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August 15, 2025 • 27 mins
This detective series follows a private investigator as he solves crimes with a mix of toughness and humor, often getting entangled in complex cases. The narratives are engaging and fast-paced. Explore a world of immersive, ad-free audio experiences from nature sounds to timeless stories at https://www.adfreesounds.com
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Speaker 1 (00:09):
Fam say detective agency him mister who vanadums it is finished?

Speaker 2 (00:15):
Latin?

Speaker 1 (00:16):
Oh Sam, what's.

Speaker 3 (00:18):
Laughed on me? Sweetheart?

Speaker 1 (00:19):
Why? What happened for Dido?

Speaker 4 (00:21):
Here?

Speaker 3 (00:22):
Everything? And what no I asked you first? Ah, you're
making sense? Would you do?

Speaker 1 (00:28):
Mister Marts getting touched with you?

Speaker 3 (00:30):
Watuus Neil Neezy Bonham stand stop this second year Latin
f speak well of the dead. If you have tears,
prepared to shed them? Now? This one ends up with
and Rigoletto. Have your extra baggage if ready, gets a
Morgan music on the radio, and I'll be dying to
dictate my report on the tears of night Caper. Nashel Hammetts,

(00:54):
America's leading detective piction right here and creator of Zam Spear,
the High Boiled Private Eye and William Spear, Radio's outstanding producer,
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Speaker 1 (02:04):
Damn your face?

Speaker 5 (02:08):
What happened to it?

Speaker 3 (02:10):
Many many things?

Speaker 1 (02:11):
But it's also kind of raw, Oh Sam.

Speaker 3 (02:16):
In time, I think my wounds were healed.

Speaker 1 (02:18):
Oh, I'll bet that that that Namy Gagan has something
you do with it.

Speaker 3 (02:21):
I could tell when she came in here that she
was marchurous. Neil nisi bonum huh Latin speak well of
the dead. Remember, Oh, h one thing at a time. Sway,
let's get this over it. I want to find a docket.

Speaker 1 (02:33):
Oh you're so brave carrying on in the faces of
your face. Sure, sure you will be satisfied. And you
just just dies for your profession.

Speaker 3 (02:44):
Well, if I do Neil Nizzy bonum. If a Neil
Knizzy bonum, that means Latin means uh bony knees oh Er.
Date July twenty four, nineteen forty nine. Tomb is Daphne
Arlington from Samuel Spade, San Francisco, license number one three
seventy five nine six, subject the Tears of Night did
daft me? I hope this will clear up a few

(03:06):
things in your mind. I hope I'll let you know
how you got where you are and what happened to
put you there. It all has in the logical beginning, middle,
and end. At three yesterday afternoon, my loyal secretary and confidant,
Miss Effie Parin, a doll who has been rehearsing a
Cockney play for television, flung open my office door and said, Miss.

Speaker 1 (03:25):
Nimy gaidon to see mister sign.

Speaker 3 (03:29):
I said, cooe. Miss Namie Gagan looked everything the name
implied from her lately blonded head or a genuine alligator shoes.
I might actually weighed in at approximately one sixty and
was in very good condition.

Speaker 5 (03:41):
You stayed, I.

Speaker 3 (03:42):
Am, he said on please don't you believe me?

Speaker 5 (03:46):
I hate gum shoes.

Speaker 6 (03:47):
They all stink.

Speaker 3 (03:48):
Uh something in your background. Perhaps it's a girl. I'm
just assuming that you were one.

Speaker 5 (03:52):
Oh gum shoes or nosey to talk to him, because
why I don't like him?

Speaker 3 (03:55):
Here for me?

Speaker 5 (03:56):
Who else?

Speaker 2 (03:57):
Stupid?

Speaker 3 (03:58):
Oh? And it says pay to the Samuel Spade one
hundred dollars signed Mammy Gagan Co. Signed Johnny McCall. All right,
is it good you wise guy or something?

Speaker 1 (04:07):
Sure, it's good on the treasurer.

Speaker 3 (04:08):
Get your hat in this weather.

Speaker 5 (04:10):
We're gonna go see Johnny mcau Yeah.

Speaker 3 (04:13):
Uh, why are we gonna see Johnny?

