Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:06):
Dolly Partners, my special guest, the East Tennessee Mountain Girl
and who grew up and became a very famous singer.
You know, you'd be off pretty in the movies. Anybody
ever offer you a movie contract?
Speaker 2 (00:18):
No, never did.
Speaker 1 (00:20):
Nobody ever brought it up.
Speaker 2 (00:22):
Well, yeah I have. I've had different people mention it.
But I don't have any desire to be in the movies.
I just want to, you know, do good at my
singing and my writing, and I keep trying. One of
these days I might make it. But I really don't
have any desire to be in the movies unless it
would be something where I could just sing a song
or maybe do a comedy show or something i'd enjoy that.
Speaker 1 (00:40):
I must repeat something I said the first time I
ever met the Dolly Parton. I thought you were a
female Roger Miller because you were a wires cracking every minute.
Speaker 2 (00:50):
I used to, you know, really go on. I've always
felt good. I've always been a happy person by nature,
and I used to just really go on and kid everybody,
make something out of everything. But then I got to thinking,
you know, the people's gonna think I was smart, elec.
So I tried to not be so smart edick, not
really smart, ag, but I mean I just always was
going on with something silly, So I've tried to be
(01:11):
more serious. Now. When you said that about me being funny,
I guess people think, well, what she does listening to
this show? Or what do they think she done?
Speaker 1 (01:20):
You met Burt Reynolds a while, baby, Oh yeah, he's
a real nice person. Did he offer you a part
in the picture?
Speaker 3 (01:26):
Uh?
Speaker 2 (01:27):
Somebody mentioned something about it. It was a movie they
made here in town. But if I thought I could
have done a good job of it, I would have.
But he deserved better than I could do. And uh no,
I'm serious. I mean if I thought I could have
done a good job, I would have, but I couldn't
do it.
Speaker 1 (01:42):
What sort of were you offered a part?
Speaker 4 (01:44):
Yeah?
Speaker 2 (01:45):
They did ask me about doing the part in the movie.
What was the name of the movie, The w W
w W and the Dixie Dance Dixie Dance King. Yeah,
well they talk to me about doing the female part. Yeah,
and it was a great comp But like I said,
I couldn't do it, and I didn't even want to try.
Speaker 1 (02:05):
I have no desire to act.
Speaker 2 (02:06):
I really don't. I have no desire to act unless
I just totally had a change of heart.
Speaker 1 (02:11):
And now you are a great dreamer, aren't you.
Speaker 2 (02:14):
Yeah, but I like to paint my dreams and my
songs and sing them that way. I can't. I couldn't
imagine me trying to be serious enough to act. And
even if I was as serious, you know, trying to
be sexy or something, I love seeing out life rightaint,
I just couldn't do it. I know I couldn't do it.
Speaker 1 (02:32):
No, imagine you would have a hard time being sexy.
Speaker 2 (02:35):
Well on the screen, I would unless it was real.
I just I don't know.
Speaker 1 (02:42):
You dig yourself a nice hole here, uh huh.
Speaker 2 (02:47):
Well, okay, I guess.
Speaker 1 (02:48):
All shut up, then paint yourself back into a corner.
Did you ever do that?
Speaker 2 (02:52):
Yeah? Lots of times. Yeah. He was a real nice person.
I enjoyed talking with him.
Speaker 1 (02:58):
He the NBC special down at the Governor's.
Speaker 2 (03:02):
Matchion, Yeah, and that was a lot of fun.
Speaker 1 (03:04):
I've forgotten the name of that show.
Speaker 2 (03:06):
I think it was. I don't know the name of
it either, but I know Burt Reynolds was the host,
and we had all a.
Speaker 1 (03:10):
Lot of Nashville start.
Speaker 2 (03:12):
Yeah, and so that was a lot of fun. You
are saying, Yeah, I'm saying Tennessee mountain home. Sure, let's
do then on the front for John, the summer afternoon
in a straight back chair, on two late leaned against
the wall, what's the kids playing with june bugs on
(03:38):
straight and chase the glue and fireflies when the evening
shadows fall.
Speaker 4 (03:47):
In my Tennessee out life best, peaceful l late side.
