MGK SAYS HE’S AN ALIEN: His Mother Was Abducted, His Skin Heals Too Fast, And His Age Doesn’t Exist!
August 19, 2025 • 14 mins
MGK believes he inherited alien DNA from his mother's abduction, citing his unnaturally fast-healing skin, his confusion about whether his age exists, and his repeated UFO sightings as proof he's not fully human.
READ or HEAR the story: https://weirddarkness.com/alienmgk/
= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.
#MGKAlien #MachineGunKelly #MGKAlienTheory #ColsonBaker #MGKNotHuman #MGKMotherAbduction #MGKUFO #AndyCohen #WatchWhatHappensLive #MGKSkinHealing #MGKAgeDoesntExist #CelebrityAliens #MGKUFOSighting #ConcertForAliens #MGKExtraterrestrial #MGKAlienDNA #MGKBoraBoraUFO #MGKRedOrb #CelebrityUFO #MGKSupernaturalHealing #MGKAlienHeritage #MGKConspiracy #MGKAlienConfession #MGKJamesCorden #MGKRapidHealing #AlienAbduction #MGKTheory #MGKMystery #UFOSightings #MGKTruth
READ or HEAR the story: https://weirddarkness.com/alienmgk/
= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.
#MGKAlien #MachineGunKelly #MGKAlienTheory #ColsonBaker #MGKNotHuman #MGKMotherAbduction #MGKUFO #AndyCohen #WatchWhatHappensLive #MGKSkinHealing #MGKAgeDoesntExist #CelebrityAliens #MGKUFOSighting #ConcertForAliens #MGKExtraterrestrial #MGKAlienDNA #MGKBoraBoraUFO #MGKRedOrb #CelebrityUFO #MGKSupernaturalHealing #MGKAlienHeritage #MGKConspiracy #MGKAlienConfession #MGKJamesCorden #MGKRapidHealing #AlienAbduction #MGKTheory #MGKMystery #UFOSightings #MGKTruth
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:05):
I'm Darren Marler and this is a weird darkness bonus bite.
Coulson Baker sits across from Mandy Cohen on a Sunday
night in August twenty twenty five, and something about the
conversation takes an unexpected turn. The musician known as MGK
starts talking about his skin, how it heals too quickly
when torn apart. He mentions his mother and an abduction.
(00:28):
He questions whether his own age exists in any meaningful way.
The studio audience laughs nervously, unsure if they're witnessing a
joke or a confession. MGK, formerly known as Machine Gun Kelly,
his fascination with his own biology setters on a specific
visceral detail. His skin repairs itself at an unnatural speed.
(00:52):
During his appearance on Watch What Happens Live, he described
the phenomenon with a matter of fact tone that made
it somehow now more unsettling. When his skin rips open,
and he spoke as if this happens regularly, The wound
closes faster than it should. The flesh knits back together
with a speed that defies normal human healing rates. This
(01:14):
isn't typical wound healing. The average human laceration takes days
to form a proper scab weaks to fully close. MGK
describes something different, something immediate. The way he tells it,
his body seems to reject the very concept of remaining damaged,
as if some internal mechanism kicks into overdrive the moment
(01:35):
his skin breaches. The thirty five year old musician, though
he questions even that basic fact about himself his age,
treats this rapid healing as evidence of something fundamentally different
about his genetic makeup. His skin doesn't just heal, It
raises to seal itself, to hide whatever might lie beneath.
(01:55):
The conversation with his mother haunts mgk's understanding of his
own origins. He approached her with specific questions the kind
to son doesn't typically ask. Had she ever gone missing?
Had time ever slipped away from her? Had she encountered
anything tall and slender that didn't belong to this world?
Her answer chilled him. She believed she'd been abducted at
(02:18):
some point in her life. The implications of this maternal
confession ripple through everything MGK understands about himself. If his
mother experienced an alien abduction, a period where something took her,
examined her, perhaps altered her. Then what does that make him?
The question of paternity takes on dimensions beyond typical family mysteries.
(02:43):
When MGK asks who's my dad, he's not wondering about
a deadbeat father or a family secret. He's questioning whether
his biological origins trace back to this planet at all.
The way his mother delivered this information matters too. She
didn't laugh at off or treated as a dream. She
felt it, believed it carried the memory or non memory
(03:05):
of it with her. Whatever happened to her left an
impression deep enough that she'd share it with her son
years later, validating his growing suspicions about his own alien nature.