Speaker 5 (04:14):
Johnny wants you should do something for him?

Speaker 3 (04:17):
Oh what does Johnny want I should do for? Come on,
stay with no matter what do you He'll tell you.
I'd just love to hear you talk name. That's all.

Speaker 5 (04:23):
Oh this jap knee getting us nowhere. The boss is waiting.

Speaker 3 (04:25):
Gum shoes talk too much, Yes, ma'am, well maybe we do,
but ours is a lonely professional. Many led me to
a large Cadillac parked in a no parking zone. She
tore up the ticket up and ate it. We got
in her child's through traffic towards Burlingame, about a half
a mile this side of the main highway. We turned
off to the left and pretty soon we were winding

(04:46):
up a private road or a fine old colonial mansion.
There were three private patroler were guarding the entrance. They
all needed shaved. They kind of nodded as we went
up to the front door. Naturally enough, I didn't open,
but a peep shutter did.

Speaker 5 (05:00):
Yes, me feely, that's the private keeper of the boss wants.

Speaker 2 (05:03):
It's the open up.

Speaker 3 (05:04):
Okay, how are you feeling, mister fail? All kinds of
bucks around this way, sade.

Speaker 5 (05:15):
Oh, maybe I got your peepers.

Speaker 6 (05:18):
Okay.

Speaker 5 (05:19):
Inside here he is Johnny flatfeating all his name space.

Speaker 3 (05:23):
I know, Oh, I know.

Speaker 2 (05:24):
I picked him myself, going beat, I hate.

Speaker 4 (05:28):
I don't mind.

Speaker 2 (05:29):
Maybe she's kind of bitter, Yes she is. I did
a lousy job on her hair. Life time. It's all streaky.

Speaker 3 (05:33):
Yeah. I noticed nice place, Johnny, nice place. How's the gross?

Speaker 2 (05:37):
Oh ain't as good as running bad? But them days
are gone. I do all right. Two crap table too
farah games little roulette in my living room. But I
have to be careful.

Speaker 3 (05:45):
Yeah, you seem to have plenty of muscle outside to
keep it safe and comfy and all of them.

Speaker 2 (05:49):
But the best I can get nowadays. No good gun
sols left. I guess they all got married and settled
down as them.

Speaker 3 (05:54):
All Right, Johnny, it's cool and it's nice out here.
You make a living. And I got a check for
one hundred dollars.

Speaker 2 (05:59):
Why, well, my line, I don't generally have much use
for a private eye. I don't generally like him, but
I can use one right now. Never see this before. No, Well,
it's a little bit of necklace. Here's a night or something,
and it's worth quite a chunk of getis. These wore
diamonds of good stuff. The name named Daphne Arlington left

(06:19):
it here a week ago and she went in for
a plunge at the roulette table. She left it for
a stand by as he raised the cash. That's corewy dang,
you know I would have with a lot of money.
Boyfriend named Lenny Epich, he painted.

Speaker 3 (06:31):
Well.

Speaker 2 (06:31):
She sent me a check to day for the five
g she lost, and I just want you to take
this thing back to her at all.

Speaker 3 (06:36):
Yeah, that's go.

Speaker 2 (06:37):
I got my dough, she gets a necklace. You're a
license bonded investigator, and sure it's safe with you. I
couldn't trust any of my punks with it, and I
don't like to be seen in public, So you just
take it back. It's all very simple.

Speaker 3 (06:47):
Uh, now that you've tell me how simple it is,
suppose you give me the unexpegated sequel. Did her check bounce?
All right?

Speaker 2 (06:57):
You want to drink? There wasn't any check, Sam. She
called me a couple of hours ago and said, if
I didn't have this thing back to her by the night,
she call a load of cops and come out here
and tear the joint apart.

Speaker 3 (07:10):
Not such a scurry, dame as that.

Speaker 2 (07:11):
You're stuck, you're telling me. If she comes with cop
I'm closed for season and getting old.

Speaker 3 (07:16):
Oh you're not old.

Speaker 2 (07:17):
Johnny Peely was running the table. I didn't know he's
taking this thing for security until we counted up.

Speaker 3 (07:22):
Stupid.

