07):
She never told me. She must have been going to
one doctor after another, trying to time one.
Speaker 3 (24:11):
It would give her one way of hope and pain
all the time.
Speaker 1 (24:15):
He will never let him.
Speaker 3 (24:17):
Even after that first visit, she made a racist office.
I didn't tumble. I thought you was meeting him on
the sly and I followed her both times. That last
time I carried a gun, I might.
Speaker 1 (24:27):
Have killed her. What I suspect that had been true?
I didn't realize you're pretty lately her regrets, doctor, and
I'm quite figuring either. The prison psychiatrist can't uh dundee
tear out missus Racy's confession. Come on over and get
the doctor. Yeah. Oh, by the way, he accidentally shot
(24:50):
himself in the arm. Isn't that right? Doctor? So yes, yes, accident.
What did she Why didn't she kill me? I don't know, Kavanaugh.
Women Sometimes they make too much sense, or we don't
make enough her. Maybe we're all crazy. And that doctor
(25:19):
raises the crop the risk of laboring a point. That's
also the mystery of why a nice girl like Celeste
Robbins ever felt for a guy like you? And I
have plenty of free time to think it over between
now on the trial. If you find the answer, drop
me a line, period and the report. You know.
Speaker 2 (25:32):
I'm saying that that's Celeste.
Speaker 3 (25:33):
I like her.
Speaker 5 (25:34):
I wish we could do something for her.
Speaker 1 (25:36):
I've already thought of that. Ivy. Write that up, sweetheart,
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Speaker 2 (26:34):
Oh here's dam Do you want to read it over?
Speaker 4 (26:36):
I do not file it under F But again about
that pulestair.
Speaker 1 (26:41):
Oh yeah, well I made a date with Celestis sake
of dancing tomorrow night. She needs cheering up. You know
what's well? You said she needed help.
Speaker 2 (26:49):
Why isn't exactly the kind of help I hadn't mind?
Aunty White's necessarily we miss.
Speaker 1 (26:54):
Each of us give a particular kind of help. Each
of us is particularly equipped to give. Will he wished to?
Speaker 4 (27:01):
She used to make over a man just to get
the other women jealous that she did.
Speaker 1 (27:05):
Aren't other women silly to allow themselves to get jealous
when they know just what she's up to? Go home, Effie,
I'm a lousy dancer.
Speaker 3 (27:15):
They will have fun same.
Speaker 1 (27:17):
Good night, good Night's sweetheart. The Adventures of Sam Spade,
Dashell Hammett's famous private detective, are produced and directed by
William Spear. Sam Spade is played by Howard duff. Loreen
(27:40):
Tuttle is Effie. The Adventures of Sam Spade are written
for radio by Bob Toloman and Gil Dowd, with musical
direction by lud Gluskin. This is Dick Joy reminding you
that next Sunday, author Dashel Hammett and producer William Spear
joined forces for another adventure with Sam Spade. Brought to
you by Wild Root Cream Oil Again and again the
choice of man who put good grooming first. Smart girls
(28:17):
use wild roomed cream oil too, for quick good grooming
and to relieve dryness between permanence. Mother say it's grand
for training children's hair. There's a CPS, the Columbia Broadcasting
System