When Andy Cohen asked MGK his age, the simple question
that should have a simple answer, the response spiraled into
existential territory. MGK doesn't just claim uncertainty about his birth date.
(03:30):
He questions whether his age exists as a measurable concept
at all. This goes beyond the typical celebrity age games
that someone like Mariah Carey plays with the media. MGK
seems genuinely disconnected from linear time as humans understand it.
He told Cohen, he doesn't know many facts about his
(03:50):
own life, as if the basic biographical data that grounds
most people in reality simply doesn't apply to him. The
way he phraises it, I don't know if it exists,
suggests something more profound than memory loss or record's confusion.
He is questioning whether the very framework of Earth years
applies to whatever he is. If part of his genetic
(04:13):
material comes from elsewhere, from beings that experience time differently
or don't age in recognizable patterns, then counting birthdays becomes meaningless.
His uncertainty extends beyond just his age. MGK admits to
not knowing many facts about his life, as if his
entire existence operates on a different frequency from standard human experience.
(04:36):
The basic anchors of identity when you were born, who
your parents are, how your body works, all become fluid, questionable,
potentially fabricated. Mgk's alien encounters aren't limited to speculation about
his genetics. He claims direct visual contact with other worldly phenomena,
specifically describing two separate incidents involving mysterious orbs over bodies
(05:00):
of water. The first sighting occurred over a lake in
Thousand Oaks, California. A red orb materialized from nothing, hovered,
then vanished again. The description carries a specific quality, not
a light in the distance or a questionable aircraft, but
something that appeared and disappeared in ways that violate normal physics.
(05:22):
The second encounter happened in Bora, Bora, where MGK witnessed
what he identified as the same type of blue ORB
that had been reported over Hawaii. The consistency between his
sighting and the Hawaiian reports suggests either a shared delusion
or a genuine phenomenon. He watched this orb fly past
and disappear over a mountain, following a trajectory that didn't
(05:44):
match any known aircraft. Water seems to play a role
in these sightings. Both occurred over or near significant bodies
of water, the Pacific Ocean a California lake. There's something
about the combination of water and these luminous objects that
create the conditions for contact, or at least observation. MGK
interprets these sightings not as random encounters, but as evidence
(06:08):
of ongoing extraterrestrial surveillance of Earth. During his twenty twenty
two appearance on The Late Late Show with James Cordon,
MGK offered a disturbing interpretation of why aliens might be
observing Earth so closely. He believes they're watching humanity like
a reality show, finding entertainment in human stupidity and dysfunction.
(06:28):
His exact words painted a grim picture of how advanced
beings might view Earth's inhabitants. Everything humans have been doing,
all the conflicts and confusion, looks like pure entertainment from
an outside perspective. Mgk suggested that for any beings not
living on Earth, humanity's behavior represents the best reality show
of all time. This isn't the typical aliens want our
(06:52):
resources or aliens fear our nuclear weapons. Narrative, Mgk envisions
extraterrestrial observers who find human amusing in their incompetence. They
hover over lakes and oceans, materializing their craft just long
enough to check in on the ongoing disaster of human civilization,
then disappear back to wherever they came from, presumably laughing
(07:14):
at what they have witnessed. The contempt in this worldview
runs deep. Mgk doesn't imagine benevolent visitors or curious explorers.
He sees beings who look at Earth and think. As
he puts, it. You guys are so dumb. Every human achievement,
every crisis, every moment of history becomes reduced to entertainment
(07:34):
for superior beings who can't believe what they're watching. Beyond
the rapid healing, mgk's body seems to operate according to
different rules During his watch What Happens Live appearance, both
Andy Cohen and fellow guest Pamela Adlin noted his unusually
youthful appearance while being told you look young might seem
(07:55):
like a compliment or MGK, it represents another piece of
evidence that his biology he doesn't match standard human aging.
He also revealed disturbing dietary habits that suggest his body
processes nutrients differently. In other interviews, he's mentioned going on
four day water fasts and eating only a couple of
times per week. This extreme restriction would devastate most human bodies,
(08:19):
leading to muscle wasting, organ damage, and severe malnutrition. Yet
MGK maintains his health and energy, performing high intensity concerts
and maintaining a physique that shows no signs of starvation.
