June 8, 2025 • 31 mins
Original Air Date: July 29, 1940
Host: Andrew Rhynes
Show: The Lone Ranger
Phone: (707) 98 OTRDW (6-8739)
Stars:
• Earle Graser (Lone Ranger)
• John Todd (Tonto)
Writer:
• Fran Striker
Producer:
• George W. Trendle
Music:
• Ben Bonnell
Exit music from: Roundup on the Prairie by Aaron Kenny https://bit.ly/3kTj0kK
Host: Andrew Rhynes
Show: The Lone Ranger
Phone: (707) 98 OTRDW (6-8739)
Stars:
• Earle Graser (Lone Ranger)
• John Todd (Tonto)
Writer:
• Fran Striker
Producer:
• George W. Trendle
Music:
• Ben Bonnell
Exit music from: Roundup on the Prairie by Aaron Kenny https://bit.ly/3kTj0kK
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:15):
Welcome to the old time Radio Westerns. I'm your host,
Angel Ryans, and I'm excited to bring you another episode
absolutely free. This is one of over eighty episodes released
monthly for your enjoyment. Now let's get into this episode.
Speaker 2 (00:47):
A fiery heart for the speed of light, a cloud.
Speaker 3 (00:49):
Of gust, and a honey I own Silver.
Speaker 4 (00:52):
The lone Ranger an.
Speaker 2 (01:34):
Out with his hateful Indian companion follow the mask plout
(02:39):
of the planes, fought crime and criminals throughout the Western
United States. No one could match his strength and courage.
Was his ability to judge character bid him the greatest
champion of justice the West, ever.
Speaker 3 (02:50):
News, no matter what the circumstances.
Speaker 2 (02:52):
The man who was honest and innocent, but always depend
upon the mask writer's health. Return with us now of
us spilling days of yester year. Them out of the bath,
come up and bring hoof beats of the great horse Silver.
Speaker 5 (03:03):
The long Ranger rides again hover. Alan Parker walked into
the living room from the kitchen, stopped in surprise when
(03:26):
she saw that her husband was getting ready to go out.
Speaker 3 (03:31):
Oh oh there, love, but everything's on it too. Where
you're going out? Aren't just down the trailer? Piece down
the team. I don't figure they've gone along low. You
can hold the vittles for a bit on the middle
of too late dances.
Speaker 6 (03:50):
Suppose why don't you want to tell me where you're going?
And you think you should hide it and.
Speaker 7 (03:57):
You have to get so curious.
Speaker 3 (03:59):
Well, the fella has something doing. You can see you
don't want to talk about it. Can't you let him alone? Gosh,
I think, but you're not leaving this house. I know
where you're going. Yes, you've got to tell me, all right,
if you have to know. I got a message with
your Paul. I'm going down the trail to meet him.
Speaker 7 (04:18):
Jack, Well, I am, but you kidd it isn't true.
Speaker 6 (04:22):
Think I'm saving to you, But look him then you
would probably hadn't something in today?
Speaker 3 (04:27):
Who were married? Maybe he wants to make up. I
don't believe, and maybe don't. How do I know?
Speaker 7 (04:33):
All I know is he wants to see me about
something or other.
Speaker 3 (04:35):
And I don't even let him think I'm scared of
him by staying away. How do you know he wants
to see you?
Speaker 7 (04:40):
Said a stranger brother, because your Paul asked them to
give it to me.
Speaker 3 (04:46):
I don't know. Through the way.
Speaker 5 (04:48):
I guess what did it say? Oh gosh, when it
comes to ask him questions?
Speaker 3 (04:52):
What did see?
Speaker 7 (04:53):
Just when I toold you you want to see me,
you'd be at the girl over the west. Didn't say
nothing else.
Speaker 3 (04:59):
I don't hear and get started on.
Speaker 5 (05:02):
You.
Speaker 3 (05:02):
No reason why you should. But if you're going, I
am good as you leave your gun at home. You
heard me, Jack, leave it here thunder four?
Speaker 6 (05:09):
Because I know your temper, I know how one world
can lead to another until I am in a pral.
I want you to go on on because of your
card and anything should happen to either of You're right, I.
Speaker 3 (05:21):
Don't even want to think about it. You don't know
what you'll do. How are you gonna leave that gun?
Speaker 2 (05:28):
No?
Speaker 5 (05:28):
If I don't reckon, I will, Yes, I'll be careful.
I'll find out what your paw wants.
Speaker 3 (05:34):
You got my word. I'll be back home inside.
Speaker 2 (05:36):
And our.
Speaker 5 (05:48):
Oh boy, well here we are, boy.
Speaker 7 (05:54):
I want to worry Helen Paul is mister Sampson.
Speaker 3 (05:59):
All have the Sampson. He ain't here yet, but.
Speaker 7 (06:06):
Hey, wasn't conger. It's him. It's him laying there. He's
been drilled.
Speaker 3 (06:13):
Who's that? Who is it Hey, if I want you to
hear that shark where it come from? Over that plan
(06:37):
I wanted to me. I come from the grove and
I better take along.
Speaker 5 (06:42):
Yeah, remile me over here, Samson stunfall And who's this?
Speaker 3 (06:59):
It's Jack Park. They had a gun fight. Jack's coming
to the.
Speaker 5 (07:03):
Horse shot up a second wave of horse away the
second Jack, don't try and get up to the light
of having a look at this place where you were shot. Oh,
he's so bad, just creased your scale and pinted your hair.
Speaker 3 (07:17):
You was lucky.
Speaker 5 (07:19):
Help me up here, Hey, Jack, how did it happened?
What June Sampson fight over?
Speaker 3 (07:26):
What was it? Jack? What shart of the argument? But
it was done? Huh.
Speaker 7 (07:30):
I never drilled him. I found him just like that.
Then somebody yelled, and when I turned and looked, it
took a shot at me.
Speaker 3 (07:37):
I didn't even see who it was.
Speaker 7 (07:39):
That's all I can recollect you right now, Jack gos
pre paid.
Speaker 3 (07:43):
You don't believe me.
Speaker 5 (07:44):
You figure we should when we find you with a
gun in your hand and one shot fired out of it,
with Sampson's.
Speaker 3 (07:49):
Gun in his hand the same way.
Speaker 5 (07:50):
But hey, this gun ain't mine, No, it ain't I
tell you it ain't the fellow had done.
Speaker 7 (07:57):
The killer must have left it and took mine.
Speaker 3 (08:00):
You have have to put the blame on.
Speaker 5 (08:01):
Me, all right, bag, But I tell you books around
here always news something like this is bound to happen
one of these days, ever since you got hitched to
his daughter again his order.
