Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Hi, everybody. This is Ralph Emery and Nashville. Our show
is brought your way by Phillips sixty six by Ireland USA.
My guest star is Ed Bruce sitting here with his
Ed Bruce hat on. What does that mean, Ed, Well,
that's what it means. That's one of my concession caps.
Everybody's It's a nice blue ball cap and then it's
(00:23):
got a little Ed Bruce patch in leather on the
front and it looks like your logo. Yeah, as Ed
Bruce and as a cowboy.
Speaker 2 (00:31):
Patsy Patchy designed that.
Speaker 3 (00:33):
Uh you know, it's kind of the the denim and
denim image.
Speaker 4 (00:39):
Uh.
Speaker 3 (00:40):
We just had the bus redone inside, recarpeted and re
upholstered and had it redone in denim, and patch came
up this patch. You know, it's kind of like the
patch on the jeans. And of course we're going to
sell the patches separately also, but they're also on the
on the caps.
Speaker 1 (00:58):
A souvenir of the Ed Bruce show.
Speaker 3 (01:00):
Yes, yes, And I've bout quit wearing the campbell here
anyway because everybody else wearing them.
Speaker 1 (01:05):
You want to be different, all right. I noticed Patsy
is in about every answer you give me. Did you
notice that? Yeah?
Speaker 2 (01:15):
I guess you're right.
Speaker 1 (01:16):
And Patsy did this.
Speaker 3 (01:18):
I guess you're right. We've been together a long time.
How long you Patsy been married going on eighteen years?
And she is your manager?
Speaker 2 (01:25):
Right? Yeah?
Speaker 1 (01:26):
In more ways than one.
Speaker 2 (01:28):
Oh.
Speaker 3 (01:28):
Hey, I could come out probably a heck of a
lot cheaper if I was paying somebody else thirty than
what it cost me to have her.
Speaker 2 (01:35):
But she's been awful, good.
Speaker 1 (01:36):
For me, Patsy, I might I don't know that these
people know Patsy Brew. She also runs a talent agency
in Nashville.
Speaker 3 (01:44):
Theatrical Booking Agency and the Talent Agency publishing companies.
Speaker 2 (01:49):
But he's just a regular little mobile.
Speaker 1 (01:51):
She has this charm that she can charm the birds
out of the trees. I can't imagine anybody saying no
to her.
Speaker 2 (01:57):
Can you.
Speaker 3 (01:59):
I haven't heard too much. I haven't heard in cases,
especially you.
Speaker 1 (02:02):
I can't do it.
Speaker 2 (02:03):
I can't do it, and sometimes I want to.
Speaker 1 (02:05):
Here's Susie Allenson to open our shows. Wasn't that love?
Speaker 5 (02:09):
Wasn't that love? Last night? Wasn't that something? Wasn't We
walked out in the woods, but not too far and
spread up, bagging underneath a star falling step in the
(02:29):
right kind of place.
Speaker 1 (02:33):
I can see the magic you're still shining on your face.
Speaker 5 (02:38):
Wasn't that love last night?
Speaker 2 (02:41):
Wasn't it?
Speaker 6 (02:42):
Wasn't that.
Speaker 4 (02:44):
Night?
Speaker 5 (02:45):
Wasn't a love? Handing you on me tight? And wasn't
that love last night?
Speaker 4 (02:54):
Wasn't that something?
Speaker 5 (02:57):
Wasn't never one acting luck forever now and thing full
out ever being? Say again, take me back there any
time that you want to, any time I need to
(03:17):
mind how I fell in love with you. Wasn't that
love last night?
Speaker 4 (03:23):
Wasn't there who wasn't that dearing?
Speaker 7 (03:26):
The old line?
Speaker 5 (03:28):
Wasn't a love?
Speaker 7 (03:30):
And did you hold me?
Speaker 4 (03:32):
Child? Didn't?
Speaker 2 (03:33):
Oh?
Speaker 7 (03:34):
Did you?
Speaker 5 (03:34):
And wasn't the love last night? Wasn't that something?
Speaker 8 (03:39):
Was never love?
Speaker 5 (03:42):
Wasn't that something? Wasn't ever love last night?
Speaker 4 (03:49):
Wasn't it? Oh?
Speaker 5 (03:50):
Wasn't that hearing the old new line? Wasn't all acting?
Speaker 6 (03:56):
You hold me Chad?
Speaker 2 (03:58):
Didn't you?
Speaker 4 (03:59):
Oh? Did you?
Speaker 1 (04:11):
That's mss Susie Allenson. It wasn't that love.
Speaker 9 (04:16):
This is right Clark inviting y'all to come to Apreyland
and Music City us A, Nashville, Tennessee. Apreyland is full
of the music you love. Big stage shows bring country
music to life like you've never seen it before.
