June 28, 2025 • 31 mins
Original Air Date: August 21, 1940
Host: Andrew Rhynes
Show: The Lone Ranger
Phone: (707) 98 OTRDW (6-8739)
Stars:
• Earle Graser (Lone Ranger)
• John Todd (Tonto)
Writer:
• Fran Striker
Producer:
• George W. Trendle
Music:
• Ben Bonnell
Exit music from: Roundup on the Prairie by Aaron Kenny https://bit.ly/3kTj0kK
Host: Andrew Rhynes
Show: The Lone Ranger
Phone: (707) 98 OTRDW (6-8739)
Stars:
• Earle Graser (Lone Ranger)
• John Todd (Tonto)
Writer:
• Fran Striker
Producer:
• George W. Trendle
Music:
• Ben Bonnell
Exit music from: Roundup on the Prairie by Aaron Kenny https://bit.ly/3kTj0kK
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:15):
Welcome to the old time Radio Westerns. I'm your host,
Angel Ryans, and I'm excited to bring you another episode
absolutely free. This is one of over eighty episodes released
monthly for your enjoyment. Now let's get into this episode.
Speaker 2 (00:44):
Show a fiery horse with a speed of light, a
cloud of dust, and the hearty hio silver. The Lone
Ranger set the great natural resources of the early Western
(02:39):
United States offered the pioneers a chance of a new life,
and the masked Rider of the Plains believed that every
honest man had a right to this chance. He envisioned
the new country a land of equal opportunity, and he
fought for life, liberty, and the pursuit of happiness just
as fiercely as he fought for law and order. Returned
(02:59):
with us not of those ruling days when the West
was young. Out of the past, come the thundering hoof
beats the great horse Tuver the Lone Ranger rides again.
Helver the Lone Ranger and his face Indian companion Conto, were.
Speaker 3 (03:26):
Headed toward Cottonwood. Their destination was not the town itself,
but a tiny.
Speaker 2 (03:30):
Cottage about a mile from the outskirts. As they drew near.
They cut away from the trail and approached the cottage
from the rear.
Speaker 3 (03:37):
That's the what originals place kim Osammy.
Speaker 2 (03:39):
Ah looks as if she hasn't had much luck with
her garden this year. Everything seems to be just about
burned up.
Speaker 3 (03:47):
Man pad poor woman. She hasn't had an easy time
of it.
Speaker 4 (03:50):
Ah.
Speaker 2 (03:51):
When her husband died, he left her practically penniless. She
was well along in years even then, and in bad
health in the bargain. On top of everything, she had
too much pride. Let people know how poor she was.
He almost starved to death before sam Otis found out
about it. Him put color a fine man, TWA. He
must have provided for for five or six years. Not right,
(04:11):
He wasn't noney too well off himself. If he had been,
I'm sure that when he had died, Will would have
made some provision for Ah.
Speaker 3 (04:18):
But he didn't.
Speaker 2 (04:18):
I understand. That's why I wanted to see her. Sorry
I didn't learn about the situation sooner. What we do, well,
First of all, we'll see how she's making out.
Speaker 5 (04:27):
Huh.
Speaker 2 (04:28):
If she's already found help, that'll be fine. But if
she hasn't, well, we're going to do something to see
that she doesn't suffer from want who that there where
their young collo round prump, young woman talking with missus Ridgley. Tada,
this way, come on, Silver, we'll get out of sight. No,
he's alarming them, but the sight of a mask man
when there's no need. Yeah, this will do. Chemist, pull
(04:50):
up quiet, Silver, Tata. Those young people were dressed like
Eastern iss.
Speaker 4 (04:58):
Not right for what matter?
Speaker 2 (05:00):
I overheard a bit of a conversation just then Tella
sounded like something we should hear.
Speaker 3 (05:05):
Move the horses a little closer. The port will protect us.
Speaker 5 (05:14):
I wish you have to thank you for all you've done.
I reckon, I ain't got the words for it. I
declare most crying. You think I'm awful silly missus Risley.
My brother and I think you're one of the bravest
women we know.
Speaker 3 (05:29):
Sure, but will your promises one thing?
Speaker 5 (05:31):
After you and your sister bringing me them he can
basket to grub and paying my rent to the bank
and everything. Young man, you can ask me anything in
your life.
Speaker 3 (05:40):
Then do this. Don't tell anyone what we've done.
Speaker 5 (05:42):
Oh, but land say means it. There's no need to
let it be known. It well, is it anyone's business
but our own aft friends help each other out.
Speaker 3 (05:52):
This isn't charity.
Speaker 6 (05:53):
You know you're in trouble and we like you. Maybe
someday we'll be in trouble and you can help us.
Speaker 5 (05:58):
What could a poor body like me do?
Speaker 6 (06:00):
It isn't what you can do it, it's what you
would do if you could.
Speaker 5 (06:04):
Oh but I there's a promise. Now. Mind you don't
go back on us. Mind. What did nobody do with
a pair like you?
Speaker 3 (06:11):
Well, we'd better be getting a lot.
Speaker 5 (06:13):
Yes, yes, I've just thought maybe I can help you
a little. You won't take off into anything the poor?
Where am I city? Would you?
Speaker 3 (06:25):
Why? Of course not?
Speaker 5 (06:27):
Well, well, of course I know you're both from the
East and ain't neither wonder you've been in these parts long,
so naturally you're why it wouldn't be so good acquainted
with things in the way.
Speaker 6 (06:39):
I believe I know what you're going to say. People
don't like me here. They I think I'm a coward.
Speaker 5 (06:44):
We changed. It's just the things are much strange to you.
Yet that's all I.
Speaker 6 (06:49):
Came here and brought that because mister Thornton promised to
make me express agent. Now every time I ask him
about it. He puts me off. Half the time when
I see him Joe munches alone. I think mister Thornton's
just trying to find a polite way to tell me
I'm not the man for the job and he's going
to give it to Job instead. Well, if if that's
the way he wants to let.
Speaker 5 (07:09):
Him, don't talk. You know what you want to do,
young men? What the next time Job tis to bully you?
You just up and give him the lick. And he's
been asking her. I've known Job month since it was
me high to a told he's just a sneak and
a yellow bully. That's what. Stand up, Tom and he'll crawl.
And if you do, yes, your brother, get that job,
(07:32):
mark my words. If you don't, ain't no man. Mister
Thornton likes so much as a fighter.