Speaker 2 (07:22):
I should have pushed his mush in at something. Letting
a dame like that make us a set up.

Speaker 3 (07:26):
Well, maybe you'll do better next time.

Speaker 2 (07:28):
Oh, ain't gonna be no next time, spade. Oh, here's
her address, here's the eyes. Just take it to her
and I'll chalk it up to experience.

Speaker 3 (07:34):
I better get yourself a new boy at that table. Johnny,
you telling me, you telling me, well, uh.

Speaker 6 (07:40):
Bye, Lenny.

Speaker 1 (07:54):
I thought you'd never get here. The performance begins to
day thirty, and you know how the traffic is. If
you're going to have a bite to eat, you ought, Manny.

Speaker 3 (08:01):
There's many I don't know, miss Earlie. Then I'm supposed
to deliver.

Speaker 1 (08:04):
Some jewelry, jewelry that'll be Marches Marches montrous.

Speaker 3 (08:09):
Yes, but I am looking at your throat.

Speaker 1 (08:12):
Really well, really, mister, missus Spade Samson, I'm only waiting
for Lenny to get here so we can miss the
first curtain, the street car we're going to. Lady, he
doesn't get here, you can understand that.

Speaker 3 (08:23):
Missus straight, you're gonna be a little early. Street guard
hasn't orpen until moment already.

Speaker 1 (08:26):
And you haven't shown up. Well, good night, This is great.

Speaker 3 (08:30):
Great. The white lm and cape you were wearing, and
the black strapless thing made of the trutch, but you
had it a diamond necklace. In fact, the Tears of Night,
the same one I had in my pocket. Daphne was
hanging around your lovely neck. I rebuzzed your buzzer and
knocked on your door for quite a while, until it
was quite evident that you were not going to open up.

(08:52):
Under the hallway light. I snapped over on the necklace case. Martrous,
you would said, And Marturous was what it said, stamped
inside the case a gloomy word with a gloomy address.
The white hotel on Turk Street E anmirable martuus at

(09:20):
your service. The every man had the look of death
that was listening who had its name? He was older
than old cadaverous, and in his skull like head, his
eyes were white. He was wearing a flannel night shirt.
Do you find me if be you disposed with sus

(09:40):
sped and the clerk at the desksided with a matter
of jewelry. Therefore, Hannibal Martuous is at your service now, then, sir,
what he's so urgent? I uh came to ask you
about a diamond necklace. I found your main stamp on
the insiety house of Martuous, the most respected, meaning diamonds
as well. It's all the Epidelia, it's most respected angels.
The name Martuous is anonymous the world over. I am

(10:03):
the last of four sons, but it continues to Spade, Well,
I just want you to take a look at that, m.

Speaker 6 (10:13):
M.

Speaker 2 (10:15):
And how do you come in possession with the Tears
of Knights?

Speaker 3 (10:18):
Well, a man named Johnny McCall, who runs a gambling club,
hired me at bulverthrough a lady named Daphne Arlington. She
lost her at the relat table. She left at them,
and she could raise the cat deplorable, deplorable conduct on
her thought, Daphney Arlington moved him, discreet, young lady, to
be sure. To be sure, I recalled my interview with
her when her late husband Sydney ordered this Nicholas, a

(10:40):
lovely body propelled by a ridiculous mind. For shame such
conductor gambling house. The tears of Knights are pardon versus Rael.
And that doesn't fawny mister Spage, I am a gemorogous
the house of martuous. Of course, it's really thank your
godlike when an artist creates a dazzling thing of beauty
such as this, would he be so unlikely is to
forget the time, the patients, the agony of this creation.

(11:03):
See how each stone is carefully amounted to capture every
single pin.

Speaker 2 (11:07):
Point of light, an incomparable.

Speaker 6 (11:09):
Masterpiece is an incumbent money.

Speaker 3 (11:12):
How much money the whole sale market about ten thousands.
I mean he paid twenty five but he had it,
as I say incomfortable, yeah yeah, while I saw another
one just like at the night. It was ridiculous. The
finest workman at best could only create a crude resemblance.
This kind of work demands an artists or an artist.
But tell me Latin along this heilba my second year

(11:36):
of laughin. Excuse me, sneak in address? Is something wrong?
There's something wrong? Yeah, you you are.