Speaker 3 (04:00):
And not see Dan.
Speaker 5 (04:03):
Home, regeting in the fief bad.
Speaker 2 (04:11):
Honey, sircle, vine planks to the fence, a long lace.
Speaker 4 (04:16):
The fragrance makes the summer winds.
Speaker 5 (04:19):
So sweet, and on a distant heel top an eagles
grigs wings and a song bird on ben post sings melody.
Speaker 6 (04:34):
In sell life is is peaceful and bay side.
Speaker 3 (04:46):
In DC.
Speaker 5 (04:49):
Than regeting in the field.
Speaker 4 (05:10):
Walking home from church on.
Speaker 2 (05:12):
Sunday with you won't you up? Just laughing, talking, making
future plans.
Speaker 4 (05:20):
And when the boat sain't.
Speaker 2 (05:22):
Look at me, might steal the kids or two sitting
in the port swing holding.
Speaker 4 (05:31):
In lives peaceful less, baby.
Speaker 6 (05:40):
Side and done read it saying in the beauty.
Speaker 1 (05:52):
By anything you Let's say about that song before we
(06:16):
leave that subject.
Speaker 2 (06:17):
Yeah, it's true song. It's the way I remember home
and I always will in my memories, and it's just
a memory of home, and I'm just glad I got
to share that memory with you, you and your listeners.
Speaker 1 (06:28):
Do you still sing this in your accents?
Speaker 7 (06:30):
Oh?
Speaker 2 (06:30):
Yeah, I love this song. I love to sing it.
It's so you know, down home, and I mean it's
one of my favorites that I've wrote. Like I mentioned before,
and everybody that rites has their favorite songs that they write,
and this is one of my favorites. Because I've wrote
some songs that I can't stand. Really, what's one that
you can something fishy? No, and I'll al Wells love
you and not Now.
Speaker 1 (06:50):
I wrote a song oil Wells Love.
Speaker 4 (06:52):
Yeah.
Speaker 2 (06:53):
This song I wrote about a texta guy in Texas,
you know that own a lot of o Wells. This
was years ago, and so the song all old Wells
love you, all old Wells care, all oil Wells needs you.
I want you all Wells dear, and that's sort of nonsense.
But anyway, this I like this Tennessee Mountain Home because
he did is bath Home. Now I'll get off of
(07:13):
the subject.
Speaker 1 (07:14):
You've heard Dolly Barton and my Tennessee Mountain Home Dolly,
I be bringing out Gary.
Speaker 2 (07:26):
Oh okay, this is Gary Stewart, and this is a
song called out of hand. And it's a good song too.
Speaker 3 (07:43):
Evan your name.
Speaker 1 (07:47):
Except for the allman with at home.
Speaker 3 (07:52):
Evolving the saying.
Speaker 8 (07:56):
I've always been true except for you, not even a
one man stand.
Speaker 9 (08:04):
And I never retended or to get so out of
pay out of hand, I have a whole living can
A man need more keep.
Speaker 10 (08:25):
Me going head than this go very bad?
Speaker 5 (08:32):
You my can.
Speaker 3 (08:34):
Woman, I'm your can man.
Speaker 9 (08:41):
Maybe that's the reason it got so out of hand.
Speaker 8 (08:56):
I need vertendy.
Speaker 2 (09:01):
Orr it to go this far.
Speaker 9 (09:05):
I don't think I can get off from where we
are some time to wear.
Speaker 8 (09:15):
So just a taste of all I had, and I'm never.
Speaker 3 (09:26):
Get so out of p.
Speaker 8 (09:32):
Out of pain, out of pay, have a hot little can.
Need more keep me going than the school with back.
Speaker 11 (09:49):
You're my can woman, I'm your can.
Speaker 3 (09:58):
Maybe that the reason.
Speaker 11 (10:02):
Got out of.
Speaker 3 (10:08):
Hand on calm.
Speaker 1 (10:17):
Me, that's scary Stewart, following his records success drinking thing
without a pan.