The combination of rapid healing, ambiguous aging, and the ability
to survive on minimal food creates a pattern. Each individual
(08:41):
trait might have a medical explanation, but together they paint
a picture of someone whose physical form operates outside normal
human parameters. Mgk's alien fixation extends into his artistic work.
He released a song and music video titled Concert for Aliens,
where he depicts himself being kidnapped by an evil alien
(09:02):
version of himself. The video shows a literal split between
his human identity and something else, something that looks like
him but isn't something that can take him against his will.
This creative expression of his alien theories adds another layer
to consider. Is the art reflecting genuine belief or is
(09:22):
the belief of performance that extends beyond the stage. The
line between mgk's public persona and private convictions blurs when
he discusses these topics with such consistency and detail across
multiple platforms and years. When he collaborates with Bob Dylan,
a partnership he claims came from pure desperation and relentless
(09:44):
door knocking, one wonders what the legendary songwriter makes of
mgk's other worldly claims. The fact that Dylan agreed to
narrate mgk's album trailer suggests either sympathy for, or fascination with,
the younger artist's unconventional worldview. The question who's my dad
takes on profound implications in Mgk's narrative, if his mother
(10:06):
experienced an abduction, and if that abduction involved more than
just observation, that Mgk's paternity becomes a question of species,
not just identity. The tall, slender creature he asked his
mother about matches common descriptions of certain types of extraterrestrial
beings reported in abduction accounts. These beings, often described as
(10:26):
examining or experimenting on humans, feature prominently in abduction literature.
Mgk's specific questioning, asking if his mother encountered such a
creature suggests he's considered the possibility that his conception involved
non human intervention. This would explain the biological anomalies, the
rapid healing, the age confusion, the ability to survive on
(10:48):
minimal food. If half his genetic material comes from somewhere else,
from beings with different biological imperatives and capabilities, than every
aspect of his physical existence becomes suspect. He's not just
questioning his father's identity, He's questioning whether he's fully human
at all. What makes mgk's alien admissions particularly unsettling is
(11:11):
their casual delivery. He doesn't present these ideas in hushed,
paranoid tones. He drops them into talk show conversations, between
discussions of dating rumors and musical collaborations. When Andy Cohen
asks about his age, MGK responds with existential uncertainty about
the nature of time itself, then moves on as if
(11:32):
he's discussed something mundane. This nonchalance could indicate either complete
confidence in his beliefs or sophisticated understanding of how to
seed ideas without triggering dismissal. By presenting his alien heritage
as just another biographical detail alongside his children's names and
his recent breakup, he normalizes what should be extraordinary, claims
(11:55):
Hellow guest Pamela Adlin's response that tracks when MGK discussed
his mother subduction as another layer of normalization. The studio
audience laughs, but nervously. Andy Cohen appears genuinely stunned, but
continues the interview. Everyone treats these revelations as surprising but
not impossible, as if the possibility of MGK being part
(12:18):
alien fits somehow with everything else about him. Mgk's children,
sixteen year old Cassie and four month old Saga Blade,
inherit this complicated genetic legacy. If their father's suspicions prove true,
what does that make them The dilution of whatever alien
DNA might run through mgk's veins would presumably continue through generations,
(12:40):
but to what effect The name choices themselves seem significant.
Saga suggests an epic story, a tale that spans time
and space. Blade carries implications of sharpness, of cutting through realities.
Even in naming his children, MGK seems to acknowledge that
their part of something larger and stranger than typical human experience.
(13:05):
His relationship with Megan Fox, Saga's mother, adds another dimension.
Fox herself has spoken about feeling like an outsider, about
not fitting into normal human society. Their attraction might represent
recognition two beings who sends something different about each other,
something that transcends typical human connection. Mgk's interpretation of alien
(13:27):
surveillance carries disturbing implications for humanity's place in the universe.
If Earth serves as entertainment for advanced beings, if human
struggles and achievements amount to nothing more than a cosmic
reality show, then every human endeavor becomes diminished. The red
orb over one thousand oaks and the blue orb over
Bora Bora represents not contact or communication, but observation. These beings,
(13:53):
according to MGK, don't want to help or harm humanity.
