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May 27, 2025 • 25 mins
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Speaker 1 (00:03):
Conway twenty is my guest, and on this show we
are previewing his Christmas album for nineteen eighty three and
I Suspect for eighty four, eighty five, eighty six. So
you got to release this every year every year? That's right.
The record company is all excited about it. I plan
to do that, Conway, what also tell them about the
plan for next year? The extension of this album?

Speaker 2 (00:26):
Well, we would have done it this year. Well, but
we've ran out of time. It took us so long
to finish the album. Next year, we're planning an all
animated Christmas special with this album as the soundtrack.

Speaker 1 (00:40):
That will take a while.

Speaker 2 (00:41):
Yeah, it takes about We've been told to between five
and seven months to do this particular project with all
the little characters and things, and what it is?

Speaker 1 (00:51):
The length of it? Are you talking about thirty minutes
on television or an hour? It'll have to be an
hour at least. Okay, would you have it seems to
me that you would have to add a little more
to the story. Yeah, Well, do some more writing than
is a parent in this album.

Speaker 2 (01:09):
Possibly a little possibly, But this album is fifty four
minutes long as is, and by the time you put
commercials and stuff like that on the TV show, in fact,
would have to be an hour and a half show.

Speaker 1 (01:19):
Really, you of course will appear in animation, right.

Speaker 2 (01:24):
Yeah, the whole thing will be animated to stay within
this concept, keep the magic in it all.

Speaker 1 (01:31):
Right now, where you want to go back to the album,
we're up to jingle.

Speaker 2 (01:34):
Bells certainly not a new song, not a new song,
but when you hear the interlude before jingle bells and
the dialogue and what's going on, it sets the song
up in a different kind of way, and it makes
kids get into it more by what is discussed. You know,

(01:56):
we're going we're really going on a sleigh right here,
right the toty bird I are in a one horse
open sleigh while this song was going on, and the
twenty bird has never seen a jingle bell and he
hears the sound and I say, twenty bird, you know
what that is? And he said, he says, yeah, do
you hear that? And he says, yeah, I hear it,
but I.

Speaker 1 (02:16):
Don't know what it did.

Speaker 2 (02:17):
And I said, well, that's the world famous jingle bell
Why they're so famous that somebody sat down and wrote
a song about them And it makes It makes kids
listen to the song a little more, they get into
it a little more so. And the arrangements and things
with these songs, even though they're old songs, make them
sound like new ones.

Speaker 1 (02:36):
All right, so let's go back.

Speaker 3 (02:38):
Come on, twenty bird.

Speaker 2 (02:39):
We'd better hurry if we're going to get there in
time to meet our friends for that sleigh ride. Hey
do you hear that, twenty bird? Well, it's the world
famous jingle bell Why they're so famous that someone set

(03:02):
down and wrote a song about it.

Speaker 4 (03:13):
Jingle tangle, tingle tangle, single.

Speaker 5 (03:15):
Table to jingle bells, jingle bells, jingle all the way?

Speaker 2 (03:22):
Or what fun it is to ride in a one
horse open slave?

Speaker 5 (03:26):
Hey, tingle bells, dingle bells, dingle all the way?

Speaker 2 (03:31):
Or what fun it is to ride in a one
horse open sleigh dashing through the snow, in a one
horse open sleigh.

Speaker 6 (03:39):
Over the fields we go laughing all the way?

Speaker 5 (03:52):
Hey, jingle bells, dingle bells, dingle all away?

Speaker 2 (03:57):
Or what fun it is to ride in a one
horse open slave?

Speaker 5 (04:01):
Hey, jingle bells, dingle bells, dingle all the way?

Speaker 7 (04:06):
Oh?

Speaker 1 (04:06):
What burn minister?

Speaker 8 (04:08):
Rideing a one horse open.

Speaker 9 (04:09):
Slave and single bells and lo.

Speaker 3 (04:22):
Now the ground is white.

Speaker 10 (04:24):
Go it while you're young, But take the girls to
night and sing the slave in song.

Speaker 9 (04:33):
Morning.

Speaker 5 (04:39):
Hey, jingle bells, dingle bells, dingle all the way?

Speaker 2 (04:44):
Or what bern it is to ride and a one
horse open slave?

Speaker 5 (04:48):
Hey, jingle bells, dingle bells, dingle all the way?

Speaker 2 (04:53):
Or what burn minister rideing a one horse open slave?

Speaker 5 (04:57):
Dingle bell dingle bells, jing all away?

Speaker 2 (05:01):
Oh, one it is turn on?

Speaker 1 (05:03):
And a one horse open slay.

Speaker 5 (05:05):
Hey, dingle bells, dingle bells, dingle all the way?