Speaker 3 (08:09):
Wait, Fellas, I'm.
Speaker 5 (08:10):
Telling you if you killed him in a half, hey, listen,
are han Be's on the law to the side.
Speaker 3 (08:15):
Peter's been right in the town and bring the shutter.
We'll stay here right, get up? Wait, won't you believe me? Fellas?
Speaker 7 (08:22):
Won't you listener when I say I'm not killing.
Speaker 5 (08:24):
I tell you, Okay, Well, we ain't got nothing making
you personals who don't get us wrong.
Speaker 3 (08:30):
But a killing is a killing has to be dealt
with the cordon. So it's just a waste of bread
trying to argue with us. But Fellas As man a
red skin, a crook, he welcome? Who are your arms?
Speaker 2 (08:44):
Just a hold up?
Speaker 3 (08:44):
No? Then all right, I'll handle him. You examined Sampson.
It okay, where are you up to tell? When I
heard the shots just as you did? Yeah, you were
closer and down here. First we've seen what's going on?
Speaker 5 (08:57):
Huh, I have an idea you've made. I'm very serious mistake, Tella.
Speaker 3 (09:02):
Was that right? Or wasn't I all right? Hey?
Speaker 5 (09:07):
You mean mister Sampson ain't dead.
Speaker 3 (09:08):
Wait, Lili and Tune. You're thinking he'd be brought to enough? No,
pretty bad? Can you help him good? And pick him
up and put him across your saddle?
Speaker 5 (09:20):
Hey, now you can't giving the owners here you here,
remember this, or you can hold Jack for the sheriff.
Speaker 3 (09:25):
The sheriff can tail him.
Speaker 5 (09:27):
But in case your attempted to take justice into your
own hands, Jack isn't the murderer until Samson dies.
Speaker 3 (09:34):
He's driver's gun stops lit. Ready, tone ready, and that's
come on, sob horse down.
Speaker 8 (09:44):
Cut him down, your horse, hold your fire horse.
Speaker 5 (09:47):
Sampson still living, he might get hit, hold your fire.
Speaker 3 (10:02):
Listen right up, town. It's a good lesson. I can't
nice lad. Then there's funny of cover. You need to make
things runny.
Speaker 5 (10:13):
Well, I'm going you right, He asked him a saturday
to town up to do that and call on the sheriff.
Speaker 3 (10:19):
Oh, I'll be back by sundown. Come on to me,
hell sam over Hello.
Speaker 2 (10:36):
At that moment Samson's foreman was talking with the sheriff
in the lawman's office.
Speaker 5 (10:40):
They get it, christy day, she what's that card? How
do you feel about doo?
Speaker 3 (10:46):
Youles? What are you talking about?
Speaker 5 (10:48):
We'll suppose his heart feelings between the hip, little breeze,
he gets to heat each other's emergedly fairly decided to
shoot it out.
Speaker 3 (10:58):
It used to hit the lef d. Your times have changed.
Duels are against all this was? It's similar whatever the
game would never get him.
Speaker 5 (11:07):
You mean the jury to quit him. Well, I can't
answer for any jury. I've seen him do a lot
of fool things. But I know what the law says,
and as long as i'm sheriff, I'll do my best
to enforce it, unless it's an accident or in self defense.
Speaker 3 (11:23):
A man who kills is a murderer. Uterisdom, sure of wood.
You can tell your boss.
Speaker 5 (11:29):
That you had some reason for worrying about duels. Car
a man don't ask a question like that for no
reason at all.
Speaker 3 (11:38):
Come on, now, tell me the truth.
Speaker 5 (11:41):
Has old man Sampson been threatening to shoot it out
with his son? And law insanity? Where you know, Harry Kirks, Yeah,
you might be a good idea.
Speaker 3 (11:52):
You hit a word with it. You can tell him
what I said to yourself and you can add this
to it. Would if I was him, I.
Speaker 5 (12:00):
Wouldn't come on any jury set me free. The folks
in this country weren't raw on older.
Speaker 3 (12:05):
I guess you're read. What's up?
Speaker 5 (12:08):
That's been a shooting minor clove. You better come click
shooting anybody hurt? Jack Barr wounded?
Speaker 3 (12:13):
Who done it? Old man Samson? There was a freezing
old man got the worst of it. He's dead. Come
on you gonn arrius Jack. That's my duty and that's
what I am to do. Woulded or not. He'll be
in jail within an hour. Making that a hold the
(12:45):
young fellow. He won't be breaking out of this jail.
You rynomenal.
Speaker 5 (12:49):
Here Jack be in the sheriff fine, doing nothing but
my duty. The fella said it looked like a fair fight.
You both had guns out, You got Sampson and his shot.
King comes to getting new Now. Maybe you quitted, but
that's for the jury to decide, not me. You've got
to stand drive Oh gone it shereff. How many times
I have to tell you the run no gun fay.
(13:10):
Mister Samps had been done for when I got.
Speaker 3 (13:12):
There that mess Jim said he want did yet, Well
maybe he wasn't. I don't know. I thought he was.
And what's that got to do with anyway? I'm still saying.
Speaker 5 (13:20):
He weren't shot by me. I don't determined to stick
to that story. It's true.
Speaker 3 (13:25):
I won't get no jury to believe that.
Speaker 5 (13:27):
I tell you.
Speaker 3 (13:27):
I don't mind saying I don't sell. You would be
better off if you just gone clean out the tickets.
Speaker 7 (13:33):
Would quite argue with you.
Speaker 5 (13:36):
Do me a favorite, share anything? It ain't unreasonable, said
to my wife. Tell her where I am and I
want to see her.
Speaker 3 (13:43):
That can be done both. Tell him.
Speaker 5 (13:48):
To Carl, but they move the same thing. You and
the birds are kidding you. It's one of them things
just have to do dead.
Speaker 3 (13:59):
You ain't sorry?
Speaker 5 (14:00):
What do you mean?
Speaker 3 (14:01):
What do you think he is? Wasn't him your Paul
wanted you to marry. Wasn't why your pa made cat
for him. Wasn't because I cut him off at your
pawmy for it your ancient history. I never him in choose.
Speaker 5 (14:15):
You should no need to discuss.
Speaker 6 (14:18):
Sure, Jacob came here just one reason I came to
ton of it that we're too. It can't be any
other way. Maybe father's star the Paul. Maybe it forced
you to go, but I can't forget that he was
my father. But I begged you not to meet him.
Speaker 9 (14:34):
Mom.
Speaker 3 (14:35):
But Honey, you don't know the facts. It worked that
way at all. I'm know this to You're totally and
I can't believe it anymore.
Speaker 5 (14:41):
Now that.