Speaker 12 (10:24):
When a skin injury makes your child cry out in pain,
ow it hurts, remember camphophonique. Camphophonique is the multipurpose family
medication that instantly stops the pain of minor cuts, scrapes, burns,
even cold sores and fever blisters. Camphophonique gently penetrates skin
injuries to kill germs, protect against infection, helps nature heal
(10:45):
skin injuries. Camphophonique, the penetrating first aid medication stops pain instantly.
Campho Phinique.
Speaker 13 (10:54):
Together time time to spend, enjoy.
Speaker 4 (11:00):
Food and get out. And we got together.
Speaker 3 (11:05):
Well the good times.
Speaker 13 (11:07):
I'm begging together with you, together with friends and color.
Speaker 14 (11:15):
The next time you're dining out to get together with holiday,
good food, good friends together.
Speaker 1 (11:23):
This little gal is simply called the custom.
Speaker 4 (11:33):
Baby, my love trains coming.
Speaker 3 (11:36):
It's really on fire.
Speaker 5 (11:37):
And come in.
Speaker 15 (11:39):
I've got a special seat that I've saved just for you.
You're taking his pad and now I'm ready getting board.
And you know, baby, I've got a trainload of it
waiting for you.
Speaker 4 (11:58):
This ride is smooth and he's in.
Speaker 13 (12:01):
I know, shure on a pleasehir, You're going on a
trim you've never been before.
Speaker 15 (12:10):
Will the things you never dreamed of on the train
that's bound for true love?
Speaker 3 (12:17):
And you know that's what everybody is looking for.
Speaker 6 (12:23):
Get off my back train, ride by.
Speaker 4 (12:27):
My side, because you find me nothing better than my loving.
It's what you've been looking for.
Speaker 3 (12:37):
Spad me love before.
Speaker 6 (12:40):
Hiver, Get off my back.
Speaker 3 (12:47):
By my side, get on my.
Speaker 4 (12:51):
Love training line. This ride is smooth, and he said,
I know it's you're gonna please. You're going on a
trip you've never been before. Will the things you never
dreamed on the train that's bound for true love, and
(13:16):
you know that's what everybody is looking for.
Speaker 3 (13:22):
Yeah, my love.
Speaker 2 (13:25):
On my side.
Speaker 1 (13:29):
You finding love it stared at them.
Speaker 14 (13:31):
I love it.
Speaker 3 (13:32):
It's what you've been looking for.
Speaker 4 (13:36):
Sat love for any.
Speaker 6 (13:43):
Get my love train by my side. Yell my love
training by yell my love training.
Speaker 1 (14:00):
That's LaCosta. Will get on my love train, raphy.
Speaker 2 (14:08):
Don't we play a song by Ray Price. He's one
of my favorites. And this is song called like Old
Times Again.
Speaker 1 (14:14):
It's all right with me, all right?
Speaker 16 (14:25):
Here she comes again, looking like the dream she's always been.
There she goes again, breaking my heart. Here I am again,
(14:50):
feeling like the fool that let it again. Here I
go again, falling apar.
Speaker 10 (15:06):
Lord.
Speaker 8 (15:07):
I wait that it could be.
Speaker 3 (15:13):
Like God times again. I wish that I couldn't hold
the way I am then, and we see the last
of love and it's useless to pretend.
Speaker 10 (15:39):
Because it's never gone.
Speaker 3 (15:45):
My good times again. Look at me.
Speaker 10 (16:05):
Still clinging to a memory, and look at her singing
to someone else. Look at them, she's so much in
(16:28):
love with him, and look at us. There's nothing else.
Speaker 3 (16:42):
Lord, I watad he could be.
Speaker 13 (16:48):
Like a times again.
Speaker 3 (16:54):
I will said, I couldn't owe her away. I open,
but we see the last and its less to pretien.
Speaker 10 (17:14):
Because it's never gone, like go times again. No, it's
never gone.
Speaker 3 (17:33):
Like gold times.
Speaker 1 (17:38):
Again, Ray Price on the show, like old Times again.
Speaker 7 (17:48):
This is Marty Robbins for Vaseline hair Tonic today. I've
got a word for you, wires. Now, if that man
of yours has started losing some hair, well, there's nothing
going to stop it, but you can help him take
care of his hair while it's there. With the Vassal
hair tonic. It conditions and moisturizes the scalp while it
rooms the hair so it feels good, looks good too.