Speaker 3 (07:37):
I've never had a fight in my life.
Speaker 5 (07:41):
I save him in folks, young fellas, Fighting something that
has to be taught. When the time comes first to
take two, it natural, just like a duck takes the water.
Speaker 3 (07:52):
Well, well, I'll do my best. You just better right,
I'm afraid my best don't be good enough.
Speaker 4 (08:01):
You you hear that.
Speaker 3 (08:03):
I heard it and I don't like it.
Speaker 2 (08:06):
Ran across Jube, Munch and piccos you know he's a
cheap bully, the thief when he thinks he can get
away with it. The one man in the world had
never put in a position of trust. What do you
think a young fellow that Fellows originally called Jack Murder.
I think that thanks to him, missus Rigley is once
more secure that right. He deserves more than a refusal.
When he's come all this way for a job. We
(08:28):
look into this chemo say that a good idea. If
he needs help, he'll get it. Come on, no, no.
Speaker 6 (08:47):
More, barkeep, That'll be enough. I have to get back
to the office. I have things, mister Thornton. Hello, yeah, hello,
put them from here?
Speaker 3 (08:55):
Were you? Yes?
Speaker 6 (08:56):
I am sorry Jack, but I was just telling the
barkeep here. I've got work at the see me later now,
if you'd excuse me.
Speaker 3 (09:03):
No, you look here, mister Thornton. You've got to listen.
I yes, you do.
Speaker 6 (09:09):
You've got to tell me what you're going to do
about that job at the office.
Speaker 3 (09:13):
Am I going to get it?
Speaker 6 (09:14):
You promised me I would, But since then you've just
been putting me off. The moment well, I don't hire
any man out of hand. First, I've got to know
something about him. I have to have time to size
him up. Now, how long have you been here? Just
two weeks? But there you see, two weeks, no time
at all. You will have to be patient, young man.
Speaker 3 (09:35):
But you didn't tell me. I'll listen your letter, and
I was in the east.
Speaker 6 (09:39):
You wrote me to come right out, just the same
as said when I got here the job would be mine.
Didn't say anything then about well, about waiting to size
me up.
Speaker 3 (09:48):
And there was a reason for that? What reason?
Speaker 6 (09:50):
I knew your father, well, I'd expected to find you
more like him than you are. I won't see you
disappointed me, but I will. I will say that I'm
not at all certain you're fitted for the work. Maybe
I'm wrong. It'll take time to tell, and I'm just
to wait unless you prefer to look elsewhere for employment.
You're running no obligation to me, you know, I see, Jack,
(10:13):
I know just how you feel.
Speaker 3 (10:15):
But believe me, I can't tell you anything else.
Speaker 6 (10:17):
But mister, there's no use discussing it any further. I'm busy.
Good day, Good day.
Speaker 3 (10:23):
We'll talk this over again some other time. Barkeep. You
not drink? Oh, hella, Redskin, what was that you said?
Speaker 4 (10:32):
You not drink? You heat man, firewater? No good?
Speaker 3 (10:38):
Say what do you care? What I do?
Speaker 4 (10:39):
You good fella? You not drink?
Speaker 6 (10:42):
I don't see why I can't. All right, red Skin,
you win, that's waiting outside. I guess I was kind
of forgetting myself now, Red Skin, what matter nothing?
Speaker 3 (10:56):
I just wanted to ask you your name? Man, mean name? Tonto? Tanto?
Huh oh tanno. Thanks.
Speaker 6 (11:03):
I guess if you hadn't been here, I might have made.
Speaker 3 (11:06):
A prime fool of myself. You off a reservation, my sister,
that was my sister.
Speaker 6 (11:13):
Hey, let me through out of my way? God, God,
what's wrong?
Speaker 5 (11:18):
What was it?
Speaker 3 (11:19):
Don't you?
Speaker 5 (11:21):
Oh?
Speaker 7 (11:24):
There's your brother, miss. He came running to the risk
you only ain't running no more. The fact is, when
he's seen me, kind of look like he slowed down
a heap. God, what happened, Juck Tall?
Speaker 3 (11:40):
I did was say hello to your sister here, and
she started yelling like somebody had pulled a gun on her.
Speaker 2 (11:46):
There ain't no women around here that afraid of Joe
Mudge most doesn't like me to talk to him.
Speaker 5 (11:52):
It isn't true, Jackie, glad me.
Speaker 3 (11:54):
What if it did? He was just joking like you
was snake? Eh? What's then? I were just a little
closer to your side. So that's too little to get
in fight.
Speaker 2 (12:10):
You hear that, fella, didn't I always tell you the
pilgrim weren't Yeller.
Speaker 6 (12:18):
He's just too small to stick up for himself.
Speaker 3 (12:21):
That's all he hate Yeller. He's just a little mite.
Speaker 5 (12:29):
Do something. So let it make you like that, make
him take that there.
Speaker 2 (12:33):
I go to take it back, all right, young fella
here I am want and make me take it back.
Speaker 6 (12:45):
As there's no need to fight about this year. I
just promise not to annoy my sister.
Speaker 2 (12:54):
You hear that, feller, I'm the promised, not the ball
as a girl here me, I'm the promised. Why shucks,
any girl will be pleased. I have a real man
like me, pay or something.
Speaker 3 (13:08):
The time.
Speaker 2 (13:11):
Hate that song is come on, eat you kind of
please want me to say howdy when you come walking by?
Speaker 5 (13:20):
Eat you?
Speaker 3 (13:20):
Now you.
Speaker 5 (13:23):
Word to tell you how low you are? And you Jack,
I'm ashamed of you.
Speaker 3 (13:28):
I'm going home all right, real, don't.
Speaker 5 (13:29):
You come with me?
Speaker 2 (13:32):
DoD Wait, young fella, you want some advice, get out
of town.
Speaker 3 (13:38):
All right, fellas, come on inside. The drinks are on me.
Speaker 2 (13:54):
So Jack back down when Joe challenged him, Man, that's right,
he has no more backbone.
Speaker 3 (13:59):
Than that as well, turn around and go back east
right now.
Speaker 4 (14:02):
Oh that'd be a bad thing. Why him? Help widow?
Speaker 3 (14:05):
Woman?
Speaker 4 (14:06):
Him go want her do?
Speaker 3 (14:08):
That's right? Kima sabi huh.
Speaker 2 (14:10):
Man who's willing to do a kindness but doesn't boast
about it afterwards has something good in him?