Speaker 3 (14:43):
I won't talk about it.
Speaker 6 (14:45):
I can't.
Speaker 3 (14:47):
Kick out.
Speaker 5 (14:48):
We're sure him you come along her leadership? Well, I,
child Bee, didn't expect anything else, did you, Jack even see.
Speaker 3 (15:04):
Would believe me? And if your own wife Wood, that
means huh, won't nobody else neither, young Feller.
Speaker 5 (15:11):
If it turns out Samson's really done for, I'm afraid
things are gonna go.
Speaker 3 (15:16):
So good for you. Then, Sheriff, You've got to find him.
That's what I never do. You've got to find that mask.
Speaker 5 (15:21):
Man and see what mister Sasinos.
Speaker 3 (15:23):
Took the what you're standing there for. Go on, go on,
do gotta find him. Hi looking for me? The mask
We couldn't fall on the first act of our low
ring of drama. Before the next exciting scene, please permit
it to pause for death.
Speaker 2 (15:44):
A few moments, I will continue our story start off
with a sudden appearance for mask Man the Shriff in
(16:06):
stink of He slapped his hand to his holster, will
stop for the lone Ranger's lightning Draw careful, Shriff for
care watch out.
Speaker 3 (16:13):
He's got to drop on you.
Speaker 5 (16:14):
I can't come looking for trouble Sherff with anything you start,
so I'll finish.
Speaker 3 (16:18):
Why did you come here? The answer to certain questions
which you and Jack should be able to furnish. Change
your wear? Samson? What do you do with him? He's
still alive. Ry He'll answer my questions for Sharff, Yours
will come later. Frank your bosh.
Speaker 5 (16:33):
What do you want to know? Who were Samson's enemies?
Who would benefit by his death? Get that reason to
believe Jack has been telling you the truth. I believe
he's innocent. That case, you will have to look elsewhere
for your killer. You you believe in me, mask Man.
I do why for one very excellent reason. I've seen
both Jack and Sampson. They were found under circumstances that
(16:56):
made it appear they had shut it out.
Speaker 3 (16:58):
But there's one fact that won't agree with that story.
In the fact that they had fought.
Speaker 5 (17:02):
The shots would have been fired at almost the same time,
but they weren't. Samson's wound was made almost an hour
earlier than Jack's.
Speaker 3 (17:08):
You're sure that's right here?
Speaker 5 (17:09):
How do you do You might have seen the same
thing if you'd have the opportunity to make a comparison.
Speaker 3 (17:13):
I would have if you hadn't took Sampson away. I
had a reason for that. I had left where he was,
it might have been shown that Jack was innocent.
Speaker 5 (17:20):
And by taking him away, I'll do more than that.
I'll also learned who was gifty mask man? You do
that out in your park to life outlaw or not?
Speaker 3 (17:28):
You make it sound good, stranger, But how do I
know you ain't talking through your hat? Give me the
information I'm asked for, and I'll prove I'm not. You mean,
tell you who might want Sampson down the end? Yes,
I wouldn't do no harm to tell you that, or reckon.
If you don't, I will share. Get a hasty young fellow.
Now let's see, there's Buck Fine, and there's Sam Jinks
(17:49):
and Samson as what fun Sam Jenks, Nick Ceey? There
half a dozen't have it? Each was Samson's enemy or
had something to gain by his death.
Speaker 5 (18:05):
Uh So any one of those men might have shot
Sampson and framed jack Forth.
Speaker 9 (18:09):
Not right.
Speaker 5 (18:10):
The sheriff wanted to investigate each one, and we're in
what kind of an alibi had for the time of
the shooting.
Speaker 3 (18:15):
Uh But I talked him out of that. Our plan
is not only.
Speaker 5 (18:18):
Easier, more certain, and I don't want any of them
to think that he's under suspicion.
Speaker 3 (18:24):
Good idea, the sheriff a great good hmm help he
will kim us heavy what him?
Speaker 5 (18:29):
Do? I think tomorrow he will spend quite a bit
of his time in the cafes in town telling the
townsmen just what he's been instructed to say.
Speaker 3 (18:42):
Seen the mass man heard? What's he says?
Speaker 7 (18:46):
What's that?
Speaker 3 (18:46):
Mass Dead's game?
Speaker 2 (18:47):
Hold on?
Speaker 3 (18:50):
Don't mind telling you about it? But how can I
with all you first talking to one?
Speaker 5 (18:54):
All of the mass men haven't looking up. Sheriff goes
in the wall, That's why. Why wouldn't he any cross?
Speaker 4 (19:00):
Maybe?
Speaker 3 (19:00):
But I got my moon notions about that. But how
about Hampson. He's alive, all right, and I ain't to
see that he's gonna live what him in with that?
Speaker 6 (19:08):
Well?
Speaker 5 (19:09):
The mask fellow says he's gonna be kind of touching bull.
He's still unconscious.
Speaker 3 (19:13):
He can't be wound or anything. The mask Feller's got
a red skin.
Speaker 5 (19:17):
Pard inn't do him well, and that's something I ain't saying.
The mask man gonna let you know what happens to Samson,
and that's all been fixed. And Jack stay's right where
he is in jail. Maybe he's telling the truth about
that shooting that maybe he ain't. If Sampson lives to tell.
Speaker 3 (19:32):
He's story, we'll get the facts. He'll then Jack standing
behind bars. But how long is that gonna be? Don't
know for sure? And what don't It won't be too long.
The mask man said, they ought to know whether Samson's
gonna pull through. We're not. Inside of forty eight hours.
Speaker 10 (19:45):
I'll have all.
Speaker 3 (19:58):
Oh it's you strange heaven waiting and why men all
around town? Let everyone know what I told you to say.
Sure have, mister, why this time?
Speaker 5 (20:06):
If there's a man, woman or child and these parts
don't know about it, they must be deep good a
stranger just a second. Yes, I've answered all your questions
when he asked them. Mind if I put a few
to you going ain't anything you said. Mind answering. First off,
this engine party yours you mentioned you ain't told me
(20:28):
his names, It wouldn't be tombleed with it.
Speaker 2 (20:34):
It would.
Speaker 3 (20:35):
But how did you know?
Speaker 5 (20:37):
Well? I just had a hunch when I heard you
right off last night calling that horse of your silver.
Would you mind my looking at your guns? Just one
or more dudes fig satisfied bullets and silvers? Right, mister,
You may be wanted why I didn't put up no
(20:58):
bigger argument when you told.
Speaker 3 (20:59):
Me were scheme. It was loudly good, and you certainly
could see I had nothing to gain by it.