Speaker 2 (11:42):
Concerned for the safety of this piece of a small
safe in my room.

Speaker 3 (11:45):
May have the key if you care, I'll take it. Well,
thank you, mister Martinwall.

Speaker 6 (11:48):
My pleasure.

Speaker 3 (11:49):
Mister Spain, only a multuous boom vocates all speak well
of Martius a Panza. What do you mean in the
dismal lobby of the White Hotel, I asked the night clerk.
There's some lapping paper and twenty cents worth of stamps.
It was a hunch. Plus the fact that outside in

(12:10):
the street I spotted two of Johnny mccaul's unshaved guerrillas.
They were looking up at the front of the building.
Mister marshallus must have switched off his light or something,
because their eyes suddenly dropped, and I saw them separate,
one on each side of the front door, with shoulders
carefully hunched. I stepped out into the lonesome knife. I
hoped they would think I was carrying my thirty eight,
which I was not. They didn't.

Speaker 2 (12:32):
There's the pizza, Candy. You want to ask him for match?
Candy's nearsighted.

Speaker 3 (12:36):
That's doll ben got a match, spade, man, I said closed.

Speaker 2 (12:41):
Candy asked if you got a match. He's a dummy. Candy,
don't answer it, got a matched spade? Whatd I tug you?
He's a dummy.

Speaker 3 (12:50):
He doesn't look like no domatic.

Speaker 2 (12:52):
He's a dummy. All right, into spade. She's a dummy, Candy.
I told him about you being neit sightedly.

Speaker 3 (12:59):
Wouldn't he don't talk?

Speaker 2 (13:02):
Go on, smart boy, tell him. Tell Candy how sorry
you are about it being near sighted. I told you
he was a dummy. Candy, all private eyes like you?
And he asks you a question. He wants to know
if all Private eyes is like you.

Speaker 3 (13:18):
I don't like no dummy.

Speaker 2 (13:20):
We asked questions and he ain't told a sten that
makes him a dummy. Maybe we find out something if
we went through his pockets. Yeah, even a dummy's got pockets,
ain't that right? Dummy hurled him candy?

Speaker 3 (13:34):
All right, boys, you played the scene real good, and
I'll see what I can do for you.

Speaker 2 (13:39):
Hey, you talk, Yeah, make him talk again, Candy, Make
him talk bigger, Candy, bigger, bigger. He talks real nice,
but he don't say much.

Speaker 3 (13:51):
I think maybe he's tough finess.

Speaker 2 (13:53):
Yeah, maybe puld him up.

Speaker 3 (13:57):
He ain't so tough. No, I wasn't. I didn't feel
like talking, and I have quiet, little straight for The
only noise was my face pounding it on their fists.
I didn't have the necklace anymore. But they had to
find out the hard way, the hard way from me.

(14:23):
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women and children too. And now back to the tears
of night Capers. Tonight's adventure with Sam Spade. I remember

(15:56):
trying to wake up a couple of times. I was
dreaming that we were driving along in a giant Cadillac.
Big Mamie was sitting on my lap. He was eating
a diamond necklace and spitting out cherry fits, which mister
Mortuus grabbed, looked at through his jeweler's glass, and then
tossed him. We were left with you. Then we had
a blowout, and a whole car vanished, with everybody screaming,

(16:16):
the martuous, demutuous. Somewhere around seven and the am I
began to get a feeling, several feelings, and all of
them hurt. I had been done on the grass in
a fairly nice neighborhood, in your neighborhood, as a matter
of fact, dappning, and five minutes later I was climbing
the steps to your apartment. I thought maybe you had

(16:37):
let me wash my face in your bathroom. Also, you
seeing the logical window questions and nothing else made sense.
You were sitting in a large chair, the drapes were drawn,
the door was slightly open, and only the life in
the hall seaked in. You had the phone in your lap,
the receiver was off. I guess was right. You were

(16:58):
looking at nothing.

Speaker 1 (17:02):
Oh, mister Spade, it's you. You came back.

Speaker 6 (17:10):
You've been in an accident.