Speaker 4 (14:14):
That right here's over what you're doing, Jack.
Speaker 2 (14:17):
And assisted living that place just beyond the widows. Huh
coll scout, here, scout, we're paying them a call. You've
got plan here's kim sa ha. And if it doesn't work,
nothing will ready huh o.
Speaker 3 (14:42):
God came home up.
Speaker 5 (14:46):
Sorry for what I said. I didn't need Jack, I've
been ashamed of myself.
Speaker 3 (14:51):
Ever, Sin, you didn't say anything that wasn't true.
Speaker 5 (14:53):
I know, Jack, you're not a coward. How could anyone
be expected to fight a great, big bully like job.
Speaker 6 (14:58):
Much after what he did? Probably any man in town
would have. You've been a sister. It's no use data.
Speaker 3 (15:05):
I know now that I am a coward for a while.
Speaker 6 (15:08):
I hope it was just like missus Ridgeley said, not
being used to things, not understanding out Jack?
Speaker 5 (15:14):
What is it?
Speaker 3 (15:15):
Jus?
Speaker 6 (15:16):
Look there coming up the trail a mass man.
Speaker 3 (15:24):
The curtain falls on the first act of our lone
range of drama.
Speaker 2 (15:28):
Before the next exciting scenes, please permit us to pause
for just a few moments not to continue our story.
(15:59):
A lone ranger, Tato, raced up to the home shared
by Jack and his sister and rained in their great
mouse before the door.
Speaker 3 (16:08):
Come along, half, What do you want all right? How
to take him home? Get me under the sad? You
know what to do with him? What are you doing?
Speaker 5 (16:22):
Don't you take my brother?
Speaker 8 (16:24):
Yeah?
Speaker 5 (16:24):
Back, let my brother, let him go.
Speaker 2 (16:27):
You'll not behind Inside an hour, he'll be really in
the house. You and I are going to have a talk.
Speaker 3 (16:48):
As the lone.
Speaker 2 (16:49):
Ranger explained the reason for his actions, the girl's hostility disappeared.
Then the mask man went on to explain the plan
he had in mind. Now do you understand why I
had to get your brother out the way? You see
that the plan I've suggested is the only thing that
offers a hope of winning the respect of Thoughton and
the townspeople for Jack.
Speaker 5 (17:08):
I wonder you wonder what Jack will really do.
Speaker 3 (17:12):
As I have told you we will.
Speaker 2 (17:14):
Any doubt it, I don't want to. I'm sure he will.
You're his sister. You should have as much faith in
him as I have. I do believe it, and he'll
try it.
Speaker 5 (17:23):
I will good.
Speaker 3 (17:25):
Who Oh, it's how to back already?
Speaker 8 (17:27):
Ah?
Speaker 3 (17:28):
Miss Murder actually agreed to our plan. He's good.
Speaker 4 (17:31):
Where's Jack him? Not far him? Walk him get here soon?
Speaker 3 (17:37):
Then we'll be going.
Speaker 8 (17:38):
Ah.
Speaker 2 (17:38):
And that when your brother gets here, convince him that
all's well.
Speaker 8 (17:43):
Last man, I will.
Speaker 6 (18:02):
Say it's all right, dadder. I suppose it is. But
just the same, I don't understand.
Speaker 5 (18:07):
Why the mask Man and Toto came here. Yes, I
think you will in time, Jack in that Ti'm sure
you will.
Speaker 2 (18:23):
That same afternoon, the mash Man and Toto rode into town.
They rained up in the shadow of a building near
the cafe and wait until Job Munch came out. Then
they started after him. The mash Man leaned forward to
a dusted lariat, and that moment Job disappeared and saw Job.
Speaker 3 (18:40):
A moment ago tandam where did he go? Him?
Speaker 2 (18:44):
Walk that way towards delivery stable. Ah, and he's likely
getting his horse. He's circling towards his side. Ah, that's
where he is. He's been in there long enough to
saddle up. Not right, So keep your eyes open. You'd
be leaving any trouble. Get him come on, so random up, shout,
hurry home boy, hold on there, Get him on, Get
(19:04):
him on.
Speaker 3 (19:05):
Don't choose that quartz. The rival coming with us, Come on. Scar.
Speaker 2 (19:28):
With their unwilling captive, lone, Ranger and Tonhoe raced out
of town. I did not draw rain until they had
reached their camp several miles away.
Speaker 3 (19:36):
Here's camp Toto, Rain up, hotel you Scar, Get out
of that settle, I said, get down? What you call
me Scar? Of course? What is the name when I
use Scar?
Speaker 5 (19:51):
Who?
Speaker 3 (19:52):
What is this? You're trying to work some game? I asked,
is who you think I am? Your scar? Boeing? Well, I'll.
Speaker 2 (20:01):
Sorry to spoil your fun, mister, but you just made
a mistake. You and the redskin here got the wrong gin.
Speaker 6 (20:07):
That story won't go down. I don't know this Armbrey
scar Bowen. You know, I don't know why you want it,
but I can tell you this. I ain't him and
I can prove.
Speaker 3 (20:18):
The expect that's to swallow that you ever see this?
Here's scar Mbrey acquainted with them personal?
Speaker 2 (20:25):
No, but I then that accounts for it, just had
a description of them.
Speaker 6 (20:30):
Perhaps then you look here at these Go ahead, mister,
look what's that? You aren't blind? Are your letters?
Speaker 3 (20:38):
Of course? Take a look at him and see what's
right on the front.
Speaker 2 (20:44):
This one's addressed to job Munch. And look at the others.
They're all the same. Yes, I see there. Yeah, what
you got to say to that? And it looks as
if Todda and I made a mistake.
Speaker 3 (20:56):
He sure did.
Speaker 2 (20:58):
Here you got any objections to my riding back to town? Now,
yes I have, but you just now admit it. I
want the armbre you was after, which doesn't all of
the fact that we permit you to ride to town.
Speaker 3 (21:08):
You won't waste time reporting this to the law. I won't, stranger, honest,
I won't.
Speaker 2 (21:12):
You can go gosh, mister thing, but you'll walk on
your way. Hey, listen, you don't know what you're saying,
but you want some lips thrown your way?
Speaker 3 (21:20):
All right, I'll go out going. Don't shoot, strange, don't.
Speaker 4 (21:23):
Shoot, and keep going him him hip mad and we
fooled him completely.