Speaker 7 (04:32):
I got your side.
Speaker 1 (04:35):
Aprilanda is full of thrills too.
Speaker 2 (04:37):
The newest one is a.
Speaker 9 (04:38):
Hair raising rafting adventure down a twisting, snarling whitewater river, the.
Speaker 2 (04:43):
Grisly River Rampay.
Speaker 9 (04:47):
Yes, Sir, Aprelanda is just about the most exciting place
on earth. There's always a good chance you'll see country
music stars taping TV shows and recording live concerts. While
you're in Nashville. You want to take in a grand
old Oprey mat mate or a guy into it. The
star As Homes and the Rhymen Auditorium, Longtime Home with
the brand old Opera. For more information, called your travel
agent or Opperland Travel Company at six one five eight
(05:10):
eight nine six six zero zero. Y'all come to Nashville.
Speaker 1 (05:14):
Opery Land in Nashville now open daily. And is this
where you sing with Willie Nelson? Yeah?
Speaker 2 (05:21):
I sing with Willian Nelson on this.
Speaker 1 (05:24):
Are these Willy Nelson sing with you?
Speaker 2 (05:26):
They? Either way they both worked there.
Speaker 1 (05:28):
I have never have you in your memory. You've covered
this business a long time. Have you ever known a
man who was on more people's records than Willie Nelson.
Speaker 3 (05:38):
I mean outside of Charli McCoy or Pig Rummins.
Speaker 1 (05:42):
No, I'm talking about a singer.
Speaker 2 (05:43):
Yeah, no, no way.
Speaker 1 (05:45):
You know he makes guest appearances on Whaling's records. They
have one out now, and he's done albums with.
Speaker 3 (05:51):
The rumor he's sing with himself on.
Speaker 1 (05:53):
One, and he's made albums with so many people. There's
an album I'm looking forward to. He heard yet he
made with Merle Haggard that ought to be good.
Speaker 2 (06:03):
I haven't heard it. Uh, Uh, I know that. Uh
get Whaling. I've got a new one come in too.
Speaker 1 (06:09):
Well and he's uh, he's just I heard he did
one with Web Yeah.
Speaker 2 (06:15):
Yeah.
Speaker 3 (06:16):
In fact, uh, last year we were working. We were
working in Austin Edwards, Tennessee. Caboy been round there and
went to went by a sea coach and we went
out to Willy's place out there, you know, his country
(06:37):
club had to play golf and Well was out there
at the time we was out there. Yeah, and uh,
they were in between, you know, cutting the course at
that time. Willie was just getting the studio finished. But
they were working at at that time.
Speaker 1 (06:50):
How'd you get Willy to sing on your record.
Speaker 2 (06:53):
Just ask him to.
Speaker 3 (06:55):
I had, I had already cut it. And uh, Tommy West,
who is my producer, asked Rick and Bonnie h Rick
Blackburn Bonnie Garner at ACBS function one night, said that
I just cut the song. I really would like for
(07:16):
Wooded to be on it. And Rick or Bonnie one said, well,
let's ask him.
Speaker 2 (07:20):
He's over here.
Speaker 3 (07:20):
He was in town and they asked him and he
came by the next day.
Speaker 1 (07:24):
That's simple, now you say that's that simple, But you're
on mc A rack.
Speaker 3 (07:29):
Now, I don't ask me how they do all that,
the law asked Patsy.
Speaker 1 (07:34):
Yeah, the lawyers had to get involved.
Speaker 2 (07:35):
I'm sure they did.
Speaker 1 (07:36):
All right, here's this, here's the record we're talking about,
ed with a guest appearance by Willie Nelson.
Speaker 10 (07:43):
This is the last Cowboys song. The end of a
hundred years was the voice of sound said? Is this
ing and long?
Speaker 11 (08:02):
Another piece of Amica's lost.
Speaker 4 (08:13):
He ridess a.
Speaker 11 (08:14):
Feed lot and clerks in the market on weekends, selling
tobacco and beer, and his dreams of tomorrow surrounded by fences.
For your dreams tonight when fences weren't here, he blazes
(08:43):
the tree with Lewis and Clark and I Ball, I
Ball White back down.
Speaker 2 (08:55):
He's good shoulder to shoulder with trails in Texas, and rode.
Speaker 11 (09:03):
With the seventh when custar went down.
Speaker 7 (09:10):
This is the last.
Speaker 6 (09:13):
Cowboy song, the end of the undred year walks.
Speaker 2 (09:23):
The voice.
Speaker 10 (09:24):
The sound sad as they sing in along another piece
of Merica's lost.
Speaker 11 (09:40):
Remain and showed us how he looked on canvas.
Speaker 7 (09:46):
Louisamo has told.