Speaker 1 (05:10):
Oh it is turned on?

Speaker 9 (05:12):
And a one horse open slay.

Speaker 2 (05:15):
Oh it is turned on.

Speaker 9 (05:17):
In a long horse opens.

Speaker 1 (05:24):
You've heard Conway Twitty and the Twitty Bird and the
song of course jingle bells. We're talking to Conway Twitty,
and principally we're talking about his Christmas album for nineteen

(05:44):
eighty three, something new for Conway. I assume Conway, that
you told me you reviewed something like thirty or forty albums.
There must huh sixty. There must have been songs that
you wanted to record that you just didn't have time
to recall. Yeah, there were there were many, many, many songs.
But some of them were great songs, but just did

(06:05):
not fit this concept. You'll notice with this album right
off that it started. The thing starts off with Santa
claus Is coming to town, and song by song by song,
it works its way up till the night before Christmas
and then Christmas Night, and it's a storybook album, and
it tells the story of the Christmas season and Christmas. Conway,

(06:31):
you grew up in Arkansas. You're a very small child
in Arkansas. I don't know when you moved to Mississippi.
That's the confusing part. Okay.

Speaker 2 (06:40):
I was born in Mississippi and I lived there until
I was ten years old, and I moved up the
Mississippi River about ten miles over into Arkansas. Held them
in Arkansas when I was about ten years old. We
were times tough for your family. Well, we didn't know
they were tough. We didn't have anything else to compare
it to. But I looking back, I suppose, yeah, you
could say they were tough, but we didn't know that.

Speaker 3 (07:02):
So they were a really good times.

Speaker 2 (07:04):
Did you go out in the woods and cut down
your own tree? Oh yeah, we did it every year.
We did it every year.

Speaker 1 (07:10):
Back then.

Speaker 2 (07:11):
There was no other way to get a Christmas tree.
That's how we did it. Most boys that grow up
in the country do it that way.

Speaker 1 (07:19):
Yeah. You you get a lot of toys, No, we
got one.

Speaker 2 (07:26):
You know, usually get one toy and maybe a little
tack of oranges and apples and candy and any special
Christmas traditions in your family that you have observed. Nothing
special except that we're all together, you know, at Christmas time.

Speaker 1 (07:44):
And okay, all enjoy it. When do you open your
presents Christmas even night or Christmas Morning? See with a
lot of families, that varies. Yea, I understand that. For
years we did it on a Christmas morning, then we
switched to Christmas Eve night and vcture of the business
that you and I are in, sometimes you have to
do things a little different sometimes, especially with my whole

(08:08):
family living at twenty Cities. Some of them have trips
they want to go on, they have different Sometimes we
have to do it two days before Christmas. It's twity cities.
It closed on Christmas Day. No, since you have this
special Christmas display. No Christmas Twitter City is open on
Christmas Day. What are they allys for?

Speaker 2 (08:28):
The Christmas thing is from I think from six to ten,
five to nine, six to nine, six to nine, okay,
I got it, six through nine, actually six to ten.

Speaker 1 (08:39):
Conway's assistant d Henry is yelling through the glass to
give us the So somebody's going to be working there
on Christmas?

Speaker 3 (08:46):
Oh yeah, all the elves will be out there.

Speaker 1 (08:48):
Will you be there? I'll be there. Sure. How do
you you never work on Christmas? No? I would say basically,
that's the one day and the whole year that the
entertainment business is kind of shut down. I'm talking about
the road business. Yeah.

Speaker 2 (09:02):
Well, actually the whole month of December is kind of
slow for some of them.

Speaker 1 (09:06):
But we could work.

Speaker 3 (09:07):
I could work through it all, but that's the time
of year.

Speaker 2 (09:10):
I take about six weeks off the month of December
and part of January. Take about six weeks off. Yeah,
I'll be there, and I guess the band then scatters
to the winds. Yeah, they go in all directions during
the holidays.

Speaker 1 (09:25):
I'll go home. I guess the mama's or where they're from.
Let's go on with the song here by Meil Tilly
says mail ever made a Christmas record?

Speaker 2 (09:36):
To your knowledge, I don't remember hear any one. I
can't think of what. Well, if you can't think of one,
then he probably didn't make it.

Speaker 1 (09:44):
I don't pretend to remember all the records, but I
don't remember one by Mel. Anyway, here's Mel to sing
the next song.

Speaker 11 (10:01):
Every time the phone, I should know it isn't her,
and the doorbell shouldn't my hope, So A wait for her,

(10:25):
just my GODDD didn't even know.

Speaker 9 (10:31):
She mad forever.