Speaker 5 (21:04):
But mister, that wouldn't have been enough by own sight.
So it was because I had a blame good notion
who you was?
Speaker 3 (21:12):
None? In that case, maybe you'll be ready to carry
out the rest of my plan.
Speaker 5 (21:16):
We call the names of those men we discussed last night,
the men of might gain by sampsons that sure will
tomorrow send for them. Haven't brought here to your office?
But what what do I say that you're forming a posse,
that you've chosen them to write and listen, Sheriff, and
I'll tell you exactly what I have in mind. I said,
(21:46):
how the shriff watcher share wauncher call right now?
Speaker 3 (21:56):
What's that you said?
Speaker 5 (21:57):
Sharre's forming a posse?
Speaker 3 (21:59):
Top You've got to meet up eat the sheriff, watchet
care shampire, you beat the cown. Hurry gat the sheriff watching.
Speaker 9 (22:30):
Come on, over, come on, come on, there you go.
Speaker 3 (22:36):
That's tunnels, he said.
Speaker 8 (22:38):
That's why ahead of m if we sing.
Speaker 3 (22:40):
From there, the smoke will be singing town.
Speaker 8 (22:43):
Come on, come on, universe over hold on, dog.
Speaker 3 (23:01):
Gone a chair. You sent for us and said we
was needed for a posse. Well, if we are, why
don't we do something? Why don't you get away from
men women? Tell us who we're gonna after we're all setting.
Speaker 5 (23:14):
Well maybe I should have told you a little more,
but your seafellas, I've been so busy watching for the
signal and kind of slipped my mind.
Speaker 3 (23:22):
Let's see one that mask man's want to say, a
mask man? That's right, buck, Then this has got something
to do with Samson.
Speaker 5 (23:29):
Tell us the masked man told me Samson will either
come to this morning and pull through or he never.
Speaker 3 (23:38):
Now it's the crisis. If he dies, he ain't nothing
much we can do but going with the casing, and Jack.
You get some kid, and no he didn't shoot Sampson.
Speaker 5 (23:47):
There's certain things kind of point that way. Wouldn't tell me, Satter,
Let me finish. If Samson comes to, he'll be able to.
Speaker 3 (23:54):
Tell us who shot him. If it was Jack, all right,
But if it weren't, then we want to grab the
skunk and did just as fast as we can't. But
how about this is your signal?
Speaker 5 (24:05):
You mentioned the mask, man'll mak It'll be a smoke
signal one smoke on moon. Sampson's done for yeah, and
too mean he's conscious, he can talk. Jeff Phil look
towards to his smoke where you're seeing it hands how
many car how many just had?
Speaker 3 (24:25):
And that means Samson's cash into this chip recon. That's
the curve we spurred him. We are gonna wasted our time,
did we. There's the second signal. You take a look.
You just gotta go ahead.
Speaker 9 (24:41):
He said, you want me get the saddle qu're riding
for me. He's going Bolliday's much further.
Speaker 2 (24:57):
You know that.
Speaker 9 (25:00):
Ah, there's the rest man.
Speaker 3 (25:02):
Now he's wavering heat, yelling for.
Speaker 6 (25:07):
The raise.
Speaker 5 (25:10):
The sheriff and wirch final dog boom would would which
week to come forward.
Speaker 4 (25:19):
I don't know.
Speaker 3 (25:20):
I'm watching from above.
Speaker 5 (25:21):
We saw him drop back when he rooted through those trees,
then reached his nails.
Speaker 3 (25:24):
This griff, you can find out what we're talking about.
Raider fellows right now. There aren't time to explain.
Speaker 5 (25:29):
Follow me, tell us already on his trail.
Speaker 3 (25:30):
Come on, somebody, there's Engan who's education. He's hard, but
he's tired.
Speaker 8 (25:46):
All the rush, not to the first opic till that
needn't make his escape.
Speaker 5 (25:50):
He's gonna shot tends And there they're pulling.
Speaker 3 (25:53):
Out Harry Silver the boone catch hooping.
Speaker 9 (26:07):
I'll take care of left.
Speaker 3 (26:08):
I'm rolling your head. Come on, look at that white.
Speaker 8 (26:12):
Horse stretched out over the dround like he was flying.
Speaker 3 (26:20):
Faxing the car park. The mask man's making a room.
He gets made into part confet.
Speaker 8 (26:26):
Roll Get up boy, Get up, cops on the ground.
Speaker 3 (26:32):
He's fighting like a whale cat. The mass man on
head on, even hold on in a scrut.
Speaker 6 (26:37):
Mass man not.
Speaker 3 (26:45):
Saving you for a po ten three minute. Just what
makes you think we can't here? Senson adverties. But they
did that immediately when you shut him, you gave yourself away.
Citizens what I told him to say we let you sing.
Speaker 5 (27:00):
Samsum had a chance to pull through a purpose only
give me Man was convinced Samson was going to live
to testify against him, he'd do exactly what you did
attempt to escape. Curent pressed to you was the idea,
Carr figure, if you could put the blame on jack
jacket hang and you'd get hitched to with him. What
You will find that out after your trial, and you'll
likely find out more. Man, if I'm not mistaken, you
(27:21):
guess clothes Sheryff. You guessed the only part of the truth.
Carp would have liked to marry Samson's daughter so he
could get his hands on the right.
Speaker 3 (27:29):
It wouldn't surprise me.
Speaker 5 (27:30):
If you learned that Carp had been stealing from his employer,
was facing exposure, had to.
Speaker 3 (27:35):
Resort to murder to escape conviction. All the better.
Speaker 5 (27:38):
That'll just make his hanging double shore and that will
be released as quick as we.
Speaker 3 (27:42):
Can get to town. All right, boys, back to the horses.
Will you take this poone catter jail.
Speaker 10 (28:04):
Up?
Speaker 2 (29:29):
The story you have just heard of the copyrighted feature
of The Lone Ranger incorporated.
Speaker 1 (29:55):
This has been a presentation of O. T. R Westerns
dot com and we hope you enjoy. Please take some
time to like in rate this episode within your favorite
podcast application. Follow us on Facebook by going to OTR
Westerns dot com slash Facebook, and subscribe to our YouTube
channel by going to OTR Westerns dot com slash YouTube.
(30:17):
Become one of our ranch hands and unlock some exclusive content.
We want to thank our most recent ranch hands, Steve
and Technogod, who joined us recently. YouTube can join by
going to OTR Westerns dot com slash Donate. Send us
an email podcast at OTR Westerns dot com and you
can call and leave us a voicemail seven oh seven
(30:37):
nine eight six eight seven thirty nine. This episode is
copyrighted under the Attribution non Commercial share Like copyright. For
more information, go to OTR Westerns dot com slash copyright.