Speaker 10 (09:50):
Us his team and Willie, we.
Speaker 2 (09:57):
And me sing about him. I wish to god we
could have written his trade. This is the last The
usism tree is covered in concrete. Man and they truck
him to market in fifty cook Ris.
Speaker 3 (10:22):
Say, flowed by his market, never slow to read long
like living stuff's all his.
Speaker 5 (10:34):
This is the last cowboy song in all the undread
Here walk.
Speaker 1 (10:47):
What's his sound? Side a single long?
Speaker 7 (10:53):
Another piece are mad long.
Speaker 5 (11:00):
This is the last step of song.
Speaker 4 (11:07):
In the.
Speaker 7 (11:13):
Voice sound sid say.
Speaker 5 (11:19):
Lot of songs.
Speaker 11 (11:23):
Long.
Speaker 2 (11:52):
This is the last song in the behind the voice
the sound sad is they sing in.
Speaker 11 (12:11):
Another piece of Marica's lungs.
Speaker 7 (12:21):
This is the.
Speaker 2 (12:22):
Last cow song.
Speaker 1 (12:33):
That's ed Brose and Old Willy and the last Cowboys
song ed, why don't you bring on this little girl
that you appeared on this show with last year?
Speaker 12 (12:50):
Uh.
Speaker 3 (12:52):
I also had the pleasure of seeing Terry in La
This a few months ago. Terry Gibbs as the only
we're talking about, and I saw her Lee Greenwood was
opening for hers. Puts on a great show and I
has won in the past year numerous awards. A young
(13:14):
lady that maybe waited a little while before she actually
got into business.
Speaker 2 (13:17):
What is Terry?
Speaker 3 (13:18):
Twenty seven, twenty eight, so like that, and it's just
really taken in by Storm's Terry Gibbs.
Speaker 8 (13:23):
Ashes to ashes, ashes ascious, dust to dust.
Speaker 5 (13:30):
In this world is all on my.
Speaker 8 (13:33):
Gone first, your wheel of life keeps tiring a while
you catch tell us to rust aashious uses one side,
the one side of a friend killing each other and
(13:58):
my welcome too. And then they walk away together and
I'll walk her fall along. But is of all like
green rugs and the harvest time to spare.
Speaker 6 (14:13):
Ashst Ashians just dance who this world is a warman
contruck You hung about bad catchall left the all across ashes.
Speaker 7 (14:31):
Ashis just a bird that's been last forever.
Speaker 5 (14:41):
There's a curtain fallach, play.
Speaker 8 (14:44):
All we can to fend on the dam in comforte.
Speaker 7 (14:49):
Soill you ever love her?
Speaker 8 (14:52):
If you have a friends, keep them from each other
cause you no hell with me.
Speaker 6 (15:02):
Ashes to ashes, tell me tell me as times.
Speaker 1 (15:26):
As Miss Terry Gibbs and Ashes to Ashes. A performance
story from Phillip's Petroleum.
Speaker 12 (15:42):
What you're listening to is the sound of a quiet
revolution in food packaging, a process that's helping to hold
down the cost of food everywhere it's used. My name
is Marvin Osley. I'm with the packaging subsidiary of Phelps Petroleo,
and that quiet revolution you hear is the Ultrapan Containers
sys we've developed. It's a flexible system that allows us
(16:03):
to package anything from drive vegetables to yoburt and fit
the container to any food without wasted space or weight.
Now that's where the savings happened.
Speaker 1 (16:14):
It cuts shipping.
Speaker 12 (16:15):
Costs, energy use, handling and storage costs. Realistically, the most
the system can save is a few tenths of a
cent on any one thing you buy. But when it
spreads to enough products, our quiet revolution could turn into
a big noise.
Speaker 2 (16:30):
Caring for your car and more. That's performance from Phillips Petroleum.
Speaker 1 (16:37):
I was just rumbling around through your albums here. I
guess this is an album that's maybe ten years old,
and I found your recording of seventy six. Huh, seventy six.
I found your recording the Thing called Love. I liked it,
and I thought we'd play it too. I appreciate this
one of my favorite, all time favorite. Jerry reads those
(16:58):
six foot six. He stood on the ground out.
Speaker 2 (17:03):
Six foot six, stood on the ground. We two hundred
and thirty five thounds. But I saw this giant a
man rock down. He's knees by love. He was the
kind of man who would came along, look you in
(17:25):
the eye, never back of the But I saw him
crying out with barter pain can love can't see it
with their eyes over?
Speaker 11 (17:36):
Then you had but life the win.
Speaker 2 (17:38):
The covers of land, strong enough, the road the hard
of any man.
Speaker 7 (17:43):
This thing called love, you can let you out, You
can take you down.
Speaker 2 (17:49):
To take your world, turn.