Speaker 11 (10:35):
When she said you die. I even know.

Speaker 3 (10:46):
Ever I'm not around.

Speaker 11 (10:52):
So she can find me.

Speaker 3 (10:56):
If she had spun.

Speaker 11 (11:02):
Every time I get back home, I still nobody.

Speaker 9 (11:12):
She made forever.

Speaker 11 (11:16):
When she said goodbye.

Speaker 4 (11:23):
Time has not made in her easy around me.

Speaker 12 (11:33):
It's all.

Speaker 8 (11:35):
The hunger works.

Speaker 1 (11:38):
For the way things s.

Speaker 11 (11:43):
I to myself that she would be back, but I
knew it's so loud.

Speaker 9 (11:53):
She made forever.

Speaker 8 (11:57):
When she said goodbye.

Speaker 1 (12:08):
Good Bibe, that's Mel. Tell us what she meant forever
when she said goodbye. Just the other day, I was
talking with Les Beasley over at the Gospel Singing Jubilee
television program, and Less was telling me that many of
the letters people write to him ask where they can

(12:31):
find a Bible with giant print. Well, here's good news.
Gospel Singing Jubilee has made arrangements with a leading publishing
house so you can obtain a special giant print Bible.
This giant print makes it possible for you to read
the Bible with ease, and children love the giant print too.
If you write to me today, you can get this

(12:53):
beautiful gospel Singing Jubilee Bible bound and handsome leather flex
binding in rich Burgundy for just thirteen ninety five and
we'll pay all the postage to get your giant print Bible.
Just send your check or money order for thirteen ninety
five to Giant Print Bible Box eight, Nashville, Tennessee, thirty

(13:15):
seven two o two. That's Giant Print Bible Box eight, Nashville, Tennessee,
thirty seven two o two. Mister Twitty, bring on the
pretty girl, will you?

Speaker 6 (13:25):
Uh?

Speaker 1 (13:25):
Well?

Speaker 2 (13:25):
This is another one of my neighbors. Added to it
is Ity and I've known her for a long time.
I pads across through numerous times down through the years.
The Super Bowl Gal Barbara Mandrel one of a kind
pair of food.

Speaker 1 (13:38):
He had the.

Speaker 7 (13:39):
Best to go through Jis and I bet he's.

Speaker 8 (13:45):
Proud of himself the way he spent his time.

Speaker 13 (13:50):
Telling all his freezers.

Speaker 7 (13:52):
How good it be just to playbold.

Speaker 8 (13:55):
I'm seeing all of their rids.

Speaker 9 (13:59):
You will.

Speaker 8 (14:01):
One of a kind.

Speaker 9 (14:04):
A pair of fools.

Speaker 13 (14:08):
To invers one mass and lie too.

Speaker 8 (14:13):
You thought you were the only one I thought I
was to. We're one of the kind a pair of fools.

Speaker 4 (14:33):
Funny, we could talk.

Speaker 9 (14:34):
This sounds the best of friends.

Speaker 7 (14:38):
But we're not to blame for the faith that that
man has put us singing. When we break the news
that you know about me and I know what I
know about you, after what he has done, you better
start to ride this one.

Speaker 9 (14:56):
Of a kind a pair of ools.

Speaker 8 (15:02):
To him one man's.

Speaker 9 (15:04):
They're liar too?

Speaker 8 (15:07):
You lost?

Speaker 9 (15:08):
You the only one.

Speaker 6 (15:10):
I thought I was to.

Speaker 13 (15:13):
We're one of a kind a pair of food.

Speaker 7 (15:27):
When we break the news to know about me and
I know the after one he has gone, you better start.

Speaker 11 (15:36):
To ride from one of the die.

Speaker 1 (15:42):
A pair of.

Speaker 8 (15:45):
To m one man's they're liar too?

Speaker 9 (15:50):
You lost You were the only one.

Speaker 7 (15:52):
I thought I was too.

Speaker 12 (15:56):
I guess we see now what lie love, didn't you?

Speaker 1 (16:09):
That's Barbara Mandraw with one of a kind a pair
of fools. Johnny Lee is gonna have you heard the
last couple of Johnny Lee Records and should bring back
a lot of memories to you. Oh yeah, said good

(16:29):
old stuff out of the fifties, rocking fifties music.

Speaker 3 (16:33):
It was a good too. And you used to do
a lot of this. Yeah, I did a little bit
of that, a little bit.

Speaker 2 (16:37):
Yeah, you got a little bit of this anyway, This
for you people that used to what they used to
do back in those days.

Speaker 1 (16:46):
The pony, the shag and.

Speaker 3 (16:49):
The twist and the alligator and I don't know what off.