They simply want to watch the disaster on. They materialize
their craft just long enough to get a good look
at the latest human folly, then vanish back to their
dimension or planet, or wherever they originate. This voyeuristic interpretation
of alien behavior suggests the universe where humanity occupies the
(14:16):
lowest rung of consciousness. We're not partners in a galactic
community or even subjects worthy of proper study. We are entertainment,
a cosmic joke that superior beings tune into when they
need a laugh. If you'd like to read the story
for yourself, I've placed a link to the article in
the episode description. And find more stories of the paranormal,
(14:37):
true crime, strange, and more at Weird Darkness dot com
slash news
I'm Darren Marler and this is a weird darkness bonus bite.
Coulson Baker sits across from Mandy Cohen on a Sunday
night in August twenty twenty five, and something about the
conversation takes an unexpected turn. The musician known as MGK
starts talking about his skin, how it heals too quickly
when torn apart. He mentions his mother and an abduction.
(00:28):
He questions whether his own age exists in any meaningful way.
The studio audience laughs nervously, unsure if they're witnessing a
joke or a confession. MGK, formerly known as Machine Gun Kelly,
his fascination with his own biology setters on a specific
visceral detail. His skin repairs itself at an unnatural speed.
(00:52):
During his appearance on Watch What Happens Live, he described
the phenomenon with a matter of fact tone that made
it somehow now more unsettling. When his skin rips open,
and he spoke as if this happens regularly, The wound
closes faster than it should. The flesh knits back together
with a speed that defies normal human healing rates. This
(01:14):
isn't typical wound healing. The average human laceration takes days
to form a proper scab weaks to fully close. MGK
describes something different, something immediate. The way he tells it,
his body seems to reject the very concept of remaining damaged,
as if some internal mechanism kicks into overdrive the moment
(01:35):
his skin breaches. The thirty five year old musician, though
he questions even that basic fact about himself his age,
treats this rapid healing as evidence of something fundamentally different
about his genetic makeup. His skin doesn't just heal, It
raises to seal itself, to hide whatever might lie beneath.
(01:55):
The conversation with his mother haunts mgk's understanding of his
own origins. He approached her with specific questions the kind
to son doesn't typically ask. Had she ever gone missing?
Had time ever slipped away from her? Had she encountered
anything tall and slender that didn't belong to this world?
Her answer chilled him. She believed she'd been abducted at
(02:18):
some point in her life. The implications of this maternal
confession ripple through everything MGK understands about himself. If his
mother experienced an alien abduction, a period where something took her,
examined her, perhaps altered her. Then what does that make him?
The question of paternity takes on dimensions beyond typical family mysteries.
(02:43):
When MGK asks who's my dad, he's not wondering about
a deadbeat father or a family secret. He's questioning whether
his biological origins trace back to this planet at all.
The way his mother delivered this information matters too. She
didn't laugh at off or treated as a dream. She
felt it, believed it carried the memory or non memory
(03:05):
of it with her. Whatever happened to her left an
impression deep enough that she'd share it with her son
years later, validating his growing suspicions about his own alien nature.
When Andy Cohen asked MGK his age, the simple question
that should have a simple answer, the response spiraled into
existential territory. MGK doesn't just claim uncertainty about his birth date.
(03:30):
He questions whether his age exists as a measurable concept
at all. This goes beyond the typical celebrity age games
that someone like Mariah Carey plays with the media. MGK
seems genuinely disconnected from linear time as humans understand it.
He told Cohen, he doesn't know many facts about his
(03:50):
own life, as if the basic biographical data that grounds
most people in reality simply doesn't apply to him. The
way he phraises it, I don't know if it exists,
suggests something more profound than memory loss or record's confusion.
He is questioning whether the very framework of Earth years
applies to whatever he is. If part of his genetic
(04:13):
material comes from elsewhere, from beings that experience time differently
or don't age in recognizable patterns, then counting birthdays becomes meaningless.
His uncertainty extends beyond just his age. MGK admits to
not knowing many facts about his life, as if his
entire existence operates on a different frequency from standard human experience.
(04:36):
The basic anchors of identity when you were born, who
your parents are, how your body works, all become fluid, questionable,
potentially fabricated. Mgk's alien encounters aren't limited to speculation about
his genetics. He claims direct visual contact with other worldly phenomena,
specifically describing two separate incidents involving mysterious orbs over bodies
(05:00):
of water. The first sighting occurred over a lake in
Thousand Oaks, California. A red orb materialized from nothing, hovered,
then vanished again. The description carries a specific quality, not
a light in the distance or a questionable aircraft, but
something that appeared and disappeared in ways that violate normal physics.