Speaker 5 (17:51):
It on ride.
Speaker 2 (17:54):
Ever since time, that's ever been found stronger than love. M.
Most men are like me. They struggle and die worth
than mine.
Speaker 3 (18:11):
Head and day out to you, busy with living the
words by the thing called love. M.
Speaker 2 (18:24):
But well, I see her mother's tendiness as she holds
her young to her breast them. I thank God. That's
the worldsman blessed by the Lord Love. You can't see it.
Speaker 4 (18:38):
With their eyes.
Speaker 2 (18:39):
Hold it in your hand by life away the brothers
I lived.
Speaker 6 (18:43):
It's wrong enough to run father any man.
Speaker 2 (18:46):
They s thing called Love.
Speaker 1 (18:50):
We can let you. I can take you down.
Speaker 4 (18:52):
I'll take your wall.
Speaker 2 (18:54):
And turn off n ever since time. Mothers of.
Speaker 1 (19:01):
Over Ed Bruce and Ed's version of a song called
Thing Called Love. I've got a question for you. Did
you vote for your favorite stars and the recent Music
City News cover awards show? You can you know by
(19:23):
subscribing to the world's favorite country music publication from Nashville
Music City News. Yes, as a subscriber to Music City News,
you take part in this famous awards presentation. Subscribe today,
and in addition to voting, you'll read all about the stars,
see their candid photographs, and read Star Route, the Music
(19:43):
City News editorial section telling where and when the stars
will be performing. You can subscribe now and receive fifteen
issues for the price of twelve. That's three issues free
by sending your check now for ten dollars to Music
City News, post office box eight, Nashville, Tennessee, thirty seven
tow O two. That's ten dollars to Music Sitting Yours
(20:07):
post office box eight, Nashville, Tennessee, and the zip code
is thirty seven to oto. We are visiting this week
with Ed Bruce or Tom Guthrie, and uh, I guess.
Speaker 2 (20:23):
We might all say the former Tom gut Thrie.
Speaker 4 (20:25):
I don't know.
Speaker 1 (20:26):
Let me ask you this. If they said, Okay, we're
gonna do Maverick again, maybe they don't say this for
another six months and you're out there picking and singing
with your band, would you go back?
Speaker 4 (20:40):
Uh?
Speaker 3 (20:42):
If if when you say they, if you were to say,
if he asked to it probably would guard Amenah, in
six months, I would I would no longer feel uh
necessarily oblgate to the series or to the production outside.
Speaker 2 (21:05):
Of gym okay.
Speaker 1 (21:07):
Uh, but if he called, you'd go?
Speaker 2 (21:09):
Yeah?
Speaker 1 (21:10):
I probably would probably would.
Speaker 2 (21:12):
Yeah, I sort I suspect you'd probably go. I probably would.
Speaker 1 (21:16):
If he and Patsy both worked on you would have
You wouldn't have a chance. Would It'd be all over there?
Stapler Brothers coming up next?
Speaker 2 (21:24):
Oh? My friend.
Speaker 1 (21:28):
That was and they do to help me.
Speaker 2 (21:34):
Get over you. But I'm not blue.
Speaker 1 (21:40):
And all broke in? Why should I met you call?
Speaker 4 (21:48):
You'll be pie.
Speaker 2 (21:51):
Every night in my dream.
Speaker 5 (21:54):
You'll be pie.
Speaker 7 (21:58):
Fall even say my cat.
Speaker 1 (22:09):
Can't. You'll be back every.
Speaker 5 (22:12):
Night in my preen.
Speaker 2 (22:21):
Walt the book I cried until don't wash the B.
Speaker 1 (22:31):
And my phone on go.
Speaker 4 (22:34):
Not me.
Speaker 2 (22:37):
While wor B.
Speaker 1 (22:41):
Just a case your con.
Speaker 2 (22:45):
Can't.
Speaker 1 (22:45):
You'll be back.
Speaker 7 (22:47):
You be back every pipe in my dream.
Speaker 2 (22:51):
You'll be by.
Speaker 7 (22:54):
And see my God.
Speaker 2 (23:06):
You'll be back every night in my prison.
Speaker 1 (23:12):
Yeah, you'll be back.
Speaker 2 (23:14):
You'll be back every night, and my.
Speaker 7 (23:17):
Cream you'll be bad.
Speaker 2 (23:21):
And the ball sleep like a goat.
Speaker 5 (23:33):
You'll be back every night in my dream.
Speaker 2 (23:39):
I'll see Brisson, Christian.
Speaker 1 (23:56):
Phil Bosley, Herold, Donny Reid and uhh, we'll leave it Outlee,
I mean, uh, Lou, Lou do it, Stadler brothers with
You'll be back every night in my dreams.