Have a great day and thanks for listening.
Speaker 3 (31:12):
Band
Welcome to the old time Radio Westerns. I'm your host,
Angel Ryans, and I'm excited to bring you another episode
absolutely free. This is one of over eighty episodes released
monthly for your enjoyment. Now let's get into this episode.
Speaker 2 (00:47):
A fiery heart for the speed of light, a cloud.
Speaker 3 (00:49):
Of gust, and a honey I own Silver.
Speaker 4 (00:52):
The lone Ranger an.
Speaker 2 (01:34):
Out with his hateful Indian companion follow the mask plout
(02:39):
of the planes, fought crime and criminals throughout the Western
United States. No one could match his strength and courage.
Was his ability to judge character bid him the greatest
champion of justice the West, ever.
Speaker 3 (02:50):
News, no matter what the circumstances.
Speaker 2 (02:52):
The man who was honest and innocent, but always depend
upon the mask writer's health. Return with us now of
us spilling days of yester year. Them out of the bath,
come up and bring hoof beats of the great horse Silver.
Speaker 5 (03:03):
The long Ranger rides again hover. Alan Parker walked into
the living room from the kitchen, stopped in surprise when
(03:26):
she saw that her husband was getting ready to go out.
Speaker 3 (03:31):
Oh oh there, love, but everything's on it too. Where
you're going out? Aren't just down the trailer? Piece down
the team. I don't figure they've gone along low. You
can hold the vittles for a bit on the middle
of too late dances.
Speaker 6 (03:50):
Suppose why don't you want to tell me where you're going?
And you think you should hide it and.
Speaker 7 (03:57):
You have to get so curious.
Speaker 3 (03:59):
Well, the fella has something doing. You can see you
don't want to talk about it. Can't you let him alone? Gosh,
I think, but you're not leaving this house. I know
where you're going. Yes, you've got to tell me, all right,
if you have to know. I got a message with
your Paul. I'm going down the trail to meet him.
Speaker 7 (04:18):
Jack, Well, I am, but you kidd it isn't true.
Speaker 6 (04:22):
Think I'm saving to you, But look him then you
would probably hadn't something in today?
Speaker 3 (04:27):
Who were married? Maybe he wants to make up. I
don't believe, and maybe don't. How do I know?
Speaker 7 (04:33):
All I know is he wants to see me about
something or other.
Speaker 3 (04:35):
And I don't even let him think I'm scared of
him by staying away. How do you know he wants
to see you?
Speaker 7 (04:40):
Said a stranger brother, because your Paul asked them to
give it to me.
Speaker 3 (04:46):
I don't know. Through the way.
Speaker 5 (04:48):
I guess what did it say? Oh gosh, when it
comes to ask him questions?
Speaker 3 (04:52):
What did see?
Speaker 7 (04:53):
Just when I toold you you want to see me,
you'd be at the girl over the west. Didn't say
nothing else.
Speaker 3 (04:59):
I don't hear and get started on.
Speaker 5 (05:02):
You.
Speaker 3 (05:02):
No reason why you should. But if you're going, I
am good as you leave your gun at home. You
heard me, Jack, leave it here thunder four?
Speaker 6 (05:09):
Because I know your temper, I know how one world
can lead to another until I am in a pral.
I want you to go on on because of your
card and anything should happen to either of You're right, I.
Speaker 3 (05:21):
Don't even want to think about it. You don't know
what you'll do. How are you gonna leave that gun?
Speaker 2 (05:28):
No?
Speaker 5 (05:28):
If I don't reckon, I will, Yes, I'll be careful.
I'll find out what your paw wants.
Speaker 3 (05:34):
You got my word. I'll be back home inside.
Speaker 2 (05:36):
And our.
Speaker 5 (05:48):
Oh boy, well here we are, boy.
Speaker 7 (05:54):
I want to worry Helen Paul is mister Sampson.
Speaker 3 (05:59):
All have the Sampson. He ain't here yet, but.
Speaker 7 (06:06):
Hey, wasn't conger. It's him. It's him laying there. He's
been drilled.
Speaker 3 (06:13):
Who's that? Who is it Hey, if I want you to
hear that shark where it come from? Over that plan
(06:37):
I wanted to me. I come from the grove and
I better take along.
Speaker 5 (06:42):
Yeah, remile me over here, Samson stunfall And who's this?
Speaker 3 (06:59):
It's Jack Park. They had a gun fight. Jack's coming
to the.
Speaker 5 (07:03):
Horse shot up a second wave of horse away the
second Jack, don't try and get up to the light
of having a look at this place where you were shot. Oh,
he's so bad, just creased your scale and pinted your hair.
Speaker 3 (07:17):
You was lucky.
Speaker 5 (07:19):
Help me up here, Hey, Jack, how did it happened?
What June Sampson fight over?
Speaker 3 (07:26):
What was it? Jack? What shart of the argument? But
it was done? Huh.
Speaker 7 (07:30):
I never drilled him. I found him just like that.
Then somebody yelled, and when I turned and looked, it
took a shot at me.
Speaker 3 (07:37):
I didn't even see who it was.
Speaker 7 (07:39):
That's all I can recollect you right now, Jack gos
pre paid.
Speaker 3 (07:43):
You don't believe me.
Speaker 5 (07:44):
You figure we should when we find you with a
gun in your hand and one shot fired out of it,
with Sampson's.
Speaker 3 (07:49):
Gun in his hand the same way.
Speaker 5 (07:50):
But hey, this gun ain't mine, No, it ain't I
tell you it ain't the fellow had done.
Speaker 7 (07:57):
The killer must have left it and took mine.
Speaker 3 (08:00):
You have have to put the blame on.
Speaker 5 (08:01):
Me, all right, bag, But I tell you books around
here always news something like this is bound to happen
one of these days, ever since you got hitched to
his daughter again his order.
Speaker 3 (08:09):
Wait, Fellas, I'm.
Speaker 5 (08:10):
Telling you if you killed him in a half, hey, listen,
are han Be's on the law to the side.
Speaker 3 (08:15):
Peter's been right in the town and bring the shutter.
We'll stay here right, get up? Wait, won't you believe me? Fellas?
Speaker 7 (08:22):
Won't you listener when I say I'm not killing.
Speaker 5 (08:24):
I tell you, Okay, Well, we ain't got nothing making
you personals who don't get us wrong.
Speaker 3 (08:30):
But a killing is a killing has to be dealt
with the cordon. So it's just a waste of bread
trying to argue with us. But Fellas As man a
red skin, a crook, he welcome? Who are your arms?
Speaker 2 (08:44):
Just a hold up?