Speaker 1 (16:53):
Anyway, Johnny Lee is going to take you back with
my baby doning slow dance.

Speaker 4 (17:00):
Staid to get to the bar, the harper with this
you me bor.

Speaker 3 (17:04):
Got a little brother with the back beating. I never
really ever been a lot of the feet.

Speaker 14 (17:10):
Food is moodiest mood for love, never quiet enough. My
baby don't stow them, she don't start dancer and love
my baby don't suw dance. She don't star dance anymore.

Speaker 4 (17:26):
And when the fan starts cleaning my laborite field, she
won't ever see my baby don't stow days anymore.

Speaker 2 (17:53):
We'll I turn me down to move And on satur.

Speaker 14 (17:56):
And the night check a shout out of my shoes
and check my tight I'm all right.

Speaker 4 (18:00):
When old team him in his best Dason's base, he's
in the streeling the risks.

Speaker 9 (18:05):
Were swinging and singing in the rough.

Speaker 8 (18:07):
But when the fan comes down, she got some kind
of roots.

Speaker 9 (18:10):
She don't slow No, she.

Speaker 4 (18:13):
Don't slow that, say and move my baby doll suda,
She don't slow dance more.

Speaker 8 (18:21):
Have me in the past, off playing my favorite fee.

Speaker 4 (18:24):
She won't ever see my baby doll slow day any more?
My favorite doll. She don't slow down saying, oh my
baby doll suw dance.

Speaker 9 (18:40):
She don't slow dance he any more?

Speaker 6 (18:43):
Now be in the past, off cleaning my favorite me.

Speaker 9 (18:46):
She won't ever see.

Speaker 4 (18:48):
My baby doll susday any bo. My baby doll slow
dad any ball.

Speaker 8 (18:59):
She gotta tho.

Speaker 1 (19:09):
My baby is boring because if you don't, if you
don't slow dance, you can't get close to them. It's
Johnny Lee with my baby don't slow dance. What would
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your pencil and paper handy, because I'm going to explain
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(19:30):
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(19:50):
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(20:11):
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It's a beautiful kitchenware set that's built to last forever.
And what about the twenty piece set of famous Maker
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(20:33):
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thirty seven to two oh two or phone one eight
hundred four to five three sixty nine hundred. This is
a money back guaranteed offer. In the Conway twenty Christmas album,
there's a very very nice tune called Kids Conway tell

(20:56):
us about it well song, Uh, it says something about
this whole album, this whole album. We say it it's
for kids of all ages, and in this particular song
it talks about kids of all ages. And just let
the song speak for itself. Be song. You've heard the
expression he's just a big kid. Yeah, that's you kind of.

Speaker 2 (21:20):
Gee geez.

Speaker 1 (21:28):
Christmas is for ky.

Speaker 2 (21:34):
Look around and you see kids from one to ninety three, laughing,
loving life and being keys.

Speaker 9 (21:47):
Kee keey.

Speaker 2 (21:55):
Christmas is forky kids like you and little brother aunts
and uncles, dads and mothers, Grandma, grandpa and all.

Speaker 1 (22:10):
The other keys.

Speaker 10 (22:18):
Chaddy runs the electric train while all the children wait
in vain to take their turn and play in engineer.

Speaker 15 (22:32):
And Grandpa pinches Grandma's cheek, and all the family sneaks apeak,
and suddenly there he just disappears. Takele at Betty joke
underneath the missile to pretending she doesn't know it's there.

(22:59):
And then the front yard, Uncle Mike just fell off,
brothers brand new bike. This Christmas cheer and laughter everywhere.

Speaker 1 (23:13):
Kee Kee Christmas, kee.

Speaker 9 (23:23):
For key.

Speaker 2 (23:26):
Christmas time is here again, and now is when the
fun begins. This time of year.

Speaker 1 (23:35):
We all turn in to.

Speaker 9 (23:40):
Keep.

Speaker 2 (23:55):
That's very pretty sory. I think one of the best
in the entire album. There's not a new It was
a first time I heard it. It was on a
Nny Rodgers album Last Christmas, Kenny Rogers Christmas.

Speaker 1 (24:07):
That one you've heard Conway Twitty from his Christmas album
Mary Twistmas and Kids. Well, Conway, I guess we'd better
leave the North Pole for the time being, but we'll

(24:29):
be back tomorrow. Go somewhere which want or let's just
going on inside? All right? Boy, sitting outside here is ridiculous.
Your idea.

Speaker 2 (24:38):
Got some cookies in there, see you tomorrow, all right,
Ralph Emily for Conway Twitty, and we thank you for listening.

Speaker 9 (25:00):
Contently. Have U expire
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