Hi, everybody. This is Ralph Emery and Nashville. Our show
is brought your way by Phillips sixty six by Ireland USA.
My guest star is Ed Bruce sitting here with his
Ed Bruce hat on. What does that mean, Ed, Well,
that's what it means. That's one of my concession caps.
Everybody's It's a nice blue ball cap and then it's
(00:23):
got a little Ed Bruce patch in leather on the
front and it looks like your logo. Yeah, as Ed
Bruce and as a cowboy.
Speaker 2 (00:31):
Patsy Patchy designed that.
Speaker 3 (00:33):
Uh you know, it's kind of the the denim and
denim image.
Speaker 4 (00:39):
Uh.
Speaker 3 (00:40):
We just had the bus redone inside, recarpeted and re
upholstered and had it redone in denim, and patch came
up this patch. You know, it's kind of like the
patch on the jeans. And of course we're going to
sell the patches separately also, but they're also on the
on the caps.
Speaker 1 (00:58):
A souvenir of the Ed Bruce show.
Speaker 3 (01:00):
Yes, yes, And I've bout quit wearing the campbell here
anyway because everybody else wearing them.
Speaker 1 (01:05):
You want to be different, all right. I noticed Patsy
is in about every answer you give me. Did you
notice that? Yeah?
Speaker 2 (01:15):
I guess you're right.
Speaker 1 (01:16):
And Patsy did this.
Speaker 3 (01:18):
I guess you're right. We've been together a long time.
How long you Patsy been married going on eighteen years?
And she is your manager?
Speaker 2 (01:25):
Right? Yeah?
Speaker 1 (01:26):
In more ways than one.
Speaker 2 (01:28):
Oh.
Speaker 3 (01:28):
Hey, I could come out probably a heck of a
lot cheaper if I was paying somebody else thirty than
what it cost me to have her.
Speaker 2 (01:35):
But she's been awful, good.
Speaker 1 (01:36):
For me, Patsy, I might I don't know that these
people know Patsy Brew. She also runs a talent agency
in Nashville.
Speaker 3 (01:44):
Theatrical Booking Agency and the Talent Agency publishing companies.
Speaker 2 (01:49):
But he's just a regular little mobile.
Speaker 1 (01:51):
She has this charm that she can charm the birds
out of the trees. I can't imagine anybody saying no
to her.
Speaker 2 (01:57):
Can you.
Speaker 3 (01:59):
I haven't heard too much. I haven't heard in cases,
especially you.
Speaker 1 (02:02):
I can't do it.
Speaker 2 (02:03):
I can't do it, and sometimes I want to.
Speaker 1 (02:05):
Here's Susie Allenson to open our shows. Wasn't that love?
Speaker 5 (02:09):
Wasn't that love? Last night? Wasn't that something? Wasn't We
walked out in the woods, but not too far and
spread up, bagging underneath a star falling step in the
(02:29):
right kind of place.
Speaker 1 (02:33):
I can see the magic you're still shining on your face.
Speaker 5 (02:38):
Wasn't that love last night?
Speaker 2 (02:41):
Wasn't it?
Speaker 6 (02:42):
Wasn't that.
Speaker 4 (02:44):
Night?
Speaker 5 (02:45):
Wasn't a love? Handing you on me tight? And wasn't
that love last night?
Speaker 4 (02:54):
Wasn't that something?
Speaker 5 (02:57):
Wasn't never one acting luck forever now and thing full
out ever being? Say again, take me back there any
time that you want to, any time I need to
(03:17):
mind how I fell in love with you. Wasn't that
love last night?
Speaker 4 (03:23):
Wasn't there who wasn't that dearing?
Speaker 7 (03:26):
The old line?
Speaker 5 (03:28):
Wasn't a love?
Speaker 7 (03:30):
And did you hold me?
Speaker 4 (03:32):
Child? Didn't?
Speaker 2 (03:33):
Oh?
Speaker 7 (03:34):
Did you?
Speaker 5 (03:34):
And wasn't the love last night? Wasn't that something?
Speaker 8 (03:39):
Was never love?
Speaker 5 (03:42):
Wasn't that something? Wasn't ever love last night?
Speaker 4 (03:49):
Wasn't it? Oh?
Speaker 5 (03:50):
Wasn't that hearing the old new line? Wasn't all acting?
Speaker 6 (03:56):
You hold me Chad?
Speaker 2 (03:58):
Didn't you?
Speaker 4 (03:59):
Oh? Did you?
Speaker 1 (04:11):
That's mss Susie Allenson. It wasn't that love.
Speaker 9 (04:16):
This is right Clark inviting y'all to come to Apreyland
and Music City us A, Nashville, Tennessee. Apreyland is full
of the music you love. Big stage shows bring country
music to life like you've never seen it before.
