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June 6, 2025 • 29 mins
Chronicles the exploits of a charismatic con artist, offering a glimpse into his schemes and the moral ambiguities of his adventures. The narratives blend wit with suspense.
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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:23):
Resenting Orson Wells as the Third Man. The lives of
Harry Lyon, the fabulous stories of the immortal character originally
created in the motion picture The Third Man with Zipper

(00:45):
music by Anton Carah.

Speaker 2 (00:52):
That was a shot that killed Harry Lyon. He died
in a sewer beneath Vienna. And those of you know
who saw a movie Third Man, Yes, that was the
end of Harry Lime, but it is not the beginning.
Harry Lime had many lives, and I can recount all
of them.

Speaker 3 (01:12):
How do I know, person, because my name is Harry Lyme. Friends.

Speaker 2 (01:28):
The story of my marriage, my first marriage and believe
you me my last. It all began in the funny
little city of Becarata. There isn't much to do there
except get married. Principal local occupation, of course, is getting rich,
and that's what brought me to Beccarata. It's hidden away,
as you probably know, in a remote corner of Saudi Arabia,

(01:48):
mines of black gold oil. Direct stop the landscape as
far as you can see, and huddle beneath these modern
steel skeletons. Vis a city as old as best. Carryo dealers,
halfware wares in the narrow winding s, beats, beggars, doors
and shadow doorways, row Arabs mingle with Europeans and soil
of whites, and the city drowses with all the indolence
of Asia. An ideal place for a murder and a

(02:10):
double crossing oil Oil to Greece, the skids of fortune
for hairy.

Speaker 1 (02:16):
Lion, and now orson Wells as Harry lyons the third

(03:10):
man in love.

Speaker 2 (03:12):
Affair the Corupper Saudi Arabia, Harry Locke. That's me, a
happy young bachelor strolling along the narrow street that led
from the Grandeur family to the native bizarre Oh nomber

(03:33):
one a moment of your I'm sorry, friendly, I am
not the beggar, oh heaven born.

Speaker 4 (03:39):
I am teller of fortune, yes, but I'm last, the present,
the future. I see all I say, all the all,
the greatest of great lords.

Speaker 2 (03:49):
May your back never been thank you, May your beard
never grow white. I hate your back shee sh and
I read you for it.

Speaker 3 (03:57):
Thanks very much. A man. I'm busy making my fortune.
I don't need to have it told. Show me your palm,
noverer one. Let me but see the line of your desker. Okay, okay, friend,
make its happy.

Speaker 5 (04:09):
Ah, the hand of the wonder of the seecret.

Speaker 3 (04:13):
It is difficult to tell your.

Speaker 2 (04:15):
Fortune, my lord, because you have no fortune.

Speaker 3 (04:19):
You have many fortune.

Speaker 2 (04:21):
Well that's nice to hear, man, but let's get down
the cases. When am I going to get rich?

Speaker 3 (04:24):
You will always be near to wealth and see many women.
That's girl, beautiful women.

Speaker 2 (04:32):
That's better, dark women. I don't blunce too, But only
one wife.

Speaker 3 (04:38):
I've thought about a wife, Nober one. You will only
be married once.

Speaker 2 (04:42):
And once it's too much for it. Mildly, I'm afraid
you've got your fortunes mixed up.

Speaker 5 (04:47):
You will travel a great one quickly and across many lands,
and you travel with a wife.

Speaker 3 (04:54):
Okay, now you've had your friend, I'll say goodbye. Wait wait,
you have not paid me, should I? Friend? I'm harry lyme.

Speaker 2 (05:01):
If you don't know about me, fill a book and
nobody's going to write it without.

Speaker 3 (05:04):
Paying me royalties. So long, man, do the same, sweet
generous harry l. Try what are you doing in Bacaranda?
Just exactly what you seem to? Checking up on you
the same, sweet love of bookl Schwy. They can be talking.

Speaker 2 (05:23):
Almost anywhere the time for Salah and all about let's
go on going to this cafe.

Speaker 3 (05:28):
He he doesn't look pretty clean. I don't answer your needs.
Don't you thank you? Following me? Well, it doesn't seem
to be anyone around. What do you want trying? What
do I want?

Speaker 6 (05:42):
I want to know whether you obtain the Oidiensis that
is what you're being paid for, isn't it?

Speaker 3 (05:47):
Mister Nan, I'm not too okay. You's tying with me.
I'm not trying with you. What do you expect? Everything
they said?