Speaker 3 (21:30):
Did you get something that will serve you? Get this?
And then eh? And they have a look at it
and it's got these initials.
Speaker 4 (21:40):
That's why Tondo take it walking.
Speaker 3 (21:42):
Joe won't reach town for at least four hours.
Speaker 2 (21:44):
Not right that it's our purpose perfectly, kimasabbe, he won't
be there.
Speaker 3 (21:48):
And Joe dark.
Speaker 2 (22:00):
Later, Jack and mister Thornton were riding toward the boys home.
Speaker 3 (22:03):
And there's no use you're coming there place, mister Thornton.
Speaker 6 (22:07):
Jack, I think there is, But I can't make you
see sense. So I'm going to talk to your sister.
Maybe she can persuade you to go back east. She
wouldn't want me to very well, then she can tell
me so herself. That's mister Thornton. Isn't there any chance
at all for me to get that job?
Speaker 3 (22:21):
I've made up my mind.
Speaker 4 (22:22):
Jack.
Speaker 6 (22:23):
No, But and we're really wasting our time discussing.
Speaker 3 (22:26):
It here we are? Oh, oh, by all right? What's
the matter? I thought you said your sister was at home?
Why she is?
Speaker 6 (22:35):
Doesn't look at the doors open. She isn't in the
parlor at any rate? Jack, what come on? Hurry, someone's been.
Speaker 3 (22:47):
Here, all right.
Speaker 6 (22:48):
Just take a look at this room. Why wait, it's
all torn up, torn up, looks like it was hit
by a tornado.
Speaker 5 (22:53):
Dot.
Speaker 3 (22:54):
Where are you? Dot? Dot? Can you hear me? God,
if you're here, answer me.
Speaker 6 (23:01):
Looks to me as if there's been a fight here
or struggle. But I don't understand that.
Speaker 3 (23:06):
Wait, what is it? Have you ever seen this before?
Mister Thornton?
Speaker 5 (23:11):
Have you a band?
Speaker 4 (23:12):
Yes?
Speaker 6 (23:13):
But where was the initial? Simon or JM Joe much Joe?
He came here, broke in, most likely fought with my sister.
Sounds incredible, incredible. We're going back to town. Come on,
when I find that conquent, I'll du to him.
Speaker 3 (23:26):
We'll see me. Impossible.
Speaker 2 (23:37):
Meanwhile, Joe had returned to town and headed straight for
the cafe. Weary and footsore, he expected sympathy when he told.
Speaker 3 (23:45):
The story of his abduction.
Speaker 2 (23:46):
The men around the bar seemed to find it more
funny than tragic, and the cafe rocked with left.
Speaker 3 (23:52):
I look like you've been walking for a week, Joe.
How do you like hiking?
Speaker 5 (23:56):
Man?
Speaker 2 (23:57):
Laugh if you like. If I ever run across that
mass man again, I'm gonna gun whip that gentle a friend.
Speaker 8 (24:05):
There he is?
Speaker 3 (24:06):
What does easy day?
Speaker 5 (24:09):
After all? You don't know for sure?
Speaker 3 (24:10):
Now wait, take your hand off my arm. Job, where's
my sister?
Speaker 8 (24:15):
He is?
Speaker 3 (24:15):
Everybody little co today you broke in our house when
my sister was alone?
Speaker 5 (24:19):
There?
Speaker 3 (24:19):
What don't you do with hey? Now, where have you
been all this evening?
Speaker 6 (24:23):
I would set a foot out in the country and
had to walk back to town. Did anyone see you, Joe?
I reckon, Not mister Thornton. You see and you can't
prove you're weren't at our place?
Speaker 3 (24:32):
What lazers do I care about proving anything to you? Friend,
I'll show you. Look at the.
Speaker 6 (24:43):
Hey, I'll break you and pro not tonight, you job,
I'm gonna give you the thrashing of your life.
Speaker 3 (24:48):
You stand up and take.
Speaker 8 (24:50):
And come on.
Speaker 2 (25:03):
The crowd moved back to give the two men more rooms.
I first surprised a sudden change. The boy turned to admiration,
and he took the offensive and kept him light here,
but what's faster?
Speaker 3 (25:11):
He seemed to avoid the hammer, light blows and jove
great fists for the fraction of an inch.
Speaker 2 (25:15):
It was the battle of a wild cat and a
mountain lion and the crowd shut of their encouragement.
Speaker 3 (25:19):
Look at them. So I'm betting that Joel, I'll take you,
all right. The children's a wildcat. Come on, ike him
up like you, but don't hit me. I can't don't know,
I haven't half shotted. Hey, come back, come back here
and take the rest of it. All right, then I'll
drag you back. Don't running away. Come back here, your
(25:43):
yellow cord. Come back, come back and get away crazy,
Let me get away. Stop it, stop it? Hold on him,
hold on you ever come back to this town, Job,
and I'll make your wish ahead and away from here.
Get out and stay what God.
Speaker 5 (26:09):
Looks if you've been in a fight, Jack, what's wrong?
Speaker 3 (26:12):
But the house that was was torn up. I found
Job's bandana there.
Speaker 2 (26:19):
Keep still about all that. Your sister will explained. Come on,
let's get out of here before the crowd gather.
Speaker 5 (26:26):
Hold on there, Jack, they know what they're doing. No
even mention them. You heard what he said. I'll explain
later he comes to murder.
Speaker 6 (26:36):
Everything's all right, mister Parton, But dutchays right now, she'd
rather not talk.
Speaker 5 (26:43):
Oh of course you understand, don't you.
Speaker 3 (26:46):
I'm not sure I understand that, miss Jack. I do
understand this.
Speaker 6 (26:52):
I made a mistake about you, young fellow, A mistake.
I thought you were well to be frank a coward,
I see, I was. All I ask is that you'd
never lose your temper with me.
Speaker 3 (27:04):
I'm sorry about that, mister Thorn.
Speaker 4 (27:06):
Sorry.
Speaker 3 (27:07):
Why are you young idiot? Don't you realize that just
won you a job?
Speaker 8 (27:10):
Why?
Speaker 3 (27:11):
Of course I want a fighter in this office, Jack,
And it certainly looks to me as if you're the man.
He's all right? I ever seen anybody go from acal mare?
Because stop, isn't it?
Speaker 8 (27:26):
And uh?
Speaker 5 (27:27):
And so will you?
Speaker 8 (28:35):
And the.