Speaker 7 (04:32):
I got your side.
Speaker 1 (04:35):
Aprilanda is full of thrills too.
Speaker 2 (04:37):
The newest one is a.
Speaker 9 (04:38):
Hair raising rafting adventure down a twisting, snarling whitewater river, the.
Speaker 2 (04:43):
Grisly River Rampay.
Speaker 9 (04:47):
Yes, Sir, Aprelanda is just about the most exciting place
on earth. There's always a good chance you'll see country
music stars taping TV shows and recording live concerts. While
you're in Nashville. You want to take in a grand
old Oprey mat mate or a guy into it. The
star As Homes and the Rhymen Auditorium, Longtime Home with
the brand old Opera. For more information, called your travel
agent or Opperland Travel Company at six one five eight
(05:10):
eight nine six six zero zero. Y'all come to Nashville.
Speaker 1 (05:14):
Opery Land in Nashville now open daily. And is this
where you sing with Willie Nelson? Yeah?
Speaker 2 (05:21):
I sing with Willian Nelson on this.
Speaker 1 (05:24):
Are these Willy Nelson sing with you?
Speaker 2 (05:26):
They? Either way they both worked there.
Speaker 1 (05:28):
I have never have you in your memory. You've covered
this business a long time. Have you ever known a
man who was on more people's records than Willie Nelson.
Speaker 3 (05:38):
I mean outside of Charli McCoy or Pig Rummins.
Speaker 1 (05:42):
No, I'm talking about a singer.
Speaker 2 (05:43):
Yeah, no, no way.
Speaker 1 (05:45):
You know he makes guest appearances on Whaling's records. They
have one out now, and he's done albums with.
Speaker 3 (05:51):
The rumor he's sing with himself on.
Speaker 1 (05:53):
One, and he's made albums with so many people. There's
an album I'm looking forward to. He heard yet he
made with Merle Haggard that ought to be good.
Speaker 2 (06:03):
I haven't heard it. Uh, Uh, I know that. Uh
get Whaling. I've got a new one come in too.
Speaker 1 (06:09):
Well and he's uh, he's just I heard he did
one with Web Yeah.
Speaker 2 (06:15):
Yeah.
Speaker 3 (06:16):
In fact, uh, last year we were working. We were
working in Austin Edwards, Tennessee. Caboy been round there and
went to went by a sea coach and we went
out to Willy's place out there, you know, his country
(06:37):
club had to play golf and Well was out there
at the time we was out there. Yeah, and uh,
they were in between, you know, cutting the course at
that time. Willie was just getting the studio finished. But
they were working at at that time.
Speaker 1 (06:50):
How'd you get Willy to sing on your record.
Speaker 2 (06:53):
Just ask him to.
Speaker 3 (06:55):
I had, I had already cut it. And uh, Tommy West,
who is my producer, asked Rick and Bonnie h Rick
Blackburn Bonnie Garner at ACBS function one night, said that
I just cut the song. I really would like for
(07:16):
Wooded to be on it. And Rick or Bonnie one said, well,
let's ask him.
Speaker 2 (07:20):
He's over here.
Speaker 3 (07:20):
He was in town and they asked him and he
came by the next day.
Speaker 1 (07:24):
That's simple, now you say that's that simple, But you're
on mc A rack.
Speaker 3 (07:29):
Now, I don't ask me how they do all that,
the law asked Patsy.
Speaker 1 (07:34):
Yeah, the lawyers had to get involved.
Speaker 2 (07:35):
I'm sure they did.
Speaker 1 (07:36):
All right, here's this, here's the record we're talking about,
ed with a guest appearance by Willie Nelson.
Speaker 10 (07:43):
This is the last Cowboys song. The end of a
hundred years was the voice of sound said? Is this
ing and long?
Speaker 11 (08:02):
Another piece of Amica's lost.
Speaker 4 (08:13):
He ridess a.
Speaker 11 (08:14):
Feed lot and clerks in the market on weekends, selling
tobacco and beer, and his dreams of tomorrow surrounded by fences.
For your dreams tonight when fences weren't here, he blazes
(08:43):
the tree with Lewis and Clark and I Ball, I
Ball White back down.
Speaker 2 (08:55):
He's good shoulder to shoulder with trails in Texas, and rode.
Speaker 11 (09:03):
With the seventh when custar went down.
Speaker 7 (09:10):
This is the last.
Speaker 6 (09:13):
Cowboy song, the end of the undred year walks.
Speaker 2 (09:23):
The voice.
Speaker 10 (09:24):
The sound sad as they sing in along another piece
of Merica's lost.
Speaker 11 (09:40):
Remain and showed us how he looked on canvas.
Speaker 7 (09:46):
Louisamo has told.