You tell a Marty Robinsons, you take.
Speaker 10 (18:09):
Good and care your hair while.
Speaker 3 (18:11):
It's there with pass her tony together.
Speaker 13 (18:20):
Time time to spend en joy Line, good food.
Speaker 4 (18:27):
Get out, and we got together.
Speaker 3 (18:30):
Well, the good times on.
Speaker 13 (18:32):
Again together with you, together with friends and holiday.
Speaker 14 (18:41):
The next time you're dining out, get together with holiday
in good food, good friends together.
Speaker 1 (18:48):
All right, Miss Dolly Parton, we're gonna work our way
back to port or Wagoner here for a moment and
bring him on the scene. Yeah, I suppose you didn't
have anything to do with the selection of the new
girls here that replaced you with the Porto wragging.
Speaker 2 (19:01):
Sure, no, but she's a girl from Lebanon, Tennessee. Her
name is Barbara Lee, and she's a real nice person
and I really like her a lot. But I didn't
I didn't know her before she started working with him.
Speaker 1 (19:14):
Since I don't have him here to ask, I'm just
curious how many how many letters and tapes did he
receive from people all over the country trying to get
that job?
Speaker 2 (19:24):
Three or four thousand at least, plus all the people
we'd see on the road, you know.
Speaker 1 (19:28):
And I imagine during your last days with Porter, when
the word got out you were leaving that everybody tried
to audition.
Speaker 2 (19:35):
On the road, didn't Hey, yeah, he had a lot
of problems, But I mean, you know, with people coming
up after the show when it was autographing and things,
and he'd just tell him to send the tape in
a picture.
Speaker 1 (19:44):
Well he's so, he's made the selections. So that's all over.
This goes This goes back a little while about a
year and a half.
Speaker 2 (19:51):
I guess, yeah, this is one of our big duet records.
This was written by Carl Butler, and Carl is one
of my best friends Old saw and so was porter.
Speaker 4 (20:02):
Any curl of diamondside offer to you a salt, the gold.
Speaker 3 (20:09):
Mechant, an airplane or two.
Speaker 4 (20:14):
This whole world would be yours to have a wood.
Speaker 5 (20:19):
Fifty drops with pennies and hardages wore gold.
Speaker 3 (20:26):
Efty drops were pennies on hard range work.
Speaker 6 (20:32):
I have all the rag.
Speaker 4 (20:34):
Ches my pal it's wold.
Speaker 3 (20:38):
I be also well feel.
Speaker 4 (20:41):
With treasures on foot.
Speaker 11 (20:44):
Efty drops were pennies and hardaches were cold.
Speaker 2 (20:58):
The tears that have all all the won't buy you thing.
Speaker 3 (21:03):
The haartachs you've cost me won't pay for the read.
Speaker 4 (21:10):
The load alone, it would not and drown cool.
Speaker 2 (21:15):
Ifty drops were pennies and hardy were.
Speaker 8 (21:22):
If drops for pies and hard age were cool.
Speaker 2 (21:28):
I have all the.
Speaker 4 (21:29):
Wretches my park.
Speaker 3 (21:31):
It's w I be also well.
Speaker 8 (21:37):
Dear treasures on coat empty drops were pen.
Speaker 3 (21:43):
Said hardage Burkle, but dear.
Speaker 17 (21:48):
Drops on pennies and hardaches doren go, Miss Dolly pardon
an old porter with if tear drops were pennies.
Speaker 5 (22:00):
M h.
Speaker 1 (22:07):
Well, Dolly honey, we've got to go. We'll be back
for one more show tomorrow.
Speaker 2 (22:11):
I hope so. And I've enjoyed this one.
Speaker 1 (22:13):
I look forward to working with you again. Me too,
And uh, you're gonna be it'll square again tomorrow.
Speaker 2 (22:19):
No, I think I'll be all right tomorrow, but there
will be no change in you.
Speaker 1 (22:24):
Our show presented for the holiday Inns but Camp Fophony
and for Vasily and Haretonic. We'll see tomorrow
Dolly Partners, my special guest, the East Tennessee Mountain Girl
and who grew up and became a very famous singer.