Speaker 2 (29:10):
Story you have just heard of the copyrighted feature of
the Lone Ranger Incorporated.
Speaker 1 (29:35):
This has been a presentation of OTR Westerns dot Com
and we hope you enjoyed. Please take some time to
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(29:57):
of our ranch hands and unlock some exclusive content. We
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(30:17):
eight six eight seven thirty nine. This episode is copyrighted
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great day and thanks for listening.
Welcome to the old time Radio Westerns. I'm your host,
Angel Ryans, and I'm excited to bring you another episode
absolutely free. This is one of over eighty episodes released
monthly for your enjoyment. Now let's get into this episode.
Speaker 2 (00:44):
Show a fiery horse with a speed of light, a
cloud of dust, and the hearty hio silver. The Lone
Ranger set the great natural resources of the early Western
(02:39):
United States offered the pioneers a chance of a new life,
and the masked Rider of the Plains believed that every
honest man had a right to this chance. He envisioned
the new country a land of equal opportunity, and he
fought for life, liberty, and the pursuit of happiness just
as fiercely as he fought for law and order. Returned
(02:59):
with us not of those ruling days when the West
was young. Out of the past, come the thundering hoof
beats the great horse Tuver the Lone Ranger rides again.
Helver the Lone Ranger and his face Indian companion Conto, were.
Speaker 3 (03:26):
Headed toward Cottonwood. Their destination was not the town itself,
but a tiny.
Speaker 2 (03:30):
Cottage about a mile from the outskirts. As they drew near.
They cut away from the trail and approached the cottage
from the rear.
Speaker 3 (03:37):
That's the what originals place kim Osammy.
Speaker 2 (03:39):
Ah looks as if she hasn't had much luck with
her garden this year. Everything seems to be just about
burned up.
Speaker 3 (03:47):
Man pad poor woman. She hasn't had an easy time
of it.
Speaker 4 (03:50):
Ah.
Speaker 2 (03:51):
When her husband died, he left her practically penniless. She
was well along in years even then, and in bad
health in the bargain. On top of everything, she had
too much pride. Let people know how poor she was.
He almost starved to death before sam Otis found out
about it. Him put color a fine man, TWA. He
must have provided for for five or six years. Not right,
(04:11):
He wasn't noney too well off himself. If he had been,
I'm sure that when he had died, Will would have
made some provision for Ah.
Speaker 3 (04:18):
But he didn't.
Speaker 2 (04:18):
I understand. That's why I wanted to see her. Sorry
I didn't learn about the situation sooner. What we do, well,
First of all, we'll see how she's making out.
Speaker 5 (04:27):
Huh.
Speaker 2 (04:28):
If she's already found help, that'll be fine. But if
she hasn't, well, we're going to do something to see
that she doesn't suffer from want who that there where
their young collo round prump, young woman talking with missus Ridgley. Tada,
this way, come on, Silver, we'll get out of sight. No,
he's alarming them, but the sight of a mask man
when there's no need. Yeah, this will do. Chemist, pull
(04:50):
up quiet, Silver, Tata. Those young people were dressed like
Eastern iss.
Speaker 4 (04:58):
Not right for what matter?
Speaker 2 (05:00):
I overheard a bit of a conversation just then Tella
sounded like something we should hear.
Speaker 3 (05:05):
Move the horses a little closer. The port will protect us.
Speaker 5 (05:14):
I wish you have to thank you for all you've done.
I reckon, I ain't got the words for it. I
declare most crying. You think I'm awful silly missus Risley.
My brother and I think you're one of the bravest
women we know.
Speaker 3 (05:29):
Sure, but will your promises one thing?
Speaker 5 (05:31):
After you and your sister bringing me them he can
basket to grub and paying my rent to the bank
and everything. Young man, you can ask me anything in
your life.
Speaker 3 (05:40):
Then do this. Don't tell anyone what we've done.
Speaker 5 (05:42):
Oh, but land say means it. There's no need to
let it be known. It well, is it anyone's business
but our own aft friends help each other out.
Speaker 3 (05:52):
This isn't charity.
Speaker 6 (05:53):
You know you're in trouble and we like you. Maybe
someday we'll be in trouble and you can help us.
Speaker 5 (05:58):
What could a poor body like me do?
Speaker 6 (06:00):
It isn't what you can do it, it's what you
would do if you could.
Speaker 5 (06:04):
Oh but I there's a promise. Now. Mind you don't
go back on us. Mind. What did nobody do with
a pair like you?
Speaker 3 (06:11):
Well, we'd better be getting a lot.
Speaker 5 (06:13):
Yes, yes, I've just thought maybe I can help you
a little. You won't take off into anything the poor?
Where am I city? Would you?
Speaker 3 (06:25):
Why? Of course not?
Speaker 5 (06:27):
Well, well, of course I know you're both from the
East and ain't neither wonder you've been in these parts long,
so naturally you're why it wouldn't be so good acquainted
with things in the way.
Speaker 6 (06:39):
I believe I know what you're going to say. People
don't like me here. They I think I'm a coward.
Speaker 5 (06:44):
We changed. It's just the things are much strange to you.
Yet that's all I.
Speaker 6 (06:49):
Came here and brought that because mister Thornton promised to
make me express agent. Now every time I ask him
about it. He puts me off. Half the time when
I see him Joe munches alone. I think mister Thornton's
just trying to find a polite way to tell me
I'm not the man for the job and he's going
to give it to Job instead. Well, if if that's
the way he wants to let.
Speaker 5 (07:09):
Him, don't talk. You know what you want to do,
young men? What the next time Job tis to bully you?
You just up and give him the lick. And he's
been asking her. I've known Job month since it was
me high to a told he's just a sneak and
a yellow bully. That's what. Stand up, Tom and he'll crawl.
And if you do, yes, your brother, get that job,
(07:32):
mark my words. If you don't, ain't no man. Mister
Thornton likes so much as a fighter.
Speaker 3 (07:37):
I've never had a fight in my life.
Speaker 5 (07:41):
I save him in folks, young fellas, Fighting something that
has to be taught. When the time comes first to
take two, it natural, just like a duck takes the water.
Speaker 3 (07:52):
Well, well, I'll do my best. You just better right,
I'm afraid my best don't be good enough.
Speaker 4 (08:01):
You you hear that.
Speaker 3 (08:03):
I heard it and I don't like it.