Speaker 3 (08:44):
No? Then all right, I'll handle him. You examined Sampson.
It okay, where are you up to tell? When I
heard the shots just as you did? Yeah, you were
closer and down here. First we've seen what's going on?
Speaker 5 (08:57):
Huh, I have an idea you've made. I'm very serious mistake, Tella.
Speaker 3 (09:02):
Was that right? Or wasn't I all right? Hey?
Speaker 5 (09:07):
You mean mister Sampson ain't dead.
Speaker 3 (09:08):
Wait, Lili and Tune. You're thinking he'd be brought to enough? No,
pretty bad? Can you help him good? And pick him
up and put him across your saddle?
Speaker 5 (09:20):
Hey, now you can't giving the owners here you here,
remember this, or you can hold Jack for the sheriff.
Speaker 3 (09:25):
The sheriff can tail him.
Speaker 5 (09:27):
But in case your attempted to take justice into your
own hands, Jack isn't the murderer until Samson dies.
Speaker 3 (09:34):
He's driver's gun stops lit. Ready, tone ready, and that's
come on, sob horse down.
Speaker 8 (09:44):
Cut him down, your horse, hold your fire horse.
Speaker 5 (09:47):
Sampson still living, he might get hit, hold your fire.
Speaker 3 (10:02):
Listen right up, town. It's a good lesson. I can't
nice lad. Then there's funny of cover. You need to make
things runny.
Speaker 5 (10:13):
Well, I'm going you right, He asked him a saturday
to town up to do that and call on the sheriff.
Speaker 3 (10:19):
Oh, I'll be back by sundown. Come on to me,
hell sam over Hello.
Speaker 2 (10:36):
At that moment Samson's foreman was talking with the sheriff
in the lawman's office.
Speaker 5 (10:40):
They get it, christy day, she what's that card? How
do you feel about doo?
Speaker 3 (10:46):
Youles? What are you talking about?
Speaker 5 (10:48):
We'll suppose his heart feelings between the hip, little breeze,
he gets to heat each other's emergedly fairly decided to
shoot it out.
Speaker 3 (10:58):
It used to hit the lef d. Your times have changed.
Duels are against all this was? It's similar whatever the
game would never get him.
Speaker 5 (11:07):
You mean the jury to quit him. Well, I can't
answer for any jury. I've seen him do a lot
of fool things. But I know what the law says,
and as long as i'm sheriff, I'll do my best
to enforce it, unless it's an accident or in self defense.
Speaker 3 (11:23):
A man who kills is a murderer. Uterisdom, sure of wood.
You can tell your boss.
Speaker 5 (11:29):
That you had some reason for worrying about duels. Car
a man don't ask a question like that for no
reason at all.
Speaker 3 (11:38):
Come on, now, tell me the truth.
Speaker 5 (11:41):
Has old man Sampson been threatening to shoot it out
with his son? And law insanity? Where you know, Harry Kirks, Yeah,
you might be a good idea.
Speaker 3 (11:52):
You hit a word with it. You can tell him
what I said to yourself and you can add this
to it. Would if I was him, I.
Speaker 5 (12:00):
Wouldn't come on any jury set me free. The folks
in this country weren't raw on older.
Speaker 3 (12:05):
I guess you're read. What's up?
Speaker 5 (12:08):
That's been a shooting minor clove. You better come click
shooting anybody hurt? Jack Barr wounded?
Speaker 3 (12:13):
Who done it? Old man Samson? There was a freezing
old man got the worst of it. He's dead. Come
on you gonn arrius Jack. That's my duty and that's
what I am to do. Woulded or not. He'll be
in jail within an hour. Making that a hold the
(12:45):
young fellow. He won't be breaking out of this jail.
You rynomenal.
Speaker 5 (12:49):
Here Jack be in the sheriff fine, doing nothing but
my duty. The fella said it looked like a fair fight.
You both had guns out, You got Sampson and his shot.
King comes to getting new Now. Maybe you quitted, but
that's for the jury to decide, not me. You've got
to stand drive Oh gone it shereff. How many times
I have to tell you the run no gun fay.
(13:10):
Mister Samps had been done for when I got.
Speaker 3 (13:12):
There that mess Jim said he want did yet, Well
maybe he wasn't. I don't know. I thought he was.
And what's that got to do with anyway? I'm still saying.
Speaker 5 (13:20):
He weren't shot by me. I don't determined to stick
to that story. It's true.
Speaker 3 (13:25):
I won't get no jury to believe that.
Speaker 5 (13:27):
I tell you.
Speaker 3 (13:27):
I don't mind saying I don't sell. You would be
better off if you just gone clean out the tickets.
Speaker 7 (13:33):
Would quite argue with you.
Speaker 5 (13:36):
Do me a favorite, share anything? It ain't unreasonable, said
to my wife. Tell her where I am and I
want to see her.
Speaker 3 (13:43):
That can be done both. Tell him.
Speaker 5 (13:48):
To Carl, but they move the same thing. You and
the birds are kidding you. It's one of them things
just have to do dead.
Speaker 3 (13:59):
You ain't sorry?
Speaker 5 (14:00):
What do you mean?
Speaker 3 (14:01):
What do you think he is? Wasn't him your Paul
wanted you to marry. Wasn't why your pa made cat
for him. Wasn't because I cut him off at your
pawmy for it your ancient history. I never him in choose.
Speaker 5 (14:15):
You should no need to discuss.
Speaker 6 (14:18):
Sure, Jacob came here just one reason I came to
ton of it that we're too. It can't be any
other way. Maybe father's star the Paul. Maybe it forced
you to go, but I can't forget that he was
my father. But I begged you not to meet him.
Speaker 9 (14:34):
Mom.
Speaker 3 (14:35):
But Honey, you don't know the facts. It worked that
way at all. I'm know this to You're totally and
I can't believe it anymore.
Speaker 5 (14:41):
Now that.
Speaker 3 (14:43):
I won't talk about it.
Speaker 6 (14:45):
I can't.
Speaker 3 (14:47):
Kick out.
Speaker 5 (14:48):
We're sure him you come along her leadership? Well, I,
child Bee, didn't expect anything else, did you, Jack even see.
Speaker 3 (15:04):
Would believe me? And if your own wife Wood, that
means huh, won't nobody else neither, young Feller.
Speaker 5 (15:11):
If it turns out Samson's really done for, I'm afraid
things are gonna go.
Speaker 3 (15:16):
So good for you. Then, Sheriff, You've got to find him.
That's what I never do. You've got to find that mask.
Speaker 5 (15:21):
Man and see what mister Sasinos.