You know, you'd be off pretty in the movies. Anybody
ever offer you a movie contract?
Speaker 2 (00:18):
No, never did.
Speaker 1 (00:20):
Nobody ever brought it up.
Speaker 2 (00:22):
Well, yeah I have. I've had different people mention it.
But I don't have any desire to be in the movies.
I just want to, you know, do good at my
singing and my writing, and I keep trying. One of
these days I might make it. But I really don't
have any desire to be in the movies unless it
would be something where I could just sing a song
or maybe do a comedy show or something i'd enjoy that.
Speaker 1 (00:40):
I must repeat something I said the first time I
ever met the Dolly Parton. I thought you were a
female Roger Miller because you were a wires cracking every minute.
Speaker 2 (00:50):
I used to, you know, really go on. I've always
felt good. I've always been a happy person by nature,
and I used to just really go on and kid everybody,
make something out of everything. But then I got to thinking,
you know, the people's gonna think I was smart, elec.
So I tried to not be so smart edick, not
really smart, ag, but I mean I just always was
going on with something silly, So I've tried to be
(01:11):
more serious. Now. When you said that about me being funny,
I guess people think, well, what she does listening to
this show? Or what do they think she done?
Speaker 1 (01:20):
You met Burt Reynolds a while, baby, Oh yeah, he's
a real nice person. Did he offer you a part
in the picture?
Speaker 3 (01:26):
Uh?
Speaker 2 (01:27):
Somebody mentioned something about it. It was a movie they
made here in town. But if I thought I could
have done a good job of it, I would have.
But he deserved better than I could do. And uh no,
I'm serious. I mean if I thought I could have
done a good job, I would have, but I couldn't
do it.
Speaker 1 (01:42):
What sort of were you offered a part?
Speaker 4 (01:44):
Yeah?
Speaker 2 (01:45):
They did ask me about doing the part in the movie.
What was the name of the movie, The w W
w W and the Dixie Dance Dixie Dance King. Yeah,
well they talk to me about doing the female part. Yeah,
and it was a great comp But like I said,
I couldn't do it, and I didn't even want to try.
Speaker 1 (02:05):
I have no desire to act.
Speaker 2 (02:06):
I really don't. I have no desire to act unless
I just totally had a change of heart.
Speaker 1 (02:11):
And now you are a great dreamer, aren't you.
Speaker 2 (02:14):
Yeah, but I like to paint my dreams and my
songs and sing them that way. I can't. I couldn't
imagine me trying to be serious enough to act. And
even if I was as serious, you know, trying to
be sexy or something, I love seeing out life rightaint,
I just couldn't do it. I know I couldn't do it.
Speaker 1 (02:32):
No, imagine you would have a hard time being sexy.
Speaker 2 (02:35):
Well on the screen, I would unless it was real.
I just I don't know.
Speaker 1 (02:42):
You dig yourself a nice hole here, uh huh.
Speaker 2 (02:47):
Well, okay, I guess.
Speaker 1 (02:48):
All shut up, then paint yourself back into a corner.
Did you ever do that?
Speaker 2 (02:52):
Yeah? Lots of times. Yeah. He was a real nice person.
I enjoyed talking with him.
Speaker 1 (02:58):
He the NBC special down at the Governor's.
Speaker 2 (03:02):
Matchion, Yeah, and that was a lot of fun.
Speaker 1 (03:04):
I've forgotten the name of that show.
Speaker 2 (03:06):
I think it was. I don't know the name of
it either, but I know Burt Reynolds was the host,
and we had all a.
Speaker 1 (03:10):
Lot of Nashville start.
Speaker 2 (03:12):
Yeah, and so that was a lot of fun. You
are saying, Yeah, I'm saying Tennessee mountain home. Sure, let's
do then on the front for John, the summer afternoon
in a straight back chair, on two late leaned against
the wall, what's the kids playing with june bugs on
(03:38):
straight and chase the glue and fireflies when the evening
shadows fall.
Speaker 4 (03:47):
In my Tennessee out life best, peaceful l late side.