Speaker 2 (05:52):
He moves by inches. I made friends, Yamal tell me
with Alan? Then I think I've got him in a
receptive mood. Actually, I'm sure he doesn't realize how important
I was going to be in a few years.

Speaker 3 (06:00):
I can't force them to sign them. Many things don't
work the way I know. I know we have perfect confidency.
And why don't you come here to make sure that
our confidence wasn't misplayed? And do you think you might
be able to settle the matter of the oil? I
have a point?

Speaker 2 (06:12):
Who the out? And later this afternoon he's out of
the summer palace. Now it's about forty miles in the city.
When I get back, you're in touch with you to
it's the Grand Hotel and I'll begun.

Speaker 3 (06:19):
By this afternoon, Harry. But I do have others working
for me. I don't know it if you try to
double cross your government get the leases by the money.

Speaker 7 (06:27):
I brought you a draft to pay for your services
to day here and.

Speaker 3 (06:31):
Thank you all. Hey, what's this and this hardly comes
my hotel? Im I'm forgetting it. You tried the your
final payment.

Speaker 5 (06:36):
We'll be waiting for you the Bank Internationalality when you
have concluded negotiation.

Speaker 3 (06:41):
Or any wants the bank. No one I know, Harry,
they'll know I'm still burning about the size of the checks.

Speaker 2 (06:51):
I left Schwine and headed for the bank, and I said,
I'm not surprised to learn the schwi's government and other
agents in Decorada. But I wondered how it's possible for
someone employed by the bank to know when they aleph
and succeeded to my requests. So I entered the shabby
Monument of Finance. I searched the bland inscrutable faces behind
the cages, but they told me nothing. Well, I'm trying
to catch the check my pleasure ads and slid the infury.

(07:14):
You know, the piece of the great paper through the
opening and wind of the chief teller. Lovely look England.
If you care for the park Mark Bdi murderer's type.
He glanced down at the check and not with me.

Speaker 3 (07:26):
You are Harry Lyon. Yes, I am a good Answest.
That won't be necessary.

Speaker 2 (07:30):
You are already well known in this scene.

Speaker 5 (07:33):
How did you want this, mister Line.

Speaker 3 (07:35):
I don't care about the denominations. I want an American money,
American way. I say, I'm an American. I'm sentimental about
American money.

Speaker 5 (07:41):
It's very well, mister Learning. Here you are shirt one
two threes for five hundred dollars.

Speaker 3 (07:48):
I thank you. However, with the.

Speaker 4 (07:49):
Current break of exchange, I might decide you to see me.

Speaker 6 (07:54):
Mister Live, I apologize for approaching you on the street,
but I must speak to you at one Oh. My
name would not mean anything to you, but I can
tell you this. I am no friend of Calshwik.

Speaker 3 (08:05):
I's got any enemy of Calshwi is a friend of mine.
What can I do for it? It is a matter
of what I can do for you. To begin with,
May I drive you back to your hotel? I have
my own car. You do not own a car, mister Line.
And the cif why you have rented you did not
use today. You left it in the hotel garage copy service.
You want it in good running order for your trip
to be a Latin summer palace later in the thing.

Speaker 2 (08:27):
I've been alied to me except to lift back to
the hotel.

Speaker 3 (08:29):
That's your car, yes, Gregory, that is my own.

Speaker 6 (08:34):
Incidentally, there are some governments that are not as conscious
as dreams.

Speaker 3 (08:38):
As the employers of your mister Spike.

Speaker 1 (08:41):
Gregory.

Speaker 3 (08:41):
We will drive the line to the contact. Do not,
Harry oh Man all about my karma. Engagement is at
no apparently.

Speaker 6 (08:51):
My business in Begarla. What more would you like to
know between me and injustice with the line, I do
not seek anything.

Speaker 2 (08:58):
I wish to give you something here when you want
kidnapped for this kind of money.

Speaker 3 (09:03):
Instead of line. We are both here in the quarata for.

Speaker 6 (09:05):
The same thing, but there are two major differences. You
want the oil leases for the country who give you
that check you just cash with the bag. I want
the leases for another power. You have been successful and
I have not been.

Speaker 3 (09:20):
I have no signed agreement.

Speaker 6 (09:23):
Our progative sources tell me that it has become a
personal thing between you and.

Speaker 3 (09:27):
They are luck in. You have exercised great charge on him.

Speaker 6 (09:31):
You will sign the leases made out by you to
whatever power you select.