Speaker 10 (09:50):
Us his team and Willie, we.
Speaker 2 (09:57):
And me sing about him. I wish to god we
could have written his trade. This is the last The
usism tree is covered in concrete. Man and they truck
him to market in fifty cook Ris.
Speaker 3 (10:22):
Say, flowed by his market, never slow to read long
like living stuff's all his.
Speaker 5 (10:34):
This is the last cowboy song in all the undread
Here walk.
Speaker 1 (10:47):
What's his sound? Side a single long?
Speaker 7 (10:53):
Another piece are mad long.
Speaker 5 (11:00):
This is the last step of song.
Speaker 4 (11:07):
In the.
Speaker 7 (11:13):
Voice sound sid say.
Speaker 5 (11:19):
Lot of songs.
Speaker 11 (11:23):
Long.
Speaker 2 (11:52):
This is the last song in the behind the voice
the sound sad is they sing in.
Speaker 11 (12:11):
Another piece of Marica's lungs.
Speaker 7 (12:21):
This is the.
Speaker 2 (12:22):
Last cow song.
Speaker 1 (12:33):
That's ed Brose and Old Willy and the last Cowboys
song ed, why don't you bring on this little girl
that you appeared on this show with last year?
Speaker 12 (12:50):
Uh.
Speaker 3 (12:52):
I also had the pleasure of seeing Terry in La
This a few months ago. Terry Gibbs as the only
we're talking about, and I saw her Lee Greenwood was
opening for hers. Puts on a great show and I
has won in the past year numerous awards. A young
(13:14):
lady that maybe waited a little while before she actually
got into business.
Speaker 2 (13:17):
What is Terry?
Speaker 3 (13:18):
Twenty seven, twenty eight, so like that, and it's just
really taken in by Storm's Terry Gibbs.
Speaker 8 (13:23):
Ashes to ashes, ashes ascious, dust to dust.
Speaker 5 (13:30):
In this world is all on my.
Speaker 8 (13:33):
Gone first, your wheel of life keeps tiring a while
you catch tell us to rust aashious uses one side,
the one side of a friend killing each other and
(13:58):
my welcome too. And then they walk away together and
I'll walk her fall along. But is of all like
green rugs and the harvest time to spare.
Speaker 6 (14:13):
Ashst Ashians just dance who this world is a warman
contruck You hung about bad catchall left the all across ashes.
Speaker 7 (14:31):
Ashis just a bird that's been last forever.
Speaker 5 (14:41):
There's a curtain fallach, play.
Speaker 8 (14:44):
All we can to fend on the dam in comforte.
Speaker 7 (14:49):
Soill you ever love her?
Speaker 8 (14:52):
If you have a friends, keep them from each other
cause you no hell with me.
Speaker 6 (15:02):
Ashes to ashes, tell me tell me as times.
Speaker 1 (15:26):
As Miss Terry Gibbs and Ashes to Ashes. A performance
story from Phillip's Petroleum.
Speaker 12 (15:42):
What you're listening to is the sound of a quiet
revolution in food packaging, a process that's helping to hold
down the cost of food everywhere it's used. My name
is Marvin Osley. I'm with the packaging subsidiary of Phelps Petroleo,
and that quiet revolution you hear is the Ultrapan Containers
sys we've developed. It's a flexible system that allows us
(16:03):
to package anything from drive vegetables to yoburt and fit
the container to any food without wasted space or weight.
Now that's where the savings happened.
Speaker 1 (16:14):
It cuts shipping.
Speaker 12 (16:15):
Costs, energy use, handling and storage costs. Realistically, the most
the system can save is a few tenths of a
cent on any one thing you buy. But when it
spreads to enough products, our quiet revolution could turn into
a big noise.
Speaker 2 (16:30):
Caring for your car and more. That's performance from Phillips Petroleum.
Speaker 1 (16:37):
I was just rumbling around through your albums here. I
guess this is an album that's maybe ten years old,
and I found your recording of seventy six. Huh, seventy six.
I found your recording the Thing called Love. I liked it,
and I thought we'd play it too. I appreciate this
one of my favorite, all time favorite. Jerry reads those
(16:58):
six foot six. He stood on the ground out.
Speaker 2 (17:03):
Six foot six, stood on the ground. We two hundred
and thirty five thounds. But I saw this giant a
man rock down. He's knees by love. He was the
kind of man who would came along, look you in
(17:25):
the eye, never back of the But I saw him
crying out with barter pain can love can't see it
with their eyes over?
Speaker 11 (17:36):
Then you had but life the win.
Speaker 2 (17:38):
The covers of land, strong enough, the road the hard
of any man.
Speaker 7 (17:43):
This thing called love, you can let you out, You
can take you down.
Speaker 2 (17:49):
To take your world, turn.