Speaker 3 (04:00):
And not see Dan.
Speaker 5 (04:03):
Home, regeting in the fief bad.
Speaker 2 (04:11):
Honey, sircle, vine planks to the fence, a long lace.
Speaker 4 (04:16):
The fragrance makes the summer winds.
Speaker 5 (04:19):
So sweet, and on a distant heel top an eagles
grigs wings and a song bird on ben post sings melody.
Speaker 6 (04:34):
In sell life is is peaceful and bay side.
Speaker 3 (04:46):
In DC.
Speaker 5 (04:49):
Than regeting in the field.
Speaker 4 (05:10):
Walking home from church on.
Speaker 2 (05:12):
Sunday with you won't you up? Just laughing, talking, making
future plans.
Speaker 4 (05:20):
And when the boat sain't.
Speaker 2 (05:22):
Look at me, might steal the kids or two sitting
in the port swing holding.
Speaker 4 (05:31):
In lives peaceful less, baby.
Speaker 6 (05:40):
Side and done read it saying in the beauty.
Speaker 1 (05:52):
By anything you Let's say about that song before we
(06:16):
leave that subject.
Speaker 2 (06:17):
Yeah, it's true song. It's the way I remember home
and I always will in my memories, and it's just
a memory of home, and I'm just glad I got
to share that memory with you, you and your listeners.
Speaker 1 (06:28):
Do you still sing this in your accents?
Speaker 7 (06:30):
Oh?
Speaker 2 (06:30):
Yeah, I love this song. I love to sing it.
It's so you know, down home, and I mean it's
one of my favorites that I've wrote. Like I mentioned before,
and everybody that rites has their favorite songs that they write,
and this is one of my favorites. Because I've wrote
some songs that I can't stand. Really, what's one that
you can something fishy? No, and I'll al Wells love
you and not Now.
Speaker 1 (06:50):
I wrote a song oil Wells Love.
Speaker 4 (06:52):
Yeah.
Speaker 2 (06:53):
This song I wrote about a texta guy in Texas,
you know that own a lot of o Wells. This
was years ago, and so the song all old Wells
love you, all old Wells care, all oil Wells needs you.
I want you all Wells dear, and that's sort of nonsense.
But anyway, this I like this Tennessee Mountain Home because
he did is bath Home. Now I'll get off of
(07:13):
the subject.
Speaker 1 (07:14):
You've heard Dolly Barton and my Tennessee Mountain Home Dolly,
I be bringing out Gary.
Speaker 2 (07:26):
Oh okay, this is Gary Stewart, and this is a
song called out of hand. And it's a good song too.
Speaker 3 (07:43):
Evan your name.
Speaker 1 (07:47):
Except for the allman with at home.
Speaker 3 (07:52):
Evolving the saying.
Speaker 8 (07:56):
I've always been true except for you, not even a
one man stand.
Speaker 9 (08:04):
And I never retended or to get so out of
pay out of hand, I have a whole living can
A man need more keep.
Speaker 10 (08:25):
Me going head than this go very bad?
Speaker 5 (08:32):
You my can.
Speaker 3 (08:34):
Woman, I'm your can man.
Speaker 9 (08:41):
Maybe that's the reason it got so out of hand.
Speaker 8 (08:56):
I need vertendy.
Speaker 2 (09:01):
Orr it to go this far.
Speaker 9 (09:05):
I don't think I can get off from where we
are some time to wear.
Speaker 8 (09:15):
So just a taste of all I had, and I'm never.
Speaker 3 (09:26):
Get so out of p.
Speaker 8 (09:32):
Out of pain, out of pay, have a hot little can.
Need more keep me going than the school with back.
Speaker 11 (09:49):
You're my can woman, I'm your can.
Speaker 3 (09:58):
Maybe that the reason.
Speaker 11 (10:02):
Got out of.
Speaker 3 (10:08):
Hand on calm.
Speaker 1 (10:17):
Me, that's scary Stewart, following his records success drinking thing
without a pan.