(05:22):
The second encounter happened in Bora, Bora, where MGK witnessed
what he identified as the same type of blue ORB
that had been reported over Hawaii. The consistency between his
sighting and the Hawaiian reports suggests either a shared delusion
or a genuine phenomenon. He watched this orb fly past
and disappear over a mountain, following a trajectory that didn't
(05:44):
match any known aircraft. Water seems to play a role
in these sightings. Both occurred over or near significant bodies
of water, the Pacific Ocean a California lake. There's something
about the combination of water and these luminous objects that
create the conditions for contact, or at least observation. MGK
interprets these sightings not as random encounters, but as evidence
(06:08):
of ongoing extraterrestrial surveillance of Earth. During his twenty twenty
two appearance on The Late Late Show with James Cordon,
MGK offered a disturbing interpretation of why aliens might be
observing Earth so closely. He believes they're watching humanity like
a reality show, finding entertainment in human stupidity and dysfunction.
(06:28):
His exact words painted a grim picture of how advanced
beings might view Earth's inhabitants. Everything humans have been doing,
all the conflicts and confusion, looks like pure entertainment from
an outside perspective. Mgk suggested that for any beings not
living on Earth, humanity's behavior represents the best reality show
of all time. This isn't the typical aliens want our
(06:52):
resources or aliens fear our nuclear weapons. Narrative, Mgk envisions
extraterrestrial observers who find human amusing in their incompetence. They
hover over lakes and oceans, materializing their craft just long
enough to check in on the ongoing disaster of human civilization,
then disappear back to wherever they came from, presumably laughing
(07:14):
at what they have witnessed. The contempt in this worldview
runs deep. Mgk doesn't imagine benevolent visitors or curious explorers.
He sees beings who look at Earth and think. As
he puts, it. You guys are so dumb. Every human achievement,
every crisis, every moment of history becomes reduced to entertainment
(07:34):
for superior beings who can't believe what they're watching. Beyond
the rapid healing, mgk's body seems to operate according to
different rules During his watch What Happens Live appearance, both
Andy Cohen and fellow guest Pamela Adlin noted his unusually
youthful appearance while being told you look young might seem
(07:55):
like a compliment or MGK, it represents another piece of
evidence that his biology he doesn't match standard human aging.
He also revealed disturbing dietary habits that suggest his body
processes nutrients differently. In other interviews, he's mentioned going on
four day water fasts and eating only a couple of
times per week. This extreme restriction would devastate most human bodies,
(08:19):
leading to muscle wasting, organ damage, and severe malnutrition. Yet
MGK maintains his health and energy, performing high intensity concerts
and maintaining a physique that shows no signs of starvation.
The combination of rapid healing, ambiguous aging, and the ability
to survive on minimal food creates a pattern. Each individual
(08:41):
trait might have a medical explanation, but together they paint
a picture of someone whose physical form operates outside normal
human parameters. Mgk's alien fixation extends into his artistic work.
He released a song and music video titled Concert for Aliens,
where he depicts himself being kidnapped by an evil alien
(09:02):
version of himself. The video shows a literal split between
his human identity and something else, something that looks like
him but isn't something that can take him against his will.
This creative expression of his alien theories adds another layer
to consider. Is the art reflecting genuine belief or is
(09:22):
the belief of performance that extends beyond the stage. The
line between mgk's public persona and private convictions blurs when
he discusses these topics with such consistency and detail across
multiple platforms and years. When he collaborates with Bob Dylan,
a partnership he claims came from pure desperation and relentless
(09:44):
door knocking, one wonders what the legendary songwriter makes of
mgk's other worldly claims. The fact that Dylan agreed to
narrate mgk's album trailer suggests either sympathy for, or fascination with,
the younger artist's unconventional worldview. The question who's my dad
takes on profound implications in Mgk's narrative, if his mother
(10:06):
experienced an abduction, and if that abduction involved more than
just observation, that Mgk's paternity becomes a question of species,
not just identity. The tall, slender creature he asked his
mother about matches common descriptions of certain types of extraterrestrial
beings reported in abduction accounts. These beings, often described as
(10:26):
examining or experimenting on humans, feature prominently in abduction literature.