Speaker 5 (17:51):
It on ride.
Speaker 2 (17:54):
Ever since time, that's ever been found stronger than love. M.
Most men are like me. They struggle and die worth
than mine.
Speaker 3 (18:11):
Head and day out to you, busy with living the
words by the thing called love. M.
Speaker 2 (18:24):
But well, I see her mother's tendiness as she holds
her young to her breast them. I thank God. That's
the worldsman blessed by the Lord Love. You can't see it.
Speaker 4 (18:38):
With their eyes.
Speaker 2 (18:39):
Hold it in your hand by life away the brothers
I lived.
Speaker 6 (18:43):
It's wrong enough to run father any man.
Speaker 2 (18:46):
They s thing called Love.
Speaker 1 (18:50):
We can let you. I can take you down.
Speaker 4 (18:52):
I'll take your wall.
Speaker 2 (18:54):
And turn off n ever since time. Mothers of.
Speaker 1 (19:01):
Over Ed Bruce and Ed's version of a song called
Thing Called Love. I've got a question for you. Did
you vote for your favorite stars and the recent Music
City News cover awards show? You can you know by
(19:23):
subscribing to the world's favorite country music publication from Nashville
Music City News. Yes, as a subscriber to Music City News,
you take part in this famous awards presentation. Subscribe today,
and in addition to voting, you'll read all about the stars,
see their candid photographs, and read Star Route, the Music
(19:43):
City News editorial section telling where and when the stars
will be performing. You can subscribe now and receive fifteen
issues for the price of twelve. That's three issues free
by sending your check now for ten dollars to Music
City News, post office box eight, Nashville, Tennessee, thirty seven
tow O two. That's ten dollars to Music Sitting Yours
(20:07):
post office box eight, Nashville, Tennessee, and the zip code
is thirty seven to oto. We are visiting this week
with Ed Bruce or Tom Guthrie, and uh, I guess.
Speaker 2 (20:23):
We might all say the former Tom gut Thrie.
Speaker 4 (20:25):
I don't know.
Speaker 1 (20:26):
Let me ask you this. If they said, Okay, we're
gonna do Maverick again, maybe they don't say this for
another six months and you're out there picking and singing
with your band, would you go back?
Speaker 4 (20:40):
Uh?
Speaker 3 (20:42):
If if when you say they, if you were to say,
if he asked to it probably would guard Amenah, in
six months, I would I would no longer feel uh
necessarily oblgate to the series or to the production outside.
Speaker 2 (21:05):
Of gym okay.
Speaker 1 (21:07):
Uh, but if he called, you'd go?
Speaker 2 (21:09):
Yeah?
Speaker 1 (21:10):
I probably would probably would.
Speaker 2 (21:12):
Yeah, I sort I suspect you'd probably go. I probably would.
Speaker 1 (21:16):
If he and Patsy both worked on you would have
You wouldn't have a chance. Would It'd be all over there?
Stapler Brothers coming up next?
Speaker 2 (21:24):
Oh? My friend.
Speaker 1 (21:28):
That was and they do to help me.
Speaker 2 (21:34):
Get over you. But I'm not blue.
Speaker 1 (21:40):
And all broke in? Why should I met you call?
Speaker 4 (21:48):
You'll be pie.
Speaker 2 (21:51):
Every night in my dream.
Speaker 5 (21:54):
You'll be pie.
Speaker 7 (21:58):
Fall even say my cat.
Speaker 1 (22:09):
Can't. You'll be back every.
Speaker 5 (22:12):
Night in my preen.
Speaker 2 (22:21):
Walt the book I cried until don't wash the B.
Speaker 1 (22:31):
And my phone on go.
Speaker 4 (22:34):
Not me.
Speaker 2 (22:37):
While wor B.
Speaker 1 (22:41):
Just a case your con.
Speaker 2 (22:45):
Can't.
Speaker 1 (22:45):
You'll be back.
Speaker 7 (22:47):
You be back every pipe in my dream.
Speaker 2 (22:51):
You'll be by.
Speaker 7 (22:54):
And see my God.
Speaker 2 (23:06):
You'll be back every night in my prison.
Speaker 1 (23:12):
Yeah, you'll be back.
Speaker 2 (23:14):
You'll be back every night, and my.
Speaker 7 (23:17):
Cream you'll be bad.
Speaker 2 (23:21):
And the ball sleep like a goat.
Speaker 5 (23:33):
You'll be back every night in my dream.
Speaker 2 (23:39):
I'll see Brisson, Christian.
Speaker 1 (23:56):
Phil Bosley, Herold, Donny Reid and uhh, we'll leave it Outlee,
I mean, uh, Lou, Lou do it, Stadler brothers with
You'll be back every night in my dreams.
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