Speaker 3 (17:12):
I don't think you'll lead it.

Speaker 1 (17:14):
Oh yes, well then, mister Spade, Well then I I
suppose you've met some people tonight and know a great deal.

Speaker 3 (17:22):
About me again, Julie, did they tell you.

Speaker 6 (17:26):
About Lenny Epige?

Speaker 1 (17:28):
He's really a dear, mister Spade, quite the nicest boy
I met since Sydney was killed in that horrible automobile accident.
Sydney and I had so many things together. I do
think he enjoyed being alive with me. I cried when
Sydney was killed.

Speaker 3 (17:46):
I really did.

Speaker 6 (17:46):
I cried. I didn't know what to do. I cried.

Speaker 1 (17:52):
That was three years ago. But now I have a Lenny.
It's really a dear. I do think that Lenny will
be a very proud in his art someday.

Speaker 6 (18:01):
I do.

Speaker 1 (18:04):
Lenny ask me to marry him tonight?

Speaker 3 (18:07):
He did.

Speaker 1 (18:08):
I've been very lonely since Sydney died. Lenny isn't interested
in my money.

Speaker 6 (18:14):
Lenny has some money of his own, did not.

Speaker 1 (18:23):
My conue adjusted to my mouth?

Speaker 6 (18:26):
Does that ever happen to you, mister State?

Speaker 3 (18:29):
Sometimes?

Speaker 1 (18:29):
Yes, but first I should see a correctionist. I'm glad
you came by again.

Speaker 6 (18:37):
I didn't know you were a.

Speaker 1 (18:38):
Detective the first time. Who told you, right, mister McCall.

Speaker 6 (18:45):
Less.

Speaker 1 (18:47):
I really can't understand money. I know it must be
strange to you look at them. For some people live, for.

Speaker 3 (18:57):
Some people plays my son. We can't get anything done.

Speaker 1 (19:03):
They look so funny, very funny. I've seen them count money,
so much money. I really believe that it is only
a little.

Speaker 3 (19:16):
Lucky. I'm pointing at something across the dark and room,
so I think ten seconds to find the life sat
stretched down on your floor. They looked funny, all right,
Candy and Earnest, both of them as dead as you
can get.

Speaker 4 (19:49):
Hello, Darling, Darling doming I've been waiting all night.

Speaker 3 (19:52):
I knew you telephone and give your answer. I knew
you married. Your name Lenny Evill, Yes, but I was expected.
My name's I'm a private investigator. I'm calling from her apartment.
Now listen. There's been a couple of murders here. She's
had quite a jolt. He's gonna need you and all
the help you can get to bring her out of it.
I've called homicide and it might be pretty rough for it.

Speaker 4 (20:12):
I'll be right over.

Speaker 3 (20:12):
Bring a doctor, right and a lawyer. I'm afraid you'll
need one of those two.

Speaker 1 (20:16):
I've got a good one.

Speaker 3 (20:17):
We'll be there. Thanks, mister Spain. He showed up about
the same time the crew from homicide got there. If
he answer, it's a good guy. He talked fast and
urgently as to the doctor and lawyer he brought with him,
and throw their combined efforts. You were removed not the
police headquarters, but to the private hospital in which you
are now a patient. It was obvious from the powdered
test that you could not have fired the forty five

(20:38):
which ended the lives of Candy and Earnest. Was also
obvious that the murders had been done elsewhere. But who
had done him? A man to the same space.

Speaker 2 (20:48):
I've been expecting you, come in, Come in, sir. I've
been amusing myself with your chessboard.

Speaker 3 (20:53):
Don't you had a hectic night? Yeah, your boys are
pretty rough Againdy and Earnest of another world to speak,
not our world. Allowed me to apologize for that. Heck,
I want more than an apology, mister morsus. And if
that's my gun, and it looks like it has got
a hair trigger, And if your pardon me for saying so,
your hands are a little shaking, I understimated you spain

(21:14):
such an ingenious method of protecting the tears of night. Why, sir,
but the simple expedient of placing it in an envelope
and meeting to yourself from my hotel lobby. You hired
US guardians the entire United States Postal service. I have
to mention the art enforced nice. What happens now we
wait for the me Just tell me where I'm wrong.