Speaker 2 (08:06):
Ran across Jube, Munch and piccos you know he's a
cheap bully, the thief when he thinks he can get
away with it. The one man in the world had
never put in a position of trust. What do you
think a young fellow that Fellows originally called Jack Murder.
I think that thanks to him, missus Rigley is once
more secure that right. He deserves more than a refusal.
When he's come all this way for a job. We
(08:28):
look into this chemo say that a good idea. If
he needs help, he'll get it. Come on, no, no.
Speaker 6 (08:47):
More, barkeep, That'll be enough. I have to get back
to the office. I have things, mister Thornton. Hello, yeah, hello,
put them from here?
Speaker 3 (08:55):
Were you? Yes?
Speaker 6 (08:56):
I am sorry Jack, but I was just telling the
barkeep here. I've got work at the see me later now,
if you'd excuse me.
Speaker 3 (09:03):
No, you look here, mister Thornton. You've got to listen.
I yes, you do.
Speaker 6 (09:09):
You've got to tell me what you're going to do
about that job at the office.
Speaker 3 (09:13):
Am I going to get it?
Speaker 6 (09:14):
You promised me I would, But since then you've just
been putting me off. The moment well, I don't hire
any man out of hand. First, I've got to know
something about him. I have to have time to size
him up. Now, how long have you been here? Just
two weeks? But there you see, two weeks, no time
at all. You will have to be patient, young man.
Speaker 3 (09:35):
But you didn't tell me. I'll listen your letter, and
I was in the east.
Speaker 6 (09:39):
You wrote me to come right out, just the same
as said when I got here the job would be mine.
Didn't say anything then about well, about waiting to size
me up.
Speaker 3 (09:48):
And there was a reason for that? What reason?
Speaker 6 (09:50):
I knew your father, well, I'd expected to find you
more like him than you are. I won't see you
disappointed me, but I will. I will say that I'm
not at all certain you're fitted for the work. Maybe
I'm wrong. It'll take time to tell, and I'm just
to wait unless you prefer to look elsewhere for employment.
You're running no obligation to me, you know, I see, Jack,
(10:13):
I know just how you feel.
Speaker 3 (10:15):
But believe me, I can't tell you anything else.
Speaker 6 (10:17):
But mister, there's no use discussing it any further. I'm busy.
Good day, Good day.
Speaker 3 (10:23):
We'll talk this over again some other time. Barkeep. You
not drink? Oh, hella, Redskin, what was that you said?
Speaker 4 (10:32):
You not drink? You heat man, firewater? No good?
Speaker 3 (10:38):
Say what do you care? What I do?
Speaker 4 (10:39):
You good fella? You not drink?
Speaker 6 (10:42):
I don't see why I can't. All right, red Skin,
you win, that's waiting outside. I guess I was kind
of forgetting myself now, Red Skin, what matter nothing?
Speaker 3 (10:56):
I just wanted to ask you your name? Man, mean name? Tonto? Tanto?
Huh oh tanno. Thanks.
Speaker 6 (11:03):
I guess if you hadn't been here, I might have made.
Speaker 3 (11:06):
A prime fool of myself. You off a reservation, my sister,
that was my sister.
Speaker 6 (11:13):
Hey, let me through out of my way? God, God,
what's wrong?
Speaker 5 (11:18):
What was it?
Speaker 3 (11:19):
Don't you?
Speaker 5 (11:21):
Oh?
Speaker 7 (11:24):
There's your brother, miss. He came running to the risk
you only ain't running no more. The fact is, when
he's seen me, kind of look like he slowed down
a heap. God, what happened, Juck Tall?
Speaker 3 (11:40):
I did was say hello to your sister here, and
she started yelling like somebody had pulled a gun on her.
Speaker 2 (11:46):
There ain't no women around here that afraid of Joe
Mudge most doesn't like me to talk to him.
Speaker 5 (11:52):
It isn't true, Jackie, glad me.
Speaker 3 (11:54):
What if it did? He was just joking like you
was snake? Eh? What's then? I were just a little
closer to your side. So that's too little to get
in fight.
Speaker 2 (12:10):
You hear that, fella, didn't I always tell you the
pilgrim weren't Yeller.
Speaker 6 (12:18):
He's just too small to stick up for himself.
Speaker 3 (12:21):
That's all he hate Yeller. He's just a little mite.
Speaker 5 (12:29):
Do something. So let it make you like that, make
him take that there.
Speaker 2 (12:33):
I go to take it back, all right, young fella
here I am want and make me take it back.
Speaker 6 (12:45):
As there's no need to fight about this year. I
just promise not to annoy my sister.
Speaker 2 (12:54):
You hear that, feller, I'm the promised, not the ball
as a girl here me, I'm the promised. Why shucks,
any girl will be pleased. I have a real man
like me, pay or something.
Speaker 3 (13:08):
The time.
Speaker 2 (13:11):
Hate that song is come on, eat you kind of
please want me to say howdy when you come walking by?
Speaker 5 (13:20):
Eat you?
Speaker 3 (13:20):
Now you.
Speaker 5 (13:23):
Word to tell you how low you are? And you Jack,
I'm ashamed of you.
Speaker 3 (13:28):
I'm going home all right, real, don't.
Speaker 5 (13:29):
You come with me?
Speaker 2 (13:32):
DoD Wait, young fella, you want some advice, get out
of town.
Speaker 3 (13:38):
All right, fellas, come on inside. The drinks are on me.
Speaker 2 (13:54):
So Jack back down when Joe challenged him, Man, that's right,
he has no more backbone.
Speaker 3 (13:59):
Than that as well, turn around and go back east
right now.
Speaker 4 (14:02):
Oh that'd be a bad thing. Why him? Help widow?
Speaker 3 (14:05):
Woman?
Speaker 4 (14:06):
Him go want her do?
Speaker 3 (14:08):
That's right? Kima sabi huh.
Speaker 2 (14:10):
Man who's willing to do a kindness but doesn't boast
about it afterwards has something good in him?
Speaker 4 (14:14):
That right here's over what you're doing, Jack.
Speaker 2 (14:17):
And assisted living that place just beyond the widows. Huh
coll scout, here, scout, we're paying them a call. You've
got plan here's kim sa ha. And if it doesn't work,
nothing will ready huh o.
Speaker 3 (14:42):
God came home up.
Speaker 5 (14:46):
Sorry for what I said. I didn't need Jack, I've
been ashamed of myself.