Speaker 2 (09:35):
Maybe I want you to make out the contract for
my company payments.

Speaker 3 (09:42):
How do they compare with the money you now holding
your parents?

Speaker 2 (09:45):
I don't compare, But I can't accept this man, every
assured schrid Harry Lime.

Speaker 3 (09:50):
I know you, I know how your mind works. I
have worked with men like you for years. Your loyalties belong.

Speaker 6 (09:58):
To the highest bidder in your and you, who have
the lotgest flights, get offered for your services. When you
present the contract of the alapin tomorrow, I am sure
they will contain the name of the right country.

Speaker 3 (10:14):
Later, I was wanting to at the bar the hotel.

Speaker 2 (10:16):
I wasn't touching the money bann And offered me in
my tight little fist anymore, I was making a comforting
bows in my wallet. A long mahogany gate to forgetfulness
was deserted. Except for George Harris. There was a sort
of glorified tourists guide who sometimes brought parties of American
travelers to see the quaint charm of ancient decorata.

Speaker 3 (10:37):
Quaint.

Speaker 2 (10:37):
Yes, I'm not crowding and I'm here first, so you
couldn't be crowding.

Speaker 3 (10:43):
Me, all right, And you're crowding me.

Speaker 2 (10:45):
And it's a long bar, it's any silly look, it's
a long bar with one drinker runner and one of
the other kimono has break down.

Speaker 3 (10:50):
I have a drink of me.

Speaker 7 (10:51):
I'm may interested to know that when I bring tourists here,
I give them a little indoctrination like you, and part
of it consists of a warning to keep away from
a very unsavory American expape.

Speaker 3 (11:01):
Yet, for the name of Harry lyme, hm hmm.

Speaker 2 (11:03):
You think I'm capable of contaminating you and your camera
toting babbits. I don't quite know what you're capable of.

Speaker 7 (11:10):
But the terroist who can afford and quote a side
tip to the Orient in their rightinery obviously have money.
There's no sense in waving a branch of honeystockle in
front of a bee.

Speaker 2 (11:19):
I guess that's my cue to buzz off, mister Harris.
No worry about might try to get even with you
for all the nasty things you've said. I'm not sure
to have my revenge when you are not prepared for it.

Speaker 3 (11:28):
And I wasn't hungry.

Speaker 2 (11:33):
I walking into the dining Salem, George Harris policy headed
for a table festooled with his party of tourists. Usually
it's party consistent of by cognitive soda addicts, fugitives from
Board of Directors meetings, and generously proportioned dowagers, enjoying the
money that laid husbands had worked themselves to death accumulating with.

Speaker 3 (11:50):
This time there was a new note. A lovely, fresh
looking girl.

Speaker 2 (11:55):
You have the sort of innocence that only a Reynolds
could have captured, or a harry Lyme.

Speaker 3 (12:00):
She got up on the table. I followed. It was
the piazza.

Speaker 2 (12:02):
There wasn't a hovering mother, a chaperonner, a tourist guide site.

Speaker 3 (12:09):
I say, you didn't drop.

Speaker 2 (12:12):
Your handkerchief, but if you had, I could have picked
it up and returned it to you know, we could
have started talking.

Speaker 3 (12:17):
You know, I would have offered to show you the city.

Speaker 2 (12:20):
I have a guide, thank you.

Speaker 3 (12:21):
Yes, I know, but I could show your places.

Speaker 2 (12:23):
George Harris wouldn't dream of taking a seventeen year old
girl too.

Speaker 3 (12:27):
I'm nineteen. Oh, I'm wondering now. I've been wondering about
a few other things too.

Speaker 8 (12:32):
You must see the Harry line. Mister Harris was telling us.

Speaker 2 (12:35):
Surely I'm not the only man in becker outa capable
of speculating a bit about a beautiful American girl.

Speaker 8 (12:40):
I'm terribly sorry, mister Lyon, but the others will be
coming out from Munster, and I mustn't be seen talking
to you here in broad daylight.

Speaker 2 (12:47):
Well it won't be broad daylight forever. Whatever that's Wrue's.

Speaker 3 (12:53):
This evening perhaps was a real looker.

Speaker 2 (13:04):
But with all a look shoes pushed to the bank
of my mind as I got to the Center Palace
the Alpha. Later that afternoon, if I rendered situ and
was bathing, and I said, I guess I wasn't watching
the road to carefully, because suddenly the ordinary deserted strip
of pavement became crowded. I had to pull to a stop.
Arabs riding burrows crowded about the car. There some half
castle and foot climbing, and the running boards in front
of the car. I was three or four Bedouin's pretty

(13:25):
first looking customers with old fashioned muskets slung over their shoulders.