(21:34):
When you're mister morsis mycall. Wanted me to get caught
with it. He didn't know it was raal. It made
a phony for him. Only found out it wasn't phony
when I came to your place. Then there was a
gobble cross. If you can bear my vanity, I have
invented a new word, triple cross. It has a ring
to it in oh including Mamie. Mami and her friends
have been very valuable to me, but I must necessarily

(21:56):
exclude them from.

Speaker 2 (21:56):
Sharing the profits.

Speaker 3 (21:58):
Maybe not got candy and artist. I bet it buy
the last of the House of Marches. If planted a
London the Daphne's place, Mamie and I a crude touch.
I thought was it had a purpose. I happen to
know that missus Arlington has for a long time. You
know the verge of a nervous breakdown with two cadavers
in her living room. She was very unlikely to discuss
a bogus necklace with the police, and I doubt very

(22:20):
much if she knew she was wearing the original or
the imitation. Flighty girl, that's the larsliest thing the House
of Martius ever. Did she walked in and find it?
If you would merely return the real necklace to her,
it would have been simple to make an exchange, and
none of this would have been necessary. I know, I know,
you just sat here and wipe for the mail. We
wait for the mail. What about your other eployment.

Speaker 2 (22:43):
I'm afraid I'll be sought for a murder or two
or three this night.

Speaker 3 (22:48):
Mamie, she got it? So yes, where the police canna
find her? In my hotel room, which I departed hay
Stilly once the room clerk had informed me of your
ingenious method for protecting the necklace, I shot her there.
You were cheap, cheap, sir. I don't understand a ten
thousand dollar necklace. It's not quite a king's ransom. You know,

(23:08):
the tears of Night are worth five times that. I'm
afraid I misinformed you was to their value. I didn't
want you to become suspicious. You are a really horrible,
terrifying old man. I suppose you think you'll get away
with it. I don't intend to get away with it
an old man, yes, but I intend to spend by
remaining years. I'll stick you up before you get to
the airport. Dies out that I shall turn the tears

(23:30):
of night into cash, and with the well laden purse,
I shall guarantee to relieve the police over half the
world two years, perhaps three days.

Speaker 2 (23:38):
Get me, but I spent the money.

Speaker 3 (23:42):
We have a visitor. I shouldn't spay. I do shoot well.
I'm sorry to tell them to go away. I'll be
right beside you, all right open.

Speaker 5 (23:54):
One side said, I got a.

Speaker 3 (23:55):
Gum obvious men.

Speaker 1 (23:57):
Thought i'd find you here waiting for the nail.

Speaker 3 (24:02):
You didn't do such a good job on me question,
my dear, I have a gun too. Everybody with me.

Speaker 6 (24:07):
I can rick long enough to have it.

Speaker 3 (24:12):
Not so good, my dear, Your loss of blood has
made you got me. He's still it was arm us
to photo finished. They kind of leaned into the wall
with a pain on a man's look on his face,
and he's saying the try to walk and speaks really

(24:32):
believe I've been shot. I need a little systems. I
can't see them all my feet, Sir, I can't see.

Speaker 2 (24:40):
The whold.

Speaker 3 (24:45):
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Spain or if your second year Latin escapes your memory,
speak well the day period and a report all those

(25:09):
people four and all in that.

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Poor girl's Daphney, how she must have so when she's.

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That was pretty bad, you poor darling. Well that's about.

Speaker 1 (25:20):
Time and you go right home that I'm going to
take you home.

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type that up. I am completely well, and when you
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Speaker 2 (25:46):
Nic.

Speaker 3 (26:01):
The Adventures of Sam space dashall Hammart's famous private detective,
are produced and directed by William Spear. Sam Spade is
played by Howard up Loreen Tuckle is epy. The Adventures
of Sam Spade are written for radio by Bob Tolman
and gildwd the musical direction by lud Pluskin, with score
composed by Renee and Pierre Garrigang join us again next Sunday,
when author dashel hammerdon producer William Spear joined forces for

(26:24):
another adventure with Sam Space brought to you transcribed by
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Yeah h.

Speaker 2 (27:11):
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