Speaker 3 (14:51):
Ever, Sin, you didn't say anything that wasn't true.
Speaker 5 (14:53):
I know, Jack, you're not a coward. How could anyone
be expected to fight a great, big bully like job.
Speaker 6 (14:58):
Much after what he did? Probably any man in town
would have. You've been a sister. It's no use data.
Speaker 3 (15:05):
I know now that I am a coward for a while.
Speaker 6 (15:08):
I hope it was just like missus Ridgeley said, not
being used to things, not understanding out Jack?
Speaker 5 (15:14):
What is it?
Speaker 3 (15:15):
Jus?
Speaker 6 (15:16):
Look there coming up the trail a mass man.
Speaker 3 (15:24):
The curtain falls on the first act of our lone
range of drama.
Speaker 2 (15:28):
Before the next exciting scenes, please permit us to pause
for just a few moments not to continue our story.
(15:59):
A lone ranger, Tato, raced up to the home shared
by Jack and his sister and rained in their great
mouse before the door.
Speaker 3 (16:08):
Come along, half, What do you want all right? How
to take him home? Get me under the sad? You
know what to do with him? What are you doing?
Speaker 5 (16:22):
Don't you take my brother?
Speaker 8 (16:24):
Yeah?
Speaker 5 (16:24):
Back, let my brother, let him go.
Speaker 2 (16:27):
You'll not behind Inside an hour, he'll be really in
the house. You and I are going to have a talk.
Speaker 3 (16:48):
As the lone.
Speaker 2 (16:49):
Ranger explained the reason for his actions, the girl's hostility disappeared.
Then the mask man went on to explain the plan
he had in mind. Now do you understand why I
had to get your brother out the way? You see
that the plan I've suggested is the only thing that
offers a hope of winning the respect of Thoughton and
the townspeople for Jack.
Speaker 5 (17:08):
I wonder you wonder what Jack will really do.
Speaker 3 (17:12):
As I have told you we will.
Speaker 2 (17:14):
Any doubt it, I don't want to. I'm sure he will.
You're his sister. You should have as much faith in
him as I have. I do believe it, and he'll
try it.
Speaker 5 (17:23):
I will good.
Speaker 3 (17:25):
Who Oh, it's how to back already?
Speaker 8 (17:27):
Ah?
Speaker 3 (17:28):
Miss Murder actually agreed to our plan. He's good.
Speaker 4 (17:31):
Where's Jack him? Not far him? Walk him get here soon?
Speaker 3 (17:37):
Then we'll be going.
Speaker 8 (17:38):
Ah.
Speaker 2 (17:38):
And that when your brother gets here, convince him that
all's well.
Speaker 8 (17:43):
Last man, I will.
Speaker 6 (18:02):
Say it's all right, dadder. I suppose it is. But
just the same, I don't understand.
Speaker 5 (18:07):
Why the mask Man and Toto came here. Yes, I
think you will in time, Jack in that Ti'm sure
you will.
Speaker 2 (18:23):
That same afternoon, the mash Man and Toto rode into town.
They rained up in the shadow of a building near
the cafe and wait until Job Munch came out. Then
they started after him. The mash Man leaned forward to
a dusted lariat, and that moment Job disappeared and saw Job.
Speaker 3 (18:40):
A moment ago tandam where did he go? Him?
Speaker 2 (18:44):
Walk that way towards delivery stable. Ah, and he's likely
getting his horse. He's circling towards his side. Ah, that's
where he is. He's been in there long enough to
saddle up. Not right, So keep your eyes open. You'd
be leaving any trouble. Get him come on, so random up, shout,
hurry home boy, hold on there, Get him on, Get
(19:04):
him on.
Speaker 3 (19:05):
Don't choose that quartz. The rival coming with us, Come on. Scar.
Speaker 2 (19:28):
With their unwilling captive, lone, Ranger and Tonhoe raced out
of town. I did not draw rain until they had
reached their camp several miles away.
Speaker 3 (19:36):
Here's camp Toto, Rain up, hotel you Scar, Get out
of that settle, I said, get down? What you call
me Scar? Of course? What is the name when I
use Scar?
Speaker 5 (19:51):
Who?
Speaker 3 (19:52):
What is this? You're trying to work some game? I asked,
is who you think I am? Your scar? Boeing? Well, I'll.
Speaker 2 (20:01):
Sorry to spoil your fun, mister, but you just made
a mistake. You and the redskin here got the wrong gin.
Speaker 6 (20:07):
That story won't go down. I don't know this Armbrey
scar Bowen. You know, I don't know why you want it,
but I can tell you this. I ain't him and
I can prove.
Speaker 3 (20:18):
The expect that's to swallow that you ever see this?
Here's scar Mbrey acquainted with them personal?
Speaker 2 (20:25):
No, but I then that accounts for it, just had
a description of them.
Speaker 6 (20:30):
Perhaps then you look here at these Go ahead, mister,
look what's that? You aren't blind? Are your letters?
Speaker 3 (20:38):
Of course? Take a look at him and see what's
right on the front.
Speaker 2 (20:44):
This one's addressed to job Munch. And look at the others.
They're all the same. Yes, I see there. Yeah, what
you got to say to that? And it looks as
if Todda and I made a mistake.
Speaker 3 (20:56):
He sure did.
Speaker 2 (20:58):
Here you got any objections to my riding back to town? Now,
yes I have, but you just now admit it. I
want the armbre you was after, which doesn't all of
the fact that we permit you to ride to town.
Speaker 3 (21:08):
You won't waste time reporting this to the law. I won't, stranger, honest,
I won't.
Speaker 2 (21:12):
You can go gosh, mister thing, but you'll walk on
your way. Hey, listen, you don't know what you're saying,
but you want some lips thrown your way?
Speaker 3 (21:20):
All right, I'll go out going. Don't shoot, strange, don't.
Speaker 4 (21:23):
Shoot, and keep going him him hip mad and we
fooled him completely.
Speaker 3 (21:30):
Did you get something that will serve you? Get this?
And then eh? And they have a look at it
and it's got these initials.
Speaker 4 (21:40):
That's why Tondo take it walking.
Speaker 3 (21:42):
Joe won't reach town for at least four hours.
Speaker 2 (21:44):
Not right that it's our purpose perfectly, kimasabbe, he won't
be there.
Speaker 3 (21:48):
And Joe dark.
Speaker 2 (22:00):
Later, Jack and mister Thornton were riding toward the boys home.