Speaker 3 (13:30):
Hey, Hey, what's all this about. I'm on my way
to see your rulers.

Speaker 1 (13:36):
If I'm detained, you'd be very angry.

Speaker 3 (13:37):
I say, isn't there somebody.

Speaker 9 (13:39):
Here was speaks English?

Speaker 5 (13:41):
I speak English?

Speaker 2 (13:42):
Man?

Speaker 3 (13:42):
Were you?

Speaker 7 (13:43):
You're the chief telephone.

Speaker 5 (13:44):
The bank of the that you know, that's one of
my occupations. Move over, mister Lyon, we have many things
to talk about before you have your meeting with the alaughin.

Speaker 3 (14:10):
Orson.

Speaker 1 (14:11):
Wells returns in just a moment as the third man,

(15:00):
and Wells as the third Man, continues with love of thing.

Speaker 2 (15:14):
The beady eyed park marked Erab was sitting next to
me on the front seat of my rented Siur.

Speaker 3 (15:19):
The near equatorial afternoon was growing.

Speaker 2 (15:21):
Cold, the leather of the cars upholstery.

Speaker 3 (15:24):
Damp and flamming under my hand, and as the.

Speaker 2 (15:26):
Monty crew outside the car crowded close, I made an
instinctive gesture toward.

Speaker 3 (15:30):
The bulgy wallet that rest in my inside pocket.

Speaker 5 (15:35):
If you're thinking of reaching for a gun, mister Lyme,
I might inform you that these few friends represent only
a portion of mister Schweigs represented.

Speaker 2 (15:44):
You've seen decurata, so you're a schwes Man on the bank,
which nice, well, you can relax.

Speaker 3 (15:49):
I wasn't reaching for a gun.

Speaker 5 (15:51):
I have no need to relax, mister Lime, but you
appear a try from nervo. Perhaps your gesture towards your
pocket it was only to assure yourself that you're want
it was still safe.

Speaker 3 (16:03):
What are you getting at?

Speaker 5 (16:04):
I saw you get into modic high valiance car outside
the bank today. It would not be healthy to go
against mister Schreis.

Speaker 3 (16:12):
No intention of doing that.

Speaker 5 (16:16):
I thought the idea might ever come if mister VAL's
offer was more interesting. Don't try it, mister Lyon, keep
your promise to shrive and then get out of town
before Varian knows you completed our arrangements with the Alaphine.

Speaker 2 (16:32):
I'm not leaving town like at the balance of the
money is why goes me instead of be waiting for
me at the bank, And so it will be the
bank will be closed by the time I leave the
Elephant's Palace.

Speaker 5 (16:42):
Well, you include the negotiations and then meet me at.

Speaker 2 (16:45):
The bar of the hotel.

Speaker 5 (16:47):
Okay, I will have the money waiting for you.

Speaker 3 (16:49):
Then, Man, it's a deal, and don't try and it's.

Speaker 5 (16:53):
If you do, I will know about it before you
have finished counting the money.

Speaker 2 (17:03):
I knew him with a high open Dato Beccarado was
an infuriating ordeal of delay somewhere other The granting of
oil rights seemed to be an excerpt bit tied up
with Native dancers and ceremonies and rituals. But the best
I could manage is to leave the contracts with him
and get an exchange. A half promised that he would
sign them. I wondered if Schweig, this fascinating messenger boy,
would be content with the arrangements he was waiting for.

Speaker 3 (17:24):
Me there right, I can't prepare it, but I have.

Speaker 5 (17:28):
Been informed that the Ala fin did not sign the contract.

Speaker 2 (17:32):
Look, if you know they weren't signed, you also know
I made them out the way he wanted them, in
favor of the paschwagon you represent. My job is finished.
Even if I wanted to stick in Beccaradauntil. The old
door gets around the signing, and I couldn't have a
banion in town. I want the money. I've got it
coming to me. Now, do you understand?

Speaker 3 (17:48):
Now, I'm not sure Schweg would approve.

Speaker 2 (17:51):
You've got the money in your side pocket. I can
see the bulge. I'll pull it out and start.

Speaker 3 (17:56):
Watch shot le gout it.

Speaker 9 (18:00):
I didn't know.

Speaker 3 (18:06):
It must have been dead. Almost before I reached over
into the mind.