Mgk's specific questioning, asking if his mother encountered such a
creature suggests he's considered the possibility that his conception involved
non human intervention. This would explain the biological anomalies, the
rapid healing, the age confusion, the ability to survive on
(10:48):
minimal food. If half his genetic material comes from somewhere else,
from beings with different biological imperatives and capabilities, than every
aspect of his physical existence becomes suspect. He's not just
questioning his father's identity, He's questioning whether he's fully human
at all. What makes mgk's alien admissions particularly unsettling is
(11:11):
their casual delivery. He doesn't present these ideas in hushed,
paranoid tones. He drops them into talk show conversations, between
discussions of dating rumors and musical collaborations. When Andy Cohen
asks about his age, MGK responds with existential uncertainty about
the nature of time itself, then moves on as if
(11:32):
he's discussed something mundane. This nonchalance could indicate either complete
confidence in his beliefs or sophisticated understanding of how to
seed ideas without triggering dismissal. By presenting his alien heritage
as just another biographical detail alongside his children's names and
his recent breakup, he normalizes what should be extraordinary, claims
(11:55):
Hellow guest Pamela Adlin's response that tracks when MGK discussed
his mother subduction as another layer of normalization. The studio
audience laughs, but nervously. Andy Cohen appears genuinely stunned, but
continues the interview. Everyone treats these revelations as surprising but
not impossible, as if the possibility of MGK being part
(12:18):
alien fits somehow with everything else about him. Mgk's children,
sixteen year old Cassie and four month old Saga Blade,
inherit this complicated genetic legacy. If their father's suspicions prove true,
what does that make them The dilution of whatever alien
DNA might run through mgk's veins would presumably continue through generations,
(12:40):
but to what effect The name choices themselves seem significant.
Saga suggests an epic story, a tale that spans time
and space. Blade carries implications of sharpness, of cutting through realities.
Even in naming his children, MGK seems to acknowledge that
their part of something larger and stranger than typical human experience.
(13:05):
His relationship with Megan Fox, Saga's mother, adds another dimension.
Fox herself has spoken about feeling like an outsider, about
not fitting into normal human society. Their attraction might represent
recognition two beings who sends something different about each other,
something that transcends typical human connection. Mgk's interpretation of alien
(13:27):
surveillance carries disturbing implications for humanity's place in the universe.
If Earth serves as entertainment for advanced beings, if human
struggles and achievements amount to nothing more than a cosmic
reality show, then every human endeavor becomes diminished. The red
orb over one thousand oaks and the blue orb over
Bora Bora represents not contact or communication, but observation. These beings,
(13:53):
according to MGK, don't want to help or harm humanity.
They simply want to watch the disaster on. They materialize
their craft just long enough to get a good look
at the latest human folly, then vanish back to their
dimension or planet, or wherever they originate. This voyeuristic interpretation
of alien behavior suggests the universe where humanity occupies the
(14:16):
lowest rung of consciousness. We're not partners in a galactic
community or even subjects worthy of proper study. We are entertainment,
a cosmic joke that superior beings tune into when they
need a laugh. If you'd like to read the story
for yourself, I've placed a link to the article in
the episode description. And find more stories of the paranormal,
(14:37):
true crime, strange, and more at Weird Darkness dot com
slash news
Popular Podcasts
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
My Favorite Murder with Karen Kilgariff and Georgia Hardstark
My Favorite Murder is a true crime comedy podcast hosted by Karen Kilgariff and Georgia Hardstark. Each week, Karen and Georgia share compelling true crimes and hometown stories from friends and listeners. Since MFM launched in January of 2016, Karen and Georgia have shared their lifelong interest in true crime and have covered stories of infamous serial killers like the Night Stalker, mysterious cold cases, captivating cults, incredible survivor stories and important events from history like the Tulsa race massacre of 1921. My Favorite Murder is part of the Exactly Right podcast network that provides a platform for bold, creative voices to bring to life provocative, entertaining and relatable stories for audiences everywhere. The Exactly Right roster of podcasts covers a variety of topics including historic true crime, comedic interviews and news, science, pop culture and more. Podcasts on the network include Buried Bones with Kate Winkler Dawson and Paul Holes, That's Messed Up: An SVU Podcast, This Podcast Will Kill You, Bananas and more.
The Joe Rogan Experience
The official podcast of comedian Joe Rogan.