Speaker 3 (15:23):
Took the what you're standing there for. Go on, go on,
do gotta find him. Hi looking for me? The mask
We couldn't fall on the first act of our low
ring of drama. Before the next exciting scene, please permit
it to pause for death.
Speaker 2 (15:44):
A few moments, I will continue our story start off
with a sudden appearance for mask Man the Shriff in
(16:06):
stink of He slapped his hand to his holster, will
stop for the lone Ranger's lightning Draw careful, Shriff for
care watch out.
Speaker 3 (16:13):
He's got to drop on you.
Speaker 5 (16:14):
I can't come looking for trouble Sherff with anything you start,
so I'll finish.
Speaker 3 (16:18):
Why did you come here? The answer to certain questions
which you and Jack should be able to furnish. Change
your wear? Samson? What do you do with him? He's
still alive. Ry He'll answer my questions for Sharff, Yours
will come later. Frank your bosh.
Speaker 5 (16:33):
What do you want to know? Who were Samson's enemies?
Who would benefit by his death? Get that reason to
believe Jack has been telling you the truth. I believe
he's innocent. That case, you will have to look elsewhere
for your killer. You you believe in me, mask Man.
I do why for one very excellent reason. I've seen
both Jack and Sampson. They were found under circumstances that
(16:56):
made it appear they had shut it out.
Speaker 3 (16:58):
But there's one fact that won't agree with that story.
In the fact that they had fought.
Speaker 5 (17:02):
The shots would have been fired at almost the same time,
but they weren't. Samson's wound was made almost an hour
earlier than Jack's.
Speaker 3 (17:08):
You're sure that's right here?
Speaker 5 (17:09):
How do you do You might have seen the same
thing if you'd have the opportunity to make a comparison.
Speaker 3 (17:13):
I would have if you hadn't took Sampson away. I
had a reason for that. I had left where he was,
it might have been shown that Jack was innocent.
Speaker 5 (17:20):
And by taking him away, I'll do more than that.
I'll also learned who was gifty mask man? You do
that out in your park to life outlaw or not?
Speaker 3 (17:28):
You make it sound good, stranger, But how do I
know you ain't talking through your hat? Give me the
information I'm asked for, and I'll prove I'm not. You mean,
tell you who might want Sampson down the end? Yes,
I wouldn't do no harm to tell you that, or reckon.
If you don't, I will share. Get a hasty young fellow.
Now let's see, there's Buck Fine, and there's Sam Jinks
(17:49):
and Samson as what fun Sam Jenks, Nick Ceey? There
half a dozen't have it? Each was Samson's enemy or
had something to gain by his death.
Speaker 5 (18:05):
Uh So any one of those men might have shot
Sampson and framed jack Forth.
Speaker 9 (18:09):
Not right.
Speaker 5 (18:10):
The sheriff wanted to investigate each one, and we're in
what kind of an alibi had for the time of
the shooting.
Speaker 3 (18:15):
Uh But I talked him out of that. Our plan
is not only.
Speaker 5 (18:18):
Easier, more certain, and I don't want any of them
to think that he's under suspicion.
Speaker 3 (18:24):
Good idea, the sheriff a great good hmm help he
will kim us heavy what him?
Speaker 5 (18:29):
Do? I think tomorrow he will spend quite a bit
of his time in the cafes in town telling the
townsmen just what he's been instructed to say.
Speaker 3 (18:42):
Seen the mass man heard? What's he says?
Speaker 7 (18:46):
What's that?
Speaker 3 (18:46):
Mass Dead's game?
Speaker 2 (18:47):
Hold on?
Speaker 3 (18:50):
Don't mind telling you about it? But how can I
with all you first talking to one?
Speaker 5 (18:54):
All of the mass men haven't looking up. Sheriff goes
in the wall, That's why. Why wouldn't he any cross?
Speaker 4 (19:00):
Maybe?
Speaker 3 (19:00):
But I got my moon notions about that. But how
about Hampson. He's alive, all right, and I ain't to
see that he's gonna live what him in with that?
Speaker 6 (19:08):
Well?
Speaker 5 (19:09):
The mask fellow says he's gonna be kind of touching bull.
He's still unconscious.
Speaker 3 (19:13):
He can't be wound or anything. The mask Feller's got
a red skin.
Speaker 5 (19:17):
Pard inn't do him well, and that's something I ain't saying.
The mask man gonna let you know what happens to Samson,
and that's all been fixed. And Jack stay's right where
he is in jail. Maybe he's telling the truth about
that shooting that maybe he ain't. If Sampson lives to tell.
Speaker 3 (19:32):
He's story, we'll get the facts. He'll then Jack standing
behind bars. But how long is that gonna be? Don't
know for sure? And what don't It won't be too long.
The mask man said, they ought to know whether Samson's
gonna pull through. We're not. Inside of forty eight hours.
Speaker 10 (19:45):
I'll have all.
Speaker 3 (19:58):
Oh it's you strange heaven waiting and why men all
around town? Let everyone know what I told you to say.
Sure have, mister, why this time?
Speaker 5 (20:06):
If there's a man, woman or child and these parts
don't know about it, they must be deep good a
stranger just a second. Yes, I've answered all your questions
when he asked them. Mind if I put a few
to you going ain't anything you said. Mind answering. First off,
this engine party yours you mentioned you ain't told me
(20:28):
his names, It wouldn't be tombleed with it.
Speaker 2 (20:34):
It would.
Speaker 3 (20:35):
But how did you know?
Speaker 5 (20:37):
Well? I just had a hunch when I heard you
right off last night calling that horse of your silver.
Would you mind my looking at your guns? Just one
or more dudes fig satisfied bullets and silvers? Right, mister,
You may be wanted why I didn't put up no
(20:58):
bigger argument when you told.
Speaker 3 (20:59):
Me were scheme. It was loudly good, and you certainly
could see I had nothing to gain by it.
Speaker 5 (21:04):
But mister, that wouldn't have been enough by own sight.
So it was because I had a blame good notion
who you was?
Speaker 3 (21:12):
None? In that case, maybe you'll be ready to carry
out the rest of my plan.
Speaker 5 (21:16):
We call the names of those men we discussed last night,
the men of might gain by sampsons that sure will
tomorrow send for them. Haven't brought here to your office?
But what what do I say that you're forming a posse,
that you've chosen them to write and listen, Sheriff, and
I'll tell you exactly what I have in mind. I said,
(21:46):
how the shriff watcher share wauncher call right now?
Speaker 3 (21:56):
What's that you said?
Speaker 5 (21:57):
Sharre's forming a posse?
Speaker 3 (21:59):
Top You've got to meet up eat the sheriff, watchet
care shampire, you beat the cown. Hurry gat the sheriff watching.