Speaker 2 (18:08):
From his side pocket, I could hear him topple from
his chair span and a handful of clods burst into the.

Speaker 3 (18:14):
Room through the doorway, which one of them shot him.

Speaker 2 (18:17):
They fired after me as I streaked out at the
back door, and I reached the rear hotel and jumped
into the situation. Stepped on the start, and as the
motor thought, I clashed the gears. The car leap toward
a narrow torture story. I wasn't sure where it led,
but already I could hear all the.

Speaker 3 (18:29):
Cars starting behind me.

Speaker 2 (18:30):
Natives and animals sprang out of my way as I
kareem down the winding streak. Cars were further away now,
but ahead of me, I could see people milling about
Nearrodimri the cafe. There was a figure in white something
I could see that was the girl, the American girl
the hotel.

Speaker 3 (18:44):
I know why, but something made me stop, help me,
help me jump in.

Speaker 8 (18:52):
Get me away from here.

Speaker 3 (18:53):
Creekly Oh, by the way, watch up or were you doing?
The Native quarter?

Speaker 8 (19:02):
I George Harris wouldn't take me where I wanted to go,
and I wanted.

Speaker 3 (19:07):
To see the places, the places.

Speaker 8 (19:09):
You spoke about this afternoon, so I slipped out of
the hotel. After dinner, I I went to that native
cafe back there, a horrible place. Two natives came up
to my table, and I started to sneak out, and
they followed me.

Speaker 3 (19:22):
I was never so happy to see anyone in my life.
That's right.

Speaker 2 (19:25):
I mean, I'll take care of you, going right, But
I can't call you nineteen years old?

Speaker 3 (19:30):
Uh American girl, Well, my.

Speaker 8 (19:35):
Name's Marion Lauren follow me. I'm an orphan and distant
relative of mine died a few months ago and less
me a little money. So I quit my job and
decided to take a world cruise.

Speaker 3 (19:45):
Under George Harris.

Speaker 8 (19:46):
No I I I didn't take one of those planned cruisers.
I just happened to join the conducted tour Tobeccarado last weekend,
and I wish i'd never come.

Speaker 3 (19:54):
Though you never sound a.

Speaker 2 (19:56):
Wire to house, so they might not if I were
relative to someone that you don't sure if I gottel,
I was no.

Speaker 8 (20:00):
One to notify. I have no relatives of friends over here.

Speaker 3 (20:04):
Have your passport with you?

Speaker 2 (20:05):
No, I haven't, or I know someone near the board,
who was very talented as an engraver.

Speaker 3 (20:11):
How we might obviate a lot of trouble.

Speaker 2 (20:12):
By having him make out your passports with some new names.
Say uh, mister and missus Joe Smith the Cleaver and
Ohio and might do for both of us.

Speaker 3 (20:22):
As that sound to you.

Speaker 8 (20:23):
Sounds really exciting if I do respies or espionage agents
or something.

Speaker 2 (20:38):
I was working perfectly, Madam was in strolling with the
excitement and the romantic of our adventure. It would take
time for Venning and whatever rest might be following me
to pick up the trail.

Speaker 3 (20:49):
But by the time we crossed the border, all that
was changed.

Speaker 2 (20:52):
Marion and I were mister and Missus Joe Smith could
prove in Ohio, USA.

Speaker 3 (20:55):
I mean I was working perfectly because as I could tell,
mad was.

Speaker 2 (21:00):
The perfect bride, adoring, starry eyed, and really in love
with me.

Speaker 3 (21:04):
Because she was in love with me, she asked them
embarrassing questions. It was an added feature to it.

Speaker 2 (21:08):
It'd become a parent that her little inheritance wasn't so
little at all. A person contained a role of large
denomination bills big enough to choke her custom official.

Speaker 8 (21:18):
Did I embarrass you there? Insisting on paying for my
own clothes.

Speaker 3 (21:21):
Oh no, you didn't.

Speaker 2 (21:22):
Embarrassing, but I'm constantly being surprised to find that you
can buy Parisian models.

Speaker 3 (21:26):
Understanding where in the world.

Speaker 8 (21:27):
If you have the money, do you think it's safe
to having buy car? Don't you think maybe we'd better
leave it and take a train, Harry.

Speaker 3 (21:33):
I told you to get in and habit of calling
me Joe, Sorry, Oh, I should not be safe. What
are you hinting at?

Speaker 1 (21:39):
Oh?