Speaker 12 (10:24):
When a skin injury makes your child cry out in pain,
ow it hurts, remember camphophonique. Camphophonique is the multipurpose family
medication that instantly stops the pain of minor cuts, scrapes, burns,
even cold sores and fever blisters. Camphophonique gently penetrates skin
injuries to kill germs, protect against infection, helps nature heal
(10:45):
skin injuries. Camphophonique, the penetrating first aid medication stops pain instantly.
Campho Phinique.
Speaker 13 (10:54):
Together time time to spend, enjoy.
Speaker 4 (11:00):
Food and get out. And we got together.
Speaker 3 (11:05):
Well the good times.
Speaker 13 (11:07):
I'm begging together with you, together with friends and color.
Speaker 14 (11:15):
The next time you're dining out to get together with holiday,
good food, good friends together.
Speaker 1 (11:23):
This little gal is simply called the custom.
Speaker 4 (11:33):
Baby, my love trains coming.
Speaker 3 (11:36):
It's really on fire.
Speaker 5 (11:37):
And come in.
Speaker 15 (11:39):
I've got a special seat that I've saved just for you.
You're taking his pad and now I'm ready getting board.
And you know, baby, I've got a trainload of it
waiting for you.
Speaker 4 (11:58):
This ride is smooth and he's in.
Speaker 13 (12:01):
I know, shure on a pleasehir, You're going on a
trim you've never been before.
Speaker 15 (12:10):
Will the things you never dreamed of on the train
that's bound for true love?
Speaker 3 (12:17):
And you know that's what everybody is looking for.
Speaker 6 (12:23):
Get off my back train, ride by.
Speaker 4 (12:27):
My side, because you find me nothing better than my loving.
It's what you've been looking for.
Speaker 3 (12:37):
Spad me love before.
Speaker 6 (12:40):
Hiver, Get off my back.
Speaker 3 (12:47):
By my side, get on my.
Speaker 4 (12:51):
Love training line. This ride is smooth, and he said,
I know it's you're gonna please. You're going on a
trip you've never been before. Will the things you never
dreamed on the train that's bound for true love, and
(13:16):
you know that's what everybody is looking for.
Speaker 3 (13:22):
Yeah, my love.
Speaker 2 (13:25):
On my side.
Speaker 1 (13:29):
You finding love it stared at them.
Speaker 14 (13:31):
I love it.
Speaker 3 (13:32):
It's what you've been looking for.
Speaker 4 (13:36):
Sat love for any.
Speaker 6 (13:43):
Get my love train by my side. Yell my love
training by yell my love training.
Speaker 1 (14:00):
That's LaCosta. Will get on my love train, raphy.
Speaker 2 (14:08):
Don't we play a song by Ray Price. He's one
of my favorites. And this is song called like Old
Times Again.
Speaker 1 (14:14):
It's all right with me, all right?
Speaker 16 (14:25):
Here she comes again, looking like the dream she's always been.
There she goes again, breaking my heart. Here I am again,
(14:50):
feeling like the fool that let it again. Here I
go again, falling apar.
Speaker 10 (15:06):
Lord.
Speaker 8 (15:07):
I wait that it could be.
Speaker 3 (15:13):
Like God times again. I wish that I couldn't hold
the way I am then, and we see the last
of love and it's useless to pretend.
Speaker 10 (15:39):
Because it's never gone.
Speaker 3 (15:45):
My good times again. Look at me.
Speaker 10 (16:05):
Still clinging to a memory, and look at her singing
to someone else. Look at them, she's so much in
(16:28):
love with him, and look at us. There's nothing else.
Speaker 3 (16:42):
Lord, I watad he could be.
Speaker 13 (16:48):
Like a times again.
Speaker 3 (16:54):
I will said, I couldn't owe her away. I open,
but we see the last and its less to pretien.
Speaker 10 (17:14):
Because it's never gone, like go times again. No, it's
never gone.
Speaker 3 (17:33):
Like gold times.
Speaker 1 (17:38):
Again, Ray Price on the show, like old Times again.
Speaker 7 (17:48):
This is Marty Robbins for Vaseline hair Tonic today. I've
got a word for you, wires. Now, if that man
of yours has started losing some hair, well, there's nothing
going to stop it, but you can help him take
care of his hair while it's there. With the Vassal
hair tonic. It conditions and moisturizes the scalp while it
rooms the hair so it feels good, looks good too.