Speaker 9 (22:30):
Come on, over, come on, come on, there you go.
Speaker 3 (22:36):
That's tunnels, he said.
Speaker 8 (22:38):
That's why ahead of m if we sing.
Speaker 3 (22:40):
From there, the smoke will be singing town.
Speaker 8 (22:43):
Come on, come on, universe over hold on, dog.
Speaker 3 (23:01):
Gone a chair. You sent for us and said we
was needed for a posse. Well, if we are, why
don't we do something? Why don't you get away from
men women? Tell us who we're gonna after we're all setting.
Speaker 5 (23:14):
Well maybe I should have told you a little more,
but your seafellas, I've been so busy watching for the
signal and kind of slipped my mind.
Speaker 3 (23:22):
Let's see one that mask man's want to say, a
mask man? That's right, buck, Then this has got something
to do with Samson.
Speaker 5 (23:29):
Tell us the masked man told me Samson will either
come to this morning and pull through or he never.
Speaker 3 (23:38):
Now it's the crisis. If he dies, he ain't nothing
much we can do but going with the casing, and Jack.
You get some kid, and no he didn't shoot Sampson.
Speaker 5 (23:47):
There's certain things kind of point that way. Wouldn't tell me, Satter,
Let me finish. If Samson comes to, he'll be able to.
Speaker 3 (23:54):
Tell us who shot him. If it was Jack, all right,
But if it weren't, then we want to grab the
skunk and did just as fast as we can't. But
how about this is your signal?
Speaker 5 (24:05):
You mentioned the mask, man'll mak It'll be a smoke
signal one smoke on moon. Sampson's done for yeah, and
too mean he's conscious, he can talk. Jeff Phil look
towards to his smoke where you're seeing it hands how
many car how many just had?
Speaker 3 (24:25):
And that means Samson's cash into this chip recon. That's
the curve we spurred him. We are gonna wasted our time,
did we. There's the second signal. You take a look.
You just gotta go ahead.
Speaker 9 (24:41):
He said, you want me get the saddle qu're riding
for me. He's going Bolliday's much further.
Speaker 2 (24:57):
You know that.
Speaker 9 (25:00):
Ah, there's the rest man.
Speaker 3 (25:02):
Now he's wavering heat, yelling for.
Speaker 6 (25:07):
The raise.
Speaker 5 (25:10):
The sheriff and wirch final dog boom would would which
week to come forward.
Speaker 4 (25:19):
I don't know.
Speaker 3 (25:20):
I'm watching from above.
Speaker 5 (25:21):
We saw him drop back when he rooted through those trees,
then reached his nails.
Speaker 3 (25:24):
This griff, you can find out what we're talking about.
Raider fellows right now. There aren't time to explain.
Speaker 5 (25:29):
Follow me, tell us already on his trail.
Speaker 3 (25:30):
Come on, somebody, there's Engan who's education. He's hard, but
he's tired.
Speaker 8 (25:46):
All the rush, not to the first opic till that
needn't make his escape.
Speaker 5 (25:50):
He's gonna shot tends And there they're pulling.
Speaker 3 (25:53):
Out Harry Silver the boone catch hooping.
Speaker 9 (26:07):
I'll take care of left.
Speaker 3 (26:08):
I'm rolling your head. Come on, look at that white.
Speaker 8 (26:12):
Horse stretched out over the dround like he was flying.
Speaker 3 (26:20):
Faxing the car park. The mask man's making a room.
He gets made into part confet.
Speaker 8 (26:26):
Roll Get up boy, Get up, cops on the ground.
Speaker 3 (26:32):
He's fighting like a whale cat. The mass man on
head on, even hold on in a scrut.
Speaker 6 (26:37):
Mass man not.
Speaker 3 (26:45):
Saving you for a po ten three minute. Just what
makes you think we can't here? Senson adverties. But they
did that immediately when you shut him, you gave yourself away.
Citizens what I told him to say we let you sing.
Speaker 5 (27:00):
Samsum had a chance to pull through a purpose only
give me Man was convinced Samson was going to live
to testify against him, he'd do exactly what you did
attempt to escape. Curent pressed to you was the idea,
Carr figure, if you could put the blame on jack
jacket hang and you'd get hitched to with him. What
You will find that out after your trial, and you'll
likely find out more. Man, if I'm not mistaken, you
(27:21):
guess clothes Sheryff. You guessed the only part of the truth.
Carp would have liked to marry Samson's daughter so he
could get his hands on the right.
Speaker 3 (27:29):
It wouldn't surprise me.
Speaker 5 (27:30):
If you learned that Carp had been stealing from his employer,
was facing exposure, had to.
Speaker 3 (27:35):
Resort to murder to escape conviction. All the better.
Speaker 5 (27:38):
That'll just make his hanging double shore and that will
be released as quick as we.
Speaker 3 (27:42):
Can get to town. All right, boys, back to the horses.
Will you take this poone catter jail.
Speaker 10 (28:04):
Up?
Speaker 2 (29:29):
The story you have just heard of the copyrighted feature
of The Lone Ranger incorporated.
Speaker 1 (29:55):
This has been a presentation of O. T. R Westerns
dot com and we hope you enjoy. Please take some
time to like in rate this episode within your favorite
podcast application. Follow us on Facebook by going to OTR
Westerns dot com slash Facebook, and subscribe to our YouTube
channel by going to OTR Westerns dot com slash YouTube.
(30:17):
Become one of our ranch hands and unlock some exclusive content.
We want to thank our most recent ranch hands, Steve
and Technogod, who joined us recently. YouTube can join by
going to OTR Westerns dot com slash Donate. Send us
an email podcast at OTR Westerns dot com and you
can call and leave us a voicemail seven oh seven
(30:37):
nine eight six eight seven thirty nine. This episode is
copyrighted under the Attribution non Commercial share Like copyright. For
more information, go to OTR Westerns dot com slash copyright.
Have a great day and thanks for listening.
Speaker 3 (31:12):
Band
Popular Podcasts
On Purpose with Jay Shetty
I’m Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and I’m so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood you’re able to deal with relationship struggles, work challenges and life’s ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them we’ve never seen before. New episodes every Monday and Friday. Your support means the world to me and I don’t take it for granted — click the follow button and leave a review to help us spread the love with On Purpose. I can’t wait for you to listen to your first or 500th episode!
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Special Summer Offer: Exclusively on Apple Podcasts, try our Dateline Premium subscription completely free for one month! With Dateline Premium, you get every episode ad-free plus exclusive bonus content.
24/7 News: The Latest
The latest news in 4 minutes updated every hour, every day.