Speaker 8 (21:40):
Nothing, It's just that you told me the car was rant,
didn't I?

Speaker 3 (21:42):
I thought, all stopped thinking.

Speaker 2 (21:45):
Oh, I'm sorry, marian ol girl nervous, I yess.

Speaker 3 (21:59):
The nerves lasted all that week. As we crossed the
border to border, I.

Speaker 2 (22:03):
Thought it was a long way that now, but I
still kept imagining that I saw van and crowds.

Speaker 3 (22:08):
As we went through custom offices.

Speaker 2 (22:10):
I thought I caught a gensi of Schweig as we
ate dinner at a restaurant in Istanbul, even though I'd
see him die, I could have sworn I saw the
parkmark face of the chief teller at.

Speaker 3 (22:19):
The bank of the S and R.

Speaker 2 (22:21):
So we walked into a railroad office in Bucharest by
the time we reached Vienna, I think I'd almost begun
to enjoy my role as a somewhat few colored tourists.

Speaker 8 (22:31):
Are you happy, Joe?

Speaker 3 (22:32):
Dangerously?

Speaker 2 (22:34):
The way I feel, I might never want to leave you.

Speaker 8 (22:37):
I'd hate to think of what all this rich food
would do to my figure at this stage.

Speaker 3 (22:40):
I suppose either is a door anything more to eat?
A drinkful? Oh thounds as all as plenty for all
of us. Harris, George Harris, you.

Speaker 7 (22:48):
Don't mind if I join you?

Speaker 3 (22:49):
You talk like your comp ole man. I'm in the
FBI of the United States. By the way, Harry, im
I think you might be.

Speaker 7 (22:56):
Interested in knowing that the elephant got a little tired
of all your.

Speaker 3 (22:59):
Intrigued the day you left. He awarded the oil leases
to the US. So then shrinks after me too? What
charges of you go against me?

Speaker 2 (23:07):
Charges?

Speaker 7 (23:08):
We have no charges against you. It still isn't against
the law to be a scun well, I said, no
charges against me.

Speaker 2 (23:16):
I've just been helping the Becurata authorities track down your
sweet little bride.

Speaker 3 (23:21):
Why Mary, I'm sorry.

Speaker 7 (23:24):
The night she picked her up in Beckuratta, she was
fleeing from the hotel where she just shot and killed
her aging husband.

Speaker 3 (23:30):
You ready to leave?

Speaker 2 (23:31):
Marian there.

Speaker 3 (23:33):
Just a minute, Marian, I want did you get this street?
You know you's talking to Harry what he says I mean?
I mean that's why you came away with me. You
mean I was the sucker you've been used to me. Okay,
I've done a lot of things in my life. I've
even been married. Now, I've even been a sucker. That's
one that doesn't go in the book. But George, I
didn't see how you trace this. The big bills your

(23:53):
wife spent on the trip.

Speaker 7 (23:55):
You see her kilting husband after the one she killed,
cash a large check at the Bank International a few
hours before she did away with him. Luckily, the chief
teller made a list of the serial numbers. Come on, Marion,
how goodbye? Lime By the way where you're planning to
be and.

Speaker 2 (24:11):
They need you for the trial, you can always look
for me, old man. There's no law against that. Tell
you what, I'll give you a little hint.

Speaker 3 (24:16):
The elephant. Maybe he hasn't signed that oil contract. He
may he little drives after ass.

Speaker 2 (24:19):
You'll probably find me in Beccarata. There's a fortune teller
I want to look up. I own some money. So
long the dial man, your beard never grow quite your
shadow never gol.

Speaker 3 (24:47):
Harry Lyme returns in just a month.

Speaker 2 (24:52):
And Harry Lyme.

Speaker 3 (25:51):
Well friends. It was a short marriage, but a very
present one. If you should settle down.

Speaker 2 (25:55):
Somewhere and start enjoying easy living, rich food and find liqu.

Speaker 3 (25:58):
I, don't worry about what it'll do to your figured.

Speaker 2 (26:00):
It's about the fact it tends to develop between the ears.

Speaker 9 (26:06):
Its.

Speaker 10 (27:04):
Sting into.

Speaker 3 (27:33):
Inerasa and presenting Horson Wells as the Third Man.

Speaker 1 (28:56):
The Lives of Harry Lives the Fabulous stories of the
Immortal Arrigon, originally created in

Speaker 6 (29:01):
The Motion Picture of The Third Man, with zither music
by Anton Carris
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