You tell a Marty Robinsons, you take.
Speaker 10 (18:09):
Good and care your hair while.
Speaker 3 (18:11):
It's there with pass her tony together.
Speaker 13 (18:20):
Time time to spend en joy Line, good food.
Speaker 4 (18:27):
Get out, and we got together.
Speaker 3 (18:30):
Well, the good times on.
Speaker 13 (18:32):
Again together with you, together with friends and holiday.
Speaker 14 (18:41):
The next time you're dining out, get together with holiday
in good food, good friends together.
Speaker 1 (18:48):
All right, Miss Dolly Parton, we're gonna work our way
back to port or Wagoner here for a moment and
bring him on the scene. Yeah, I suppose you didn't
have anything to do with the selection of the new
girls here that replaced you with the Porto wragging.
Speaker 2 (19:01):
Sure, no, but she's a girl from Lebanon, Tennessee. Her
name is Barbara Lee, and she's a real nice person
and I really like her a lot. But I didn't
I didn't know her before she started working with him.
Speaker 1 (19:14):
Since I don't have him here to ask, I'm just
curious how many how many letters and tapes did he
receive from people all over the country trying to get
that job?
Speaker 2 (19:24):
Three or four thousand at least, plus all the people
we'd see on the road, you know.
Speaker 1 (19:28):
And I imagine during your last days with Porter, when
the word got out you were leaving that everybody tried
to audition.
Speaker 2 (19:35):
On the road, didn't Hey, yeah, he had a lot
of problems, But I mean, you know, with people coming
up after the show when it was autographing and things,
and he'd just tell him to send the tape in
a picture.
Speaker 1 (19:44):
Well he's so, he's made the selections. So that's all over.
This goes This goes back a little while about a
year and a half.
Speaker 2 (19:51):
I guess, yeah, this is one of our big duet records.
This was written by Carl Butler, and Carl is one
of my best friends Old saw and so was porter.
Speaker 4 (20:02):
Any curl of diamondside offer to you a salt, the gold.
Speaker 3 (20:09):
Mechant, an airplane or two.
Speaker 4 (20:14):
This whole world would be yours to have a wood.
Speaker 5 (20:19):
Fifty drops with pennies and hardages wore gold.
Speaker 3 (20:26):
Efty drops were pennies on hard range work.
Speaker 6 (20:32):
I have all the rag.
Speaker 4 (20:34):
Ches my pal it's wold.
Speaker 3 (20:38):
I be also well feel.
Speaker 4 (20:41):
With treasures on foot.
Speaker 11 (20:44):
Efty drops were pennies and hardaches were cold.
Speaker 2 (20:58):
The tears that have all all the won't buy you thing.
Speaker 3 (21:03):
The haartachs you've cost me won't pay for the read.
Speaker 4 (21:10):
The load alone, it would not and drown cool.
Speaker 2 (21:15):
Ifty drops were pennies and hardy were.
Speaker 8 (21:22):
If drops for pies and hard age were cool.
Speaker 2 (21:28):
I have all the.
Speaker 4 (21:29):
Wretches my park.
Speaker 3 (21:31):
It's w I be also well.
Speaker 8 (21:37):
Dear treasures on coat empty drops were pen.
Speaker 3 (21:43):
Said hardage Burkle, but dear.
Speaker 17 (21:48):
Drops on pennies and hardaches doren go, Miss Dolly pardon
an old porter with if tear drops were pennies.
Speaker 5 (22:00):
M h.
Speaker 1 (22:07):
Well, Dolly honey, we've got to go. We'll be back
for one more show tomorrow.
Speaker 2 (22:11):
I hope so. And I've enjoyed this one.
Speaker 1 (22:13):
I look forward to working with you again. Me too,
And uh, you're gonna be it'll square again tomorrow.
Speaker 2 (22:19):
No, I think I'll be all right tomorrow, but there
will be no change in you.
Speaker 1 (22:24):
Our show presented for the holiday Inns but Camp Fophony
and for Vasily and Haretonic. We'll see tomorrow
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