Speaker 3 (22:03):
And there's no use you're coming there place, mister Thornton.
Speaker 6 (22:07):
Jack, I think there is, But I can't make you
see sense. So I'm going to talk to your sister.
Maybe she can persuade you to go back east. She
wouldn't want me to very well, then she can tell
me so herself. That's mister Thornton. Isn't there any chance
at all for me to get that job?
Speaker 3 (22:21):
I've made up my mind.
Speaker 4 (22:22):
Jack.
Speaker 6 (22:23):
No, But and we're really wasting our time discussing.
Speaker 3 (22:26):
It here we are? Oh, oh, by all right? What's
the matter? I thought you said your sister was at home?
Why she is?
Speaker 6 (22:35):
Doesn't look at the doors open. She isn't in the
parlor at any rate? Jack, what come on? Hurry, someone's been.
Speaker 3 (22:47):
Here, all right.
Speaker 6 (22:48):
Just take a look at this room. Why wait, it's
all torn up, torn up, looks like it was hit
by a tornado.
Speaker 5 (22:53):
Dot.
Speaker 3 (22:54):
Where are you? Dot? Dot? Can you hear me? God,
if you're here, answer me.
Speaker 6 (23:01):
Looks to me as if there's been a fight here
or struggle. But I don't understand that.
Speaker 3 (23:06):
Wait, what is it? Have you ever seen this before?
Mister Thornton?
Speaker 5 (23:11):
Have you a band?
Speaker 4 (23:12):
Yes?
Speaker 6 (23:13):
But where was the initial? Simon or JM Joe much Joe?
He came here, broke in, most likely fought with my sister.
Sounds incredible, incredible. We're going back to town. Come on,
when I find that conquent, I'll du to him.
Speaker 3 (23:26):
We'll see me. Impossible.
Speaker 2 (23:37):
Meanwhile, Joe had returned to town and headed straight for
the cafe. Weary and footsore, he expected sympathy when he told.
Speaker 3 (23:45):
The story of his abduction.
Speaker 2 (23:46):
The men around the bar seemed to find it more
funny than tragic, and the cafe rocked with left.
Speaker 3 (23:52):
I look like you've been walking for a week, Joe.
How do you like hiking?
Speaker 5 (23:56):
Man?
Speaker 2 (23:57):
Laugh if you like. If I ever run across that
mass man again, I'm gonna gun whip that gentle a friend.
Speaker 8 (24:05):
There he is?
Speaker 3 (24:06):
What does easy day?
Speaker 5 (24:09):
After all? You don't know for sure?
Speaker 3 (24:10):
Now wait, take your hand off my arm. Job, where's
my sister?
Speaker 8 (24:15):
He is?
Speaker 3 (24:15):
Everybody little co today you broke in our house when
my sister was alone?
Speaker 5 (24:19):
There?
Speaker 3 (24:19):
What don't you do with hey? Now, where have you
been all this evening?
Speaker 6 (24:23):
I would set a foot out in the country and
had to walk back to town. Did anyone see you, Joe?
I reckon, Not mister Thornton. You see and you can't
prove you're weren't at our place?
Speaker 3 (24:32):
What lazers do I care about proving anything to you? Friend,
I'll show you. Look at the.
Speaker 6 (24:43):
Hey, I'll break you and pro not tonight, you job,
I'm gonna give you the thrashing of your life.
Speaker 3 (24:48):
You stand up and take.
Speaker 8 (24:50):
And come on.
Speaker 2 (25:03):
The crowd moved back to give the two men more rooms.
I first surprised a sudden change. The boy turned to admiration,
and he took the offensive and kept him light here,
but what's faster?
Speaker 3 (25:11):
He seemed to avoid the hammer, light blows and jove
great fists for the fraction of an inch.
Speaker 2 (25:15):
It was the battle of a wild cat and a
mountain lion and the crowd shut of their encouragement.
Speaker 3 (25:19):
Look at them. So I'm betting that Joel, I'll take you,
all right. The children's a wildcat. Come on, ike him
up like you, but don't hit me. I can't don't know,
I haven't half shotted. Hey, come back, come back here
and take the rest of it. All right, then I'll
drag you back. Don't running away. Come back here, your
(25:43):
yellow cord. Come back, come back and get away crazy,
Let me get away. Stop it, stop it? Hold on him,
hold on you ever come back to this town, Job,
and I'll make your wish ahead and away from here.
Get out and stay what God.
Speaker 5 (26:09):
Looks if you've been in a fight, Jack, what's wrong?
Speaker 3 (26:12):
But the house that was was torn up. I found
Job's bandana there.
Speaker 2 (26:19):
Keep still about all that. Your sister will explained. Come on,
let's get out of here before the crowd gather.
Speaker 5 (26:26):
Hold on there, Jack, they know what they're doing. No
even mention them. You heard what he said. I'll explain
later he comes to murder.
Speaker 6 (26:36):
Everything's all right, mister Parton, But dutchays right now, she'd
rather not talk.
Speaker 5 (26:43):
Oh of course you understand, don't you.
Speaker 3 (26:46):
I'm not sure I understand that, miss Jack. I do
understand this.
Speaker 6 (26:52):
I made a mistake about you, young fellow, A mistake.
I thought you were well to be frank a coward,
I see, I was. All I ask is that you'd
never lose your temper with me.
Speaker 3 (27:04):
I'm sorry about that, mister Thorn.
Speaker 4 (27:06):
Sorry.
Speaker 3 (27:07):
Why are you young idiot? Don't you realize that just
won you a job?
Speaker 8 (27:10):
Why?
Speaker 3 (27:11):
Of course I want a fighter in this office, Jack,
And it certainly looks to me as if you're the man.
He's all right? I ever seen anybody go from acal mare?
Because stop, isn't it?
Speaker 8 (27:26):
And uh?
Speaker 5 (27:27):
And so will you?
Speaker 8 (28:35):
And the.
Speaker 2 (29:10):
Story you have just heard of the copyrighted feature of
the Lone Ranger Incorporated.
Speaker 1 (29:35):
This has been a presentation of OTR Westerns dot Com
and we hope you enjoyed. Please take some time to
like and rate this episode within your favorite podcast application.
Follow us on Facebook by going to OTR Westerns dot
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(29:57):
of our ranch hands and unlock some exclusive content. We
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eight six eight seven thirty nine. This episode is copyrighted
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